A Station Eight Fan Web Site
Wondering how you broke into the comic book industry? I know you were an editor at DC at one time. What was that process like?
Thanks for your time!
I think my story is probably a bit atypical...
In 1983, Marvel announced a search for new talent. I calculated that they'd be inundated with submissions. But I also calculated that DC would soon initiate their own talent search. So instead of prepping a Marvel submission, I prepped one for DC.
Sure enough, a month later, DC announced its own search for new talent. I immediately sent in my submission. Years later, I found the log book for these submissions, and mine was literally the second one they received. They logged the submission into the book with my name and address - and then lost the actual submission, which I also found years later at the bottom of a file cabinet where it had clearly slipped down between two hanging folders.
Because 75% of the submissions they received were from artists, they gambled that mine was an artist submission as well. They sent me a packet for new artists. But of course, I was one of the 25% who had made a writing submission. And I was outraged, OUTRAGED! Outraged in a way that only a know-nothing 19-year-old can be.
So I wrote DC Executive Editor Dick Giordano an OUTRAGED Letter. And then I figured that would be the end of it.
But for whatever reason, Dick was impressed with (or more likely amused by) my letter. He called me. On the phone. He invited me to come to the DC offices at 666 5th Avenue.
After I graduated from college, Dick hired me as an Editorial Assistant (i.e. as a Xerox Boy), and later promoted me to Assistant Editor and then Associate Editor. He was a true mentor to me. A great guy.
If you could be any type of tree, what tree would you be and why?
A mystery. So I wouldn't have to change at all.
On November 13, 2014, you said you had been working on 4 projects on was a Star Wars Rebels: Kanan comic. You declined to name the other three, but you said one was definitely happening, one might happen, and one was postponed indefinitely. If any of these haven't happened yet, will you name them now?
If they haven't happened, no.
Hi Greg. Can you explain the behind-the-scenes reasons for your departure from "Rebels" after only one season? Or, would it be considered unprofessional for you to comment on this?
Mostly it would be considered NONE OF YOUR DAMN BUSINESS, whether the reason was benign or malevolent. Probably unprofessional, as well. And that's not even counting the fact that I signed a Non-Disclosure Agreement with Lucasfilm.
But mostly, it's just the first reason. I'm happy to answer questions about process and about the show (as long as its not a spoiler). But I feel like on general principle this question crosses a line.
Dear Mr. Weisman,
As for being the writer and producer of several wonderful and genuinely intriguing shows, I thank you for inspiring generations of viewers and readers to find their personal creativity and curiosity about the world. BUT...
As a result of this curiosity, and on behalf of such fans everywhere, I am compelled to ask: How do you remain so SUSPICIOUSLY, almost MAGICALLY youthful-looking?! Is there something you'd like to spoil *cough* accidentally let slip *cough*to us, Greg? *DA DA DUNN!
Assuming what you say is true - and also assuming it's actually a serious question - it's mostly just good genes. My paternal grandmother lived until she was nearly 102. My dad's a very youthful 80. My mom, a very youthful 78.
If I've done anything to help myself out, it's probably this: I don't smoke. I never have smoked. And I try to avoid being around second-hand-smoke.
Can you play a musical instrument? What instrument would you love to master (in addition)?
Thanks for your time and patience
I don't. Long ago, I tried to learn the guitar, but I never, ever got very good at it. I don't really have an ambition to be a musician, but I like listening.
Why are you so awesome?
What's your secret?
1. I'm not. I just play someone awesome on podcasts and at conventions.
Big fan here (I reply to you on Twitter sometimes!) and I thought I'd make use of this site to get some help with my intention to write for television in the future!
First off, I'd like to say how much I love Young Justice. From the moment I finished the first episode, I was hooked. I'm quite a seasoned animation fan but I must say Young Justice is probably one of the best things I have ever watched; particularly it was the animation and writing that drew me in the most. I wasn't really into comic books too much before with the exception of adaptions from TV like Adventure Time, and manga; but Young Justice awakened a part of me that just had to look further into the characters, and now I'm completely taken in by the DC universe, it's so wonderful and for that I thank you for helping to bring Young Justice to light!
The show is truly an inspiration for me; I intend to become a writer for television, animation being my ultimate goal, in the near future. In September 2014 I will be starting a screenwriting course at university. I live in the UK, but hope to move to America in future to have a better chance of landing a writing job in animation.
1) What would you recommend I seek to do when I finish university? Would becoming an assistant at a TV studio help as a start?
2) Do you draw storyboards? I am not very confident in my drawing abilities and I'm worried this might affect pitching and demonstrating my ideas.
3) What are some key terms or quotes that have stuck in your head during your writing career? Things that people have told you and you have remembered and applied to your work?
4) Who are your inspirations? What programmes did you enjoy when you were a kid/teenager?
Thank you so much for taking the time to read and answer my questions!
1. It wouldn't hurt. Get in there. See first hand how things are done. The main thing I recommend, you already plan to do, which is to move to where the work is. Second, WRITE. Third, REwrite. Fourth, PROOFREAD RELIGIOUSLY.
2. No, I can't draw stick figures well. I team up with very, very talented artists.
3. "Less is more."
4. Space Ghost. Speed Racer. Jonny Quest. Herculoids. Anything with Marvel or DC heroes in them. Hill Street Blues. Cheers.
1. Did you ever worry that you would be approached to start working on shows you've done in the past while you were already working on one? (Ex: Let's say you were working on Young Justice, but Disney approached you to work on Gargoyles again.)
2. What would you do if situations like that ever came up?
1. No, I should have such problems. I'm usually lucky to find one job. Having two I wanted that badly has literally NEVER come up.
2. I don't really deal in hypotheticals. The realities in front of me are confusifying enough.
1. How bad does it feel for a show to get canceled? Like, does it affect your day-to-day life? Do you want to just lock yourself in your house for a week or are you immune to the depressing effects of it by now?
2. A lot of people comment that your shows are cursed, but it's obvious that 90% of children's shows are canceled ahead of time. Would you consider children's animation is the least safe gig on TV?
3. So why did you decide to focus your writing career on children's animation? Did it just end up happening that way?
4. Do you ever see yourself working on a network or cable live-action show? And if you did, would your resumé help you or hinder you if you were looking for a job at, say, USA?
5. Have you ever thought about pitching a show to any of the networks? Now that superheroes are invading TV media (Arrow, The Flash, Agents of Shield, Gotham, Constantine, Daredevil, Jessica Jones, etc.), wouldn't your resumé of Spider-Man and Young Justice actually help you if you were to pitch a comic book show at TheCW, FOX or ABC? Have you thought about doing so?
1. I'm not at all immune. But I also know I can't lock myself away for even a week. I have to go out and start looking for work. But it's a huge bummer, and I do get depressed. When I was younger, it was tougher. But now I have a bit more perspective. My family is healthy, and the world isn't ending because my cartoon show is no longer on the air. So...
2. No. I don't see that it's any different (in the aggregate) for prime time or live action or so-called adult shows.
3. Mostly the latter. I started in comics. Got a job in animation. By the time I tried to get into live-action, I was typecast as an animation writer and had no luck breaking in. And I do love writing for animation, but live action is WAY more lucrative, and I'd love to have the financial security that comes with words like "lucrative."
4. See the answer to question 3.
5. I have pitched shows to many networks, over and over. Pitching and even selling isn't the same as getting to make something.