Greg responds...

I have turnaround rights to pitch a couple of other properties that I developed there.

Greg responds...

Yeah, we did, actually. Though I'm blanking on specifics. We definitely saw a version of the Round Table. (Old but not convincing.) And went to the hill where some scholars thought Camelot was. And we went to Stonehenge. There's probably more, but my memory isn't what it once was.

Greg responds...

No. He never did. At this point, he'd be so old that even if he survived out on the streets for a time, he would have to have passed on long ago.

Our current pets (both female) are a basset hound named Poppy and a cat named Emmy.

Greg responds...

0. I'm not sure "boycot" is the correct word. The major studios sign contracts with SAG, that prohibits them from contracting non-SAG labor for their acting needs. They can get around this by SUB-contracting, but most don't on major projects.

1. I don't want to speak for EVERY show. In my experience, a voice actor gets paid a flat fee for four hours of work and up to two character voices. For a tiny additional fee, you can get a third voice. But this holds per episode. So for example, even if you could record one guy playing four roles over two episodes in a single four hour session, you'd still owe him two payments. The fee is negotiable, as long as it's above union minimum. But most series pay the union minimum plus 10% and have favored nation clauses in their contracts, which prohibits them from giving any individual actor a raise without simultaneously giving raises to EVERY actor on the series.

2. I first joined SAG to play Donald Menken on Spectacular Spider-Man, and am still a member in good-standing. No union shop can hire non-union actors.

3. Well, Jesse often DID voice additional characters, like Thug #2 or whatever. But generally, there are some actors who have the ability to change their voice enough that they can convincingly play multiple characters without the audience balking. Others really - as talented as they are as performers - only have their own voice.

4. Sessions typically go three to four hours. But often we'll be there all day. We can only keep each individual actor for four hours without incurring overtime, but we could start one actor at 10am and have him until 2pm. And we could start another actor at noon, and have her until 4pm. And a third at 1pm and keep him until 5pm. That way, we have overlap to record their scenes together, but we also have more time to get everything done.

5. Singing is a separate rate. And it's also an additional character, unless they are singing IN CHARACTER. That is, if Nightwing suddenly burst into song, we'd have to pay an additional fee to Jesse for his singing. But we wouldn't have to count that as a second character (or third, since he's also doing Thug #2).

Greg responds...

By now, I hope you've seen the synopses of RAIN OF THE GHOSTS on Amazon and here.

http://www.amazon.com/Rain-Ghosts-Greg-Weisman/dp/1250029791/ref=sr_1_1?ie=UTF8&qid=1377806211&sr=8-1&keywords=rain+of+the+ghosts

My favorite authors are William Shakespeare and William Faulkner. I'm also a fan of Charles Dickens and Jane Austen, and many others.

I've never read Pratchett.

My genre of choice tends to be detective fiction. Among my favorites in that arena are the works of Ross MacDonald, Raymond Chandler, Dashiell Hammett, James M. Cain, Maj Sjöwall & Per Wahlöö, Michael Connelly, Walter Mosely, Agatha Christie, Arthur Conan Doyle.

Greg responds...

1. I'm good.

1a. I clearly have no leverage at all.

2. I'm sorry. I don't give out my personal address. But I come to many fan conventions throughout the year. Maybe you could get it signed at one of those.

3. I've never had one of my scripts made into a movie, but I've tried.

4. I'm a fan of THE HOBBIT and THE LORD OF THE RINGS.

Greg responds...

"O-mega..?"

Greg responds...

I was paid. It's a SAG (i.e. a union) show. No one works for free.

Greg responds...

TWITTER: @Greg_Weisman

Please FOLLOW me!!

Greg responds...

God, I hope not. I like to think they're all much slicker than I am.

Greg responds...

1. Not everything, no. I have a Captain Atom timeline from way back, but I'm sure it has no relevance to current DC continuity anymore. I don't think I ever did a WITCH timeline in the strictest sense, but I did make an effort to keep track of the backstories, etc.

2. In elementary school.

3. Heh heh heh.

Greg responds...

ASKED AND ANSWERED.

Greg responds...

I am currently freelancing scripts for a couple different companies. (Octonauts, for example.) Mostly, I'm working on the sequel to my novel, Rain of the Ghosts, which debuts in December 2013.

Beyond that, I'm looking, talking to people, etc. I've gone over 14 months now without a consistent paying gig, and it is nerve-wracking. But I'm hopeful I'll have something soon.

Greg responds...

Let's please not perpetuate this "cursed" thing. I mean, seriously, that's all I need. For the next guy who might want to hire me to think I'm cursed and/or incapable of going beyond two seasons.

Greg responds...

See, now, the Hulk is more powerful because the madder he gets, the stronger he gets. But the Thing can still beat him if he keeps his wits about him.

Greg responds...

I'm not sure what speculations you're referring to. But...

ANYWAY, I suppose this is as good an excuse as any to go through a bit of a chronology.

We finished the scripts for Invasion in January of 2012. So that's when I stopped getting paid, because although I'm a producer on the series, that title and even the responsibilities that go with it were, in essence, a courtesy, based on my experience, I guess. With a guy as talented and competent as Brandon on the job, Warners didn't feel any need to pay me to do the post-production on YJ. They had no problem with me participating, but they also had no problem with me walking away. (Same with Season One, by the way.) (And it was the same at Sony vis-a-vis The Spectacular Spider-Man. In animation, writers often aren't valued all that much once the script process is completed. From the point of view of these companies, I was really just a story editor with a glorified title, who was willing to do what he had to do in order to make the title real and NOT glorified.)

On one level, I probably should have walked away. But instead, I worked for free, helping to post the episodes with Brandon from January to October of 2012. Simultaneously - because I do need to earn a living - I did a number of freelance scripts for various series, including one for Warners' Beware the Batman, plus a Transformers Prime, a couple of Kaijudos, a couple Rescue Bots and a couple of Octonauts. Plus, there was the YJ comic, a few miscellaneous things, and I was also working on revising my first novel, Rain of the Ghosts. Oh, and Brandon and I were also giving free input on Legacy, as well. So I was plenty busy.

In October of 2012, we finished posting episode 220, "Endgame", and on Halloween I moved out of my office on the Warner Bros. Ranch and moved back to my old office in Beverly Hills. By that time, I was done with the comic as well.

During that period, Brandon and I (both separately and together) pitched all sorts of further Earth-16 properties, including (but not limited to) a third season (of course), animated spin-offs featuring Arsenal and/or the Arrow Family, a comic book entitled Earth-16, the Black Manta Celebrity Hot Tub shorts, a direct to DVD movie, etc. Brandon even pitched a YJ meets Scooby movie. Unfortunately, none of these were in the cards.

I'd love to say differently. I'd even love to say I've moved on, but I haven't really. Like many of the fans, I'm still mourning the whole thing, quite a bit. Perhaps even quite a bit more than is healthy. And - because I do need to earn a living - I'm still looking for both freelance work and my next solid gig. (It's been fourteen months without a real job, and it's starting to get a bit nerve-wracking, to be perfectly honest.) But Rain is coming out in December, and I'm hard at work on its sequel. They've both been very rewarding to work on, at least emotionally. (We'll have to wait and see if they turn out to be rewarding financially - but at least the potential upside is there.)

I'd happily do a YJ Novel, but like anything YJ related, it's just not up to me. It's just not a property I control AT ALL.

Greg responds...

Probably a little. But that's probably true of every character that's already cast. We learn to play to our actors' strengths. (Of course, I have very few strengths as an actor, so maybe that doesn't apply to Carr or Menken.)

An Ask Greg Helper responds...

Greg Weisman says:

"I'm very ambivalent toward fanfiction. On the one hand, it's very gratifying. I've created something that has taken on a life of it's own. That people like enough to invest their time into and create anew. On the other hand, I have a territorial instinct that exhibits a kind of knee-jerk negative reaction to seeing other people controlling the destiny of my characters. (That's the main reason why Goliath Chronicles was so painful for me to watch.)

For example, I know that TGS is doing their own TimeDancer spin off. That's very cool, but somebody mentioned (though I don't know if this was the final word) that they're not naming Brooklyn's son Nashville, because they think the name is silly or because they hate country music or whatever. I can't help resenting that. (I know it's not rational, but I'm trying to be honest about my emotions here.) I haven't explained the Nashville name. I don't intend to explain it yet. Obviously, I have no intention of making Brooklyn into the next Garth Brooks, but I'm not in the mood to go into my reasons yet. But when someone else decides that GREG THE GARGOYLE MASTER made a misstep regarding the name of a character, I bristle.

But going back to the first hand, I have to acknowledge that once a thing is created and sent out into the world, it no longer belongs to the creator, but to the interpretations of those who received it. If a fan believes that Gargoyles were created by fey sorcery, then to that fan they were, no matter what I might say to the contrary in a comment room. Fanfiction is the ultimate example of fans interpretating (and extrapolating upon) what they've seen."

[Response recorded in the Station 8 "Gargoyles" FAQ, Section XXXIV.]

Greg Weisman says:

"Generally, I'm a fan of fanart."

[Response recorded on February 10, 2012.]

Greg responds...

1. I don't know anyone at Robot Chicken.

2. Can you prove otherwise? (But thanks for commenting on it. Seemed like nobody else read it.)

Greg responds...

No. Such as they are, I'll stick with what abilities I've got.