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LSZ writes...

By 2198, how much of New Olympian history is known to human scholars?

Greg responds...

It's been years since I read it...

I think his historical and mythological background work is VERY helpful. I loved it.

But his interpretations of the plays seem very one-dimensional to me. In particular, he regards Hamlet as ambitious. He seems ONLY to regard Hamlet as ambitious and won't acknowledge that one of the most complex characters in Western Culture might have other aspects to his personality.

Mostly, I'd leave these things for individual readers to judge, but Asimov's name carries so much weight, that I felt a caveat was necessary.

Response recorded on January 23, 2002

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Todd Jensen writes...

The posting of the FAQ (thanks, Bishansky and JEB!) and your comments on them (including the "Weird Macbeth" part) prompted a question about this unmade two-parter from me.

We know that you had planned the following casting choices for this episode:

Macbeth as himself (or, more accurately, as his Shakespearean counterpart).
Demona as Lady Macbeth (the role that she was hatched to play :)
Goliath as Macduff
Elisa as Lady Macduff

Do you remember any of the other casting decisions for this story (i.e., who was to play Duncan, Malcolm, Banquo, Fleance, the Porter, etc.)?

Greg responds...

Hudson was Duncan, I believe.

The rest I don't remember off-hand, largely because I don't think I had done much casting. It never got past the premise stage, unfortunately. It was the one story that I wanted to do that upper-management wouldn't approve. Even then, they were willing to approve it for a single episode. But I felt I couldn't do it justice in 22 minutes. So in essence, I'm the one who kiboshed it.

That really says something about the creative freedom we were given on the show. 66 episodes. And only one semi-rejected premise.

Response recorded on January 22, 2002

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Anonymous writes...

Did you plan to introduce any other Shakespeare plays into the Gargoyles Universe besides MacBeth, Ill Met by Moonlight and the Tempest? What did Oberon, Titania and Puck think of Ill Met by Moonlight? What did Prospero think of the Tempest?

Greg responds...

I assume you mean "A Midsummer Night's Dream"...

Anyway, yes.

I like to think that all were happy enough with Shakespeare's work. But except for Macbeth's reaction, I haven't fully worked out the responses in my mind.

Response recorded on October 17, 2001

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Lord Sloth writes...

In the old ask Greg, you told someone to repost a queston (what did Demona think of the play, Macbeth?) latter, after you thought about it. Well, I'm asking now.

Also, you said that Macbeth was highly amused by the play about him. Were you being sarcastic? I'd imagein that he would OUTRAGED at how William treated him, and his wife and made Duncan and Malcolm the mistreated ones. So was that just a smart ass answer on your part?

Greg responds...

No.

Response recorded on August 06, 2001

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Gabriel writes...

Back again,
Do think Goliath likes James Joyce or William Faulkner? Just wanting to know 'cause I am trying out DUBLINERS, and I always have difficulty reading ABSALOM,ABSALOM! and, after three attempts, can never get past the third chapter! ARGH! I had an easier time with SOUND AND THE FURY. OK, thanks.

Greg responds...

Goliath loves Shakespeare and Dostoyevski. I also love Shakespeare, but have trouble with Dostoyevski. I also LOVE Faulkner and have some trouble with Joyce. It suggests that Goliath's tastes are a bit more mature than mine.

Which is a long way of saying, Yes, he likes both.

Response recorded on July 27, 2001

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Gabriel writes...

Hi Greg,
I was going through the old archives and found that you had a hard time reading MERCHANT OF VENICE because of the anti-semitism you find in it. Well, I just thought you might like to check this out: one of my soon-to-be professors wrote a book called SHYLOCK AND THE JEWISH QUESTION, where he argues that MERCHANT... is not, in fact, an anti-semetical work at all. I didn't read that book, but I just thought to shed some new light or somehting like that. Oh, and if you do want to check this book out, the author's name is Martin Yaffe.

Greg responds...

Thanks, I've heard of that book. Haven't gotten around to reading it yet.

In the long run, however, I personally don't think MERCHANT OF VENICE succeeds as an anti-semitic work. In fact, quite the reverse it winds up on the whole playing as, uh, pro-semitic?

But there are clear anti-semitic assumptions built into the work. Built into how Shakespeare was raised. Things that he doesn't know how to escape, may not even want to escape... but largely overcomes -- in spite of his intentions, to my mind. Because his power in drawing characters is so tremendous that he doesn't know how to create the stock Jewish villain without giving that character real life.

Response recorded on July 20, 2001

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Lord Sloth writes...

"I'll meet by moonlight" questions:
1 How does that name apply to the episode?
2 Why did Titanya and Oberon bother to make such a grand entrance? Or was that Avalon welcoming them back?
3 When Goliath, Gabreal and Angie fall into that water being filled filled by very hot lava, should not the water be too hot to swim in?
4 When Oberon made Goliath & his clan immune to his arts, was this some sota spell to make Oberon and his childern's magic not affect him, or was he saying he wouln't use his magic agenst them, or what?
5 By the end of the Gathering, did Oberon renew his promise about Goliath and clan being immune to his arts?

Greg responds...

Not "I'll meet". "Ill Met". Very different.

1. It was an ill meeting under the moon when Oberon meets our gang. It's also a Shakespearean reference from "A Midsummer Night's Dream" the scene where Shakespeare introduces Oberon and Titania.

2. They do everything grand.

3. Stop calling her Angie.

4. Both.

5. He didn't have to. His word is law.

Response recorded on July 11, 2001

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LSZ writes...

Where was the island of the Tempest in the Gargoyle universe? Does it still exist?

Greg responds...

See my previous response.

Response recorded on July 11, 2001

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LSZ writes...

1) In the Gargoyles universe, what happened to Caliban at the end of the Tempest?
2) Chronologically, where are the events of the Tempest placed in the Garg universe?

Greg responds...

1. Not telling how the Tempest will be integrated.
2. See 1.

Response recorded on July 11, 2001

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zakhur writes...

How did you come up the idea for Queen Mab, was it before or after Oberon first appered on the show?

Greg responds...

After. But not long after. Mab's in Shakespeare, sort of. In a speech by Mercutio in Romeo and Juliet. So she was a natural addition to our ensemble.

Response recorded on July 10, 2001

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Anonymous writes...

Greg;

I have seen many episodes of TV shows that use language and action from various literary sources. They use the TV shows characters to act out the literary source (Like Romeo and Juliet with Leo DiCaprio [same words, different setting]).

1) Did you ever want to try this style with Gargoyles using Shakespear or some other author, like Kipling? I mean, not useing your own written dialogue?

2) Would this infringe on copy writes or something, if you wanted to do it?

Greg responds...

1. Yes, I did.

2. Not if it was someone in the public domain like Shakespeare.

Response recorded on July 09, 2001

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Gabe writes...

Hi,
I just wanted to make a comment:
I think it was very creative and cool to make the cold trio's drama be closley paralleled to Shakespear's OTHELLO. Except for the few inconsistantsies (i.e. Othello-Colstone not being a commander like Othello, Goliath taking on Cassio's role, and the absence of a Rodrigo, and the whole bit with Othello's tissue) I thought evrything was played-out well and done correctly; Iago-coldsteele wasn't as "Machiavellian" as was Iago in the play, but he still had that same pure-evil aura, and Desdemona-Coldfire isn't as naive as Desdemona in the play. It would be neat just see the play done by the characters of the show.
Anyways just thought I'd say that since OTHELLO is one of my favorite plays and plot-lines (almost ranked next to HAMLET and MADAEM BOVARY in my book).
Oops, I lied, I do have a quesiton, nothing too difficult, though: What kind of music would you say the Manhatten clan would listen to? That just popped in my head; I don't know why :).

Greg responds...

I don't know. Carl Johnson stuff mostly.

I'd love to use the Gargoyles characters to perform a whole variety of Shakespeare Plays. Othello's obvious. (Can you see Vinnie as Rodrigo?)

Response recorded on July 02, 2001

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Jessica writes...

How would you compare Desdemona's love towards Othello, to shakespear's sonnet # 116, Let Me Not the Marriage of true Minds

Greg responds...

I'm sorry, but I don't have my copy of the sonnets with me -- and I don't have them memorized.

You feel like typing it out?

Response recorded on June 27, 2001

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Erin Peretti writes...

I am absolutely fascinated with your comment that Gargoyle's MacBeth was more historically accurate than Shakespeare's (obviously ommitting Demona and immortality).

What parts were more accurate?

I know this is a pain, but would you happen to know where I could find some historically accurate accounts of Macbeth? His home, his full name, whether Duncan was the perfect king potrayed in the play, etc....

What research materials did you use when writing Mac for Gargoyles?

Is Glamis castle in Scotland really Mac's castle, as I have been told?

Thanks so much!!!

Greg responds...

Most of the research on Macbeth was done by Monique Beatty and Tuppence Macintyre. I did little or none myself. (I didn't have time.) Monique was my assistant (and is now a producer in her own right). Tup is a close friend and a Los Angeles Deputy District Attorney.

I know Holinshed was of some use. But I don't know what other books they used specifically.

Almost everything we did -- minus the gargs and Weird Sisters and the Mask of the Hunter -- was more accurate historically than Shaekespeare. (Not better, just more accurate.) Duncan and his father hired Gillecomgain to assassinate Mac's father. They rewarded him with Mac's title and with Gruouch. Mac eventually killed Gille and married Gruoch, adopting her boy Lulach as his own. There were some rumours that Lulach WAS his child.

Mac killed Duncan in battle, not while Duncan was a guest in his house. Mac ruled wisely for seventeen years and was overthrown by Malcolm Canmore, who was backed by the English. Etc.

I'm not 100% sure about Glamis, but I believe Macbeth's historical home was Castle Moray (also called Murray).

Response recorded on March 13, 2001

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Duncan Devlin writes...

Was the name Demona derived more from it's relationship to the word demon or or from the name Desdemona in Shakespeare's Othello (or was it a mix). Basically, which came first to the idea board. (I think I'm open for a smart-ass response as well as a real one.)

Greg responds...

I don't have a smart ass response to this. Demona came from Demon. Desdemona (and the obvious aural connection to Demona) was a pleasant "surprise" that came later when we were working on Coldstone. Now if you're asking whether or not, somewhere in the back of my head, the Desdemona name was floating around and had an influence... well, I can't be sure.

Response recorded on March 02, 2001

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Oberon writes...

In the Gargoyle Universe are Prospero, Caliban, Ariel, and Miranda still alive? Secorax? Setebose?
What race is Caliban?

Greg responds...

I'm not revealing any of this at this time.

Response recorded on March 01, 2001

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Ray Kremer writes...

All the rambles on City of Stone recently brought back some memories. While that season was airing I was in High school, and the English Class that semester was British Literature. Beowulf, Canterbury Tales, and of course Shakespere. We did the Scottish play not too long after CoS aired and when I was reading the book the voice of John Rhys-Davies always found its way into my head.

The classroom also had a big poster of the complete family tree of the royalty of the British Isles. You can imagine how much fun it was to look back to 11th century Scotland and find the names of Gillecomgain, Gruoch, and Luoch right there with MacBeth, Duncan, and Malcom Cannmore.

Then when we got to Arthurian Legend I asked the teacher what the significance of Avalon was besides being Arthur's final resting place, half expecting to hear it was the traditional home of the fairy kingdom. (Never could be too sure what was real, what you were making up, and what was some of both.)

Greg responds...

It was (in many works) the traditional home of the fairy kingdom. I wasn't making that up.

Response recorded on March 01, 2001

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Bruno writes...

Hi, Greg,

In your "Vows" ramble, you asked from were came "more's the pity".

Well, I was reading Richard III and found it in the scene 1, act 1: Hastings and Gloucester are talkin about Hastings being freed from the tower, and Clarence throwed there:

HASTINGS
MORE PITY that the eagle should be mew'd,
While kites and buzzards prey at liberty.

Greg responds...

Yeah. But is that the original? And how and when did it take the current form?

Response recorded on February 15, 2001

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LSZ writes...

Would Caliban appear in any series besides Timedancer?

Greg responds...

Yes.

Response recorded on January 26, 2001

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Dannielle writes...

what specifically does the word exeunt mean in macbeth?

Greg responds...

It means "exit". But for multiple people.

I exit.
You exit.
He exits.
She exits.
It exits.
We exeunt.
They exeunt.

(Although, the teacher in me wanted to answer: "Hey, Danielle, LOOK IT UP in a dictionary." It's there in Webster's New Collegiate. I just checked. And you would have gotten the answer faster.)

Response recorded on January 17, 2001

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Heather N. Allen writes...

Salutations! (hmm, I ALWAYS think of "Charlotte's Web" whenever I see that...)

Anyway, just wanted to share a little testimony with you and all the kiddies out there about NOT doing your research:

See, I am a major Gargoyles fan (well, that's a given). And right now, in my senior lit class, we are reading Shakespeare's "Macbeth". Well, of course I thought I was going to be all smart and show everyone up with my (so I thought) vast knowledge on everyone's favorite immortal Scotsman. Now mind you, I didn't think the REAL Macbeth was still alive running around chasing after gargoyles and ancient swords (I'm not THAT dense!), but I basically thought he was a not-so-bad guy who was king somewhere in Scotland's history. Needless to say I was shocked to find that the play's Macbeth is (in a way) truly villainous! The play's Lady Macbeth is fiendish, as well! And the play's Duncan is a hapless, good-intentioned king who was unjustly murdered! And to think, if I had raised my hand to explain Macbeth to the class just a few minutes sooner, I'd have been made a fool of in front of my peers! (Well, Greg, at least now I understand better than most what you meant when you said the Gargs Universe Macbeth would be amused by the Shakespearean version of himself...)

The moral of our story--you've got library cards, kids: USE THEM. And if you don't, then at least keep quiet until AFTER the introduction to the story is over when YOUR lit class starts reading Shakespeare.

~H\A~
(who DID finish her abandoned "A Midsummer Night's Dream" due to Gargoyles ;)

Greg responds...

Heather,

Do keep in mind that aside from the gargoyles, immortality and magic, that our Macbeth was in fact more historically accurate than Shakespeare's. (I'm not saying better, by any means, just truer to history as we know it.)

Response recorded on December 21, 2000

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Chapter XXI: "Vows"

Written by Shari Goodhartz
Michael Reaves, Story Editor

Benny: "But Daddy, when it's dark they get alive. But when it's light, the get frozen like a statue."

Last night, the kids, my sister, my wife and I all watched "Vows" together. Time to ramble.

Back to the Golden Cup Bakery Building. As I noted in the previously posted memo about this episode, I wanted a little opening battle, but I didn't want to waste time in a tight, packed script explaining how this came about. It does beg the question though. Assume that X contacted Elisa. She told Goliath. He went ALONE? His friends allowed this? Hmmm.

Xanatos knows from the letter to himself what to do, but I sometimes wonder just how detailed the letter was. I like to think it was fairly sketchy. That exactly HOW Xanatos got Goliath to come was his own machinations. Otherwise, though he takes the credit for the letter, the truth is that the plan itself wasn't his idea. He got the idea from the letter. And he wrote the letter based on what he had done, which he had gotten from the letter. None of this is really his to own, though he does claim ownership. So I like to think that at least some of the details were X's. For example, X knows what G will respond to, i.e. Demona.

Hudson, on hearing about the wedding, suddenly makes the connection to the long ago incident when he met the Goliath from the future. So he's strangely ambivalent. Elisa on the other hand, seems flat out jealous to me. After the events of "The Mirror" and "Eye of the Beholder", she's much more aware and focused on her feelings for Goliath. SHE DOES NOT WANT TO ACT ON THOSE FEELINGS. At this time, she thinks it's impossible. But that doesn't change how she feels. And now, she's jealous. Goliath's feelings for Elisa are just as intense, but so are his feelings for the "Angel" of his youth. He HAS to give it one last chance. (And this will be the last chance. The final nail in the coffin of his and Demona's "marriage".) Brooklyn, meanwhile, is just knee-jerk against anything involving Demona.

PETROS XANATOS is introduced. Again, I wonder why he was invited. Was he also included in the letter? Or did Xanatos invite him to prove something to his father. Is X that needy? Or did X invite him to the wedding, because of course he'd invite his father to his wedding, and his already planned "honeymoon" to 975 shouldn't alter his decorum. Perhaps he's mildly surprised his father winds up coming along? Anyway, Petros was a fun character. A tough hard physical man. With morals. A great contrast to the son. I knew even then that we'd give Petros and David an arc to their relationship, (one that eventually would culminate in Gathering2).

"Oh, reason not the need." A little King Lear is always nice. And I love Petros' attitude on the line, "And the armor?" I mean what would you say to your son if you saw him dressed like that? I'd like to know how many people had sort of forgotten that X was even wearing armor (we're so used to it) until Petros made an issue of it?

I love all the irony in the dialogue between Petros and David. David knows what he's planning. He must be smiling when Petros says "I'd like to get my hands on the man who gave you that coin." And when David says, "Someday, I'll prove to you that I'm a self-made man," he must really be patting himself on the back.

I love the voice work of Keith and Marina when doing their teen-age counterparts. So subtle, yet it's always clear which Goliath and Demona is talking at any given moment.

CONTINUITY:
Gotta love that storage room in the clock tower. The Eye of Odin, the Grimorum, half the Phoenix Gate, and, oh, yes, a comatose Coldstone. By the way, despite what the memo said, I think generally, Goliath carried that Gate in the pouch attached to his belt. Not behind some brick. We hadn't actually come up with that pouch yet, not until the World Tour. But using RetCon, I think that's where he kept it until they moved to the clock tower and Demona tried to kill him, Hudson and Elisa in "Long Way to Morning".

One interesting thing: this is the first episode where we actually CONFIRM that the ILLUMINATI does exist. Matt's mentioned it. Even chased it in SILVER FALCON, but we've never been shown any proof of it's existence until now. Was anyone surprised by that?

Judge Roebling was interesting in theory, though not so much in the episode. I'd like to do more with him some day. I also thought that it was interesting that despite seeing the tape of the Gargoyles in advance. And not reacting outwardly when he saw Goliath, he still gasps when Demona enters. What is it about her? When she entered, Benny turned to me and said: "She's queen of the Gargoyles." Oh. So that's it.

(And everytime Xanatos and Fox are on screen together, Benny likes to point out that he and Erin dressed up as them at the last Gathering. "That's me. That's you, Erin.")

To some extent, X must have filled D in on his plan. I love her "acting" when she enters and gives her bitter "excuse" for being there to Goliath. She's playing hard to get!

I love Petros: "Unnacceptable." He's still trying to teach David the error of his ways.

The Gate itself is very idiosyncratic. It's size, the size of its portal, and the duration the portal stays open seems to vary not just from episode to episode but from scene to scene. Sometimes it annoys me, like when Princess Elena removes the Gate from her sleeve, and suddenly it's bigger than her hand. But now I'm just amused by it. Again, if you think of it as a steam valve for the timestream, it explains a lot.

I love the little sound that Paca put in when the two pieces of the Gate first come together. What a tip-off that was, yet it's subtle. Did anyone think about the significance of the talisman that Demona had shared with Goliath before she started speaking in Latin and flames appeared out of nowhere?

It was hard to make people understand the time loop a bit. But it seemed really hard to make them see why I kept wanting to repeat scenes to show the connective tissue. We had to squeeze in Owen's "Honeymoon" line the second time. No one left space for it.

For the first of many times in the series, someone (X) says the line: "It's not where, it's when". (Erin: "I know when.")

I love X & Fox's relationship. "Having fun." "A marvelous time." Great stuff.

Hudson gets a close look at 1995 Goliath and immediately sees the age and wear and tear on the guy. (I love the shot of Goliath gagging him.) That says a lot for Hudson, because the visual difference between the two Gs was extremely subtle in the animation -- when it existed at all.

Knowing what we had planned (more or less) for Avalon, we were already laying groundwork here for that. Setting up the combined power of the Gate, Grimorum and Eye. Setting up the Archmage's desire for that power. Further demonstrating his enmity for the people he'd wind up using. Of course, making Demona his apprentice was fun. Tells a lot about her own desire for power that even when she was a good girl, she was still willing to work for the Archmage in order to learn his secrets. Willing even to steal for him.

The Norman Ambassador and Prince Malcolm make a BIG deal about how odd the Xanatoses' clothes are. But were they THAT strange? Was Fox's wedding gown that odd? And even if they were strange, did they look as shabby as Prince Malcolm seemed to suggest?

Not every episode gives you a double wedding. Fox and David. Elena and Malcolm. Hey, did anyone notice that we married off our lead villain? That was very daring, and we all but threw it away in Act One. Was anyone expecting Fox and X to really get married? And once they were, did you think you'd see them have a kid by season's end? I think we broke new ground there.

I like the exchange between Goliath and Hudson. Goliath's trying to explain that he's not a creature of sorcery, but a time traveler. H: "And I suppose you came back in time on the wind." O.k., well sorcery was involved if you're gonna get technical. And Goliath has some amusing tense problems while trying to describe what happened in his recent past, Hudson's FAR future. Then Hudson looks him in the eye and decides to trust him on no further evidence. Cool.

I knew a girl named Bryant from Bar Harbor, Maine once. That's where we got X's home town.

Fox is so proud of her man. But I love Petros' "Mr. Big-Shot Time Traveler" line. Or rather I love the way Morgan Shepard read the line.

How hard did Demona try to do things differently from the way she remembered them being done? She knows Goliath is going to fly down to try and join her and her younger self. She tries to leave before he can get there. But the gate stays open long enough for him to go with. Did it ever occur to her to go somewhen else other than 994? I guess part of it could be chalked up to dim memory. It was over a thousand years ago. And Demona lived through that 1000 years. Even for a very significant event in her life, it must still be very hazy.

That exchange between Demona and Demona is a lot of fun. Demona is so brutal to Demona. (And, hey, she spells out the Gate's power to any audience member who hasn't yet caught on.) "Do not share it with-- Do not share it!" I love that line. Also:

"I am what you will become."
"I will never be like you."
"I don't want to hurt you."
"And I don't want to BE you."

pretty cool stuff.

I also like the moment when we have two gates rolling about on the floor and young Demona and older Goliath both bend over to pick them up. At first we had a lot of discussion as to who should pick up which gate. But the discussion became moot, since after the gate pieces were reunited, they almost always seemed like they had never been broken in the first place. Magic.

And the young Demona, older Goliath scene is also gorgeous.

"What am I to do?"
"Nothing."

Love that. Love his whole "Do nothing/attend the petty jealousy" speech. I think it's very pretty. Very sad. At that moment, does Goliath hope he's changing the future? Or is he simply trying to spare this young Angel a couple extra decades of pain?

Showing Demona's natural bents again: Goliath isn't sure if he remembers the incantation, though he's heard it multiple times by this point. Young Demona, having only heard it ONCE, does remember and uses the Gate perfectly.

"Time Travel's funny that way." At least it is in the Gargoyle Universe with the strict, strict rules that I imposed. Of course, I've always thought that those strict rules made the stories more challenging for the writer and, yet, more fun and satisfying for the viewer.

I also really like Petros' "American Penny" speech. For once the "Xanatos Tag" of victory doesn't go to David.

Where did the expression "More's the pity." come from? I've heard it many times. I know what it means, though that's more from sound and context than from the words themselves. What am I quoting when I use it? Does anyone know? (This isn't a contest. I really don't know.)

Finally, my tape has the weird mistake ending that first aired, which shows Demona and Goliath in the clock tower. It's pretty, but it drives me nuts and I think it's really confusing. But I've talked about that many times before, and I'm sick of it, so this time, I'll let it go.

COMMENTS WELCOME!


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Maverick writes...

Greg;
I read you post on 'The Mirror' and you asked if it sent anyone to the library. Well it did. the first time I saw the ep I could not get that title (A Midsummer Night's Dream) out of my head so what did I do? I went and read the whole thing the very next day. (I love the play now.)

Thanks!

Greg responds...

You're welcome. And thank you for proving me right.

Response recorded on November 02, 2000

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Maverick writes...

Greg;
Have you seen the live play 'A Midsummer Night's Dream'?

B) Did you like it?

Greg responds...

Of course. Many, many times.

In general, I LOVE it! Though I've seen some productions I've loved more than others.

Response recorded on November 02, 2000

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Ed writes...

Was Richard III really as bad as Shakespeare made him out to be? And what did happen to those two princes in the tower?

Greg responds...

In what universe are you asking?

Response recorded on October 19, 2000


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