Elm writes...

You have answered previous questions about Luach's father with saying that, while born during Gruoch's marriage to Gillecomgain, Macbeth may have been his real father. Did you ever intend for this twist to surface in the comics when you rekindled the series?

Also, the year after Macbeth's "death", when Luach was killed, why, rather than going to join Macbeth (who surly knew of his son's death and his wife's desolation), did Gruoch commit suicide? Or is that simply history, and thus undependable?

Todd Jensen writes...

A comment this time, rather than a question. One of my favorite details in the "Stone of Destiny" story was Macbeth's presence at the Battle of Bannockburn. It recently occurred to me that this might be an example, if a subtle one, of the time-honored motif of a legendary hero from long ago who returns to his country to aid it in a time of need.

The concept has attached itself to King Arthur, of course, and his return has featured in "Gargoyles" (if with a premature re-awakening). The returns of the Golem and Cu Chullain, elsewhere in the Avalon World Tour, also evoke it. For that matter, I remember your once saying that the Avalon gargoyles looked upon Goliath (from what they had learned of him through their human guardians) as a great sleeping hero who would one day awaken and return if ever they needed him - and he did indeed return in their hour of need, when the Archmage attacked Avalon.

I also recall, outside of "Gargoyles", the legend that Theseus returned to aid his fellow Athenians against the Persians at the Battle of Marathon (and Mary Renault including it in her Theseus novels) - which forms a great parallel here to Macbeth's presence at Bannockburn, both cases of a desperate struggle against an invading army.

At the same time, your use of the "return of the king" motif for Macbeth's participation at Bannockburn (assuming you had it in mind at the time) came with a twist. Macbeth returns incognito; so far as we know, none of the other Scotsmen taking part in the battle know that he's fighting alongside them. Robert the Bruce is the Scottish king who will be associated with the victory (deservedly, of course, from what I've read about the battle). No chronicle or legend even hints at his presence there. As far as we know, only he knows that he was there (we don't know if Shari knows or not; the panel depicting him at the battle is in one of her stories, but she does not mention him in the text itself). The king returned to aid his country in need, but in secret, his presence unremarked on.

Charisma82 writes...

In High Noon, what would Demona and Macbeth have done if Iago hadn’t been the personality to take control over Coldstone? What was their plan if Desdemona or Othello had taken over?

Thank you for your time and all that you do,

-Charisma82

Chris writes...

Would Demona and Macbeth still blame each other if they knew how the Weird Sisters had manipulated them, or would they assume that the Sisters were responsible for their betrayals?

Chris writes...

When Demona thought that Macbeth was going to betray her, why didn't she just take her clan and abandon him (or, if she really wanted to make sure he would fall, sabotage Castle Moray's defenses like with what happened to Wyvern)? Why would she work with Canmore, who she hated?

Adam writes...

Hi Greg. Got a quick question that I couldn't find in the archives. Where in New York City was Macbeth's home located?

Derek writes...

1)What do you think would have happened if Demona hadn't betrayed Macbeth to Canmore? Do you think her clan would still be around or do you think that due to Demona's nature they were all already living on borrowed time?(I'm still waiting on Clan Buliding Two maybe that will give me some answers)

Chris writes...

Were the present scenes in "City of Stone" the first time MacBeth actually tried to kill Demona? She seemed surprised when he did.

Will we ever see any of their meetings prior to CoS?

GargFan writes...

Is Macbeth a Scottish separatist/nationalist?

UncleDeadly writes...

In "High Noon" as Demona transforms in front of MacBeth, there are paintings of women all over the walls. Just artwork he likes or are the subjects more significant to Macbeth?