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Psycho girl writes...

Hello! (snickering).......Ah, another glorious day to be alive!!! What an honor to live in such a world we live in!! :)

Well Im back, with a vengeance.

I have to tell you something, when I twas a little girl watching "The Mirror" and hearing (learning) about "A Midsummers Nights Dream", I was curios and whipped out my mothers "Completed works of William Shakspere" book and tried to read it. But.....I was to young (or stupid...?) to understand it, so I tried it again when I was 16 and really enjoyed it! Also, when I bought the second season DVD set and watch "The Mirror", it re-kindled my interest and I re-read it. WHY is I telling U this? Well, I have a question about the story that I still (unfortunately) don't get... :(

1. WHY did Oberon want the changeling boy? And......

2. Why wouldn't Titania let him have the boy? (I know that Titania and the boys mother were friends...is that why?)

I hope that I don't sound too stupid...but I just don't understand that part. Well, that's my Shakspere Q. Have a nice, happy, and all-around good day!

Greg responds...

1. I have this theory that the boy was his son. Many scholars theorize that he had a romantic interest in the boy. Others point out that fairy lore is just FILLED with fairies capturing and keeping small children.

2. That's it mostly, I think. I also believe there's a certain perverse satisfaction in keeping something from Oberon that he wants. And like Oberon, there's the fairy tradition of capturing and keeping small children.

Response recorded on January 11, 2007

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Axem Gold writes...

A few months ago at the library, I checked out the VHS Macbeth (Orson Welles directed and played the lead role). According to the credits, Malcom was played by Roddy Mcdowall (Proteus). Did you know about that?

Greg responds...

Yep. I have my copy of that version of Macbeth sitting right over there on the shelf. No, the other shelf. Yeah. See?

Response recorded on December 22, 2006

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Mandolin writes...

Greg -

(Insert Mandi's G2005 con journal here.)

For a variety of reasons which involve exploding lightbulbs, bad cosplay, and a possessed automobile that no one really wants to hear about, I don't think I'll get my con journal done before August 31st. Oh, I'll get it done anyway, but I have the feeling it won't be done by the deadline and you just need the numbers before then. Better a late con journal that's not crappy and tainted by my need to hurt various contractors. So I was there, I came, I saw, I had fun, G2005 was over far too soon, and I'm looking into making you a "Lunatic Most Trusted" button.

(Incidentally, if I don't make it to G2006 or you read this before I do, I forgot to ask you something at the Blue Mug-A-Guest when you said you were a Shakespeare freak - did you ever see "Goodnight Desdemona (Good Morning Juliet)?" I'd recommend it if you haven't; best play I've ever been involved in, and it messes with Othello and Romeo and Juliet SO MUCH...)

Now watch. Now that I've given up getting it done before the deadline, I'll get it done in time anyway. Oh well...

Greg responds...

Haven't seen that play. No. Sounds cool though.

Response recorded on December 15, 2006

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Dan writes...

How far does Iago's manipulation fuel Othello's jealousy?

Greg responds...

All the way to Cyprus.

Response recorded on November 08, 2006

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renee writes...

what is the whole concept behind racism in the drama of orthelo

Greg responds...

Read OTHELLO and find out.

Response recorded on November 07, 2006

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Mercy writes...

I have no questions, just writing my review and support for the Gargoyles DVD.

I love it so much. I watched it all the minute I ripped it out of the Christmas wrapping!It brought back so many memories! I was fourteen when the show aired and watching it all over again has made me more aware of storylines I didn't pay attention to before. Really, no other animated series has ever topped Gargoyles.
I especially love the commentaries and wished there had been more, but I'm sure that's simply asking too much. I love all the inside information and spoilers. I especially enjoyed the warmth and humor through out the commentaries.
I would like to put in my part in saying that I desperately, desperately want to see Gargoyles Season II come out and soon. I may be a poor college student but I would happily spend my financial aid money to buy season two instead of textbooks!

On another note, I want to thank you Greg Weisman for adding Shakespeare into the series. It inspired me to read Shakespeare, love Shakespeare and now I'm on my last year of college hoping to one day soon, teach Shakespeare.

Greg responds...

That is tremendously gratifying. Thank you for relaying that here.

Response recorded on October 24, 2006

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Josh writes...

Why are there no pauses between scenes in Shakespear's plays?

Greg responds...

By "pauses", do you mean "act breaks"? Cause they have those between acts.

Response recorded on October 19, 2006

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Laura (Ackerman) Sack writes...

Just read the resume you posted- two things caught my curiosity: One was in reference to the Disney Afternoon block, "Developed animated feature length idea, The Tempest", and the other was "1999: Macbeth, DREAMWORKS FEATURE ANIMATION. Writer". I hope my memory isn't failing me, but I don't remember either being discussed on Ask Greg. Were these straight adaptations of the Shakespeare, inspired by, reminiscent of...?

Thanks in advance for answering.

Greg responds...

At Disney, the Tempest idea I had was inspired by the play. Followed the basic outline of the story, but wasn't the play itself.

At DreamWorks, I developed TWO versions of Macbeth. One dead on, i.e. the actual play. And one that was inspired by the play, but told from a different point of view.

Of course, none of this stuff was for the Disney Afternoon block.

Response recorded on September 20, 2006

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Todd Jensen writes...

Just looked over the resume that you included in one of your most recent answers, and thought that I'd tell you that I found it amusing and very appropriate that two projects that you'd worked on were feature-length animated versions (which apparently wound up being scrapped before completed) of "The Tempest" and "Macbeth". I certainly can't say that I'm too surprised that you'd be working on them.

Greg responds...

No, it's not particularly surprising, just a bit depressing. I also spent some time working on a Midsummer Night's Dream animated feature. But that never got off the ground either.

Response recorded on September 19, 2006

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Todd Jensen writes...

I remember your mentioning at the Gathering 2001 about your idea for the odd little two-parter about Goliath and Co. getting trapped in a performance of Shakespeare's "Macbeth". Was this idea of yours at all influenced or inspired by the famous superstitions revolving around the "Scottish Play"?

Greg responds...

Not per se.

Response recorded on September 14, 2006


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