Mercy writes...

I have no questions, just writing my review and support for the Gargoyles DVD.

I love it so much. I watched it all the minute I ripped it out of the Christmas wrapping!It brought back so many memories! I was fourteen when the show aired and watching it all over again has made me more aware of storylines I didn't pay attention to before. Really, no other animated series has ever topped Gargoyles.
I especially love the commentaries and wished there had been more, but I'm sure that's simply asking too much. I love all the inside information and spoilers. I especially enjoyed the warmth and humor through out the commentaries.
I would like to put in my part in saying that I desperately, desperately want to see Gargoyles Season II come out and soon. I may be a poor college student but I would happily spend my financial aid money to buy season two instead of textbooks!

On another note, I want to thank you Greg Weisman for adding Shakespeare into the series. It inspired me to read Shakespeare, love Shakespeare and now I'm on my last year of college hoping to one day soon, teach Shakespeare.

Josh writes...

Why are there no pauses between scenes in Shakespear's plays?

Laura (Ackerman) Sack writes...

Just read the resume you posted- two things caught my curiosity: One was in reference to the Disney Afternoon block, "Developed animated feature length idea, The Tempest", and the other was "1999: Macbeth, DREAMWORKS FEATURE ANIMATION. Writer". I hope my memory isn't failing me, but I don't remember either being discussed on Ask Greg. Were these straight adaptations of the Shakespeare, inspired by, reminiscent of...?

Thanks in advance for answering.

Todd Jensen writes...

Just looked over the resume that you included in one of your most recent answers, and thought that I'd tell you that I found it amusing and very appropriate that two projects that you'd worked on were feature-length animated versions (which apparently wound up being scrapped before completed) of "The Tempest" and "Macbeth". I certainly can't say that I'm too surprised that you'd be working on them.

Todd Jensen writes...

I remember your mentioning at the Gathering 2001 about your idea for the odd little two-parter about Goliath and Co. getting trapped in a performance of Shakespeare's "Macbeth". Was this idea of yours at all influenced or inspired by the famous superstitions revolving around the "Scottish Play"?

Paladin writes...

Dear Mr. Weisman-

I was wondering if you could clarify how William Shakespeare fits into the Gargoyle universe. Was he aware of the Third Race in some regard, or was he just a very talented writer whose stories were closer to truth than fiction?

Thank you for your time, and for your creation.

Laura (Ackerman) Sack writes...

I was reading your answers to the Oberon/Titanina Family trees (November 2004) and two things caught my attn:

"Lord Oberon married Titania (who became Queen Titania after Mab was overthrown). (Note: Oberon intentionally did not take the title of King. Retaining his "Lord" title is his semi-skewed attempt at being more... egalitarian.) "

-When you say that Titania 'became' queen while Oberon chose not to 'take' the title king- do you mean that Oberon's claim came from Titania and not from Queen Mab or his conquest of her? (Queen Mab is his mother, right?) Is Titania queen or queen consort?

I know in many cultures that seem to have inherited kingship the facts are actually differnt. Take Macbeth, for example: Luach was probably the first son to directly inheret a crown from his father in Scottish history. Macbeth's claim was as good as Duncun Canmore's, but Gruach came from an older line than either. Are Oberon's children similarly not straight forward? With near imortality succession probably doesn't come up all that much anyway.

You also wrote:
"Oberon also has at least two sons by mortal women: Merlin and the changeling boy from Shakespeare's "A Midsummer Night's Dream". "

I cannot believe I didn't notice you saying that before! When I read/saw Midsummer, (one of very few plays I can't get into while reading but love to watch), I always assumed the boy was the mortal child of a beloved, all-to-mortal, devotee of Titania's. The complete disregard for the boy shown by Oberon stealing him away (both physically and magically from Titania's attention) always left Oberon a bit too scummy for me to be fully happy with the 'all the couples were reunited and lived happily ever after." (Though, I'm told if my knowledge of mythology were more complete I would know the royal mortal couple don't end so happily, or at least longly, either.)

If the boy was in fact Oberon's, than the disregard might be feigned as a ploy to get him from Titania. Oberon is immediately made less scummy.

Barage of questions:
1.In the Gargoyles universe, how true to the Shakespeare is the 'true' story?
2.Was Titania aware that the child was her husband's?
If so, was her care for the boy as innocent and real as they seem (to me) in the play?
3.What made Oberon father a child with a worshiper of his wife? Coincidence? Meaness? Was she a worshiper of Titania at the time or did that come after?
4.I think, but do not remember clearly, that the woman did not die in childbirth. What did she die of, and could Oberon have been of help preventing it? Did he try?
(My pet theory is that Titania has tried to help Renayrd out a bit in his illness, but there is only so much she can do without being obvious. And even if she were to use blatant magic, there is still only so much she can do. Medicine and healing, though we take it for granted, is still 'big magic'.)
5. What ever did happen to the changling after the events of the play? Or, if you don't want to go into specifics, is he alive or at least have a unnaturally long life?

Apropo of very little- last summer I caught a rather good preformance of Midsummer in a Shakespeare in the Park(ing Lot). (Not as good as their Richard II that they seemlessly reordered to make the first half as flashbacks during the second.) Uneven. but with real flashes of brillance. Instead of dual roles, they had the traditionally dual roles played by exchangable pairs. The Oberon and Titania I caught had fantastic presence.

thank you

Richard von Heinz writes...

1) Why did the producers of the show go with iron as the general weakness for Oberon's Children when many of them like Raven, Odin or Anubis were figures from mythologies that didn't see iron as a sort of "god kryptonite". In fact the Fenris wolf from norse mythology was able to snap his iron chains and had to be finally chained with a magical one and many of the gods and demons of the Far East didn't seem to have a problem with iron.

2)In relation to the first question why was Oberon the king and lord of the third race that included such beings as Odin and possibly Zeus and other godhead when in the traditional stories he was just a minor king of the fairies or elves?

In general I'm just rather curious why you put so many of the qualities found in fairies and elves such as Oberon and the iron weakness onto mythological figures such as Odin, Coyote or Anasi which in the end from my point of view kind of diminishes the gods.