A Station Eight Fan Web Site
Ask Greg Archives
Weisman, Greg
Archive Index
: « First : Displaying #62 - #161 of 401 records. : 100 » : Last » :
Posts Per Page: 1 : 10 : 25 : 50 : 100 : All :
Harlan Phoenix writes...
You had mentioned that you negotiated with Jeffrey Katzenberg to get the publishing rights for Rain of the Ghosts. Did you attempt to acquire the rights to any other property you developed while at Dreamworks?
Greg responds...
I have turnaround rights to pitch a couple of other properties that I developed there.
Liam writes...
Hey Greg,
You mentioned that you visited Tintagel in '81, as part of a sort of "ArthurQuest". I was wondering if you ended up visiting any other places from Arthurian legend. If so, what were they?
Thanks, and good luck with your Star Wars show!
Greg responds...
Yeah, we did, actually. Though I'm blanking on specifics. We definitely saw a version of the Round Table. (Old but not convincing.) And went to the hill where some scholars thought Camelot was. And we went to Stonehenge. There's probably more, but my memory isn't what it once was.
B writes...
Did your cat Iggy ever come back to you? I'm sorry, I've tried to find the answer to this in a biography or interview, but haven't been able to.
Greg responds...
No. He never did. At this point, he'd be so old that even if he survived out on the streets for a time, he would have to have passed on long ago.
Our current pets (both female) are a basset hound named Poppy and a cat named Emmy.
Voice Acting Fan writes...
Dear Greg:
Thank you for answering my previous questions!
You have made reference to SAG before, so presumably Young Justice has to abide by SAG rules or get boycotted. I have a few questions related to this and the voice acting part of the production process:
1. How do the voice talent get paid? A flat rate? Are they paid by the hour? By the line? By the episode? Or some variable rate?
2. When you voiced Lucas Carr, did you have to join the SAG union? Or is production allowed to hire non-SAG personnel as long as they pay them differently?
3. You have stated that getting a second character out of an actor entails no added costs. Since it is free, I am wondering why a few actors (Jesse McCartney comes to mind) doesn't get to voice a character other than Dick Grayson. Was it a matter of actor preference, producer preference, or a mix of the two?
4. How long does a typical recording session last? Do you sit in throughout the whole session, or leave it up to the voice director? How many episode(s) are typically recorded in a sitting?
5. When one of the voice actors sing a song (Reach for a Reach, Hello Megan), they get separately credited. Is this subject to a different rate, or is the singing part simply added as a "character" in determining pay?
Thank you, and I hope by the time you are reading this, you've already got several gigs lined up!
Greg responds...
0. I'm not sure "boycot" is the correct word. The major studios sign contracts with SAG, that prohibits them from contracting non-SAG labor for their acting needs. They can get around this by SUB-contracting, but most don't on major projects.
1. I don't want to speak for EVERY show. In my experience, a voice actor gets paid a flat fee for four hours of work and up to two character voices. For a tiny additional fee, you can get a third voice. But this holds per episode. So for example, even if you could record one guy playing four roles over two episodes in a single four hour session, you'd still owe him two payments. The fee is negotiable, as long as it's above union minimum. But most series pay the union minimum plus 10% and have favored nation clauses in their contracts, which prohibits them from giving any individual actor a raise without simultaneously giving raises to EVERY actor on the series.
2. I first joined SAG to play Donald Menken on Spectacular Spider-Man, and am still a member in good-standing. No union shop can hire non-union actors.
3. Well, Jesse often DID voice additional characters, like Thug #2 or whatever. But generally, there are some actors who have the ability to change their voice enough that they can convincingly play multiple characters without the audience balking. Others really - as talented as they are as performers - only have their own voice.
4. Sessions typically go three to four hours. But often we'll be there all day. We can only keep each individual actor for four hours without incurring overtime, but we could start one actor at 10am and have him until 2pm. And we could start another actor at noon, and have her until 4pm. And a third at 1pm and keep him until 5pm. That way, we have overlap to record their scenes together, but we also have more time to get everything done.
5. Singing is a separate rate. And it's also an additional character, unless they are singing IN CHARACTER. That is, if Nightwing suddenly burst into song, we'd have to pay an additional fee to Jesse for his singing. But we wouldn't have to count that as a second character (or third, since he's also doing Thug #2).
Everything Geek Podcast INTERVIEW
I was interviewed on the Everything Geek Podcast here:
http://www.youtube.com/watch?v=idfnqNo-rn8
I discuss my "secret origins", The Spectacular Spider-Man, Gargoyles, Star Wars Rebels, Young Justice and more.
Check it out!
(But of course I totally forgot to mention Rain of the Ghosts at all, darnit!)
KenRD writes...
Im interested in reading your book Rain of Ghosts because of my respect and fondness of you as a storyteller. I have yet to pre-order it however because I have not yet been able to find a summary for the story, so I was wondering if you had any idea when the details would start comming out?
Speaking of books what are your favorite authors?
My favorite is Sir Terry Pratchett, have you read any of his books? If not I would always recommend them as he has such and interesting take on the world and twists things in the most wonderful way.
Greg responds...
By now, I hope you've seen the synopses of RAIN OF THE GHOSTS on Amazon and here.
My favorite authors are William Shakespeare and William Faulkner. I'm also a fan of Charles Dickens and Jane Austen, and many others.
I've never read Pratchett.
My genre of choice tends to be detective fiction. Among my favorites in that arena are the works of Ross MacDonald, Raymond Chandler, Dashiell Hammett, James M. Cain, Maj Sjöwall & Per Wahlöö, Michael Connelly, Walter Mosely, Agatha Christie, Arthur Conan Doyle.
DanM writes...
Hey there Greg, 1 - how are you?
DanM again here, I'd like to thank you for spending your time to answer my questions. Much appreciated.
I know quite a bit from the comics' market, industry and its works, and used to assume that it wasn't that much different from the animation universe. But your answer really enlightened me a lot about it. For instance it never crossed my mind that being a Producer would earn you nothing, financially speaking, this certainly made the level of respect I already had of you go way up to the stratosphere! And thank you for that! To me that doesn't just show how much you care for your stories and characters but also to you fans. Really man, thank you very much!
Said that, I do know that the characters and the show itself are not your property to do as you please, I just thought that you might have certain leverage w/ the guys at DC comics, you know, seeing how awesome and well received, for the comic fans, your work has been. I've gotta say that so far the New 52, for me at least, has been ok… w/ one or another good story popping up. But YJ bests them all easy. Seeing how Geoff Johns went on board w/ Ivan Reis to do that new Aquaman title, when the character wasn't really in DC's plan at all (That I DO know for a fact). It was really a shocker to me that he did not sign you to keep working w/ DC, you know w/ him being said to be the Chief Creative Officer and all. Especially when I could see the same kind of treatment both of you gave the characters. Well anyways, I'm really sorry your pitches didn't really hit jackpot, like I've said before I would certainly enjoy them.
And perhaps we all are mourning a bit more than it is healthy, but if the Teen Titans show is coming back, then to me there is still a chance for YJ too. Just hope that that chance doesn't come without you and/or your team.
I really wish you the best of luck on your upcoming novel and of course your work hunt, I'm sure it won't take long for you to land your next solid gig man! And as soon as Rain hits the shelves here in Brasil, you can count I'll definitely do my part to make sure you're properly rewarded. That's the least I can do for all your work in YJ, which gave me and the family lot of good times.
Just so not to miss this opportunity here are a few more questions:
2 - Could I send you my copy for you to sign? (That is when I get it, of course).
3 - Do you work with movie scripts also?
4 - What do you think of Tolkien's work? Have a favorite?
That's all for now… Once again, thanks!!!
Greg responds...
1. I'm good.
1a. I clearly have no leverage at all.
2. I'm sorry. I don't give out my personal address. But I come to many fan conventions throughout the year. Maybe you could get it signed at one of those.
3. I've never had one of my scripts made into a movie, but I've tried.
4. I'm a fan of THE HOBBIT and THE LORD OF THE RINGS.
June writes...
What was your favorite line you said when you voiced Snapper Carr?
Greg responds...
"O-mega..?"
Anonymous writes...
Hi Mr Greg,
I know this is a wired question but I'm so curious. You voice cast Lucas Carr in Young Justice. Do you get pay for this character or you cast it for free? Is this only your interest or consider of saving cost?
Greg responds...
I was paid. It's a SAG (i.e. a union) show. No one works for free.
Gardoh writes...
are you availabe on any other social media?
Greg responds...
TWITTER: @Greg_Weisman
Please FOLLOW me!!
"Don't Lick the Torah"
A serialized story in tweets. Part One. In my family, we have a saying: "Don't lick the Torah."
"Don't lick the Torah!" Part Two: This expression originated on the eve of my daughter's Bat Mitzvah. She was very anxious...
"Don't lick the Torah!" Part Three: I said to @BandgeekErin "What's the worst that could happen? You could lick the Torah." She replied...
"Don't lick the Torah!" Part Four: @BandgeekErin replied, "I'd never do that!" So I said, "Then what are you worried about?"...
"Don't lick the Torah!" Part Five: So in our family, that became our recurring metaphor for "Don't worry about it." Then tonight...
"Don't lick the Torah!" Part Six: Tonight, @BandgeekErin was saying her boyfriend was nervous about meeting me. (He doesn't know that...
"Don't lick the Torah!" Part Seven: @BandgeekErin 's nervous boyfriend doesn't know I already like him.) I told her to tell him...
"Don't lick the Torah!" Part Eight: Told @BandgeekErin to tell him not to lick the Torah. THEN my wife says that today at the pre-school...
"Don't lick the Torah!" Part Nine: Today at the Jewish pre-school where my wife works, she took out the Torah for Shabbat, and one of...
"Don't lick the Torah!" Part Ten: My wife took out the Torah, and one of her two-year-old students licked it. The End.
Here, at ASK GREG, I have the room to embellish this story. But, really... what more do you need to know?
Maybe this: I'll be meeting @BandgeekErin's nervous boyfriend for the first time at MechaCON, where I'll be a guest, doing multiple panels and at least one signing!!
More details shortly!!
Greg Xanatos writes...
Dear Greg,
Through your career, you've shown a fondness for various "Master Planner" type villains (Xanatos, The Light, Nerrisaa etc.) You've also become notable for thinking out things to great detail (as your timelines and posts on askgreg have shown). So I wanted to know, has your own "master planning" informed these characters? For example, does Xanatos plan his schemes out with cards like you do? Do the Light's group planning sessions reflect an evil version of the Writer's room?
Thanks!
Greg responds...
God, I hope not. I like to think they're all much slicker than I am.
My new AUTHOR PAGE on Amazon
Hey, check out my new AUTHOR PAGE on Amazon: http://www.amazon.com/Greg-Weisman/e/B0034Q75QO
TIMEBRO writes...
Hey Greg a timeline question or threerather.
1. You have detailed timelines for Young Justice and Gargoyls, do you do this for everything you do even when you havent built the universe from scratch like in your Captain Atom comics or WITCH?
2. When did you start this trait?
3. You have time and time again noted that YJ has no "canon year" and that 2010 worked for Year Zero as a math thing. So does that mean season two being in 2016 by that reckoning was a coincidence?
Greg responds...
1. Not everything, no. I have a Captain Atom timeline from way back, but I'm sure it has no relevance to current DC continuity anymore. I don't think I ever did a WITCH timeline in the strictest sense, but I did make an effort to keep track of the backstories, etc.
2. In elementary school.
3. Heh heh heh.
Twitterpated
That's right, folks. Greg_Weisman is now on Twitter.
Anonymous writes...
In your post promoting "The Fix", you mention having been swamped with work lately. What have you been working on?
Greg responds...
ASKED AND ANSWERED.
Grant writes...
What is your next project after Young Justice?
Greg responds...
I am currently freelancing scripts for a couple different companies. (Octonauts, for example.) Mostly, I'm working on the sequel to my novel, Rain of the Ghosts, which debuts in December 2013.
Beyond that, I'm looking, talking to people, etc. I've gone over 14 months now without a consistent paying gig, and it is nerve-wracking. But I'm hopeful I'll have something soon.
wintersmith writes...
Are you cursed? If so please provide name of curser and last known adress, thank you.
Greg responds...
Let's please not perpetuate this "cursed" thing. I mean, seriously, that's all I need. For the next guy who might want to hire me to think I'm cursed and/or incapable of going beyond two seasons.
Anonymous writes...
Which fandom do you honestly appreciate the most:
1- Gargoyles fans
2- Spectacular Spider-Man fans
3- Young Justice fans
4- Greg Weisman fans
Greg responds...
See, now, the Hulk is more powerful because the madder he gets, the stronger he gets. But the Thing can still beat him if he keeps his wits about him.
WONDERCON ANAHEIM - ASK GREG LIVE
WONDERCON ANAHEIM - ASK GREG LIVE
Okay, once again, I will be attending WonderCon on Friday, March 29th:
I'm not on a panel or anything official. I'm just going to look around, hang out, etc. But ASK GREG moderator Masterdramon is also going, and we thought it might be fun to organize a semi-impromptu ASK GREG LIVE event. I assume most folks would want to talk about Young Justice, which is great. But we can also discuss Gargoyles or the weather or whatever. Chris Jones and I did something similar a few weeks ago at a Doctor Who convention, and we had fun. I think about twenty or so fans showed, which was a nice number. We might wind up with a few more or less. Or, heck, maybe it'll just be me and Masterdramon, which is okay too. EIther way, we want to try to keep the thing unofficial, informal, casual, etc.
I was hoping someone would come up with a brilliant plan for where to meet, but that never happened. So here's my LESS-than-brilliant plan:
Meet up at ONE P.M. on Friday, March 29th in the LOBBY of HALL B, BETWEEN THE TWO SETS OF DOORS. Here's a map:
http://issuu.com/comic-con/docs/wca2013_quickguide_web?mode=window
On that map, we'll be more or less directly beneath where the Graphitti Designs booth is in Hall B, but in the LOBBY. (Hopefully, that makes sense to everyone.)
If you need to know what I look like these days, you can see my somewhat pudgy self on this YouTube video:
http://www.youtube.com/watch?v=Rl4eL0YKtO8
At WonderCon, I'll be wearing my black YOUNG JUSTICE Hot Topic T-shirt. (And if it's cold, I'll be wearing a grey TULANE hoodie sweatshirt over that t-shirt.)
Hope to see at least a few of you there.
DanM writes...
Hello there Greg (you don't mind me calling you Greg, do you?), how you've been?
Well I hope you have been doing well, and working hard on YJ for us fans.
So let me introduce myself, my name is Daniel I'm from Brasil and I LOVE the YJ tv show. As for the comic book, still I haven't had the chance to check it out. But I cannot see why it wouldn't be as great as the animation.
Anyways… with the recent CN's actions and the future listing of DC's solicitations, a lot of speculations have surfaced the web. Do those same speculations harm you or the crew in any way? Note that I don't mean it physically, I mean carrerwise (e.g. the mood in the work environment, the relationship with the bosses… that kind of thing?).
Have you ever thought about, or did in fact pitch in an Earth 16 title for the DC's New 52 (such as the Earth 2 title)? If not, how about it? I imagine that great things would come out of it. :) And what about novels? That would certainly be interesting!!
Greg responds...
I'm not sure what speculations you're referring to. But...
ANYWAY, I suppose this is as good an excuse as any to go through a bit of a chronology.
We finished the scripts for Invasion in January of 2012. So that's when I stopped getting paid, because although I'm a producer on the series, that title and even the responsibilities that go with it were, in essence, a courtesy, based on my experience, I guess. With a guy as talented and competent as Brandon on the job, Warners didn't feel any need to pay me to do the post-production on YJ. They had no problem with me participating, but they also had no problem with me walking away. (Same with Season One, by the way.) (And it was the same at Sony vis-a-vis The Spectacular Spider-Man. In animation, writers often aren't valued all that much once the script process is completed. From the point of view of these companies, I was really just a story editor with a glorified title, who was willing to do what he had to do in order to make the title real and NOT glorified.)
On one level, I probably should have walked away. But instead, I worked for free, helping to post the episodes with Brandon from January to October of 2012. Simultaneously - because I do need to earn a living - I did a number of freelance scripts for various series, including one for Warners' Beware the Batman, plus a Transformers Prime, a couple of Kaijudos, a couple Rescue Bots and a couple of Octonauts. Plus, there was the YJ comic, a few miscellaneous things, and I was also working on revising my first novel, Rain of the Ghosts. Oh, and Brandon and I were also giving free input on Legacy, as well. So I was plenty busy.
In October of 2012, we finished posting episode 220, "Endgame", and on Halloween I moved out of my office on the Warner Bros. Ranch and moved back to my old office in Beverly Hills. By that time, I was done with the comic as well.
During that period, Brandon and I (both separately and together) pitched all sorts of further Earth-16 properties, including (but not limited to) a third season (of course), animated spin-offs featuring Arsenal and/or the Arrow Family, a comic book entitled Earth-16, the Black Manta Celebrity Hot Tub shorts, a direct to DVD movie, etc. Brandon even pitched a YJ meets Scooby movie. Unfortunately, none of these were in the cards.
I'd love to say differently. I'd even love to say I've moved on, but I haven't really. Like many of the fans, I'm still mourning the whole thing, quite a bit. Perhaps even quite a bit more than is healthy. And - because I do need to earn a living - I'm still looking for both freelance work and my next solid gig. (It's been fourteen months without a real job, and it's starting to get a bit nerve-wracking, to be perfectly honest.) But Rain is coming out in December, and I'm hard at work on its sequel. They've both been very rewarding to work on, at least emotionally. (We'll have to wait and see if they turn out to be rewarding financially - but at least the potential upside is there.)
I'd happily do a YJ Novel, but like anything YJ related, it's just not up to me. It's just not a property I control AT ALL.
EXALT writes...
Is your writing of Snapper Carr in any way influenced by the fact that you know that it's gonna be you playing him (the question may also be applied to Donald Menken in SpecSpidey)?
Greg responds...
Probably a little. But that's probably true of every character that's already cast. We learn to play to our actors' strengths. (Of course, I have very few strengths as an actor, so maybe that doesn't apply to Carr or Menken.)
Anonymous writes...
Have you seen or read any YJ fanart, fanfiction & fancomics (from non-canon parings, Birdflash has the most fanart and that's how I've actually found this wonderful cartoon :) )? How does it make you feel when fans do fanart and other fandom things for the show?
An Ask Greg Helper responds...
Greg Weisman says:
"I'm very ambivalent toward fanfiction. On the one hand, it's very gratifying. I've created something that has taken on a life of it's own. That people like enough to invest their time into and create anew. On the other hand, I have a territorial instinct that exhibits a kind of knee-jerk negative reaction to seeing other people controlling the destiny of my characters. (That's the main reason why Goliath Chronicles was so painful for me to watch.)
For example, I know that TGS is doing their own TimeDancer spin off. That's very cool, but somebody mentioned (though I don't know if this was the final word) that they're not naming Brooklyn's son Nashville, because they think the name is silly or because they hate country music or whatever. I can't help resenting that. (I know it's not rational, but I'm trying to be honest about my emotions here.) I haven't explained the Nashville name. I don't intend to explain it yet. Obviously, I have no intention of making Brooklyn into the next Garth Brooks, but I'm not in the mood to go into my reasons yet. But when someone else decides that GREG THE GARGOYLE MASTER made a misstep regarding the name of a character, I bristle.
But going back to the first hand, I have to acknowledge that once a thing is created and sent out into the world, it no longer belongs to the creator, but to the interpretations of those who received it. If a fan believes that Gargoyles were created by fey sorcery, then to that fan they were, no matter what I might say to the contrary in a comment room. Fanfiction is the ultimate example of fans interpretating (and extrapolating upon) what they've seen."
[Response recorded in the Station 8 "Gargoyles" FAQ, Section XXXIV.]
Greg Weisman says:
"Generally, I'm a fan of fanart."
[Response recorded on February 10, 2012.]
Anonymous writes...
Hey man first off love young justice the comics and show are just astounding. Anyway I read your spin off of black mantas celeb hot tub and since cn's mad is being difficult have you tried submitting it to robot chicken on the adult swim block? One more thing read your side trip ramble, an yes I have to be the guy to asks was that real?
Greg responds...
1. I don't know anyone at Robot Chicken.
2. Can you prove otherwise? (But thanks for commenting on it. Seemed like nobody else read it.)
Clark Cradic writes...
Would you ever trade away your writing talents for genuine super powers? Or would that not be a fair trade?
Greg responds...
No. Such as they are, I'll stick with what abilities I've got.
Clark Cradic writes...
Do you remember what the first superhero comic you ever read was?
Greg responds...
Nope. It'd be cool if I could though.
the greenman writes...
1) Reading the Stargate bible, have ever considered a Star Trek animated series? I know Paramount is very strict on that property.
2) Will you ever do another series of your own creation?
Thank you very much. Have a HAPPY NEW YEAR!
Greg responds...
1. I'd love to do one, but no one's asked me. (Keep in mind, I was asked to develop Stargate. I don't just go out and independently develop series based on properties that somebody else owns.)
2. Again, I'd love to, but no one's bought anything original that I've pitched in a VERY long time.
Claire writes...
Do you have a twitter account? Do you know Brandon Vietti does?
Greg responds...
1. No.
2. Yes.
Jennifer K. writes...
Hey there Greg W hope your fall is going well. I have to say I have continually been impressed with how you handle the comic book universe(s). As I am sure you are Marvel has new shows in the works. All of which have the potential to be good. I am sure many fans are looking forward to them including myself. Which leads me to my question. Would you if you had the chance to work on something like Live Action "Cloak and Dagger" would you or would your current work with DC and Young Justice prevent you from doing so?
Greg responds...
As I've stated OVER AND OVER again, I'm not too interested in hypotheticals. And here's a good example why. Your question contains too many variables for me to answer it. Here's just a FEW of them:
1. Are we specifically talking about "Cloak and Dagger"?
2. What are the schedules of the respective projects?
3. What would my role be on the live action show?
4. How much money is involved?
If what you're asking me is whether (in general) I'd like to work for Marvel and/or in live-action, the answer is yes to all of the above. But I can't answer your question in a vacuum. And PLEASE don't try to create a more detailed hypothetical scenario to generate an answer. For every variable you nail down, I could come up with twenty more.
Irritated writes...
Some people who ask questions are so RUDE! They demand, they want to tell you how to answer, how to run your own blog, they whine...They claim to be fans but act with no respect. Greg, why/how do you put up with it?
Greg responds...
Some people say to me: "You have the patience of a saint." But anyone who knows me, knows THAT'S not true. The ugly truth is probably closer to this: "He has the ego and insecurities of a petty dictator." Generally, ASK GREG helps feed that ego and assuage some of those insecurities. Most of the time, anyway.
Tasha writes...
Do you have a complete list of all the things you have worked on? Also you have a great talent and I hope you keep doing what you do and that you enjoy your work :)
Greg responds...
I think I do.
Salieri writes...
Hello, Greg! I've noticed you answer a lot of "would you ever make series X with character Y" with "IT IS NOT UP TO ME". So, I was wondering, have you ever been in a situation where those sort of decisions were up to you? If not, do you ever hope to be in a position where you have full reign over those decisions?
Thanks again for the awesome Young Justice! I wouldn't be this invested if the writing weren't this spectacular!
Greg responds...
No, not really. Maybe the closest I've ever come is making creative decisions on the Gargoyles comic book for SLG. I was pretty much given free reign there. But keep in mind the decision to make and then to stop making the comic was still completely out of my hands.
As for whether or not I'd hope to be in that position, of course. But I doubt it will ever happen. EVER.
Julio Lopez writes...
Did you have plans of pitch or self produce a new original concept in form of series/comic?
Greg responds...
I've tried pitching many times, but have yet to sell anything. Long ago, I had thoughts of self-producing, but it's just an economic impossibility for someone with my (lack of) financial resources.
Nicole writes...
Hi Greg,
This more of a comment, or a praise post. I just wanted to say that Young Justice is an AMAZING SHOW. From the story to the animation! It is AMAZING. Every single show leaves me speechless! I've been a fan of a lot of the shows you've produced and/or written, such as Gargoyles. Young Justice is incredible for both me and my dad! I live in California and my dad and I would actually get up at 6:00AM just to get ready to watch Young Justice(and the rest of the DC Nation Block) from the east coast time! My mom thinks we're crazy, but what can I say? WE LOVE THIS SHOW! I really just wanted to say congratulations for both you and your team! I haven't seen a superhero show this great in a long time(and I'm only 15 xD)! My birthday was on the 29th of September, so having to see Young Justice early in the morning made my whole day! You all are amazing, talented people and uou guys are awesome! Thank you for taking your time to read this :)
[P.S. I read on Wikipedia that your birthday was on the 28th. Whether it's true or not(I don't really trust Wikipedia xD), HAPPY late BIRTHDAY! I hope your day was just as great as mine! :D ]
Greg responds...
Yep, September 28th is my birthday. Happy birthday to you too.
TheTavarse writes...
Not a question, but a declaration. In a perfect world there would be four clones of you. Original recipe Weisman to executive produce Young Justice, Clone-1 to write the comic, Clones 2 & 3 to executive produce the Arrow and Aqua family animated series and Clone-4 to write the web comic "Suoveihcsim" staring Rocket, Artemis, and Zatanna during the 5 year gap. Seriously, where's Dr. Desmond when you need him?
Greg responds...
What you really need isn't more of me so much as corporate sponsorship for all the things you - and I - might like to see.
Anonymous writes...
regarding your post about not owning a smartphone... i saw you playing on your phone one year at sdcc. i think it was way old school, with the green screen and all. haha. :)
anyway, my question is: are the yj stories in the dc nation magazine new stories, and are they canon? (trying to decide whether i need to pick it up.)
Greg responds...
Ah, those were the days...
To be fair, it didn't have a green screen but it was tiny and it wasn't a smartphone. I held onto that phone until it flat out stopped working. Then I had it fixed three times, but it kept dying. So, finally, just this past September, I broke down and bought an iPhone. But I still mostly ONLY use it as a cellphone. I don't check e-mail or the internet on it. I do not WANT to be that connected.
I'm not sure I've seen the DC Nation Magazine, so I'm not sure.
Wonderfulakari writes...
You mentioned you had kids, what ages are they? Do you have any grandchildren? ((Sorry if that last question is rude.))
Greg responds...
"I'm old but not THAT old."
My kids are currently 18 and 15. No grandchildren.
Harlan Phoenix writes...
What was the creative incentive for writing "Salvage" personally?
Greg responds...
The intervention scenes.
Kit Walker writes...
I've checked the archives, including using what I thought to be relevant search terms, but I didn't come up with anything, so if I missed someone asking this before, I do apologize.
That said, I was curious as to what one work you would put on your résumé, if you had to. Like for whatever reason, you could only put forth one work as, "This is me. This is what Greg Weisman brings to your table, what I can do for you." What work would that be, and why? (Yes, I'm one of those who are insanely curious about the minds of the creators I admire, and how they work. :) )
Greg responds...
What an odd hypothetical. Why would I ever do this?
As frequent readers of this site know, I'm not too fond of hypothetical questions of this nature, but this time I'll answer, because the answer is so obvious: GARGOYLES.
Greg Weisman Quiz
Can I just say I suck at this - and it's MY career!
Max writes...
On a scale of 1 to 10, how creeped out would you be if I told you I loved you at a meet and greet?
Just curious.
Greg responds...
I guess it would depend on your tone of voice and how much of my personal space you invaded.
Eagle-Owl writes...
1. Is "tritto" a real word?
2. How difficult is it balancing work time in the film/television industry with, say, family time?
Greg responds...
1. Not to my knowledge.
2. Sometimes, very. But that's the gig. And mostly, I think my family feels like I'm there for them. I always make them the priority when they need me - and even when they don't. But there are late nights occasionally.
Keith writes...
Hello Mr. Weisman. You won't remember me - I asked a question a while back about CN's rules about guns on the show.
Anyway, as somebody who really wants to write for television in the future, I'm asking you if you have any tips for breaking into the industry. I'm a high school junior so I'm beginning to look at colleges and was wondering if you had any advice to give out when it comes to getting into the buisness of television writing.
As always, love the series and can't wait for more!
An Ask Greg Helper responds...
Greg Weisman says:
"First and foremost, you write. Then write some more. Then do a little writing. Read a lot. Write some more. Read some more. Read a lot. Write a lot. Study story structure. Study great literature. Study myth and legends. Joseph Campbell. Listen to how people talk. How they really talk. Learn your craft. Get a kick-ass education. Write. Read.
Write.
Get copies of animation (or other television) scripts. Learn the format.
Write spec scripts for shows that you like. Try to use those specs to get an agent. Then your agent can use those specs to get you work. Write more specs. If you can't get an agent, send the specs to production companies that you admire. Don't send a Batman spec to Warner Bros or a Gargoyles to Disney. Legally, they can't risk reading those. But you can send Batman to Disney and Gargoyles to Warners. (I know it sounds weird. There's a real good reason for this, but it's a whole other question, so for now just trust me.) Actually, you shouldn't be writing a Gargoyles spec at all, since that show isn't producing new episodes now. You don't want your spec to come off as yesterday's news. Keep reading. Keep writing. Try writing a pilot script and a short bible for an original series. Try using those to get an agent or work (any work, you need credits on your resume.)
Oh, yeah. PROOFREAD. PROOFREAD. PROOFREAD. Read your own work aloud, you catch more mistakes that way. Read. Write. Write some more. Get used to a lot of rejection. A LOT OF REJECTION.
That's the best advice I can give you except this: writing for television is an extremely difficult career to break into, let alone succeed at; so if you don't really have a PASSION for it, then do something else. You'll need that passion to see you through a lot of dark times. If you can be happy doing anything else, then do that other thing.
Otherwise, good luck."
[Response recorded in the early days of Ask Greg; precise date unknown.]
Person that breathes writes...
Why do you enjoy making the fandom explode?
That's it and you're awesome!
Greg responds...
Huh?
Dr. Spanky writes...
Greg! You are my hero (professionally at least. I mean, face it, I don't know you. You could be an axe-murderer). I want to spend my life doing what you do. Any pieces of advice for an aspiring writer? What are good ways to train myself / further my writing skills / develop confidence in my voice (or my character's voices)? How did you get your start professionally, and what are some good avenues towards putting your work out in the world?
I thoroughly look forward to seeing the rest of your work, because all of it has been great. Thank you and adieu.
Greg responds...
At the risk of losing my heroic status, I'm going to demur here, since all this information is already available in the ASK GREG archives. (I've been asked this MANY times before.) For example, check out "Animation", "Behind the Scenes", "Biz, The" and "Weisman, Greg" for starters.
Thomas writes...
You are....amazing. No character is wasted in your series, they all connect back somehow, somewhere. Little movement is wasted in plot.
How do you come up with this stuff?
Greg responds...
With help from other very talented people and with a lot of index cards on a huge bulletin board. Oh, and with research.
Alex Weitzman writes...
Mr. Weisman, while you will undoubtedly get to this message months afterwards at best, given the backlog of questions thus far, I wanted to give my condolences for you and your family's loss in Sue Weisman. I also wanted to thank you for the honest and touching small commentary you made on the subject, highlighting the complex emotional situation of watching an older loved one lose themselves to either Alzheimer's, senility, or just age itself (I would not want to make a definite assumption, based on what you described). It sounds to me like she lived a long, fascinating life populated by people she loved, and nobody could ask for more than that. I send my sorrow regarding her passing, and my hope that your upcoming family gathering will provide you some emotional closure or insight to help you through this time.
Thank you for the many years of excellent entertainment, as well. I look forward to many more.
Greg responds...
Thank you.
The actual celebration didn't really effect my mood, though it was wonderful to see the extended family come to celebrate her.
I think I got more out of a later event: a handful of us took her ashes and illegally scattered them in a location that she loved. That was fun and sneaky and silly, and felt more like her spirit was with her.
Anonymous writes...
What is your take on yj fan fiction? Have you read any?
An Ask Greg Helper responds...
Greg Weisman says:
"I'm very ambivalent toward fanfiction . On the one hand, it's very gratifying. I've created something that has taken on a life of it's own. That people like enough to invest their time into and create anew. On the other hand, I have a territorial instinct that exhibits a kind of knee-jerk negative reaction to seeing other people controlling the destiny of my characters. (That's the main reason why Goliath Chronicles was so painful for me to watch.)
For example, I know that TGS is doing their own TimeDancer spin off. That's very cool, but somebody mentioned (though I don't know if this was the final word) that they're not naming Brooklyn's son Nashville, because they think the name is silly or because they hate country music or whatever. I can't help resenting that. (I know it's not rational, but I'm trying to be honest about my emotions here.) I haven't explained the Nashville name. I don't intend to explain it yet. Obviously, I have no intention of making Brooklyn into the next Garth Brooks, but I'm not in the mood to go into my reasons yet. But when someone else decides that GREG THE GARGOYLE MASTER made a misstep regarding the name of a character, I bristle.
But going back to the first hand, I have to acknowledge that once a thing is created and sent out into the world, it no longer belongs to the creator, but to the interpretations of those who received it. If a fan believes that Gargoyles were created by fey sorcery, then to that fan they were, no matter what I might say to the contrary in a comment room. Fanfiction is the ultimate example of fans interpretating (and extrapolating upon) what they've seen."
[Response recorded in the Station 8 "Gargoyles" FAQ, Section XXXIV.]
It's that time again: Blather.
Blather = http://www.s8.org/gargoyles/askgreg/search.php?rid=469
Blather
So in a tryce came the documentary depicting many a Chinese doll and also the three wise men (who may or may not have been kings) that needed sixty-two dollars between them to redeem the coupon, which offered up solace and not a little irony to anyone who hadn't yet seen the crew chewing on leaves that weren't tobacco, but might have been sage and still left horrible stains in the dirt floor of the lean-to where I left my ski poles after the overnight with the cranes that were kept on the lake domestically for the purpose of tourism but who could also speak Latin on occasion when prompted by offers of cheese or jerky -- though not just any jerky, it had to be salmon jerky -- which isn't always easy to come by when you've agreed to leave before closing on summer days in the springtime of your life, which has been known to last longer in people who aren't concerned about under-inebriation or over-intoxication or both: it's the balance which is everything when nothing else will do and no one else will participate in the extravaganza that's been created by the giant invisible flying monkey brain that is modern life in the Twenty-First Century, counting since the (approximate) birth of Christ -- as long as the lack of the number zero doesn't disturb your math sensibilities as, frankly, it does mine, though I like to think I've made peace with that and with the Skrull too, since I haven't picked up an issue of that book in about nine years, which wasn't an intentional or explicit act of cold turkey so much as a sliding away followed by a none-too-impressive epiphany -- far from the best epiphany I've ever had, say, compared to Tintagel or Lego, not to mention the birth of certain children, which couldn't get more personal than the zany antics of the semi-erotic flea circus, which used to travel the stars waiting for an invitation to land at your door, since you are the personal target of the extra-lunar probe that counted all the seahorses that Aquaman used to make the giant seahorse that he could actually ride, though no faster than he could swim himself on his own power -- and no, we're not talking Super Friends here, but something older, more primal, something that was born back when the Ptero-whatever streaked across the sky leaving behind contrails made not of smoke but of pure and unadulterated grace, a commodity in which we are sorely shy as a planet, and yet which we find in the most unlikley of places, including but not limited to contracts which dictate how we will interact with each other but do it in such a way that no normal human being could possibly wrap their heads around the language and internalize the meaning, which we declare to be progress or civilization and which is not meant as a criticism so much as a detachment of troopers marching on a hill that you wouldn't pay five ducats -- FIVE! -- to buy yourself, or so I told myself and Hamlet night after night, but now Hamlet is a Thief on FX and I haven't seen him face to face in over twenty years, which sometimes seems quite normal but sometimes blows me away, not that I want to move backwards at all, though I'm not sure that I'm truly moving forward and I'm convinced I'm not moving sideways, though the metaphor of the sidewinder is appealing, not in the cliché sense of something sinister and left-handed, though I do throw with my left hand, I can bowl just as badly with either hand, and even though I'm 42, I quite prefer to have bumpers instead of gutters, where the rain gets backed up and sometimes flows over the lip and creates leaks in the roof and drips, drips, drips down into the shiny metal bowl that's usually used for something much more pleasant like mixing cookie dough to create chewy wonderful ... well.. cookies (I mean "duh") that taste a little bit like home even when you are home and it is raining, or maybe ESPECIALLY when you are home and it is raining and the water overflows and the ocean fills and the giant seahorse peaks out and winks at the cranes, which is exactly what the documentary crew was hoping to capture when they first took out their cameras and shot the whole thing from three different angles across six different days and still never saw the giant invisible flying monkey brain, because it was, to put it mildly, invisible.
Matt writes...
So, you've been working in writing and producing animated shows for a long time. Since the shows you work on are generally targeted to younger viewers, I was curious about the impact, if any, that your kids and being a parent to them has had on your work. How much an influence has your being a parent been to these shows? And have your kids in particular had any general or specific influences on anything you've worked on?
Just curious. Thanks.
Greg responds...
Well, I often throw in little things to amuse my kids. Like making them genomorphs in YJ. Or using their birthdays on timestamps. And I'm sure they influence me in a hundred small ways I'm not even conscious of.
But mostly, I still write for myself.
Larry writes...
How are you?
Greg responds...
A little stressed actually. I have oral surgery tomorrow, and I'm not looking forward to it.
Anonymosly Writes writes...
Hey Greg why your not consulted on Scheduling
Greg responds...
I'm not important enough in the grand scheme, I guess.
Anonymous writes...
Hello Greg.i would like to ask a few questions about your job because i am interested in going into the directing business.
1. What exactly is your job(the name of your job)?
2. Do you enjoy it?Do you ever get bored?
3. What did you have to study in college for this job?
4. What would you say are the most useful school subjects that should be learnt for this job?
I appreciate if you could answer these questions. And you are also a role model for me and i really love Young Justice.
Greg responds...
1. My title is Producer. And sometimes I'm also the Writer. And even, on occasion, an Actor. I'm also the Story Editor - but that's pretty much covered by my Producer credit.
2. I do enjoy it, and I NEVER get bored, but I do get very, very tired sometimes. Exhausted even. Our schedules can be brutal.
3. I don't know if I "had" to study this, but my B.A. is in English with an emphasis in Creative Writing. My Masters is in Professional Writing, with an emphasis on Play Writing. Plus I studied a bunch of other things too, including history, languages, a little bit of physics and math, etc. And a lot of literature - and Shakespeare, in particular.
4. Learn to read critically. Learn to write. Learn to PROOFREAD!!! Learn to rewrite and revise. Etc.
Bob writes...
What is the color of Rocket's powers? Is it blue or pink? Cause in Revelation it was pink and misplaced it was blue. I know weird question
Greg responds...
I don't know. I myself am Red-Green color deficient, so I'm not the best person to answer color questions.
SIGNING ON FCBD
SIGNING ON FCBD
This Saturday, May 5th, 2012 is FREE COMIC BOOK DAY. (It's also the premiere of YOUNG JUSTICE: INVASION's second episode, "Earthlings", on Cartoon Network.) Victor Cook and I will be signing copies of issue #1 of MECHA-NATION (and whatever else gets stuck in front of us) at MELTDOWN COMICS from 12 noon to 2 pm.
Meltdown Comics
7522 Sunset Blvd.
Los Angeles, CA. 90046
http://www.meltcomics.com/blog/
So if you're in the neighborhood of Los Angeles, come on down. Check out the Mecha-Nation. We've completely finished the final issues of the mini-series, which will see print in time for ComicCon this summer in San Diego. (Mecha-Nation was created by Vic, developed by Vic, Greg Guler and myself, written by me, illustrated by Antonio Campo and published by Ape/Kizoic.) We're very excited to finally get this great project out to everyone. So stop by and take a peek. You can harass me about the time-skip (but please keep the language clean). Or you can just say hi. Plus, hey, Vic Cook!! The SpecSpidey partners together again!
Hope to see you there!
Fluttershy writes...
Hey greg what's up I would love to ask you a questions regarding your story telling techniques
You have said in the past that you could go be telling stories forever if you wanted and in fact sometimes not even the tv show is enough for them hence the comics.
But have you ever considered in giving your characters and stories a Grand finale?.
I think something that has made me a bit sad is that in your past shows you have been cut short due to executive decitions out of your control and we have been unable to get anything resembling an ending that actually gives closure (w.i.t.c.h,Spectacular spiderman, gargoyles etc)
However it is always nice when a tv show character directly says goodbye to te audience(like batman the brave and the bold) or when every major plot point is solved at the end.
A big trait of western media in it's majority like tv shows and specially comics is that the characters "are frozen in time".
Spiderman for instance will always be a young man that fights crime and the story won't go beyond that,same for superman and batman. When the story gets after a certain point we as fans tend to get reboots reapeaing the smae story.
I would like to ask you if given the chance will you give us a finale to your works like gargoyles.
Will we ever see the closure of them?
Do you believe in "grand finales"?
Or do you want simply to never give them a real ending o your shows and simply give the idea that the story will be around forever?
Greg responds...
Yeah, I'm not so much into Grand Finales. Probably why I'm more of a television or comic book guy than a movie or graphic novel guy. I believe (whole-heartedly) in the on-going story. That's what LIFE feels like to me.
Gargoyles is a perfect example. Characters come; characters go and some even die, but the world goes on. I even know (but don't ask) how Goliath dies, but I don't see it as the end of that world. It's only A FINALE, because there is no THE FINALE.
I suppose if one was writing a story with a single lead, a la Spider-Man, and either (a) one killed him off or (b) one really ran out of stories to tell, then I could see staging that big Grand F before you waved goodbye forever. But that assumes there isn't a new Spider-Man waiting in the wings and/or that a guy like me would actually run out of stories. And that hasn't happened to me, at least not yet.
Sue Weisman 1910-2012
Earlier this week, my astounding grandmother, Sue Weisman, passed away just a couple weeks shy of her 102nd birthday.
She led an amazing life that saw the world change in amazing ways. There are hundreds of stories. Stories her of growing up on New York's lower east side with five older brothers, two younger sisters (all gone now) and the restaurant that her father owned and her Yiddish-speaking mother ran, stories of the three young girls in their pretty dresses driving back from New Jersey with liquor hidden under the seat. There are stories of her meeting and marrying my grandfather Aaron Weisman and moving to Chicago during the days of Frank Nitti, of whom she had - from personal experience - a very negative view. There are stories of moving to Los Angeles and Beverly Hills in the fifties. And stories of her over 40 years as a volunteer at the Los Angeles County Museum of Art.
But mostly, there are stories of her family: her three children, eight grandchildren and TWELVE great-grandchildren, not to mention numerous, spouses, nieces, nephews, cousins, etc. She was a most astounding matriarch, and she will be missed.
But the truth is she's been missed for quite some time. She was with us and WITH IT right through and past her 100th birthday. But in the months that followed, I firmly believe she decided she was done. Somewhere inside her, she flipped a switch and was gone, even though her physical body hadn't received the memo. She hasn't been herself in over a year, and her finally passing is, I believe, a blessing.
I think that's why it's taken me so long to write this. I'm trying to get my head around my LACK of response to this loss. Its hard not to think that there must be something wrong inside me not to feel worse - let alone... anything. Maybe it'll hit me later. The entire Weisman clan is gathering next week on what would have been her 102nd birthday, not to memorialize her but to celebrate her life. And I'm looking forward to it - even if (or maybe especially if) it results in the death finally hitting home. (Heck, I thought writing this might trigger something, but no.) Mostly, I think the culprit is that the mourning for me took place some time ago. It began when she made the decision to stop going to the theater with me and the kids. We had a subscription to A NOISE WITHIN, a classical theater company here in the Los Angeles area, and she enjoyed it thoroughly, even as her hearing deteriorated, making it increasingly difficult for her to follow what was going on. But I was still stunned when she chose not to accompany us any longer. And bits and pieces of her faded away from there. Our last real conversation was extremely frustrating for both of us. She thought I was my father, even though my father was sitting just a few seats away. And she kept asking me how "Sam" was - when none of the rest of us assembled could figure out WHO Sam was. Finally, something else she said finally made me realize she was talking about my son Benny. But even when I offered up that name, she didn't recognize it. At the very end, she couldn't recognize anyone. So perhaps I was overly prepared for this eventuality. Perhaps one day when I least expect it, it will knock me for a loop. But not today.
In the meantime, join me in celebrating a wonderful lady and a great broad: Sue Weisman.
Fanfictia writes...
Greg, do you or do you not support Fanfiction on your creations?
An Ask Greg Helper responds...
Greg Weisman says:
"I'm very ambivalent toward fanfiction. On the one hand, it's very gratifying. I've created something that has taken on a life of it's own. That people like enough to invest their time into and create anew. On the other hand, I have a territorial instinct that exhibits a kind of knee-jerk negative reaction to seeing other people controlling the destiny of my characters. (That's the main reason why Goliath Chronicles was so painful for me to watch.)
For example, I know that TGS is doing their own TimeDancer spin off. That's very cool, but somebody mentioned (though I don't know if this was the final word) that they're not naming Brooklyn's son Nashville, because they think the name is silly or because they hate country music or whatever. I can't help resenting that. (I know it's not rational, but I'm trying to be honest about my emotions here.) I haven't explained the Nashville name. I don't intend to explain it yet. Obviously, I have no intention of making Brooklyn into the next Garth Brooks, but I'm not in the mood to go into my reasons yet. But when someone else decides that GREG THE GARGOYLE MASTER made a misstep regarding the name of a character, I bristle.
But going back to the first hand, I have to acknowledge that once a thing is created and sent out into the world, it no longer belongs to the creator, but to the interpretations of those who received it. If a fan believes that Gargoyles were created by fey sorcery, then to that fan they were, no matter what I might say to the contrary in a comment room. Fanfiction is the ultimate example of fans interpretating (and extrapolating upon) what they've seen."
[Response recorded in the Station 8 "Gargoyles" FAQ, Section XXXIV.]
Anonymous writes...
When you answer "SPOILER REQUEST. NO COMMENT." it means that the answer WILL come up later in the show/comics or it MAY.
An Ask Greg Helper responds...
Greg Weisman says:
"Questions that ask me to SPOIL my own show are exasperating. As I've said over and over, I'm just NOT going to do that. Why would I? Even obvious stuff can't be addressed, because if I acknowledge anything, the stuff I don't comment on is spoiled by default. So please, please, please refrain. Any question that falls into this category will simply be answered: SPOILER REQUEST. NO COMMENT."
[Response recorded on March 29, 2011.]
Anonymous writes...
Are you and writer Jon Weisman related?
Greg responds...
He's my kid brother! (You know, if you can still be called a kid in your forties.)
stanley cowens writes...
I enjoy your writing on gargoyles and have just started checking out young justice. I was wondering if you ever planned on writing any thing live action or a independent film? I find the characters on gargoyles to be more interesting than some on movies or certain tv shows I have seen over the years.
Greg responds...
I've tried to break into live action, but have had no success as yet.
Jason R. Carter writes...
1. What is Earth-16 Clark Kent like to the outside world? Judging by how relatively disheveled he looked in "Schooled", he seems the clumsy nerd from the Donner movies.
2. Besides you voicing Snapper Carr and Nicole Dubuc voicing Iris West-Allen, will any of the other writers be voicing characters on Young Justice?
3. If Earth-16 Ma and Pa Kent were really Jor-El and Lara, what stopped them from using their powers like Superman does?
Greg responds...
1. He seemed quite sheveled to me. I don't know why you even say that. He had a hat for heaven's sake.
2. No. Nicole and I are both in SAG. The rest of the writing staff is not. (Least not as far as I know.)
3. That was an APRIL FOOL'S DAY joke!
Angie writes...
Hi, Greg! I just really wanted to say how much I love Young Justice (EHEM understatement) so far!! Honestly, I don't think there's anything you can do that could change that (I would seriously hope not, at least.) I also have been reading some of the archive, and my life is pretty much Tumblr haha, so I've seen much "fan" hate towards you as well as the show in general. Which I think is utter horse crap. Obviously no one is getting the whole "Earth-16" concept, 'cause I see complaints about you guys using different characters a lot. I'll admit I've never read the Young Justice comics, or many of the DC comics due to the fact that I'm mostly a Batman/Dick Grayson fan, but even if I had I still wouldn't mind the characters you guys decided on. I love all of them!! At first I definitely favored Robin, but since new episodes started airing again I've come to the realization that, for once, I have no least favorite character. I seriously can't think of anything that I strongly dislike about YJ. Except the fact that the episodes are only 30 minutes long haha!! I'm so stoked to see how things turn out with The Light!!! :O
Sorry for my ramble-[Halloween] candy does this to me. Any who, I apologize for the extremely rude people you've had to encounter. I really hope this fandom isn't completely ruining the fun of producing the show :[ And before I end this novel of an ASK, I do actually have a question that does not pertain whatsoever to any show you've worked on hahaha hope that's okay. What's your favorite color???
Alright I'm done. Can't wait to see more Young Justice-everything about it is amazing!! <3
Hope you have a good day/night/week/whatever! --Angie--
Greg responds...
Dark Blue.
Thanks for the kind words!
hallofjustice writes...
Me again Greg just a quick question,
If Lucas "Snapper" Carr appears in another DC cartoon, would you want to voice him again?
Greg responds...
I'll take all the work I can get. ;)
Richard Jackson writes...
Having watched the first 10 episodes and read the first 9 comics (I'm including #0 and FCBD), I can really see how the show is rewarding repeat viewings. I can go back and look how someone said something and see it another away. Also, with the show playing out in real time and cast of dozens of heroes reminds me a lot of one of my favorite series, Astro City. I don't know if you've read the comic, but I assure it's a compliment of the highest order.
When I rewatched "Welcome to Happy Harbor", I noticed Lucas Carr and "Schooled", I finally noticed the LexCorp truck. I love things like that.
Can you give the story on how you were cast as Lucas Carr? Obviously, you're the producer, but who suggested the role for you and why were you attracted to playing Lucas Carr? By the way, I like Lucas "Snapper" Carr.
Greg responds...
I read the first couple issues of Astro City and enjoyed them.
Actually, I wanted to play Red Tornado (and thus Red Torpedo and T.O. Morrow too). You can chalk that up to (a) greed, as they appear in way more episodes, so I'd get paid more and (b) arrogance, in that I figured I could handle the rolls, since Tornado's a robot and all. But that ogre Brandon didn't think I pulled it off in my audition. That's right, I faced rejection on a show I was one of the producers on! <sigh>
Anyway, it's hard to argue with the notion that Jeff Bennett would and did do a much better job in all three parts than I ever could. And Brandon suggested I play Carr, so it all worked out!
geet writes...
what is impt. in your life family or money?
Greg responds...
Family is most important. Money is important in service to family and other things. But I don't make my life about money.
Mike writes...
Fisrt off, I'd like to apologize for asking that Batman Beyond question that you responded with "No comment. NO COMMENT. NOOOOOOO COMMMMMMMENNNNNNNTTTTTT." and went on to say that you wanted people to stop asking spoiler questions. I'm really sorry and didn't mean to upset you or waste your time. I hope you can forgive me. Anywho, I just wanted to let you know that I love your show and your take on the characters. It just sucks that we'll only get to know them for 12 months (assuming every 26 episodes is 6 months and this show makes it to the 52 episode limit). I know this is a long way off, but is there any chance you intend or revamping it (like they keep on doing with the Ben10 series) of pitch other shows that happen to take place in the same universe (like the DCAU (We got to see that interpretation of Batman for 14 years!)), so we can occasionally see a YJ character or two every so often? If this question annoys you, I apologize in advance. Thank you for all the entertainment you've given me over the years. I really appreciate it, and hope you are able to continue for many more years to come.
All the best,
Mike
btw, I don't know if you celebrate it or not, but Purim is next week (and I assume with the last name 'Weisman' you are Jewish), so have a Happy Purim!
Greg responds...
I am Jewish. Kind of a secular pagan Jew, but a Jew nonetheless. I don't generally celebrate me much Purim, but my wife does. So thanks.
As for your question, <sigh>... IT'S JUST NOT UP TO ME. As with nearly every show I produce, I have enough ideas to keep doing it forever. BUT it's not up to me.
Jamie writes...
Hey greg,first of all, you're awesome, i remember when i was only 5 and i would re enact your gargoyles haha good times.
If you were to compare Young Justice and your other works, would young justice be in the top 5?
How many views are you having on Young justice ?
Greg responds...
Wow, did you just make me feel old...
Yes, YJ would be in my top five, along with Gargoyles (of course) and in no particular order, Spectacular Spider-Man, W.I.T.C.H. and Captain Atom.
Brandon writes...
Why aren't you on twitter? I wanted to congratulate you on your work with Young Justice, and was sent here by your brother. Join us -- we wanna know what you're thinking. I'm @brando432, by the way.
Greg responds...
I'm feeling a little ganged up on today.
My high school girlfriend responded to me e-mailing her happy birthday wishes by asking me to get on Facebook.
Now Twitter?
Look, it's just not my thing. I don't WANT to tweet. I don't want to follow the tweets of others. As it is, I barely keep up with my cellphone, e-mail and... I was about to say "and Ask Greg" - but let's face it, I'm answering month-old questions and have a current backlog of 172 more to respond to.
It's just not going to happen.
Harlan Phoenix writes...
So what's the specific appeal of animation to you? Or rather, the appeal of writing it (and by extension, comic books) primarily over other mediums?
I could make guesses, but I'd be curious to know what exactly thrills you.
Greg responds...
Well, the MAIN appeal is that they'll hire me.
(Only semi-kidding there.)
Anyway, I love the semi-contradictory notions of the control I have over the final product and the collaboration I get while making my way there.
Algernon writes...
Hey again Greg,
When Superboy speaks for the first time in "Independence Day", a surprised Kid Flash responds by blurting out "He can talk?", was this a deliberate nod to Elisa's similar line in "Awakening Part Three" or just a coincidence?
Greg responds...
Probably deliberate.
I mean wouldn't we all prefer to believe I'm deliberately shouting out to my old work, than to think that I'm just repeating myself, right?
Kit Walker writes...
This is more of a personal question; rather, not directly related any specific work but more the creator and writer behind the works.
What is it like, as a storyteller, to have the Gargoyles universe still so loved by fans? Sixteen years after "The Awakening" debuted, fans are STILL curious about this or that bit of the universe, fans are STILL lamenting the show's end, the Gatherings went on for an insanely long time, fans still anxiously await the slightest hint of more Gargoyles stories, fan-works are still being made--what do you think of all that? What's it like to sit back and know that something you gave artistic birth to still grips viewers, and still draws fans?
Greg responds...
It is -- without a doubt -- f-in' cool!!
Charlotte Rinderknecht writes...
Greg,
I just was interested in what you are doing now and what the future holds for you?
Greg responds...
LOL!!
Mostly, I seem to be refusing to comment on Young Justice.
Down the road, I see me refusing to comment on many other things!
(Actually, this may be a serious question. It's gotten hard for me to tell. So...
For those who don't know, I'm currently producing Season One of the new YOUNG JUSTICE animated television series for Warner Bros. Animation, DC Comics and Cartoon Network. The show will premiere in November. I'll be working on this series for the foreseeable future... hopefully for a good long time.)
LIVE PODCAST
Meant to post this days ago at ASK GREG, but I forgot. I'm being interviewed for a live podcast at http://www.blogtalkradio.com/123-film TODAY at 4pm PDT, i.e. in less than half an hour. Sorry for the lack of warning...
Laura 'ad astra' Sack writes...
This is touching on the type of theoretical questions you hate, but I’ll attempt it…
Are there any shows you watch that you wish you were involved in? Any shows you are glad you weren’t involved with because you wouldn’t want it any other different than it is? Any shows you didn’t enjoy, but think you could have made the concept shine? I don’t necessarily mean something you worked on and it didn’t work out, (like when you wrote the series bible to Roswell Conspiracies or the like), I mean even seeing a cartoon as an adult that you enjoyed as a child and thinking ‘if I were doing that…’. That creative itch that sometimes hits when watching a show and really wanting to play in that sandbox.
I figure either you'll hate this question or one or two examples will suddenly spring to mind.
Greg responds...
Yeah... I would have loved to work with Joss Whedon on Buffy or Angel or Firefly. Not that I think I would have improved on it, but I would just have loved to play in that world with the master.
There are cartoon series I was really jealous of, like the MTV Spider-Man series. But (no surprise) I'm over that now.
I haven't seen anything but a few clips of the upcoming series, so this isn't a comment on it per se, but I would have loved to do an Avengers series. Frankly, I would have loved to have taken what we did on SpecSpidey and widened it, building an entire Marvel Universe. It's one of the things that's so fun about Young Justice. We're not just adapting YJ or Teen Titans, but the entire DC Universe (or one of them (#16) anyway).
The Highlander TV series was one where I thought it had moments of greatness, but was also a bit of a mess at times. I would have loved the POWER (Bwahaha) to grab the reins of that one.
I'm sure there are plenty of other examples, as I have generally -- and I'm not proud of this -- lived a professional life filled with (and marred by) tremendous ENVY. I just can't think of any others at this time. At least not any others that wouldn't get me in some trouble. ;)
Laura 'ad astra' Sack writes...
I had asked what age you thought is the youngest age to start watching Gargoyles and…
Greg responds...
Well, I may not be the best person to go to for this advice. Not like I'm some parental expert. Just a parent. But I started my kids on Gargoyles VERY YOUNG. And it held their interest, which was my main concern. There's stuff there for them to enjoy, and IF THEY ASK about any of the more mature aspects of the show, there are teachable moments. That is to say, I didn't sit them in front of the TV and walk away. I watched WITH them. We had fun. And we learned some stuff together. But I think they were each about two when they started watching Gargoyles.
That's right! TWO!!! <chuckle>
Okay, yeah, I'm a bad parent. I mean I watch Dexter with my fifteen-year-old daughter. So don't listen to me.
Me again…
I just couldn’t watch a show like Dexter with my little girl! It seems just wrong to tell a child, “Tell mommy when the gore is done so she can open her eyes.†Wait… you meant because she enjoys it, not just so you don’t have to watch ‘icky’ scenes? I suppose I can see myself doing that J
[Just in case you don’t have perfect recall- the rest of your answer was really good parental advice, ‘expert’ or no:
“But I do think the key is to watch Dexter WITH your kids and not let them watch it alone. Oh, and when Dexter's over, put on an episode of The Office or something light and funny before bedtime. â€]
Greg responds...
Thanks. I do love watching TV with my kids. But we stick to shows THEY want to see that I don't mind seeing too.
Chris Krause writes...
Hey Greg!
I had a question. I'm currently a theatre student in college. However, I've always had my hand in multiple areas in the arts. It was only my love for writing and acting that had me not decide to go to a strict art college (I had wanted to be a comic book artist for a long time).
I plan to move to California eventually and try to make it in the show-biz, either through acting, my art ability (I'm currently doing a lot with prosthetics/mask making) or writing. My question was how exactly you got into your current field of work? It's something that interests me, what with my love for comics both in writing and art. So basically, I was just wondering how you got started.
Any advice would be greatly appreciated!
Thanks,
--Chris
Greg responds...
Chris,
For a fuller answer, check the archives here at ASK GREG under topics like "Weisman, Greg", "Animation", "Biz, The", etc. As I know I've answered this before.
But the short answer is that I started as a comic book writer for DC Comics, while I was still in college. I then became an editor there for a couple years after college. Then I went to graduate school to hone my skills as a writer, while interviewing at various studios. I was hired as a junior executive at Disney Television Animation, got promoted a couple times, developed Gargoyles and became a writer-producer.
Pixie writes...
All too often in cartoons (specifically nowadays) female characters fall into the role of giggling love interest, counterpart to a male character to eliminate homosexual themes or are just there to fill a demographic. Writers don't seem to know what to do with them after that.
That is why I would like to sincerely thank you for your part in fostering strong female characters like Elisa, Demona and Fox.
Also, what influenced you to write those characters the way you did? Did you have specific females from your past in mind or did you choose character traits from literature and sort of mesh them for a well rounded feel?
Thank you.
Greg responds...
I honestly don't know. I've always liked writing female characters. Two of my first (unfortunately unpublished) projects for DC Comics were Black Canary and Supergirl.
I just try to write honestly for them -- removing as many of my biases as possible -- just as I would for any male character. And the result -- for better or for worse -- is what you have seen...
DICK GIORDANO, R.I.P.
Just over a week ago, Dick Giordano passed away. I've been meaning to write this ever since but haven't felt equal to the task. But it's time...
Dick was one of the all time great comic book inkers, but he was also the single individual most responsible for bringing me into the comic book business, which directly lead to me working in animation.
It's a story I've told many times, so feel free to skip down if you've heard it.
I was a nineteen-year-old college sophomore when Marvel Comics announced a New Talent Search. I was excited, but reasoned (correctly) that Marvel would be inundated with submissions. I also reasoned (rather cleverly) that if Marvel began a New Talent Search, DC Comics would too. So instead of preparing submissions based on Marvel characters, I immediately set to work, prepping stuff based on DC characters. Sure enough, DC announced it's search, and I immediately sent in my stuff. YEARS LATER, I saw the logbook that was used to log in each submission as it arrived. Mine was literally the second submission received.
It was duly logged in -- and then lost. (Likewise, years later, I found it in the DC offices in the back of a file cabinet.) DC still had my address in the log book. But not the submission itself. Because 70% of all submissions were artist submissions and only 30% were writer submissions, the person in charge of the talent search at the time took a chance and sent me a packet for new ARTISTS. I was OUTRAGED!!! Outraged, of course, in the way only a 19-year-old know-nothing can get outraged. So I sent a LETTER to DC Comics expressing my outrage. I said (lying) that I was a professional, and if they lost my submission, a simple admission of this fact would have resulted in me sending copies. There was no need to GUESS (incorrectly) that I was an artist and hope for the best. I stated that this was no way to run a business.
Somehow this letter found it's way to Dick Giordano's desk. Dick was at the time the EXECUTIVE EDITOR and head creative muckymuck at DC. Most guys in that position would have found a nice round file for my letter, but Dick was amused by it... and maybe a little impressed with (not the content) but the writing of it itself.
So sometime later, the phone in my dormroom rings. My roommate answers and says it's for me. "Who is it?" "Some guy named Dick Giordano." Now, I knew EXACTLY who Dick Giordano was and figured there was no way I was getting a call from him. So I got on the phone assuming it was one of my geek friends playing a prank. Nope. It was Dick. He wanted to meet me and asked if I had any plans to be in New York City. I (lied again and) told him that coincidentally, I was planning to be there over spring break. He invited me up to the DC Comics offices, and we set a date and time.
So I scraped the money together to buy a plane ticket, crashed at my cousin's apartment, put on a SUIT (what did I know, it was a job interview, right?) and headed out during a torrential Manhattan rainstorm to FIND A CAB to take me to DC. (Somewhere out there New Yorkers are laughing at the thought of me trying to find a cab in the rain.)
Ultimately, I found one, but not before I was (despite an umbrella) soaked to the bone in my stupid suit. I arrive at DC looking more like a drowned rat than a professional writer (which, of course, I was not), and met with Dick. And we hit it off. He was great. From Day One, he believed in me and tried to get me freelance work. He eventually gave me a job as an Editorial Assistant (read Xerox boy) and quickly promoted me twice over twenty-one months to Assistant Editor and then Associate Editor.
I was impatient, of course. I couldn't stick it out, and moved back to Los Angeles to go to grad school and eventually start a career in animation. I remember how disappointed Dick was. How he tried to get me to reconsider, but how he also supported my decision, when I made it clear it was final.
After that, every time Dick and his right-hand woman and good friend Pat Bastienne came to Los Angeles, they would take time out to meet with me. They met my fiancee Beth long before she became my wife. They were both always cheering me on. Eventually, Dick retired from DC and moved to Florida, and we lost touch. Which is on me. And I regret it.
When I heard/saw that he had passed at age 77 from complications from Leukemia (over the same weekend when my Grandmother turned 100), it was a real blow.
Dick was a terrific and extremely talented guy, and I owe him just... TONS.
Thank you, Dick. You will be missed.
Greg Weisman
April 2010
HAPPY CENTENNIAL GRANDMA SUE
Hey guys,
I've been on vacation (SPRING BREAK!) and busy with a bunch of stuff, so haven't been able to stop by recently, but I didn't want this major event to go by without notice. Last week, my Grandmother turned 100.
Of course, my brother beat me to it, writing more eloquently than I'd be able to, so I'm going to link to his website, which has neat pictures too!
As my cousin pointed out at the LARGE family dinner we had this past weekend, when Sue Weisman was born, the Ottomans had an empire, as did the British and the Russian Czars, and Sue-Baby has outlast them all. The changes she's seen... living through World War I, the Depression, Prohibition, World War II, the invention of radio, television, computers, etc. It's a completely different world. And she's still sharp and funny and a joy to be around.
So happy birthday, Grandma Sue! Here's to 100 more!
Balron writes...
Hello Mr. Weisman
I just wonder do you take time to draw as well as write? With the free time you have, have you ever thought of returning to your artist roots and just letting it take you over to relax your spirit? I am a painter, and I always find landscapes to be the most relaxing works of art to practice. Do you have a favorite fine-art style you like to work on?
Greg responds...
It's not a matter of time but of talent. And when it comes to drawing... I have none. And I have NO "artist roots" unless you're counting the one basic drawing class I took in college. I'm not sure where you got the impression that I'm any kind of artist.
And by the way, I have free time? It is to laugh.
Bazell writes...
I hope this isn't too personal, but I see online that you went to Stanford and U.S.C.
What were your specific degree with which you graduated?
Greg responds...
I received a Bachelor of Arts degree (B.A.) from Stanford in English with an emphasis in Fiction Writing.
I received a Master of Professional Writing degree (M.P.W.) from U.S.C. with an emphasis in Playwriting.
Hermione R.I.P.
Our basset hound Hermione passed away in her sleep yesterday. She had a large inoperable malignant cancer tumor, so it wasn't a shock.
I know it must seem like we go through these dogs rapidly, but that's because my wife and kids always choose elderly dogs from the Basset Rescue Ranch, because they feel that everyone always wants the puppies and young dogs, and the old ones never find a home. So we get dogs. They're old. They die. My family grieves. And we start the process again... all too often, I guess.
We still have one basset left, Murray. Plus our cat Emmy. I'd like to put off getting any more pets for the time being, but it's never up to curmudgeonly me.
Hermione was a handsome girl, definitely the Alpha Female of our pets. Very common sense. We'll miss her.
Count Orlok writes...
Just wanted to thank you for answering my last question... :) ... and ask you another.
Throughout the run of Gargoyles there were numerous references to various works of literature in its many forms (classic literature, Shakespearean works, philosophy and politics, comic books and graphic novels, horror, gothic romance, science fiction, fantasy, world mythologies, etc.). I recall being an avid fan of all of these literary genres or categories when I was very young, but Gargoyles certainly helped to further interest me in them. Other than the obvious works that you've made allusions to in the series, what do you like to read?
Greg responds...
Lots of stuff. I'm listening to Charles Dickens' "Great Expectations" on CD in my car these days, and LOVING IT! (Of course, I've read it at least twice before.)
Generally, I read a lot of detective fiction, with my favorite author being Ross MacDonald. And as I've stated before, I'm a huge William Faulkner fan.
Antiyonder writes...
An aspect that often attributed to Spider-Man's success is that the audience can, has or had related to him. With that said:
1. As far as Spidey's civilian life (because I have serious doubts that you have superhuman strength or can stick to walls or have a spider sense) goes, do you or have you related to him in any way?
1a. If yes, then how?
Greg responds...
1. I think Pete's an everyman in the classic archetypal sense. He has money troubles, girl troubles, family troubles, job troubles, etc. So sure, I can relate.
1a. What, you want personal details from my life? Sorry.
Bazell writes...
Personal question:
Do you read nonfiction? I enjoy the polar opposition memoirs and essays provide to the wonderful fantasy that you are known for which is my other love.
Asking as one writer to another, do you keep a journal?
Greg responds...
I do keep a journal, though I'm inconsistent about writing in it.
I do read non-fiction sometimes.
Anonymous writes...
Does the real Gisela have that great spirit and did she ever live in Mexico?
Greg responds...
Actually, I knew a Gisela from Mexico. She and her brother Alex went to the same summer camp, Bear Pole Ranch, as my siblings and I did.
Of course, I have no idea what YOU are talking about here.
Weird, though, huh?
Harlan Phoenix writes...
So, what's Midtown High student Greg Weisman like?
Greg responds...
I know you're kidding, but I'm not quite getting the joke.
David B. Jacobs writes...
Hey, Greg!
I've got for you a very in-depth question: How did you get to where you are today? What kinds of steps did you take? If you could give specifics, I'd be quite happy.
You see, I myself would love to go into the business of TV and film, and I frequently identify myself with you (in a non-creepy way - I mean regarding style and that kind of stuff).
Thanks!
Greg responds...
I've answered this in depth and with specifics before. Check the archives for a more detailed answer.
Generally, I'd say the first things you need to do, if you haven't already are...
1. Finish your formal education.
2. Move to Los Angeles.
3. Read, write and proofread a lot. Practice. Learn that your first draft may suck, and that even your second draft may need shelving.
As for my specifics...
*Bachelors from Stanford in English with a Fiction Writing emphasis.
*Started working as a writer for DC Comics as a 19-year-old while still in college.
*Moved to New York to work in comics, cuz that's where THAT action was.
*Masters from U.S.C in Professional Writing with an emphasis in playwriting.
*Staff Assistant at Disney Television Animation.
*Eventually promoted to Director of Series Development.
*Developed Gargoyles and moved sideways to produce it.
Etc.
Last Gathering
The announcement has been made that the current Gathering of the Gargoyles (the thirteenth annual) will be the last in this form. I'm saddened by this of course, but even more saddened by some of the vitriol I've seen toward the constaff. So I posted this at Station 8:
Hey folks,
Thought I should speak up. In part to defend my friends, I suppose, but also just to make my position on all this clear.
I'm the person who suggested we end the thing. Me. Frankly, I was simply horrified to discover how much of their own MONEY the con staff was putting toward the convention year after year... with it costing them increasingly more with each succeeding convention and with attendance falling at a steady clip. And that's on top of the incredible amount of hard work that these people put in. There have been other individuals and groups who have run individual Gatherings here and there, but most burn out after one year and don't do it again. This group volunteered their time year after year. Stuck with it when others wouldn't. They deserve praise, not scorn.
Are they my friends? Of course. Are they loyal to me? I think so. I like to think I'm just as loyal to them. Are they cliquish at times. Yeah. I've noticed that too. It happens with any group of people who work very hard together to do something and, frankly, feel largely unappreciated for their efforts. They get tight.
But I don't buy the notion that this is an impenetrable clique -- especially since new members join the group all the time. I've known some of these folks for over a decade. Others, just for a couple years. And even if you aren't admitted to this so-called "Inner Circle", what difference should that make? The Gathering is big enough for multiple cliques. Big enough for you to bring your own clique. The Gathering has interesting and informative events whether or not you're in ANY clique.
When someone asks "Why would I want to give any money to hang out with people who have no interest in including me?" I think the question itself is off point. They're throwing you a convention! They're including you! Does that mean they have to personally enjoy your company? Personally, spend time with you? That's unreasonable. You may be great. You may be annoying. I don't know. But they don't have an obligation to coddle you. Just to put on a great show, which I think they've done year after year.
And you're not paying to spend time with them anyway, you're paying to attend the con. Or not. No one's holding a gun to your head, but then don't complain if the thing isn't somehow able to continue indefinitely on SOMEONE ELSE'S DIME.
Don't get me wrong. No one is going to miss the Gathering more than I. I think there's some real truth to the accusation that the thing became Greg Weisman's annual ego boost. Because without a doubt it is a HUGE ego boost for me personally. Year in and year out, I have a blast. I'm treated VERY well, and I enjoy that treatment. I'd be lying if I said otherwise.
But it's not as simple as that. For starters, the reason that the con has consistently featured me and the various series that I've worked on is because I'm willing to do the work to help put the convention together. Frank Paur, just as an example, is ALWAYS welcome, but he doesn't always choose to come. I ALWAYS want to be there. So it's something of a not-so-vicious circle. I provide the convention with contacts -- and the convention uses those contacts to hold panels on Starship Troopers or WITCH or, this year, The Spectacular Spider-Man. All of which is an attempt to INCREASE the attendance by bringing in other fandoms and exposing them to Gargoyles. It's worked to some degree, but not enough.
I've also provided contacts for shows like Darkwing Duck and TaleSpin and Kim Possible, and we've had panels on those that I wasn't a part of because my involvement on those series was nearly non-existent. But I knew those guys, so I got 'em to come. I'm sure everyone would have loved it if I had gotten, uh, say, the Avatar/Last Air Bender guys to do a panel on that show. Trouble is, I don't know those guys. So no luck.
And, hey, I did create the show that we're theoretically celebrating. I am the guy who's fought to get the DVDs and the comics, etc. It's because of the fandom that I never gave up. But it doesn't change the fact that I'm the guy who never gave up. So maybe it's not SUCH a bad thing that I've been the primary beneficiary of the con. Or maybe it is. I'm not going to worry about it.
What I am going to do is enjoy the last convention. I really think we'll be going out with a bang with a ton of special guests. And, ironically, because of the low attendance the BEST FAN-TO-PRO RATIO you'll find at any convention EVER!!! If you can't afford to come this year, we're very sorry. We'll miss you. Really. But if you can, you should try, because once again, I think it'll be a great show.
But of course I'm biased. ;)
And as Jennifer pointed out, if anyone else wants to have a Gargoyles convention in 2010 or 2011 or 2198, no one's stopping you. I'm still willing to attend, still willing to help. Or willing to stay away, if that would be best. But I'd advise thinking long and hard about both the time commitment and the financial aspect of it before jumping in. Cuz it's tough. Not for me. It's easy for me. But for whomever happens to be the constaff in any given year, it's a lot of work and not cheap.
Now, I suppose for some people, all I've done in this post is prove their point. I'm tight with the constaff. They're tight with me. All true. But they've still put out an open invitation year after year to friends and so-called-foes alike. All they're really saying is that they're done. You think you can do better? Go for it!
Greg Weisman
Animation Fiend writes...
Hello. Does Greg have a MySpace page?
Greg responds...
Nope.
Greg Bishansky writes...
Just a comment on an archetype that seems to be a theme in your shows. I can't help but notice that the series you produce are populated by tricksters.
Puck is an obvious and classic example, the original trickster. Also, "Gargoyles" has Raven, Anansi, and Coyote who were also literal tricksters.
Beyond that, one of the lead villains, Xanatos, was a trickster... he even said so himself. That's an interesting choice of archetypes for the primary antagonist.
Thailog, while you've cited the bastard archetype often enough, outside of that, he seems like a trickster as well. Which makes sense since he was programmed by one. Granted, he's a more malevolent trickster than Xanatos, but he still displays those characteristics.
Meanwhile, over in in "Spectacular," you have Spider-Man as, perhaps, the most benevolent trickster you have yet to write. Fitting, he is the hero after all, and the people he acts like a trickster towards usually have it coming.
And, of course, you have a more sinister trickster in Green Goblin, hie arch-nemesis.
I know from personal experience how difficult tricksters can be to write, as I've often had to jump through hoops to do it right,
I haven't seen WITCH so I have no idea if this archetype shows up there or not. But it seems to me like the trickster archetype is a favorite of yours to write, and you do it so well.
So, does it just come naturally? Is Greg Weisman a trickster himself, or do you ever find yourself jumping through hoops as I sometimes do to create schemes worthy of the trickster you're writing?
Greg responds...
There's some definite hoop-jumping going on. Personally, I'm more of a bastard than a trickster. But I do enjoy both archetypes, so I do the work to make them worthy.
You'll notice, however, that each of the tricksters you named, with the exception of Xanatos, were based on existing sources, which helps. As for Xanatos, he was a variation on General Eiling (from Captain Atom), who was more of a bastard. And Eiling, in turn, was loosely based on Captain Kirk, or rather a dark mirror of Kirk (and, no, that's not a reference to the "Mirror, Mirror," as the Mirror Kirk in that episode couldn't fool anyone).
Thailog is more in the classic bastard mode than the trickster mode -- at least in my mind -- though I'll admit there's definite overlap between the two archetypes.
Malinda writes...
I was wondering if you or someone else illustrated this show?
Greg responds...
I'm not sure which show you're referring to, but in any case, I don't draw.
RTS writes...
*SPIDEY SPOILERS*
Hi Greg.
Great work on Season 2, I might not know exactly how the system works, but I see no reason why it shouldn't be renewed. Hopefully by the time you answer this you will have good news to tell about that, but for now, a few questions regarding what's been done so far.
1) In season 2 episode 8, "Accomplices", we see Black Cat spray something onto a window before going through it, we then see the window wobble around or something after she goes into the vent. What did she do to the window, exactly?
2) Was the lead into Hobie Brown first speaking in the role of Puck something you planned well ahead of time, or did Hobie's silence become a running joke before you made that decision?
3) On the subject, any chance that you tried to get Brent Spiner to do the role?
4) In "Growing Pains", I couldn't help noticing that a certain "Greg Weisman" is named on the cast list shown at the end. I was just wondering whether you have ever performed any role in "A Midsummer Night's Dream", since it is mentioned in one of the FAQs that you've taken acting classes in the past.
5) You're the best. (This isn't a question)
Greg responds...
SPIDEY SPOILERS!!!!!!
1. First she melted the real glass with acid. Then she replaced it with a reflective "paper" that mimicked the look of the glass. Sorry if that wasn't clear.
2. The former.
3. The role of Hobie? No.
4. Yes, I've been in "Midsummer" as Theseus and in another production as Philostrate.
5. Right back at ya.
Steven writes...
Hi Greg, just want to say that the job you guys did on Spectacular Spider-Man( I remembered the hyphen ) was awesome. I've seen all the 26 episodes so I have one question.
I thought you were pretty good as Donald Menken. Definitely your best voice over work since "Nice Mask." But how did it come about that you were cast as Donald? Was it a budget thing or were you just messing around in the booth and someone thought you'd be perfect for it?
Greg responds...
SPIDEY SPOILERS!!!!!
Uh... yeah, someone thought I'd be perfect for it. Me. Well, maybe not perfect, but I decided I wanted to do it. (It helps to be the boss.) Definitely wasn't a budget thing. It cost MORE for me to do it.
Derek R. writes...
Have you ever considered writing for video games? You're really good at creating unique worlds within the shows you've worked on... everything and everyone seems connected and intertwined in the new spiderman and gargoyles series. I think you could write a killer game franchise.
PS maybe pitch a gargoyles game or spectacular spiderman game... ;)
Greg responds...
I'd love to, but nobody has hired me to write one.
Masterdramon writes...
Hi! Nice to see you back from your "AskGreg" break; I hope that things are going well for you.
Like many fans I have seen "The Spectacular Spider-Man" Season 2 via YouTube already (though I'll still be watching the series as much as possible on television in order to support the ratings). One of the coolest extras (without getting into too much spoiler territory) of the season was hearing you voicing Donald Menken, Norman Osborn's right-hand suit. You did a very admirable job at portraying a very flat, all-business character, which is exactly what I would expect from Menken (even though most Spidey fans probably have no idea who he is).
Given that (as far as I know) your only previous foray into voice acting was the commando who says "Nice mask!" in "Awakening Part II," how did you end up being selected for this voice role (which was obviously a lot more significant than the commando; in episodes 21 and 26 in particular the character played a vital role)? Did voice director Jamie Thomason ask you to play Menken, or did you volunteer? Or was there some other circumstance altogether?
Thank you for your time, and good luck with your work!
Greg responds...
SPIDEY SPOILERS!!!!!!!!
I've done a bit more voice acting than just "Nice mask!" Some work in video games and anime, for example.
As for how I got Menken. Um... the Supervising Producer and Story Editor pulled rank and pretty much just stated that I'd be playing the part. That meant Jamie was stuck with me. He did the best he could with what he had to work with.
Geoff writes...
I know people have been asking about whether or not an animated continuation of the Gargoyles show will happen, but I wanted to ask something more specific:
Have you ever thought of turning Gargoyles into an anime (possibly done by my favorite producers, Madhouse)?
And, a personal question:
Do you like anime, Greg?
Greg responds...
I like some anime.
Todd Jensen writes...
You mentioned that one of your new dogs is named Hermione. Was she named after the Hermione of Greek mythology (the daughter of Menelaus and Helen of Troy), of "The Winter's Tale", or of the Harry Potter series?
Greg responds...
I don't know. She came with the name Hermione from Daphneyland, the basset hound rescue ranch.
James Lipton writes...
I would like to thank Greg Weisman for being here today and to share with us. Many of us know Greg's work as a writer in the comic medium and his endeavours into animation. I myself am particularliy fond of his forays into the world of self expression through the form of facial hair combined with hawaiin shirts. And now the questionnaire used by Bernard Pivot:
What is your favorite word?
What is your least favorite word?
What turns you on creatively, spiritually or emotionally?
What turns you off creatively, spiritually or emotionally?
What sound or noise do you love?
What sound or noise do you hate?
What is your favorite curse word?
What profession other than your own would you like to attempt?
What profession would you not like to do?
If Heaven exists, what would you like to hear God say when you arrive?
Greg responds...
Sorry James and/or Bernard... but I can't even summon up the energy to make smartass responses to these questions. They just don't interest me.
: « First : Displaying #62 - #161 of 401 records. : 100 » : Last » :