Antiyonder writes...

Some questions about The Batman I've been meaning to ask recently:

1. Which would you say is your favorite story that you produced for the show?
1a. Which episodes outside of the ones you've worked on did you enjoy if any?

2. Are you writing any episodes for the upcoming season?
2a. Have you been approached or had any interest in writing an issue of The Batman Strikes?

3. Concerning all of the episodes that you have written, have they remained intact or have any of them went through any major changes storywise?

4. Have managed to view The Batman VS Dracula yet? If so, did you like it?

5. What's your opinion on the appearance of the Justice League in The Batman? I myself find that it works for this version of Batman since it isn't as grounded in reality as the previous show.

A-Fan writes...

What are the chances of a crossover between Spider-Man and Batman for the two cartoons?

Todd Jensen writes...

This is also a comment, rather than a question.

I saw, not too long ago, the episode "Artifacts" that you wrote for "The Batman", and very much enjoyed it. My favorite part of it was the scenes where the archaeologists in the future are speculating about Batman's history and come to several wrong conclusions (such as that Thomas Wayne was the Batman and Bruce was Robin, or that the wheelchair that they found in the Batcave belonged to Alfred). It reminded me, incidentally, of my favorite part of Stoppard's "Arcadia" (which I read after you spoke highly of it in the Station 8 comment room some years ago): the part where the modern-day professor was convinced that the events in the Regency period of the play were connected to a scandal involving Lord Byron, and was deliberately ignoring all the evidence that didn't fit his theory!

Aldrius writes...

All right. Hi. I already posted a question, but it was kinda sucky, and I wanted to ask one of a more intellectual/character-oriented nature. Demona's character in "Awakening" reminds me much of the character Andrea from Batman: Mask of the Phantasm. (Which is my favourite movie ever, by the way.) Both were love interests to the hero in the past, indepentant, intelligent and strong-willed love interests to be sure... but still love interests.

At a certain point, the hero and the love interest part ways. (With the hero being mis-led in terms of the love interests' parting.) And continue on their lives seperately. Leading very different lives. Eventually, the hero and his love meet up again, and the woman is now a very different person than she was before. Leading the hero to believe nothing's changed, she eventually reveals her true colours at the climax of the series of episodes/movie. (Both hiding themselves from their lovers, knowing that they would never accept what they've become.)

I was just wondering if this was intentional in your thought process, or just a comparison I've dreamed up. As I am a big fan of both of the aformentioned characters.

(P.S. As a side-question, what were your thoughts on the character of Andrea, and the performance of her Actress Dana Delany?)

DrNick writes...

Batman

1) Why weren't you allowed to use the Scarecrow in the new animated Batman series?
2) In regards to the Batman cartoon were the plethora of mechanical gadgets such as the jet pack, batman exosuit and the anti-freeze suit for the specific purpose of marketing batman toys towards younger viewers?
3) What did you think of the Batman Begins movie by Goyer and Nolan? Did you think it succeeded in translating and telling the origin story onto the screen?

Todd Jensen writes...

Your use of the Batman analogy to explain Canmore's actions in "City of Stone Part Four" reminded me that I still hadn't commented on your Mr. Freeze episode ("The Big Chill") for "The Batman", even though I'd seen it a few months ago. Very remiss of me, so I thought that I'd give my thoughts on it here.

I'll start off by confessing that, since my previous knowledge of Mr. Freeze came entirely from his portrayal in "Batman: TAS", I had a little trouble accepting the new version of him in "The Batman". In "Batman: TAS", Mr. Freeze was a very poignant figure on account of his wife Nora; the Mr. Freeze of "The Batman", on the other hand, was a simple super-powered jewel thief with almost no complexity or depth to him. For an analogy, it'd be as if somebody else were to do a remake of "Gargoyles" and portray Demona as a simple Hyena-style psychopath without any mention of the thousand years of human persecution that she'd undergone or her suppressed guilt over the Wyvern Massacre. Of course, I suspect that it was the higher-ups who'd decided how the series would portray Mr. Freeze, and you weren't given much say in the matter.

The bit that I liked, on the other hand (and which does counter the characterization of Mr. Freeze) was the impact that the discovery of Freeze's origins had on Batman, making him wonder if he was making things worse for Gotham if his actions had led to the upgrading of a regular jewel-thief into a super-powered jewel thief. The especial highlight of it was his nightmare about the murder of his parents where Mr. Freeze became their murderer.

(I still feel a little spooked by how much Detective Yin physically resembles Elisa. I'd certainly like to ask the people in charge of character design on "The Batman" about it, and whether it was a deliberate hommage to "Gargoyles" or just a strange coincidence.)

Fllay Allster hater AND Kira Yamato hater writes...

Just a comment: I couldn't help to notice that detective Ellen Yin from "The Batman" has the same the color schemes as Elisa Maza.

Frank White writes...

i am a great fan of your work. i know that gargoyles finished along time ago, but i was wondering if there was anything you will be working on in 2003 for disney or anybody else. also could you please give a brief description

Todd Jensen writes...

Here's my ramble on "Shadows of the Past".

First off, of course, this is where the Avalon World Tour begins (if you don't count the "Avalon" triptych), which makes it a biggie. I agree with you that the reruns in between the three instalments of it (which aired, as I recall, in November-December 1995, February 1996, and May 1996 - more or less) make the World Tour seem longer than it really was. (Incidentally, you're right that you were able to bring out more than 18 episodes of "Gargoyles" in the September-December period; I remembered that the "fall run" ended with "Grief", and so worked out that it was 30 new episodes during that period).

As I mentioned before, I enjoyed the Avalon World Tour, and agree with you that something like that was necessary for the series at some point (especially in bringing in enough other gargoyles to make it feasible for the species to survive and recover - as I've mentioned here before, something along the lines of the World Tour was probably the only realistic way for Goliath to discover that there were gargoyles left in other parts of the world, given that he couldn't simply hop on board the next flight from New York to London or Japan).

Angela's correct (from the original legends perspective) about it always being summer on Avalon; in fact, I remember that the old Welsh legends about Avalon (or, more accurately, its "literary predecessors") called it the Summer Country or the Region of the Summer Stars.

In hindsight from "Vendettas", I picked up on the significance of that axe that Goliath unearths - and agree with you now that Hakon's mace from the Wyvern Massacre would indeed have worked better. Too late for that now, though.

I also liked that line (which I considered very poetic) of Elisa's about "old wounds".

The Captain and Hakon's tormenting of Goliath was very effective - probably the creepiest part, in my opinion, was when Angela and Elisa appear in Goliath's eyes to be the Captain and Hakon - but then we hear Angela and Elisa's voices coming from the Captain and Hakon's mouths.

The Captain of the Guard's change of heart worked for me (again, I especially liked the bit that you mentioned where he's looking troubledly at his hands as he and Hakon solidify). In fact, it made sense in view of his role in "Awakening" - he'd never wanted the clan massacred, and was horrified as to how that had gone wrong. I might add that Hakon showed, again, just how creepy he is when he gets into the fight with Goliath and begins laughing as his fists pass through Goliath - the reason for that being now, not that Hakon's insubstantial and Goliath solid, but the other way around.

Incidentally, the Captain actually appears better-looking in the scene where he's giving Goliath his thanks, just before he ascends.

And I'll confess that I'm one of those who would have preferred Hakon to have remained trapped in the cave for all time - I felt, when "Vendettas" aired, that it destroyed some of the effectiveness, in retrospect, of Hakon's sentence: trapped alone for eternity, with nobody at hand for him to hate. (Also, "Vendettas" felt anticlimactic on the Hakon front; in "Shadows of the Past", he battles Goliath by skillfully undermining him with a lot of psychological subtlety; in "Vendettas", he's reduced to simply fighting him in a slugfest with a big dumb werewolf - though don't tell Wolf that I called him that. :) ). But I do think that you made a good point about how, ultimately, Hakon would have to be given more permanent resolution than just that.

Incidentally, your treatment of the megalith that the Captain and Hakon were using, and your comments on it, make me wonder now how you would have handled Stonehenge if you'd ever gotten to do an episode involving it (especially since you mentioned having had plans to send King Arthur and Griff there during their quest for Merlin) - a pity that we may never know the answer to that now.