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How many seasons would you have planned for Gargoyles and its Spin-offs to realize your own vision?
2. Bad Guys
3. Time Dancer
4. Dark Ages
5. Gargoyles 2198
6. Heroes of Ulster
7. New Olympians
1. As many as possible until the series caught up to Gargoyles 2198.
2. As many as possible until the premise resolved or the series caught up to Gargoyles 2198, whichever came first.
3. As many as possible until Brooklyn's journey catches up to his return with his family to Gargoyles.
4. As many as possible until we catch up to the Wyvern Massacre in Gargoyles.
5. As many as possible.
6. As many as possible until the premise is resolved or until the series caught up to Gargoyles 2198.
7. As many as possible until the series caught up to Gargoyles 2198.
8. As many as possible until the series caught up to Gargoyles 2198.
Hello Mr. Greg! I would like to start of by saying that you are very admirable in your dedication not only to previous works but also to fans, as seen in keeping up this page. You're an amazing storyteller and as an author, I admire you greatly.
My question actually pertains to your series Gargoyles, which I have been bingeing non-stop recently. I saw in another ask that some gargoyles use weapons while others don't(ie Hudson). If you had to give each member of the Wyvern Clan weapons, what would they be and why?
Hudson does. He uses a sword.
Brooklyn, after his timedance, uses multiple weapons. (See Clan-Building, Volume Two.)
Lexington has been known to use what's handy.
The others largely don't.
Topic: Phoenix Gate and time travel to the future
In regards to Gargoyles 2198, we know the Phoenix Gate cannot allow someone to change the past as it is part of the history, but how would the Phoenix Gate and time travel work if someone from the present were to go to the future?
During planning, were there problems with figuring out how Brooklyn's presence in 2198 would relate to his "historical self" (either "disappeared" when the Gate took him; the "historical Brooklyn" never time-travelled), or did you always have it in mind that time-travel to the future from the present was also immutable - Brooklyn factus erit iam illud (Brooklyn already shall have done that)?
P.S. I apologize in advance if my Latin is off.
1. Knowing no more about what happens next than one would being someone from the present IN the present, it's more of a non-issue. If someone from even FURTHER in the future showed up, then the M.I.A. scenario is in play.
2. If I'm understanding you right, the latter. Again, a non-issue, as I knew he was time-dancing, and one of his stops would be 2198.
Hi Greg, just bought your audio story of Rain Of The Ghosts, fantastic original story, and not to mention love hearing our favorite voice actors in your story, and it was amazing, gonna go find the second book and read it.
I also wanted to ask, Timedancer is one of my most favorite spinoff ideas based onto Gargoyles, and the sheer idea of Brooklyn Time traveling is awesome! I wanted to know, just like you did with Rain Of The ghost Audio story, would you be able to do Timedancer like that? Bring in the old voice actors (Jeff and Thomas ect) and bring in new ones to voice the new characters that would have been in Timedancer?
Thanks for the kind words about Rain.
To answer your question, I'd love to do an AudioPlay of Timedancer, but I don't own Gargoyles or TimeDancer, so that's not an option at this time.
I've been thinking about Timedancer lately, and I have suddenly realised the fact that some main characters (Katana and Nashville at the very least, and possibly other part-time travelers) wouldn't show up in it for years or even decades. So my question is this: was the plan to showcase Brooklyn's 40-years dance in a linear manner (1997-997-1970's-all the way until 1997 again), or did you plan to jump around time a bit as well (so maybe episode one is at Year 1 with Mary and Finella, episode two is at Year 5 when Brook is with Fu-Dog, episode three in Year 38 alongside Katana and Nashville, etc)?
I don't know. Honestly. It's never a decision I've had to make. I have a ton of stories set on Brooklyn's timeline. But what order I'd reveal them will depend on if and when a TimeDancer series is ordered in some medium or another, and what the parameters of that series are.
Hello! Big Gargoyles fan here! I want to ask about Katana, Nashville, and Fu-Dog! This is probably be too spoiler-y, but I'm gonna give it a shot.
1.) We don't much about Katana as a character. Are there details you can give to the fans about her personality, her interests, her quirks, etc.? You described Brooklyn and Katana's relationship as a Sam-Diane, Bertrand-Beatrice thing, so I imagine Katana being a lot of more serious than the wise-cracking Brooklyn, which probably why the had conflict. Being raised in the way of Bushido, I also imagine she's honorable and from what we've seen from her appearance in the comics, she's very protective over Egwardo (Taichi).
2.) Nashville is about 10 in human years, and 20 in gargoyle years, right? He's really young, though, no matter how you look at it. I find it a little hard to imagine Brooklyn and Katana allowing him on dangerous missions. I think he is quite skilled, but are there any limitations they set for their son?
3.) Katana and Gnash are both bilingual. What's their speech pattern like? Gnash seems more like Brooklyn in personality, so his way of speaking is probably similar to his father. I imagine Katana being more formal with her words. When they speak, do they string English and Japanese words in a sentence? Does Katana speak solely in Japanese sometimes when speaking to Gnash?
3.) Fu-Dog is Brooklyn's first companion in his TimeDancer adventures. What kind of personality does he have, besides being fiercely loyal to Brooklyn? Is he similar to Bronx or dissimilar?
1. I think you mean Beatrice-Benedick. But beyond that, I'm not saying anything. You'll have to wait to see her in execution, hopefully in future comics.
2. When we first meet Nashville, he's 19-years-old chronologically. Ten-years old biologically. I'm sure B&K set limitations for their son, but by necessity, since they didn't want to risk leaving him behind while TimeDancing, they kept him close, even if close meant he was occasionally in danger.
3. Again, this is about execution. I'm not going to preempt myself.
4. No spoilers.
Hello, Mr. Weisman! I'm a long-time fan and started watching Gargoyles almost as soon as it came on air. Now that I'm in my twenties, I still go back and rewatch it every now and again. I've spread it to my boyfriend and our very close friend and they have both become immense fans like myself. I'm not a very wealthy person but I am trying to save up my money to buy not only the DVDs but the comics as well.
So...a few questions, if you don't mind and I'm sorry if I offend you with any (keeping in mind that I haven't been fortunate enough to read the comics).
1) Will the gargoyles ever be able to integrate themselves into human society successfully?
2) With such a low population (compared to humans, I mean), will the Gargoyles ever be acceptable as human companions (as its widely recognized that Elisa and Goliath have a "thing")?
3) Is the TimeDancer series featuring Brooklyn canonical? I'm a huge Brooklyn fangirl and while it makes me sad that he is, ahem, now "off the market", if you will. (I'm sorry, he was a cartoon crush as a kid)
Whether this gets to you or not, I'm sincerely happy that you worked on the Gargoyles series and that you've opened up this "ask a question". It really warms my heart to know that you care about your fans that much!
And I wish could give you and Brooklyn both hugs! Thank you again!
1. No spoilers.
2. No spoilers.
3. All that's been published is canonical.
And thanks for the metaphorical hugs!
A friend of mine admires and identifies with Brooklyn very deeply. So deeply, in fact, that he sometimes wishes he WERE Brooklyn. He's having a rough time right now, and "just be yourself" isn't helping. I was wondering, could the man that understands Brooklyn better than anyone - his creator - give my friend a little encouragement or wisdom? It would mean a lot.
I'd be happy to, but I'm at a bit of a loss for at least a couple reasons:
1. I have no idea what is troubling your friend or what aspect(s) of Brooklyn he identifies with.
2. I'm not qualified to give advice, and have very little in the way of wisdom, beyond, perhaps, a willingness to admit to my own ignorance.
But encouragement I can do. It may be a bit generic, but I wish your friend the best and suggest he keep trying and seek out help (and even therapy).
Brooklyn is a good guy, who has his troubles. But after 40 years of wandering through the timestream, he did ultimately come back to his clan with a new wisdom of his own and a loving family. So there is hope.
I just realized that the second question I asked two days ago (about how Tom got from Avelon to Manhatten) is REALLY stupid...for some reason I was misremembering the entire situation and was thinking Tom went to Manhatten AFTER Goliath and co. got back from their trip (which makes absolutly no sense now that I remember correctly)...OOPS! Sorry. I'm verry much expecting a "Hey stupid, what the heck are you talking about?!" response to that question.
Anyway, since I don't want to clog the que with just an apology for screwing up a previous one, I'll ask a couple of actual questions too, this time regarding Brooklyn and Katana.
1. You once described their relationship as: "there's conflict." Can you elaborate (in a general sense, not specific situations...ie. they bicker a lot, they disagree on many things, ect.)?
2. I know that the real-world reason for Katana's name is the sward, but in-universe, did her clan use names? (Also, I know it's a "spoiler request," but if you feel like saying who gave her the name if it wasn't her clan, that would be awesome -- same for Foo Dog).
3. Were the parallels between the casts of the World Tour and Timedancer (ie. the lead Gargoyle: Goliath/Brooklyn; his mate: Elisa/Katana; the child: Angela/Nashville; and the beast: Bronx/Foo Dog) a deliberate decision or just a coincidence?
4. Has/will Foo Dog ever had/get a mate?
1. Watch Sam and Diane on Cheers or Beatrice and Benedick in Much Ado About Nothing.
2. We've established that the Ishimura Clan uses names. Whether they did back then is a SPOILER REQUEST.
3. More organic than anything. Keep in mind, it's just Brooklyn. Then it's Brooklyn, Finella and Mary. Later it's Brooklyn and Fu-Dog. Later still it's Brooklyn, Fu-Dog and Katana. Later still, it's Brooklyn, Fu-Dog, Katana and an egg. Then Brooklyn, Fu-Dog, Katana and Nashville. Then Brooklyn, Fu-Dog, Katana, Nashville and Egwardo. And that's assuming no one else temporarily joins them for some of the Dancing, a fact I'll neither confirm or deny.
4. SPOILER REQUEST.
my question must have gotten deleted last time i asked this, because i cant find it anywhere. it was part of a post with a bunch of questions, but this one is the only one i really want to know about, so i hope this one wasnt the one that made it not go through
after his journey through time, does Brooklyn still consider himself a rookery brother to Lexington and Broadway?
also, since he is a generation older than Goliath, does he still consider himself his rookery son?
would he now technically be a rookery uncle to any or all three of them, and Angela?
if so, how does he view his relationship to Hudson, since they cant technically be rookery brothers? (like cousins mabey?)
2. He never did, so no.
4. He still sees Hudson as a mentor/father/grandfatherly figure.
it's known, that to control the phoenix gate, one has to think of a special place and time.
Now, that the gate was released by Goliath, one question popped into my head.
Brooklyn couldn't control the gate during his Time Dancer adventures.
But could it be that his subconscious mind influenced the gate's direction"?
Could the gate (or rather the phoenix) have probably sensed his feelings like fears, inner conflicts or wishes?
Or did the phoenix just follow its own reasons without noticing such things?
By the way … I liked the character of Brooklyn before, but it's due to the Comics (especially Clan building Vol. 2) that he became one of my ultimate favourites. ;)
Mostly, the Phoenix is the Phoenix. Beyond that, we're talking SPOILER REQUEST. NO COMMENT.
Hey Greg, I'm a big fan of Gargoyles and I actually have a question for it concerning Brooklyn. How much has his personality changed after he got back from his Timedancing adventure? I didn't see this question posted at the archives but if you did post it then I apologize.
He's evolved - and aged - more than he's changed.
It's been quite a while since I've written, so here we go.
This may be moot (but hopefully not), but you mentioned you the spinoff comics mini-series you planned to do were Bad Guys then Pendragon then TimeDancer. I had some questions about the potential format for TimeDancer. These are mostly questions about the format of the book (not looking for big plot spoilers):
1) Would TimeDancer have been six issues or more or less?
2) Would the TimeDancer mini-series have picked up were we left Brooklyn in 997 Scotland in #12?
3) Would the TimeDancer mini-series have focused on one or two larger events (meeting Katana or Gnash's birth, etc) or would it have been several smaller events?
4) Again, possibly moot (but hopefully not), after Pendragon and TimeDancer, what would have been next (2198, Dark Ages or New Olympians?)
5) Is there any remote or slight update from Disney or SLG about the potential of more Gargoyles comics?
1 - 4. lt's all hypothetical now, since we no longer have the license. If and when I get another opportunity, every parameter could be different.
5. I'm afraid not.
Recently I noticed that Brooklyn wears an eyepatch over his left eye when he's dressed up as a pirate in "Eye of the Beholder" - and wears one over his left eye for real when he returns from his Timedancing in "Clan-Building". When you worked with the artists on Brooklyn's post-Timedancer look, did you have the Halloween costume in mind? Or is it just a neat coincidence?
Yes. And that's not all.
In as far as Brooklyn traveled into the future, did disco ever come back?
Yes. And went away again.
Which episode is timedancer?
I don't understand the question. Check the FAQ. That might help clarify things for you, and if you're still unclear than you can repost the question offering more clarity for me.
Hey Greg, first time asking a question. I'm a big fan of the Timedancer series so I've got a question about Katana, Nashville, and Tachi. What are their personalities like? I don't need the general details so a vague anwser or something like that is fine. Thank you.
I'm not going to reveal this in this forum at this time.
I checked evry were but i can not find the movie timedancer do you know were i can find the movie.
There's no TimeDancer movie.
Um, well wow never thought I'd get a chance to ask you one of the questions that been burning my mind for the longest of times. A question that could very well shake the fabric of reality.
Just exactly where did Brooklyn get that wicked Eye patch from in Issue 12 page 24 of Gargoyles the Slave Labor Comics? I'm not asking how he got the wound, but where the Eye patch itself came from? It's just been bugging me for the wildest of times.
I'm not revealing that at this time.
(Regarding "Phoenix") Greg responds... (to my post a while ago)
<<Showing a second jump would have ruined the shock value of his arrival. Defanged it.
That's not to say I wouldn't eventually like to show ALL his Dance, but that moment of him leaving one era (at the beginning of the Dance) with Finella and Mary and arriving (in another era at the end of his dance) with Katana, Fu-Dog and the kids was ALWAYS my plan since as far back as 1995.>>
You know, I think that _was_ the reason for my thinking about including the start of the second jump. I just don't like huge shocks. Or change. Which is why I'm glad Timedancer was "spoiled" for me. That made the ending significantly less of a Huh? OMG WHAT?!? AAIIEGH!!! moment and more of a "Phew, he only lost an eye. Katana looks cool." moment.
Uh... I don't know how to respond to this. I love it when there's a huge shock as long as ultimately it MAKES SENSE.
Hello there once again Mr. Weisman, and thanks for your time. I haz a question regarding Timedancer that came to mind while I was reading my Volume 2 of Clan Building: are there more places Brooklyn and company have visited, and more things they have done, than are being told? Or will that be yet another no comment?
Yes, there's 40 years worth of places and things to tell.
I'm kinda going on a question spree now that I have some down time and this is something else that poped into my head that I haven't seen yet. Are Brooklyn and Katana biologicly the same age when they meet?
Quick couple of comments on the recent graphic novels...
It was such a pleasure to read new material and emerse again in the world of gargoyles. I hope we get a chance to do so again quite soon.
Loved the Star Wars homage cover
I was a little confused by the events with the stone. The explanation helped, but I still liked it.
There is a thread on the Girl-Wonder forums about female characters who look fantastic and none sexualized. Coco met with approval. I'd have to go back and check, but I believe the word was "awesome" :)
I found it odd that the Rosetta Stone was included among the list of stones. Are there legends about the stone? I thought it was just the one in the British Museum. Absolutely loved the "Hey" "Hey" between the stone and grail.
Also surprised by the "Bugger Off". Isn't that rather obscene in the UK? I know the intent to keep the comics as all age friendly as the cartoon has slipped a bit. (Strangely the hand being cut off flew by me (no pun intended). Dingo's mother's death shocked me.) But a substitution phrase would be easier that replacing events. (Of course I am blanking on such a phrase at the moment...unless Sod Off is a smidge more polite. Drop Dead doen't sound particularly British.)
Loved the Timedancer part. Had you always intended to start Time Dancer so soon? Had the cartoon continued on air, would Brooklyn have gone and returned season 3 or did it come sooner in response to the new medium. In general did any events move up for the comics?
I know I am in a minority, but I didn't love the art at the end. It's probably just a question of personal taste. The line was more detailed, but the distortions less to my taste. I've heard some say it looked a little more anime looking, and that only sometimes appeals to me.
The relationship between Gilcomgain and the king was wonderfully creepy.
I would have thought Bodhe to be older than Gilcomgain.
Odd.. in the Gargoyles universe it seems sparing a child's life comes back to haunt you. Bodhe's father did it, Macbeth did it, death, war and heartbreak follow.
As whenever we go back in time in these stories, there is a bittersweetness to it. Most, and most probably all, of the gargoyles we meet will be murdered in the next few years. Especially when we see child gargoyles. (I think, though not prominant, one of the gargoyles we saw smashed was a child.)
"Call me Gnash" :)
(I don't remember knowing that was coming, but I may just have missed it.)
Already mentioned, the murder of Dingo's mother shocked me. As did Tasha's suicide earlier, (though I could see how that might have been finageled into the cartoon). Similarly, when I read over the begining of the trade I realized that we had briefly met Tasha and the others as humans. Even in that little bit it made it all the more poignant. A little thing I noted aside from all the big things others have already noted was how the aligator thug was instinctively hugging and holding the little girl to comfort her. Not just the guy with a gun we met before.
I'm a little tight for time, so I'll just say I really enjoyed it and I felt it was very successful in setting up a new series. Yes it is connected, but in the back of my mind I was expecting it to just be an extension of Gargoyles- a way to see more of that universe and extend the stories we were seeing. Instead this is its own story, in that universe, but its own.
Rosetta Stone is what it is.
Same with "Bugger Off". Perhaps because my primary audience is in the U.S. it just doesn't feel as dirty as it is.
The start and finish of TimeDancer was always supposed to occur in Season Three of Gargoyles. The forty years in between was always a spin-off idea.
I'm glad that in general you liked the stuff!
One of the big changes you made from canon-in-training to canon, in "Clan-Building", was having the Phoenix rather than the Phoenix Gate be the cause of Brooklyn's timedancing. I thought about it recently, and think that it was a good change.
Aside from it providing a good explanation for why it took so long for Brooklyn to get back (it would probably have seem far-fetched if each time the Phoenix Gate appeared during those forty years, he always failed to grab it before it disappeared again), I think it added something to his journey. While we don't know exactly what the Phoenix is as yet, or what its agenda is, the way it was depicted (and Brooklyn's own comments) made it clear that it deliberately took Brooklyn to Scotland in 997, that this was not just some accidental fluke, that the Phoenix has a purpose and intentions like those of any sentient being. Brooklyn isn't being battened about the time-stream by an out of control magical talisman, but is being sent places to fulfill a mission, like Goliath and his companions on the Avalon World Tour. His adventures up and down history, past and future, are the product of a plan, not just the whims of chance. I think it made for a much better story.
Some questions bubbled up in my mind while reading Gargoyles Clan-Building, first about the Timedancer arc.
1)Is Fu-Dogâs gold collar affected by the humility spell?
2)Does Katana speak English? I note that she had no lines in âPhoenixâ and in the non-canon Radio Playâ¦is the reason she doesnât speak because she canât speak English?
3)Somewhat related to question 2, is Brooklyn able to understand the languages of times/places he goes automatically, or does he need to learn them?
1. It's up to him.
2. She speaks English.
3. I haven't fully decided, but I'm leaning toward the Phoenix compensating magically.
Does Brooklyn meet Katana before or after his adventures in the future with Samson and the resistance?
In the comics are we ever going to find out what happened to Brooklyn in his 40 years of time travel?
If I'm given the opportunity, yes.
1. When was Katana hatched?
2a. How old is Katana biologically when Brooklyn & Co. return to Manhattan 1996?
2b. How old is Katana chronologically when Brooklyn & Co. return to Manhattan 1996?
3. What year did Katana and Brooklyn first meet?
4. I hope this doesn't sound vulgar because it's not meant to be, but when did Brooklyn and Katana find time to mate with Nashville hanging around? I just imagine lots and lots of awkwardness:-Z
1. I'm not revealing that at this time.
2a. Same age as Brooklyn.
2b. I'm not revealing that at this time.
3. I'm not revealing that at this time.
4. Parents manage. (Otherwise, I wouldn't have TWO kids myself.)
==== SPOILERS!!!!!============SPOILERS!!!!!========= SPOILERS!!!!!========
Amusing cover. When I first saw it I wondered what guy had tattooed his face like that. Mother always told you if you make ugly faces, your face could stick that way. Good thing it's only paint, and that hair grows back. Too bad he'll die like that.
The art in the battle scenes is very detailed and good. I love all the different gargoyles. But all the gargs seem to have belly-buttons... I don't think that's right.
That poor gargoyle, Demona's second-in-command, loses his mate. I wish there were enough pages to get to know all these gargoyles. But even without knowing them, it is tragic to see them all die. Tragic, and infuriating to see how genocidal some of the humans are.
And I think Demona blames Brooklyn almost as much as the humans.
That sorcerer, Valmont, got his hand (or both hand?) hacked off, but he got up and just walked away! Yikes!
We get more background about Findlaech and Gillecomgain. It neatly explains why Gillecomgain grew up as a peasant, even though his father is related to Findlaech. This would almost make Gillecomgain's desire to kill Findlaech understandable... almost, if the rain of arrows weren't blindingly obvious to everyone else at the battle. Besides, I can't feel actual sympathy for a guy who so joyfully murders gargoyles. The way he keeps trying to kill little Bodhe doesn't help my impression, either.
I can't help thinking that Demona is rather gullible. She believes Brooklyn when he claims that half of the Gate is enough to control the phoenix... and why should he know she has the Gate, anyway? That was a private moment between her and Goliath. Luckily she falls for it, though.
The ending of this book is a surprise. Not because I didn't know how Timedancer was supposed to finally end. But I expected Brooklyn to freak out and start kissing the ground or hugging people. Plus, I was seriously expecting Coldstone and Coldfire to keep hunting Coldsteel, and for some of the London gargoyles to join the Manhattan Clan. After all, the London Clan is facing severe population pressure, while the Manhattan Clan is way too small.
I am relieved that Brooklyn only lost an eye, instead of an entire limb. An eye I don't mind, but a whole limb would have been disturbing. It is bizarre though, how the Future Tense models keep showing up, first at the Halloween party and now here. How could Puck have predicted these specific outfits? Even if he has the power to see the future, it's quite bizarre that he can see things that specific. Is it just a meta-universe joke?
I like that Katana has a beak, although her face looks kind of squished. I wish more gargoyles had beaks. I like her model.
And they named the egg? That has to be the most pointless... and least gargoylean... thing to do, EVER. Your egg does not need a name! Neither does your sword! Or the sky! Heh. Time to reconnect with your gargoyle roots a little, you three.
I'm actually glad that I read about Timedancer on Ask Greg before reading this comic. I think the whole "40 years, a mate and kid" thing would have been too much of a shock for me otherwise. I tend to be quite averse to change. I also think it might have worked better (if there was room) to show his second jump and one panel of his second destination, to drive home that the Phoenix took him to many times and it was going to be a long trip.
I'm also sad that there wasn't room to show any bits and pieces of Brooklyn's other trips. I would very much like to have seen some of the Ishimura and Xanadu clans, or the Lost Race. Or a glimpse of the future.
I sincerely hope this is not the end. We'll see. Good luck convincing somebody to pick up a graphic novel license some day!
==== SPOILERS!!!!!============SPOILERS!!!!!========= SPOILERS!!!!!========
Showing a second jump would have ruined the shock value of his arrival. Defanged it.
That's not to say I wouldn't eventually like to show ALL his Dance, but that moment of him leaving one era (at the beginning of the Dance) with Finella and Mary and arriving (in another era at the end of his dance) with Katana, Fu-Dog and the kids was ALWAYS my plan since as far back as 1995.
I just finished reading Clan Building Vol. 2 and I wanted to know, will there be more Gargoyle trade paperbacks? I know there is one for Bad Guys coming out, but I wanted to know about stories concerning the main Gargoyles. Also, speaking of Bad Guys, how many issues will be in the trade? Lastly, I thought the trade rushed Brooklyn's time traveling story, will there be a trade paperback to cover what wasn't told? Thanks so much for giving fans the unpublished issues.
Bad Guys Trade is out. Contains six issues worth of content, including covers.
Brooklyn's story wasn't all that rushed to my mind. IF you're asking about his ENTIRE time-travel journey, then please understand there was NEVER any intent to show all of that here. That story takes place over FORTY YEARS of continuity. I hope to tell more of it eventually, but let's be honest -- there's no way I'm ever going to cover all forty years in my lifetime.
And, yes, I hope there will someday be more Gargoyles trades. Dan Vado and SLG are working on that now.
I reading a question someone asked you about if demona and goliath would ever be a couple again and you said no. I was some what unhappy about that development as I was always had hope they would be a couple again at some point. I also find Elisa to be a some what uninteresting character to be honest compared with demona. I know many shows will take into consideration input from the fanbase and bring certain characters back to life,give popular characters with a small amount of screen time more time and so one. I was wondering if you basically have a vision set in stone for your characters or do you ever make any changes in gargoyles or any other show based on fan feed back? I hope this questions does not violate your rules for answering questions,but I was really wondering about what level you take fan input into consideration regarding existing characters and events? Great show and keep up the good work. I'm kind of burnt out on spiderman to be honest,but now that I know you're involved in it I guess I'll have to buy the box sets and check it out.
Hmmm... I really don't change stories based on fan desires. First off, fans don't all agree on what they want (for example a lot of folks think Elisa is great), and sometimes (like Demona getting back together with Goliath) they want things that just don't make any story sense and would be bad for the property.
On the other hand, I do respond to what the fans respond to. Brooklyn's popularity was probably one of the things that lead me to the creation of TimeDancer.
G2009 Radio Play - Act Two
BIG MAN STANDS.
Act Two. The Big Man of Crime enters his offices, but finds heâs not aloneâ¦
248. BIG MAN
You spend so much time here, Iâll need to buy you your own chair. So youâll stay out of mine.
Green Goblin STANDS.
249. GREEN GOBLIN
Surprised to see me?
250. BIG MAN
251. GREEN GOBLIN
Then you wonât be surprised to learn Iâm still running thingsâ¦
252. BIG MAN
If you can run them from a hospital bedâ¦
Catching Gobby off guard, Lincoln punches him right through the windowâ¦
254. GREEN GOBLIN
The goblin-glider swoops in and catches the Goblin, who pulls out a Pumpkin Bomb.
PUMPKIN BOMB STANDS.
256. GREEN GOBLIN
Ever the gracious host. And ever the gracious guest, the Goblin must show his appreciation. Here. I brought a gift.
Gobby throws his âgiftâ, but Goliath swoops in, catches it and throws it back.
Goliath and Spider-Man STAND.
258. PUMPKIN BOMB
259. GREEN GOBLIN
Not far awayâ¦
No, no, no, no, noâ¦ I was hoping Iâd never hear that trademark Pumpkin Bomb shriek againâ¦
Spidey swings in to find Goliath and a recovering Gobby togetherâ¦
So thatâs what these gargoyles areâ¦ more of the Goblinâs Halloween creationsâ¦
Spidey swings into action against Goliath.
265. GOLIATH, SPIDER-MAN
<ad-lib battle sounds>
The Bugle was right about you: you are a threat and a menace!
Wait, you can talk? And read?! And what you read is the Jolly Oneâs editorials?!
268. GREEN GOBLIN
I know I should assassinate Mr. Lincoln. But Iâm so enjoying the show. Really, someone should make more Gargoyles. I know: Iâll call Walt Disney.
Green Goblin, Spider-Man, Goliath, Pumpkin Bomb and Big Man sit. ANGELA, BROOKLYN, BROADWAY and LEXINGTON STAND.
Meanwhile, atop the Eyrie Building, Brooklyn, Lexington and Broadway watch Angela playing with Brooklynâs son Nashvilleâ¦
Thatâs great, Nashville. This time try the axeâ¦
Wow, Angela looks so adorable playing with Gnash. I mean, Gnash is cute tooâ¦
Thanks. I know he hatched in another decade, but Katana and I discussed it, and we want the whole clan to be Gnash and Egwardoâs Rookery parentsâ¦
Weâd be honoredâ¦
I still canât quite take it all in. I go to Britain for a few weeks, and everything changesâ¦
At least you were gone for weeks. Try adjusting in forty seconds.
Hey, I had forty years to get ready for this, and itâs still strangeâ¦
But, dude. Youâre soâ¦ old.
Older than Goliath.
Almost Hudsonâs age.
I get it. Iâm old.
Itâs not that. Everything about you is different.
Oh, come onâ¦
No, heâs right. The way you talk. The way you move. All those weapons you carry now. Itâs like youâve outgrown us.
Thatâs not fair. I canât tell you how much I missed you both.
We get that. And weâre not mad. Butâ¦
Look, this isnât all on me. As I recall, things were already changing. Broadway spent all his time with Angela.
Not all my time.
Uhâ¦ pretty much.
Yeah, well, youâre practically on the internet non-stop.
Itâs addictive! Do you know they have porn on that thing? Thereâs this one website, Blue Mug Prodâ"
I donât wanna know. The point is weâve all gone through some changes. Thatâs just life.
I guess our Three Musketeer days are overâ¦
Zafiro and Obsidiana STAND.
Gargoyles of Manhattan!
We need youâre help!
At just that moment, the sun rises, turning Brooklyn, Lexington, Broadway, Angela and Gnash to stone. Obsidiana and Zafiro are unaffected, thanks to their mystic Mayan pendants.
Nuestro cronometraje apesta hoy.
Obsidiana, Zafiro, Lexington, Broadway, Brooklyn and Angela sit. Spider-Man, Green Goblin and Pumpkin Bomb STAND.
Across town, Goliath also turns to stone.
What the heck?!
303. GREEN GOBLIN
Well, that wasâ¦ unexpected.
All right, thatâs enough. I know youâre not the real Gobby.
305. GREEN GOBLIN
Yes, yes, âItâs not the voice; itâs the words. Not the tech, but the moves.â Iâve heard it all beforeâ¦
Then I know exactly who you really are: Chameleon!
307. GREEN GOBLIN
That would ease your conscience, wouldnât it? To think Iâm Chameleon â" and not the ghost of the man you killed!
I donât believe in ghosts.
309. GREEN GOBLIN
Then maybe youâd prefer I was the Spawn of Goblin.
Oh, youâd just love to shift the blame to Harry. Sorry, Gobby â" I mean, Chammy â" but weâve been there, done that. Besides, no matter who you are, there hasnât been time for the Globulin Green to kick in and truly Goblify you. So Iâm gonna take you down now while youâre still just a cheap imitation.
311. GREEN GOBLIN
You could do thatâ¦ or you could save stoneface over there.
Gobby throws a pumpkin bomb at Goliath. Instinctively, Spidey webs it awayâ¦
313. PUMPKIN BOMB
Pumpkin Bomb and Green Goblin sit.
By which time, the Goblin is gone, leaving a confused Spidey perched on Goliathâs headâ¦
So in hindsight, Iâm thinking maybe you werenât part of the Gob-Squad, right?
Fine. Stonewall me.
That morning in Forest Hills, Spidey sneaks in through his bedroom window, hoping to catch a few Zs.
Peter, are you awake.
Uh, sure Aunt May. Just getting dressed.
Well, hurry up. Iâmâ¦ âconferencingâ with all the other parents.
Robbie, ROSIE THOMPSON and George STAND.
Are you sure you donât mind, Mrs. Parker? Cuz I gotta say, what youâre proposing would be my worst nightmare.
<laughs> Oh, I donât believe that for a minute, Mr. Robertson. Itâs a joy to be around Peter and his friends. And I wonât be alone. Anna Watson and Mrs. Osborn will be with me.
Emily? Sheâs soâ¦ odd. I donât think sheâs ever said one word to meâ¦
Well, I donât know her very well, Rosie, but Harry is Peterâs best friend â" no offense to your Eugene â" so she must be doing something right.
May, you never change. Always seeing the best in people.
Iâll take that as a compliment, dear girl.
In any case, Iâm glad to get Gwen out of Manhattan for a few days. The streets are looking pretty grim right about now.
Oh, Iâm sure your officers will have things under control in no time.
Aunt May, whatâs going on?
Oh, didnât I tell you, Peter. Iâm chaperoning your trip to Miami Beach!
Peter, May, George, Rosie and Robbie sit. Big Man and Dominique STAND.
Meanwhile, back at L. Thompson Lincolnâs officeâ¦
332. BIG MAN
And how can I be of help, Ms. Destine.
I think I can help you, Mr. Lincoln.
334. BIG MAN
What makes you think I need any help?
Oh, little things. The shattered window, that unusual statue on the ledge outsideâ¦
336. BIG MAN
Point taken. How about you cut to the chase?
Fine. Tony Dracon. Tomas Brod. Silvio Manfredi. All in jail. Hammerhead. Sable Manfredi. On the run. This gives you a unique opportunity to reclaim what was lost.
338. BIG MAN
Iâm sure L. Thompson Lincoln has no idea what youâre talking about. But go onâ¦
You have three problems. Green Goblin, Doctor Octopus and the government watching your every move.
340. BIG MAN
And you have the solutionâ¦
I have the manpower. Threeâ¦ âsuper-villainsâ to take down the competition and Dominic Dracon to use as a figurehead.
342. BIG MAN
The old man? I heard he was shy a few brain cells.
Itâs easy enough to spread the word he was faking insanity to avoid prosecution. And easy enough to assign him a keeper. Meanwhile, heâs a Dracon. And that name still carries weight, I believe.
344. BIG MAN
It does. But what would you want in exchange?
Nothing extraordinary. Just the services of the Tinkerer.
346. BIG MAN
I believe that can be arranged.
Lovely. But letâs not allow the moss to gather. Youâll want to move fast. Before the Octopus retrieves his armsâ¦
Dominique and Big Man sit. SILVER SPOON MANAGER, Vulture, DOCTOR OCTOPUS and Electro STAND.
The weather has turned cold. At the Silver Spoon, three men in trench coats and hats wait for their coffee.
349. SILVER SPOON MANAGER
Vulture sits down with Electro and Doctor Octopus.
352. DOCTOR OCTOPUS
Thank you, Adrian. Now. My arms?
In an OsCorp vault.
<shhhhh> Not THE Vault. A vault. Still very high security, and the police are bound to expect our arrival, butâ¦
356. DOCTOR OCTOPUS
Indeed. <sigh> OsCorp. Even in death, Norman Osborn torments me. But it cannot be helped. I must have my arms. We go in under cover of darkness tonight.
Doctor Octopus, Vulture and Electro sit. Silver Spoon Manager remains standing. Peter and Mary Jane STAND.
The three men exit through one door. Two teenagers enter through another.
358. SILVER SPOON MANAGER
359. MARY JANE
Try to understand, Tiger. I just canât do that to Gwen. Sheâs really become my best friend at Midtown.
But itâs not like weâd be making out or anything, right? Uh, right?
361. MARY JANE
Right, right. Weâd be going as friends. Hanging out when the couples were â¦ you know, coupling.
363. MARY JANE
And that would be great. But look at it from her point of view. She took all the risks, and you still wound up with Liz. Thereâs no way, sheâd see me as anything but a threat. Wait, that sounded really conceited.
Have you looked in a mirror? Not conceited. Just fact.
365. MARY JANE
Ooh, nice one. Such a player.
Yeah, right. The worldâs loneliest player.
367. MARY JANE
Stop it. I know you donât want to hurt Gwen either. Not after all the two of you have been through.
Yeahâ¦ I wonder if Ms. Brant likes Miami. Kidding, kiddingâ¦ Wow, pretty good. That was practically the Look.
369. SILVER SPOON MANAGER
SEYMOUR OâREILLY stands.
So youâre just not going?
371. MARY JANE
Oh, Iâm going. Itâs 48 degrees outside and 82 in Miami. I asked Tiny to be my plus one.
Tiny?! Tiny McKeever?! The guyâs got the brain of an amoeba. He makes King Kong look like a genius. Hell, he makes Flash look like Stephen Hawking!
373. MARY JANE
<argggh> I just wish I could skip the whole thing. But Aunt Mayâs going, and after her heart attack, I really think she could use some fun in the sun--
Sorry to interrupt. Couldnât help overhearing.
Oh, hey, Seymour.
Just wanted to let you know Harry invited me too. And Iâm totally going stag. I mean who wants a ball and chain when Miami Beach is full of hotties, right?
Just donât expect to hang out, okay. Youâd fully cramp my style.
Of course I wouldâ¦
381. SILVER SPOON MANAGER
Silver Spoon Manager, Peter, Seymour and Mary Jane sit. Dominique and TINKERER STAND.
Meanwhile, the Tinkerer arrives at the Destine Mansionâ¦
You have the devices?
Five was all I could put together on short notice. Unless you want to bring Mysterio inâ¦?
Our stage is crowded enough. And five should do quite nicely.
Dominique and Tinkerer sit. May, Mary Jane, GREG BISHANSKY, Sally, Gwen, Harry, Kong, Rand, Flash, Liz, Jason, Peter and Seymour STAND.
Later that afternoon, Harryâs rented a party bus, and the gang is en route to the airport, stuck in heavy traffic on the expressway. A very prepared May Parker has a clipboardâ¦
All right, we have three adults and sixteen children â" sorry, sixteen teenagers. Thatâs nineteen sojourners bound for Florida. So why did my headcount come to twenty?
388. MARY JANE
I think you counted the bus driver, Mrs. Parker.
Oh, that I did.
Hey, twist my arm! Iâll go to Miami with you guys!!
Was anyone talking to you?
Then eyes front.
Harry, are you all right?
I dunno. All this stopping and starting. My stomachâs a little queasyâ¦
Dude. Does this bus rock or what?!
Damn right itâs cool. Wouldnât mind taking this baby all the way to Florida.
Excuse me?! Itâs a bus.
Sallyâs right. Weâre not ditching the private jet for a bus. Right, Jason?
It really is a very nice bus though.
Hey, Iâm not offended. I still canât believe the Osborns hired me again. The last time, I got in two-- <impact grunt>
Dude, you totally rear-ended that guy at the tollbooth!
Wonderful. Now, weâll be stuck here forever!
Everybody stay calm.
Ah, man, gotta use the johnâ¦
<laughs> I think Osbornâs gonna hurl!
Oh. My. God! If my hair starts smelling like vomit, Iâll sue you for bus-driver malpractice!!
Bishansky, Sally, Kong, Harry, May, Seymour, Peter, Jason, Liz, Flash, Rand, Gwen and Mary Jane sit. Brooklyn, Lexington, Broadway, Zafiro and Obsidiana STAND.
The sun sets. At the castle, the gargoyles awakenâ¦
415. BROOKLYN, BROADWAY, LEXINGTON
You must be Zafiro.
How did you know?
Strong family resemblance.
Long story. Time travel. The future. A whole other spin-off. Two actuallyâ¦
We donât have time for your âspin-offsâ. Â¿Donde esta Goliath?
He didnât sleep here.
But Iâm sure heâll be back soon.
Heâd better. We have trouble. Demona trouble.
Hi, Obsidiana. Iâm betting you have trouble tooâ¦
Elisa, Obsidiana, Lexington, Broadway, Brooklyn and Zafiro sit. Kraven, Calypso, Curt and Gulyadkin STAND.
And while the clan awaits Goliathâs returnâ¦
It is time, Calypso.
Yes. The forces gather. We can make this one our own.
I demand you let me go!
Hold your tongue, American dog. Or Gulyadkin will hold it for you.
<low lion growl>
Calm yourselfâ¦ This change will not be difficult. The primitive bound within is barely skin-deepâ¦
I-- I donât know what youâre talking about.
I think you do. You see my companion. The details may have been created in a laboratoryâ¦
But the soul of the Hunter â" the beast inside â" was always my own.
What are doing with that doll?
Turning it inside out.
Listen to me, please. Even if you can release the âbeast insideâ, you donât want to! It canât be controlled.
<laughs> Nyet. Not by you perhaps. But my Calypso is not so easily trifled with.
It is timeâ¦
Noooo!!!! <transformation scream>
Curt Connors is transformed by Calypsoâs magic into the Lizard.
Nowâ¦ to the Hunt!
Kraven, LIZARD, Calypso and Gulyadkin sit. Obsidiana, Zafiro, Angela, Elisa, Goliath, Broadway and Brooklyn STAND.
Back at the Castle, Goliath has returned, and the entire clan has gathered. Elisaâs revealed what she knows about Demona. Now, itâs Obsidianaâs turnâ¦
It came from somewhere further south. Two human smugglers carrying an object of great power through the Greenâ¦
My mate is sensitive to these things. We tracked them, but they boarded a jet airplane and were soon out of our reach.
Pero still I could sense great forces gathering. I asked Jade and Turquesa to teach us the way to Avalonâ¦
Gabriel says hello, by the way.
Oh, I miss him. How is he?
Angela, honey, letâs stay on point. I take it Avalon sent you here.
Yes. We nearly achieved the totem, but a ridiculous human dressed in red and blueâ"
454. ELISA, GOLIATH (UNISON)
He did spin webs like a spider. Though from his hands, not hisâ"
Focus, mi amor.
Lo siento. This Man-Spider, he interfered. The smugglers escaped again. Now, power builds on power, rising to a crescendo.
And thatâs bad, right?
Elisaâs cellphone rings.
Itâs Matt. Somethingâs going down at the OsCorp vault off the Expressway. Most of the Taskforce is already here. Stacy and his men too. But Iâm thinking we might needâ¦ âback-upâ. Lots and lots of back-up.
Weâre on our way. Brooklyn, can Bronx and Fu-Dog baby-sit Egwardo?
Good. Because otherwise itâs all hands on deck.
Elisa, Brooklyn, Broadway, Obsidiana, Zafiro, Goliath and Angela sit. George, Morgan and OâNeil STAND.
Okay, Captain. The rest of the Taskforce is on its way.
My men are deployed.
And just in time! Cuz we got Gobby and his Pumpkin-Heads at 12 oâclock!
Green Goblin and Pumpkin Bomb STAND.
468. GREEN GOBLIN
469. PUMPKIN BOMB
And a gargoyle at 3 oâclock!
Thatâs not a gargoyle. Thatâs the Vulture!
You were right, Otto. The police were waiting. And the Goblin is here too. You donât think it could actually be Osborn, still alive, do you?
Doctor Octopus and Electro STAND.
473. DOCTOR OCTOPUS
Do not get distracted by old grudges, Adrian. It hardly matters who wears the Green. His intent is still to prevent me from regaining my arms. You must keep the Goblin and the authorities occupied.
475. DOCTOR OCTOPUS
Now, Electro. Open the vault.
Roger that, Doc!
Electro, already inside, short-circuits the vaultâs electro-magnetic lock.
Tinkerer and Demona STAND.
Electroâs breached the vault.
So predictable. Send in your operatives.
Tinkerer opens a burlap sack, releasing his five âoperativesâ.
HOMUNCULUS #1, HOMUNCULUS #2, HOMUNCULUS #3, HOMUNCULUS #4 and HOMUNCULUS #5 STAND.
481. HOMUNCULUS #1
Homunculi to the rescue!
482. HOMUNCULUS #2
Dirty work to be done!
483. HOMUNCULUS #3
484. HOMUNCULUS #4
Uh oh, somebodyâs language systemâs off-line again.
485. HOMUNCULUS #5
You know it, girlfriend!
Calypso, Kraven and Lizard STAND.
And down in the sewerâ¦
It is right above us, my love. The Power and the Glory. The very keys to the Kingdom.
And Kraven will lay them all at your feet.
Up top, a stretch limo skids to a stop outside the vault. Dominic Dracon and Fancy Dan emerge.
Dracon and FANCY DAN STAND.
All right, boys. Get me those jewels!
492. FANCY DAN
I think what the boss means isâ¦ Destroy the competition!
Carnage, Colonel Jupiter and Venom STAND.
<evil chuckle> Carnage time?
494. FANCY DAN
Yeah. Go. Kill. Whatever.
495. COLONEL JUPITER
Colonel Jupiter will stop the Green Goblin and Vulture in their tracks!
496. FANCY DAN
Knock yourself out. But what are you waiting for?
Someone worthy of our hate. But we have faithâ¦ Heâll comeâ¦
498. GREEN GOBLIN
My, my, the fieldâs getting crowded. Letâs thin the herd. Pumpkin-Heads, release the hounds! <ahem> That was a metaphor. Throw your pumpkin bombs already!
499. PUMPKIN BOMB
Pumpkin Bomb, Green Goblin, Venom, Fancy Dan, Colonel Jupiter, Carnage, Dracon, Lizard, Kraven, Calypso, Homunculus #5, Homunculus #4, Homunculus #3, Homunculus #2, Homunculus #1, Demona, Tinkerer, Electro, Doctor Octopus, Vulture, George, Morgan, OâNeil and Matt SIT. May, Peter, Bishansky, Flash, Kong, Sally, Mary Jane, Gwen and Harry STAND.
Goodness, what was that?
Something The Bugle will want pictures of. Open the door.
Peter Parker, I am not letting you off this bus in the middle of the expressway.
Aunt May weâre at a complete standstill. And you donât have to worry. Iâll use my telephoto lens. I wonât be anywhere near the action.
I suppose it is your jobâ¦ Open the door.
Thanks, Aunt May. You rock!
If Puny Parkerâs going, Iâm going too!
Eugene Thompson, you sit your backside down in that seat right this minute.
Whatâs he going to take pictures with? I saw his camera get blown up two months ago.
513. MARY JANE
Peteâs a professional photographer, Sally. Iâm sure he has more than one camera.
Harryâ¦ Are you all right in there?
<vomit noise> Ugh, donât come in. It really isnât pretty.
Harry, Gwen, Mary Jane, Sally, Kong, Flash, May, Peter and Bishansky sit. Broadway, Goliath, Brooklyn, Angela, Elisa, Zafiro and Obsidiana STAND.
The clan alights on a rise overlooking the battlefield.
Whoa, what a messâ¦
We will split our forces. Brooklyn, Lexington, Broadway, Obsidiana, Zafiro with me.
Shouldnât I lead the other contingent?
I need your experience and your weapons at my side.
Donât worry, Brooklyn, weâve got it covered.
Angela, Hudson, Katana, Gnash, Coldstone and Coldfire glide toward the battle.
523. BROOKLYN, BROADWAY (UNISON)
You know Iâm going with you.
Not this time, Elisa. You must join your fellow officersâ¦
When all is settled, we shall need your help to cover our retreat from this conflagrationâ¦ You know this is true.
Elisa sits. Spider-Man STANDS.
Elisa makes her way down the hill. Goliath and the others glide to the Vaultâs roof. Spider-Man lands there at the same time.
530. SPIDER-MAN, ZAFIRO (UNISON)
Hold, Spider-Man. I have a friend who knows your Captain Stacy.
This policeman believes in you. So I choose to believe in you as well.
Says the eight-foot tall medieval monster. But I get it. Weâre on the same side. So letâs go kick some Pumpkin-Butt!
Â¡Idiota! That battle is a mere distraction.
The true danger lies withinâ¦
All right, all right, you had me at âIdiotaâ.
The gargoyles rip open the rooftop. The seven heroes descend, but someone watchesâ¦
Spider-Man, Obsidiana, Zafiro, Goliath, Broadway and Brooklyn sit. Venom and Fancy Dan STAND.
And there goes our Broâ¦
540. FANCY DAN
You going in? That wasnât the plan!
And how do intend to stop us?
542. FANCY DAN
Fine, go. But if you see my Ricochet suit, bring it out!
Fancy Dan and Venom sit. Foswell, Jonah and Robbie STAND.
See, J.J. The tip from Draconâs old chauffer was right on the money.
Whaddaya want, a fershlugginer medal?! Letâs get in there!
Slow down, Jonah. I promised Joan I wouldnât let you lose your head, figuratively or literally.
Forget my head! Who cares about my head?! My boy needs me!
Ned and Colonel Jupiter STAND.
Looks to me like your boyâs doing pretty well, Chief!
548. COLONEL JUPITER
Take that, miscreants!
Ned, how did youâ"
Tip from one of the pumpkin-heads. Foswellâs not the only one with sources.
You two can naked mud-wrestle over whoâs the biggest brown-noser later. For now, Robbie, if you donât let go of me in zero-point-zero seconds, Iâll dropkick you to next Season! And thereâs no guarantee thereâll be a next Season!
Jonah breaks away from Robbie, but his path is blockedâ¦
Get back! You want to wind up street pizza!
But thatâs my son up there.
Yeah, well, at least heâs fighting on the right side.
556. COLONEL JUPITER
Nothing stands against the might of Colonel Jupiter!
Does he always talk like that?
Bombasticism runs in the family.
Robbie, Elisa, Colonel Jupiter, Jonah, Ned and Foswell sit. Vulture, Carnage, Green Goblin, Angela, Fancy Dan, Matt and Dracon STAND.
Jupiter takes down Pumpkin-Heads right and left. Hudson squares off against Vulture.
Why do I get the old guy?
Youâre old. Heâs old. Itâs parallelism. Get over it.
Coldstone and Coldfire isolate Carnage.
No fair! These two donât spatter at all!
Angela and Katana take on the Goblin.
564. GREEN GOBLIN
Oh, goody. Gobby likes getting down and dirty with the hotties.
Oh, you did not just say that.
And little Gnash goes after Fancy Dan.
567. FANCY DAN
Admit it, you gave me the kid because Iâm short?
Even Detective Bluestone gets into the act.
Youâre confused. Iâm G.F. Benton, a certified public accountant. I think Iâll be going nowâ¦
Yeah. Back to Ravencroft, you old nutter!
But inside, things are a bit more seriousâ¦
Matt, Dracon, Fancy Dan, Angela, Green Goblin, Carnage and Vulture sit. Electro and Doctor Octopus STAND.
Got your arms, Doc!
574. DOCTOR OCTOPUS
And my Megalo-Pack?
Youâre Mega-what now?
576. DOCTOR OCTOPUS
My power-source, Maxwell.
Right, right. No. Thatâs not here.
578. DOCTOR OCTOPUS
Homunculus #1, Homunculus #2 and Homunculus #3 STAND.
579. HOMUNCULUS #1
Gotta get the true treasure!
580. HOMUNCULUS #2
Bring it back to the big Smurfette!
581. HOMUNCULUS #3
Blunk hates getting wet!
Three Homunculi fly deeper into the vault to retrieve Demonaâs prize.
Homunculus #3, Homunculus #2 and Homunculus #1 sit. Zafiro, Spider-Man, Lexington, Homunculus #5, Goliath, Brooklyn, Broadway and Obsidiana STAND.
What are those things?!
584. SPIDER-MAN, LEXINGTON (UNISON)
And I got one!
586. HOMUNCULUS #5
Leggo, you big bully!
<ugh> What an annoying voiceâ¦
588. HOMUNCULUS #5
(aside to audience)
Look whoâs talking.
â¦But I might be able to use it to take control of the others.
I think I can help.
Youâll be a little too busy for that, Bro.
Friend of yours?
Once upon a time. Not so much now.
595. VENOM, SPIDER-MAN
<add-lib battle sounds>
A little help?
Brooklyn blasts Venom, who collapses.
Sonic Cannon. Circa 2198. Guess my weapons do come in handy.
Just cover me until I can get this workingâ¦
Demona and Tinkerer STAND.
Whatâs wrong, Tinkerer? Why havenât they returned?
Someoneâs trying to counter their programming. He wonât succeed.
He had better not.
My hackâs being hacked!
Heâs overriding my override!
Homunculus #4 STANDS.
606. HOMUNCULUS #4
Go right. Go left. Go right. Go left. Blow up!
Homunculus #4 blows up. But so does Homunculus #5 in Lexingtonâs hands!
Homunculus #4 and Homunculus #5 sit.
610. DOCTOR OCTOPUS
This is madness! Grab my arms and get me out of here!
Workinâ on it!
Electro blasts away, until he and Doc Ock are blindsided byâ¦
Kraven, Gulyadkin, Lizard and Calypso STAND.
613. ELECTRO, DOCTOR OCTOPUS
Look, itâs Claw.
Thatâs not Claw.
Well, itâs sure not Maggie.
Is that an actual lion?
Lizard, too? Seriously, this is way over the top.
Homunculus #1 and Homunculus #2 STAND.
622. HOMUNCULUS #1
Got the gizmo!
623. HOMUNCULUS #2
Homunculi never fail!
Two homunculi fly past, carrying a sealed container down a dark corridor.
625. CALYPSO, OBSIDIANA (UNISON)
(pointing at each other)
Donât let her near it!
Go, Calypso! Leave them to us!
Â¡Vaya, mi amor!
We got your back, Goliath! Go!
Think Iâll tag along tooâ¦
Spider-Man, Obsidiana, Calypso, Homunculus #2, Homunculus #1, Goliath, Tinkerer and Demona sit.
Calypso, Obsidiana, Goliath and Spider-Man race down the corridor.
Lizard, take the reptile!
Â¡No soy ningÃºn reptil! Â¡Soy un GÃ¡rgolo!
633. ZAFIRO, LIZARD
<ad-lib battle sounds>
Gulyadkin and Kraven attack Lex and Broadway!
Hey, get him off me!
Kinda busy at the moment!
639. GULYADKIN, LEXINGTON, KRAVEN, BROADWAY
Brooklyn steps in and pulls both cats off his rookery brothers. They turn on him.
642. BROADWAY, LEXINGTON (UNISON)
All for one!
The two gargoyles return the favor, knocking Kraven and Gulyadkin aside. Then Brooklyn blasts them both.
And one for all!
645. KRAVEN, GULYADKIN
Some things never change.
Zafiro throws Lizardâs unconscious body on top of Kravenâ¦
648. KRAVEN, LIZARD
We should follow Obsidianaâ¦
650. ZAFIRO, BROOKLYN, LEXINGTON, BROADWAY
The four gargoyles are dropped by Electroâs blast.
Still want out?
653. DOCTOR OCTOPUS
Indeed not. My curiosity is piqued. Letâs see where this leadsâ¦
Doctor Octopus, Electro, Broadway, Lexington, Brooklyn, Zafiro, Gulyadkin, Kraven and Lizard sit. Demona, Homunculus #1 and Homunculus #2 STAND.
Electro and Octopus head down the corridorâ¦ In a dimly lit room, Demona holds the Spear of Destiny and watches as the two homunculi open the container. Insideâ¦ is a crown of thorns.
The Crown of Thorns!
Demona removes her tiara.
Place it on my headâ¦
658. HOMUNCULUS #1
659. HOMUNCULUS #2
Homunculi aim to please!
The Homunculi gently lower the crown onto Demonaâs head before disappearing back into the darkness. The thorns bite into her brow, drawing blood. Calypso, Obsidiana, Goliath and Spidey come rushing in.
Homunculus #2 and Homunculus #1 sit. Spider-Man, Goliath, Calypso and Obsidiana STAND.
My Kingdom come. My Will be doneâ¦
Friend of yours?
Once upon a time. Not so much now.
On Earth as it is in Heavenâ¦
For MINE is the Kingdom and the Power and the Glory for ever and everâ¦
668. CALYPSO, OBSIDIANA, SPIDER-MAN (UNISON)
Light radiates outward from the Spear. Goliath watches in confusion as Calypso, Obsidiana and Spider-Man drop to their knees before Demona. Octopus and Electro enter and likewise fall to their knees. The light reaches the outer vault. Though still unconscious, Venom, Lizard, Zafiro and Kraven lurch to their feet, then drop to their knees. And still the light advancesâ¦
Obsidiana and Calypso sit.
What sorcery is this?!
The most powerful human sorcery ever created, Goliath. This is humanityâs Armageddon. Their entire raceâs final act.
END ACT TWO
NEXT: ACT THREE...
G2009 Radio Play - Act One
The Spectacular Spider-Man Meets Gargoyles. RELIGIOUS STUDIES 101: A HANDFUL OF THORNS. Act One. Late that night atop the Eyrie Buildingâ¦
Dominique and Kafka sit. GOLIATH and ELISA MAZA STAND and KISS.
5. GOLIATH, ELISA
There are some human customs I will never get used to Elisa. <kisses her again> This is not one of them.
Youâre in a good mood.
I am. Hudson and Lexington are back from Europe, bringing Coldstone and Coldfire with them.
<chuckle> Not to mention Brooklyn returning from forty years of TimeDancing with a mate, a son, a beast and an egg.
The clan has doubled in size. What challenge can the Fates throw at us now that we cannotâ"
The sun rises. Goliath turns to stone.
<groan> You just had to say that out loud, didnât you?
Elisa and Goliath sit. MAY PARKER and PETER PARKER STAND.
Meanwhile, in Forest Hillsâ¦
Peter, what are you doing up?
Studying for todayâs English final. Itâs on Midsummer Nightâs Dream. And I missed seeing the Cliff Notes version.
Which may explain why you and Miss Allan are no longer a couple.
Aunt May, you know we didnât break up because I missed her play.
Youâre right; I shouldnât be glib. I suppose thereâs no chance that you and Gwenâ¦
I donât know. Not now anyway. Not when Harryâs hurting so much from the death of his father.
It hardly seems possible that Norman Osborn is gone. The Bugle says he was the Green Goblin, but Iâm not sure I can believe that.
Sometimes, Aunt Mayâ¦ itâs, okay, to believe everything you readâ¦
May and Peter sit. GREEN GOBLIN and BLACKIE GAXTON STAND.
At a dive bar downtown, the Green Goblin BURSTS in on his gliderâ¦
23. GREEN GOBLIN
<tsk, tsk, tsk> Blackie. This place is scummy even by your pond-scum standards. Quite a comedown from your last gigâ¦
Tell that to the whacko who set a flaming super-villain loose in The Big Sky. Oh, wait. That was you.
25. GREEN GOBLIN
Yes. Yes, it was. <maniacal laugh>
Werenât you supposed to be dead?
27. GREEN GOBLIN
I was also supposed to be Osborn, but you didnât buy that, did you? Just one of the many little tricks I keep up my sleeve. Nothingâs changed, Blackie. The Goblinâs still in charge.
You hear me arguing?
29. GREEN GOBLIN
No. Now, gather my Pumpkin-Headsâ¦
Blackie and Goblin sit. Kafka and Dominique STAND.
At Ravencroft, Dominique Destine and Dr. Kafka supervises six inmates who work to excavate a sub-basement.
I still donât understand what you expect to find down here.
Vertros Ravencroft, the founder of this Institute, was a quirky soul. An intimate friend of Freud and Conan Doyle, he was a true believer in both psychotherapy and spiritualism.
You speak as if you knew him.
Now how would that be possible?
It couldnât, of courseâ¦ But the dig?
Yes. Ravencroft was also a collector. I have reason to believe he buried certain items of his collection here. Now, Doctor, didnât you say you had meetings scheduledâ¦
Youâll be all right down here alone?
Your orderlies are in the hallway. And Iâm quite self-sufficient. So run along.
Kafka sits. OTTO OCTAVIUS STANDS.
Excellent work, Doctor Octavius. Very precise.
Thank you. I appreciate having something to occupy my handsâ¦
Your hands? Notâ¦ your arms?
Arms? Iâ¦ I hope youâre not referring to my unfortunateâ¦ b-b-breakdown.
What would be the point? Believe me, Doctor, no one better understands the advantage of creating a false front.
Iâve blasted away another section of cement.
Thank you, Maxwell.
Donât. Call. Me. That.
Donât. Tell. Me. What to doâ¦ Electro.
(asides to Otto)
Sheâs a little scary.
Otto and Electro sit. DOMINIC DRACON, JOHN JAMESON, EDDIE BROCK and CLETUS KASSADY STAND.
I blame Mace. When that crook cheated me, I lost face. But when I get the jewels back, theyâll respect me again. Did Mace bury the jewels here?
Maybe he did, Dominic. Keep working.
Whatâs the point? How is tearing up a basement supposed to bring me Colonel Jupiterâs power?!
Shut up and dig.
You like doing this?!
I hate it. But I need that hate. I need to keep the hate alive.
Such an interesting crew. And what do you want out of life, Cletusâ¦
Nothing too fancy. <chuckles> Just a little carnage.
Cletus, Dominique, Eddie, John and Dracon sit. GWEN STACY and Peter STAND.
That afternoon, at Midtown Highâ¦
Hey, Pete. Howâd you do?
Ugh, horrible, probably. I mean you know English is like my worst subject. Itâs all so subjective andâ"
Okay, okayâ¦ not the look! I probably aced it. Happy?
That you did well. Always.
Thanks. Look, Gwen, I--
HARRY OSBORN STANDS.
Well, what have we here? My best friend and girlfriend conferring in a corner. Planning a surprise party for me?
Uh, itâs not your birthday, Harr.
I thought maybe it was a thank you bash. For giving you both theseâ¦
âYou are cordially invited to spend Spring Break traveling by private jet to Miami, where youâll stay, all-expenses-paid, at the Osborn Winter Compound on the Beachâ¦"
Youâre inviting the three of us to spend a week together in Florida?
Not just the three of usâ¦
KENNY KONG, FLASH THOMPSON and MARY JANE WATSON stand.
Osborn, dude! You rock!
Seven days in the sun and surf.
All you can eat!
Girls in bikinis!
75. FLASH, KONG (UNISON)
76. MARY JANE
Hi, Sha Shan. Hi, Glory.
Sha Shanâ¦ uhâ¦ Soâ¦ how much of that did you hear?
Look, Glory, you know I meant you, right? I mean who else would I want to see in a bikini. Uh, youâre not gonna break up with me again, are you?
Kong and Flash sit. SALLY AVRIL, RAND ROBERTSON, LIZ ALLAN and JASON IONELLO STAND.
Oh. My. God. Harry, I just found the invitation in my locker. And all I have to say is that you can be my super-dweeb sugar-daddy anytime you want!
You okay with that Rand?
âScool. You can be my super-dweeb sugar-daddy too.
Exactly how many people did you invite to this thing?
A handful. Kenny and Glory. Flash and Sha Shan. Rand and Sally. Hobie and Mindy. M.J. Gwen. Oh, and you and Liz, of course.
Harryâ¦ Liz and Peter broke up.
You did?! Wow. I had no idea. Guess Iâve just been so focused on my own problems. My Dad dying and everything. Thatâs why I need this trip. Gotta clear my head, you know? But maybe you two could reconcileâ¦
I donât think so!
Itâs too late for that Harry. Iâm with Jason now. We totally fell in love doing the play together.
89. SALLY / LIZ (UNISON)
Yes, you did. / Yes, we did.
You donât mind if I bring Jason instead of Petey, do you.
The more the merrier.
Thanks, Harry. Youâre a doll. Kisses!
Liz, Sally, Jason and Rand sit.
Pete, youâre still invited too. Course, itâs more of a coupleâs thing. But M.J.âs guy is in prisonâ¦
94. MARY JANE
Thank you, Harry. Hadnât been reminded of that in the last five minutes.
Sorry, sorry. Itâs just that I canât help remembering the Fall Formal. You two made such a great pair! Donât you think so, Gwen?
Iâ¦ suppose we could goâ¦ as friends. Just as friends.
98. MARY JANE
Weâll talk later, Tiger.
Mary Jane, Peter, Gwen and Harry sit. Kafka and CURT CONNORS STAND.
Late that afternoon in Dr. Kafkaâs officeâ¦
Doctor Connors, itâs good to see you. Iâd heard you moved to Florida.
I did. But I never stopped working on a cure for Max Dillon. I think Iâve made some real progress.
Thatâs wonderful news. Max is downstairsâ¦ doing âwork-therapyâ. Iâll take you to himâ¦
Kafka and Curt sit. Otto, Dominique, Electro, Dracon, John, Eddie and Cletus STAND.
Ms. Destine. I think I found something.
Is it my jewels?
Itâ¦ it appears to be a spearhead. It looks quite old.
Give it to me.
Yes. This is it. I think weâre done, boys.
Indeed. And just as the dig brought us right up against Ravencroftâs outer wall.
You mean this wall?!
Electro blasts a huge hole in the wall. When the smoke clears, the Vulture is waiting. He grabs Octavius.
Youâre coming with me, Otto.
No, no, stop. I donât want this life anymoreâ¦ Iâm trying to get better!! Let me go!!
Shut it, Doc! Itâs for your own good!
Otto, Electro and Vulture sit.
Vulture and Electro leave with Octavius. Dominique watches them go.
Well, that was diverting. And such excellent timing as well: itâs sunset. <transformation scream>
With the setting of the sun, Dominique Destine transforms into a gargoyleâ¦ just as Kafka and Connors enterâ¦
Kafka and Curt STAND.
119. KAFKA / CURT
Oh my godâ¦ / What in the world?!
Demona effortlessly slams them both against a wall and turns to the remaining inmatesâ¦
121. CURT, KAFKA
Listen carefully, humans. For I have listened to you. I can make all your petty little dreams come true. Dominic demands respect.
John craves power.
Eddie needs hate.
And all Cletus desires is a little carnage.
Or a lot. Iâm not picky.
Then stick with me, boys. Respect, power, hatred, carnage. These are things I knowâ¦
DEMONA, Cletus, Eddie, John and Dracon sit. ALAN OâNEIL and GEORGE STACY STAND.
Later, the police arrive to investigateâ¦
And you never met this broad before in your lifeâ¦
She had excellent references, Officer OâNeil. Itâs not like I grant just anyone access to my patientsâ¦
And you wonder why people think they belong at Rykers.
Thereâs nothing else you can tell me, Doctor?
Iâm sorry, Captain Stacy, but no. It was a creature.
Like that Lizard-thing from last fall?
No! No. Nothing like that. More likeâ¦ like those things on the news that blew up the clock tower.
You mean the 23rd Precinct.
Youâre saying a gargoyle kidnapped those men.
Yes. No. I donât know. Can I leave now?
George, OâNeil and Kafka sit. DILBERT TRILBY and NED LEE stand.
Doctor Connors! Dilbert Trilby, Action News. What can you tell our audience about the escape?
Nothing. No comment.
Hey, Doc. Remember me? Ned Lee from The Bugle. Can you just tell me who escaped? Doc Ock? Electro? Colonel Jupiter â" I mean, Colonel Jameson?
Iâm sure the police will issue a statement. Now, I have to go.
Trilby sits. CALYPSO EZILI, KRAVEN THE HUNTER and GULYADKIN STAND.
Connors hurries away down the street, as a limousine with dark-tinted windows pulls up in front of Ravencroft.
We are too late, my love. The Christian Totem is gone.
Gulyadkin and I will track it for you.
<low lion growl>
Iâm afraid that is beyond even your impressive abilities, Sergei, my love. But I have my own ways, as you well knowâ¦
Of course, Calypso.
Who is that? That man trying to hail a cab?
He is a stranger to my eyes. Yet his scent is familiar.
His aura glows with primal energies and may be of use to us.
You need a ride.
What? No. No, thank you. Iâll get a cab.
She wasnât asking.
Kraven drags Connors into the limo, which quickly drives awayâ¦
Curt, Kraven, Calypso and Gulyadkin sit.
Hello, Robbie? Iâve got something.
J. JONAH JAMESON, JOE âROBBIEâ ROBERTSON and FREDERICK FOSWELL STAND.
Is that Lee? Put him on speaker.
Now, Jonah, stay calmâ¦
Donât you tell me to stay calm, Joe Robertson. Itâs not your son at risk. Lee, you there?! Iâll give you exactly three-point-seven seconds to tell me Johnâs all right!
Wish I could, Chief. But he disappeared with the rest. There are six inmaâ" uh, patients missing. Itâs not clear if they busted out or were kidnapped.
Well, of course John was kidnapped. You think my son would--
Ned, give me the whole list.
Who cares about the listâ"
It could provide a lead to John.
Doc Ock. Electro. John. Uhâ¦ letâs see. Edward Brock Jr., Cletus Kasady and Dominic Dracon.
Dominic Dracon? The old mob boss? Thereâs a name I havenât heard in a while.
Foswell, you know that world! Find out where Dracon might have gone!
You got it, J.J.
Lee, you stick to the damn super-villain angle! Ock, Electro. Whatâs their next move?!
Robbie, I want every available man on this. No, damnit, I want every man, woman and child on this, available or not. Call Parker. Put Benny the copyboy on it. But Ms. Brant on it. I want John Jameson safely back in his motherâs arms in six-pointâ¦ six-pointâ¦
Itâs okay, Jonah. Weâre on it.
Good. Good. Iâllâ¦ Iâll hit the streets myself. Iâm still the best damn reporter in New York City! Just have to make a call first. Well, what are you all waiting for, get out! Out!
Robbie, Ned and Foswell sit.
179. JONAH (CONT)
Hello, is this WVRN? Travis Marshall, please. Travis? Itâs Jonah. I got a lead for you on the Ravencroft thing.
Whaddayou care why Iâm helping the competition?! I know I hate television! You donât have to tell me that! Iâm not trying to sandbag you, damnit, Iâ¦ Iâm just trying to find my sonâ¦ any way I can.
Jonah sits. SPIDER-MAN STANDS.
That night finds Spider-Man swinging through the cityâ¦
181. PETER (VO)
If I didnât know better, Iâd think Harry was trying to torture me and Gwen. Then again, M.J. is quite the consolation prize. Ah, man, what am I saying? Iâm in love with Gwen. Gwen. Gwendolyn Stacy. Just have to get through the next few weeks and then Harryâll be in a better place, and she and I--
Peteâs ringtone plays Itsy-Bitsy Spider.
Pete. Joe Robertson. Thereâs been an incident at Ravencroft.
Uh huhâ¦ uh huhâ¦ Wait, whoâs missing? Uh oh. Him too? Oh, crap. Sorry, I mean-- What?! Seriously?! Uh, right. Yeah, Iâll keep my eyes open. Camera lens at the ready. Thanks for the heads up. Bye.
Whoa. At least this day canât get any worse!
SMUGGLER #1 stands.
186. SMUGGLER #1
What the hell are those things?!
When am I gonna learn not to say that out loud?
Spidey swings down to find two men in a van being attacked by two gargoyles, Obsidiana and Zafiroâ¦
ZAFIRO and OBSIDIANA STAND.
Hi there. Hate to interrupt, but this lady-esque-blue-creature-thing matches the description of another lady-esque-blue-creature-thing who just busted some folks out of Ravenâ"
What is he babbling about?
I have no idea. I sense no connection between him and the source of the disturbance. But these twoâ¦
192. SMUGGLER #1
Keep her away from us!!
You see, now Iâm on the horns of a dilemmaâ¦ Uh, no offense. Itâs just an expression; I wasnât referring to your rather strikingâ¦ Never mind. See in this particular Spider-Manâs experience, when genetic misfits attack ordinary human beings, Iâm gonna have to side with the humans.
QuÃ© sorpresa. A human with no knowledge of the situation leaping to defend one of his own.
Zafiro attacks Spidey.
196. ZAFIRO, SPIDER-MAN
<ad lib battle efforts, impacts>
Obsidiana rips open the top of the van.
199. SMUGGLER #1
The two humans open fire on her, forcing her to leap awayâ¦ The van peels out. Obsidiana tries to follow, but Spidey webs her wings together.
Smuggler #1 sits.
Por favor! You donât understand the powers that are gathering!!
And youâre the one doing the Gathering, I take it!
Zafiro slams Spidey into a wall. By the time the web-slinger recovers, the gargoyles are goneâ¦
Zafiro and Obsidiana sit.
<groan> For a guy with no legs, that snake-thing can moveâ¦
Spider-Man sits. George and MARIA CHAVEZ STAND.
Not far awayâ¦
Captain Stacy. What brings you to whatâs left of the 23rd?
Itâs the Ravencroft thing. Iâve got corroborating witnesses telling me a gargoyle was involved.
<sigh> I miss the days when being a cop didnât involve a working knowledge of The Twilight Zone.
Welcome to the Freak Show.
Anyway, as it happens, the Gargoyle Taskforce is meeting right now. First trailer on the right. Ask for Bluestone.
Chavez sits. MATT BLUESTONE, MORGAN MORGAN, MARGOT YALE and Elisa STAND.
And thatâs all I knowâ¦
Well, that is interesting, or, you knowâ¦ really, really scary.
Iâll say, Detective. With or without a gargoyle, Iâve heard Ock and Electro are bad news. And that Cletus Kasady: he killed five people before--
Forget Kasady. Any idiot can bring a serial killer down. Itâs the gargoyle we should be concerned with. Itâs what Iâve been saying all along! Those monsters are dangerous!
I think what A.D.A. Yale is saying, Captain, is that the Taskforce is on it. Weâll let you know if we hear anything. And weâll be checking in with all our sources, wonât we, Detective?
Elisa, Matt, Margot, Morgan and George sit. Smuggler #1 and Demona STAND.
Meanwhile, a van with a torn up roof pulls up to a Gramercy Park Mansionâ¦ The driver speaks into the intercomâ¦
223. SMUGGLER #1
Longinus sent me.
Leave the package. Then take your money and go. While you still can.
225. SMUGGLER #1
Geez, who lives here? Draculaâs daughter?
Smuggler #1 sits. Eddie, John and Cletus STAND.
Demona collects her package.
The old guyâs asleep. Whatâs that?
A simple wooden shaft. The prize of Adolph Hitlerâs personal collection. After hisâ¦ demise, his remaining followers smuggled it to Brazil. I paid handsomely to have it smuggled to me.
Why? I mean sure, itâs the shaft of a spear. Completes the set with that arrowhead you took from Ravencroft. But why do we care?
Demona joins the spear and spearhead together. Instantly, it radiates incredible power.
The Holy Lance. The Spear of Destiny. The weapon that pierced the side of the Christ. Do you still want power, John? This is power.
Give it to me. Give it!
No. This power is mine. But I will use it to give you back your ownâ¦
She points the Spear at John Jameson. The magic surrounds him and transforms him into Colonel Jupiter!
236. COLONEL JUPITER
<transformation scream> Yes! The power is mine! I am Colonel Jupiter!
For what thatâs worthâ¦ Now for Eddie.
Extremely. We are Venom again.
And what about you, Cletus?
(pointing at Venom)
Iâll have what heâs havingâ¦
As you wishâ¦ Carnage.
All right, Demona. Youâre the Mirror Universe Wizard of Oz. But what now?
Mine is the Power. But I still require the Kingdom and the Glory. This is only the first act, humansâ¦ or whatever you are now. The main event is still to comeâ¦
Demona, VENOM, CARNAGE and COLONEL JUPITER sit.
END ACT ONE
TOMORROW: ACT TWO...
Ok, ergh, in the last post a "other" was missing - it should have said "other potential mediums", "potential mediums" makes it as if comics were second grade... talking bout making mistakes...
Anyways, I've got another question: with the comics being limited to a few books per year - are there any "minor" story arcs you've dropped along the way? I don't want to ask if there were "less important" ones, because who's yet to tell what is of importance in the future? I'd just like to know this, for the last Season of Gargoyles (Season 2) was so hughe and massive, that I'd like to know how you're working here (it's obvious that the Timedancing, for example, can't take as long as the Avalon-tour did, for there's not enough room). Are there side-storys you've dropped for now or that are on ice? Or are you just formulating the main storyarcs?
Thank you so much for awnsering, and once more - thank you for your time and work.
I haven't DROPPED anything. I'm just in no hurry (anymore) to catch up to the present. I'm fine with the setting being the late nineties for the time being.
TimeDancer is MUCH longer than the World Tour. The latter lasted a few months. The former, forty years. But again, I'm in no hurry to tell it all at once.
I just did a few quick calculations. Now, correct me if Im wrong, I believe you have said that Brooklyn and his rookery hatched 958 and Goliath and his rookery hatched twenty years earlier, in 938. Then, in the 1997, Brooklyn begins his TimeDancing adventures (Im so excited to read the se upcoming comics!) and he travels and ages for fourty years to then return to 1997 five minutes from when he left. This would now make Brooklyn fourty years, two gargoyle generations, older than his leader Goliath.
Along with these calculations, I believe you have said that leaders generally pick their seconds from younger rookeries. This would make sense because they would want to be able to let their seconds rule if the leaders ever reach an old age when they cant lead (such as Hudson choosing the much younger Goliath). However, upon his return, second-in-command Brooklyn is now older than the leader of the Manhattan Clan, Goliath.
Because of this new age difference after the TimeDancing adventures, will Goliath pick a new second? Angela, Lex, and Broadway are all younger and Angela even has experience of being a second-in-command on Avalon. I dont want Brooklyn to lose his position as second but it does seem a likly step for Goliath to take. What do you think?
1. Turned out to be closer to forty seconds as opposed to five minutes.
2. Brooklyn was about forty (twenty biologically) when he hit the timestream. He travels for forty years, aging twenty years.
3. Since Goliath is about sixty (thirty biologically) and Brooklyn - post timedancing - is about 80 (forty biologically),Brooklyn is now ONE generation "older" than Goliath.
4. As for your question, it's a definite issue -- but not in CLAN-BUILDING.
Hello Greg, long time fan of gargoyles, and most of my questions about the Gargoyles universe have been answered by browsing the archives but these questions.
I see from the archives that Angela and Broadway will raise their children in the traditional gargoyles fashion, and I am assuming that Brooklyn and Katana will try to do the same. But this has led me to some interesting questions about the relationships between generations of gargoyles in the same clan.
I have seen that from the first episode that gargoyles from the same rookery generation call one another rookery brother or rookery sister, or if there are close bonds just brother and sister. So my first question is do gargoyles have the same endearing names for an older or younger generation with in the clan, for example rookery mother, rookery father, rookery son, rookery daughter, or some other term like those? Yes I do know that Goliath's generation calls Hudson My Mentor, I am assuming that is so only because he was the leader and teacher of the clan before Goliath.
Another is I have noticed that Hudson has a stronger relationship with Goliath then any other of Goliath's rookery siblings, or at least just the ones we have met so far. I am assuming this is do to, that Hudson saw Goliath's potential as a successor and paid special attention to him to prepare him for the role. I have also noticed that gargoyles in one generation develop strong ties with a few siblings like Coldstone's and Goliath's relationship. My next question is do stronger relationships develop between certain hatchlings and certain members of the parenting generation or members of another older generation of gargoyles?
But in Mark of the Panther Goliath, who is having trouble dealing and even understanding Angela's unusual need for parents and her attachment to him after she finds that she is his biological daughter, says to Elisa's mother Diane "gargoyle hatchlings belong to the whole clan, I cannot hold one hatchling over the others." So are these kinds of relationships, I have asked about in the previous paragraph, taboo, shunned, frowned upon, or generally accepted as a part of the growing up process of young gargoyles, or are they just Goliath's personal words do to the fact that he is the clan leader?
Thanks for even putting up a general questions website, not many writers do that or post the site on there publications. I apologize for my long winded questions but it just the way I write. Just to let you know Gargoyles has been a huge influence in my own stories and don't worry I have absolutely no fan fictions of Gargoyles and I have never understood why people have to do them, they don't make sense to me any ways.
I can't wait for Brooklyn's little trip, especially the clan's reactions when he gets back five minutes later, they will be priceless. I might have to scan the images in and use them as a desktop. I just can't see Time Dancer done in six issues like I heard the spin offs will be done in, too much happening from what I have found on Ask Greg. Well I guess that is why it is third in line and thanks again.
Some gargoyles will develop stronger relationships with some. With that many parents, siblings, children, etc. running around, it's natural. But neither "shunned, frowned upon, or generally accepted" fits the bill to my mind. Amd citing Hudson/Goliath hardly proves anything. Hudson's pre-massacre relationship with anyone else in Goliath's generation has not been explored. Nor has Goliath's relationship with anyone else from Hudson's generation even been touched on.
In Panther, Goliath is NOT having trouble with Angela's "unusal need for parents". He's concerned about what her specific need to acknowledge their BIOLOGICAL relationship might mean... both in terms of his relationship to the rest of the Avalon Clan and especially HER relationship to her biological mother.
Not all of Brooklyn's TimeDancer adventures are designed to fit into one six episode mini. Just one six-part story. I could tell TimeDancer adventures for forty years. And I hope I get that chance.
why could't you hav brooklyn sweapt away by the Phoenix Gate as soon as Goliath tossed it thru the time stream
Didn't happen that way.
how did you come up with the names for brooklyns wife and kids
The names for Brooklyn's mate and daughter are names of Japanese style swords. The rationale for the name of Brooklyn's son -- is something I'm not revealing yet.
I had a few questions about the comics
1.when will we met lexingtons mate in the near, mid, or far future? can u give the approximent comic book number?
2.when will we met Katana,Tachi,fu-dog,and nashville within the next year, or in a long while?
3.Also if timedancer becomes a comic how do u plan to run with the normal comic? r u going to have broklen already be back with his family and timedancer is just his story?
1. Not saying.
2. Not telling.
3. Not revealing.
Hi greg I'd like to know what made katana fall in love with brooklyn and why did she go with him
You'll have to wait and see.
what made brooklyn wan't to bring fu-dog with him
Wait and see.
This question is in regards to the LXM Robots. How closely will they resemble Lexington? Will they resemble him to the extent that Coldfire resembles Desdemona, or to the extent that the original Coyote resembled Xanatos? If they do resemble him closely, could a timedancing Brooklyn accidentally confuse one with Lex? If they do look a lot like Lex it has occurred to me that something like that might happen. I've noticed in the wiki it says they will be five feet tall, but I have no idea what Lex's height will be when he fully matures or how tall he is if he stands up straight, so I don't know if that means they will be a lot bigger than him or about the same size. Thanks for giving any info you can!
They look like metal Lexington's -- kinda like chrome Lexington's. Brooklyn couldn't confuse one for Lex himself, though he couldn't help noticing the resemblence. They sound like Lex too.
how will brooklyn and fu-dog get allong when the meet how will fu-dog responed to brooklyn what will be brooklyns reaction to fu-dog
You'll have to wait and see, I'm afraid.
how will brooklyn and katana get along when they first meet what will katana be like how will brooklyn feel about her and how will katana feel about brooklyn
Patience is necessary for all concerned.
what will brooklyn be like when he gets back from his timedancer adventures is he more grown up or still the way he was when he left and what will be the clans reaction
Wait and see.
will you ever write about timedancer
See my last response.
when will you write about timedancer in the comics
When the time is right. Specifically, if both the Bad Guys and Pendragon mini-series are a financial success to SLG, then TimeDancer will be the third mini-series.
Are we going to see the events of Time Dancer take place (Ie Brooklyn disappearing then coming back with his wife and kids) in the comic anytime soon, or do you want to wait until a Timedancer spin off is greenlit?
I'm not responding to this at this time.
Hi Greg. Wanna thank you for doing Ask Greg, so few people are willing to take time to discuss their series like this (and I enjoy reading the Gathering write-ups you do). If only Invasion America got that treatment... Books never finished the series. I digress. I have two questions I was hoping you could answer.
1. Since the phoenix gate has a cyclical existence throughout history, it only goes so far back in time and only up to a certain date in the future (which would be whenever Brooklyn was leaving the latest date he traveled to I suppose). Is there a reason that the gate is constricted to a specific time range?
2. While Brooklyn traveled to times in his future did he try to avoid learning about events that affected his clan? After returning home it might be kind of awkward to know exactly how your friends will die and what events will claim them...
1. I don't know how to answer this without confirming parts of your question which are not confirmable and/or not correct and/or I don't want to confirm.
When, in the Gargoyle Universe, do you plan on sending Brooklyn on his TimeDancing adventures? Like what specific date in relation to Halloween 1996, which is when issue # 3 and 4 of your comic series takes place. Is is going to happen really really soon or in a couple or months or a couple of years? Oh, and would it be too much trouble to email me the answer as I don't have much time to check on the website these days?
Even assuming I wanted to reveal this (which I don't at this time), I make it an ASK GREG policy NOT to e-mail posters directly. If I did it for one person, I'd have to do it for everyone. And frankly, I don't give out my e-mail address to strangers. Not to mention that the idea of this forum is sharing info (when I'm so inclined) with everyone, not giving personal responses.
But what's REALLY funny about this is you didn't leave me your e-mail address to e-mail you even had I been so inclined.
So instead, I'll send the answer to you psychically, which seems like a fair compromise.
Don't tell anyone.
Will you ever tell who Tom's father is in the comic books or in a TV show if you made one? If so, would it be in GARGOYLES or in one of the 5 spin-off shows?
Thank you for your time.
Eventually, I'd get to everything. This might happen in Dark Ages, but a Gargoyles flashback or even a TimeDancer episode might get us there first.
For your Gargoyles Future Spinoff, was the idea of Brooklyn travelling into the future to help against the alien invaders from the old Superboy and Supergirl comics where they travel into the future and join the Legion of Super Heroes?
I can't deny that as a possible influence -- since of course I'm familiar with the Legion -- but I wasn't specifically thinking of that. The TimeDancer idea came to me before I thought to include Brooklyn in the cast of what eventually became Gargoyles 2198. It just seemed to make sense that if Brook was bouncing around, that one of the eras he'd bounce to is 2198.
Quick comment on a statement you made.
"After a few years of this, Brook's attitude toward the Gate changes. Pretty much a 180 from the way you see it changing."
So I guess that means he dreads seeing the Gate, since that'd upset whatever life he's managed to make for himself since he returned, eh? "Run away!!!'
Oh, feel free to answer this sarcastically. I know it's just a petty way for me to sound like a know-it-all. I'm probably wrong anyway.
Oh yeah, and great show. Hope it comes back.
I'm not sure of the context of your quotation. (And is that a direct quote or a paraphrase?) Who does the "you" refer to? What preceded it?
I'd love to be able to tell you that I remember every conversation and post and exchange, but the truth is that I don't. Without the context of the quotation, I can't reply with confidence -- let alone sarcasm.
Let that be a lesson to you all. If you're going to reference an old post, give me a complete reference.
1a. What year was Katana hatched? 1b. When did Katana first meet Brooklyn? 1c. When did Katana get her name?
2a. What year was Fu Dog hatched? 2b. When did Fu Dog first meet Brooklyn?
3a. What year was Nashville hatched? 3b. Where was Nashville hatched? 3c. How old is Nashville when the TimeDancers appear back in 1997 on the Eyrie Building?
1a. I have yet to do my research to nail this information down.
1b. I have yet to do my research to nail this information down.
1c. I'm not revealing that at this time.
2a. I have yet to do my research to nail this information down.
2b. I have yet to do my research to nail this information down.
3b. I'm not revealing that at this time.
3c. In 1997, Nash was 19 in chronological years. About 10 in biological years.
I got a Timedancer question, why the name Katana? Isn't that a bit cheating on names with just naming her after a weapon? Same thing goes with Tachi.
How is it cheating?
Hi Greg! I'm posting for the first time and it feels wierd, since I tried to send questions 4 or 5 years ago and they got deleted. Anyway...
First of all, I'd like to thank you for having been (and still being) such an important part of the Gargoyles franchise. You (and others of course) provided me with easily THE single best animated show ever. A well written series great voice acting, continuous plots, characters that are believable, and a complex universe that manages both to include lots of existing legends and myths while still retaining a distinct identity. I truly think that in terms of all-around quality for a dramatic show, Gargoyles was easily Disney's best effort by far. Reboot is the only other animated show that I've seen that seems to exhibit the same qualities, meaning well-written, clever and quite enjoyable for both kids and adults.
Also, I'm happy to learn that Gathering 2004 will take place in Montreal, meaning I might actually be able to attend! I don't know if you're the one who chose the location, but if you are, thanks on behalf of us Canadians!
Finally, I'd just like to thank you for actually answering the flood of questions we fans send your way. And especially your god-like patience towards people who obviously never took the time to read the FAQ OR archive. I can understand asking about a minor detail that could have been missed, but among the questions being submitted, I know there are some LAZY people I wouldn't mind slapping once or twice in the face...
Anyway, I have a number of questions on different subject, so expect a few one-question posts from me.
This one would fit in a "Writing" category if there is such a thing.
1. Regarding your current master plan (i.e. your ideas for the various spin-offs), it's obvious you've given lots of thoughts to the initial setting of each. The main characters and their immediate goals for example, as well as ideas for early stories as well as a few ideas for on-going plots. A lot of course would be dictated by the characters (and your muse I'm sure) as the shows would go along.
a) Now here's my question: Do you have an idea about the possible endings of some of your spin-offs? I don't want you to tell me anything, just if you have some "Ultimate goals" in mind for all your spin-offs.
Gargoyles itself has always been very open-ended. There never was a single overlying theme to the series, it just kept going on on its own, the plots and characters growing in complexity in a very organic and sometimes unpredictable way. It could potentially keep going on for years and years.
But some of your spin-offs have very specific premises. There ARE stories that are better told if planned from beginning to end as a whole. Others however are better if left to evolve on their own. An aimless story could potentially "find its voice" after a while, leading to an ultimate ending of sorts. Or, the initial premise could be transformed over time, leading the story in a quite different direction.
For example, Star Trek: Deep Space Nine. Initially, the show is about our heroes trying to restore a people (Bajorans) to a stable society following years of occupation by an enemy race (Cardassians). Yet, after two years, the show introduced a much bigger menace, a race who sought to conquer and control all others (the Dominion). From then on, the show eventually lead to a huge war with the ending signaling the end of the hostility.
a) How do you feel about long stories? About those that are open-ended and those that have some finality set for them? (I hope I'm not being to vague here. I'm really interested in how you feel about this)
And about some specifics spin-offs:
b) Bad Guys: The basic idea is about our main characters seeking redemption. Do you know if they ever find it? And would that be the goal of the show?
c) TimeDancer: Ultimately, the very final ending is, in a way, already known. Brooklyn makes it home a lot older with a family. But do you already have some sketchy idea about how he finally makes it there, like some final adventure dealing with the Phoenix Gate itself, or were you planing on dealing with it once you were forced to, like a series' finale?
c) Gargoyles 2198: This one seems to be mostly about the war against the Space-Spawn but as you often say, "Things aren't that simple". Would the liberation of Earth signal the end of the series, or would you keep the series going with the existing setting once the war is over? After all, there might still be other threats like Coyote-X, the Illuminati, etc.
d) Dark Ages: Since this one could theoretically run up to the beginning of "Awakening", I won't ask if you have an ending in mind.
e) Pendragon: It's obvious now that Merlin, Mr. Duval and Holy Grail would be important part of the story. Do you have an ending in mind for this one, or where you again planing on seeing where the story ultimately took you?
f) New Olympians: This one feels pretty generic, and feels like it could run forever like Gargoyles. The ultimate goal I suppose would be the acceptance of New Olympus by humanity, but judging by the response toward gargoyles, wouldn't likely fit within an entire series, no matter how long it might be. Still, got an ending in mind, even if it's pretty open-ended, like "Hunter's Moon pt.3"?
Thanks a lot for answering.
Well, time delay means that I believe we met in Montreal (and, no, I didn't choose the location -- I don't make those decisions). You played Lex in the radio play, right?
1a. Some yes, some no. I know where Dark Ages ends -- with "Awakening, Part One". I know where "TimeDancer" ends... right where it began. I have a VERY good idea of how the Space-Spawn thing is resolved, but I don't think that necessarily marks the end of 2198. And likewise, I don't have a firm ending for Pendragon, Bad Guys or the New Olympians... but I have a good idea where I want to go with the first major arcs. As for Gargoyles itself -- that would end in 2198.
1a) [You had two (a)s.] Some stories -- whether long or short -- need closure. They're one-shots... no matter how long they last. Others can be open-ended. I lean toward the latter personally... because life is ongoing -- even after individuals die. But I respect the other form as well.
b) I'm not going to reveal whether or not they find redemption, but yes that's the goal. The thing is... even if I were to redeem all the original cast, the concept can survive them. And new characters may be introduced that give us a reason to continue. I will say, that I wouldn't be shy to bring a series to an end if I had no more stories to tell. That just has never happened to me within the Garg Universe. Not yet anyway.
c) See above for confirmation of your basic thesis. But I have a fairly clear general idea of how the whole dance, including the finale choreographs. But I won't pretend I have all forty years worth of adventures planned out to the last detail. I don't.
c) [You had two (c)s, as well.] See above. The war doesn't end the series.
d) See above.
e) I have endings in mind for some of the arcs that I plan to set in motion. But even the ultimate death of Arthur himself (which I was not planning anytime soon) might not end this series. I have at least one significant idea to go beyond Arthur...
f) Same deal. I have specific arcs in mind, and I have a solid idea of how they end. But I doubt that they wouldn't lead to more stories. If in fact they didn't and I was out of juice there, I'd shut it down.
Some years ago, people kept permanently asking 'bout Brooklyns permanent "injury" or "disfigurement" he got during his Timedancing. You never told...
By now, you revealed other, in my mind bigger secrets 'bout the future masterplan (especially that Lex is gay), so I ask again, hoping you are in a good mood and want to spoil it:
What is Brooklyns permanent injury/disfigurement he receives during Timedancing? Andif you don't want to tell us, what sort is it? Scar? Loss of Limb? Loss of wing???
So, however, have a nice day,
Eh, sorry. It's a fair question, but I'm just not in the mood.
Are the Timedancer, Dark Ages, and other such stories from another site, have anything to do with the orignial show?
Second, I have read several questions that mention future tense stories, are they on TV or where?
Thank you for your time and consideration with putting up with our questions. It is appreciated.
There may be fanfiction sites that have used the tidbits I've revealed, including plans for "TimeDancer", "Gargoyles: The Dark Ages", and "Gargoyles: 2198" (formerly known as "Future Tense"), among other spin-offs. But I've never read any of them.
None of this stuff has appeared on television.
Good day. I just have a quick question concerning the character of Katana, Brooklyn's mate. Would she have actually utilized a katana, or was her name meant to be a metaphor (as in: She struck with the fury of a katana)?
Dose Brooklyn have a girlfriend?
Eventually, yes. I've revealed that he eventually mates with a gargoyle from feudal Japan named Katana.
When Magus gave his magic book to Finila (because he couldn't bring it to Avalon)Hpw the hell did it get to David
Long story. But it involves TimeDancer, Demona, Puck, Owen, Finella, Mary, Brooklyn and Xanatos.
Concerning the Time-Dancer story: Was it meant to be a complete new series, or should it have played within the normal gargoyles episodes?
The first episode -- a sort of back-door pilot was designed to play within the regular series.
After that Time-Dancer would have been a spin-off series of it's own spanning 40 years.
(Yes, I was very ambitious in those days.)
Now, I'd be happy with whatever I could get.
On the topic of Timedancer, I read through the whole archive for it. First off I notice a lot of the questions you answered at the bottom, were asked again at the top and had smart ass responces... that's my favorite.
I notice you said Brooklyn is always 'chasing' the gate... so it appears before him... he runs to it, a portal opens up... does he HAVE to jump in? What if he wants to stay somewhere or can't find his children or something? And the first portal that appeared, did it just grab him, or did he willingly jump in?
Probably, over the course of forty years, all of the above.
In your Timedancerspinoff, does the Gate have a "mind of it's own" like Avalon's boats, taking Brooklyn to time periods that it decides on, or is it completely random?
It depends on your point of view, I suppose. In my mind, it is random and yet it has to do with eddies and currents and whirls in the timestream... The end result is the same: Brooklyn winds up in times & places where we have the best stories to tell.â
Hey Gregg, I'm new to this site, and I was just wondering... is there something I missed about Gargoyles? I mean, I know of Gargoyles, and The Goliath Chronicles, but was there some other Gargoyle show that aired after?
What lies ahead for Gargoyles? Do you plan on bringing them back to the air at some point? I'd really like to see some new Gargoyles cartoons....
There were proposed spin-offs, sequels and prequels, including
Gargoyles: The Dark Ages
The New Olympians
plus plenty ideas just to continue the "Gargoyles" series itself.
I haven't been able to convince Disney to do any of these things.
But who knows?
"Firefly" was dead. It sold a TON of DVDs and now they're making a movie, "Serenity". "Family Guy" was dead. It sold a TON of DVDs and now they're making new episodes.
Up until this year, the best single way you could help relaunch the show in some way, shape or form was by attending the Gathering, our annual convention. That's still true. So if you haven't heard, check out this year's con at their website:
The good folks at Walt Disney Home Entertainment took notice of the fandom, largely thanks to these conventions. They'll be attending this year with a video crew to tape footage of the con to put on the Gargoyles DVD, to be released later THIS year (2004!).
The DVD will contain all 13 episodes of the series' first season, complete and uncut. It will also have a commentary track and other extras (in addition to the con footage) that are still being discussed.
If you want to see the 2nd Season on DVD, and if you want to see Disney make more Garg Universe materials, there's no better way to get them to take notice than by buying the DVD. If the fans demonstrate an audience with disposable income, Disney will respond. It's not far-fetched. It's happened before.
Who the hell is Katana??
Brooklyn's mate, to be introduced in Feudal Japan (as part of the Ishimura Clan) during the course of the proposed TimeDancer spin-off series.
But why are you cursing? It's kinda rude.
Another timedancer related question: If you had the opportunity to do the Timedancer spinoff, how many seasons would you want that series to list to cover those 40 years of Brooklyn's life?
If you got the chance to do a Timedancer spin-off, how would you plan on having a strong continuity?
I mean, unless Brooklyn visits same places/people 4 or 5 times, how could you have strong continuity for that series?
Brooklyn is the continuity. But I also planned on some longer stops. And some other characters that would recur throughout the ages in one form or another.
IN TURF, BROOKLYN MENTIONS TO GOLIATH, ASKING HIM WHEN DO WE GO ON OUR WORLD TOUR ? MY QUESTION IS, WERE THERE ANY PLANS OF MAKING EPISODES WHERE THE TRIO GOES ON A AVALON WORLD TOUR?
There were plans for Brooklyn to go on a Time Tour that would have also taken him around the world. It was called TimeDancer.
Something I've been thinking of regarding the proposed Timedancer spin-off. If Brooklyn spends 40 years bouncing back and forth through time then after the first few years, he probably realises that the phoenix gate keeps appearing in front of him. Now the problem starts when he meets Katana and they have Tachi because they would have to keep in close proximity to Brooklyn at all times just in case. This would mean effectively zero privacy, I mean what happens when Brooklyn and Katana want to "do it", do they just toss Tachi a blindfold and tell her to stick his talons in her ears?
Tachi doesn't hatch until after the ride is over, but there's Nash and Fu Dog to consider.
After a few years of this, Brook's attitude toward the Gate changes. Pretty much a 180 from the way you see it changing.
why does Brooklyn always end up alone? Im starting to feel sorry for him.
Well, he doesn't in my mind. He eventually winds up with a Clan Ishimura Gargoyle named Katana. Someone he meets while TimeDancing.
All the gargoyles episodes have not been shown over here so i dont really know about some of th episodes although i have heard stuff about them....
1. Has "timedancer" ever actually been aired?
2. And what exactly IS "gargoyles 2198" is it going to be another series or what?
1. No. It's a potential spin-off/sequel series.
2. It's a potential spin-off/sequel series.
Check out the archives and you'll be less confused.
There's no memo, outline or script for this one on my computer, so we'll head right into my ramble on...
"AVALON, PART ONE"
DIRECTOR: Dennis Woodyard.
WRITER: Lydia Marano.
STORY EDITOR: Brynne Chandler Reaves.
...is all over the place. So much was coming together in this three-parter. The Weird Sisters, the eggs, the Archmage, Tom, Princess Katharine, the Magus, Macbeth, Demona. This was our most ambitious story yet. Which given episodes like "The Mirror" or "Vows" and multi-parters like "Awakening" and "City of Stone" was saying something.
Of course "Avalon" was never designed to be the cohesive single story movie that "City of Stone" was. It was designed as a tryptych. Part one would bring our heroes up to date. Part two would bring our villains up to date. Part three would pit them against each other.
"Avalon I" also represented the first episode in our fourth tier. The three-parter was what we called a 'tentpole'. We knew we couldn't air it until all the Tier 3 episodes had aired. And we knew we couldn't air any other Tier 4 episodes until this three-parter had aired. Despite the fact that "The Price" aired out of order, generally our Tentpole/Tier system worked very well. Out of 66 episodes that I worked on only two: "The Price" and "Kingdom" aired out of order, hopefully with minimal damage to the continuity.
The title was one of mine. But initially I wasn't sure that we were going to call the island Avalon. Now, it's mind-boggling to me, but I actually had my assistant Monique Beatty (who's now a producer in her own right) research Brigadoon to find out if that name was created only for the musical, or if it was something pulled from legends. I was thinking of Avalon, but looking for something from a Scotish tradition as opposed to British. Fortunately, Brigadoon was created for the musical. So we were 'stuck' with Avalon. Which made including King Arthur a natural.
Many series don't reveal that an episode is going to be a multi-parter until you get to the 'To Be Continued' line at the closer. "Avalon, Part One" could have just been titled "Avalon". The conventional wisdom is that people are reluctant to commit the time to a multi-parter in advance. That it is better to hook them on the story before revealing that they HAVE to come back to see the end. I always felt that was cheating. What is your reaction to seeing "Part One" attached to a title?
Another cool shot of our gargs waking up. Always nice to reiterate that at the start of our bigger stories.
Bronx gets left behind. Of course, this often happens. It was one of the things that the World Tour would set about correcting in a BIG way. But we made his getting left behind a bit more obvious here. Usually, he just doesn't go. This time they won't take him and he's sad. We were laying pipe.
My 5-year-old son Benny asked where Hudson and the Trio were going. I had to think about it. "On Patrol, I guess."
Then the GUARDIAN shows up. I love his cool, Goliath-inspired armor. My 7-year-old daughter Erin immediately demanded to know who he was. I wouldn't tell her. (I'm so mean.) Did any of you guess?
Of course he immediately encounters BRENDAN & MARGOT. (What would one of our multi-parters be without him?)
Then comes the three gang-bangers from "AWAKENING, PART THREE". As usual, Keith David does the voice for one of them -- making it distinctive from both Goliath and MORGAN, who's about to come in and speak. The problem is we got a touch confused. In Awakening, Keith voices the bald white guy. Here he does the same voice, but it's assigned to the black guy. Hard to say which is wrong, except by virtue of which came first. It annoys me though.
Morgan's fun in this. I really like him. No one but Simon DelMonte will get this, and I don't know if he even reads these rambles, but Morgan kind of reminds me of Jeff Goslin, a character that Cary Bates and I created in Captain Atom.
Anyway, I like how Morgan talks Guardian down. And I like how the sword is much heavier than he thought it was going to be. His cop buddies tease him, but he maintains his sense of wonder and goodness when talking about the Guardian to Elisa.
That's kind of a cool scene. First off he describes Guardian's armor: "Real armor. King Arthur stuff." Anyone think this was a clue to what was coming in the next episode? Even with the Avalon title? Then he tells her the guy's looking for Gargoyles. Elisa of course discourages her fellow officers from taking Garg reports seriously. Everyone who's seen one must be a nut-case. These guys should form 'a club'. Then she finds out that this Guardian was asking for Goliath by name. BOOM.
Site of our last encounter with Demona and Macbeth. Another clue.
Once Elisa got a look at the Guardian's armor, she must have thought -- yeah, there's a Goliath connection here all right.
Goliath shows with Bronx, who gets to come along and come along and come along for once. Bronx always seemed underutilized to us. We knew we couldn't bring the whole clan along. (Too many characters and no poignancy.) But Bronx was an easy addition. Of course, Bronx is also useful as a kind of living personality test. If Bronx likes you, it's a damn good sign. Bronx likes Tom. Does he remember him? What scents do you figure the Guardian carried back from Avalon. Anyway, Bronx engenders immediate trust in the Guardian for Goliath.
I love this scene. Guardian gives everyone so little time to catch up. He talks about the Archmage, reveals that he's Tom and talks about 'the eggs' being in danger. *That was a fun idea. Keep you guys thinking in terms of eggs for twenty minutes and reveal that it's just a pet name for the Avalon Clan.*
Benny asked: "What kind of Eggs?"
Erin: "Gargoyle Eggs."
Benny: "I didn't know Gargoyles hatch out of eggs." [Well, keep in mind it's been a year since he saw the first thirty episodes. And he's too young to remember the first time he saw the ones we're watching now.]
Then there's the skiff. Elisa: "Where'd that boat come from? ... To where? The other side of the lake? ... Wait for me!"
This all sounds fishy to her. Nothing makes sense. I wanted to get a clear shot in there of the pond in Central Park so that you could see objectively that it doesn't go anywhere. But I never quite managed that. I wanted you guys to be confused. Or at any rate to have a million questions. But like Elisa, no matter how suspicious, I figured you'd want to go along for the ride.
Mary, Katharine, the Magus and young Tom are all reintroduced. It's very clear that the first three have all learned their lesson from Awakening. They've all really become better people. Tom, of course, didn't need to learn that lesson. But he does learn to be a hero. He officially becomes the Guardian. It begins, I believe, as just a nice gesture on the part of the Princess. Later, of course, it'll become the truth. Then there's the long journey. I like the montage there. Hardship. We never had the time to show enough of the hardship of tenth century life.
Our gang heads into Edinburgh. Constantine's followers are all over the place. They all seem to look like Disney storyboard artists for some reason. ;)
There's some stellar voice work in this ep. Morgan Shepard as King Kenneth II. Sheena Easton making her Garg Premiere as Finella. Ian Buchanan as Constantine. (I've already mentioned Keith's versatility.)
But as usual, real props must be handed out to Jeff Bennnett and Kath Soucie.
Jeff plays Brooklyn, the Magus and Maol Chalvim. (No Bruno or Owen or Vinnie in this ep, I'm afraid.)
Kath plays Katharine, Mary and all three Weird Sisters.
Benny saw Finella and said: "That's one of the witches."
A year ago, Tom was his favorite character. Now Tom barely registered. And he really is fascinated with the Weird Sisters. Anyway, I corrected him, but I was glad that they were appearing later.
Ian Buchanan, once of General Hospital, is playing a cad here. We have to very quickly set up a lot of politics, sexual and otherwise. This story was as historical as we could make it based on the available research, the fact that we had to fit in a few fictional characters and eggs, and screen time compression.
Believe it or not, we also had another character originally that we cut early on because it was just getting too damn complicated. Katharine and Maol Chalvim's cousin: the future King Kenneth III. The father of Bodhe. Yep. That Bodhe. The father of Gruoch.
Kenneth III winds up being made High King of Scotland after Constantine is killed. To get a sense of their relationship, at least as I see it, you might want to check out "Once upon a time there were three brothers..."
(Or to give you a hint, ten years after the events depicted here, King Kenneth III would be murdered by Maol Chalvim's operatives during a civil war. Maol Chalvim was also known as Malcolm Forranach, the Destroyer. We used the Maol Chalvim version of his name so as not to confuse him with Katharine's father Prince Malcolm. Just as in City of Stone we emphasized Malcolm Canmore's Canmore name for the same reason.)
Anyway, Maol Chalvim seems intense but right on the money here. He's even kind of heroic when he and the Magus bring Tom back to Katharine's apartment, and he begs Katharine to go. Kind of heroic. He still leaves her. We were trying very hard to balance out his minor role here with his future roll as the grandfather of and major influence on Duncan. (Of course, he's also Macbeth's grandfather, as well.)
After Katharine tells Maol to go, there's a weird cut of him just standing there smiling. We needed some kind of transition before he took off running, and I guess that was the best we could do. But it's still awkward as hell.
But I'm getting ahead of myself.
We establish early on that Katharine doesn't think much of Constantine. You wouldn't know it from Awakening, but obvioulsy she's learned to be a decent judge of character.
Kenneth isn't quite so sharp. Everyone can see that he's a fool for Finella. And he doesn't recognize Constantine's threat (despite the fact that Constantine's father was a bitter enemy and) despite the fact that his son flat out tells him to beware. My thinking was that the crown had kept bouncing back and forth between different branches of the royal family. Kenneth had hoped that by taking Constantine in, instead of banishing him, he'd be able to be a positive influence on the boy. A nice idea perhaps, but maybe Kenneth was too innattentive to pull it off. And Maol probably was too covetous to really be a brother to young Con.
Anyway, Constantine tricks Finella and kills the king. We hear Finella sobbing, just to prove that she was neither in on it nor that she would approve of it. (Though one wonders what her reaction would have been down the road if Constantine hadn't spurned her in favor of Katharine. Would she have adjusted to the crime? Or did Constantine become an unredeemable villain in her eyes immediately? I hate to say it, but I tend to think it's the former. Actually, I don't hate to say it. She's more interesting to write that way.)
Erin asked: "He killed King Arthur? Why?"
That's a tough question. So first I had to explain that it was King Kenneth, not King Arthur. Then my wife Beth helped out by explaining that Constantine wanted to be king.
We come back from the act and we see that Constantine was ready for the takeover. The Banners are immediately changed in a scene clearly inspired by the Ian McKellan (spelling?) movie version of Shakespeare's Richard III. (A version I heartily recommend, by the way.)
We also continue to set up the Magus' own tragedy. He loves Katharine. Has loved her since before Awakening. That feeling is shown to deepen here when she is once again in danger. And when Constantine tries to coerce her into marrying him. (The astute Mary and Tom have to hold him back.) Here, we sense that maybe Katharine might some day return that love. That's what I wanted you all to think anyway. Did you?
Constantine takes his crown. Originally we wanted to stage this with the Stone of Destiny as we did with Macbeth. But again, I think we just had too many sets.
Michaelmas. I just like that word.
Constantine is fairly astute himself: "You have 36 very good reasons to obey." We kept reiterating the number of eggs for what was coming later.
The Magus disguises broken pots as eggs and vice-versa. But it always seemed to me that the kitchen staff at Edinburgh sure broke a lot of pots. I mean a LOT!
I like the lines: "Taking the wee bairns for a walk?" and "I don't think I like Gargoyle eggs." Very menacing.
Princess K burns her wedding dress. She feels she cannot leave because C will follow her to "the ends of the Earth." So the Magus responds: "Then I will take you beyond them." Again. Very romantic moment between them.
Finella joins the troop. The WOMAN SCORNED. She's really fun now. Dangerous. I always laugh when Constantine drinks the brew and collapses so abruptly.
Erin: "The Weird Sisters". My kids are just fascinated with this trio. I wonder if they still will be by the end of this three-parter or if like many fans, they will be disappointed?
They get turned into owls. But the Magus worries about giving up the source of his power. K doesn't care about that.
And Finella and Mary agree to take the book. I love these two. I think they'd make a totally kick-ass team. I doubt it would be commercial enough, but I'd love to do a spin-off show just with these two women. At any rate, there was the plan to include them as recurring characters in TimeDancer.
Tom has to leave his mother and his childhood behind. Now his role as the Guardian is a way for Katharine to make him accept the loss. It is the start of their relationship, though neither knows it. I watch this now, and I can't help thinking of the Anakin & Padma relationship and where that's destined to go.
Back to the present. We see the impressive shores of Avalon. Very cool painting.
Bronx reacts. Guardian: "He's found the eggs..." And the music swells and two gargs and a garg beast appear on the cliff.
Now is that a cliff-hanger or what? What was your reaction?
Erin and Benny wanted "to see ther rest!" I told them they'd have to wait a week and we got a lot of protesting. Just what I was hoping for.
Anyway, that's my ramble. Where's yours?
1) I was reading FAQ and in the timedancer section you talked about an antagonist called Calaban. Who is Calaban?
2) In the FAQ for bad guys, you mentioned an antagonist named Falstaff. Who is he?
3) Thanks a bunch
For both these guys, I have no intention of revealing my intentions at this time. But if you want a look at the original sources...
Caliban appears in William Shakespeare's THE TEMPEST.
Falstaff is introduced in Shakespeare's HENRY IV, PART ONE. He reappears in HENRY IV, PART TWO and is spun-off in THE MERRY WIVES OF WINDSOR. He dies off-stage in HENRY V.
What year was Katana hatched?
I haven't yet done the research necessary to give an exact date. Sorry.
1) Will Fu-Dog have a mate?
2) Who will she be?
3) What clan will she be from?
2. Don't know at this stage.
3. See the answer to Number 2. Above. Right up there. It's very similar to the answer to this question 3. Right here.
Some little questions about TimeDancer:
1a-When does Brooklin finds Mary and Finela, in old Scotland?
1b-They timedance together to which year in 20th century?
2-When does Xanatos and Demona first met?
3-How old are Katana, Nashville, Tachi and Fu-dog, rigth after the Timedance?
4-A tricky question: If the Phoenix Gate is out of control, why is it always popping in front of Brooklin?
1a. You mean what year? Late 995 or early 996.
1b. I'm not saying.
2. By 1993.
3. Katana is Biologically 40.
Nash is 19 (bilologically 10).
Tachi is an egg.
4. Why indeed?
How old do you think a hatchling would need to be before the Manhattan clan allowed him/her to take part in the patrols around the city? Would 13-year old Nashville (of the older conception) take part in patrols? The 9-year old one of the current conception?
I don't know. Honestly. I think that gargoyles (traditionally) as in most quote-unquote primitive societies expected children to take on adult responsibilites at an earlier age than we generally do these days. But I haven't thought that out.
Of course, the interesting thing about Nashville is the notion of permission. You have a kid who's spent literally his entire life as a virtual temporal fugitive, it's going to be a little difficult to get him to just sit at the castle once he's in the relative safety of a static environment surrounded by an extended family of protectors.
That tension interests me. But I won't pretend to have worked out the details yet.
This is a second post because you might never see it, but why forty years of timedancing?
Why an entire series? I personally think that the timedancing would go over much better as a mini-series where you have him gone for maybe fifteen twenty years. From what I know about the series (and, granted I don't know much) to me it sounds like there would only be a few changes. Thanks for your time.
Matter of opinion, but I feel like it would work.
When Brooklyn gets back from his timedancing he'll be about biologically forty years old, Goliath is only biologically twenty-nine years old as of 1996. I thought the second was supposed to be young because s/he would take over command of the clan. So…
1) Will post-timedancing Brooklyn still be second-in-command?
2) Will Goliath choose a new second after Timedancers?
3) If so who will it be, Angela, Broadway, Lexington and Nashville?
1. For the time being at least.
2. Not saying.
3. See 2).
While answering a question from Lord Sloth you said "Initially, Katana is not with Brooklyn when he first arrives in 2198".
1) Does this mean that Brooklyn will do some timedancing in between his stay on G2198?
2) Will Katana be with Brooklyn during any of his stay in the year 2198?
1. Not clear on what you mean here.
2. Not saying.
Were you ever planning to show on screen the original Magus casting the spell of humility on the gargoyles at the request of Caesar Augustus?
Maybe in TimeDancers?
Exactly. Maybe. That is, I would have liked to. Depends on the S&P situation, probably.
Is any of the trio alive in 2198? How about the trio¡¯s children?
You mean not counting Brooklyn who TimeDanced there? No.
Foreshadowing in Future Tense
Does the Alexander of 2198 own any exo-suits like the one seen in the Future Tense episode?
Does Brooklyn and Demona look like the Demona and Brooklyn in Future Tense?
Generally, I try to avoid making 'decisions' here that will inhibit the artistic freedom of future collaborators, but...
Alex. Potentially, yes. But since, Alex is kidnapped and put in stasis in the first episode it's going to be a non-issue for some time.
Brooklyn. Initially, Brooklyn would look very much like Brooklyn from Hunter's Moon. Later he may wind up with a look similar to Future Tense -- though with one major change.
What does Katana look like?
I have a vague notion, but I'm consciously trying not to design her in my head, so as to give potential artists the freedom to come up with something, someday.
OK, OK, I know, that you've been asked this question before, but we've never get a real awnser out of you for this one. But I'll try it again: Why does Katana and Brooklyn name their son Nashville? Well, we know, that the name was Brooklyns idea ( why should Katana name her son by a city, she (probably) never visited or even never knew? ) but why to hell Nashville???
Oh, by the way, are Nashville and Tachi twins? I allways thought of them as.
Anyway, hope you'll awnser these two. Damn, this time I'm really a pain. LoL
No they are not twins.
There's a very specific TimeDancer reason. But I'm just not in the mood right now cuz you swore at me.
Gargoyles is such a great TV show. It's my favorite TV show. And it shows cartoons are not just for little kids. Anyways, I remember reading about your plans about Brooklyn's mate. I was just wondering, did you, or any or any other creators plan on what she was going to look like? Does she kind of have a "beak" like Brooklyn? It's ok if you don't want to answer, but I just wanted to know. But I am glad that Brooklyn would get a mate. I felt very sorry for him after Maggie rejected him when he was trying to help her and Anglea chose Broadway. I was just wondering if you guys planned what Katana was going to look like. Thanks for reading this. ^_^
Not yet, no. I have a few vague ideas, but that's it.
1. as gargoyles in Japan have been living with humans for centuries, have they been using names throughout most their history, or all of it?
2. was there ever a time that the Ishimuran clan didn't use names? if so, when?
3. did Katana have her name when Brooklyn first meets her?
1. "Most of their history" would be a hell of a long time. But some of it.
2. Yes. Long ago.
3. Not saying.
Referring to that Tootsie Roll quote, did you mean "my sympathies" to those who know of it because it would mean that we're old, or were you apologizing to us for using that quote as your answer? Anyways, like Sapphire said, it's not *that* old--in fact, it played when Gargoyles was still part of The Disney Afternoon (I know because it's on one of my tapes, though it's a version with a robot and a dinosaur monster instead of "Mr Owl" and "Mr Turtle").
I know I had a question to insert in here somewhere.... Ah yes:
You also just said, "Tachi will also get some individual rearing, because B&K will be the only parents in range." Maybe I misheard you, but I thought that at the Gathering you said that from your timeline calculations, it turns out that Tachi will still be an egg when Brooklyn returns from his timedancing. So did I misunderstand, or did you do some re-calculating?
Tachi will be born after they return. But she'll be the only egg to hatch in 1998 and thus the only set of rookery parents will be Brooklyn and Katana. She'll have a lot of rookery aunts and uncles though.
But basically, I was splitting hairs a bit.
Ok, again my question. I heard that many fans wrote their own story about timedancer... But how can I read the official Story about Timedancer... Or excist only fanworks about that? Who is the author from Timedancer? .. And at least... will Timedancer be shown on TV anytime?
I came up with the idea for TimeDancer while I was still at Disney. I'd love to do it someday, but there are no current plans. I have a few TimeDancer stories and significant events in my head and in my timeline, but I haven't written any of them out as prose fiction.
1. Brooklyn and Katana will return from the Timedance with their two children and Fu-Dog, right?
2. are those two children their first two children? will they have another child in Manhatten? that would make Brooklyn's last child be in the same generation as Broadway and Angela's first.
1. With one child, one beast and one egg.
2. There's no reason biologically why they wouldn't have a third kid. But I'm not answering this question by confirming that they do. Lots of things MIGHT happen. As to the generational thing, I believe you are right in theory. But I don't have my timeline with me and I'm nervous about making mistakes. My memory for numbers is NOTORIOUSLY awful.
In 2198, should I take it that Katana Isn't with Brooklen at that point? And, does Brooklen stay with the resistance for the magority of the spin off?
Also, sence eggs take 10 years to hatch, do Brooklen and Katana have to lug each of their eggs around with them always to be sure that the egg time dances as well?
Initially, Katana is not with Brooklyn when he first arrives in 2198. Though Fu Dog is.
And yes, Brooklyn and Katana had to lug Nash's egg around for ten years. Tachi's for almost as long.
Brooklyn TD's to 2198 so he knows some things that are going to occur. But by him being in that time line, and not gone TDing doesn't that change things? I guess with Goliath and Griff the events that had to occur did, they just came about in different ways, because Goliath was there to change things. Is this correct?
By the time Brooklyn returns from TDing would he be resigned to letting things happen as they would?
Just keep his mouth shut, and let things occur?
Or at least warn ppl if he felt it necessary?
(IE: They can't stop a bomb from dropping, but they can at least be prepared to deal with it, in the very least, emotionally?)
I hope this wasn't too messy..
Uh, Lexy, I'm just not following your first paragraph, which may mean that you aren't getting the rules of time travel in the Garg Universe... or am I just dense?
What I will say is that Brooklyn intentionally does NOT learn much about the immediate future of his friends and family. What he knows of the future is of events two centuries removed. He doesn't go back and research the time between.
During TimeDancer, would Brooklyn et al visit future time periods beyond 2198? Or the truly distant past (pre-dinosaurs)?
No plans for him to go beyond 2198 (or 99 or so). No plans for him to go pre-dinosaur either.
What is the year, and month, that Brooklen starts, and finishes, his time dancing? What happens in the 5 minutes he is gone?
My current thinking is that Brooklyn vanishes in 1997. (I haven't pinned down the month.) And he's probably gone less than five minutes actually. Broadway and Angela (and maybe Lex) just have time to say something like, "Oh no, will we ever see our dear friend again?" (only better dialogue) before he reappears.
When Brooklen became leader for a short time, did he choose a 2nd in command from Lex or Broodway?
Does Katana have a beak like Brooklen?
1) Will Angela and Broadway raise their kids like humans, by only two parents, or will they be raise like gargoyles, in a collective rookery?
2) If so, will that trend continue into the future?
3) What about Brooklyn and Katana's children will they raise their children collectively or individually?
1. Like gargs.
3. Nash will be raised individually, initially, or communally if you consider that his TimeDancing parents represent the complete community of adults. Tachi will also get some individual rearing, because B&K will be the only parents in range. But both kids will get a lot of community parenting from the Manhattan Clan.
I was looking over the [finally] completed description of the future series and after happily ooing and aahing, I had a few questions.
-1- I noticed that Broadway and Angela's biological children had similar sounding names, (arthurian in my mind). Since they were not named specifically by the parents but rather as clan children, (I assume), I was wondering if this was intentional. Are rookeries intentionally named with similar names, like the angel theme with the Avalon eggs? Do near rookeries share somewhat similar names and distant ones more different ones? Am I reading way too much into a statistical sample of three?
[Side question- Broadway, raised by Gargoyles would not care who was his biological child, but Angela was raised by humans, even if they did try to follow the gargoyle mode. Does she care a little, or at least think about it?]
-2- Nicolas Natzilani Maza, (please excuse my spelling, I am composing this offline): From which of the current Maza siblings does he descend?
-3- Alexander Fox Xanatos IV: I have a feeling I am being a bit dense here, but is he the same Alex as Alexander Fox Xanatos I but covering for extreme longevity?
-4- I don't remember any mention of the New Olympians. Do they play a notable role? If not, where are they?
-5- Logistically I am confused about something- In a perfect world all the Gargoyle spin offs would be running at the same time for an indefinate amount of time. More specifically Time Dancer and Gargoyles 2198 would be running at once. [Which leads to another side question: What you call the series after the first year?] As I see it the first year or two wouldn't be a problem- Timedancer Brooklyn would be a couple of years younger than future Brooklyn and we just wont see him describing in detail events that haven't happened yet in Time Dancer to people in 2198.
The problems start when it comes time for Time Dancer Brooklyn to go to 2198. The easiest way I can see it is, we see him leave, we see him return ten years older all in one ep, "wow! I just spent ten years fighting aliens in the future! But I wont say anything more as not to let you know too much about what will be." Then we have a Time Dancer Brooklyn ten or so years older than the Future one and a massive, sustained chuck of time that he can't give away to the audience. It seems like it would be a very awkward.
Thanks... And enjoy the con!! I hope you give a passing thought to those of us stuck on the other side of the continent. (This whole being an adult with a job kinda sucks sometimes.)
1. You probably are reading a bit too much into a statistical sample of three. Plus, keep in mind that the Manhattan Clan doesn't exactly have deeply held traditions in naming. The whole concept is fairly new to them.
1a. I think Angela does think about it. But keep in mind, she was group raised. This way, as a parent, she has more children to love. That suits her fine.
2. I'm SO not telling.
4. They will eventually play a roll. Technology-wise, the rest of the world has caught up to them. I wouldn't fully re-intro them right away, although their leader will be kidnapped along with Alex.
5. You worry too much. I should have such worries.
mmm, sorry, i'new here.. i have one question about Timedancer... Were can i read the orginal about that?
The original what?
I have a few questions about Brooklyn and Katana's relationship.
1) How long are they mated before Nashville and Tachi come along?
2) How long did they know each other before they fell in love?
3)Given the traditionalistic upbringing that Bushido would offer would she at first find Brooklyn to be a fool?
1. I don't have that info with me at the moment.
2. Depends on how you define "fell in love".
3. There's conflict. I once described their relationship as Sam & Diane-esque. No one got that, but the intellectual crowd here did understand a Beatrice & Benedick reference. Made me feel old and young, simultaneously.
Well, either I can't find my answered questions(there are a lot)or I just asked them in a way that wasn't appropriate. Oh well. Anyway, if you ever get to do gargoyles again would you use Timedancer or would you maybe use a different idea if a better one surfaced? Timedancer is good, but I wouldn't put Brooklyn with someone so different. Maybe, but then again; you are the one writing the shows not me.
Since I can't find my questions. Could you e-mail me at Alexlyons3@hotmail.com
I'm sorry, I don't respond with personal e-mails. Defeats the purpose of this forum.
I'm always open to using the best possible idea at my disposal at a given time. But I'm pretty sure that would include TimeDancer. I'm not sure what you mean by 'putting Brooklyn with someone so different'. You don't know enough about Katana to know how different or not she is.
Hi Greg, I just started watching gargoyles a few mo. ago so i'm not fully awear of ever thing that has happened so i was just wondering if you could ever see brooklyn getting a girl friend?
Yes. (Check out the TimeDancer Archive here at ASK GREG for more info on KATANA.)
given that Mary (Tom's mother) will do some time-dancing with Brooklyn and Tom has had a long life on Avalon, have they or will they ever be reunited?
That would be telling.
If the Brooklyn is able get his hand on the gate and get home then why doesn't he keep the gate?
I never said he got his hands on it.
Why did you send Brooklyn on a forty-year journey? Why not Broadway or Lexington?
On at least one level, because that's how it happened. That is, the characters seem to tell me what happens to them next. It just seems right.
But basically, I felt Brooklyn needed to get away, break out. This was symbollically the most extreme way. BW and Lex don't need to leave.
In what period would Timedancing Brooklyn arrive in Xanadu, China?
Not telling. Neener, neener, neener.
Why does Brooklyn stay so long in 7th century Ishimura? Was it because of Katana or was it because of something else?
What is Brooklyn's mate Katana like?
When did I say 7th century?
I wonder how Goliath would have reacted to some of the other
tennets of Bushido. We saw how the code teaches redemption of honor through acceptance of personal responsibilty for your actions. However, this is pretty much a universal creed.
There were other aspects of the Bushido code, practiced by the Samaraii, that were very alien to western ideals. For instance, an unredeemable failure is seen as such an affront to the Bushido code, that ritual suicide or Seppaku, was often the only way to restore ones honor. The samarai disembowels himself with a curved knife. Then his "second" decapitates him.
Vengeance is a highly valued right among the practicers of bushido, as evidence by the classic story of the 47 Ronin. When a feudal lord was killed due to treachery of another, his 47 samaraii were shunned and disgraced as warriors without a master. There sense of honor demanded that the offender and his family be hunted down and killed, so the 47 Ronin dedicated the remainder of their lives to this task. Upon completion, the surviving Ronin committed Seppaku.
Surrender was also not tolerated by the bushido code. The samarai would fight to the last man, and enemies who did surrender were executed on the spot.
Were the Japanese gargloyes more selective in their practice of Bushido. I think it would have been interesting to see how Goliath would have reacted to ideals practiced by Japanese gargoyles which would have been so at odds with his own sense of what honor demanded. Dedicating ones life to vengeance? Summarily killing a helpless enemy? Failures so great that ritual suicide is a reasoned expectation, rather than an expression of anguish? There have certainly been instances where his anger or grief might have driven Goliath to these actions. Yet, Bushido enshrines such behavior as honorable and necessary.
All good points. All stuff I had hoped to explore in TimeDancer with Brooklyn and Katana.
Why exactly is does Brooklyn name his son Nashville? Does he name him after the city or does he name him after something else that bears the name of the city?
Not answering this now, but you might do a little research.
Ok now am I too assume correctly that when the 78 ( 39 biologically) year old Brooklyn returns from his dances he is stronger than he was when he left right? I mean he had been fully grown by that time and plus the perils of the dance could cause for a greater need to thicken up.
So the big question,
Can the (39) year old Brooklyn hold his own or maybe even win in a fight against the (29) year old Goliath?
Why would they fight?
Why are Brooklyn's travels in time called dances?
Is something or someone controlling where he goes?
Could you tell us who or what it is?
Again, control is executed or not, depending on the extent (if any) of YOUR PERSONAL BELIEF in a HIGHER POWER.
As to the name TimeDANCER, well, mostly, I just like the way it sounds. And it sort of indicates the way he SKIPS around from era to era. Just seemed right, I guess.
Ok forgive me if this is confusing but this is the only way I could figure out how to word this question. You have mentioned that a Time Dancing Brooklyn would be a character in 2198. Now, since Brooklyn come home eventually, wouldn't a ver old Brooklyn also be present? or at least Nashville and Tachi? What I am asking is during his Time Dancing wouldn't Brooklyn encounter older versions of himself, Katana, Nashville and Tachi? Seeing as how they do come home, thus are a part of the timestream from 1996 on?
They did come home, but do the math as to whether it's feasible that they'd still be alive in 2198.
I'm still a little baffled about Timedancing Brooklyn and the story behind him. You state that when Goliath threw the Phoenix gate into itself without a mind to guide it, it would be forever lost in the time stream. Then you went on to say that it lands in front of Brooklyn.
1. Why did you choose Brooklyn?
2. When does it land in front of him, in what time?
I was reading through the archived responses about this, and you say that he never lays a finger on the gate.
3. But how is it possible for him to travel forty years leaping in and out of random time shifts the gate creates? The gate is just a talisman, without a mind or the incantation it really can't go anywhere, which leads me to my next question.
4. If Brooklyn is susceptable to random time shifts, how long does he or can he stay, in one time?
5. Why couldn't he lay a finger on the gate? I mean surely he would eventually find out how the gate works in some time, grab it, speak the incantation, and boom! he's back home again in his own time exactly when he left. Brooklyn isn't that stupid, he surely would have had some pre-existing knowledge from Goliath about the dangers of the gate.
Please. Maybe you could explain this whole Timedancer mess in better detail or in a nutshell, or at least point me out someplace online I could go to read more about it in further detail.
No, I stated that Goliath threw the Phoenix Gate into the Timestream -- not itself.
1. He chose me largely. He was ready for the next step in his character's evolution. And I felt he could carry a series.
2. In "the present". Originally, that meant 1996. I'm not sure now. I'm leaning toward '97 though. Not 2001.
3. No, it goes everywhere and everywhen. It seems to be random. But the timestream itself may have currents and eddies guiding it.
4. There's no consistent rule.
5. He can never get to it in time.
The only place I can point you for more detailed info is the TimeDancer archive here at ASK GREG. (This doesn't seem that complicated to me, however. I certainly wouldn't call it a 'mess'.)
1. When he returns from Timedancing, is Brooklyn aware of the time and place of his own death?
2. If so, is he also aware that there is nothing he can do to change the circumstances of his demise?
If I understand Timedancing correctly, it occurs at unpredictable intervals. The Phoenix Gate suddenly appears and whisks Brooklyn off to a new time period. So my question is: when Brooklyn does his final Timedance, the one that brings him back to just minutes after he originally left, how does he know that his Timedancing is over? Does he know that the Gate will not appear again, or does he expect to be Timedanced(?) away again at any moment?
If he knows that his journey has come to an end, is it because he has gained control of the Gate? If he does have control of the Gate, why did he choose to come back just a few minutes after he left? Didn't he have anyplacetime better to go after forty years of Timedancing? What does he do with the Gate once he gets back?
I'm not answering any of this. If you think about it, you'll see why.
Here we go again...
1) Will Goliath and Elisa ever have kids?
2) Will Brooklyn and Katana have kids in the 2008 rookery?
3) Will Lexington?
1, 2, and 3. They will be parents to all the children of the clan.
Were you inspired in someway by Quantum Leap while making Timedancer?
Not really. Plenty of time travel stuff pre-dates QL.
And I'm much stricter about time-travel rules than that show.
Thoughts about time travel:
There is a little controversy about time travel vs. free will. If the past is unchangeable -and also the future, for consequence- then there is _no_ free will?
On the contrary; The events in the past can't be changed, but they WERE and ARE done by us. That's easy to guilt the others or the timestream, but, quoting Rorschach, from Watchmen:
"That's not God who kill the children, nor the chance who shred they, nor the destine who feed the dogs with they. They're us. Only us". (I'm translating to english from a translation to the portuguese. :-)
Plus, on the contrary of the common sense, change the past is not use free will, but kill it: Demona betrayed Wyvern. If she came back and change this, she should be obstructing her OWN free will. And her responsability, to boot. And responsability is one of the series' themes.
This is a paradox, but, with time travel, what else did you want? The unchangeable past universe IS the free will universe. :-)
Oh, well, now back to my time travel questions:
1- Roughly, when was the Phoenix Gate "created"? Meaning when it droped in Avalon, starting the time loop.
2- If the Phoenix Gate is a "steam valve" and it exists among two time points (??? or before and 2198 or after), what was the steam valve before the Gate? And after?
Ps. I just wanted to say that I fully understood the time loops in Vows, Avalon II and M.I.A. and I loved then. Vows and Avalon were amazing and smart, and M.I.A. was just too fun: Goliath couldn't change the history, but he was so smart that he could trick it! Great work.
Before we get to your questions, Bruno, let me just say that I agree with you on your time travel/free will thing.
1. I don't want to reveal that yet. It's intrinsic to the whole TimeDancer story.
2. Stories for another day.
Would the Loch Ness Monsters ever be featured in Dark Ages or Timedancer?
Did Brooklyn and Katana lug each of their kids' eggs around with them for the 10 years it took for them to hatch?
Do you have any ideas as to what Katana, Nashville, and Tachi look like, if so will you tell me?
1)Is Tachi a girl? When I looked the name up in the encyclopedia on Jeb's page it said Tachi was a male.
Yes and no.
1. Tachi is female.
Your description of how important it is to control the Phoenix Gate (or else you wind up, to cite your example, at Burger King instead of Fort Knox) got me wondering just now: is this one reason why it takes Brooklyn forty years to get back home during "Timedancer"? That he didn't concentrate in the right manner on his desired destination until the final "dance"?
No. Brooklyn, try as he might, never (or almost never) lands a finger on the Gate. He's basically leaping into portals that the Gate opens "at random".
'VOWS' - what an episode. So many twists, so much drama, and some brilliant comedy from the Xanatos family. The thing that always occurred to me when watching this is: who on earth in Shari Goodharz? She only wrote the one episode that I recall and yet this is one of my favourites, if not my favourite outright. And yet she never did anything else. I guess looking at your outline she had a lot of dialogue to work in but even so, it was pretty damn good.
Actually, it always seemed like quite an intense episode to put before a multi-part story. I didn't watch it in order properly until I knew the whole season ('CITY OF STONE' aired at the beginning of the season here in two back-to-back weekends: accompanied with some stunning preview adverts of Demona blasting the stone humans).
Just one reply:
"But the gate stays open long enough for him to go with. Did it ever occur to her to go somewhen else other than 994? I guess part of it could be chalked up to dim memory. It was over a thousand years ago. And Demona lived through that 1000 years. Even for a very significant event in her life, it must still be very hazy."
Apart from the shock factor of the castle still burning (in this episode) and Goliath in stone, I think this would have meant most to Demona. But another possible explanation is in your outline:
"But choosing requires incredible concentration. Otherwise, the chooser's emotional or mental whim of the moment may cause the gate to drop everyone off at Burger King instead of Fort Knox."
Seeing as how Demona claims to have a clear memory of Goliath's 'inspirational' presumably this is the thought that would have dragged her to 994.
I really like your explanation of the Gate's changing size as being due to its 'time valve' function. Was this something you ever planned to develop or at least mention out loud in the series? I guess we'd get some hints from what you've told us about 'TIMEDANCER' so far.
I LIKE you're explanation for Demona's choice A LOT. THANKS!
As for the timestream steam valve theory, it would get some real play in TimeDancer for sure.
At what age do you feel that gargoyles learn to glide?
Will Tachi (aged six) know how to glide when she timedances into the present, or will it be something she'll learn during the course of the series?
She'll have started learning. I don't know that she'd have mastered it under all conditions. But she'd be doing a bit of it.
On my last question you repost: Define "love". Well, I know that Brooklyn didn´t really love Angela from our point of view. But from his point of view, he is in love, and so, I think, he would tell angela, that he is. So, will he ever?
They might have a conversation some day. But not until after the TimeDance, when it's WAY moot.
You've revealed to us (through chronological info) that the gargoyles' twenty-year cycle is "attuned to the earth" rather than something which is mostly internal (as I had earlier assumed).
How did this affect Katana during her timedances? Her and Brooklyn's two children are twenty years apart in age, as if the cycle had been internal for her, affected only by the time which passed for her, rather than affected by the "earth's cycles" and the different times she would journey to.
Is that simply a coincidence? Did she just happen in her travels to journey to two mating seasons, with a period of twenty years inbetween as subjectively perceived by the timedancers?
As I've stated recently, very little is truly random in the Gargoyles Universe. My mind just doesn't work that way.
Is Brooklyn's timedance injury that severe that it can't be healed by the healing rays of the sun? Or is magic involved which prevents it from healing?
Not saying at this time.
You mentioned that one Timedancer villain would be the Archmage, presumably due to his little side-trip with Goliath during their battle for possession of the Eye. If this actually makes it into a Timedancer episode, then presumably it will also feature Brooklyn. So...
1) Does Goliath meet Brooklyn in that/those episode(s), and therefore have foreknowledge of Brooklyn's Timedancing?
2) Does Goliath have any role in how the Gate ends up with Brooklyn?
1. I'm not saying.
2. I'm not sure what you mean.
Dear Mr Weisman,
Regarding Timedancer and The Dark Ages, given the time, would you plan to turn both of those into animated shows, or do you feel they are best left as part of the written world?
Given the opportunity, I'd gladly do either as animated series.
In "M.I.A.", mention is made about gargoyles in WWII being chalked up to "gremlins and the like." So the question is, were there really gremlins out there? If so, where do they fall in terms of the "three races?"
There's more to this Gremlin question. But you'll have to wait for TimeDancer to learn it.
Would Brooklyn visit any time beyond the scope of 2198? If he goes back at least as far as Feudal Japan then it makes sense he'd go forward a similar distance. But there again, plotting REALLY far ahead must be difficult. If he doesn't, will there be an in-universe reason?
He goes into the future and into the past. I don't need reasons beyond that.
Some days ago, i poste that question:
"Are there other girls, then Katana, in Brooklyns timedance that are REALLY close to him? And if yes, how manny?"
You awnser:"Not sure what you mean."
Well, I mean, that he fall in love with other girls during his timedance. Or, maybe, he was verry close to a merryage with another girl, and then the Gate take Brooklyn away. Things like that.
Hope, You understand now.
Not "marriage" close if that's what you mean by "merryage", but I'm not saying he didn't have other romances.
Quick! We must fill the queue - Greg's caught up! :-)
Anyway, just a nitpick: You said "Odysseus traveled for twenty years."
Well, he was away from home for twenty years. But ten of these years he had been fighting at Troy. His return took him a further ten years, seven of which he spent as a virtual prisoner in Callisto's island.
So, one could say that he spent only *three* years travelling, though it was twenty years that he spent away from home.
If one's nitpicking, anyway. :-)
That's what I meant.
I actually DID know that.
And Brooklyn may stay in one place, fighting or whatever for various lengths of time in various periods of time. But when all is said and done, he'll be twenty years older when he gets back.
1) If they're still alive, where do Mary and Finella live at the end of "The Journey"?
2) Do Mary and Finella ever try to get in contact with the Manhattan clan?
3a) Will Mary ever see Tom again? b) Will she meet "the eggs"?
4a) Will Finella find a new love? b) If so, is it anyone we know?
1. Not saying.
2. Not saying.
3. Not saying. Not saying.
4. Not saying. Not saying.
1a) Are/were there any living phoenixes in the Gargoyles Universe? b) If so, were/are they a separate species, or are they Children of Oberon or a form of gargoyle?
2a) Did the forging of the Phoenix Gate have anything to do with (an) actual phoenix(es)? b) If so, was whatever involvement they/it had, voluntary?
3a) Was Princess Katharine's mother ever aware of the powers of the Gate? b) ...was the Normand ambassador? c) Was Malcolm ever aware that he was going to receive the Gate?
4a) When the Gate was broken in half, did it become *completely* nonfunctional, or did some residual magic remain? b) When it was whole again, was it as good as new?
5) What is the immediate source of the magic/energy that the Gate draws on?
6a) Why is the incantation for an Avalonian magical artifact in Latin? b) Is that particular incantation necessary, or can the Gate be activated some other way?
b. Not saying.
2a. Maybe. If the Gate was forged. Which it wasn't.
c. He was informed after it was stolen.
5. Ambient time stream need. (Generally measured in Farquars.)
6a. Necessary for a human to harness it.
b. When free, the gate travels about on its own, as Brooklyn learns to his chagrin.
Here is some Timedancer stuff:
1.:Are there other girls, then Katana, in Brooklyns timedance that are REALLY close to him? And if yes, how manny?
2.:How old is he when he returned to his clan?
3.:IF there is an child of Elisa and Goliath, did Brooklyn met him/her in his journeys?
4.:Did he met himself in the future(like Demona in "Vows")?
1. Not sure what you mean.
2. Biologically about 40.
3. Not saying.
4. Not saying.
1a) You said that Brooklyn would travel to the "Future Tense/2158/?" era both before and after he met Katana. From the perspective of those living during this future period, did Brooklyn's first visit (when he was alone) happen *after* he had already appeared with his family? b) If so, did the people during that time reveal (perhaps accidentally) to Brooklyn that he was going to have a family?
2) You said that Brooklyn keeps "chasing" after the Gate because he wants to get home. Although I'd understand why this would be important to him when he's alone and memories of home are still fresh on his mind, I would think that after 40 years and having the comfort of his family, getting home wouldn't be as critical to him. Am I wrong, or does Brooklyn find a new reason to be motivated to return home to the present?
1. I'm not answering that now.
2. Odysseus traveled for twenty years. Brooklyn for 40. (But he was only awake for 20.) Sometimes we reason not the need.
Uh... something went strange and I'm posting this question for a second time. I've reloaded the new questions page in a separate window a couple of times and it hasn't appeared, but just in case it does appear twice, sorry. Anyway:
When you say that you'll keep track of time for Brooklyn, do you mean that you'll make it clear to the characters in the universe that he's been gone 40 years? Or will you communicate to the viewer that 40 years has passed for Brooklyn in another way?
Would Katana, Tachi, Nashville and Fu-dog be the only companions that Brooklyn would have on his time-dancing journey (I mean actually crossing between times)?
No. They're just the ones he came home with.
Does Brooklyn meet all the rest of the clans (apart from the six we saw in the original show) during his timedancing?
You just revealed that the Xanadu clan is the other contemporary clan. You also previously mentioned that Brooklyn would find Fu-Dog in China during his travels. Which makes me wonder.....
1a) Does the Gate bring Brooklyn to present-day (or at least what would be the present relative to the "Gargoyles" show time-line) China? b) If not the present, around which period would it be (ancient, medieval, future, etc), on each (if there's more than one) of the occassions Brook would travel to China?
2a) Is Xanadu the only Chinese location the Gate brings Brook to? (assuming it even takes him to Xanadu). 2b) Does Brooklyn find Fu-dog in Xanadu, or in another Chinese clan?
3a) Around what age would Fu-dog be when Brook first finds him? (I think you said he wasn't a puppy) b) Did Fu-dog leave a mate or any progeny behind when he left with Brooklyn?
4) Do the Ishimura, Korea, and Xanadu clans know about each other?
5) In the contest, you didn't give credit for listing Beijing as the home of the Xanadu clan, even though that's where Kublai Khan had his capital--which is the place some believe Coleridge's "Xanadu" referred to. So my question is--where (approximately) in China *is* Xanadu?
6) Dragons play a big role in Chinese (and many other) mythologies. Are these legends simply based on gargoyles and their beasts--who may resemble dragons, on fey who chose to assume dragon form, or on a separate species all-together?
1b. Maybe all of the above. Or not.
2a. Forty years is a long dance. I don't pretend to have all forty years plotted out exactly.
3a. I said I never said he was a puppy.
3b. Can't say. Or won't.
5. Not in Beijing.
6. Greg has left the building.
In a previous post, I had asked, "After Brooklyn is done with the gate in Timedancer, it will return to its point of origin in the past (the paradox). Out of curiosity, how long before the Gate found its way into Elena's dowry did the Gate "first" appear?"
You responded, "How do I define 'how long' with the Gate?" So let me try to rephrase that....
After the Gate returns Brooklyn to his time of origin, five minutes after leaving, what year does the Gate travel to next?
And who is the first to find the Gate after it appears in that year?
I don't know. Haven't worked that out at this time.
Would any of the spinoffs featured the Pack (or at least members of the Pack) as villains?
Thank you for your time.
Sure. Most. Let's see...
Gargoyles 2158 (revised)
And I wouldn't be surprised if we also saw them in
But I would be surprised if they showed up in
Is Brooklyn aware how long he timedances for? I mean, does he have any way to keep track of the years?
But I'll keep track for him.
Just a quick question for ya, 'cause I think the first on this particular subject got lost or cut out.
Anyway, I was wondering why did Brooklyn become the Time Dancer? I don't remember reading the inspiration for it. Brooklyn's a cool character and all, but I guess I just don't see him doing that sort of thing. Yet, at the same time he almost needs it. But it's sad too. It makes me feel bad for him.
But that also makes me wonder about Goliath. I started getting the impression that maybe Goliath would learn to use magic after using the Eye. Don't ask me why though. So, it made me wonder, was there anything more that Goliath would do? Is there a particular destiny he has like Brooklyn? Or is his purpose just to lead the clan?
Also, would his and Brooklyn's paths ever seem to cross during Brooklyn's Time Dancing? And, I don't understand why the clan would be disappointed in him for his Time Dancing. What he have done or not done to make them disappointed in him?
I think that's all for now. Except, in all honesty, Brooklyn's design is the most interesting and unigue among all of the gargoyles. But he still doesn't top Goliath. At least not too me. ^_^
Goliath and sorcery don't mix well.
Goliath will have plenty to do, believe me. He has as much or as little a destiny as any of our characters, including Brooklyn.
I'm not sure what point your trying to make here.
I don't know what you mean when you say the clan would be disappointed in Brooklyn for TimeDancing. If you think you're quoting me, you MUST be mis-quoting me, or misunderstood me or something.
1. Does modern-day Clan Ishimura have any knowledge whatsoever (perhaps in the form of documentation or maybe oral tradition) of Brooklyn's visit centuries earlier?
2. How do Brooklyn's and Katana's children interact with one another? Do they get along, or do their parents have to send them "to the rookery" on occasion? Which one (if any) is the troublemaker? :)
3. I am curious as to how "assimilated" Katana will be by the time her journey with Brooklyn ends. For instance, will she view her offspring as her own, or as children of the entire clan?
4. After his travels, do you think Brooklyn could pass any high school or college history exam? Multiple choice, of course. In other words, will his experiences make him a history expert?
5. How much exposure will Katana and the youngsters have to technology before the journey ends? Would they be able to recognize a computer? Better yet, would they understand the Internet?
6. Have you decided exactly how/when Brooklyn receives his permanent injury?
7. About how often would Brooklyn find other gargoyles on his journey through time? I would suspect it to be a rare occurrence.
8. How do you imagine the TimeDancer theme song? What kind of mood? Any narration? Have you given it any thought yet?
1. Can't answer that now.
2. They generally get along, but not all the time.
3. By necessity she and Brooklyn will regard these children as their own. Once they get back in the bosom of the clan, they will be happy to share parental responsibility. But nothing can change the bond formed over years of travel and adventure. But I wouldn't call this "assimilation". This, for once, has less to do with gargoyles being influenced by human customs and more to do with the rigors of TimeDancing.
4. True (if scattered and sporadic) history, yes. Not necessarily the stuff in history books that would win him straight As.
5. I don't know about the Internet specifically, but they'll be seeing all sorts of computers. They'll be dancing into the future as well as the past. I think.
7. Like the Avalon Skiff, the Phoenix Gate seems to lend some purpose to the Dance. So perhaps more often than you'd think.
8. Nope. You're way ahead of me.
Previously on Ask Greg: I wrote, "Buenos Dias Mr.Weisman,
Here's another question guised in the form of question.
On a scale of 1-10, 10 being the most severe, How bad was Brooklyn's disfigurement(was that the word used?) after returning from his Dance in Time?
Thank you much. Gracias as it were. Xi Xi. Thanx. etc etc. Much appreciation. Gratitude flowing from pores."
You replied (your questions numbered)"
1>What forms are questions usually guised in?
1>In this forum statements. But usually in Confused looks.
2> My question sprouted from this previous Q&A "4) Does Brooklyn (or Katana) suffer permanent injuries from their traveling? By this I mean scars, loss of limb, and whatnot."
"4.Brooklyn does actually."
So, my question would be in that context and restated (but if you answered the original question as well I wouldn't not be pleased),"What was Brooklyn's permanent injury(/ies)?"
Sorry if this is a bit confuddled and befusing. Thanks much and much thanks.
Not saying now. But I do know.
1. Would Brooklyn have once again assumed leadership of the clan, as he did during Goliath's absence?
2. How does he (post-TimeDancing) feel about:
c. Tired of it.
1.What is the earliest period of brooklyn's timedancing
2. how does the illumanti know about the timedancing
3. did brooklyn meet duval in the past?
4.does brooklyn come in contact with any fae in the past
5. if yes to 4, are in human form, during that 1000 year leave of avalon period
6. if yes to 4 then who does he meet
7.does brooklyn meet the archmage
2. Who said they did?
3. Probably at some point.
6. Puck for sure. I'm not saying more now.
the gate was made on avalon...
1. who created it
2. the gate is lost by goliath and then to timedancer and then eventually it goes back to the beginning circle.so how does it fit.someone created it. the only way for this whole loop thing the gate travels in must end up with the gate being destroyed?????
1. Who said it was created?
2. How do you figure?
1. You mentioned that the enhanced Archmage would have appeared in "Timedancer", would that have been before he picked up his younger self?
2. If the answer to #1 is yes, why didn't he go to pick up his younger self directly?
1. Not saying.
2. Not saying.
Did the Ishimura clan right down about anything about Brooklyn and that he took of of there clan members as his mate?
I have Brooklyn questions.
1) Were there going to be conflicts between Goliath and Brooklyn (Second In Command).
2) Before he goes on his timedancing adventure will Brooklyn try a few more times to woo Angela.
3) Will Goliath consider turning over leadership of the clan to Brooklyn?
4) Will Katana join Brooklyn willingly or be dragged into the travel?
1. Occasionally. Nothing major.
4. Willingly sorta.
Buenos Dias Mr.Weisman,
Here's another question guised in the form of question.
On a scale of 1-10, 10 being the most severe, How bad was Brooklyn's disfigurement(was that the word used?) after returning from his Dance in Time?
Thank you much. Gracias as it were. Xi Xi. Thanx. etc etc. Much appreciation. Gratitude flowing from pores.
What forms are questions usually guised in?
HEY GREG. I WAS JUST WONDERING DOES BROOKLYN REALLY HAVE A FUTURE MATE (TIMEDANCER) OR IS THAT JUST FAN FIC. THANKS FOR YOUR TIME.
He does in my mind. Her name is Katana.
1) If and when you get to do tose Gargoyle Episodes and Spinoffs do you plan to do crossovers like the following:
2) Would you still include the Previously On Gargoyles segments when necessary?
1. 2158(revised) and TimeDancer, definitely.
Dark Ages and TimeDancer, probably.
Pendragon/Bad Guys. Probably, eventually.
Bad Guys/Gargoyles. Definitely.
New Olympians/Gargoyles. Definitely.
New Olympians/Pendragon/Bad Guys - Eventually.
A couple of questions about the Phoenix Gate....
1. When you named the Gate, back in "Vows" early in Season Two, did you already know that the Gate would be forever trapped in its paradox, that is, repeating its existence from the beginning over and over? This lended itself to the Phoenix namesake, the perpetual rebirth of the Phoenix, just like the Gate keeps restarting its existence. Whether or not you came up with the name first or the paradox concept, kudos to you guys! It's the perfect name.
1b. If the Gate wasn't named for this reason, then why did you name it the Phoenix Gate?
2. You said that after Brooklyn is done with the gate in Timedancer, it will return to its point of origin in the past (the paradox). Out of curiosity, how long before the Gate found its way into Elena's dowry did the Gate "first" appear?
2b. How did the Gate get into Elena's dowry?
Though this might be better left for a response to an upcoming ramble about "Vows," you might have rambled about it already but the time you read this, so here goes. I just wanted to say I think the Gate is one of the more intriguing concepts in Gargoyles, simply because of how you handled it. First of all, it's use fits the Gargoyles story as a plot device that enhances the character's concept of their predicament and "the way things turned out," as opposed to what might have been.
Second of all, you didn't break any rules. Anything that's gonna "happen" on trips to the past has already happened, anything that "happened" on trips to the future is gonna happen, and there's nothing anyone can do about it. It's the perfect time-travel scenario. I just wanted to say good job.
1. My preference in time travel is the "Working Paradox", so I knew that if I was going to bring Time Travel into the series, I'd want that kind of paradox. The name just seemed to fit. But I don't remember who came up with it.
1b. See above.
2. How do I define "how long" with the Gate?
2b. Ah, now that's a story.
Thanks. It's how I like it too.
In one of your most recent answers, you discussed briefly a few of the villains whom you'd planned to show in "Timedancer" if you'd made it. One of them was a certain "Calaban". Is this the same (more or less) as Caliban from "The Tempest"?
If Percival is Duval... (metaphorically speaking)...
Back again. ^.^ Say hi to Jen for me.
<still Puck, following a different mindset topic>
1) Did Puck or Owen ever meet a timedancing Brooklyn? <thats a question repost, got wiped in one of the screw ups>
2) Do you in your opinion think Puck would try to interfere with a time paradox intentionally? :)
2. I'm not sure what you mean.
I asked this way back in March, but I think the question got lost, so let me try again.
Were you ever going to reveal just how Demona and Xanatos teamed up? Xanatos is not exactly a trustworthy individual, and Demona's track record with humans has not been stellar. It's not like she would just go up to him and say "I'm a thousand-year old gargoyle with a grudge against humanity. Want to help me reawaken my clan?" And was she the one who gave him the Grimorum? Because if he got it from someone else, and Demona found out about it, then she would have obviously wanted to reclaim it, which would explain how they met, but not how they decided to work together. So what's the story?
Thanks for listening, and sorry if you have read this already.
Ever? Yes. In TimeDancer. It's a very complex story involving two different "dances", Brooklyn, Mary, Finella, Xanatos, Demona, Owen and Puck.
1)In Brooklyn's timedance would he have visited other planets, and see other civilations or is he only dancing on Earth's time stream?
2)When Brooklyn visits Fuedal Japan and 2158 will he only go there once or could he visit 2158 in one month and go somewhere else, and then return to 2158 in a different month?
2. Anything's possible.
I'd appreciate your thoughts on the accuracy of my hypothesis. I know you are likely to be cryptic, so I promise to be only somewhat annoyed it you are, although I'd prefer if you weren't.
About time travel, why is the Phoenix Gate the only time travel device out there? Or is it?
It is likely the only magical way, because if not, why would Oberon want it so badly? Unless it is like a washing machine. You can wash it by hand but you'd rather use a machine.
You've established that the past cannot be changed, and that Xanatos's current position in society is solely because of his little trip to the past.
Establishing that the Phoenix Gate is gone, except for its little TimeDancing trip, does that mean that time travel in the gargoyles universe is now totally impossible?
the final question would have to be, since you don't believe in a changable past, does the Gargoyles universe contain parallel time tracks, entire other universes with a different version of events.
Finally, I apologize if I missed previous answers to these questions. I have been reading the archive since it started, but my memory is a little bad at times.
1. I didn't say that the Gate is the only device out there. Depending on your point of view, one could say the Grimorum acted as a one-way time travel device for Goliath et al. And for the Coldtrio as well.
2. Who said Oberon wanted it so badly? Puck thought it would make a good bribe. Who knows if he was even right?
3. I wouldn't say "solely" but sure, what's your point?
4. Not necessarily. But I'd never make it easy. (And calling TimeDancer a "little...trip" is the understatement of the day, at least.
5. Ehhh.... Those things tend to be abused whenever they're introduced. Look at the X-Men. That book became unreadable to me eventually. As I've said before, I'm open to thinking about parallel universe/tracks etc. But I tend to think I'll end up saying no.
Hey, I thought I _asked_ this one already..but well I just looked over a bunch of Q's..and well I guess mabye I didnt. Well, sorry if this is a double post ok?
I was thinking about 101 dalmations a few days ago. You probably havent thought about this in perticular..but for Nash's voice were you just planning on using Jeff?
If so would it have sounded like Lucky's voice?
Thanks!! SORRY again if I spammed you!
I haven't seen much of the tv 101 Dalmations. So the Lucky I know had a slight British accent. But we might very well have used Jeff for Nash. Maybe.
Lil Q. Um..I know you have said you are not that concerned with physical appearences of characters. IE: color, body type..so on. Well, I guess I was just wondering if you were planning on making either Nashville, Tachi, or both of Brooklyn's kids to have the trade mark beak? I suppose it is likly that at least his son would. It is just one of those things that people think is neat. Hey, like father like son right? Something like that I guess. But even though I think that would be cute, I also think that it would be neat if he didnt have it. I mean, mabye look more like his mother, (whatever she will look like) mabye just have his dads type of fly away hair, or similer voice..ect. Just a thought. ER NO wait..not a thought..not an idea..NOPE _nothing_ like one of those *thinks fast* umm..ya just a ramble;) *jk*
My guess (which I won't be held to) is that Nashville would look like Brooklyn but with Katana's coloring. Tachi would look like Katana but with Brooklyn's coloring. Wing shapes might reverse too. I say that, because it's my M.O. But a good artist could change my mind.
Hey, Did Katana decide to leave with Brooklyn willingly or was it an accident?
Weather she left with him willingly or not, was it the first time he had timedanced there? ..probably ya ..but..*shrugs* just wanted to get my facts strait.
Would it have taken Katana, not to mention others, a lot of time to believe Brooklyn's story? I mean..A time travleing gargoyle with a fu-dog? Come on..someone had to be dipping into the sake right?
Again..probably a couple of no duh questions..you did say that besides the future Brook would have spent the most time there so they probably got to know one another..but hey. You can always tell me to check the archives right?:)
She chose to go with him, but it was a tough choice.
Wow..your really blowing through these Q's. I'd like to thank you again for all the effort you put into answering our constant questions:)
Heres one that occured to me at work today.
I guess..this may be a dumb question...but did you ever say that Fu-dog was going to be a male??
If not or so or whatever the case, were you planning on making him a male or a female?
Just wondering! I know I wouldn't mind a puppy;)
I don't know if I said it, but he is a he. He's not a puppy though.
Hi (don't stay up night too long)
In all the spinoffs, you mentioned vilains that will show up, like: in Pendragon Duval is the main ennemy and in 2158: the Space-Spawns will be the main threat. What about Timedancer and New Olympians?
Will there be a main vilain in Timedancer and New Olympians?
New Olympians is easy... There's Proteus of course, plus Jove (and his crew, including Helios and Boreas' son) and Ekidna (and her crew, including Kiron and her reluctant daughter Medusa). Plus the usual suspects. Xanatos, Sevarius. You know.
TimeDancer's trickier. I haven't fully decided if there's one over-riding villain. Calaban's a possiblity. So's the Archmage-Plus, believe it or not. I have one story for him for sure. Then there's Constantine. And the Space-Spawn. Duval. Mab. Like I said, I haven't decided.
Hello I'm a really big fan of Gargoyles, I watch the show all the time.
Well here's my Q.
Is there anywhere on the web that your spin-offs are in print, or are they only at the gatherings?
Pretty much only at the Gathering. But you can get a lot of info on them by checking the following ASK GREG archives...
I hope you don't mind some more TimeDancer questions. I checked the archives, and most of the questions were along the lines of "Who is Brooklyn's mate?" and "Who becomes Brooklyn's mate?" Let's hope these are less redundant for you. :)
1) When Brooklyn is finished with his time-traveling... how does he know he's actually finished? What makes him think the Gate won't whisk him away again?
2) Once the initial shock is over, how will Broadway and Lexington react to the relatively sudden change in Brooklyn due to the whole TimeDancing thing?
3) What happens to the Gate when Brooklyn's done with it, (or perhaps when it's done with Brooklyn)?
4) Does Brooklyn (or Katana) suffer permanent injuries from their traveling? By this I mean scars, loss of limb, and whatnot.
1. For starters, he's back where he started. Also he's been chasing the gate. Once he arrives at his final (i.e. his starting) destination, he has no reason to chase it anymore. And finally, it's a visual thing.
2. They'll have to get to know each other from scratch. But it was meant as a startling reminder that the three were "growing up". They would always be best friends. And always there for each other in a crisis. But the days of the "TRIO" being joined at the hip were sliding away.
3. Gate starts over. A perfect paradox.
4. Brooklyn does actually. Mostly they just get older and more parental.
1) Were there ever plans to use the Archmage paradox? That is, did you intend to have time-traveling Brooklyn meet different versions of himself in the past or future?
2) Also, on average, how many episodes would Brooklyn spend in a single time period? I find it hard to believe that you would want to limit every time period to a single episode, especially for those in which Brooklyn spends a significant amount of time there, (months or years).
3) How did Katana and Brooklyn get along when they first met? Or rather, what were their first impressions of one another?
2. It would depend on the nature of the series. How big an order we had in the first place. 13 or 65. But generally some stops would have included multiple stories and/or required multiple episodes to cove. Also some places/periods he visited more than once.
3. I was planning a Sam-Diane thing. It's a bit cliched at this point, but we hadn't done it in Gargoyles.
You've said many times that you plan to introduce every myth and legend into Gargoyles, or least as many as possible. If and when the show returns (in the same format and present-day time period as the original show), would it take another story arc such as the World Tour to come closer to accomplishing this? I mean, traveling around the world does make it a little more convenient to introduce new characters and situations than hanging around in Manhatten. If the answer to that question is yes, then can you describe what this story arc would be like? Thanks.
Everything in its time. TIMEDANCER would have been a great outlet for exploring more myths. But we'd have covered more in the main series eventually. Starting, probably, with Mab.
At the end of Brooklyn's 'timedance' would he have the phoenix gate or would it still be lost in time forever?
He wouldn't have it, but it's journey would start anew.
Hello Greg, heres my Q's:
You said that Brooklyn would be helping Mary and Finella. Does he by anychance go back to Wyvern and see him and his buds frozen in stone? not a meaningful question I know..but..just wondering.
You said that our hero would find himself in China at some point and it was there that he would aquire Fu dog. I guess I just assumed,...yaya..I know what they say about that, that Fu dog would be Nashville's pet. I guess I just have a boy and his dog complex going *shrugs*
Is Fu Dog Brooklyn's Dog or Nashville's dog?
Who named him?
Yes, Brooklyn would have made a stop at Wyvern at some point in his TDancing.
Fu Dog is a Gargoyle Beast. Not a dog. He's not exactly anyone's pet. But Brooklyn finds him before he meets Katana.
As for who names him. Well, Brooklyn, sort of. That's just what they call 'em in China.
Hi Greg! :)
I love "Gargoyles" (obviously) and I was sad that they cancelled it. Ever since I saw "Awakenings" Part 1 (I was there the first time it aired and fell in love instantly!), everything caught me. The betrayal was stunning, the art fantastic, the storyline just plain magnificent! I keep high hopes that Disney gets off it's butt and start working with your show or else to sell it, or better yet continue it with YOU on the crew. Sorry, I've been a Garg fanatic ever since I was nine so thanks for taking your time, because a lot of people, including me, appreciate it. ^_^
Sorry if these sound dumb...
In the spin-off for GARGOYLES 2158, you said that Timedancing Brooklyn will star along with Demona, Samson, and a few others. Wouldn't Timedancing Brooklyn meet his older self (the Brooklyn that has become 214 years old) in this year?
(Second question) In the year 2158, will the older Brooklyn even be in Manhattan?
By 2158, Brooklyn would be dead, one way or another. (Do the math.)
Dear Greg, This question is about the Angela and Brooklyn relationship. At the end of season 2, why were you hinting at an attraction or possible relationship between them, and then out of nowhere have Broadway come in and mess everything up? Here's my proof that Angela was probably going to go with Brooklyn: in "The Reckoning", Demona hit Brooklyn and he fell onto a roof. Angela immediately rushed to his side, held up his beak, and lovingly looked into his eyes. Also, in "Hunter's Moon: Part 1" Brooklyn got shot in the arm, and Angela rushed to his side again to see if he was OK, and bandaged his arm.
I mean, how could you do that? Poor Brooklyn, the poor guy can't win. Angela and Broadway DO NOT go together. Yuck! And how could you have Angela ignore Brooklyn after all the things they did together before "The Journey." It just doesn't make sense. Why did you just suddenly change your mind with that? Brooklyn and Angela make the cutest couple, then you denied them that. How come? :)
NO. NO. NO. NO. NO.
I never changed my mind. I was never hinting at a possible Brooklyn/Angela romance. Quite the reverse, Gary Sperling and I decided early on that Broadway and Angela were right for each other. And we were hinting at that. Yes, Brooklyn liked her. The way he liked Maggie. That is shallowly and without any real thought as to whether his feelings were reciprocated. He didn't love the real Angela, just the romantic opportunity she represented.
As to your proof, you read that loving look into the Reckoning. Probably Brooklyn did the same. You must have wanted to believe that as he did. It was just sisterly compassion. Same in Hunter's Moon. Any injured gargoyle would have gotten the same treatment. Broadway saw the real Angela, and she saw the real Broadway. They care about each other and love each other beyond surface.
Look, obviously, you are a Brooklyn fan. Me too. Wouldn't you rather see him end up with someone he truly loved for who she was. Someone who loved him the same way. That's Katana. Trust me.
Which of the seven series was Queen Mab supposed to appear in?
Gargoyles. Maybe TimeDancer, though I had no specific plans for that. Possibly Pendragon too.
But mostly Gargoyles.
[More rambles on individual episodes. As usual, I encourage you to post your responses here.]
Part two of our trio tryptich. Brooklyn looks pretty cool in this one. I have to admit, I didn't realize what a break-out star Brooklyn was back then. I mean I liked him, but I didn't yet realize how much he would really capture a huge chunk of fandom's imagination. (Of course, back then the show hadn't aired yet, so there wasn't any fandom.) But seeing this episode in hindsight, you can sure see how cool this guy was. Good-looking with the hair and the muscles and everything. Even the snout adds to the look.
And he's so sympathetic too. Yes, he gets "turned" by Demona. But he immediately realizes that what she's doing is wrong. He admits his mistake and tries to correct it. He's such a good guy. Later, of course, I'd recognize the star power and attempt to give him his own series: TIMEDANCER.
Back then, of course, I had really modeled the ensemble nature of the show on HILL STREET BLUES. Goliath was my Frank Furillo. Everyone would get their own stories, but Goliath carried the weight. So, although the tryptich was designed to deepen the characters of the trio, you can see that each episode also prominently features Goliath. THRILL: Lex & Goliath. TEMPTATION: Brooklyn & Goliath. DEADLY FORCE: Broadway & Goliath. (And later, LONG WAY TO MORNING: Hudson & Goliath.) Don't get me wrong, I don't regret this at all. I think those are all great stories, and without Goliath they would not have worked as written. But I think the design of them betrays a bit of insecurity. We weren't sure if the other characters could carry their own episodes alone. The nice thing about the tryptich (and LONG WAY) was that it proved to us what a strong ensemble of characters we had built.
Lex has some real attitude here: "You rode a horse once, does that mean you could build one from scratch."
The motorcycle is interesting. It was one of three toy driven elements we consciously put into the show. (The others were in "Her Brother's Keeper" and "Eye of the Storm".) It was a rare moment of Kenner and Disney being in semi-synch. And the toy actually looks like the motorcycle. But of course, what the hell were we going to do with a motorcycle? How could we make that an on-going element in the show. Sure Batman has a batmobile, but the garg-cycle just sounds silly. So we put it in, but Michael, Brynne, Frank and I are so subversive that we blow the thing up before the end of Act One. Kenner never said anything. I'm not sure if they ever saw the episode. (But we weren't being very good partners.) But what goes around comes around. I'll tell the flip side of this when I ramble on Keeper and Storm.
S&P required that Brooklyn wear a helmet when riding. That was fine with me, but I wanted to make an effort to make it organic. Brooklyn puts it on because it's "All part of the look." Helmets make it cooler. Thus helmets are cool. Thus kids will wear their helmets. Aren't we sneaky?
Also, Brooklyn loses yet another pair of sunglasses.
Morgan's back. But he litters. That always bugged me. Talk about setting a bad example.
And is that Margot Yale's actress sister on the television sitcom saying, "Who do you think you are... Elvis?" [Add laugh track here.]
"Kindred Spirits" - Brooklyn quotes Lex from Thrill and attempts to make the same kind of connection with the bikers that Lex attempted with the Pack. With similar results. Later, Demona refers to Lex's little adventure with the Pack. This was the moment when Michael Reaves and I decided to attempt to treat the series as episodic but sequential. The order of the episodes would matter. Yes, you should be able to enjoy any individual story... but viewing is enhanced when you see the shows in order. This was not an obvious decision. Most shows REQUIRE that episodes are airable in ANY ORDER. We had that requirement too, up to a point. But we wanted to add something more. To play with continuity. With evolving lives. This wasn't an issue in the pilot five parter. Of course, that had to air in order. And then there was Thrill. Just the first one we made after Awakening. That aired next. But we didn't think about it. But here, we had to decide. So we opted for an episodic but sequential series. (My favorite kind.) We referred to previous conversations. (Elisa's still pestering Goliath about the Xanatos-ticking clock.) And we laid pipe for future episodes, by having Demona rip a few spells out of the Grimorum. (At the time, I didn't even know what those spells were for. But I knew she had them. I knew we'd use them.) We had Demona admit she had lied about how she had survived to the present. Etc. Anyway, all this continuity would later bite us on the ass a bit. (I'll talk more about this when we get to "ENTER MACBETH", which forced us to slightly change our M.O. for season two.) But again, I have no regrets; I think it's one of the things that makes the show special.
Meanwhile, how did Demona know about the Pack & Lex? Although the pact with Xanatos clearly hasn't been broken yet (not till CITY OF STONE, obviously), she also doesn't exactly have free run of the castle. She has Brooklyn steal the book. Of course, she wants Brooklyn complicit. And it's hard to sneak around the castle, when the Gargoyles (at least think that they) are the proprieters. I just always wondered whether Demona might not have been following Lex & Goliath around throughout that entire Pack battle. Or whether, Xanatos just phoned her and told her. Obviously, the former is much more interesting.
Another great looking episode that we didn't fully appreciate at the time. Lots of great little touches. I love when Demona casts her spell, and then closes the Grimorum with one last flash of magic. So cool. And, as I said, Brooklyn really looks great throughout.
But there are a couple things...
The bikers approach Brooklyn. They get very close, and he's not in shadow. But they don't notice he's a "monster" until he takes off his helmet. What?! The snout didn't give it away?! That scene continues to drive me nuts. I just hate how it was staged.
And when Elisa's lecturing Goliath she is wagging her index finger in his face. That's annoying enough. But worse, the finger seems to get longer (like Pinocchio's nose) the more she wags (or nags). It's sorta mesmerizing. In that scene, I can't see anything else.
I love how Marina Sirtis' voice bristles when Brooklyn mentions Elisa to Demona. Demona/Marina forces herself to say that the Detective may be "The exception [to human evil] that proves the rule." It seems sincere, but I really hear the hatred underneath.
Elisa tries to talk Goliath into leaving again. This time, she's got an idea where he can go. (So although that seems to be a repeat of their conversation from THRILL, we actually advanced that plot too. Weren't we smart?)
[And yes, I realize that all these rambles sound incredibly arrogant and immodest. I'm sitting here praising me and my team's own work. But what can I tell you? I do really like it. And I figure you guys might still be interested in my -- totally biased -- observations.]
Anyway, I love how what Elisa's saying to a very close-minded Goliath plays right into what Brooklyn heard from Demona. Brooklyn tries to argue Elisa's point. Putting Elisa and Demona, ironically, on the same side. Kudos to Brynne and Michael. It's a great little scene. Of course it ends with Brooklyn and Goliath turning to stone mid-argument. Just like Lex & Goliath did in the previous episode. Frank came to me and warned me not to do that again. Twice in two episodes was enough. At least for a while.
I also love Goliath's lines about "half-truths that [Demona] has thoroughly embraced."
Goliath just loves saying "Joy-Ride". It seems so pleasant.
Lex's double take reactions to finding out the motorcycle was blown up.
Elisa's "Thanks, I think." reaction to Brooklyn saying that he knew that she at least was a worthwhile member of the human race. Brooklyn still isn't quite free of prejudice. A work in progress.
The DEAD BODY. I held my breath on that one. We've got a chalk outline. And a corpse in a body bag. I was sure S&P would balk. But Adrienne was great. She saw that it was important to the story. And since we didn't dwell on it or explain it, she figured little kids wouldn't get it and/or be traumatized. As you can see we had a great working relationship with S&P. I mean, a DEAD BODY! It still shocks me.
Did Demona pay that family to perform their little scene for Brooklyn? I didn't think so at the time. But now I'm suspicious.
Brooklyn has a perfectly innocent line about the Cloisters being a place like the "world we came from" or something like that. Meaning of course, the medieval time that they came from. Once this aired, I immediately start seeing e-mails claiming this as evidence that Gargoyles are from another planet. This misapprehension may be one of the reasons I so quickly got involved with fandom.
Did we cheat? Elisa solves Goliath's slave-spell problem by using the spell to unhex him. I love that little bit. But Michael Reaves and I had a long back & forth discussion where we debated whether we were cheating the audience. (I seem to recall that at different times he and I both came down on both sides of the argument.) We finally decided to go for it. And again, no regrets. I do think it worked. And we sort of both promised each other that we wouldn't pull that kind of thing again. (Airwalker, I think there's a mention of this in the City of Stone memo I sent you.)
Hi Greg! I know we fans don't thank you enough for doing this, I know it must be time consuming, especially when certain questions come up over and over again. So I'll just say thanks here before saying anything else.
Now, the question. Sorta... Back in July I asked a question along the lines of "Why does Katana name her son Nashville" and at the end of december you replied "Why does Katana AND BROOKLYN name THEIR son Nashville?" Honestly, this is the kind of response I had expected, its why I phrased the question the way I did. If I had asked why Brooklyn names his son that way you would have have responded the same way but filling in Katana's name, and if I had asked why they named their kid that way, you probably would have just said "Don't feel like answering that right now". As is, with that phrasing, you told us something, in that they agreed on the name and it wasn't really one's preferential choice... So now, after all that explanation of my previous question 6 months ago... 2 new questions on the same thing...
1) Is my take on this information correct in that Brooklyn and Katana largely agreed on the naming of Nashville, and that it wasn't just one's preference?
2) Why *DO* Katana and Brooklyn name their son Nashville?
I think thats it for now.. Sorry for being so wordy, and thanks again!
1. Yes. You are correct.
2. You are also correct in your assumption that I don't feel like revealing that right now. But feel free to try again in a few months.
I don't know if maybe you've said this before, but I was just curious...and was wondering if you'd care to tell us:
What time period is/will Katana be from?
Domo Arigato Greg-san!!
Uh. The past.
Is that a revelation?
In a previous question of mine, you revealed the piece of information that Brooklyn never gets a hold on the Phoenix Gate. I have to say that this was different than how everybody had been envisioning the situation so far, and though it answers some questions it raises a whole new bunch of them! If the gate opened infront of Brooklyn and whisked him away, deposited him somewhere and hopped away again... then why does it keep on reappearing before Brooklyn to take him away again? It can't be just coincidence...
No, it can't.
in 2158 would any members of the trio still be alive?
You just want me to give away every little secret don't you.
Well, I'm NOT going to answer this question positively or negatively except to say that a TimeDancing Brooklyn would be there.
In the gargoyles bible for the first season you had made mention of the existence of a 'very wise man' who first made an alliance with gargoyles building his castle of a gargoyle rookery and who ushered in the golden age of gargoyle-human relations...
Is this still how you picture it happening? The existence of a specific 'very wise man' was intriguing to me - is he just a generic figure, or someone whose name we would recognize? (I have my own idea on the subject ofcourse but I refrain from suggesting it in case it's considered a story-idea)
I was being generic in the bible on purpose to simplify things. Honestly, I don't think I ever really thought there was just one person who did that. The world was too big a place and there wasn't any internet back then to facilitate communication. So that "wise man" was a place holder in my mind for a number of intelligent humans and gargoyles who made multiple alliances over multiple centuries in multiple places.
One such alliance of "wise men" was the alliance formed between Hudson and Malcolm, which was brokered by Robbie.
Another alliance was that formed between Xanatos and Demona, brokered by Owen, with a little help from Brooklyn, Mary and Finella behind the scenes.
About garg clothing turning to stone you've given the explanation about the Magus of Rome casting a spell causing that to the whole gargoyle race...
1) Would that mean that he was a wizard of tremendous power (since he was able to cast a spell on a whole species) or did he simply have access to a spell or trinket of tremendous power? (the same way Demona had access to the praying gargoyle for example - the power that protected all the gargoyle race not being hers)
2) I know that the reason for this explanation was so as to explain the real-life standards & practices need of not having the gargoyles fly around naked, but still: did you ever plan to make an ep concerning the casting of this spell? Or would it be rather difficult to even approach the subject of gargoyle nudity? :)
1. I don't pretend to have worked out the details of it.
2. If I had gotten to do TimeDancer, I would have made a sincere attempt to try and do a light-hearted episode that covered this. Don't know whether it would have made it past Standards & Practices, but I would have given it a shot.
Would Brooklyn's kids still be alive for G2158?
If so, is that where Brooklyn gets the ideas for their names (I realize that this is another time loop thing, but it would be pretty neat)?
I can't answer this question.
It seems imperative to me that for G2158 not to render any present day series completely undramtic and moot, I need to be very careful not to reveal too much to Brooklyn or you.
Is Tachi's name supposed to be a throwback to her mother's name since both a katana and a tachi are bladed Japanese weapons?
Yes, more or less.
Do the Illuminati know about Brooklyn's time traveling adventures?
Would there have been major language barriers in the beginning between Brooklyn and Katana?
It depends how we wound up handling the whole language question on TimeDancer in general. We hadn't decided that.
But hopefully, the answer would be yes.
How long did Timedancer spend in 2158 and in Feudal Japan?
I haven't worked out all the math. But those were his two longest stops. Quite some time in each. Years as least.
In TIMEDANCER, would there have been a major recurring antagonist for Brooklyn and family?
Ultimately. Inevitably. And of course, that doesn't necessarily count the huge chunk of time spent in the years 2158 and following....
Do you have voice actors in mind for some of the characters in the unmade spinoffs? Do you have any in mind specifically for Katana, Nashville, Tachi, Duval, The Director, and Merlin?
The Director was cast in our Animatic reel for Bad Guys. He was William Devane. And he was great as anyone who has attended a Gathering could attest to.
As for the others... No. Hadn't thought that far in advance.
Why does Katana name her son Nashville?
Why does Katana AND BROOKLYN name THEIR son Nashville?
Hi again, I think it was 'OnyxStar' who said it originally but I'd like to agree by saying that you're a good man for doing this and that "Ask Greg" is definately keeping the series alive with the fans.
Anyway, the question is:
When Brooklyn returns from his Time Dancing would he still be Second-in-command for Goliath or would that position have been handed to someone else? (I mean since now Brooklyn would be older than Goliath biologically)
~The B of R
Brooklyn would still be Goliath's second. From Goliath's PoV, Brooklyn was never gone.
And Brooklyn wouldn't be THAT old. Not as old as Hudson, for example.
I'm not certain I understand various plot-elements of Timedancer...
1) Why can't Brooklyn control the gate? Doesn't he know the words of the spell?
2) For that matter how will he manage to keep his family together though his travels if the Phoenix Gate is randomly taking him in and out of timelines? Do they always remain within a few meters from each other or something, just in case the Gate decides to hop?
3) Finally after so many years of time-travel and since he has already made himself a new family - why wouldn't Brooklyn simply decide to stay in another time-period? I think I would if I was in his place...
1. He never has the gate in hand.
2. No. It causes problems here and there.
3. You're not Brooklyn though. He wants to get back. And he did get back. So he does get back. As Dave said: "Time travel's funny that way."
1. Would Nashville look upon Hudson as his Grandfather?
2. How would Hudson react to such a description?
1. Yes, though I doubt he'd use that term.
2. I think Hudson would make a great grandfather. But again, I can't picture Nashville calling him that, so I can't picture how Hudson would react to the word. But I doubt it would be negative. Hudson, I believe, has largely come to terms with his mortality. So I think he'd appreciate the perks that come with age. Like grandkids.
Was it Brooklyn's constant talk in FUTURE TENSE about the Phoenix Gate and time travel that inspired you to come up with the idea of TIMEDANCER?
(I wonder because you said somewhere in the archives that you came up with Timedancer too late in the game to actually pitch it to any station.)
No. It was the pure evolution of the characters of the Trio. I saw very clearly that they were going their separate ways. Writing "The Journey" cemented the idea in my head. I believe that Brooklyn, Lex and Broadway would never find better brothers, better friends than each other, but I also saw that the days when they acted as one were gone.
I wanted to visualize this. The initial Phoenix Gate story (the one that somehow melted into "Runaways" in TGC) came first. The idea of him coming back older, mated and with kids and a beast, was a great shocking ending. But I felt it would really demonstrate what I had in my head.
The spin-off idea was of course obvious after that. I mean he was gone for forty years. What was he doing all that time? But, as you noted, by the time I came up with that, it was too late. Disney had already made me feel unwelcome.
Hybris, on my part, played a big role as well.
Hindsight, whatchagonna do?
I've been hearing about this Gargoyles 2158 thing, what is it?
Now, I'm nervous....
I answered this last time I visited ASK GREG. Man, I hope we don't have another technical problem. Hopefully, human error was involved...
Anyway, Phoenix, after we finished the writing on the second season of Gargoyles, Gary Sperling and I began working on some potential spin-off shows for the series.
One of these was set in the future, the year 2158 to be specific. Originally, we called it "GARGOYLES: FUTURE TENSE". But I later changed the name to "GARGOYLES 2158".
The series featured Goliath's grandson SAMSON, a largely-reformed DEMONA and a Time-Dancing BROOKLYN, among others.
CBS was interested in airing it, but before we could put a pitch together, the whole CBS Saturday Morning dept. was fired. And shortly thereafter Disney bought ABC, rendering any deal with CBS all but impossible. At about the same time there was a major regime change at Disney TV Animation as well. The new regime wasn't too interested in Gargoyles at all, at least not in making it a priority. ABC asked for a new version of the show. But no one wanted 2158.
what are all the spells that they mentioned on the show and if you can tell me most important of all the phoenix gate spell
Do your own research, pal.
Sorry, I don't have that information at hand, and I'm not likely to go through all my scripts to check.
From memory, I believe the Phoenix Gate spell was...
"Deslegrate muri tempe et intervalia!"
But I wouldn't swear to it.
Just three teensy little questions......what might your plans have been for Brooklyn's children when they were grown? And can you describe their would-be personalities a bit? And maybe a general idea of their looks...? I'm very curious about that. Thanks a lot >(:D
These are hardly teensy questions.
Upon Brooklyn's arrival in 2158, what would Samson's reaction to him be, considering that since Brooklyn is Goliath's second in command and Goliath is dead, then technically shouldn't that make Brooklyn leader?
How do you figure that? Even "technically"? It's 2158. The leader of the Manhattan Clan is alive and so is his or her second in command. (By the way, when did I say that Samson was the leader of the Manhattan Clan in 2158?)
You're looking for a conflict that doesn't exist.
In the AskGreg Archive, you wrote: "I expect Angela, Sora, Ophelia, Boudicca, Obsidiana, and Turquesa to all lay eggs in 2008." You said that females share a common cycle and you also said that you wondered if Katana would rejoin that cycle or not. You also said that with Angela, she would. But Boudicca and Ophelia live on Avalon, so in 2008, shouldn't they be out of synch with the real world?
Actually, no. It's literally been years, but back in 1995 I did the math. It works out that 2008 would coincide with the cycles of both Avalon and the outside world.
Greetings Mr. Weisman
Just a few more questions
1. In Future Tense, when would Brooklin join up with the new group, (before or after he meets Katana and or had kids).
2. How long does Brooklin stay with in the Future Tense time, and does he come and go.
3. Coming with the next post as it might violate the rules.
2. A while. Yes.
My compliments to Gorebash for hosting the "Ask Greg".
Hello Mr. Weisman. You said that you worked on other Disney projects years ago like Darkwing Duck and Tale Spin. I was wondering...:
I.In a Darkwing Duck episode, Launchpad disappeared in a time machine and returned minutes later, but he says that he spent the last 5 years in Rome trying to fix the time machine. Did that gave you the inspiration for the Timedancer?
II.In Tale Spin, the Air Pirates used an Air Fortress. Did that gave you the idea for Fortress 1 and 2 for Cyberbiotics?
Now for the Gargoyles:
1.In "The Mirror", why did Demona refused the suggestion from Puck. i.e. "Make Goliath fall in love with Demona again"? Or take over the mind of Goliath or the clan like in "Temptation"?
2.Why Xanatos hasn't place Coyote's (the robot) artificial intelligence in the Steel Clan robots? They would have given the Gargoyles a real challenge.
3.What are exactly the Space-Spawns? Humanoids? Insectoids?
4.I learned that the space war involved 3 races: Space-Spawns, Nokkar's people and another race. What is the name of the other race and Nokkar's spicies?
Thank you for your time, bye!
I. Sorry, I did work on Darkwing, but it wasn't my show, and I'm not that intimate with the details. And no, it didn't influence TimeDancer.
II. It didn't directly give me the idea, but it may have been one of many airship influences floating around in my head.
As per our new rules, I invite you to resubmit your remaining questions as multiple separate posts.
If included inside GARGOYLES itself instead of getting it's own spin-off, how many episodes would you have given to Timedancer? (Would it have been 5 parts like AWAKENINGS, 3 parts like AVALON, 2 parts like THE GATHERING, or just a single episode?)
I don't know. It was originally going to be one episode. Just one inside what became THE GOLIATH CHRONICLES. (How it morphed into "Runaways" is beyond me.) Then it would hang out there as a potential spin-off or back-door pilot. If that never got picked up, I'd eventually have told some of Brooklyn's adventures in various scattered flashback episodes within the main series. Some might have wound up as multi-parters. But I don't pretend, I worked that much out. I was hoping it would spin off -- at which point I'd have forty years worth of material to cover.
How would you deal with the time gap that cancellation has given us?
(Let's say that the show came back after 5 years of cancellation, in 2002, would you start off in 2002 or would you pick up right where TGC left off in 1997 or would you just be in favor of skipping all of those problems and just going far enough in the future, 2158, so that a time gap wouldn't matter?)
Honestly, I can't answer that without knowing the circumstances of our proposed ressurection.
Are we coming back on TV or in some form of print media or both?
If TV: Are we coming back as an hour show or a half-hour again? Are we coming back as a daily or weekly? As prime time or in kids?
To take your specific example, lets say we came back in 2002 as a kid's show. I'd probably just set things in 2002, and assume that most of my audience hasn't seen any of the old episodes. I would maintain continuity for my old audience, but I would clearly have to introduce the show and its characters anew. Some things would seem to pick up right where we left off. Others would be different, and we'd occasionally do flashback stories (both from the distant past and from the 1997-2002 gap) to bring both audiences up to speed.
Also keep in mind that although I had planned to do, for example, TimeDancer in 1996, I didn't get to. So there's nothing to stop me from introducing TimeDancer as a brand new concept in 2002.
As to doing 2158. I'd be happy to do that anytime. But it doesn't prevent or preclude me from doing stories in the present. In fact, I'd love to do BOTH.
3. Would there be conflict between Samson and Brooklin similar to the conflict that was building between Brooklin and Goliath?
4. This may seem stupid, but... Is Samson the son of Broadway and Angela?
3. I don't accept the premise of your question. Or maybe I don't understand it.
*squeels like a school girl* really??? Someday your really gonna answer the "Whos Lex's mate" Question??? *jumps up and down* YES!!! *grins* one day hey? I'll wait for that!
Ok here are my Q's *smiles*
1.) You said that Gargoyles have a weak sense of smell so that there may be a possibility that Hudson knows that Broadway is his biological son. My question is then, did Goliath ever have the same feeling when he encountered Angela for the first Time?
2.) When Goliath and co. were touring the world we met a lot of differnt cultures. Since we never heard any other langauges spoken or subtitled (VERY understandable) does that mean that we happened to meet up with ppl who all spoke english?
(part 2 of 2)
Or does this have to do with the Phoenix Gate ie. some ability to make all ppl's appear to be speaking Goliath's and Co's langauge?
(part 3 of 2)
If you could have made the call, would you have prefered to have subtitles?
(part 4 of 2)
If you had been able to do the Time Dancer Spin off, which I know wasn't considered, this is just an if..
Then how would you have explained the langauge barriors? Would it have been Brooklyn having to physically learn Japanese or other langauges? Or again does this have to do with the Phoenix Gate and its abilities?
3.) (another TD Q) When Brooklyn returns post TD does he remember fairly clearly the events of the past 40 years? Or is it hazy?
4.)Lots of ppl have asked about the Gargoyles Original origins. Some have guessed things such as dragons or dinosaures. You said in response to this, "mabey". There have also been thoughts that they were created by an independant being. But that is another deal. My question is for the first theory. How Do you explain the fact that some gargs possess facial and other bodily hairs? (Isn't hair only found on mammals)
5.) Some time ago someone asked you about the praying Gargoyle statue. They asked that if Demona would have succeeded would the Olympians Or Oberon's Children survive as well. I think you said something about not being sure about Orberon's children but no to the New Olympians minus the Gargoyles Living there. The Gargoyles living there are probably not full gargoyles. I say so since the island seems to be made up of meny crossbreeds. Does that mean that any creature with some amount of Gargoyle blood in them would survive?
6.) Is the name Cast-away a pun? (<---- illustrates the point) I'm sure im reading WAY to deep into this here..but i was just wondering if the name was there to show any kind of abandonment John may feel or have created. *nods* ya ya i know..
7.) Can you give us any information about David's mother?
8.) In "Highnoon" 'Coldstone' asks Demona and Macbeth, "Why does nobody see us?", to which they respond that it dosn't matter and to leave it be. How is it that Elisa walks right up to them with no problem? Is it part of a spell?
9.) Is there an age at which female Gargoyles become fertile and infertile?
10.) Gargoyle eggs are in a rookery for 10 years before hatching..is that in human years or garg?
11.) We know that on Avalon there is a time difference. Every Hour there equals a day here. Is there such a time change on Olympus?
12.) When you said a character from N. Olympian's was going too meet up with some character We know of did you mean a major character?
13.) Going along with question 12..feel like telling us about that Romeo Juliet thing? *grins*
14.) We all know that Lexington was at least going to suffer some emotional trama as it were. I don't really see him as going compleatly off his rocker...mabey minor betral or perhaps becoming introvered and crabby..but nothing as we saw in "Future Tense". How severe did you see Lexington's reacion would have been? (ie, just a teen faze thing..or something worse)
15.) I'm Very sorry in advance if you never said this. But I seem to remember you saying something about Brooklyn's Children as being twins..something rare in the Gargoyles Universe. When Brooklyn and them arrive home they are biologically 13 and 3. So where they hatched separatly? In two different seasons. Or where they birthed on the same night but due to some timedancing are separated by age?
16.) U said that post TD Brooklyn avoids the Phoenix Gate like the plauge..dose that mean we would have seen more of it?
17.) And for my last Q. just cuz..im really annoying, Do you feel like telling us about lex's girl NOW???? *grins*
*looks over her list of other q's* hmm thats enough for today..;)
Thanks! *wings out*
UGH, another marathon question. Yes, I know, it was posted before my request for fewer questions per post. But still....
1. I said they have a weak sense of smell? And I tied that into Hudson knowing about Broadway, how? I'm sorry. I don't think I understand the question.
2. Uh, largely.
2a. No. It really has more to do with the creative/production decision to wimp out and not deal with the problem.
2b. Probably, here and there. I sort of did make the call after getting input from numerous people about the difficulties involved. Then Frank and I changed our minds on Bushido, but we were told it was too late.
2c. I think I might have had some fun with the language barriers up to a point.
3. Clear as anyone's memories of a 40 year span.
4. Gargoyles clearly have some mammalian qualities, or perhaps a better way to think about it is that mammals have some Gargoylian qualities.
5. You're making assumptions not in evidence.
6. It's not a pun, per se. But yes, he (and we) chose the name for a reason.
7. Can I? Yes.
9. Puberty and menopause.
12. Xanatos at least.
13. Well, Lexy, you've seen the pitch now. What else do you want to know?
15. I never said they were twins. NEVER.
16. Don't know. But I'm guessing we all will have had our fill of the thing by then.
1. What would be Katana and Nashville's reaction to Malibu?
2. Do you have designs in mind for Katana, Nashville, Tachi, Fudog, and Hudson's mate? If so, could you describe them?
3. You said that Brooklyn ended up with Mary and Finella in the 1970's. So doesn't that mean that they would still be alive today?
4. Why did you say that Shakespeare's MACBETH would amuse Macbeth? It portrays Gruoch as a Princess of Darkness. How can he take pleasure in that?
5. In what era did Demona arrive in America (Colonial, Antebellum, Reconstruction, etc)?
6. In what era did Macbeth arrive in America (Colonial, Antebellum, Reconstruction, etc)?
7. Now that Renard knows the truth about Anastasia, has it changed anything for him in terms of his feelings for her?
8. Considering that after all is said and done, Goliath was raised and lived most of his life in the 10th century, what is his stand on capital punishment?
9. What are the feelings of the Trio about the Magus and Katharine, considering that they only knew them before they changed, and have never seen their redemption, only heard of it?
10. What are the Mutates feelings about the Gargoyles now living in the castle?
11. Any news on the movie?
12. If you had done BAD GUYS, would Macbeth and/or Demona have appeared?
13. Why didn't anyone ever figure out that Gilcomgain was the Hunter? He has slash marks on his face that match the one's on the mask.
14. Broadway's blindness in FUTURE TENSE, was it just Puck playing with Goliath's sanity AND a prophecy or was it only just Puck playing with Goliath's mind?
15. If the show ever did come back, would you ever bring up or try to make clearer that the people Demona smashed in CITY OF STONE were truly dead?
16. You said that Demona would find love again. But what about Macbeth? Would he have found love again?
17. How rich would you classify Xanatos, Demona, Macbeth, and Post-RECKONING Thailog (Mildly rich, extremely rich, stinking rich, beyond the reach of ordinary people rich)?
18. What did the Mutates do with Sevarious' potion from THE CAGE?
19. Would you have shown us some of Fang's past and also some of his family if BAD GUYS had been done?
20. Can you give us a clue, where in the world, which hemisphere, which continent, where ever, is Coldstone and Coldfire's new clan going to be?
21. What was the name of Xanatos' mother and when did she die?
22. You said you haven't come up with real names for Jackal and Hyena. But do you have anything in mind?
23. Does Macbeth know about the Illuminati?
24. Does the Illuminati know about Macbeth?
25. Would we have seen some of Lexington's descendants in GARGOYLES 2158?
1. That would depend on the circumstances of their introduction, don't you think?
2. I've dealt with this recently. I do have a fairly clear idea about Fu Dog. But I'm not going to pin myself down at this point.
3. Doesn't preclude the possibility.
4. It has a lot to do with Mac's relationship to Will.
5. In the immortal words of my Magic Eightball: "Try Again Later".
6. Which time?
7. What exactly does he know?
8. He probably has little trouble with it but feels that in an ideal world (which he knows this is not) it's a less than stellar solution. Of course, that's all very theoretical. In practice, we've seen how he responds.
10. The Mutates aren't a monolith.
11. Nothing new, since I last answered.
12. Maybe, eventually, but not in my immediate plans.
13. Dramatic license? Or.... There were a lot of people with similar scars running around Scotland back then. Yeah. That's the ticket.
14. You didn't really think I'd answer that, did you?
15. You mean go out of my way to cover that?
16. Sure. Why not? (I'm such an old softy.)
17. Xanatos is Beyond the Reach rich. Macbeth is just stinking rich. Demona's extremely rich. Thailog's just rich.
18. Maggie saved it.
21. Not saying now.
22. Jack and Hanna. (Just kidding.) (Unless, I decide that those names really amuse me.)
23. Not saying.
24. Not saying.
25. Not saying.
Hello greg this is my first time I been in asked you quistions so here they are
1) If the Timedancer series was ever made what would Brooklyn's mate look like?
2) If Pendragon was made would Author and Griff find any other Gargoyle Clans when they were looking for Merlin? And also would would Griff ever get a mate. Would she be in Griff's Clan or another?
3) Would Coldstone and Coldfire ever find out thst they have a son on Avolon?
4) In the episode Awakning part 2 Owen said that the locile claim that casle Wyvern is haunted. Was it haunted by the Massacreed Clan members?
Hey Lawrence, welcome...
1. I'm not an artist. So although, I have some vague ideas, I intentionally don't want to nail that down until either (a) the time came for collaboration with an artist or (b) it became clear that the medium where the character was going to be introduced was purely a prose one.
2. Maybe, yes and I'm not sure what you mean.
4. Mostly by Hakon and the Captain.