Mercy writes...

I have no questions, just writing my review and support for the Gargoyles DVD.

I love it so much. I watched it all the minute I ripped it out of the Christmas wrapping!It brought back so many memories! I was fourteen when the show aired and watching it all over again has made me more aware of storylines I didn't pay attention to before. Really, no other animated series has ever topped Gargoyles.
I especially love the commentaries and wished there had been more, but I'm sure that's simply asking too much. I love all the inside information and spoilers. I especially enjoyed the warmth and humor through out the commentaries.
I would like to put in my part in saying that I desperately, desperately want to see Gargoyles Season II come out and soon. I may be a poor college student but I would happily spend my financial aid money to buy season two instead of textbooks!

On another note, I want to thank you Greg Weisman for adding Shakespeare into the series. It inspired me to read Shakespeare, love Shakespeare and now I'm on my last year of college hoping to one day soon, teach Shakespeare.

Josh writes...

Why are there no pauses between scenes in Shakespear's plays?

Laura (Ackerman) Sack writes...

Just read the resume you posted- two things caught my curiosity: One was in reference to the Disney Afternoon block, "Developed animated feature length idea, The Tempest", and the other was "1999: Macbeth, DREAMWORKS FEATURE ANIMATION. Writer". I hope my memory isn't failing me, but I don't remember either being discussed on Ask Greg. Were these straight adaptations of the Shakespeare, inspired by, reminiscent of...?

Thanks in advance for answering.

Todd Jensen writes...

Just looked over the resume that you included in one of your most recent answers, and thought that I'd tell you that I found it amusing and very appropriate that two projects that you'd worked on were feature-length animated versions (which apparently wound up being scrapped before completed) of "The Tempest" and "Macbeth". I certainly can't say that I'm too surprised that you'd be working on them.

Todd Jensen writes...

I remember your mentioning at the Gathering 2001 about your idea for the odd little two-parter about Goliath and Co. getting trapped in a performance of Shakespeare's "Macbeth". Was this idea of yours at all influenced or inspired by the famous superstitions revolving around the "Scottish Play"?

Paladin writes...

Dear Mr. Weisman-

I was wondering if you could clarify how William Shakespeare fits into the Gargoyle universe. Was he aware of the Third Race in some regard, or was he just a very talented writer whose stories were closer to truth than fiction?

Thank you for your time, and for your creation.

Laura (Ackerman) Sack writes...

I was reading your answers to the Oberon/Titanina Family trees (November 2004) and two things caught my attn:

"Lord Oberon married Titania (who became Queen Titania after Mab was overthrown). (Note: Oberon intentionally did not take the title of King. Retaining his "Lord" title is his semi-skewed attempt at being more... egalitarian.) "

-When you say that Titania 'became' queen while Oberon chose not to 'take' the title king- do you mean that Oberon's claim came from Titania and not from Queen Mab or his conquest of her? (Queen Mab is his mother, right?) Is Titania queen or queen consort?

I know in many cultures that seem to have inherited kingship the facts are actually differnt. Take Macbeth, for example: Luach was probably the first son to directly inheret a crown from his father in Scottish history. Macbeth's claim was as good as Duncun Canmore's, but Gruach came from an older line than either. Are Oberon's children similarly not straight forward? With near imortality succession probably doesn't come up all that much anyway.

You also wrote:
"Oberon also has at least two sons by mortal women: Merlin and the changeling boy from Shakespeare's "A Midsummer Night's Dream". "

I cannot believe I didn't notice you saying that before! When I read/saw Midsummer, (one of very few plays I can't get into while reading but love to watch), I always assumed the boy was the mortal child of a beloved, all-to-mortal, devotee of Titania's. The complete disregard for the boy shown by Oberon stealing him away (both physically and magically from Titania's attention) always left Oberon a bit too scummy for me to be fully happy with the 'all the couples were reunited and lived happily ever after." (Though, I'm told if my knowledge of mythology were more complete I would know the royal mortal couple don't end so happily, or at least longly, either.)

If the boy was in fact Oberon's, than the disregard might be feigned as a ploy to get him from Titania. Oberon is immediately made less scummy.

Barage of questions:
1.In the Gargoyles universe, how true to the Shakespeare is the 'true' story?
2.Was Titania aware that the child was her husband's?
If so, was her care for the boy as innocent and real as they seem (to me) in the play?
3.What made Oberon father a child with a worshiper of his wife? Coincidence? Meaness? Was she a worshiper of Titania at the time or did that come after?
4.I think, but do not remember clearly, that the woman did not die in childbirth. What did she die of, and could Oberon have been of help preventing it? Did he try?
(My pet theory is that Titania has tried to help Renayrd out a bit in his illness, but there is only so much she can do without being obvious. And even if she were to use blatant magic, there is still only so much she can do. Medicine and healing, though we take it for granted, is still 'big magic'.)
5. What ever did happen to the changling after the events of the play? Or, if you don't want to go into specifics, is he alive or at least have a unnaturally long life?

Apropo of very little- last summer I caught a rather good preformance of Midsummer in a Shakespeare in the Park(ing Lot). (Not as good as their Richard II that they seemlessly reordered to make the first half as flashbacks during the second.) Uneven. but with real flashes of brillance. Instead of dual roles, they had the traditionally dual roles played by exchangable pairs. The Oberon and Titania I caught had fantastic presence.

thank you

Richard von Heinz writes...

1) Why did the producers of the show go with iron as the general weakness for Oberon's Children when many of them like Raven, Odin or Anubis were figures from mythologies that didn't see iron as a sort of "god kryptonite". In fact the Fenris wolf from norse mythology was able to snap his iron chains and had to be finally chained with a magical one and many of the gods and demons of the Far East didn't seem to have a problem with iron.

2)In relation to the first question why was Oberon the king and lord of the third race that included such beings as Odin and possibly Zeus and other godhead when in the traditional stories he was just a minor king of the fairies or elves?

In general I'm just rather curious why you put so many of the qualities found in fairies and elves such as Oberon and the iron weakness onto mythological figures such as Odin, Coyote or Anasi which in the end from my point of view kind of diminishes the gods.

Todd Jensen writes...

This is another comment rather than a question, but I thought that you might find it interesting.

A few days ago I was visiting the local Borders, and noticed a book in the Shakespeare section about Shakespeare in popular culture. When I peeked inside, I found that it briefly mentioned the inclusion of Macbeth, Oberon, Titania, and Puck in "Gargoyles" as an example of Shakespearean characters cropping up in pop culture. It didn't say anything more about the series than that or go into detail, but I thought that you might find it amusing.

Christina (CelebornEstel@aol.com) writes...

I've been a fan of Gargoyles for a while and I was wondering what a few characters were based on. The mythology is put into the sotry so well and fits like a puzzle. Anyway, I was wondering who the Weird Sisters and Megus. The mythology of the story is beautiful and the plot is extraordinary. So, That's my question- What were Megus and The Weird Sisters based on?

Balrog writes...

I have been reading the archives and was wonderig about one thing about a Shakespeare character and wondering something about it.

Why is Calaban(presumuble Caliban)to be a antagonist, I been cheking about the Tempest and thougt that he would be more suited in a role of protagonist,given to childis presonality.

That's just my opinon on the issue.

DeShawn writes...

Did you make up Oberon, or is he apart of real legend and myth.

Orianna, the elven mage writes...

Alright, this may seem a bit strange to ask, but I'm working on a fan fiction that included Puck.
I need to know all I can about him.
So will you please help me out on this.
Bassically I need to know about his history and if he has a girlfriend or not.
Thanks for your help.

jamie dayment writes...

hi plese could you tell me all the characters in scene 1 act 3 in a midsummers nights dream wrote by william shakespeare

Todd Jensen writes...

My thoughts on "Avalon Part One".

First off, a little about the eggs. I honestly hadn't expected to see anything further with the eggs at this point. The reason was that I'd always assumed that the eggs were indeed all gone, as Xanatos had claimed in "Awakening Part Two", even after we found out what he was really like, for this simple reason: the thousand years between the Wyvern Massacre and the Awakening. Since I didn't think it likely that gargoyles live naturally for a thousand years, my assumption always was that the eggs had hatched long ago and that the gargoyles that had hatched from them had grown up, lived out their lives, and died long before as well. I hadn't taken into account the possibility of a place where time moved slower.

(Of course, thinking over it some more, I should have expected the eggs to return, simply because, if they weren't going to, their inclusion to date would have been almost pointless. After all, they'd had no real impact on the storyline in "Awakening" - the mere fact that the video version was able to edit them out is proof enough of that - so that would have to mean that something further with them would have to be done, or else why include them in "Awakening" at all?)

Regarding your multi-parter comments: I also prefer it when the first episode of a multi-parter clearly labels itself as "Part One". That way, I'm already prepared for the "To Be Continued" part. So I'm glad that you always labeled the multi-parters as such.

I was a bit amused to notice the Brigadoon alternative to Avalon, in light of the fact that you did manage to use Brigadoon as the Avalon-substitute in your "Gargoyles meet Captain Atom" story. And, yep, I was definitely looking out for King Arthur to show up at some point in this story, given that the thing that Avalon is most famous for is being his resting-place. (More about that in my ramble on Part Two when it comes).

Needless to say, I enjoyed the flashback. More 10th century Scotland! And more real Scottish history! In some ways, it was even more fun than the Macbeth backstory in "City of Stone"; after all, I already knew about the historical Macbeth before "Gargoyles" ever came out, but I'd never heard of Kenneth II and Constantine III before. After seeing this episode, I eagerly looked up everything on them that I could at the local library (although I wasn't able to find much, thanks to the scanty records for this part of Scottish history).

Constantine definitely struck me as shrewd when he provided a very convincing "innocent reason" for the secret meeting in the drying-house (the argument that it would be better for Kenneth's dignity to have Finella turn down his suit in private, rather than before his entire court). I thought he made a good antagonist here, even if for only one episode.

(I haven't seen the McKellen "Richard III" movie, by the way, but I do have a book that McKellen wrote about the making of it, including the screenplay, which I found fascinating reading.)

I also liked the mention of Michaelmas, which added to the medieval flavor of the story. (It's things like this that make me regret the fact that you never got to make the "Dark Ages" spin-off. Of course, I suppose that an animated series set entirely in 10th century Scotland wouldn't be all that commercially viable, more's the pity.)

I'm looking forward to your rambles on Part Two and Part Three, as well.

Saboor Ghafoor writes...

in A shakespeare's book;
Who murders a king and marries the widow
What is the alternative title of 'Twelfth Night'?
In which play will you find the stage direction 'Exit pursued by bear'?
Who demands a pound of flesh as a guarantee on a loan?
Which play begins with;
'If music be the food of love,play on?'
'Now fair Hippolyta, our nuptial hour/Draws on apace?'

Who is the 'Serpant of old Nile'?

Who attempts to kill himself after the high Roman fashion?

which play has a female character disguises herself as a boy?

Who dies in a vat of malmsy

If the second line of the sonnet is; Thou art more lovely and more temperate what is the next line

Saboor Ghafoor writes...

which play ends with:

a)We that are young/Shall never see son much nor live so long?

b)So thanks to all at once and to each one,/whom we invite to see us crowned at Scone?

c)Give me your hands, if we be friends,/And Robin shall restore amends?

d)But that's all one, our play is done/and we'll strive to please you everyday?

jamie writes...

what are the roles of puck and oberon in a midsummers night dream

NEEDS HElP writes...

AHH! I need to know what Shakespear's The Tempest and King Lear were about my monday!!! HURRY!!! plez a breif discription 2 or 3 sentances for each :(

Alfred Manifesto writes...

Yo
Long time watcher, first time question asker, I happen to be doing a research paper for colege concerning the literary references within Gargoyles (shakespeare and mythology). I was wondering what comments you might have concerning the way which you used these works. For example, your re-telling of McBeth in city of stone parts 1-4 is very different from the play. This makes sense because the play is an altered versain of the actual historical story to make it more entertaining as well as aceptable to the king of england. As i intend on focusing a majority of my paper to Mcbeth I was wondering how you went about combining history, shakespeare, and your own storyline. If you could make any general comments or speak about mythology in any way would be greatly apriciated. I ask not only because it would help my paper, but also it would be a personal thrill to even get a responce. I've known about this site for a while, but this is the first time i've had a decent question. Lastly, I know its quite possible this has been answered before, but i have not yet read all of the entries in the archives, you are creator and producer of one of my favorite cartoons of all time, how does one find themself in that possition of creater and producer? thanx for your time

Todd Jensen writes...

This is something of a musing that I've been pondering for some time about your hinted-at plans to bring Prospero (and other characters from "The Tempest") into "Gargoyles" (it's more a ramble than a genuine question, actually). I was not the least bit surprised by your mention, when you first started up "Ask Greg", to include Prospero in "Gargoyles" somewhere; after all, a series that had already made use of "Macbeth" and "A Midsummer Night's Dream" in its framework would obviously have to bring "The Tempest" in somewhere as well. What I do find myself wondering, from time to time, is the role that Prospero (and Ariel and Caliban as well, if they were to show up - and it's obvious that they would also) would have played in the series, in relation to the other characters.

Because I noticed that the other major Shakespearean characters (Macbeth, Puck, the Weird Sisters, Oberon, and Titania) were actually made an important part of the framework of "Gargoyles", linked up strongly to the central and near-central characters. Macbeth and the Weird Sisters were part of Demona's story (explaining, in particular, how she survived from 994 down to the present day). Oberon, Titania, and Puck were part of Xanatos's story (or Titania at least as Fox's mother and Puck as Owen's true identity, not to mention that Oberon and Titania's attempt to kidnap Alex was what led to the end of the feud between Xanatos and the gargoyles). From this, I believe that we can safely presume that, when Prospero, Ariel, and Caliban would have shown up somewhere in the series (if it had only lasted that long), they would have likewise had strong links with the major characters in the series as part of the framework.

I won't ask what those links were, of course (I know that you don't want to reveal that yet, at least, not in this forum), but that's one reason why a part of me still hopes that you can find some way of continuing "Gargoyles" some day; I'd certainly enjoy finding out when/if that happens just where Prospero, Ariel, and Caliban fit into the Gargoyles Universe, and which major figures in the series they are linked to, at least initially (of course, everybody tends to wind up getting linked to everybody else anyway - Puck with Demona in "The Mirror", the Weird Sisters,Oberon and Titania with the Avalon clan, Macbeth with King Arthur, etc.)

angel writes...

hi greg,would you mind tell me what sonnet 116 is all about!