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Bennett Salinger writes...

Are you planning on writing any more of "Once upon a time there were three brothers"?

If so; Could you do so relatively soon?

Greg responds...

Yes, someday...

But not now. I'm totally swamped.

See my next rambling...

Response recorded on September 16, 1999

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My son Ben wanted to ramble. He's two years old.

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ben

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ALONE: The Demona Contest.

It's a great dramatic moment. The Weird Sisters, Macbeth and Goliath have successfully (if temporarily) BROKEN Demona.

She gives them the code word: "ALONE".

Perfect.

But why would Demona choose that as a code word in the first place.

Here's the latest contest. (And this one will definitely have a winner.)

Write two paragraphs. Each one no more than fifty words.

In the first paragraph, explain the reason Demona consciously gave herself for choosing that word.

In the second paragraph, explain how that conscious decision interacted with her subconscious mind.

PROOFREAD. Grammar, spelling, even punctuation counts. Please remember that I'm a former Composition teacher and current editor. Nothing annoys me more than sloppy work.

You have the entire month of September to enter your two paragraphs at ASK GREG.

It may take me a while to get around to reading them all, but I will eventually choose the entry that I SUBJECTIVELY JUDGE to be the best. That winner will get some kind of prize. It won't actually be worth anything, but hopefully he or she will think it's cool.

All entries should begin with:

"ALONE: The Demona Contest Answer"

If not, they will be disqualified. I'm prepared to be merciless.

Good Luck.


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I'm so dedicated...

I'm on vacation in Nantucket at my in-laws.

They have Web-TV, and I am struggling with it at 2:45am because I love you people. Actually, I'm done struggling with it for the night/morning. But I'll try to log on a couple more times and answer a few more times and answer a few more questions here and there.


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NEW RULES

WELCOME BACK TO ASK GREG,

Thanks Gore for getting us back up and running.

Unfortunately, as some of you know, I'm leaving today on vacation, and I don't know if I'll have net access while I'm gone.

So we'll try to get the ball rolling for real in late August.

But I will try to answer a couple questions today.

HOWEVER....

I'm now going to get TOUGH with you guys.

Although I welcome you to post as often as you like, PLEASE remember to only ask one, two or three questions PER POST. Multiple questions are only acceptable if they are on the exact same topic as the first question.

From here on out, if I receive a post with multiple questions, I will answer the first one and then only answer the following questions if they are on the same topic. Otherwise, I will advise the poster to try again.

O.K.?

(Better be okay, grumble, grumble.)

Greg


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ARRGGGHHH...

Update: Answered Questions aren't posting at all.

My rambles are posting both to the "Greg's Latest Responses" page and to the "Ramblings" library. But the last two rambles did not post to the "Behind the Scenes" library that I also assigned it to. So we've got a major library problem going on now.

Sorry.


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Auditions addendum

The posting answers function is still not working. So I'm still rambling.

Today, we held auditions for five smaller parts in this new show. Frankly I was surprised my bosses insisted on auditioning these rolls. Normally, we'd just cast them. We had no pre-written audition sides prepared. So we just lifted some dialogue from an old draft of the pilot. Three of the characters only have three lines each in the pilot, and one of those three characters had the following three lines:

"He has failed."

"Yes."

"Yes, Sir."

So we just had people auditioning for this character read another character's lines while using the mindset that we described for the guy he was auditioning for.

Needless to say, it was messy. Not the way I like to work.

But the day actually went fairly well. We got a bunch of good people. There were four male parts and one female. And unlike the leads, there was the potential for doubling up rolls among these guys. So a lot of guys came in and read for multiple parts.

I saw Morgan "Petros/Kenneth" Sheppard and Victor "Rabbi Loew" Brandt today. Victor put that Hebrew incantation on his clip reel. Which was nice. Also Emma "Gruoch" Samms and Sara "Una" Douglas each sent in tapes all the way from Europe to audition for one of the two lead female rolls we read for last week. That was nice too.

I met Rene Auberjonous and John de Lancie and Jeffrey Jones. All very nice guys.

Like I said... fun.


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What I've been up to recently...

Well, as of right now, the Rambles work, but I can't seem to answer any questions.

So I'll ramble.

Last week, we held auditions for a new series I'm working on as Story Editor/Writer/Producer at Sony for the WB and Mattel.

It's too early to give you any details on the show, but I think I can talk about the audition process in general terms.

Auditions took place under the watchful eye of our voice director Sue Blue and her engineer Pat Torres. Sue's directed a ton of shows, including MEN IN BLACK and the upcoming STARSHIP TROOPERS. I was there for most of the auditions, and Sue, Pat and I had a really great time.

We had five lead rolls to cast (three male, two female), and the nature of the rolls were such that we largely had five distinct groups of people coming in to read for each part. But all mixed up and in no particular order.

The actors had each received audition "sides". These were monologues that I had written up for each character that would demonstrate the characters personality and range. Give the actor the opportunity to prove (or fail to prove) that he or she was right for the part. The side I wrote for the lead character was just too darn long. So we cut that one down, which threw off a couple of actors at first, but in the long run made it easier on them -- and us.

The actors would wait in the waiting room (hence the name) and we would take them into the booth one at a time. We three jokers were out in the control room, so they couldn't hear us unless we wanted them to or unless we forgot and left the button on. (No major faux pas this time, but over the years, I've had a few embarrassing moments with that button.)

We'd usually ask the actor if he or she had any questions about the character. We'd do our best to answer them, and then let the actor read the side through once without much input from us. Then we'd generally do a second or third pass, where we gave them direction. Sometimes people who did lousy first reads, did great with direction. That's a good sign. Sometimes people who did decent first reads, didn't improve much with direction. That's not as good a sign. Sometimes people were so good, we wouldn't do a second take. Maybe just pick up a single line or two that we felt could be improved on. Sometimes people were so obviously wrong for the part, we wouldn't do a second take, and just pick up a line to be polite -- or deceitful, it depends on your point of view.

Basically, you're looking for good acting instincts. Do they notice and pick up the various acting beats? After you point them out, do they hit them nicely or force them? Etc.

And just as important, you're listening simply for vocal quality. Do they sound like the character you have in your head? Sometimes they don't, but you like it anyway. They redefine what the character SHOULD sound like. Keith David was like that for Goliath. So was Thom Adcox Hernandez and Bill Faggerbakke.

At these auditions, at most auditions I've ever been to, the actor has no way of knowning how well he or she did. Cause we're equally polite to everyone. It's selfish, basically. Ever try rejecting ten or so people per hour? It's tough on each of them of course, but they only have to go through it once. It would be brutal on us. And everyone reacts differently. Some rejectees would get pissed. Others would beg for another chance, etc. Nightmare. So we smile and tell everyone they did great. It sucks, but I can't fathom an alternative.

Even if we like someone, we don't want to be too effusive, because, we don't know who we still have left to see. We might like the next guy even better, and so you don't want to make promises.

LESSON: Don't become an actor unless there's just nothing else you can see yourself doing. BRUTAL PROFESSION. Writing's not much kinder, by the way.

Anyhow, we lucked out this time. Saw a ton of great people. Now, unlike Gargoyles, I'm not the top dog on this show. I'm a Producer -- the guy on the line, but Sony has two Executive Producers on the show, who are my bosses. Plus Sony has a development executive assigned to the show. And the WB and Mattel have (at least) veto power over the final casting choices.

So what Sue and I did (with help from Pat and Cynthia, Sue's assistant) was put together a voice CD, with about seven actors per character on it. We eliminated all the people we hated, and by consensus put our best choices on the CD. I felt very good about the CD. I liked most everyone on it, and feel confident we'll have a GREAT voice cast, even if my personal first choices aren't chosen.

I did rank my picks (on a separate memo) for the Exec Producers. We'll just have to see how it all turns out.

A side benefit of all this is that I got to see a bunch of people that I hadn't seen for awhile.

Thom Adcox Hernandez auditioned. Of course, I have seen him recently, at the Gathering and at a few movies that we attended together with our respective mates, (RUN LOLA RUN and AN IDEAL HUSBAND). But it's always great to see Thom.

Marina Sirtis, Brigitte Bako and Sheena Easton all gave great audtions, and it was terrific to see them again. (Of course, it doesn't hurt that they're all knock-outs.) They all have fond memories of Gargoyles. Marina said that at Star Trek conventions, she signs more Demona dolls than Troi dolls everytime.

I also saw Gregg Rainwater (Coyote Trickster, Natsilane/Nick, Young Peter Maza). James Avery (Shaman). And a few others too. (I'm blanking out. It's late.) They were all terrific. I wish we could cast them all.

Unfortunately, I couldn't be there for every audition (seven hours a day for four days), so I missed seeing Kath Soucie, Tress MacNeil and Rocky Carroll. Bummer.

But I did get to meet Ben Vereen, Lauren Tom, Rosalyn Chao, James Marsters (who plays Spike on Buffy) and a bunch of other people that I really admire.

Frankly, the voice stuff is the most fun part of my job.

7-21-99


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Just a test.

Sorry, but for the second time since this latest server crisis began, an answer I took some time on didn't post and was lost. Before I go in and start answering questions again, I'm just going to see if things are posting properly with this latest test ramble.

7-21-99


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Gathering Diary, Part Last

SUNDAY (or what was left of it)

Got up. Showered. I was major damaged goods by this time, but I had had such fun. Went downstairs. Said some goodbyes. Dominick interviewed me for his German magazine. Had an interesting conversation with Steve Jackson and Christine Morgan. Talked with the G2000 folk some more. Said good-bye to Thom. He told me about his and Jen's plan to tattoo themselves. I told them both if you don't have the guts to get a tatto in your hometown, you're better off skipping it.

(Side note -- Saw Thom today [7/12]. He showed me his new tattoo. Sorry, Jen, looks like he stood you up.)

Jen cabbed me to the airport and kept me company until my plane left, which was incredibly nice.

Flew home. Got home. Hugged my kids and wife. Told them what an amazing time I had, and suggested that next year may be the perfect time for them to come along.

And that's it.

But again, thanks everyone. I had an amazing time.

You guys are the best.



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