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Richard Jackson writes...

In "Temptation", Lexington comments on how Brooklyn once rode a horse. How was the experience for Brooklyn and the horse?

Greg responds...

No spoilers.

Response recorded on April 06, 2017

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Anonymous writes...

Hello! Big Gargoyles fan here! I want to ask about Katana, Nashville, and Fu-Dog! This is probably be too spoiler-y, but I'm gonna give it a shot.

1.) We don't much about Katana as a character. Are there details you can give to the fans about her personality, her interests, her quirks, etc.? You described Brooklyn and Katana's relationship as a Sam-Diane, Bertrand-Beatrice thing, so I imagine Katana being a lot of more serious than the wise-cracking Brooklyn, which probably why the had conflict. Being raised in the way of Bushido, I also imagine she's honorable and from what we've seen from her appearance in the comics, she's very protective over Egwardo (Taichi).

2.) Nashville is about 10 in human years, and 20 in gargoyle years, right? He's really young, though, no matter how you look at it. I find it a little hard to imagine Brooklyn and Katana allowing him on dangerous missions. I think he is quite skilled, but are there any limitations they set for their son?

3.) Katana and Gnash are both bilingual. What's their speech pattern like? Gnash seems more like Brooklyn in personality, so his way of speaking is probably similar to his father. I imagine Katana being more formal with her words. When they speak, do they string English and Japanese words in a sentence? Does Katana speak solely in Japanese sometimes when speaking to Gnash?

3.) Fu-Dog is Brooklyn's first companion in his TimeDancer adventures. What kind of personality does he have, besides being fiercely loyal to Brooklyn? Is he similar to Bronx or dissimilar?

Greg responds...

1. I think you mean Beatrice-Benedick. But beyond that, I'm not saying anything. You'll have to wait to see her in execution, hopefully in future comics.

2. When we first meet Nashville, he's 19-years-old chronologically. Ten-years old biologically. I'm sure B&K set limitations for their son, but by necessity, since they didn't want to risk leaving him behind while TimeDancing, they kept him close, even if close meant he was occasionally in danger.

3. Again, this is about execution. I'm not going to preempt myself.

4. No spoilers.

Response recorded on September 19, 2016

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J writes...

Hello Greg,

I have a question about the Avalon Clan and their biological relationships to the Manhattan Clan. I am going to use the "placeholder names" for those Gargs that don't have given names in cannon.

Can we assume that Hudson does not have any biological children there because Hyppolyta, Broadway, and True are his only three offspring?

You've mentioned before that Angela is the only biological child of Goliath's, and she is no longer there, so none for him either.

Brooklyn had at least one brother, Brooksbro...was he and older or younger brother? If older, then there is a potential for him to have a biological sibling on Avelon...is that the case?

Does Lexington have a younger biological sibling on Avelon?

Does Bronx?

Greg responds...

1. Yes.

2. Yep.

3. Brooksbro is older. (But Brooklyn had MANY brothers and sisters. Stop thinking like a human.)

4. No comment on whether or not Brooklyn has a younger biological sibling among the Avalon clan.

5. No comment.

6. No comment.

Response recorded on September 30, 2015

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ashley. B writes...

Dose Brooklyn have a younger sibling I read gargoyles couples each normally have three eggs/ three children so I know he has a brother dose he have a younger sibling.

Greg responds...

For all we know, Brooklyn is the youngest of the three biological siblings. If he did have a younger sibling, he or she would be the same age as True.

But, of course, I'm not going to confirm or deny anything. No Spoilers.

Keep in mind that Brooklyn considers his siblings all to be the same age, give or take a day or two. The biology matters less than the Rookery.

Response recorded on March 09, 2015

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R.J. writes...

A friend of mine admires and identifies with Brooklyn very deeply. So deeply, in fact, that he sometimes wishes he WERE Brooklyn. He's having a rough time right now, and "just be yourself" isn't helping. I was wondering, could the man that understands Brooklyn better than anyone - his creator - give my friend a little encouragement or wisdom? It would mean a lot.

Greg responds...

I'd be happy to, but I'm at a bit of a loss for at least a couple reasons:

1. I have no idea what is troubling your friend or what aspect(s) of Brooklyn he identifies with.

2. I'm not qualified to give advice, and have very little in the way of wisdom, beyond, perhaps, a willingness to admit to my own ignorance.

But encouragement I can do. It may be a bit generic, but I wish your friend the best and suggest he keep trying and seek out help (and even therapy).

Brooklyn is a good guy, who has his troubles. But after 40 years of wandering through the timestream, he did ultimately come back to his clan with a new wisdom of his own and a loving family. So there is hope.

Response recorded on October 14, 2014

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Anonymous writes...

I just realized that the second question I asked two days ago (about how Tom got from Avelon to Manhatten) is REALLY stupid...for some reason I was misremembering the entire situation and was thinking Tom went to Manhatten AFTER Goliath and co. got back from their trip (which makes absolutly no sense now that I remember correctly)...OOPS! Sorry. I'm verry much expecting a "Hey stupid, what the heck are you talking about?!" response to that question.

Anyway, since I don't want to clog the que with just an apology for screwing up a previous one, I'll ask a couple of actual questions too, this time regarding Brooklyn and Katana.

1. You once described their relationship as: "there's conflict." Can you elaborate (in a general sense, not specific situations...ie. they bicker a lot, they disagree on many things, ect.)?

2. I know that the real-world reason for Katana's name is the sward, but in-universe, did her clan use names? (Also, I know it's a "spoiler request," but if you feel like saying who gave her the name if it wasn't her clan, that would be awesome -- same for Foo Dog).

3. Were the parallels between the casts of the World Tour and Timedancer (ie. the lead Gargoyle: Goliath/Brooklyn; his mate: Elisa/Katana; the child: Angela/Nashville; and the beast: Bronx/Foo Dog) a deliberate decision or just a coincidence?

4. Has/will Foo Dog ever had/get a mate?

Greg responds...

1. Watch Sam and Diane on Cheers or Beatrice and Benedick in Much Ado About Nothing.

2. We've established that the Ishimura Clan uses names. Whether they did back then is a SPOILER REQUEST.

3. More organic than anything. Keep in mind, it's just Brooklyn. Then it's Brooklyn, Finella and Mary. Later it's Brooklyn and Fu-Dog. Later still it's Brooklyn, Fu-Dog and Katana. Later still, it's Brooklyn, Fu-Dog, Katana and an egg. Then Brooklyn, Fu-Dog, Katana and Nashville. Then Brooklyn, Fu-Dog, Katana, Nashville and Egwardo. And that's assuming no one else temporarily joins them for some of the Dancing, a fact I'll neither confirm or deny.

4. SPOILER REQUEST.

Response recorded on September 18, 2014

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Anonymous writes...

my question must have gotten deleted last time i asked this, because i cant find it anywhere. it was part of a post with a bunch of questions, but this one is the only one i really want to know about, so i hope this one wasnt the one that made it not go through

after his journey through time, does Brooklyn still consider himself a rookery brother to Lexington and Broadway?
also, since he is a generation older than Goliath, does he still consider himself his rookery son?
would he now technically be a rookery uncle to any or all three of them, and Angela?
if so, how does he view his relationship to Hudson, since they cant technically be rookery brothers? (like cousins mabey?)

Greg responds...

1. Yes.

2. He never did, so no.

3. No.

4. He still sees Hudson as a mentor/father/grandfatherly figure.

Response recorded on September 03, 2014

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Greg Bishansky writes...

One aspect that I always liked about "Gargoyles" was that most of the individual characters had someone they considered their own personal nemesis.

Brooklyn had Demona (but I doubt she thought enough about him to feel the same, her focus was always on Goliath). Lexington had the Pack (though, again, I doubt they gave him as much thought as again, Goliath). Broadway had Dracon (again, I tend to think Dracon gave Goliath more thought, and especially Elisa).

Actually, while writing this post, it just occurred to me that these people the trio despised probably didn't give them individually all that much thought... kind of says something about how the futility of holding such contempt for someone, only for that other person to probably not spend all that much time thinking about you. See, I love "Gargoyles," I'm always seeing things in new ways.

But I guess what I was originally going to ask, before my little revelation there was this. Did you have any rivalries like that planned with the Redemption Squad?

For Hunter, Demona or John Castaway being her personal nemesis seems like a given. Though I wouldn't be surprised if we get a new character there. Dingo seems to have Falstaff for that role, especially if he ever discovers how his mother died.

Yama, Fang and especially Matrix are harder to pin down for this. I suppose for Yama it could be Taro, but I'm not sure... he seems to blame himself for what he did rather than Taro. Fang doesn't seem to hold any real ill will towards Sevarius. And Matrix doesn't even have emotions and can't take things personally.

Greg responds...

Of course, the ultimate example of what you describe in your third paragraph is with Gillecomgain. He's obsessed for years over the gargoyle that scarred him. And when Demona sees his face, she has absolutely no memory of the incident.

As for the Bad Guys characters, things would evolve in the fullness of time.

Response recorded on March 22, 2013

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Diana writes...

Hey Greg,

it's known, that to control the phoenix gate, one has to think of a special place and time.
Now, that the gate was released by Goliath, one question popped into my head.
Brooklyn couldn't control the gate during his Time Dancer adventures.
But could it be that his subconscious mind influenced the gate's „direction"?
Could the gate (or rather the phoenix) have probably sensed his feelings like fears, inner conflicts or wishes?
Or did the phoenix just follow its own reasons without noticing such things?

By the way … I liked the character of Brooklyn before, but it's due to the Comics (especially Clan building Vol. 2) that he became one of my ultimate favourites. ;)

Greg responds...

Mostly, the Phoenix is the Phoenix. Beyond that, we're talking SPOILER REQUEST. NO COMMENT.

Response recorded on November 15, 2012

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LiLi writes...

Hi Greg -- thanks so much for taking time to answer fan questions like this! I have been a fan of your work since the 90s and Ask Greg is an amazing resource.

My question is: Back in the 10th century, did Brooklyn have a girlfriend or female clan mate he was close to romantically?

Thanks!

Greg responds...

No.

Response recorded on November 06, 2012

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Derek writes...

Now that Brooklyn is older than Goliath does that mean he needs to appoint a new second from Angela, Broadway and Lexington or even Eliza? You mentioned the second in a Gargoyle clan is of a younger generation than the clan leader and groomed to take over, now that Brooklyn is older does that invalidate him from the position?

Greg responds...

Not automatically. We'll just have to see how things play out.

Response recorded on September 24, 2012

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Esteban writes...

Hey Greg, I'm a big fan of Gargoyles and I actually have a question for it concerning Brooklyn. How much has his personality changed after he got back from his Timedancing adventure? I didn't see this question posted at the archives but if you did post it then I apologize.

Greg responds...

He's evolved - and aged - more than he's changed.

Response recorded on August 28, 2012

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Greg Bishansky writes...

Not a question, but a comment. I was watching "Temptation" again, and when Demona first approaches Brooklyn she has this line "wasn't this like old times, fighting together side by side, comrades in arms..." and I have to say, kudos. Thanks to "Tyrants" and "The Gate" there so many more layers upon layers to that line especially. I could be wrong, but I never got the impression that they knew each other all that well prior to the massacre, so I used to wonder if the reference was generic or if she was just trying to make an appeal. Now, well... now the context of the line has changed, and for the better.

I don't know if the idea for their team up against Constantine existed in your head way back when "Temptation" was written, but I love moments of creative serendipity.

Greg responds...

It didn't way back when, but I ALSO think they fought side-by-side in the past from Brooklyn's POV. Keep in mind there's YEARS of adventures in GARGOYLES: DARK AGES.

Response recorded on April 12, 2012

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Todd Jensen writes...

Recently I noticed that Brooklyn wears an eyepatch over his left eye when he's dressed up as a pirate in "Eye of the Beholder" - and wears one over his left eye for real when he returns from his Timedancing in "Clan-Building". When you worked with the artists on Brooklyn's post-Timedancer look, did you have the Halloween costume in mind? Or is it just a neat coincidence?

Greg responds...

Yes. And that's not all.

Response recorded on February 10, 2012

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LEXFAN writes...

are Brooklyn and lex getting along better in comic books ?

Greg responds...

Better than what?

Response recorded on February 09, 2012

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brooklynfan21 writes...

Hi Greg, I've been a long time fan and have never had the opportunity to ask this question, but it's a question that I've had since I watched the series in its initial run. Why did Broadway ever end up with Angela? Was it a decision by a particular writer, a shift in the creative team, or something else? Brooklyn seemed to be the logical choice do to fan base, role as second in command, and overall use in stories. In episodes like "The Gathering Part II" and "Turf" Brooklyn seemed to be building a relationship (even a very small one) with Angela. Broadway seemed like the last possible gargoyle to end up with Angela (totally discounting Lex there). And yet he did end up with Angela. I guess this long rant has one simple question behind it, why not Brooklyn?

Greg responds...

Our plan was ALWAYS to pair her with Broadway. ALWAYS. It seemed right to us for all characters involved. For more details - CHECK THE ARCHIVES, as I've answered this over and over again.

Response recorded on February 25, 2011

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Blizzard Sprite writes...

Hello, Mr. Weisman.

My next questions are for Brooklyn, who was one of my favorite characters in the franchise. Not only did he come off as cool, but he was a relatable character who came off as a sort of rebellious youth. So, here are the questions.

1. I read in a 2008 interview that Brooklyn was quite popular with the fans of the show. How and when were you able to determine that? Nowadays, I figure it would be pretty easy given the pervasive nature of the internet and how fast information can be circulated. But back in the 1990's, during the show's original run when internet use was not as prevalent, how were you able to obtain feedback about certain aspects of the show, such as character popularity?

2. Brooklyn’s encounters and love interests in the twentieth century always seemed to have an unhappy ending to them (his initial encounter with Demona and his initial interests in Maggie the Cat and Angela come to mind). Because of this, he seemed to come off as the most unfortunate character in the original Manhattan clan, at least to me.

a. Do you think that all of these unfortunate letdowns were necessary in developing his character, and preparing him for what was to come in Timedancer?

b. Do you think that Brooklyn having fewer ties to (new) people in the twentieth century made it easier for him, mentally and emotionally, to jump around different points in time?

3. Were you concerned about the audience perception of Brooklyn when you had him return from the Timedancing adventures not only with a family, but an eye patch? I think one of the qualities that made Brooklyn such a likable character, in addition to his personality and his cool voice, was that he was a physically attractive and handsome gargoyle. One external change might not be all that drastic though.

Thank you for your time.

Greg responds...

1. From the internet. It may not have been AS prevalent back then, but it was prevalent enough. There was like an e-mailing list. Uh... for the Disney Afternoon in general, I think. Then my sister helped me find Station 8.

2a. It just felt organic to us.

2b. No.

3. I don't think he's any more or less handsome now. If you liked him before, I can't imagine the eyepatch would cause you to think he's unattractive now.

Response recorded on January 18, 2011

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TallHatGentleman writes...

Um, well wow never thought I'd get a chance to ask you one of the questions that been burning my mind for the longest of times. A question that could very well shake the fabric of reality.

Just exactly where did Brooklyn get that wicked Eye patch from in Issue 12 page 24 of Gargoyles the Slave Labor Comics? I'm not asking how he got the wound, but where the Eye patch itself came from? It's just been bugging me for the wildest of times.

Greg responds...

I'm not revealing that at this time.

Response recorded on December 02, 2010

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Charisma82 writes...

Did Hudson influence Goliath’s decision at all as to who should’ve been Goliath’s second in command?

If something had happened to Goliath before he had chosen a second in command, I would assume that Hudson would’ve become leader at first, but then would choose someone else to lead since he’s older and believes that a younger leader would be best (which is indicated in the episode Upgrade). If this was the case, who would Hudson have considered becoming the new leader of the clan? Would he have based his decision along the same lines as Goliath, or would he have looked for other qualifications?

Thank you for your time and all that you do,

-Charisma82

Greg responds...

Hudson and Goliath are two different guys... but I still think Hudson would have ended up choosing Brooklyn.

Response recorded on September 17, 2010

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Deus Ex Maquina writes...

hey weisiman!

Long time watcher and short time question-asker-or.

Am I the only one who thinks Brooklyn is like some sort of dragon gargoyle? Did you intend this or is the big red beak just getting to me? haha

Greg responds...

He is what he is, beak and all.

Response recorded on June 08, 2010

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M. writes...

I'm curious if Goliath ever told the others in the clan besides Elisa and Angela about what happened in "Future Tense", considering that Brooklyn returned wearing EXACTLY the same armor. This was one of the most interesting revelatins from CBII. Throughly enjoyed everything you've done and looking very forward to more.

Greg responds...

I don't think he did tell much. And certainly not in the kind of detail that would allow Brooklyn to model his armor off of Goliath's story, if that's what you mean.

Response recorded on May 07, 2010

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Random Fan writes...

I'm kinda going on a question spree now that I have some down time and this is something else that poped into my head that I haven't seen yet. Are Brooklyn and Katana biologicly the same age when they meet?

Greg responds...

Yes.

Response recorded on March 26, 2010

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Paul Zimmerle writes...

Why do the Gargoyles never upgrade their equipment with the changing times?
I understand from the archives that Hudson uses his to make up for his age, but, despite the number of times their stony rears were handed to them by technologically/magically superior foes, they never seem to try to even the playing field. Tradition is one thing, but I'm reminded of the famous Churchill quote on the subject of a major overhaul of British naval technology: "The traditions of the Navy are rum, the lash, and sodomy."

Greg responds...

I think it's less about tradition than comfort. But you've seen some of the cast 'upgrade'. Brooklyn, for example, is now heavily armed.

Response recorded on March 23, 2010

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Laura 'ad astra' Sack writes...

One last question before bed....

From what little we've seen, it seems that Brooklyn and Katana are parents, not just rookery parents. (All those years with just each other would make it seem inevitable. There are no rookery siblings or other parents.) You wrote that Broadway and Angela ~choose~ to raise their children in the gargoyle style. So...

1. Are there currently any clans who have adopted human parenting, like they adopted human naming? Will there be by the future series?

2. Even those choosing to raise children collectively, are their strong human influences to that thought? (For instance, noting a rookery child looks like you.)

3. Am I correct in my assumption that Brooklyn and Katana are more like human parents in that respect?

4. It has been strongly implied that Elisa and Goliath will in some way adopt. Should they raise a child, would it be as individual or collective parents?

More later, (when I can hopefully decipher my handwriting).

Greg responds...

1. We'll have to wait and see.

2. See above.

3. See above.

4. See above.

Response recorded on March 23, 2010

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Clark Cradic writes...

Have Angela, the Trio, and Bronx ever killed someone? I don't mean like in the show, but back in the 10th Century? With Hudson, Goliath, and Demona being as battle hardened as they are it's sort of obvious they've done the deed, but I've always been curious to the younger members of the clan.

Greg responds...

Well, not Angela. But I think it's very possible that Bronx and/or the Trio might have. And almost definite that Brooklyn did at Rathveramoen.

Response recorded on March 15, 2010

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Chip writes...

Some questions bubbled up in my mind while reading Gargoyles Clan-Building, first about the Timedancer arc.
1)Is Fu-Dog’s gold collar affected by the humility spell?

2)Does Katana speak English? I note that she had no lines in “Phoenix” and in the non-canon Radio Play…is the reason she doesn’t speak because she can’t speak English?

3)Somewhat related to question 2, is Brooklyn able to understand the languages of times/places he goes automatically, or does he need to learn them?

Greg responds...

1. It's up to him.

2. She speaks English.

3. I haven't fully decided, but I'm leaning toward the Phoenix compensating magically.

Response recorded on March 05, 2010

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Clark Cradic writes...

Does Brooklyn meet Katana before or after his adventures in the future with Samson and the resistance?

Greg responds...

Both.

Response recorded on February 24, 2010

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Anonymous writes...

In the comics are we ever going to find out what happened to Brooklyn in his 40 years of time travel?

Greg responds...

If I'm given the opportunity, yes.

Response recorded on February 19, 2010

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gipdac writes...

1. When was Katana hatched?
2a. How old is Katana biologically when Brooklyn & Co. return to Manhattan 1996?
2b. How old is Katana chronologically when Brooklyn & Co. return to Manhattan 1996?
3. What year did Katana and Brooklyn first meet?
4. I hope this doesn't sound vulgar because it's not meant to be, but when did Brooklyn and Katana find time to mate with Nashville hanging around? I just imagine lots and lots of awkwardness:-Z

Greg responds...

1. I'm not revealing that at this time.

2a. Same age as Brooklyn.

2b. I'm not revealing that at this time.

3. I'm not revealing that at this time.

4. Parents manage. (Otherwise, I wouldn't have TWO kids myself.)

Response recorded on January 28, 2010

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Brigadoon Traveller writes...

Well I finally got my copy of Clan Building 2 last week; it was weird, even though I'd been waiting MONTHS to read this, when I had the book in my hands I wasn't in that much of a rush to read it. Maybe subconciously I was registering that this would be the last few stories of Gargoyles that I would read for some time. :(

Anyway, I have to say when I did read it I loved it, couldn't put it down.

Just one question (for now at least):

As of 1994 (or "Awakening part 4") did Demona remember her encounter with "the gargoyle of the sword" back in 997? If so, how did she reconcile it with Brooklyn waking up in 1994 after being put under the sleep spell?

I have to say, I loved the 997 arc btw; thought it was brilliant. Especially loved the end pages of #12; finally we get to see Katana, Nashville (or Gnash as he likes to call himself) and Fu-Dog (& not to mention Egwardo) after all these years.

It was also a surprise seeing Coldstone and Coldfire rejoin the clan.

On the whole loved the book; here's hoping for more soon.

Greg responds...

Yes, she remembered. She must have put SOME of it together. And it may be why she chose Brooklyn in "Temptation".

Response recorded on January 05, 2010

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Todd Jensen writes...

My review for #11, "Tyrants".

* SPOILERS *

I'd long had a vision of Brooklyn, during his Timedancing, confronting his stone self at Castle Wyvern - so I was amused to see that happen here, and on the "cover page".

I'd read since "Avalon Part One" aired about Constantine's nickname being "the Bald", and got a kick out of seeing you incorporate that here.

I liked Constantine's "Three Brothers" line, alluding to your four-parter here.

Another priceless moment: Brooklyn accidentally blabbing about Tom's future to Mary.

Just his luck: the Phoenix Gate trapped inside the stone pouch. And now the Humility Spell's name becomes canon, rather than canon-in-training. Followed by the Wind Ceremony.

Demona's second-in-command from "City of Stone" shows up in her clan. Nice touch.

I liked Brooklyn's "Hit those books" moment - very funny, and such good advice. And I'm certain you've encouraged your readers to study up on 10th century Scottish history with this story.

And Brooklyn has to make an alliance with his old enemy Demona (who hasn't even done the thing he'll hate her for yet). I liked his slip about Hudson's name. (Also Demona frantically lying about her whereabouts during the Massacre.)

Another great cliff-hanger, with a double threat from Demona and Valmont.

* SPOILERS END *

Greg responds...

Brooklyn was fun for me here. I was worried I was almost making him too competent... not thrown ENOUGH by what had happened. But it just seemed right, that he'd take things as they came...

Response recorded on December 10, 2009

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stanley dean cowens writes...

I reading a question someone asked you about if demona and goliath would ever be a couple again and you said no. I was some what unhappy about that development as I was always had hope they would be a couple again at some point. I also find Elisa to be a some what uninteresting character to be honest compared with demona. I know many shows will take into consideration input from the fanbase and bring certain characters back to life,give popular characters with a small amount of screen time more time and so one. I was wondering if you basically have a vision set in stone for your characters or do you ever make any changes in gargoyles or any other show based on fan feed back? I hope this questions does not violate your rules for answering questions,but I was really wondering about what level you take fan input into consideration regarding existing characters and events? Great show and keep up the good work. I'm kind of burnt out on spiderman to be honest,but now that I know you're involved in it I guess I'll have to buy the box sets and check it out.

Greg responds...

Hmmm... I really don't change stories based on fan desires. First off, fans don't all agree on what they want (for example a lot of folks think Elisa is great), and sometimes (like Demona getting back together with Goliath) they want things that just don't make any story sense and would be bad for the property.

On the other hand, I do respond to what the fans respond to. Brooklyn's popularity was probably one of the things that lead me to the creation of TimeDancer.

Response recorded on September 22, 2009

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ACCESSIBILITY

So I've been lurking a bit, and I see folks are questioning the accessibility of the Gargoyles comics.

And I know I shouldn't do this, but I'm going to defend my own work here instead of just letting it stand on its own.

I totally reject the notion that the comics aren't accessible to new readers, unfamiliar with the GARGOYLES property. Now, granted Clan-Building, Volume II is pretty inaccessible IF you haven't read Clan-Building, Volume I. But in fairness to me, the Clan-Building arc is published in two volumes for commercial reasons, not creative ones. It's not two six-issue arcs; it's one twelve issue arc. So if you read Clan-Building in it's entirety OR if you read Bad Guys in it's entirety, I think both these arcs are extremely ACCESSIBLE.

And, yes, I've seen the reviews that claim that they're not. But I notice that those reviews are written by people who ARE passingly familiar with the cartoon and are making the ASSUMPTION that the books would be inaccessible to new readers. But I don't buy it. I've been doing this for a LONG time. And I know how to fill in my reader and/or viewer, introduce new concepts, etc.

Every issue in sequence introduces all the necessary information to a new reader that said reader would need. Does a reader benefit if they know all the backstory? Of course. But they don't have to know that backstory to enjoy the comic.

Let me take a specific example -- one that a reviewer specifically brought up. At the very end of issue #2 of Bad Guys, Sevarius appears. The reviewer (who knew exactly who Sevarius was) thought that I was blowing off new readers, because I gave NO backstory or introduction to Sevarius in that issue. But I'd argue that no introduction was necessary at that point. We've seen a mysterious figure descend into the Labyrinth, taser a guard, shed a disguise and confront Fang, claiming to know his real name and stating that he is Fang's "maker". That's ALL you need to know at that point as a new reader. It's perfectly okay if you DON'T know who this guy is. It's intriguing enough on that level. And in the very next issue (or chapter if you're reading the trade) Hunter gives all the backstory on Sevarius that you need to appreciate his role in issues/chapters #3 and #4. Yes, a hardcore fan is going to get extra juice when Sevarius pulls off his disguise because they'll recognize him. But even if Sevarius had been a brand new character, I wouldn't have handled his introduction any differently.

Look at Tasmanian Tiger. He is a new character. I hope he's at least a little bit intriguing. But is a new reader lost because they DON'T know that this is his first appearance? Readers, whether they are hardcore Garg fans or complete newbies, know as much about TT as they need to know -- and no more.

Yes, there are resources on the web -- BUT I don't count on those AT ALL, with one exception. And that exception is if people wonder why I'm ignoring Goliath Chronicles. And a new reader isn't even going to KNOW about Goliath Chronicles, so it's NOT an exception to him or her.

Otherwise, I use the tools I have within the book to explain what an audience needs to know. Someone familiar with the property may THINK the reader needs to know more, but I flat-out think they're wrong. My proof is anecdotal but it exists. I know people who've read the books and enjoyed them even though they never saw the show. Has it interested them in finding out more about the original series? Yes. And that's good and fine. But there's a difference between a new reader being intrigued and WANTING to learn more and a new reader being confused and NEEDING to know more to get what's going on.

You don't need to KNOW Brooklyn's entire history to know he's hurting because he can't get a date, to know he's pining for Angela and to know he's trying to get away from Angela and Broadway before chapter 10 of Clan-Building comes along -- and he's thrust into the past. Everything you NEED to know about him is present in issues 1-9. One benefits from knowing more, but that doesn't make it necessary to know more.

Of course, the greatest blockade to accessibility is the non-linear structure of chapters 7-9. But that's not property-based or familiarity-based, that's me using a non-traditional structure, which I might have done on an issue of, say, Captain Atom or Spider-Man or whatever. Hopefully, if a reader has read the first six chapters, they're intrigued enough to want to follow along despite the difficult structure.

Remember, issues 1 & 2 are designed to introduce you to the world of Gargoyles and any relevant information about said world. I got slammed by one reviewer for opening the comic book series with that adaptation of "The Journey", but I thought it was essential for new readers. One could argue fairly that each succeeding issue isn't as accessible as those first two, but complications and characters were added gradually through those first six issues. Anyone reading the book in order would not have been lost for a minute. If we hadn't been plagued by delays and late deliveries (which I had no control over and did not anticipate) it wouldn't have been the same kind of problem.

Any comic book or animated series that employs serialization and continuity is subject to these difficulties. And the middle chapter of any story (including a twelve-part story like Clan-Building or a six-part story like Redemption) can be tough to follow without having read the first few chapters. But just as I feel you can enjoy, say, "Leader of the Pack" without ever having seen any episodes from Season One of Gargoyles, I think Clan-Building can be enjoyed without having seen ANY of the Gargoyles TV series. Is the same true for "Avalon, Part Two" or "Avalon, Part Three"? No. But I think it IS true for "Avalon, Part One" and/or the three-part "Avalon" series when considered as a single unit.

My point is, I'm very familiar with the dilemma, and I know how to compensate. Or in any case, I'm VERY aware of the need to compensate. One can argue that I failed, I suppose. It does become subjective at some point. But nothing I did was done without very conscious thought on my part vis-a-vis the needs of a new reader. So any reviewer who claims that I didn't care or didn't try to make the book accessible is just -- well, wrong. And I think they are making assumptions based on THEIR knowledge of the richness of the property. They get all these resonances and call-backs, etc., and ASSUME a new reader would be lost without them. But you know what they say about the word "ASSUME". The resonances and call-backs are gravy. (And if you don't know they exist you won't know you're missing anything.) The meat, in my opinion, is all right there on the page.


Bookmark Link

G2009 Radio Play

G2009 Radio Play - Act Two

BIG MAN STANDS.

247. NARRATOR
Act Two. The Big Man of Crime enters his offices, but finds he’s not alone…

248. BIG MAN
You spend so much time here, I’ll need to buy you your own chair. So you’ll stay out of mine.

Green Goblin STANDS.

249. GREEN GOBLIN
Surprised to see me?

250. BIG MAN
Not particularly.

251. GREEN GOBLIN
Then you won’t be surprised to learn I’m still running things…

252. BIG MAN
If you can run them from a hospital bed…

253. NARRATOR
Catching Gobby off guard, Lincoln punches him right through the window…

254. GREEN GOBLIN
<impact grunt>

255. NARRATOR
The goblin-glider swoops in and catches the Goblin, who pulls out a Pumpkin Bomb.

PUMPKIN BOMB STANDS.

256. GREEN GOBLIN
Ever the gracious host. And ever the gracious guest, the Goblin must show his appreciation. Here. I brought a gift.

257. NARRATOR
Gobby throws his “gift”, but Goliath swoops in, catches it and throws it back.

Goliath and Spider-Man STAND.

258. PUMPKIN BOMB
<shriek>

259. GREEN GOBLIN
<impact>

260. NARRATOR
Not far away…

261. SPIDER-MAN
No, no, no, no, no… I was hoping I’d never hear that trademark Pumpkin Bomb shriek again…

262. NARRATOR
Spidey swings in to find Goliath and a recovering Gobby together…

263. SPIDER-MAN
So that’s what these gargoyles are… more of the Goblin’s Halloween creations…

264. NARRATOR
Spidey swings into action against Goliath.

265. GOLIATH, SPIDER-MAN
<ad-lib battle sounds>

266. GOLIATH
The Bugle was right about you: you are a threat and a menace!

267. SPIDER-MAN
Wait, you can talk? And read?! And what you read is the Jolly One’s editorials?!

268. GREEN GOBLIN
I know I should assassinate Mr. Lincoln. But I’m so enjoying the show. Really, someone should make more Gargoyles. I know: I’ll call Walt Disney.

Green Goblin, Spider-Man, Goliath, Pumpkin Bomb and Big Man sit. ANGELA, BROOKLYN, BROADWAY and LEXINGTON STAND.

269. NARRATOR
Meanwhile, atop the Eyrie Building, Brooklyn, Lexington and Broadway watch Angela playing with Brooklyn’s son Nashville…

270. ANGELA
That’s great, Nashville. This time try the axe…

271. BROADWAY
Wow, Angela looks so adorable playing with Gnash. I mean, Gnash is cute too…

272. BROOKLYN
Thanks. I know he hatched in another decade, but Katana and I discussed it, and we want the whole clan to be Gnash and Egwardo’s Rookery parents…

273. BROADWAY
We’d be honored…

274. LEXINGTON
I still can’t quite take it all in. I go to Britain for a few weeks, and everything changes…

275. BROADWAY
At least you were gone for weeks. Try adjusting in forty seconds.

276. BROOKLYN
Hey, I had forty years to get ready for this, and it’s still strange…

277. LEXINGTON
But, dude. You’re so… old.

278. BROOKLYN
Thanks.

279. LEXINGTON
Older than Goliath.

280. BROOKLYN
Yeah.

281. LEXINGTON
Almost Hudson’s age.

282. BROOKLYN
I get it. I’m old.

283. LEXINGTON
It’s not that. Everything about you is different.

284. BROOKLYN
Oh, come on…

285. BROADWAY
No, he’s right. The way you talk. The way you move. All those weapons you carry now. It’s like you’ve outgrown us.

286. BROOKLYN
That’s not fair. I can’t tell you how much I missed you both.

287. LEXINGTON
We get that. And we’re not mad. But…

288. BROOKLYN
Look, this isn’t all on me. As I recall, things were already changing. Broadway spent all his time with Angela.

289. BROADWAY
Not all my time.

290. LEXINGTON
Uh… pretty much.

291. BROADWAY
Yeah, well, you’re practically on the internet non-stop.

292. LEXINGTON
It’s addictive! Do you know they have porn on that thing? There’s this one website, Blue Mug Prodâ€"

293. BROOKLYN
I don’t wanna know. The point is we’ve all gone through some changes. That’s just life.

294. BROADWAY
I guess our Three Musketeer days are over…

295. LEXINGTON
Yeah…

Zafiro and Obsidiana STAND.

296. ZAFIRO
Gargoyles of Manhattan!

297. OBSIDIANA
We need you’re help!

298. NARRATOR
At just that moment, the sun rises, turning Brooklyn, Lexington, Broadway, Angela and Gnash to stone. Obsidiana and Zafiro are unaffected, thanks to their mystic Mayan pendants.

299. ZAFIRO
Mierda.

300. OBSIDIANA
Nuestro cronometraje apesta hoy.

Obsidiana, Zafiro, Lexington, Broadway, Brooklyn and Angela sit. Spider-Man, Green Goblin and Pumpkin Bomb STAND.

301. NARRATOR
Across town, Goliath also turns to stone.

302. SPIDER-MAN
What the heck?!

303. GREEN GOBLIN
Well, that was… unexpected.

304. SPIDER-MAN
All right, that’s enough. I know you’re not the real Gobby.

305. GREEN GOBLIN
Yes, yes, “It’s not the voice; it’s the words. Not the tech, but the moves.” I’ve heard it all before…

306. SPIDER-MAN
Then I know exactly who you really are: Chameleon!

307. GREEN GOBLIN
That would ease your conscience, wouldn’t it? To think I’m Chameleon â€" and not the ghost of the man you killed!

308. SPIDER-MAN
I don’t believe in ghosts.

309. GREEN GOBLIN
Then maybe you’d prefer I was the Spawn of Goblin.

310. SPIDER-MAN
Oh, you’d just love to shift the blame to Harry. Sorry, Gobby â€" I mean, Chammy â€" but we’ve been there, done that. Besides, no matter who you are, there hasn’t been time for the Globulin Green to kick in and truly Goblify you. So I’m gonna take you down now while you’re still just a cheap imitation.

311. GREEN GOBLIN
You could do that… or you could save stoneface over there.

312. NARRATOR
Gobby throws a pumpkin bomb at Goliath. Instinctively, Spidey webs it away…

313. PUMPKIN BOMB
<shriek>

Pumpkin Bomb and Green Goblin sit.

314. NARRATOR
By which time, the Goblin is gone, leaving a confused Spidey perched on Goliath’s head…

315. SPIDER-MAN
So in hindsight, I’m thinking maybe you weren’t part of the Gob-Squad, right?
(beat)
Fine. Stonewall me.

May STANDS.

316. NARRATOR
That morning in Forest Hills, Spidey sneaks in through his bedroom window, hoping to catch a few Zs.

317. MAY
Peter, are you awake.

318. PETER
Uh, sure Aunt May. Just getting dressed.

319. MAY
Well, hurry up. I’m… “conferencing” with all the other parents.

Robbie, ROSIE THOMPSON and George STAND.

320. ROBBIE
Are you sure you don’t mind, Mrs. Parker? Cuz I gotta say, what you’re proposing would be my worst nightmare.

321. MAY
<laughs> Oh, I don’t believe that for a minute, Mr. Robertson. It’s a joy to be around Peter and his friends. And I won’t be alone. Anna Watson and Mrs. Osborn will be with me.

322. ROSIE
Emily? She’s so… odd. I don’t think she’s ever said one word to me…

323. MAY
Well, I don’t know her very well, Rosie, but Harry is Peter’s best friend â€" no offense to your Eugene â€" so she must be doing something right.

324. ROSIE
May, you never change. Always seeing the best in people.

325. MAY
I’ll take that as a compliment, dear girl.

326. GEORGE
In any case, I’m glad to get Gwen out of Manhattan for a few days. The streets are looking pretty grim right about now.

327. MAY
Oh, I’m sure your officers will have things under control in no time.

328. PETER
Aunt May, what’s going on?

329. MAY
Oh, didn’t I tell you, Peter. I’m chaperoning your trip to Miami Beach!

330. PETER
Wow. Great.

Peter, May, George, Rosie and Robbie sit. Big Man and Dominique STAND.

331. NARRATOR
Meanwhile, back at L. Thompson Lincoln’s office…

332. BIG MAN
And how can I be of help, Ms. Destine.

333. DOMINIQUE
I think I can help you, Mr. Lincoln.

334. BIG MAN
What makes you think I need any help?

335. DOMINIQUE
Oh, little things. The shattered window, that unusual statue on the ledge outside…

336. BIG MAN
Point taken. How about you cut to the chase?

337. DOMINIQUE
Fine. Tony Dracon. Tomas Brod. Silvio Manfredi. All in jail. Hammerhead. Sable Manfredi. On the run. This gives you a unique opportunity to reclaim what was lost.

338. BIG MAN
I’m sure L. Thompson Lincoln has no idea what you’re talking about. But go on…

339. DOMINIQUE
You have three problems. Green Goblin, Doctor Octopus and the government watching your every move.

340. BIG MAN
And you have the solution…

341. DOMINIQUE
I have the manpower. Three… “super-villains” to take down the competition and Dominic Dracon to use as a figurehead.

342. BIG MAN
The old man? I heard he was shy a few brain cells.

343. DOMINIQUE
It’s easy enough to spread the word he was faking insanity to avoid prosecution. And easy enough to assign him a keeper. Meanwhile, he’s a Dracon. And that name still carries weight, I believe.

344. BIG MAN
It does. But what would you want in exchange?

345. DOMINIQUE
Nothing extraordinary. Just the services of the Tinkerer.

346. BIG MAN
I believe that can be arranged.

347. DOMINIQUE
Lovely. But let’s not allow the moss to gather. You’ll want to move fast. Before the Octopus retrieves his arms…

Dominique and Big Man sit. SILVER SPOON MANAGER, Vulture, DOCTOR OCTOPUS and Electro STAND.

348. NARRATOR
The weather has turned cold. At the Silver Spoon, three men in trench coats and hats wait for their coffee.

349. SILVER SPOON MANAGER
Sixty-nine!

350. VULTURE
Yes. Here.

351. NARRATOR
Vulture sits down with Electro and Doctor Octopus.

352. DOCTOR OCTOPUS
Thank you, Adrian. Now. My arms?

353. VULTURE
In an OsCorp vault.

354. ELECTRO
At Rykers?!

355. VULTURE
<shhhhh> Not THE Vault. A vault. Still very high security, and the police are bound to expect our arrival, but…

356. DOCTOR OCTOPUS
Indeed. <sigh> OsCorp. Even in death, Norman Osborn torments me. But it cannot be helped. I must have my arms. We go in under cover of darkness tonight.

Doctor Octopus, Vulture and Electro sit. Silver Spoon Manager remains standing. Peter and Mary Jane STAND.

357. NARRATOR
The three men exit through one door. Two teenagers enter through another.

358. SILVER SPOON MANAGER
Seventy!

359. MARY JANE
Try to understand, Tiger. I just can’t do that to Gwen. She’s really become my best friend at Midtown.

360. PETER
But it’s not like we’d be making out or anything, right? Uh, right?

361. MARY JANE
Right.

362. PETER
Right, right. We’d be going as friends. Hanging out when the couples were … you know, coupling.

363. MARY JANE
And that would be great. But look at it from her point of view. She took all the risks, and you still wound up with Liz. There’s no way, she’d see me as anything but a threat. Wait, that sounded really conceited.

364. PETER
Have you looked in a mirror? Not conceited. Just fact.

365. MARY JANE
Ooh, nice one. Such a player.

366. PETER
Yeah, right. The world’s loneliest player.

367. MARY JANE
Stop it. I know you don’t want to hurt Gwen either. Not after all the two of you have been through.

368. PETER
Yeah… I wonder if Ms. Brant likes Miami. Kidding, kidding… Wow, pretty good. That was practically the Look.

369. SILVER SPOON MANAGER
Seventy-One!

SEYMOUR O’REILLY stands.

370. PETER
So you’re just not going?

371. MARY JANE
Oh, I’m going. It’s 48 degrees outside and 82 in Miami. I asked Tiny to be my plus one.

372. PETER
Tiny?! Tiny McKeever?! The guy’s got the brain of an amoeba. He makes King Kong look like a genius. Hell, he makes Flash look like Stephen Hawking!

373. MARY JANE
(shrugs)
He’s cute.

374. PETER
<argggh> I just wish I could skip the whole thing. But Aunt May’s going, and after her heart attack, I really think she could use some fun in the sun--

375. SEYMOUR
Sorry to interrupt. Couldn’t help overhearing.

376. PETER
Oh, hey, Seymour.

377. SEYMOUR
Just wanted to let you know Harry invited me too. And I’m totally going stag. I mean who wants a ball and chain when Miami Beach is full of hotties, right?

378. PETER
Uh…

379. SEYMOUR
Just don’t expect to hang out, okay. You’d fully cramp my style.

380. PETER
Of course I would…

381. SILVER SPOON MANAGER
Seventy-two!!

Silver Spoon Manager, Peter, Seymour and Mary Jane sit. Dominique and TINKERER STAND.

382. NARRATOR
Meanwhile, the Tinkerer arrives at the Destine Mansion…

383. DOMINIQUE
You have the devices?

384. TINKERER
Five was all I could put together on short notice. Unless you want to bring Mysterio in…?

385. DOMINIQUE
Our stage is crowded enough. And five should do quite nicely.

Dominique and Tinkerer sit. May, Mary Jane, GREG BISHANSKY, Sally, Gwen, Harry, Kong, Rand, Flash, Liz, Jason, Peter and Seymour STAND.

386. NARRATOR
Later that afternoon, Harry’s rented a party bus, and the gang is en route to the airport, stuck in heavy traffic on the expressway. A very prepared May Parker has a clipboard…

387. MAY
All right, we have three adults and sixteen children â€" sorry, sixteen teenagers. That’s nineteen sojourners bound for Florida. So why did my headcount come to twenty?

388. MARY JANE
I think you counted the bus driver, Mrs. Parker.

389. MAY
Oh, that I did.

390. BISHANSKY
Hey, twist my arm! I’ll go to Miami with you guys!!

391. SALLY
Was anyone talking to you?

392. BISHANSKY
Uh… no.

393. SALLY
Then eyes front.

394. BISHANSKY
Eyes front.

395. GWEN
Harry, are you all right?

396. HARRY
I dunno. All this stopping and starting. My stomach’s a little queasy…

397. KONG
Dude. Does this bus rock or what?!

398. RAND
‘Scool.

399. FLASH
Damn right it’s cool. Wouldn’t mind taking this baby all the way to Florida.

400. SALLY
Excuse me?! It’s a bus.

401. LIZ
Sally’s right. We’re not ditching the private jet for a bus. Right, Jason?

402. JASON
Uh…

403. SALLY
Right.

404. PETER
It really is a very nice bus though.

405. BISHANSKY
Hey, I’m not offended. I still can’t believe the Osborns hired me again. The last time, I got in two-- <impact grunt>

406. SEYMOUR
Dude, you totally rear-ended that guy at the tollbooth!

407. BISHANSKY
Not again…

408. SALLY
Wonderful. Now, we’ll be stuck here forever!

409. MAY
Everybody stay calm.

410. HARRY
Ah, man, gotta use the john…

411. KONG
<laughs> I think Osborn’s gonna hurl!

412. SALLY
Oh. My. God! If my hair starts smelling like vomit, I’ll sue you for bus-driver malpractice!!

413. BISHANSKY
Sorry, sorry…

Bishansky, Sally, Kong, Harry, May, Seymour, Peter, Jason, Liz, Flash, Rand, Gwen and Mary Jane sit. Brooklyn, Lexington, Broadway, Zafiro and Obsidiana STAND.

414. NARRATOR
The sun sets. At the castle, the gargoyles awaken…

415. BROOKLYN, BROADWAY, LEXINGTON
<awakening roars>

416. BROOKLYN
You must be Zafiro.

417. ZAFIRO
How did you know?

418. BROOKLYN
Strong family resemblance.

419. ZAFIRO
¿Perdón?

420. BROOKLYN
Long story. Time travel. The future. A whole other spin-off. Two actually…

421. OBSIDIANA
We don’t have time for your “spin-offs”. ¿Donde esta Goliath?

422. BROADWAY
He didn’t sleep here.

423. LEXINGTON
But I’m sure he’ll be back soon.

Elisa STANDS.

424. ELISA
He’d better. We have trouble. Demona trouble.

425. OBSIDIANA
Elisa!

426. ELISA
Hi, Obsidiana. I’m betting you have trouble too…

Elisa, Obsidiana, Lexington, Broadway, Brooklyn and Zafiro sit. Kraven, Calypso, Curt and Gulyadkin STAND.

427. NARRATOR
And while the clan awaits Goliath’s return…

428. KRAVEN
It is time, Calypso.

429. CALYPSO
Yes. The forces gather. We can make this one our own.

430. CURT
I demand you let me go!

431. KRAVEN
Hold your tongue, American dog. Or Gulyadkin will hold it for you.

432. GULYADKIN
<low lion growl>

433. CALYPSO
Calm yourself… This change will not be difficult. The primitive bound within is barely skin-deep…

434. CURT
I-- I don’t know what you’re talking about.

435. CALYPSO
I think you do. You see my companion. The details may have been created in a laboratory…

436. KRAVEN
But the soul of the Hunter â€" the beast inside â€" was always my own.

437. CURT
What are doing with that doll?

438. CALYPSO
Turning it inside out.

439. CURT
Listen to me, please. Even if you can release the “beast inside”, you don’t want to! It can’t be controlled.

440. KRAVEN
<laughs> Nyet. Not by you perhaps. But my Calypso is not so easily trifled with.

441. CALYPSO
It is time…

442. CURT
Noooo!!!! <transformation scream>

443. NARRATOR
Curt Connors is transformed by Calypso’s magic into the Lizard.

444. LIZARD
<roar>

445. KRAVEN
Now… to the Hunt!

Kraven, LIZARD, Calypso and Gulyadkin sit. Obsidiana, Zafiro, Angela, Elisa, Goliath, Broadway and Brooklyn STAND.

446. NARRATOR
Back at the Castle, Goliath has returned, and the entire clan has gathered. Elisa’s revealed what she knows about Demona. Now, it’s Obsidiana’s turn…

447. OBSIDIANA
It came from somewhere further south. Two human smugglers carrying an object of great power through the Green…

448. ZAFIRO
My mate is sensitive to these things. We tracked them, but they boarded a jet airplane and were soon out of our reach.

449. OBSIDIANA
Pero still I could sense great forces gathering. I asked Jade and Turquesa to teach us the way to Avalon…

450. ZAFIRO
Gabriel says hello, by the way.

451. ANGELA
Oh, I miss him. How is he?

452. ELISA
Angela, honey, let’s stay on point. I take it Avalon sent you here.

453. OBSIDIANA
Yes. We nearly achieved the totem, but a ridiculous human dressed in red and blueâ€"

454. ELISA, GOLIATH (UNISON)
Spider-Man…

455. OBSIDIANA
He did spin webs like a spider. Though from his hands, not hisâ€"

456. ZAFIRO
Focus, mi amor.

457. OBSIDIANA
Lo siento. This Man-Spider, he interfered. The smugglers escaped again. Now, power builds on power, rising to a crescendo.

458. BROADWAY
And that’s bad, right?

459. NARRATOR
Elisa’s cellphone rings.

Matt STANDS.

460. ELISA
Maza.

461. MATT
It’s Matt. Something’s going down at the OsCorp vault off the Expressway. Most of the Taskforce is already here. Stacy and his men too. But I’m thinking we might need… “back-up”. Lots and lots of back-up.

462. ELISA
We’re on our way. Brooklyn, can Bronx and Fu-Dog baby-sit Egwardo?

463. BROOKLYN
Of course.

464. ELISA
Good. Because otherwise it’s all hands on deck.

Elisa, Brooklyn, Broadway, Obsidiana, Zafiro, Goliath and Angela sit. George, Morgan and O’Neil STAND.

465. MATT
Okay, Captain. The rest of the Taskforce is on its way.

466. GEORGE
My men are deployed.

467. O’NEIL
And just in time! Cuz we got Gobby and his Pumpkin-Heads at 12 o’clock!

Green Goblin and Pumpkin Bomb STAND.

468. GREEN GOBLIN
Playtime!

469. PUMPKIN BOMB
<shriek>

470. MORGAN
And a gargoyle at 3 o’clock!

471. GEORGE
That’s not a gargoyle. That’s the Vulture!

Vulture STANDS.

472. VULTURE
You were right, Otto. The police were waiting. And the Goblin is here too. You don’t think it could actually be Osborn, still alive, do you?

Doctor Octopus and Electro STAND.

473. DOCTOR OCTOPUS
Do not get distracted by old grudges, Adrian. It hardly matters who wears the Green. His intent is still to prevent me from regaining my arms. You must keep the Goblin and the authorities occupied.

474. VULTURE
Of course.

475. DOCTOR OCTOPUS
Now, Electro. Open the vault.

476. ELECTRO
Roger that, Doc!

477. NARRATOR
Electro, already inside, short-circuits the vault’s electro-magnetic lock.

Tinkerer and Demona STAND.

478. TINKERER
Electro’s breached the vault.

479. DEMONA
So predictable. Send in your operatives.

480. NARRATOR
Tinkerer opens a burlap sack, releasing his five “operatives”.

HOMUNCULUS #1, HOMUNCULUS #2, HOMUNCULUS #3, HOMUNCULUS #4 and HOMUNCULUS #5 STAND.

481. HOMUNCULUS #1
Homunculi to the rescue!

482. HOMUNCULUS #2
Dirty work to be done!

483. HOMUNCULUS #3
Peach Cobbler!

484. HOMUNCULUS #4
Uh oh, somebody’s language system’s off-line again.

485. HOMUNCULUS #5
You know it, girlfriend!

Calypso, Kraven and Lizard STAND.

486. NARRATOR
And down in the sewer…

487. CALYPSO
It is right above us, my love. The Power and the Glory. The very keys to the Kingdom.

488. KRAVEN
And Kraven will lay them all at your feet.

489. LIZARD
<lizard roar>

490. NARRATOR
Up top, a stretch limo skids to a stop outside the vault. Dominic Dracon and Fancy Dan emerge.

Dracon and FANCY DAN STAND.

491. DRACON
All right, boys. Get me those jewels!

492. FANCY DAN
I think what the boss means is… Destroy the competition!

Carnage, Colonel Jupiter and Venom STAND.

493. CARNAGE
<evil chuckle> Carnage time?

494. FANCY DAN
Yeah. Go. Kill. Whatever.

495. COLONEL JUPITER
Colonel Jupiter will stop the Green Goblin and Vulture in their tracks!

496. FANCY DAN
Knock yourself out. But what are you waiting for?

497. VENOM
Someone worthy of our hate. But we have faith… He’ll come…

498. GREEN GOBLIN
My, my, the field’s getting crowded. Let’s thin the herd. Pumpkin-Heads, release the hounds! <ahem> That was a metaphor. Throw your pumpkin bombs already!

499. PUMPKIN BOMB
<multiple shrieks>

Pumpkin Bomb, Green Goblin, Venom, Fancy Dan, Colonel Jupiter, Carnage, Dracon, Lizard, Kraven, Calypso, Homunculus #5, Homunculus #4, Homunculus #3, Homunculus #2, Homunculus #1, Demona, Tinkerer, Electro, Doctor Octopus, Vulture, George, Morgan, O’Neil and Matt SIT. May, Peter, Bishansky, Flash, Kong, Sally, Mary Jane, Gwen and Harry STAND.

500. MAY
Goodness, what was that?

501. PETER
Something The Bugle will want pictures of. Open the door.

502. BISHANSKY
Uh…

503. MAY
Peter Parker, I am not letting you off this bus in the middle of the expressway.

504. PETER
Aunt May we’re at a complete standstill. And you don’t have to worry. I’ll use my telephoto lens. I won’t be anywhere near the action.

505. MAY
I suppose it is your job… Open the door.

506. BISHANSKY
Yes, ma’am.

507. PETER
Thanks, Aunt May. You rock!

508. FLASH
If Puny Parker’s going, I’m going too!

509. MAY
Eugene Thompson, you sit your backside down in that seat right this minute.

510. FLASH
Yes, ma’am.

511. KONG
<laughs>

512. SALLY
What’s he going to take pictures with? I saw his camera get blown up two months ago.

513. MARY JANE
Pete’s a professional photographer, Sally. I’m sure he has more than one camera.

514. GWEN
Harry… Are you all right in there?

515. HARRY
<vomit noise> Ugh, don’t come in. It really isn’t pretty.

Harry, Gwen, Mary Jane, Sally, Kong, Flash, May, Peter and Bishansky sit. Broadway, Goliath, Brooklyn, Angela, Elisa, Zafiro and Obsidiana STAND.

516. NARRATOR
The clan alights on a rise overlooking the battlefield.

517. BROADWAY
Whoa, what a mess…

518. GOLIATH
We will split our forces. Brooklyn, Lexington, Broadway, Obsidiana, Zafiro with me.

519. BROOKLYN
Shouldn’t I lead the other contingent?

520. GOLIATH
I need your experience and your weapons at my side.

521. ANGELA
Don’t worry, Brooklyn, we’ve got it covered.

522. NARRATOR
Angela, Hudson, Katana, Gnash, Coldstone and Coldfire glide toward the battle.

523. BROOKLYN, BROADWAY (UNISON)
Be careful!

Angela sits.

524. ELISA
You know I’m going with you.

525. GOLIATH
Not this time, Elisa. You must join your fellow officers…

526. ELISA
Butâ€"

527. GOLIATH
When all is settled, we shall need your help to cover our retreat from this conflagration… You know this is true.

528. ELISA
(defeated)
Yes.

Elisa sits. Spider-Man STANDS.

529. NARRATOR
Elisa makes her way down the hill. Goliath and the others glide to the Vault’s roof. Spider-Man lands there at the same time.

530. SPIDER-MAN, ZAFIRO (UNISON)
You again!

531. GOLIATH
Hold, Spider-Man. I have a friend who knows your Captain Stacy.

532. SPIDER-MAN
Really?

533. GOLIATH
This policeman believes in you. So I choose to believe in you as well.

534. SPIDER-MAN
Says the eight-foot tall medieval monster. But I get it. We’re on the same side. So let’s go kick some Pumpkin-Butt!

535. ZAFIRO
¡Idiota! That battle is a mere distraction.

536. OBSIDIANA
The true danger lies within…

537. SPIDER-MAN
All right, all right, you had me at “Idiota”.

538. NARRATOR
The gargoyles rip open the rooftop. The seven heroes descend, but someone watches…

Spider-Man, Obsidiana, Zafiro, Goliath, Broadway and Brooklyn sit. Venom and Fancy Dan STAND.

539. VENOM
And there goes our Bro…

540. FANCY DAN
You going in? That wasn’t the plan!

541. VENOM
And how do intend to stop us?

542. FANCY DAN
Fine, go. But if you see my Ricochet suit, bring it out!

Fancy Dan and Venom sit. Foswell, Jonah and Robbie STAND.

543. FOSWELL
See, J.J. The tip from Dracon’s old chauffer was right on the money.

544. JONAH
Whaddaya want, a fershlugginer medal?! Let’s get in there!

545. ROBBIE
Slow down, Jonah. I promised Joan I wouldn’t let you lose your head, figuratively or literally.

546. JONAH
Forget my head! Who cares about my head?! My boy needs me!

Ned and Colonel Jupiter STAND.

547. NED
Looks to me like your boy’s doing pretty well, Chief!

548. COLONEL JUPITER
Take that, miscreants!

549. ROBBIE
Ned, how did youâ€"

550. NED
Tip from one of the pumpkin-heads. Foswell’s not the only one with sources.

551. JONAH
You two can naked mud-wrestle over who’s the biggest brown-noser later. For now, Robbie, if you don’t let go of me in zero-point-zero seconds, I’ll dropkick you to next Season! And there’s no guarantee there’ll be a next Season!

552. NARRATOR
Jonah breaks away from Robbie, but his path is blocked…

Elisa STANDS.

553. ELISA
Get back! You want to wind up street pizza!

554. JONAH
But that’s my son up there.

555. ELISA
Yeah, well, at least he’s fighting on the right side.

556. COLONEL JUPITER
Nothing stands against the might of Colonel Jupiter!

557. ELISA
Does he always talk like that?

558. ROBBIE
Bombasticism runs in the family.

Robbie, Elisa, Colonel Jupiter, Jonah, Ned and Foswell sit. Vulture, Carnage, Green Goblin, Angela, Fancy Dan, Matt and Dracon STAND.

559. NARRATOR
Jupiter takes down Pumpkin-Heads right and left. Hudson squares off against Vulture.

560. VULTURE
Why do I get the old guy?

561. NARRATOR
You’re old. He’s old. It’s parallelism. Get over it.
(beat)
Coldstone and Coldfire isolate Carnage.

562. CARNAGE
No fair! These two don’t spatter at all!

563. NARRATOR
Angela and Katana take on the Goblin.

564. GREEN GOBLIN
Oh, goody. Gobby likes getting down and dirty with the hotties.

565. ANGELA
Oh, you did not just say that.

566. NARRATOR
And little Gnash goes after Fancy Dan.

567. FANCY DAN
Admit it, you gave me the kid because I’m short?

568. NARRATOR
Even Detective Bluestone gets into the act.

569. MATT
Freeze, Dracon!

570. DRACON
You’re confused. I’m G.F. Benton, a certified public accountant. I think I’ll be going now…

571. MATT
Yeah. Back to Ravencroft, you old nutter!

572. NARRATOR
But inside, things are a bit more serious…

Matt, Dracon, Fancy Dan, Angela, Green Goblin, Carnage and Vulture sit. Electro and Doctor Octopus STAND.

573. ELECTRO
Got your arms, Doc!

574. DOCTOR OCTOPUS
And my Megalo-Pack?

575. ELECTRO
You’re Mega-what now?

576. DOCTOR OCTOPUS
My power-source, Maxwell.

577. ELECTRO
Right, right. No. That’s not here.

578. DOCTOR OCTOPUS
What?!

Homunculus #1, Homunculus #2 and Homunculus #3 STAND.

579. HOMUNCULUS #1
Gotta get the true treasure!

580. HOMUNCULUS #2
Bring it back to the big Smurfette!

581. HOMUNCULUS #3
Blunk hates getting wet!

582. NARRATOR
Three Homunculi fly deeper into the vault to retrieve Demona’s prize.

Homunculus #3, Homunculus #2 and Homunculus #1 sit. Zafiro, Spider-Man, Lexington, Homunculus #5, Goliath, Brooklyn, Broadway and Obsidiana STAND.

583. ZAFIRO
What are those things?!

584. SPIDER-MAN, LEXINGTON (UNISON)
Robots!

585. LEXINGTON
And I got one!

586. HOMUNCULUS #5
Leggo, you big bully!

587. LEXINGTON
<ugh> What an annoying voice…

588. HOMUNCULUS #5
(aside to audience)
Look who’s talking.

589. LEXINGTON
…But I might be able to use it to take control of the others.

590. SPIDER-MAN
I think I can help.

Venom STANDS.

591. VENOM
You’ll be a little too busy for that, Bro.

592. GOLIATH
Friend of yours?

593. SPIDER-MAN
Once upon a time. Not so much now.

594. VENOM
Die, Spider-Man!

595. VENOM, SPIDER-MAN
<add-lib battle sounds>

596. SPIDER-MAN
A little help?

597. NARRATOR
Brooklyn blasts Venom, who collapses.

598. VENOM
<vibrating scream>

Venom sits.

599. BROOKLYN
Sonic Cannon. Circa 2198. Guess my weapons do come in handy.

600. LEXINGTON
Just cover me until I can get this working…

Demona and Tinkerer STAND.

601. DEMONA
What’s wrong, Tinkerer? Why haven’t they returned?

602. TINKERER
Someone’s trying to counter their programming. He won’t succeed.

603. DEMONA
He had better not.

604. LEXINGTON
My hack’s being hacked!

605. TINKERER
He’s overriding my override!

Homunculus #4 STANDS.

606. HOMUNCULUS #4
Go right. Go left. Go right. Go left. Blow up!

607. NARRATOR
Homunculus #4 blows up. But so does Homunculus #5 in Lexington’s hands!

608. LEXINGTON
<pain cry>

609. BROADWAY
Lexington!

Homunculus #4 and Homunculus #5 sit.

610. DOCTOR OCTOPUS
This is madness! Grab my arms and get me out of here!

611. ELECTRO
Workin’ on it!

612. NARRATOR
Electro blasts away, until he and Doc Ock are blindsided by…

Kraven, Gulyadkin, Lizard and Calypso STAND.

613. ELECTRO, DOCTOR OCTOPUS
<impacts>

614. BROADWAY
Look, it’s Claw.

615. KRAVEN
<roar>

616. BROOKLYN
That’s not Claw.

617. BROADWAY
Well, it’s sure not Maggie.

618. GULYADKIN
<lion roar>

619. LEXINGTON
(recovering)
Is that an actual lion?

620. LIZARD
<lizard roar>

621. SPIDER-MAN
Lizard, too? Seriously, this is way over the top.
Homunculus #1 and Homunculus #2 STAND.

622. HOMUNCULUS #1
Got the gizmo!

623. HOMUNCULUS #2
Homunculi never fail!

624. NARRATOR
Two homunculi fly past, carrying a sealed container down a dark corridor.

625. CALYPSO, OBSIDIANA (UNISON)
The totem!
(pointing at each other)
Don’t let her near it!

626. KRAVEN
Go, Calypso! Leave them to us!

627. ZAFIRO
¡Vaya, mi amor!

628. BROOKLYN
We got your back, Goliath! Go!

629. SPIDER-MAN
Think I’ll tag along too…

Spider-Man, Obsidiana, Calypso, Homunculus #2, Homunculus #1, Goliath, Tinkerer and Demona sit.

630. NARRATOR
Calypso, Obsidiana, Goliath and Spider-Man race down the corridor.

631. KRAVEN
Lizard, take the reptile!

632. ZAFIRO
¡No soy ningún reptil! ¡Soy un Gárgolo!

633. ZAFIRO, LIZARD
<ad-lib battle sounds>

634. KRAVEN
Gulyadkin attack!

635. GULYADKIN
<pounce roar>

636. NARRATOR
Gulyadkin and Kraven attack Lex and Broadway!

637. LEXINGTON
Hey, get him off me!

638. BROADWAY
Kinda busy at the moment!

639. GULYADKIN, LEXINGTON, KRAVEN, BROADWAY
<ad-lib struggles>

640. NARRATOR
Brooklyn steps in and pulls both cats off his rookery brothers. They turn on him.

641. BROOKLYN
Uh oh.

642. BROADWAY, LEXINGTON (UNISON)
All for one!

643. NARRATOR
The two gargoyles return the favor, knocking Kraven and Gulyadkin aside. Then Brooklyn blasts them both.

644. BROOKLYN
And one for all!

645. KRAVEN, GULYADKIN
<blast impacts>

646. LEXINGTON
Some things never change.

647. NARRATOR
Zafiro throws Lizard’s unconscious body on top of Kraven…

648. KRAVEN, LIZARD
<oofs>

649. ZAFIRO
We should follow Obsidiana…

650. ZAFIRO, BROOKLYN, LEXINGTON, BROADWAY
<electrocution scream>

651. NARRATOR
The four gargoyles are dropped by Electro’s blast.

652. ELECTRO
Still want out?

653. DOCTOR OCTOPUS
Indeed not. My curiosity is piqued. Let’s see where this leads…

Doctor Octopus, Electro, Broadway, Lexington, Brooklyn, Zafiro, Gulyadkin, Kraven and Lizard sit. Demona, Homunculus #1 and Homunculus #2 STAND.

654. NARRATOR
Electro and Octopus head down the corridor… In a dimly lit room, Demona holds the Spear of Destiny and watches as the two homunculi open the container. Inside… is a crown of thorns.

655. DEMONA
The Crown of Thorns!

656. NARRATOR
Demona removes her tiara.

657. DEMONA
Place it on my head…

658. HOMUNCULUS #1
Placing, placing…

659. HOMUNCULUS #2
Homunculi aim to please!

660. NARRATOR
The Homunculi gently lower the crown onto Demona’s head before disappearing back into the darkness. The thorns bite into her brow, drawing blood. Calypso, Obsidiana, Goliath and Spidey come rushing in.

Homunculus #2 and Homunculus #1 sit. Spider-Man, Goliath, Calypso and Obsidiana STAND.

661. DEMONA
My Kingdom come. My Will be done…

662. SPIDER-MAN
Friend of yours?

663. GOLIATH
Once upon a time. Not so much now.

664. DEMONA
On Earth as it is in Heaven…

665. CALYPSO
Too late…

666. OBSIDIANA
Too late…

667. DEMONA
For MINE is the Kingdom and the Power and the Glory for ever and ever…

668. CALYPSO, OBSIDIANA, SPIDER-MAN (UNISON)
Amen…

669. NARRATOR
Light radiates outward from the Spear. Goliath watches in confusion as Calypso, Obsidiana and Spider-Man drop to their knees before Demona. Octopus and Electro enter and likewise fall to their knees. The light reaches the outer vault. Though still unconscious, Venom, Lizard, Zafiro and Kraven lurch to their feet, then drop to their knees. And still the light advances…

Obsidiana and Calypso sit.

670. GOLIATH
What sorcery is this?!

671. DEMONA
The most powerful human sorcery ever created, Goliath. This is humanity’s Armageddon. Their entire race’s final act.

END ACT TWO

NEXT: ACT THREE...


Bookmark Link

G2009 Radio Play

G2009 Radio Play - Act One

4. NARRATOR
The Spectacular Spider-Man Meets Gargoyles. RELIGIOUS STUDIES 101: A HANDFUL OF THORNS. Act One. Late that night atop the Eyrie Building…

Dominique and Kafka sit. GOLIATH and ELISA MAZA STAND and KISS.

5. GOLIATH, ELISA
<kiss>

6. GOLIATH
There are some human customs I will never get used to Elisa. <kisses her again> This is not one of them.

7. ELISA
You’re in a good mood.

8. GOLIATH
I am. Hudson and Lexington are back from Europe, bringing Coldstone and Coldfire with them.

9. ELISA
<chuckle> Not to mention Brooklyn returning from forty years of TimeDancing with a mate, a son, a beast and an egg.

10. GOLIATH
The clan has doubled in size. What challenge can the Fates throw at us now that we cannotâ€"

11. NARRATOR
The sun rises. Goliath turns to stone.

12. ELISA
<groan> You just had to say that out loud, didn’t you?

Elisa and Goliath sit. MAY PARKER and PETER PARKER STAND.

13. NARRATOR
Meanwhile, in Forest Hills…

14. MAY
Peter, what are you doing up?

15. PETER
Studying for today’s English final. It’s on Midsummer Night’s Dream. And I missed seeing the Cliff Notes version.

16. MAY
Which may explain why you and Miss Allan are no longer a couple.

17. PETER
Aunt May, you know we didn’t break up because I missed her play.

18. MAY
You’re right; I shouldn’t be glib. I suppose there’s no chance that you and Gwen…

19. PETER
I don’t know. Not now anyway. Not when Harry’s hurting so much from the death of his father.

20. MAY
It hardly seems possible that Norman Osborn is gone. The Bugle says he was the Green Goblin, but I’m not sure I can believe that.

21. PETER
Sometimes, Aunt May… it’s, okay, to believe everything you read…

May and Peter sit. GREEN GOBLIN and BLACKIE GAXTON STAND.

22. NARRATOR
At a dive bar downtown, the Green Goblin BURSTS in on his glider…

23. GREEN GOBLIN
<tsk, tsk, tsk> Blackie. This place is scummy even by your pond-scum standards. Quite a comedown from your last gig…

24. BLACKIE
Tell that to the whacko who set a flaming super-villain loose in The Big Sky. Oh, wait. That was you.

25. GREEN GOBLIN
Yes. Yes, it was. <maniacal laugh>

26. BLACKIE
Weren’t you supposed to be dead?

27. GREEN GOBLIN
I was also supposed to be Osborn, but you didn’t buy that, did you? Just one of the many little tricks I keep up my sleeve. Nothing’s changed, Blackie. The Goblin’s still in charge.

28. BLACKIE
You hear me arguing?

29. GREEN GOBLIN
No. Now, gather my Pumpkin-Heads…

Blackie and Goblin sit. Kafka and Dominique STAND.

30. NARRATOR
At Ravencroft, Dominique Destine and Dr. Kafka supervises six inmates who work to excavate a sub-basement.

31. KAFKA
I still don’t understand what you expect to find down here.

32. DOMINIQUE
Vertros Ravencroft, the founder of this Institute, was a quirky soul. An intimate friend of Freud and Conan Doyle, he was a true believer in both psychotherapy and spiritualism.

33. KAFKA
You speak as if you knew him.

34. DOMINIQUE
Now how would that be possible?

35. KAFKA
It couldn’t, of course… But the dig?

36. DOMINIQUE
Yes. Ravencroft was also a collector. I have reason to believe he buried certain items of his collection here. Now, Doctor, didn’t you say you had meetings scheduled…

37. KAFKA
You’ll be all right down here alone?

38. DOMINIQUE
Your orderlies are in the hallway. And I’m quite self-sufficient. So run along.

Kafka sits. OTTO OCTAVIUS STANDS.

39. DOMINIQUE
Excellent work, Doctor Octavius. Very precise.

40. OTTO
Thank you. I appreciate having something to occupy my hands…

41. DOMINIQUE
Your hands? Not… your arms?

42. OTTO
Arms? I… I hope you’re not referring to my unfortunate… b-b-breakdown.

43. DOMINIQUE
What would be the point? Believe me, Doctor, no one better understands the advantage of creating a false front.

ELECTRO STANDS.

44. ELECTRO
I’ve blasted away another section of cement.

45. DOMINIQUE
Thank you, Maxwell.

46. ELECTRO
Don’t. Call. Me. That.

47. DOMINIQUE
Don’t. Tell. Me. What to do… Electro.

48. ELECTRO
Uh… okay.
(asides to Otto)
She’s a little scary.

49. OTTO
Indeed.

Otto and Electro sit. DOMINIC DRACON, JOHN JAMESON, EDDIE BROCK and CLETUS KASSADY STAND.

50. DRACON
I blame Mace. When that crook cheated me, I lost face. But when I get the jewels back, they’ll respect me again. Did Mace bury the jewels here?

51. DOMINIQUE
Maybe he did, Dominic. Keep working.

52. JOHN
What’s the point? How is tearing up a basement supposed to bring me Colonel Jupiter’s power?!

53. EDDIE
Shut up and dig.

54. JOHN
You like doing this?!

55. EDDIE
I hate it. But I need that hate. I need to keep the hate alive.

56. DOMINIQUE
Such an interesting crew. And what do you want out of life, Cletus…

57. CLETUS
Nothing too fancy. <chuckles> Just a little carnage.

Cletus, Dominique, Eddie, John and Dracon sit. GWEN STACY and Peter STAND.

58. NARRATOR
That afternoon, at Midtown High…

59. GWEN
Hey, Pete. How’d you do?

60. PETER
Ugh, horrible, probably. I mean you know English is like my worst subject. It’s all so subjective andâ€"

61. GWEN
Peter.

62. PETER
Okay, okay… not the look! I probably aced it. Happy?

63. GWEN
That you did well. Always.

64. PETER
Thanks. Look, Gwen, I--

HARRY OSBORN STANDS.

65. HARRY
Well, what have we here? My best friend and girlfriend conferring in a corner. Planning a surprise party for me?

66. PETER
Uh, it’s not your birthday, Harr.

67. HARRY
I thought maybe it was a thank you bash. For giving you both these…

68. GWEN
(reading)
“You are cordially invited to spend Spring Break traveling by private jet to Miami, where you’ll stay, all-expenses-paid, at the Osborn Winter Compound on the Beach…"

69. PETER
You’re inviting the three of us to spend a week together in Florida?

70. HARRY
Not just the three of us…

KENNY KONG, FLASH THOMPSON and MARY JANE WATSON stand.

71. KONG
Osborn, dude! You rock!

72. FLASH
Seven days in the sun and surf.

73. KONG
All you can eat!

74. FLASH
Girls in bikinis!

75. FLASH, KONG (UNISON)
Score! <laughter>

76. MARY JANE
Hi, Sha Shan. Hi, Glory.

77. FLASH
Sha Shan… uh… So… how much of that did you hear?

78. KONG
Look, Glory, you know I meant you, right? I mean who else would I want to see in a bikini. Uh, you’re not gonna break up with me again, are you?

Kong and Flash sit. SALLY AVRIL, RAND ROBERTSON, LIZ ALLAN and JASON IONELLO STAND.

79. SALLY
Oh. My. God. Harry, I just found the invitation in my locker. And all I have to say is that you can be my super-dweeb sugar-daddy anytime you want!

80. HARRY
You okay with that Rand?

81. RAND
‘Scool. You can be my super-dweeb sugar-daddy too.

82. PETER
Exactly how many people did you invite to this thing?

83. HARRY
A handful. Kenny and Glory. Flash and Sha Shan. Rand and Sally. Hobie and Mindy. M.J. Gwen. Oh, and you and Liz, of course.

84. GWEN
Harry… Liz and Peter broke up.

85. HARRY
You did?! Wow. I had no idea. Guess I’ve just been so focused on my own problems. My Dad dying and everything. That’s why I need this trip. Gotta clear my head, you know? But maybe you two could reconcile…

86. SALLY
I don’t think so!

87. LIZ
It’s too late for that Harry. I’m with Jason now. We totally fell in love doing the play together.

88. JASON
We did?

89. SALLY / LIZ (UNISON)
Yes, you did. / Yes, we did.

90. LIZ
You don’t mind if I bring Jason instead of Petey, do you.

91. HARRY
The more the merrier.

92. LIZ
Thanks, Harry. You’re a doll. Kisses!

Liz, Sally, Jason and Rand sit.

93. HARRY
Pete, you’re still invited too. Course, it’s more of a couple’s thing. But M.J.’s guy is in prison…

94. MARY JANE
Thank you, Harry. Hadn’t been reminded of that in the last five minutes.

95. HARRY
Sorry, sorry. It’s just that I can’t help remembering the Fall Formal. You two made such a great pair! Don’t you think so, Gwen?

96. GWEN
Great.

97. PETER
I… suppose we could go… as friends. Just as friends.

98. MARY JANE
We’ll talk later, Tiger.

Mary Jane, Peter, Gwen and Harry sit. Kafka and CURT CONNORS STAND.

99. NARRATOR
Late that afternoon in Dr. Kafka’s office…

100. KAFKA
Doctor Connors, it’s good to see you. I’d heard you moved to Florida.

101. CURT
I did. But I never stopped working on a cure for Max Dillon. I think I’ve made some real progress.

102. KAFKA
That’s wonderful news. Max is downstairs… doing “work-therapy”. I’ll take you to him…

Kafka and Curt sit. Otto, Dominique, Electro, Dracon, John, Eddie and Cletus STAND.

103. ELECTRO
Ms. Destine. I think I found something.

104. DRACON
Is it my jewels?

105. OTTO
It… it appears to be a spearhead. It looks quite old.

106. DOMINIQUE
Give it to me.

107. ELECTRO
Sure, sure.

108. DOMINIQUE
Yes. This is it. I think we’re done, boys.

109. OTTO
Indeed. And just as the dig brought us right up against Ravencroft’s outer wall.

110. ELECTRO
You mean this wall?!

111. NARRATOR
Electro blasts a huge hole in the wall. When the smoke clears, the Vulture is waiting. He grabs Octavius.

VULTURE STANDS.

112. VULTURE
You’re coming with me, Otto.

113. OTTO
No, no, stop. I don’t want this life anymore… I’m trying to get better!! Let me go!!

114. ELECTRO
Shut it, Doc! It’s for your own good!

115. OTTO
Nooooooo!!!!

Otto, Electro and Vulture sit.

116. NARRATOR
Vulture and Electro leave with Octavius. Dominique watches them go.

117. DOMINIQUE
Well, that was diverting. And such excellent timing as well: it’s sunset. <transformation scream>

118. NARRATOR
With the setting of the sun, Dominique Destine transforms into a gargoyle… just as Kafka and Connors enter…

Kafka and Curt STAND.

119. KAFKA / CURT
Oh my god… / What in the world?!

120. NARRATOR
Demona effortlessly slams them both against a wall and turns to the remaining inmates…

121. CURT, KAFKA
<impacts, moans>

122. DEMONA
Listen carefully, humans. For I have listened to you. I can make all your petty little dreams come true. Dominic demands respect.

123. DRACON
Yes.

124. DEMONA
John craves power.

125. JOHN
Yes!

126. DEMONA
Eddie needs hate.

127. EDDIE
YES!

128. DEMONA
And all Cletus desires is a little carnage.

129. CLETUS
Or a lot. I’m not picky.

130. DEMONA
Then stick with me, boys. Respect, power, hatred, carnage. These are things I know…

DEMONA, Cletus, Eddie, John and Dracon sit. ALAN O’NEIL and GEORGE STACY STAND.

131. NARRATOR
Later, the police arrive to investigate…

132. O’NEIL
And you never met this broad before in your life…

133. KAFKA
She had excellent references, Officer O’Neil. It’s not like I grant just anyone access to my patients…

134. O’NEIL
And you wonder why people think they belong at Rykers.

135. GEORGE
There’s nothing else you can tell me, Doctor?

136. CURT
I’m sorry, Captain Stacy, but no. It was a creature.

137. GEORGE
Like that Lizard-thing from last fall?

138. CURT
No! No. Nothing like that. More like… like those things on the news that blew up the clock tower.

139. GEORGE
You mean the 23rd Precinct.

140. CURT
Yes.

141. GEORGE
You’re saying a gargoyle kidnapped those men.

142. CURT
Yes. No. I don’t know. Can I leave now?

George, O’Neil and Kafka sit. DILBERT TRILBY and NED LEE stand.

143. NARRATOR
But outside…

144. TRILBY
Doctor Connors! Dilbert Trilby, Action News. What can you tell our audience about the escape?

145. CURT
Nothing. No comment.

146. NED
Hey, Doc. Remember me? Ned Lee from The Bugle. Can you just tell me who escaped? Doc Ock? Electro? Colonel Jupiter â€" I mean, Colonel Jameson?

147. CURT
I’m sure the police will issue a statement. Now, I have to go.

Trilby sits. CALYPSO EZILI, KRAVEN THE HUNTER and GULYADKIN STAND.

148. NARRATOR
Connors hurries away down the street, as a limousine with dark-tinted windows pulls up in front of Ravencroft.

149. CALYPSO
We are too late, my love. The Christian Totem is gone.

150. KRAVEN
Gulyadkin and I will track it for you.

151. GULYADKIN
<low lion growl>

152. CALYPSO
I’m afraid that is beyond even your impressive abilities, Sergei, my love. But I have my own ways, as you well know…

153. KRAVEN
Of course, Calypso.

154. CALYPSO
Who is that? That man trying to hail a cab?

155. KRAVEN
He is a stranger to my eyes. Yet his scent is familiar.

156. CALYPSO
His aura glows with primal energies and may be of use to us.
(to Curt)
You need a ride.

157. CURT
What? No. No, thank you. I’ll get a cab.

158. KRAVEN
She wasn’t asking.

159. CURT
<scream>

160. NARRATOR
Kraven drags Connors into the limo, which quickly drives away…

Curt, Kraven, Calypso and Gulyadkin sit.

161. NED
Hello, Robbie? I’ve got something.

J. JONAH JAMESON, JOE “ROBBIE” ROBERTSON and FREDERICK FOSWELL STAND.

162. JONAH
Is that Lee? Put him on speaker.

163. ROBBIE
Now, Jonah, stay calm…

164. JONAH
Don’t you tell me to stay calm, Joe Robertson. It’s not your son at risk. Lee, you there?! I’ll give you exactly three-point-seven seconds to tell me John’s all right!

165. NED
Wish I could, Chief. But he disappeared with the rest. There are six inmaâ€" uh, patients missing. It’s not clear if they busted out or were kidnapped.

166. JONAH
Well, of course John was kidnapped. You think my son would--

167. ROBBIE
Ned, give me the whole list.

168. JONAH
Who cares about the listâ€"

169. ROBBIE
It could provide a lead to John.

170. NED
Doc Ock. Electro. John. Uh… let’s see. Edward Brock Jr., Cletus Kasady and Dominic Dracon.

171. FOSWELL
Dominic Dracon? The old mob boss? There’s a name I haven’t heard in a while.

172. JONAH
Foswell, you know that world! Find out where Dracon might have gone!

173. FOSWELL
You got it, J.J.

174. JONAH
Lee, you stick to the damn super-villain angle! Ock, Electro. What’s their next move?!

175. NED
Right, boss!

176. JONAH
Robbie, I want every available man on this. No, damnit, I want every man, woman and child on this, available or not. Call Parker. Put Benny the copyboy on it. But Ms. Brant on it. I want John Jameson safely back in his mother’s arms in six-point… six-point…

177. ROBBIE
It’s okay, Jonah. We’re on it.

178. JONAH
Good. Good. I’ll… I’ll hit the streets myself. I’m still the best damn reporter in New York City! Just have to make a call first. Well, what are you all waiting for, get out! Out!

Robbie, Ned and Foswell sit.

179. JONAH (CONT)
Hello, is this WVRN? Travis Marshall, please. Travis? It’s Jonah. I got a lead for you on the Ravencroft thing.
(pauses, listening)
Whaddayou care why I’m helping the competition?! I know I hate television! You don’t have to tell me that! I’m not trying to sandbag you, damnit, I… I’m just trying to find my son… any way I can.

Jonah sits. SPIDER-MAN STANDS.

180. NARRATOR
That night finds Spider-Man swinging through the city…

181. PETER (VO)
If I didn’t know better, I’d think Harry was trying to torture me and Gwen. Then again, M.J. is quite the consolation prize. Ah, man, what am I saying? I’m in love with Gwen. Gwen. Gwendolyn Stacy. Just have to get through the next few weeks and then Harry’ll be in a better place, and she and I--

182. NARRATOR
Pete’s ringtone plays Itsy-Bitsy Spider.

183. SPIDER-MAN
Hello?

Robbie STANDS.

184. ROBBIE
Pete. Joe Robertson. There’s been an incident at Ravencroft.

Robbie sits.

185. SPIDER-MAN
Uh huh… uh huh… Wait, who’s missing? Uh oh. Him too? Oh, crap. Sorry, I mean-- What?! Seriously?! Uh, right. Yeah, I’ll keep my eyes open. Camera lens at the ready. Thanks for the heads up. Bye.
(to himself)
Whoa. At least this day can’t get any worse!

SMUGGLER #1 stands.

186. SMUGGLER #1
What the hell are those things?!

187. SPIDER-MAN
When am I gonna learn not to say that out loud?

188. NARRATOR
Spidey swings down to find two men in a van being attacked by two gargoyles, Obsidiana and Zafiro…

ZAFIRO and OBSIDIANA STAND.

189. SPIDER-MAN
Hi there. Hate to interrupt, but this lady-esque-blue-creature-thing matches the description of another lady-esque-blue-creature-thing who just busted some folks out of Ravenâ€"

190. ZAFIRO
What is he babbling about?

191. OBSIDIANA
I have no idea. I sense no connection between him and the source of the disturbance. But these two…

192. SMUGGLER #1
Keep her away from us!!

193. SPIDER-MAN
You see, now I’m on the horns of a dilemma… Uh, no offense. It’s just an expression; I wasn’t referring to your rather striking… Never mind. See in this particular Spider-Man’s experience, when genetic misfits attack ordinary human beings, I’m gonna have to side with the humans.

194. ZAFIRO
Qué sorpresa. A human with no knowledge of the situation leaping to defend one of his own.

195. NARRATOR
Zafiro attacks Spidey.

196. ZAFIRO, SPIDER-MAN
<ad lib battle efforts, impacts>

197. NARRATOR
Obsidiana rips open the top of the van.

198. OBSIDIANA
<rip effort>

199. SMUGGLER #1
Stay back!

200. NARRATOR
The two humans open fire on her, forcing her to leap away… The van peels out. Obsidiana tries to follow, but Spidey webs her wings together.

Smuggler #1 sits.

201. OBSIDIANA
Por favor! You don’t understand the powers that are gathering!!

202. SPIDER-MAN
And you’re the one doing the Gathering, I take it!

203. OBSIDIANA
No!

204. ZAFIRO
Enough!

205. SPIDER-MAN
<impact grunt>

206. NARRATOR
Zafiro slams Spidey into a wall. By the time the web-slinger recovers, the gargoyles are gone…

Zafiro and Obsidiana sit.

207. SPIDER-MAN
<groan> For a guy with no legs, that snake-thing can move…

Spider-Man sits. George and MARIA CHAVEZ STAND.

208. NARRATOR
Not far away…

209. GEORGE
Captain Chavez.

210. CHAVEZ
Captain Stacy. What brings you to what’s left of the 23rd?

211. GEORGE
It’s the Ravencroft thing. I’ve got corroborating witnesses telling me a gargoyle was involved.

212. CHAVEZ
<sigh> I miss the days when being a cop didn’t involve a working knowledge of The Twilight Zone.

213. GEORGE
Welcome to the Freak Show.

214. CHAVEZ
Anyway, as it happens, the Gargoyle Taskforce is meeting right now. First trailer on the right. Ask for Bluestone.

Chavez sits. MATT BLUESTONE, MORGAN MORGAN, MARGOT YALE and Elisa STAND.

215. NARRATOR
Minutes later…

216. GEORGE
And that’s all I know…

217. MATT
Well, that is interesting, or, you know… really, really scary.

218. MORGAN
I’ll say, Detective. With or without a gargoyle, I’ve heard Ock and Electro are bad news. And that Cletus Kasady: he killed five people before--

219. MARGOT
Forget Kasady. Any idiot can bring a serial killer down. It’s the gargoyle we should be concerned with. It’s what I’ve been saying all along! Those monsters are dangerous!

220. MATT
I think what A.D.A. Yale is saying, Captain, is that the Taskforce is on it. We’ll let you know if we hear anything. And we’ll be checking in with all our sources, won’t we, Detective?

221. ELISA
And fast.

Elisa, Matt, Margot, Morgan and George sit. Smuggler #1 and Demona STAND.

222. NARRATOR
Meanwhile, a van with a torn up roof pulls up to a Gramercy Park Mansion… The driver speaks into the intercom…

223. SMUGGLER #1
Longinus sent me.

224. DEMONA
Leave the package. Then take your money and go. While you still can.

225. SMUGGLER #1
Geez, who lives here? Dracula’s daughter?

Smuggler #1 sits. Eddie, John and Cletus STAND.

226. NARRATOR
Demona collects her package.

227. EDDIE
The old guy’s asleep. What’s that?

228. DEMONA
A simple wooden shaft. The prize of Adolph Hitler’s personal collection. After his… demise, his remaining followers smuggled it to Brazil. I paid handsomely to have it smuggled to me.

229. EDDIE
Why? I mean sure, it’s the shaft of a spear. Completes the set with that arrowhead you took from Ravencroft. But why do we care?

230. DEMONA
Here’s why.

231. NARRATOR
Demona joins the spear and spearhead together. Instantly, it radiates incredible power.

232. DEMONA
The Holy Lance. The Spear of Destiny. The weapon that pierced the side of the Christ. Do you still want power, John? This is power.

233. JOHN
Give it to me. Give it!

234. DEMONA
No. This power is mine. But I will use it to give you back your own…

235. NARRATOR
She points the Spear at John Jameson. The magic surrounds him and transforms him into Colonel Jupiter!

236. COLONEL JUPITER
<transformation scream> Yes! The power is mine! I am Colonel Jupiter!

237. DEMONA
For what that’s worth… Now for Eddie.

238. VENOM
<transformation scream>

239. DEMONA
Happy now?

240. VENOM
Extremely. We are Venom again.

241. DEMONA
And what about you, Cletus?

242. CLETUS
(pointing at Venom)
I’ll have what he’s having…

243. DEMONA
As you wish… Carnage.

244. CARNAGE
<transformation scream>

245. VENOM
All right, Demona. You’re the Mirror Universe Wizard of Oz. But what now?

246. DEMONA
Mine is the Power. But I still require the Kingdom and the Glory. This is only the first act, humans… or whatever you are now. The main event is still to come…

Demona, VENOM, CARNAGE and COLONEL JUPITER sit.

END ACT ONE

TOMORROW: ACT TWO...


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G2008 Radio Play

G2008 Radio Play (Chapter VII)

XANATOS, COLDSTEEL & COYOTE STAND.

13. NARRATOR
NOVEMBER 2, 6:46AM EST. Scarab Corp. Coldsteel looks on, as David Xanatos installs a diamond inside Coyote 5.0.

14. COLDSTEEL
And what would that be?

15. XANATOS
It’s called the Coyote Diamond…

16. NARRATOR
Chapter Seven: The Rock.

17. XANATOS
The stone’s flawless surfaces and clarity increase the speed of--

18. COLDSTEEL
I’m sorry I asked.

19. XANATOS
My apologies. I’m sure you’re much more interested in your own situation.

20. COLDSTEEL
I was under the impression I had free will.

21. XANATOS
And you do. I promise summoning you was a one-time event. On the other hand, your unit does include a built-in tracking device… which I’m happy to deactivate…

22. COLDSTEEL
Permanently?

23. XANATOS
Permanently. All I ask in return is help on one small errand. Are we agreed?

24. COLDSTEEL
We are agreed.

25. COYOTE
Excellent.

XANATOS, COLDSTEEL & COYOTE sit. TALON, SATO, MAGGIE & ELISA STAND.

26. NARRATOR
3:52PM EST. The Labyrinth. Talon cradles Maggie the Cat, as Dr. Jay Sato examines her. Elisa Maza looks on.

27. TALON
How is she, Doc?

28. SATO
Well, her pulse is fine, and her injuries seem to be healing nicely…

29. MAGGIE
See, Derek, I said you were worried over nothing.

30. SATO
But I’m a surgeon. Treating someone in Maggie’s… “condition” is really not my area.

31. ELISA
Not anyone’s, Dr. Sato. Anyone we dare trust anyway.

32. SATO
It’s as if you’ve revealed a new world to me…

33. ELISA
Yep, you’re a medical pioneer.

34. SATO
Pioneer or not, she needs an O.B.

TALON, SATO, MAGGIE & ELISA sit. Macbeth, BROOKLYN, GOLIATH, BROADWAY, OWEN & Xanatos STAND.

35. NARRATOR
4:50PM EST. Eyrie Building. As the sun sets, Owen Burnett and Macbeth wait for Goliath to wake. NOVEMBER 2, 5:12PM EST. Inside the Great Hall, Macbeth addresses Goliath, Brooklyn, Hudson, Angela, Broadway, Bronx and Lexington.

36. MACBETH
It’s called the Stone of Destiny. For centuries the kings of Scotland were crowned upon it at Scone…

37. BROOKLYN
Magic talking stone. We’ve heard of it.

38. MACBETH
Yes, well, the English stole it. Now, after eight hundred years, it’s finally being returned. I’m asking for your help to ensure it gets to Scotland safely.

39. GOLIATH
Don’t you have… minions… for this?

40. MACBETH
We’ve parted ways. Please, Goliath. Many â€" including your landlord â€" would stop at nothing to get the Stone.

41. GOLIATH
I have been wounded twice in one week. I am healed â€" but not whole. But my second, Brooklyn, can lead Broadway, Lexington and Angela to join your quest.

42. BROADWAY
Yeah, we’re goin’ to Scotland!!

43. MACBETH
Well, England to start with--

44. BROOKLYN
I don’t know, Goliath, if you’re recovering, maybe this is the wrong time to send me overseas.

45. GOLIATH
Ah… Yes. You are needed here. Hudson may lead this expedition.

46. NARRATOR
Owen, watching the exchange by closed circuit, talks on the phone to Xanatos, who’s about to board a private plane.

47. OWEN
Yes, Macbeth, Hudson, Broadway, Angela and Lexington… Shall I attempt to stop them?

48. XANATOS
That won’t be necessary. I believe I’ve planned for this contingency.

49. NARRATOR
Back in the Great Hall, Angela whispers in Broadway’s ear.

50. BROADWAY
Uh… yeah… Manhattan’s dangerous right now. Me and Angela’ll stay too. To help Brooklyn.

51. BROOKLYN
That’s great. Thanks.

Macbeth, Brooklyn, Goliath, Broadway, Owen & Xanatos sit. SHARI STANDS.

52. NARRATOR
NOVEMBER 3, 5:29AM EST. Nightstone Unlimited. Shari and Thailog are in Dominique Destine’s office.

53. SHARI
The story is told â€" though who can say if it be true â€" of two brothers who both loved the same female. And though all strife comes to an end one way or another, some conflicts refuse to stay dead. Xanatos and Demona used science and sorcery to create a monster from fragments of all three gargoyles, their bodies and souls. But in the end, the souls were segregated into Coldstone, Coldfire and Coldsteel. It’s really a timeless love story.

SHARI sits. Macbeth, CUSTOMS OFFICIAL, LEXINGTON & HUDSON STAND.

54. NARRATOR
3:00PM GMT. London. A private jet lands. Customs Officials greet Macbeth, as workers wheel two large crates from the plane’s hold.

55. CUSTOMS OFFICIAL
Lennox Macduff?

56. MACBETH
Yes.

57. CUSTOMS OFFICIAL
Welcome to England, sir. Anything to declare?

58. MACBETH
Works of art for my home in Berkeley Square.

59. CUSTOMS OFFICIAL
Have to have a look in, sir.

60. MACBETH
Of course.

61. NARRATOR
The crates are opened, revealing Lexington and Hudson, frozen in stone. 4:30PM GMT. Macbeth waits on the roof of his Berkeley Square Townhouse for Hudson and Lexington to wake. The sun sets. 5:07PM. It’s past sunset. Hudson and Lex are STILL frozen in stone. 6:15PM. Night. No change. 7:01PM. Macbeth grows concerned. 7:45PM. Hudson and Lex finally wake.

62. LEXINGTON, HUDSON
<awakening roars>

63. LEXINGTON
Whoa, I don’t feel so hot… and look how dark it is? How long have we been asleep?

64. MACBETH
Welcome, lad, to the wonderful world of jetlag. Don’t worry. You’ve got ten days to adjust before they move the Stone.

Macbeth, CUSTOMS OFFICIAL, LEXINGTON & HUDSON sit. Shari, INTERCOM & VINNIE STAND.

65. NARRATOR
NOVEMBER 4, 5:30AM EST. Nightstone. Thailog soaks in a jacuzzi. Shari sits nearby.

66. SHARI
The story is told -- though who can say if it be true-- of Jacob, son of Isaac, son of Abraham… who fled the wrath of his brother Esau to a place he would call Bethel, where he laid his head upon a stone and had a wondrous vision!

67. NARRATOR
5:35AM EST. J.F.K.

68. INTERCOM
Flight 994, now boarding all rows…

69. VINNIE
Can you believe it? I’m goin’ to Japan!

Shari, Intercom & Vinnie sit. Goliath & Elisa STAND.

70. NARRATOR
9:48PM EST. Goliath’s Tower.

71. GOLIATH
About Halloween… I will not hold you to words spoken when you believed my life hung in the balance.

72. ELISA
Even if I want to be held?

73. GOLIATH
I know you care for me. That is not at issue. But what of the things I cannot give you… picnics… normalcy…?

74. ELISA
We can have a picnic anytime… and normalcy’s so over-rated.

75. NARRATOR
She runs her fingers through his hair. He takes her into his arms and kisses her.

Goliath & Elisa sit. Shari STANDS.

76. NARRATOR
NOVEMBER 5, 5:31AM EST. Nightstone. Thailog and Shari look out over the city.

77. SHARI
The story is told â€" though who can say if it be true â€" that Gathelus, a son of the king of Athens, won many victories for the Pharaoh of Egypt, who rewarded the prince with the hand of his beloved: Pharaoh’s own daughter, Scota. But Gathelus had also befriended Moses, the Hebrew, who warned his young friends of the plagues to befall the Kingdom of the Nile. Gathelus and Scota determined to leave Egypt, and Moses entrusted them with Jacob’s Pillow, the Hebrews’ sacred stone…

78. NARRATOR
NOVEMBER 6, 5:32AM EST. ST. DAMIEN’S CATHEDRAL. Thailog, Shari and Brentwood search for something.

79. SHARI
The story is told â€" though who can say if it be true â€" that Gathelus fled Egypt with his wife and the Stone of the Hebrews. He sought landfall on the rocky shores of Samothrace, for Scota was heavy with child and could go no farther. Still destiny blessed them with fine twin sons…

80. NARRATOR
6:00AM EST. Thailog flies Shari across the city. Brentwood follows.

81. SHARI
Gathelus and his family would wander the globe for two years before finding a home on the Iberian Peninsula in a place they named the Port of Gathelus, or Portugal. By this time the family had grown: the Athenian prince and Egyptian princess now had four healthy boys in their care not to mention one large Stone.

82. NARRATOR
NOVEMBER 7, 5:33AM EST. Thailog and Shari begin a game of chess.

83. SHARI
The story is told â€" though who can say if it be true â€" that after the death of her beloved Gathelus, Scota departed Portugal with her eight sons… only to lose five of the boys at sea… while Scota herself and another son died warrior’s deaths upon landing in Ireland. But her eldest boy, Eremon, and her youngest, Eber Finn, survived, and Eremon was crowned king upon the Stone at Tara.

Shari sits. Xanatos & FOX stand.

84. NARRATOR
2:18PM GMT. Mayfair. Xanatos takes Alexander from Fox.

85. XANATOS
Darling, if you like the shoes, buy them…

86. FOX
The black manolos in the window… do you have them in a size nine? Lovely. Wrap them up, please.

87. NARRATOR
2:45PM GMT. Fox exits the store.

88. FOX
Mission accomplished.

89. NARRATOR
7:19PM GMT. Fox admires her new shoes in the full-length mirror of her hotel room. Xanatos admires the shoebox.

90. XANATOS
Darling? Do you still need this shoebox… or might I dispose of it?

Xanatos & Fox sit. Shari & THAILOG STAND.

91. NARRATOR
NOVEMBER 8, 5:34AM EST. Nightstone. Thailog and Shari continue their chess game.

92. SHARI
The story is told â€" though who can say if it be true â€" of Moses, who led the Hebrews out of Egypt and into the desert… bringing forth water from Jacob’s Pillow to quench their--

93. THAILOG
You said Moses gave the Stone to Gathelus and Scota before leading the Hebrews out of Egypt!

94. SHARI
The story is told…

95. THAILOG
<pause> Though who can say if it be true? Right. Continue.

96. SHARI
The Hebrews passed the Stone down the centuries, until the prophet Jeremiah offered it in dowry to King Eochaid of Ireland when he wed Tamar Tea Tephi, Princess of Judah. Eochaid ensconced the Stone at Tara and dubbed it Lia Fáil.

97. NARRATOR
NOVEMBER 9, 5:36AM EST.

98. SHARI
The story is told â€" though who can say if it be true â€" of Cu Chullain, the Hero of Ulster, who championed Lugaid Red-Stripe for king. But when the Lia Fáil would not cry to confirm Lugaid, Cu Chullain was enraged, striking with Gae Bolga, the Spear of Light, and splitting the Stone of Destiny forever!

99. NARRATOR
NOVEMBER 10, 5:37AM EST. Shari captures Thailog’s white knight with her black bishop.

100. SHARI
The story is told â€" though who can say if it be true â€" of young Prince Fergus of Ireland, who carried half Cu Chullain’s handiwork to Argyll in what men now call Scotland to found a kingdom called Dalriada. Though a castle called Carbonek found him instead, bringing the Priest-King Pelles and the Archmage Merlin and their request to borrow the Stone of Destiny for a purpose of their own. A purpose fulfilled in Londontown by a sword clep’d Excalibur in a stone clep’d Lia Fáil drawn forth by a boy clep’d Arthur.

101. NARRATOR
NOVEMBER 11, 5:38AM EST. Thailog tips over one of Shari’s black rooks with his white bishop.

102. SHARI
The story is told â€" though who can say if it be true â€" of Saint Columba, he who tamed the monster of Loch Ness, before returning to the island of Iona, where Merlin and Pelles had brought the Stone once it had served their purposes. And where Columba laid down his head upon Jacob’s Pillow and breathed his last.

103. NARRATOR
NOVEMBER 12, 5:39AM EST. Shari’s Black Queen is lined up to capture Thailog’s White King.

104. SHARI
Check.

105. THAILOG
<growl>

106. SHARI
Would you prefer I lost on purpose?

107. THAILOG
I’d fire you if you did. Don’t you have a story to tell?

108. SHARI
The story is told â€" though who can say if it be true â€" of Kenneth MacAlpin, scion of Fergus, who united the Kingdoms of Scotland and was crowned High King upon the Stone at Scone. As would all the Heirs of Scota â€" for the next four hundred years.

COLDFIRE STANDS.

109. NARRATOR
NOVEMBER 12, 10:00PM GMT. David Xanatos presses a button on a remote control. NOVEMBER 13, 6:01AM GMT+8. TIBET. Inside the old cave, Coldstone and Coldfire stand over Master Dawa and Sangpo. All react to a noise.

110. COLDFIRE
I believe… I believe I can find him…

Coldfire sits.

111. NARRATOR
NOVEMBER 13, 5:40AM EST. NIGHTSTONE.

112. SHARI
The story is told â€" though who can say if it be true â€" of Edward the First of England, the Hammer of the Scots, who sicced his mighty Warwolf on his neighbors to the north and took as prize the Stone of Scone, which he installed in the Coronation Chair at Westminster Abbey, where it has crowned the kings and queens of England down to this very day…

Shari & Thailog sit. Lexington, Macbeth, Hudson, Arthur, GRIFF, AMP & COCO STAND.

113. NARRATOR
NOVEMBER 13, 5:32PM GMT. Hudson and Lex are atop Victoria Tower. Macbeth is below, in front of Westminster Abbey.

114. LEXINGTON
All clear. No sign of trouble.

115. MACBETH
Not expecting trouble tonight. They’re only moving the Stone from the Coronation Chair to the Lantern. It won’t leave the Abbey until tomorrow.

116. HUDSON
Aye, and the human security is tight as a drum. I’m nae convinced you could break in there with a battering ram.

117. MACBETH
You’d be surprised.

118. NARRATOR
11:46PM GMT.

119. LEXINGTON
<yawn> Still nothing to report. Who exactly are we expecting?

120. MACBETH
Anyone. Everyone. Just stay alert…

121. NARRATOR
Macbeth spots a shadowy figure and pursues it down into a London Underground Station…

122. MACBETH
I’m probably on a wild goose chase, lads. But in case I’m not, you’d better head this… way…

123. LEXINGTON
That could be a problem…

124. NARRATOR
Arthur Pendragon puts Excalibur to Macbeth’s throat. Meanwhile, on Victoria Tower, Hudson and Lex are surrounded by gargoyles.

125. ARTHUR
By the blade of Excalibur, what are you up to now, Macbeth?

126. MACBETH
King Arthur?! I’m here to protect the Stone of Destiny!

127. ARTHUR
Then our two quests are one and the same!

128. MACBETH
Aye…

129. ARTHUR, MACBETH (UNISON)
The gargoyles!!

130. MACBETH
They’ll be at each other’s throats!!

131. GRIFF
Hudson! Lexington! Bloody lovely to see you again!

132. LEXINGTON
You too, Griff!

133. HUDSON
Aye, lad. The badduns’ll have no chance at that Stone now!

134. NARRATOR
NOVEMBER 14, 5:28AM. Macbeth radios Lex.

135. MACBETH
It’ll soon be dawn. You and Hudson go with Griff. Arthur and I will stand vigil through the day.

Arthur & Macbeth sit.

136. NARRATOR
5:33AM GMT. Griff, Hudson, Lex and the other two gargoyles glide over London.

137. LEXINGTON
Are we headed to Soho? Goliath said you have a store there…

138. GRIFF
We do. But I thought I’d take you home instead. To our clan--

139. AMP
To Knight’s Spur!

140. COCO
You know, Griff, I don’t believe we’ve been properly introduced to your Yank friends…

141. HUDSON
<Hmph> Watch who you’re callin’ a Yank, lass…

142. GRIFF
Where are my manners? Hudson, Lexington, this is Constance.

143. COCO
My friends call me Coco.

144. GRIFF
And this is Staghart.

145. AMP
My friends call me Amp!

146. COCO
Nobody calls you Amp, luv.

147. LEXINGTON
I’ll call you Amp.

148. NARRATOR
5:40AM.

149. GRIFF
Welcome to Knight’s Spur…

150. NARRATOR
7:20AM. Atop Knight’s Spur, Old Pog, Hudson, Griff, Lex, Amp, Coco and Lunette sleep as stone.

Hudson, Lexington, Griff, Amp & Coco sit. Arthur & Macbeth STAND.

151. NARRATOR
7:48AM. Macbeth and Arthur sip coffee outside a Nightstone’s café.

152. ARTHUR
…Mortally wounded in 542. So they shipped me off to some magic hill and put me to sleep for a thousand four hundred fifty-three years.

153. MACBETH
Sounds lovely.

154. ARTHUR
And you?

155. MACBETH
Deal with a demon in 1040. Officially died in 1057. Been sleepwalking for nine hundred thirty-nine years.

156. ARTHUR
<pause> Guess I got the better bargain.

157. MACBETH
Ach, I try not to dwell these days. So here’s to the immortals. There aren’t many like us…

Arthur & Macbeth sit. Shari STANDS.

158. NARRATOR
NOVEMBER 14, 5:42AM EST. NIGHTSTONE. Shari places her black knight in front of Thailog’s white knight.

159. SHARI
The story is told â€" though who can say if it be true â€" of Robert the Bruce of Scotland, who defeated the English at Bannockburn with the help of an Irish ally, Cormac MacCarthy. With the victory, came a prize: a fragment of the Fatal Stone that England had taken from Scone. This fragment, the Bruce gave to MacCarthy, whose descendents had it installed at Blarney Castle, where it is said to grant the gift of gab. I’ve kissed it myself a time or two…

Shari sits. Hudson, Macbeth & Arthur STAND.

160. NARRATOR
NOVEMBER 14, 6:32PM GMT. Knight’s Spur. Hudson, Macbeth and Arthur confer in a book-lined study.

161. HUDSON
Lex, Griff, Constance and Staghart sent you home to rest then…

162. MACBETH
Aye, Hudson. We’ll catch a few hours sleep then head back out. But you…?

163. HUDSON
I had some questions for the Pendragon. Weren’t you on a quest to find your wizard?

164. ARTHUR
Indeed. And Sir Griff and I searched for Merlin in all the obvious places. But to no gain. So I’ve been “doing research” on Merlin… and on myself.

165. NARRATOR
Hudson examines a copy of Le Morte D’Arthur by Thomas Malory.

166. HUDSON
So many books… are any of them true?

167. ARTHUR
All things are true… few things are accurate.

168. MACBETH
Aye. No bloody kidding.

169. NARRATOR
Hudson contemplates this.

Hudson, Macbeth & Arthur sit.

Tomorrow, Chapter VIII...


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lobo writes...

can you tell us what lex and broadways reactions to brooklyn having a fammily will you make them jealouse

Greg responds...

Time will tell.

Response recorded on September 23, 2008

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Litwolf writes...

I just did a few quick calculations. Now, correct me if Im wrong, I believe you have said that Brooklyn and his rookery hatched 958 and Goliath and his rookery hatched twenty years earlier, in 938. Then, in the 1997, Brooklyn begins his TimeDancing adventures (Im so excited to read the se upcoming comics!) and he travels and ages for fourty years to then return to 1997 five minutes from when he left. This would now make Brooklyn fourty years, two gargoyle generations, older than his leader Goliath.

Along with these calculations, I believe you have said that leaders generally pick their seconds from younger rookeries. This would make sense because they would want to be able to let their seconds rule if the leaders ever reach an old age when they cant lead (such as Hudson choosing the much younger Goliath). However, upon his return, second-in-command Brooklyn is now older than the leader of the Manhattan Clan, Goliath.

Because of this new age difference after the TimeDancing adventures, will Goliath pick a new second? Angela, Lex, and Broadway are all younger and Angela even has experience of being a second-in-command on Avalon. I dont want Brooklyn to lose his position as second but it does seem a likly step for Goliath to take. What do you think?

Greg responds...

1. Turned out to be closer to forty seconds as opposed to five minutes.

2. Brooklyn was about forty (twenty biologically) when he hit the timestream. He travels for forty years, aging twenty years.

3. Since Goliath is about sixty (thirty biologically) and Brooklyn - post timedancing - is about 80 (forty biologically),Brooklyn is now ONE generation "older" than Goliath.

4. As for your question, it's a definite issue -- but not in CLAN-BUILDING.

Response recorded on September 16, 2008

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Anonymous writes...

Does Brooklyn seem a bit impatient to you?

Greg responds...

Relative to what?

Response recorded on August 11, 2008

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Anonymous writes...

Do you know if Brooklyn is right or left handed?

Greg responds...

Most animated characters are ambidextrous. So I'm leaning toward most gargoyles being ambidextrous.

Response recorded on August 07, 2008

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Brenden Thoreson writes...

Hello Greg, long time fan of gargoyles, and most of my questions about the Gargoyles universe have been answered by browsing the archives but these questions.
I see from the archives that Angela and Broadway will raise their children in the traditional gargoyles fashion, and I am assuming that Brooklyn and Katana will try to do the same. But this has led me to some interesting questions about the relationships between generations of gargoyles in the same clan.

I have seen that from the first episode that gargoyles from the same rookery generation call one another rookery brother or rookery sister, or if there are close bonds just brother and sister. So my first question is do gargoyles have the same endearing names for an older or younger generation with in the clan, for example rookery mother, rookery father, rookery son, rookery daughter, or some other term like those? Yes I do know that Goliath's generation calls Hudson My Mentor, I am assuming that is so only because he was the leader and teacher of the clan before Goliath.

Another is I have noticed that Hudson has a stronger relationship with Goliath then any other of Goliath's rookery siblings, or at least just the ones we have met so far. I am assuming this is do to, that Hudson saw Goliath's potential as a successor and paid special attention to him to prepare him for the role. I have also noticed that gargoyles in one generation develop strong ties with a few siblings like Coldstone's and Goliath's relationship. My next question is do stronger relationships develop between certain hatchlings and certain members of the parenting generation or members of another older generation of gargoyles?

But in Mark of the Panther Goliath, who is having trouble dealing and even understanding Angela's unusual need for parents and her attachment to him after she finds that she is his biological daughter, says to Elisa's mother Diane "gargoyle hatchlings belong to the whole clan, I cannot hold one hatchling over the others." So are these kinds of relationships, I have asked about in the previous paragraph, taboo, shunned, frowned upon, or generally accepted as a part of the growing up process of young gargoyles, or are they just Goliath's personal words do to the fact that he is the clan leader?

Thanks for even putting up a general questions website, not many writers do that or post the site on there publications. I apologize for my long winded questions but it just the way I write. Just to let you know Gargoyles has been a huge influence in my own stories and don't worry I have absolutely no fan fictions of Gargoyles and I have never understood why people have to do them, they don't make sense to me any ways.
I can't wait for Brooklyn's little trip, especially the clan's reactions when he gets back five minutes later, they will be priceless. I might have to scan the images in and use them as a desktop. I just can't see Time Dancer done in six issues like I heard the spin offs will be done in, too much happening from what I have found on Ask Greg. Well I guess that is why it is third in line and thanks again.

Greg responds...

Some gargoyles will develop stronger relationships with some. With that many parents, siblings, children, etc. running around, it's natural. But neither "shunned, frowned upon, or generally accepted" fits the bill to my mind. Amd citing Hudson/Goliath hardly proves anything. Hudson's pre-massacre relationship with anyone else in Goliath's generation has not been explored. Nor has Goliath's relationship with anyone else from Hudson's generation even been touched on.

In Panther, Goliath is NOT having trouble with Angela's "unusal need for parents". He's concerned about what her specific need to acknowledge their BIOLOGICAL relationship might mean... both in terms of his relationship to the rest of the Avalon Clan and especially HER relationship to her biological mother.

Not all of Brooklyn's TimeDancer adventures are designed to fit into one six episode mini. Just one six-part story. I could tell TimeDancer adventures for forty years. And I hope I get that chance.

Response recorded on May 28, 2008

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Anonymous writes...

I have a question about my favorite character, Brook. 1.) Out of all of the Gargoyles, would you say Brooklyn has the most hot-headed personallity? If so, do you think his attitude has calmed down a little, over the course of the series, or flared up a bit more?

Greg responds...

I wouldn't necessarily agree with that statement.

Response recorded on May 13, 2008

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Kchishol1970 writes...

I'm sorry if my last question about Maggie seemed unsettling, but it seemed logical to ask.

Anyway, is Maggie truly aware of what Brooklyn felt for her? For instance, in "Kingdom" when she approached him to help Derek, did she understand how tempted he would be to refuse her? I mean, he tried to help her repeatedly in the past and all he got in return from her was fear, hate, emotional manipulation and physical pain.

For that matter, does she realize the reason Brooklyn's keycard slight-of-hand trick was so convincing was because he was venting his real feelings of frustration, betrayal and jealousy to a certain degree into the act? If she did, then it would seem rather ungrateful or thoughtless to embrace Talon like that in front of him, considering it was obviously a knife through the heart to see what he could only accept was not to be.

I don't know if you think I'm being too judgmental about her, but part of the reason why "Kingdom" is my favourite episode is because it made me realize what television narrative brilliance you were creating with Brooklyn. In short, I could feel his pain as he accepted certain realities and sacrifices as he became a "man," and can't help but resent Maggie for making it so difficult for him.

Greg responds...

I'll leave this to the audience's interpretation.

Response recorded on April 15, 2008

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Rebel writes...

Unfortunately, my comic book guy didn't get the TPB in yet, so I'll have to wait until next week to offer my praises. *sigh* So far I've heard good things from everyone else who already has it.

In the meantime, I do have a question about #7 that I meant to ask before. After Brooklyn decides to stay in Manhattan, Goliath says that Hudson can lead the expedition in London. I know Brooklyn has great leadership skills (after all he is the second) and Hudson is a proven leader, but to me that line made it seem like Goliath doesn't think any of the other clan members could be leaders, if given the chance. Surely Broadway and Lexington have SOME leadership capabilities, even if they are not as suited for a leadership role as Brooklyn. And if I had to guess, I would say Angela could DEFINITELY be a good leader, given an opportunity. After all, she's smart, intuitive, and she's got great parentage as well as her experience as second-in-command of Avalon on her side--though her leadership "style" would certainly be different than Goliath's or Brooklyn's.

So basically what I'm wondering is:
1. Does Goliath think any of the other clan members have leadership abilities?
2. Do YOU think any of the other clan members have (or will have) leadership abilities?
3. If any of them do, do you think they'll ever get a chance to show it?

I know it's kind of a silly question since the Manhattan clan already has a second-in-command, but I was just wondering. I informed a lot of my internet friends about the TPB, and many of them are now making plans to buy it :).

Greg responds...

1. I'm sure he does, but Goliath has a tendency to rely on Hudson for, I think, understandable reasons. Consider it a failing, if you like. I'm fine with that.

2. Yes.

3. Of course.

Response recorded on January 29, 2008

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Phil writes...

Okay, let's try this.

What did Angela whisper to Broadway just before he decided no to go to England with Macbeth?

(You'd better tell us now, before the mystery gets all blown out of proportion.)

Greg responds...

<chuckle>

I really didn't think this was much of a mystery. I don't know her exact words, but it was something like: "If Goliath isn't well, we should really back Brooklyn up here, so he isn't on his own if there's trouble."

It was all very well-meaning. With the density (that I have often observed) common in the newly coupled, they don't realize the effect they're having on poor Brook. Too busy staring into each others' eyes, I guess.

Of course, Angela knows or knew that Brook had a crush on her, but she also ONLY viewed it as a crush and didn't take it too seriously, and again -- without thinking too deeply about it, assuming she's thinking at all about it -- must assume he's over it by now. Lex seems to be.

B.W. perhaps should be more sensitive, but he's equally blind to it. And to be fair, Brooklyn's keeping his angst to himself. What's obvious to the reader, isn't always obvious to the characters. Look at what tips you off, and look and see if the other characters are privy to that knowledge.

It's only in this scene that Goliath finally figures it out.

Having typed the above, I'm half-inclined to delete it all. To some extent, it feels like I'm cheating as a storyteller by explaining this. Either it's working or it's not. So if I DON'T delete, it's totally due to how you phrased the question, Phil. This isn't a mystery worth years of speculation -- assuming even the Titania/Fox thing was worth that. So there you have it. Unless I delete. In which case, you don't.

Response recorded on January 07, 2008

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JANUARY 5

This day in Gargoyles' Universe History....

January 5th...

1996
Convinced that David Xanatos is responsible for Elisa Maza's disappearance, Talon leads the Trio in an attack on the Eyrie Building. Xanatos and Owen Burnett test out their new (Thailog motivated) security system and Owen's new stone fist. Ultimately, however, they allow the foursome to fruitlessly search the place once Xanatos discovers that Goliath and the others are missing. Meanwhile, Fang has staged a coup down in the Labyrinth. He takes Talon prisoner upon his return. Maggie the Cat, however, escapes with Claw's aid and seeks help at the Clock Tower. After sundown, Brooklyn leads the gargoyles and Maggie against Fang and his minions. Talon is freed and Fang is captured.

1997
Dingo, Matrix, Hunter, Yama and Fang are approaching an island when their battle-copter Redemption is blown out of the sky.


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JANUARY 4

This day in Gargoyles' Universe History....

January 4th...

1066
Edward the Confessor dies of natural causes. His brother-in-law, Harold Godwinson, succeeds him.

1995
Goliath, Lexington, Bronx and Brooklyn return to Castle Wyvern atop the Eyrie Building but are intercepted by Elisa Maza, Hudson and Broadway, who finally manage to convince Goliath to follow Elisa to their new home at the Clock Tower above the 23rd Precinct -- but not before Goliath warns Owen Burnett that the clan will some day return. David Xanatos is finally released from jail that morning and returns to the castle. He starts serving his probation. Later that day, Xanatos goes to Gen-U-Tech Systems to observe Anton Sevarius' progress. Sevarius has successfully cloned Goliath and begins to accelerate the growth of "Thailog".

1996
Hudson and the Trio have been searching for Goliath and Bronx to no avail. Broadway, realizing that Elisa Maza is missing too, brings her cat Cagney back to the Clock Tower. Brooklyn resists taking the reins of leadership, but he does go to visit Talon and Maggie the Cat in the Labyrinth, where homeless humans like Al, Chaz and Lou have joined the Mutates in what is supposed to be a free society of outcasts. Broadway visits Matt Bluestone next, but Matt is equally in the dark over his partner's disappearance. Lex eavesdrops on Elisa's parents and learns they are also worried. Meanwhile on Queen Florence Island, Elisa and the gargoyles find each other again, and then find Grandmother as she transforms into the Thunderbird. Grandmother later admits that she was undergoing these transformations to convince Natsilane to take up arms against Raven to save the island. When Natsilane meets the gargoyles, he is convinced. The gargoyles and Natsilane battle Raven and drive him away. With Raven gone, Grandmother is able to heal the island. The travelers again return to Avalon, where it is six in the morning, causing Goliath, Angela and Bronx to turn to stone.


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JANUARY 3

This day in Gargoyles' Universe History....

January 3rd...

1995
Macbeth attacks the gargoyles at the Eyrie Building, capturing Lexington, Brooklyn and Bronx. Elisa Maza, who is largely recovered but still on crutches from being shot, again tries to convince Goliath to leave the castle. He won't listen, but after Goliath departs to find the others, she manages to convince Hudson and Broadway that the castle is no longer their home. They take the Grimorum Arcanorum from Owen Burnett and leave the castle. Meanwhile, Bronx escapes and leads Goliath back to Macbeth's mansion. Macbeth and Goliath battle, Macbeth revealing that his true target is Demona. Macbeth's mansion is damaged by fire, and the gargoyles escape.

1996
The travelers depart Avalon again, arriving on Queen Florence Island off the west coast of Canada, where they immediately encounter Grandmother in the form of a Sea Monster. Elisa is separated from the others and washes ashore, where she is found by Grandmother and Natsilane, the chief of the local Haida band. Elisa is alive, but gravely ill. Grandmother helps heal her. That night, Goliath, Angela and Bronx encounter Raven posing as a gargoyle.


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DECEMBER 27

This day in Gargoyles' Universe History....

NOTE THAT THIS IS CORRECT FOR DECEMBER 27. THE PREVIOUS POST FOR DECEMBER 26 IS INCORRECT. AT THIS TIME, I HAVE NOTHING IN THE TIMELINE THAT DEFINITELY TOOK PLACE ON 12/26.

December 27th...

1994
The Manhattan Clan enjoys a pleasant, peaceful night at the castle: Broadway cooks; Goliath reads; Lex and Brooklyn play cards; Hudson watches Donald Duck on TV; Bronx chews a bone. Meanwhile, David Xanatos is still counting down the days until his release.

1995
Hudson and the Trio patrol, while Goliath and Bronx remain behind at the Clock Tower. Tom, now known as the Guardian, arrives in New York, looking for Goliath. He is arrested by Officer Morgan Morgan, who mentions him to Elisa Maza. Elisa arranges a meeting between Goliath and Tom.


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DECEMBER 26

This day in Gargoyles' Universe History....

December 27th...

1994
The Manhattan Clan enjoys a pleasant, peaceful night at the castle: Broadway cooks; Goliath reads; Lex and Brooklyn play cards; Hudson watches Donald Duck on TV; Bronx chews a bone. Meanwhile, David Xanatos is still counting down the days until his release.

1950
The Stone of Destiny is stolen from Westminster Abbey by Macbeth and four Scottish patriots.



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