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Peter Parker writes...

Is spiderman the mole ??

Greg responds...

Really? You thought this was funny enough to clog the queue?

Response recorded on April 13, 2012

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Greg Bishansky writes...

One of Tombstone's first lines of dialogue was "In my life I've been known by many names, my favorite is Tombstone." So... would his least favorite be "Lonnie?" ;)

In all seriousness, I have to agree that Lonnie is a pretty undignified first name for a character of the stature that you reinvented Tombstone into. But I did enjoy that his middle name was "Thompson" making one of Spidey's biggest enemies and Peter's nemesis at school both Thompsons.

Greg responds...

Well, it's my least favorite, anyway.

Response recorded on April 12, 2012

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Akeem M. writes...

Hello Greg,
A couple questions about Emily Osborn's inclusion in the series (don't worry, nothing having to do with un executed plans)

Anyway, when asked about keeping Emily Osborn alive, aside from having plans for her later down the road, you also decided out of the three friends who had single parent households (Peter, Gwen, and Harry) Harry would be the one where it wasn't fundamental to his character compared to the others. One of Harry's biggest traits is his messed up relationship with his father. It was also said that Noman's disdain of Harry came from losing his wife in exchange for Harry. Would you say that in Spectacular Spider-Man that Harry's problems came from his messed up family life in general with Emily being alive? Basically Harry's issues aren't solely on Norman, but Emily as well (whether directly or indirectly).

Also, it's of course a given why Peter has a single parent household, however, when choosing out of the other two when it comes to who HAD to be in a single parent household, what stopped you from letting Gwen's mother still be alive? Does it mainly have to do with the fact that Capt. Stacy was going to live throughout the series run, but Norman was going to 'die'?

Also, would you say that Emily Osborn loves herself an extemely tough steak?

Greg responds...

1. Yes.

2. Gwen being her daddy's girl seemed fundamental to who she was.

3. I'm not getting this reference at the moment. Wasn't she cutting a carrot or something on screen?

Response recorded on April 12, 2012

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Roy writes...

What is the name of Hammerhead's chauffeur?

Greg responds...

SPOILER REQUEST. NO COMMENT.

Response recorded on April 11, 2012

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Anonymous writes...

You have said in the past that if you were ever allowed to use guest appearances in spec spidey(if it had continued) there was a particular Hulk story you wanted to adapt. Was it the story from Amazing spider-man annual 3? If not which story was it?

Greg responds...

Did I say that? A particular story?

I don't recall saying that. I definitely wanted to adapt that era when Hulk was practically a force of nature - and a bit of a Bigfoot-style legend, with very few people absolutely knowing for certain that he existed.

Response recorded on April 11, 2012

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Algernon writes...

Hey again, hopefully the queue hasn't become to full by now. Anyway, I remember asking you once if you'd ever be willing to post the TSSM series bible online. As I recall, you said you'd think about it.

Just wondering if you've given the idea any further thought?

Greg responds...

Well, Algernon, as I respond to this, there's over 800 questions in the queue. EIGHT HUNDRED!!!

And I haven't even gotten to the airing of YJ episode 119 yet.

Anyway, I'm open to posting the SpecSpidey Bible, but the problem is I don't have it here at Warner Bros (for obvious reasons). So I need to be reminded either when I'm home or at my office in Beverly Hills.

Response recorded on April 11, 2012

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Anonymous writes...

When Miss Martian defeats Psimon, we see his "pupil" crack into a web-shapped crack that resembles a black web. Was this an intentional nod to SSM?

Greg responds...

No.

Response recorded on March 08, 2012

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Finister2 writes...

In the final shot of The Spectacular Spiderman, we see what appears to be Norman Osborn boarding a plane.

My question is: Was that really Norman Osborn or the Chameleon in disguise?

Greg responds...

It was Mr. Roman.

Response recorded on March 06, 2012

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Laura 'ad astra' Sack writes...

I was wondering your opinion on the New 52. Not the execution, I have a hunch you don't have the time to read much of any of it, but the idea of it.

Although I have found a few books I really like, in general I object to heaving aside continuity and trying to rejam the history back into a too short time frame while wiping out character development. The idea of accessibility is a red herring because if they were capable of sticking to self contain arc inviting to new readers they wouldn't need a reboot to do so. Then again, I came into comics after Crisis on Infinite Earths and am conditioned into thinking it was necessary.

Greg responds...

As you noted, I have NOT had the time to read the New 52, so I will not comment on that specifically. Whether or not it works creatively depends more than anything else on execution. Since I haven't seen the execution, I can't respond to how it works creatively. But I KNOW that commercially it's been a HUGE hit. I like to believe that it wouldn't have done quite so well, if it wasn't executed well too.

But generally, on the idea of reboots, I do have a handful of thoughts:

1. I don't want to be a hypocrite. When we started Spectacular Spider-Man and again on Young Justice, we were effectively doing a continuity reboot. I feel when adapting something to a new media, that's essential, but it doesn't change the fact that (a) we did it and (b) I was relieved to be able to do it. Relieved to be able to jettison elements that I felt didn't work or were redundant or confusing, etc. Our goal, particularly on Spider-Man, was to come up with something Classic, Cohesive, Coherent, Contemporary and Iconic. So how can I object if the comics themselves want to do this?

2. In the end, whether or not either SpecSpidey or YJ was/is successful depends on our execution of our ideas, additions and cullings. I like to think both shows are successful, but that's a judgement each individual viewer would have to make for him or herself.

3. I was working on staff at DC Comics during the publication of the original Crisis on Infinite Earths. In fact, during my very first editorial meeting, I raised the question as to why we weren't starting ALL our books over (with the numerical exceptions of Detective and Action Comics) with issue #1. I remember very clearly a collective groan rising up from the conference room table. (They had dealt with this question for months before my arrival.) On the one hand, they wanted Crisis to be a real sea-change, a true reboot (before we knew that term). On the other hand, if you truly reboot Batman, then Robin doesn't exist yet. No Robin, no other sidekicks either. So no Teen Titans. And at the time, the New Teen Titans was the company's best selling book.

4. So the end result was that some things got rebooted and some did not.

5. This was complicated by the fact that certain creators came late to the party, and certain characters got reboots too long AFTER Crisis.

6. And so, as a READER, I couldn't help feeling that - rather than simplifying the continuity - Crisis made it more complicated. This will happen in general, naturally, as time passes and more and more comics are produced by a variety of creators and editors, but Crisis seemed to exacerbate the problem for me personally.

7. In part this was because, I really liked the DC Multiverse. I agree that it was abused to the point of confusion. (And I think it was nuts that Earth TWO had the forties heroes and Earth ONE had the sixties heroes. Just the odd backwards numbering itself created additional unnecessary confusion.) But if limits had been placed on the number of parallel earth stories and crossovers, I think it could have been fine.

8. ESPECIALLY, if they had created a new Earth-THREE, starting over with heroes of the eighties, with Superman and Batman (being new to the hero thing but) remaining relatively constant. But with a new Green Lantern (for example) as different from Hal Jordan as Jordan was from Alan Scott.

9. But that didn't happen. And in fact, though I've read very few comics since 1996, my understanding is that reboots have hit over and over at both DC and Marvel. That negates reader trust in the worth and weight of the stories they're reading. It's more insidious than obvious. And you risk alienating old readers, even as you may or may not attract new ones. You'll always get a short term gain off of a reboot, because everyone wants to check it out. But long term...

10. And going back to my first point - which is that most everything depends on execution - I personally didn't love the execution of some of the post-Crisis rebooting. Some people may have loved it. And that's totally legit. But some of the rethinking on certain individual characters didn't work too well for me.

11. Though personally I think the Bates-Weisman-Broderick reboot on Captain Atom from his Charlton incarnation was brilliant. ;)

12. So, personally, my feeling on reboots in general is that you either do them or you don't. You've got to be thorough and ruthless about it, or don't bother, because otherwise - long term - you're creating more problems than you're solving.

13. And still and all, ultimately, it all depends on execution.

Response recorded on February 15, 2012

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Anonymous writes...

Did mutants exist in the spider-man show?

Greg responds...

If you're talking Spectacular Spider-Man, then they might have if we had had more episodes and permission...

I definitely had plans for Cyclops, Beast and Professor X, at least. Iceman too. Heck, maybe Firestar, eventually.

Response recorded on February 14, 2012

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Ronnie L. writes...

Have you considered pitching Religious Studies 101 as a one-shot, now that Disney and Marvel are one and the same?

Greg responds...

No. It would be impossible, even if I liked the idea (which I'm not sure I do).

See my recent post on why SpecSpidey went away for an explanation why Marvel/Disney couldn't use SpecSpidey materials.

Response recorded on February 09, 2012

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PEJ writes...

Hey, Gregory,
I really REALLY want the Spectacular Spiderman series to continue. I want to see what happens next. Is there anything you can do to help it come back?

Greg responds...

Nope. Wish I could, but I can't. See my previous response.

Response recorded on February 09, 2012

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Michael J. Eilen writes...

Hey greg, my name is Michael. I was a huge fan of your spectacular spiderman series. And I'm not sure if you're gonna know the answer to my question or not, but I'm just gonna shoot for it. Question: Do you have any idea why Marvel canceled it? I mean, both season 1 and 2 had decent reviews and many fans liked it. So, I gotta ask,Do you have any idea why Marvel made that decision.

Greg responds...

Marvel DIDN'T cancel it.

It's all very complicated, and we were certainly the recipients of bad corporate luck, but no single company cancelled the series. We just wound up with a situation where no single company could proceed with it.

I'll try to break it all down:

1. Sony had originally produced SpecSpidey as part of their overall entertainment license of the Spidey property (which of course included the extremely lucrative live action films).

2. But in order to win some concession on those live action feature films, Sony returned the animation rights to the character back to Marvel.

3. So now only Marvel could produce a Spider-Man cartoon. Sony no longer could, which meant SpecSpidey couldn't continue at Sony.

4. I have no idea whether Marvel was interested in continuing Spectacular Spider-Man or not. But let's assume for the sake of argument that they would have liked to.

5. They couldn't.

6. Why? Because Sony owned all the specific elements (designs, storyline, etc.) to the SpecSpidey VERSION of Spider-Man. So Marvel would have had to license all that BACK from Sony.

7. You can imagine how unlikely THAT scenario was. Marvel finally gets the rights back to do an animated version of their marquee character, and then they have to pay Sony to do it instead of just starting from scratch. That was never going to happen.

8. Of course, all this was complicated by the fact that Disney purchased Marvel, and Disney and Sony are direct competitors.

9. And I'm sure Marvel was excited to put their own stamp on an animated Spider-Man. Who could blame them?

10. So that was it. We were toast through no fault of our own. The folks at Marvel, Sony and even Disney all seemed to like our show, but the corporate mess made it impossible for us to continue.

11. And, yes, it is a bummer. (For me, at least.) But it's no single person or single company's fault. It's just how things shook out.

12. And finally, though I have no involvement with the upcoming Ultimate Spider-Man, you can't deny that a lot of great people have worked on it. There's no reason to think it won't be as good or better than SpecSpidey. To a certain generation, SpecSpidey will always be THEIR Spider-Man cartoon. But to a new batch o' viewers, I'm sure their Spidey of choice will be the Ultimate.

Response recorded on February 09, 2012

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Eagle-Owl writes...

Have you seen the trailer for Ultimate Spider-Man? I'm asking because it looks horrible. I mean seriously, a Spider-toaster?!? I miss Spectacular Spider-Man. You know better than to give us Spider-toasters.

Greg responds...

I haven't seen it. So I don't know what you're talking about.

But I'm not opposed to Spider-Toasters on principle.

I miss Spectacular Spider-Man too, but I wouldn't count Ultimate out. There are some great people working on it.

Response recorded on January 20, 2012

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Greg Bishansky writes...

Thank you for your informative reply on my Betty Brant post. Now, and this is a question I've been pondering for a while, how did you go about your approach to Aunt May?

I love Stan Lee's run on Spidey, but this is one of the few cases where I have to admit that I greatly preferred other writers' takes on the character. Stan's Aunt May was constantly in and out of the hospital... and constantly, dimwitted. I preferred Roger Stern, Tom DeFalco, J.M. DeMatteis, and J. Michael Straczynski's takes on the character.

I can forgive and understand her being overprotective. It's been mentioned later that she had lost a child, and Ben's death was just as traumatic for her as it was for Peter. But what always seemed unreasonable for me was how she thought Dr. Octopus was a good and nice man. She didn't realize that she was being held hostage, that he was a dangerous supervillain, or even that he had these giant metal arms attached to him. And then there was the story where she took him on as a border. I'm not even going to get into that weird story where she almost married him... but that wasn't Stan, that was Gerry Conway.

Your Aunt May, while being protective of Peter, wasn't overprotective to the point of absurdity. And one of my favorite Aunt May scenes was in "Group Therapy" where she stood up to the entire Sinister Six to prevent them from attacking Spidey. And Ock's almost gentlemanly approach insisting that she step aside was, I think, a nice nod to Ock liking her in the comics. I also loved that she never referred to Spidey as "that awful Spider-Man!"

So, what did you think was the core truth of Aunt May? How did you go about interpreting her in your show?

Greg responds...

Our May Parker was a single parent due to a couple of horrible tragedies. That informed how she behaved both in her own life and toward Peter.

We leaned toward making her a little more savvy... but also somewhat unprepared. Uncle Ben did not leave her in a great financial position. (Because if he did, why would Peter constantly need money?) We kept a bit of her naivete, but tossed in some inner strength and acuity, especially when it came to Peter's love life. She could take action (or give solid advice) - not just relative to the Sinister SIx, but more relevantly when it came to some of the ladies in Peter's life: Betty Brant, Mary Jane Watson, Liz Allen and Gwen Stacy.

She wasn't a young woman - certainly older than the parents of most of Pete's friends - but we didn't want to make her ancient. And we figured one trip to the hospital was plenty, i.e. once she had one heart attack, she would begin to take better care of herself.

And since she was always a great cook, we figured she'd build on that when she needed money, which gave us the cookbook that she authored.

Her life did revolve around Peter but wasn't exclusively his. So she had her friend and her theater and her cooking and her work, etc. We just tried to make her a fully realized character.

And... I should give a TON of credit to DEBORAH STRANG (as directed by Jamie Thomason), for truly bringing May to life. Couldn't have done it without her.

Response recorded on December 13, 2011

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Eagle-Owl writes...

I don't know if this would count as spoiler request (please tell me if it is), but had The Spectacular Spider-Man continued and had Pete looking at different colleges, what other colleges (aside from ESU) would he have looked at?

Greg responds...

I don't know. He'd have wound up at ESU though.

Response recorded on December 12, 2011

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Patrick writes...

Hello, Mr. Weisman! I'd first like to say that I'm a big fan, and I'm thankful that you take the time to answer all of these questions despite how frustrating it must get at times.

Since I can't think of a non-spoilerific YJ question, here's a Spectacular Spider-man related one: In "Reactions," why did Green Goblin try to kill Otto? Did he know that he was creating another supervillain?

Greg responds...

No, he thought he was getting rid of a witness and weak link.

Response recorded on December 12, 2011

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Greg Bishansky writes...

Out of curiosity, how old was Silver Sable in season two of "Spectacular Spider-Man." She doesn't seem older than thirty... I'm just curious, because if Hammerhead worked for her dad before he went to prison, twelve years prior was she above the age of consent when they had a relationship?

Greg responds...

I don't think so. Which is part of the reason Hammerhead (1) now has a new skull and (2) why he no longer is working for Silvermane.

Response recorded on November 17, 2011

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MasterGandalf writes...

Quick Spec Spidey question- is Silver Sable an albino? I was just wondering because in addition to her white hair, her skin's notably paler than anybody else's (except for Tombstone, who of course *is* albino) and her eyes are an odd pale violet. Not a huge question, I know, but I was just curious.

Greg responds...

I don't think so. And is her hair truly white or platinum blonde?

Response recorded on November 17, 2011

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Antiyonder writes...

Rewatched The Spectacular Spider-Man Season 2 this year, and I have to say that Growing Pains after several more viewings has really grown on me, especially having read many "Spider-Man has been framed" stories.

Now of course whenever said frame up occurs, Peter tends to recall them. But New Yorkers (whether they are civilains or fellow heroes) barely seem to recall that someone like the Chameleon or Mysterio posed as Spider-Man before.

Growing Pains on the other hand takes the more plausible route of having someone question whether Spidey's gone bad. Captain Stacy's comment towards Jonah sums it up: "This isn't the first time that the Bugle got it wrong when a copycat dressed up as the webslinger. Now do you really want to embarrass yourself and your paper! Again?"

Greg responds...

Thanks. We tried as much as possible to play the world consistently and let the many points of view there be voiced.

Response recorded on November 15, 2011

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Harlan Phoenix writes...

Though I know your mind isn't the kind to play favorites, but given how you acknowledge The Mirror as your favorite/the best episode of Gargoyles, I think this might be able to fly.

Do you have any particular episodes of WITCH or The Spectacular Spider-Man that, if it wasn't your favorite necessarily, you felt was the best of those shows? And for what reasons, if so?

Greg responds...

At the moment, I can't think of just one for either series. But it's been a while since I've watched them.

Response recorded on October 31, 2011

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Greg Bishansky writes...

I realize you're still not keen on revealing future plot points for what would have been season three and beyond of "Spectacular Spider-Man." But this question is about the first two seasons, although if the answer ever came, it would have been later. Which I guess places this in a murky gray area. Anyway, because I've been dying to know...

During the two seasons of the show, did Mary Jane Watson know Peter Parker is Spider-Man? In the comics, she knew since the night Uncle Ben died, so I ask if this was the case in "Spectacular Spider-Man" as well. A lot of her behavior towards Peter seems to point towards this.

Greg responds...

NO COMMENT.

Response recorded on October 27, 2011

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Matthew writes...

This is about pretty much all the series you've worked on. I've noticed that most of your series has a large cast of recurring characters (and that despite this characters tend to be very well delineated.) Now for Young Justice, WITCH, and Spectacular Spiderman that may be just because they were pre-existing properties and already have large casts. However, Gargoyles also had a large cast.

Was this a because of conscious choice?

Do you perfer working with a large cast of characters?

Greg responds...

I do. I like creating worlds that feel real and populated.

Response recorded on October 12, 2011

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Greg Bishansky writes...

Another Spidey question. This one is both Spectacular related, and about your Amazing Spider-Man back-up story.

When you wrote and produced "Spectacular Spider-Man," you tried to get to the core truths of who each and every character was. Well, I need to ask you about who Betty Brant was in your series. We've never seen much of her besides Peter trying to ask her to the Fall Formal, and Ned asking her out on a date. She didn't even have a single line of dialogue in the entire second season.

I ask, because in the comics, and this is something that often seems forgotten by most people, Betty Brant is a pretty horrible human being. It's not something I was even really conscious of until my friend, Josh Bertone, started writing a series of articles documenting the history of this character.

She was pretty bipolar when she dated Peter. Constantly flipping out at him if he so much as glanced at Liz Allan, or another human being who lacked a penis. And then, turning around and playing around with both him and Ned Leeds.

She later married Ned and then abandoned him on their honeymoon. Had a one-night stand with Peter, and was later on having an affair with Flash Thompson that lasted for months and months. Which was driving Ned nuts, although, his brainwashing at the hands of the Hobgoblin arguably made things worse. But the affair started well before this Hobgoblin business. Hell, she had the nerve to ask him if their marriage meant anything to him as he was walking out on her, and he replied with "more than it means to you" and he was right.

Of course, Betty now blames the Hobgoblin for all of her marriage's problems and never once really acknowledged any wrongdoing on her part. It's almost Demona-esque how neatly she's able to deflect any feelings of guilt.

And finally, there was Betty's appearance in the back-up story for Flash Thompson that you wrote (loved that story), and when Betty first sees Sha Shan, she is mad. I think I'll quote my friend Bertone, who said it better than I could:

"The icicle speech balloons are a cool callback to the Ditko days but take a look at that scene again. Betty isn’t responding to Sha Shan…Betty starts it! Betty doesn’t greet Sha Shan with an apology or any remorse. No! She’s mad at Sha Shan! Why? What did Sha Shan do to her? It’s not like they had a Betty/Veronica relationship. Betty stole Sha Shan’s man! Sha Shan has a right to be mad! Betty doesn’t!

"Betty Brant is the only woman who will have an affair with your boyfriend and then somehow be mad at you as if she was the victim. What a horrible person."

The above isn't a criticism of the story, or how you used Betty. It's a criticism of Betty as a person.

So, I have to ask. Would your interpretation of Betty, had the series gotten more in depth with her have been this terrible, awful individual? In the comics, she makes Sally Avril look as cool and fun to be with as Mary Jane by comparison! If so, I'd say Peter dodged a major bullet there, when Aunt May put a stop to this in "The Invisible Hand." Come to think of it, May never liked Betty in the Lee/Ditko run either. Betty is definitely not the girl you bring home to meet mom.

Greg responds...

I think the thing to keep in mind about ANY character in a shared corporate universe is that multiple writers, editors and artists have had at him or her, with different agendas - often agendas that had little to do with the character him or herself - and more to do with how that character plays with, in this case, Spider-Man/Peter Parker.

Me, I'm fond of Betty. Probably originates with her being THE girl in the 1960s Spider-Man cartoon. I clearly like her more than either you or Bertone, but I haven't tracked each and every appearance. I just try to get to the heart of who I think she is. To me, in the Lee/Ditko era, she was a high school age girl who dropped out to work, because she had to. So she wasn't mature, but she was extremely competent. One of the few human beings who could handle J. Jonah Jameson. That to me is the fundamental TRUTH of her character. Anyone who can hold her own with Jameson and put up with his... crap, has to have something solid in her. The fact that Lee/Ditko occasionally played her as a jealous harridan ... seems more indicative of the tropes of romance comics of the day than with anything inherent in who she was. And what other writers did with her in the post Lee/Romita era (after she had already been reduced to the fourth or fifth most important non-Aunt May girl in Peter's life) carries even less weight with me.

Is that selective on my part? Damn straight! But we were always selective on SpecSpidey. Had to be. Too much inconsistencies in the canon for us to do otherwise.

So, what did we decide?

Well, first of all, we wanted a sixteen year old Peter, as he was in the early days of Lee/Ditko. But no one's going to buy - in a modern context - a sixteen year old Betty working full-time for Jonah. So we made her nineteen or twenty (can't remember, but something like that). So we gave a nod to the original Betty/Pete relationship, but as you saw made it awkward because of an age gap that would be insignificant in ten years (at age 26 and 29) but is just too wide at 16 and 19. We had fun with that. But we also started to build the Betty/Ned relationship too. We did have a couple Betty/Ned scenes written and recorded for Season Two, but they wound up getting cut for time before being animated... mostly because (a) we were long and (b) they were scenes we could sacrifice. Ned and Ned's relationship to Betty would have been important in season three, and we wanted to set it up, lay some pipe, etc. But there were always things we needed for Season TWO that were more important. So we figured we'd worry about Season Three if and when we got there. And of course we never did.

As for that one Betty and Sha Shan scene in the comic, I think you're overthinking it. The two are both cold to each other. They have an unpleasant history. No one's apologizing. No one's asking for an apology at this point. Neither "started it". Looks must have come before words. And looks said it all. The words were simply the "icing" (pun intended) on the cake.

Personally, I can't see Betty with Flash long term... though I guess that's the longest relationship she's ever had - mostly by default. Now, I see them as good friends. Maybe occasionally friends with benefits, but these two are never going to be much more than that in my mind.

Of course, to me the perfect girl for Flash was always Sha Shan. (Someone who could kick his ass - at least figuratively, if not literally.) So what do I know...

Response recorded on September 29, 2011

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Zeke Hero writes...

Greg,

First of all, I'd like to say I'm a huge fan of your work since Gargoyles made my young mind snap from "short attention span" to "give me more character-driven serial fiction!" during the Disney Afternoon days (jeez, I'm old...). When I heard you were doing Spectacular Spider-Man, I knew I was going to be in for a treat and while the show only got two seasons, DAMN were they exactly what I needed out of a Spider-Man show.

I've read the questions posted and have sat here making sure I won't ask an *eye-roll*-worthy one or something that will inspire the "no comment"-of doom, so here goes:

Gargoyles and Young Justice both have a family quality to the teams of characters that are our protagonists. We're introduced to a small band of 6-7 heroes by the writers and over the course of adventure after adventure we the viewer comes to feel as much as a part of that "family" as they do with each other. My question is (and I am in NO WAY fishing for spoilers or hints or what have you) what are your feelings on shows that expand these bases down the line? I remember, for example, that when Avatar added Toph her initial episodes didn't seem to gel with the audience I was viewing the show with and it felt like (to us) that the character didn't fit into a narrative we'd become accustomed to, yet by the end of the season (and this was our fault for not trusting the writers), Toph was a great piece of a larger cast that grew organically. Do you feel that adding, say, Angela as a new member of the Gargoyle family can hurt the narrative established with an audience burned time after time by artificial 90's cartoon storylines or does the idea of getting to add, say, the Wonder Twins (again, not fishing hence why I use these guys) offer up an opportunity to you as a writer for a left turn in the plot that you get to have a "trust us, we know what we're doing" stance with your audience?

(man that was a huge run-on senence...)

second question

When you and Brandon were mapping out the season (I saw the great behind the scenes video from SDCC), what was the best ah-ha moment (related to something we've already seen, not a spoiler or fishing trip) that you as a team came up with? Mostly I'm just looking for an anecdote about working as a team, you could even be vague and pronouny.

Third and final quesiton

You've now gotten to work on Marvel's Spider-verse, and the entire DC universe. I've noticed that in both cases you've gotten to go your own way on certain characters you've gotten to use (e.g. Silver Sable was a villain on Spider-Man with a relationship to Silvermane). Which comes first in cases where this occurs? Do you riff on story ideas and go, "we need a psychic badass" and then go, "let's use Psimon, but let's tweak him a little" or do you (or someone on the team) say, "Man, we REALLY need to use Abra Kadabra and I think I know how we could do that!" Since both shows have shown you dipping into a huge pool of characters, what about a character makes them a "semi-blank canvas" character that you can take as an opportunity to fit within your storybeats versus a character that you feel is fully-formed and just needs an artistic tweak to fit your plot?

Again, thank you so much for this board, your time, and this show. You've contributed so much to quality animation and, I hope you see the compliment here, but when I and my friends push Gargoyles on to newbies, we usually describe it as, "It's like the Wire, but with Shakespere, monsters, and the NYPD"

Greg responds...

1. I don't see how expanding the cast ORGANICALLY hurts the narrative.

2. I don't know that we had a single "Ah ha!" moment on YJ. But when things are working, they just begin to come together.

3. We've worked it from both directions. Ultimately, we ALWAYS try to be true to the spirit of the character - though sometimes we are intentionally introducing the character at a pre-classic stage. Silver Sable is a perfect example. We had long term plans for her that would have eventually brought her closer to the Sable from the comics. But we liked this backstory for her - and connecting her to Silvermane helped preserve the coherence of our universe.

Response recorded on August 09, 2011

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SO WHERE HAVE I BEEN? Updates & Debunks

Hello everyone,

Haven't posted here in a while, and since I did a bit of message board lurking this morning, it seems to have led people to believe all sorts of odd things, so...

Where have I been?

Well, in early June, my family and I went to the Oregon Shakespeare Festival in Ashland, Oregon.
We saw seven plays in four days. Six of them (Henry IV, Part Two, The Language Archive, To Kill a Mockingbird, Julius Caesar, Love's Labours Lost and Measure for Measure) were just stellar productions. Everyone was great, but I'd like to particularly single out Susannah Flood in both Language Archive and Mockingbird, Dee Maaske in Mockingbird and Michael Winters as Falstaff in 2HenryIV.

Coming back from that, I was understandably swamped and didn't have time to post.

Next, I went to Minneapolis for the always great ConVergence convention. I did about thirteen panels. Some of which, like Gargoyles and Spider-Man and Young Justice, I felt qualified to be on. And some, like Dexter and Galaxy Quest, my only qualification was being a fan of whatever we were talking about. This was my third ConVergence, and it continues to be the best run convention I've ever attended. And now that the Gathering of the Gargoyles is no more, it has become my FAVORITE convention to attend.

Returning from ConVergence, I then got quite ill. In fact, I'm still home sick today. (Home sick as opposed to homesick, clear?)

So THOSE are the reasons I haven't posted. Nothing nefarious.

Next topic: YOUNG JUSTICE UPDATE.

We have aired episodes 101-109 (i.e. Season One, episodes 1-9).

(Yes, episode 110 accidentally was posted on Cartoon Network's website, but I'm going to pretend that never happened.)

Episodes 110-115 are in the can, i.e. they are completed and ready to air.

Episode 116 awaits only the final on-line, i.e. the final review of the episode. This has been delayed ONLY because I've been out sick this week.

Episode 117 will have it's sound mix on Friday. (I hope to be back at work by then.)

Episode 118 has been edited and work progresses on scoring and sound effects.

Episode 119 is ready to begin post-production.

Episodes 120-123 are being animated in Korea.

Episodes 124-126 are in layout in Korea, while we finish the final color models here in the States.

Episodes 201-202 (i.e. Season Two, Episodes one and two) - Are fully recorded and are in storyboard. (201 was written by me. 202 by Nicole Dubuc.)

Episode 203, written by Kevin Hopps, is almost fully recorded. We have one actor left to pick up, who has been out of town. It is also in storyboard.

Episode 204, written by me, will record this week. It is also in storyboard.

Episode 205 - Brandon Vietti, has turned in his draft of the script. I have to read and edit it.

Episode 206 - The outline, written by Peter David and edited by me, went out Monday for notes, which are due tomorrow.

Episode 207 - Kevin Hopps turned in his outline, which I need to read and edit.

Episode 208 - I'm writing this one. I'll start the outline, after I've edited the outline to 207.

Episode 209 - Jon Weisman turned in his outline, which I need to read and edit.

Episode 210 - Kevin Hopps is working on his outline.

We do NOT yet have a pick-up beyond episode 210, but our bosses have told us to start blocking out episodes 211-220 in anticipation of one.

Episode 211 - We've broken this story. I still need to find time to write up the Beat Outline, though I have it all on index cards.

Episode 212 - We've got the basics of this one down, but we (i.e. myself, Brandon and Kevin) still need to finish breaking the story.

Episodes 213-220 - We've got a very clear sense of the arc and what things need to happen, but we haven't started on these yet.

NEXT TOPIC: DEBUNKING YJ RUMORS

False Rumor #1: YJ IS A GREG WEISMAN PRODUCTION
Everywhere on the Internet, all I see is that YJ is Greg Weisman's show. That's just blatantly false. This is a VIETTI/WEISMAN production. Just as Spectacular Spider-Man was a COOK/WEISMAN production and Gargoyles was a PAUR/WEISMAN production. I am not, nor have I ever been, a one-man show on ANY project I've EVER worked on. EVER. And in particular, on YJ, it's extremely unfair to Brandon to leave him out of consideration. Brandon is heavily involved in every aspect of production, INCLUDING SERIES DEVELOPMENT AND STORY. He's been right there with myself and Kevin Hopps breaking every single episode. It's been a team effort from day one. Many of the series' best ideas came/come from Brandon. And this is aside from the fact, that of course, Brandon can write - but I cannot draw, which arguably makes him MORE important to the production than I. I am exceedingly proud of this series and my own work on it - though certain very vocal fans seem to think I shouldn't be - but that doesn't change the fact that Brandon and I are a team.

False Rumor #2: YJ WAS RUSHED INTO PRODUCTION
Another blatant misconception. Look, Brandon and I are both perfectionists. Neither of us would deny that we'd LOVE to have more time on each and every episode. But that's not the same as being rushed. Let's make a comparison: on Spectacular Spider-Man, I basically had one week to develop both the series and the entire first season. Then Vic Cook came aboard, and we raced to get into production in less than two months. Brandon and I had seven months to develop the series, break the first season (which granted had twice as many episodes as the first season of Spidey) and head into production. The show isn't and never has been rushed. That's not to say the schedule isn't tight. But we haven't aired a single episode that wasn't ready to air. And we won't.

False Rumor #3: YJ ISN'T AIRING NOW BECAUSE WE'RE REWORKING EPISODES BASED ON INTERNET CRITICISM
This is my favorite. I love it the most because the first person I saw who posted this rumor also said that I'd deny it. So here I am denying it, which of course serves to PROVE that he or she was correct, see? Let's be clear: for better or worse, this series is COMPLETELY unaffected by internet criticism BECAUSE of schedule. Everything of any significance was set and DONE before even the pilot movie aired last November, so we couldn't address fan concerns even if we wanted to. And, honestly, we don't want to. We don't in part because there is way less consensus than some people seem to think. For example, for every post I see expressing hatred for "Hello, Megan!", I see a post that likes it. And personally, I like it. Brandon likes it. So why would we change it, even if we could? In fact, even Season Two is moving forward more or less disregarding "fan" criticism. Brandon and I always had very clear ideas for what we wanted to do in Season Two (and even Season Three, should we get one) and those ideas haven't changed. As with every series I've co-helmed, all we can ever do is write and produce to OUR OWN passions - and then just cross our fingers and hope enough people share our passions to make it a success. Anything else is doomed to failure, because if we're not passionate about it, it'll show in the work, and then no one will like it. And just to make it clear: WE LIKE OUR SHOW!! Doesn't mean you have to - but don't try to tell me I don't.

So why aren't we airing new episodes now? That's a fair question that I don't have an answer for. After all, we have six unaired episodes in the can, with four more on the verge of completion. It's a Cartoon Network decision. Some fans have argued that they shouldn't have started airing ANY episodes until ALL episodes were in the can. But that too is a decision above my pay grade.

My best guess - and that's all it is - is that CN will air new episodes - starting with 110 ("Targets") - in September. The good news is that the later they wait, the more weeks they can go uninterrupted by reruns. I do know that Season Two (i.e. "Young Justice: Invasion") will begin airing as part of DC NATION in March of 2012. And by then ALL of Season One will have aired. So do the math.

People have asked me if I'm bummed about losing momentum by this delay. But the thing is we've ALREADY lost all momentum. So as long as they PROMOTE us whenever they finally do start airing us again, then pragmatically I'm good. Yes, I'll admit to a certain level of frustration in that I want our stuff to get out there, but if CN has a plan to make the most of the episodes, then more power to them.

Anyway, I think that's it for now. I'll get back to answering questions on ASK GREG as soon as I can find the time. (But keep in mind that San Diego Comic-Con is fast approaching. Note: Young Justice has a panel scheduled for Sunday, July 24th at 10am, with a signing to follow. I'll also be signing Gargoyles comics (and whatever else anyone might want) at the SLG Booth from 11:30am to 12:30pm on Thursday, Friday and Saturday (July 21, 22, 23).


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Matthew writes...

Not a question, but I thought you might want to read a very positive review of Spectacular Spider-man:

http://www.intergalacticmedicineshow.com/cgi-bin/mag.cgi?do=columns&vol=spencer_ellsworth&article=042

Greg responds...

THanks!! That really was a great review!!

(I'm on a roll today!)

Response recorded on June 08, 2011

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Laura 'ad astra' Sack writes...

Silly little question- Do you ever feel the urge, (or give into the urge), to slip something into a script purely because you know something about the actor? Like writing a song into a scene because you know the actor sings, (but maybe not telling them that they're going to be doing Sondheim or Gilbert & Sullivan till after they agree to sing 'some ditty'), or make them speak a foreign language because someone is fluent (but perhaps has a horrid accent)? Someone has a great cackle? Find a reason to have it come up. Someone is afraid of canaries? Put on on the character's shoulder for the whole episode. etc The only example I can think of now would be to have M'gan spout a long series of made up equations to see if Danica McKellar's head explodes in the face of nonsensical math. (Or replace of a series of made up equations with her own theorem at the last moment and wait for her to notice.)

Or does "Jalapeno!" qualify as such evil?

Greg responds...

Jalapena definitely qualifies.

Thailog qualifies in general. (How can I write for Keith David and never give him the chance to laugh?!)

I would have loved to do musical episodes of Gargoyles and/or Spectacular Spider-Man, but in the former I couldn't think of a smart way to make it work (pre-Joss Whedon's "Once More With Feeling") and in the latter, we didn't get enough episodes...

But it was fun doing the two musical episodes of W.I.T.C.H.

Response recorded on May 16, 2011

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The Spectacular Spider-Man Season 3 writes...

Can't you just talk to Sony, so that they would let you supervise the Spectacular Spider-Man, Season 3? So that they could change their mind to let Marvel use Spider-Man for the Super Hero Squad Show season 2 finale, Avengers: Earth's Mightiest Heroes season 1 finale, and main character for season 2 of Avengers and season 3 of Super Hero Squad, i'm tired of him being in just comics and video games, please bring back The Spectacular Spider-Man!

Greg responds...

There's no one left at Sony for me to talk to. They closed the entire television animation division there.

You'll just have to talk to Marvel about all of the above. I've got ZERO pull, believe me.

(I mean, really, if I did, don't you think I would have done a third season of SpecSpidey?)

Response recorded on May 16, 2011

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Jeff writes...

First of all, many thanks for bringing us a great Spidey series. Just a few questions to put my mind at rest, as it bothers me to have my favorite stories left unfinished. Since the show is unfortunately canceled, I wanted to ask how would it have ended for the following characters.

1. Eddie/Venom (Would he have made peace with Peter: brothers again? Anything else?)
2. Gwen or MJ
3. Norman
4. Harry
5. Carnage: was he planned for an appearance?

Please I'd really appreciate if you can go into detail with these, especially first 3.

Greg responds...

As I've stated MANY times before, I don't see any advantage TO ME in vomiting out what my plans would have been absent the execution of said plans. All that accomplishes is to hold the ideas out for all sorts of second guessing.

Response recorded on May 05, 2011

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Jamie writes...

Hey greg,first of all, you're awesome, i remember when i was only 5 and i would re enact your gargoyles haha good times.

If you were to compare Young Justice and your other works, would young justice be in the top 5?

How many views are you having on Young justice ?

Greg responds...

Wow, did you just make me feel old...

Yes, YJ would be in my top five, along with Gargoyles (of course) and in no particular order, Spectacular Spider-Man, W.I.T.C.H. and Captain Atom.

Response recorded on April 21, 2011

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Edward writes...

Is the Green Arrow short in continuity with Young Justice since you were/are involved with both?

Greg responds...

I was also involved with W.I.T.C.H., Starship Troopers, Gargoyles and the Spectacular Spider-Man, and none of those are in continuity with Young Justice.

Response recorded on April 07, 2011

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nacnud writes...

Dear Greg,

In a question long back by a different poster, you said that in Season 2 of The private Spectacular Spider-Man, Charles Xavier was just a professor of a private school. If the X-Men portion of your "Spectacular" universe are as well dedicated to the comics as Spider-Man's show was, does this mean the X-Men in your universe are currently:
Cyclops
Beast
Marvel Girl
Angel
and Ice Man?
Or would there be a different line-up?

Greg responds...

At this stage, only Cyclops and Beast. The others had not joined the school yet. Of course, these are all MOOT notions that were only in my head.

Response recorded on April 06, 2011

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Anonymous writes...

I really like Robin's jokes, I've always been a fan of wordplay.

Oh Young Justice is the first of your show's that I've watched, but it was so good that it made me want to look into Spectacular Spiderman, and WoW it's really good I'm only a couple episode in but I love the way you have all the villains kinda developing into villains instead of just villain of the week type of set up.
Haha and the theme song is pretty entertaining.

Greg responds...

Thanks!

Response recorded on March 17, 2011

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tomi writes...

I really enjoyed these first preview episodes of Young Justice. And perhaps even moreso than that i enjoyed to hear Crispin Freeman to return back to your services: i think he made fantastic work as both Speedy and Guardian, and eventhough you can still hear a bit that it is the same actor, he made it possible for those two characters to be divided and personified from one and another.

He was excellent as Electro, and i was fan of him before that(i came hooked sometimes around i first saw first few episodes of Wolf,s Rain).

From what i,ve been able to gather, he seems to be not only true professional, but also smart, intelligent guy with great thoughts, coupled with sharp and delightful sense of humor. I have seem him to appear in many of Gatherings(often paired with good old Thom Lexington Adcox), and i,ve heard that he was fan long before your paths crossed, often discussing with his fans about serie,s themes.

If it isnt too much trouble, could you give little bit of greenlight how you two met, and how your cooperation began?

Hopes for better to your work from fan from far-off-land Finland: maybe there arent too many Finnish Gargfans, but i am one of them.

Pidä lippu korkealla!/Keep your spirits high!

Greg responds...

I met him through the Gathering, actually. 2001 in Los Angeles, I believe. He was a guest of the convention, giving his mythology seminar. We first worked together on a pitch for Mecha-Nation, i.e. he did us a favor and recorded a bit of dialogue for us. The first paying job I could offer him was on the very last episode of W.I.T.C.H.

Response recorded on March 17, 2011

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Chris writes...

Please forgive me if the following questions were asked.
1. What was your comment on the video game Spider-Man Shattered Dimensions? How did you like that they used some of the actors from Spectacular which were Josh Keaton, Thomas F. Wilson, Jim Cummings, Steven Blum, and John Dimaggio (not sure if I spelled that right)?
2. I know you don't like to answer questions about future plans for Spectacular, but did you pick any actors for Scorpion and Hobgoblin?
3. Did you know that a few of your ideas were taken from the 1994 Spider-Man cartoon? Such as the symbiote coming from John Jameson's space shuttle. Although TAS used a space shuttle crash instead. Another example is Vulture going after Norman Osborn in his first appearance. Another is Spidey hanging upside down and looking at the black suit at a tall building.
4. When you look at the Spectacular Spider-Man, do you believe that you have done a good job for the show?
5. What is your view on the Scarlet Spider? Would he have been worthy of being in the Spectacular Spider-Man if given the chance?
That's all I have for you. Please make the DVD company that makes the DVDs for Spectacular Spidey make a complete season 2 DVD. That would be greatly appreciated.
Your fan,
Chris

Greg responds...

1. I'm all for those guys getting work, since they're fantastic. But I haven't seen the game.

2. No comment.

3. Well, those ideas weren't "TAKEN" from the 90s cartoon, cuz I never saw it. Now anything from that cartoon that seeped back into the comics or the movies may have influenced me -- and/or great minds think alike, especially when similarly influenced by the same source material.

4. I do, actually. I'm very proud of the finished product.

5. No comment.

Response recorded on March 11, 2011

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Alan writes...

Dear Greg,
When is season 2 of the Spectacular Spider-Man coming out on DVD? I've been patient for like a month after the volume 8 DVD was released. Now I can't wait any longer! Please try to make the company that makes the DVDs make them make season 2 of TSSM. Please?
From,
Alan

Greg responds...

I have no control or influence over this. Believe me, no one's more frustrated than myself.

Response recorded on March 11, 2011

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Anonymous writes...

Hey Mr. Weisman, love your work! First and foremost, thanks a ton for taking the time to answer the many questions of us crazed fans, I haven't heard of many who care enough to do this. Secondly, congrats and best of luck on Young Justice, it looks like it has just tons of potential, and I look forward to seeing more.

My quick question is a pretty insignificant one I suppose, but for some reason it's always bugged me (I apologize if it's been asked already, I checked the archives and searched). In the Spectacular Spider-Man episode 'Catalysts', there's a bit where Spidey's web-shooters run out, and he reloads one of them during free-fall. After this, t first it seems like he's going to be, understandably, shooting webbing only from the one he reloaded, but then he can be clearly seen firing web from both web-shooters, even when he has only reloaded one. Was this merely an animation goof, or was there a specific reason?

Greg responds...

I feel pretty confident that you're either remembering or interpreting this wrong, but I can't check it at the moment.

Response recorded on March 11, 2011

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Craig F writes...

Hey Greg,

I'm a huge fan of Spectacular Spider-man and I was heartbroken when it was cancelled. On the flip-side, I'm loving Young Justice, so I have to ask... If it weren't for Spidey getting cancelled, would you still be working on YJ?

Greg responds...

Probably not.

Response recorded on February 25, 2011

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BonnieB21:-) writes...

Long time lurker, first time poster!

I've been trying to think of some questions I know no one else has thought of before. It's taken me a while, but I finally got them.

I've been a fan of Spiderman all my life and have watched EVERY cartoon version either in syndication, on cable, or when they originally aired. I was rewatching "Along Came Spidey" the origin of Spiderman from Spiderman And His Amazing Friends last night (a gorgeous episode, one of the best of the series and the BEST of his various origin stories (present company excluded)). But I believe this was the last time his full story was told. As in before Spiderman became a crime fighter, he was a "plain, old, SUPERSTAR!!!!!". I saw your Spectacular Spiderman origin and I had to ask you this:

I know you had to/wanted to keep towards Spiderman's live action movie origin which rushes through all the pre-crime fighting stuff. But if you could've, would you have explored Spidey's fame-whoring past? Cause I've always wondered why no one else in New York City, no other fans, or no one else remembers Spidey's pro-wrestling, personal appearance making, TV show guest starring past. If J. Jonah Jamision had a reason for hating Spiderman, I would think that would be it.

I used to watch '60s Spiderman every morning in syndication before going to school. But I hadn't seen it in a very long time until ABC Family/Disney reran a bunch of old Spidey episodes, but only one of '60s Spidey. The interesting thing about Peter Parker/Spiderman is that Peter talks in a mild mannered, soft spoken voice in his real life but once he dons the mask, his voice got deeper and more authoritative. That was the only series that had such a huge differnce between Peter and Spidey.

On Spectacular Spidey, there doesn't seem to be a huge difference between the way Peter sounds and the way Spidey sounds. Was there a reason for that? For the most part, Peter's and Spidey's lives don't connect too much (as in Spidey doesn't have to have long conversations with Peter's friends). But I would think at least of one person be it Aunt May, Gwen, or M.J. would be able to tell Peter's voice over a cell phone and Spiderman sound an awful lot alike.

Thanks for taking the time to answer fan questions!

Greg responds...

1. I'm more than happy with the origin we used.

2. Josh Keaton DID change his voice to differentiate between Pete & Spidey. It's just (intentionally) very subtle.

Response recorded on February 09, 2011

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Anonymous writes...

Was Carnage and Shikata to appear on "The Spetacular Spider-Man" before it was canceled.

Greg responds...

No comment.

Response recorded on February 07, 2011

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Dan writes...

In the theme song of the Spectacular Spider-man under one of the photos there is a headline reading " the final, fateful photo by Peter Parker". Was this hinting at something?

Greg responds...

I don't recall that, so I'll say... no.

Response recorded on February 07, 2011

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Sree writes...

1.When coming up with the theme song for spectacular spiderman, how many bands and how many versions of the song did you have to go through? Did you n Victor Cook have much input into selecting the ulimate song?

2.Do you know what Victor Cook is currently working on?

Greg responds...

1. We listened to about seven or eight submissions. Four of those, including the Tender Box song you're all familiar with, we liked a lot and wanted to use on the DVDs, but couldn't afford to. And, yes, Vic & I picked the song, though of course we needed approval from a whole bunch of folks at Sony, Marvel and KidsWB. Fortunately, everyone agreed with our choice without reservation.

2. Yes. Scooby-Doo, plus he's guest directing episode 20 of Young Justice.

Response recorded on January 28, 2011

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Akeem M. writes...

Hello again, another spec spidey question here.

In comics Tombstone had a connection to Robbie Robertson, making him more of one of Robbie's personal enemies. Is there a reason you decided to disregard that when making Tombstone the "Big Man". OR was it not omitted, and you just didn't have enough time to show anything concerning Robbie's relationship with Tombstone (or it didn't have enough impact on Peter/Spidey's life...yet)?

Also, we all know why you decided to get rid of Herman Schultz, but of all the people to be Shocker, why Montana of The Enforcers? Was there something that you saw in Montana that would plant him as a great match for the Shocker suit?

Also...if there is ANYTHING you want to give me for your discontinued plans for the future like "you would have liked this to happen" just spill it out... Just kidding...

Thanks

Greg responds...

Tombstone/Robbie would fall under the category of discontinued future plans, which I've pretty much decided there's no upside in me revealing.

As for Montana becoming Shocker, it just seemed to fit. Montana got away at the end of "Survival of the Fittest" and would be at loose ends without his Enforcer buddies. And he had a fun personality to inhabit the Shocker suit and gear. It worked for us.

Response recorded on January 28, 2011

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Baron Ultron writes...

Few thing have bugged me since cancelation of Spectacular Spider-Man.

1)Does Marvel hate Spectacular Spider-Man cartoon or not.I ask this because they are making new Ultimate Spider-Man Cartoon and Spectacular Spider-Man was canceled and there was lack of promotion in Marvel.Com(While Avengers or Super Hero Squad have many promotions).Also in one of your answers you said that Marvel are not planning to make comic book based on your show or something like that.So does Marvel hate your show or not?

2)This might be stupid question but worth a shot.Will you ever work for Marvel or Disney again due to cancelation of your show and Disney retooling Gargoyles into Gargoyles Goliath Chronicles.

3)What do you think about Avengers:Earth's Mightiest Heroes Cartoon.Do you think it is as great as Spectacular Spider-Man or bad.Also in your opinion which show is better:Young Justice or Avengers Earth's Mightiest Heroes.

4)Will you watch Ultimate Spider-Man Cartoon?And also is there a chance that you will work on Avengers Earth's Mightiest Heroes or some Marvel Comic Book?

Good Luck

Greg responds...

1. I hope not. Ask Marvel.

2. I'm perfectly willing.

3. I haven't seen Avengers, but Frank Paur is producing it, so I take it for granted that it's great. But in any case, I don't see YJ as being in competition with Avengers. There's room for both.

4a. No. There's no upside in me watching Ultimate. If it's great, I'll be jealous. If it sucks, I'll be frustrated.

4b. No. I'm plenty busy on YJ.

4c. I hope so. Ask Marvel.

Response recorded on January 21, 2011

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Ian Whitcombe writes...

I'm curious about the philosophy behind recieving episode premise approval for a show from DC (and I'm assuming Marvel too for SSM?). I wonder which would describe it better:

1. You submit the episode premise as a checks and balances procedure working in good faith that the episode will be approved provided there aren't any legal or logistical oversights that would make the episode impossible to produce. What I think I'm asking is if they recognize your desire as producer to make the episode, and they would only veto a premise if there was some sort of hassle.

2. You submit the episode premise in the hope that DC likes it and sees value in the episode's production. This would imply that the episode could be approved or vetoed based on the creative "whims" of DC.

Greg responds...

It's both or neither. The main concern for both companies (not including the legal ramifications, which separate LAWYER-TYPES deal with) is to make sure we are being true to the characters. Some DC and Marvel people focus on specifics. Some focus on the bigger picture. Some both.

But basically, they don't reject premises out of hand. Just the way we are dealing with their characters. And even that is fairly rare. Both Marvel on SpecSpidey and DC on YJ have been great partners in the process.

Response recorded on January 18, 2011

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Algernon writes...

Hey Greg, how's it hanging.

Not a question so much as a request but I was wondering if you'd ever considered posting the "Spectacular Spider-Man" series bible online like you did for "Gargoyles"? I've always been impressed by the amount of thought you put into your shows, and it'd be a great insight into the creative process behind such a fantastic toon.

Greg responds...

Hmmm...

I don't have it here at Warner Bros to look through it and see if it's post-worthy. But I'll think about it.

Response recorded on December 30, 2010

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John Derrick writes...

I hate to say it, but I was extremely disappointed in the Young Justice premiere. Don't get me wrong--the animation was gorgeous, the dialogue entertaining, the story intriguing. But the gender imbalance was a huge turn-off for me.

Why was it that the women of the Justice League were only shown in the last five minutes of a two-part pilot? Why did the male sidekicks get to go on a rebellious adventure and force the League to accept them as a team of their own, while the first girl is only added to "Young Justice" at the very end, introduced by her uncle and guardian like some sort of token?

I expect that the women will have a lot more to do in the episodes to come, but I still find it profoundly problematic to introduce the characters in such an unequal manner. I believe there are too many men in the world as it is who see women as mere supporting players in their stories. Why reinforce this stereotype for a whole new generation of superhero cartoon fans?

Greg responds...

It's a legitimate gripe. And I doubt my answer will satisfy you, but it came down to a couple factors that we at least found important: (1) practicality and to a lesser extent - but intertwined with - (2) tradition.

Let's start with practicality.

You asked why there were no female Leaguers until the end. But where would they have fit? There are no female Leaguers with traditional first generation sidekicks. So Batman, Green Arrow, Aquaman and Flash could not be replaced by Wonder Woman, Black Canary or Hawkwoman. That leaves the four Leaguers introduced at the Hall of Justice. I needed Martian Manhunter to be there to set up Miss Martian. I needed Red Tornado there to set up his interest in the teens. I needed Superman there to set up Superboy. That leaves only Zatara. He was certainly replaceable. But then I would have had to hire another voice actress to read ONE LINE. I couldn't afford to do that. We have budgets. (And you'll notice that Red Tornado never speaks in the episode. Couldn't afford giving him a line either. None of which had anything to do with gender.)

There was NEVER any intent to introduce Artemis this early in the season for story reasons. Wouldn't make sense for her character. And I think the reasons why will become clear as the season progresses.

As for Miss Martian, yes, in theory, we could have introduced her sooner. Manhunter COULD have brought her along at the beginning. But then I'd have had FOUR characters running around the first half hour and FIVE in the second. That steals screen time and characterization from everyone. I think the entire production would have been weaker for adding another character -- ANY other character (gender notwithstanding).

Of course, that begs the obvious question - why not ditch one of the boys in favor of her to create a little balance.

But it seemed to us that would create balance at a cost.

There are FOUR TRADITIONAL sidekicks: Robin, Speedy, Aqualad and Kid Flash. To leave one out seemed wrong to us. Which brings in the Tradition argument, which I'll admit is somewhat feeble, but as an old comic book geek, I'll also admit it matters to me and to everyone else here.

The very first Teen Titans story ever in Brave and the Bold featured only THREE heroes: Robin, Aqualad and Kid Flash. Wonder Girl did not join until their second adventure. So we felt there was a precedent for beginning with Robin, Aqualad and Kid Flash and saving the real introduction of Miss Martian (beyond hellos) for OUR second adventure.

For what it's worth, if you give the series another chance, starting with episode three (i.e. the one immediately following the pilot "movie"), I think you'll see that female characters including Miss Martian, Black Canary, Artemis, Wonder Woman and MANY others will be playing ESSENTIAL roles in the show as we progress. I think the balance - and then some - is absolutely present in the first season when viewed in its entirety.

Yes, the pilot was very boy-centric, but that's not the rubric for the series. Personally, I love writing female characters, and if you're at all familiar with my past work, you'll know I have a history of doing them justice. (At least, I think so.) Gargoyles, for example, is FULL of strong female characters, including Elisa, Demona, Angela, Fox, etc. WITCH was nearly ALL female leads. Even Spider-Man had a strong female supporting cast, in my opinion at least.

If we did "reinforce a stereotype" (which I think is overstating it) then perhaps we've lured in kids that we will reeducate over the course of the season - organically without forcing it.

So I'd beg a little patience, a little indulgence... maybe even a little trust that we'll do right by this issue.

But judge for yourself.

Response recorded on December 21, 2010

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SoundForSound writes...

Any reason for Disney to not just do a digital only release of Gargoyles via iTunes? Would not that be cheaper to release than DVD, or who knows? Any word on if YJ will be available on iTunes? Keep up the great work. Spidey was amazing, so am looking forward to YJ.

Greg responds...

I just have no idea on either front.

Response recorded on December 17, 2010

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SLG writes...

Hey Greg,

Really liked the Young Justice pilot, very solid stuff. I especially like the line Robin had about how Batman would "have his head" for taking so long to get out of those shackles. Robin seemed pretty capable, and I'm sure he'll get closer to Batman's level as time goes on, but I do hope we'll get to see the master at work every once in a while.

I also really have to say that I loved the action sequences (and the writing, of course). They had a great flow to them and a great sense of pace. I was also a bit surprised at how hard hitting some of the fights were, by which I mean they seemed to be fairly violent, even compared to something as recent as SpecSpidey, though that's just my take on it.

So anyway, you say that your brother, Jon Weisman, is writing for Young Justice, which got me thinking about how that was also the case during your time on WITCH. Since someone was nice enough to upload the entire series onto YouTube it has been easy enough to go back to. One of my favorites of that show was "S for Self", mainly because of the songs "Demon in Me" and "Will to Love" that played during it, for which you and Jon wrote the lyrics.

So this is a bit out there, but do you suppose that original songs, like those produced for WITCH, are something that would ever have a place in Young Justice?

How about an entire episode in the form of a musical? Buffy style, you know you want to.

Greg responds...

I do want to. But I'm not sure I'm smart enough to come up with an original reason for it to happen -- that WORKS with the tone of this show. Way back when, I wanted to do a musical episode of Gargoyles, but could never come up with a justification. Then Joss Whedon did "Once More With Feeling". And of course, the answer was obvious. I could have used Puck to force everyone to sing. Trouble is... I wasn't smart enough to figure that out first. Yes, that's right. Joss Whedon is smarter than I am. Now, taking that approach would REALLY look like I was ripping off his idea. I'm not 100% sure I'm above that. But I'm about 87% sure, so...

Even on Spidey, which was a show with a way less realistic and grounded tone than YJ is, I struggled to find an original reason to do a musical episode. And I couldn't figure one out. So the odds of me figuring one out on Young Justice seem slim, I'm afraid.

Response recorded on December 17, 2010

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Akeem M. writes...

Hello again sir,
Once again I have a few Spec Spidey questions
Now, as you know, in Spectacular Spider-Man, the extra arms that Doc Ock has are detachable. The harness itself is stuck to Octavius, yet the arms can be removed. My question is, what was your reasoning for doing this? From my knowledge this was never done in the comics. Was it so Ock could be feasibly locked up without those tenticles having to be locked up as well?

Now, we all know what people thought of Mr. Lincoln in the show, but what would you say the public's opinion on Hammerhead? Obviously criminals know who he is (much like every crook knows who the Big Man is (which is how the rumor surfaced up multiple times), but what about the public. Is Hammerhead a well known criminal?

Also, when choosing minority races for minor characters what factors made you choose that specific race. For example, you wanted Rhino to be South African (I suppose to go with the whole "Rhino" thing. Ned Leeds and Kenny "Kong" McFarlane had names that could easily be changed to more Asian sounding without changing too much (Leeds to Lee and the nickname Kong as a literal last name.)So what influenced you to pick certain races for certain minor characters? For example did Roderick Kingsley's love for the carribean influence you to making him black? Did Gwen's Debra Whitman look influence you to make Debra Whitman black because of her extreme similarities to Gwen look wise. If Belladonna were to appear would she have been Latina since she already is a Carmen Sandiego homage?

Greg responds...

1. Basically, yes. We figured the authorities wouldn't allow him to have the arms in lock-up.

2. Yes. But he's got no official ties to Lincoln.

3. There weren't any rules, though I think you hit on the name thing influencing me. Same with making DeWolff Native American. The name suggested it a bit. Other times it was just us trying to diversify the cast. So Liz became 1/2 Puerto Rican and Kingsley and Whitman became African-American. Etc.

Response recorded on December 03, 2010

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Anonymous writes...

is there going to be a spectacular spiderman season 3

Greg responds...

Nope.

Response recorded on December 01, 2010

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Anonymous writes...

Who would you rather be trapped in an eight hour car ride with; Demona; Nerissa; or Green Goblin?

Greg responds...

Nerissa, I guess. She'd have less reason to kill me at random. She might even appreciate the company.

Response recorded on November 23, 2010

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Anonymous writes...

In Young Justice, are we going to see police and some villians use real guns like in Batman: Brave and the Bold?

If yes, do you actually take your time and effort to draw them in great detail similar to the ones from Batman: Gotham Knight?

Greg responds...

I guess it depends on your definition of "great detail". They are as detailed as anything else in the series, based on our design style. They're not photo-realistic, but that's not the style of the series. But the style's more realistic than, say, SpecSpidey was. (Which is not a VALUE judgment, as I'm a huge fan of BOTH Sean and Phil.)

Response recorded on November 23, 2010

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Jackson writes...

Hello Mr. Weisman,

my name is Jackson, and I am an avid fan of The Spectacular Spider-Man. So the first thing I would like to say, even though you've probably heard it heaps of times over, is that The Spectacular Spider-Man was the best adaptation of Spider-Man to date, and in my opinion the best cartoon I've ever seen (and I've seen a fair few). I could go to great lengths to describe just how amazing a thing it was. I was devastated beyond belief when I heard that TSSM was cancelled. It truly was masterpiece.

And now that I've said that, my question. It concerns a character I believe you should be quite familiar with; Donald Menken. Being the fan that I am, I have watched the episodes many times, and Mr Menken interested me. My main question about him is, in the episodes that he appears, is he meant to be a character who really just does what he's told, or does he have any sort of initiative? I mean, for Norman to trust him enough to show him globulin green AND host the rhino specs auction (which are both pretty dangerous things to share), there'd have to be something about him that Norman recognised as making him a trustworthy confidant. What was this quality?

Thanks so much for your time. Maybe more questions in the future.

Greg responds...

Well, I'll mostly leave this for your interpretation, but I think Menken demonstrated various qualities to Norman Osborn (not all of which may have been visible in the limited screen time we could afford the character), including loyalty, intelligence, steadfastness, initiative, unperterbability, etc.

Response recorded on November 18, 2010

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Javier writes...

Hi Greg, first of all i want to say that Spectacular Spiderman was the best incarnation of the character i have seen outside of the comic books, and its a shame that it lasted only two seasons. i have a couple of questions if you dont mind, hopefully you will be able to answer them, if not i understand, you are a very busy man after all.

1) I was really amazed by the quality of the animation and the character designs, it looks even better than the other DC movies that i have seen. How do you maintain that standard of quality in a weekly series? All tha animation is done in the US?

2) Is Josh Keaton voicing Barry Allen? It sounded like him but maybe im wrong, he did an outstanding job as Peter Parker, hopefully he will have a role in the series

Thank you for your time, as a fellow animator im really glad that we can still have some classic 2D animation to look foward to, Best of luck Mr Weisman

Greg responds...

I'm a little confused if we're discussing Spider-Man or Young Justice here...

1. For both series, all the animation was done/is being done in Seoul, Korea. The pre-production was/is all done in Los Angeles. (Though on YJ, some storyboards are being done in Korea.) Final word on quality control was with myself and Vic Cook on Spidey; myself and Brandon Vietti on YJ.

2. No. George Eads is our Barry Allen, though I'm a huge fan of Josh's, of course, and hope to use him on YJ.

Response recorded on November 18, 2010

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Clark Cradic writes...

Does Felicia Hardy in your series wear a wig or die her hair? I'm guessing the white hair isn't natural in your world.

Greg responds...

It's a cartoon TV version of platinum blonde in my mind. Others might disagree. Like, say, Storm of the X-Men.

Response recorded on November 12, 2010

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Mo writes...

Forgive me for being dated, but I have a Spidey question. In rereading some of my collected editions of the Lee/Ditko era, I realized that Peter Parker was established as a high school senior. In Spec. Spidey, he is an underclassmen (I forget if he's a freshman or sophomore). Why the change?

Greg responds...

He's a junior actually. As for the reason, it's fairly simple. Stan and Steve kept Pete a high school senior for a LONG time. Years. Since we wanted to play the passage of time as an element in the series, but still wanted the opportunity to tell many of those stories (and more) while Pete was still in high school, we started him as a junior to give us some breathing room.

Response recorded on November 12, 2010

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Neil writes...

Do you still listen to that Spectacular Spiderman theme song (full version)? It's so catchy!

Greg responds...

Uh... I've heard it. And it is very catchy.

Response recorded on November 10, 2010

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Anonymous writes...

i know this is gonna be a "im not inclined to tell" or "no comment" but this really has been bugging me. Emily Osborn literally did nothing on the show so what exactly were your plans for her. my only guess would be that she takes over oscorp since harry is too young. if im right PLEASE tell me.

Greg responds...

I'm not going to tell you. But we did have plans.

Response recorded on November 06, 2010

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nygma619 writes...

Hey Greg, a couple Spectacular Spidey ?'s that I hope you'll be able to answer:
1.) Someone asked a question on whether you had plans for S.H.I.E.L.D., and you said "No", not "No comment". So I'm curious, where do you see Nick Fury and S.H.I.E.L.D. at this point in time? Have the government approved the group, or has there not been a reason to create the group yet?

2.) The Lizard in his first appearance was not seen as talking, but was seen as a mute, savage beast. I'm curious, what was the thought process behind making him that way?

3.) What happened with MOI animation in the second season? Blueprints, Shear Strength, Growing Pains, & Gangland are in my opinion the weakest animated episodes of the series. Their season 2 work just felt alot less fluid than their season 1 work, and compared to Dong Woo and Hanho their animation from season 2 was alot more fluid looking than what MOI was doing. I know there's a camp of people who complained about Hanho going off model, but I always accepted the squash and stretch being used alot more, since that's how Victor Cook intended the animation to be.

These next 2 questions are tricky to ask since I'm not sure if they break the "won't spoil because their better off being revealed in execution" code you've gone by, but I'll give it a shot anyways:
4.) You said that Roderick Kingsley owning a perfume company would be brought up in his next appearance. Does that mean you had plans to introduce Belladonna?

5.) You said you know who the main villains of each arc would be in season 3, but you didn't have everything planned out beyond that. Hobgoblin sounds obvious, Scorpion, Maybe. So are the main villains of each season 3 arc, something you'd be willing to reveal(at the very least), or not?

6.) About the radio play, when Cleatus says to Demona, "I'll have what he's having.", how come Eddie wasn't saying "YES, YES, OH GOD YES" when he became Venom again before that?

Looking forward to Young Justice!

Greg responds...

1. I don't have my Spec Spidey research notes with me here at Warner Bros. But as I recall, Nick has not yet been recruited to run SHIELD yet. But in any case, at the time I'm sure I didn't have access to Nick or the SHIELD characters. Spidey Universe only.

2. It seemed right. He seemed more dangerous that way. More Lizardy.

3. I really don't remember.

4. No comment.

5. Not really.

6. For whatever reason, I didn't have quite as firm a grasp on "When Harry Met Sally" as you seem to. I was in a rush.

Response recorded on October 15, 2010

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Jim writes...

You may or may not have followed the hubbub earlier in the summer when Donald Glover (young and very charismatic black comedian/actor) was campaigning on Twitter for a chance to audition for the role of Peter Parker in the new Spidey movies. Nothing ever came of it, but it sparked a huge internet debate over whether a black Parker was true to the character.

I myself was very open to the idea. After all, nothing about Peter's character or circumstances dictates that he has to be white. Heck, May isn't even related to him by blood; the only characters that would need to be adjusted are his parents, Uncle Ben, and Ben Reilly-- assuming any of those even make it into the new film.

Given that SpecSpidey is my very favorite version of the mythos, and given that the show was notable for, among other things, mixing up the races of various (mostly minor) characters, I was curious as to your thoughts on the subject. Not to the point of any conclusion, but just a reasoned opinion. Are there some things about Spidey that are just TOO traditional, too sacred, that changing them dilutes people's perception of the character? Is his race one of them? You went with the classic white-with-brown-hair interpretation, and I don't think there are many arguments that you succeeded quite well at adapting Parker.

I'll admit I'm wary of making this post, as I don't mean for you to look like you're choosing sides or giving some definitive answer. After all, I've already made up my mind on the issue; I'm sure most people have. Or they sure seemed to have when this controversy was still fresh. But being that you are something of an expert at adapting this specific property, as well as someone who was willing to add diversity where it was appropriate, I'd really like to pick your brain and hear any thoughts you might have regarding this issue.

Greg responds...

I think of Peter Parker as Everyman, so I can see why Mr. Glover and others would identify with him and have no trouble changing his ethnicity.

I myself KNOW that Pete is (whether practicing or not) of the Christian persuasion, because I've seen him celebrate Christmas over and over, but it always struck me as window-dressing to make the character appeal to the widest possible American audience. Because he's ALWAYS seemed Jewish to me. Perhaps that's because Stan Lee was/is Jewish and wrote him that way. Or maybe it's just me, being Jewish, reading it in. I toyed with the idea of having Pete's late mother being Jewish on Spec Spidey. But really, what would be the point? (And that was without asking Marvel if they'd have an issue with it.)

So I don't in a theoretical sense have any problem with an African-American Peter Parker. If Nick Fury can look like Samuel L. Jackson, etc., etc., etc.

The question of course is one of ICONOGRAPHY. Is the caucasian, brunette Peter to iconic to change. I certainly felt that M.J.'s red hair and Gwen's blonde hair were too iconic too change (which at least suggests that they needed to both stay Caucasian). But what about Peter?

As you guessed, I don't have a definitive answer for you. Stan and Steve (and maybe Jack) designed the costume so that it would hide race and ethnicity completely. Then WROTE Spidey's dialogue as if he were a Borsht Belt comic. (See why I thought he was a Jew from Queens?) So maybe all that matters is the nebbish -- not the color of it.

But maybe not...

Response recorded on October 14, 2010

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Alan Gavinchki writes...

Hey Greg
When you look at the Spectacular Spider-Man, you realize there are a lot of important villains. Which do you consider the main villain of the whole show. I thought of some possibilities.
1. Tombstone because he is a crimelord and was the first to want to kill Spidey.
2. Hammerhead because he is Tombstone's assistant and made the most appearances out of any villain.
3. Green Goblin because he is Harry's dad and he made supervillains for Tombstone and wanted to take over his enterprise. He did once and he made Spidey's life turn upside down.
4. Doc Ock because he was a victim of the Goblin and was the leader of the first Sinister Six and organized the second one. Him alone during the Master Planner and Gang War saga would make him the main bad guy.
5. Venom because he was once Pete's best friend and he possessed the same suit Spidey had. Afterall he was the one who pointed out that Peter loved Gwen. He also revealed his identity to Jameson!
I hope one of these villains I chosed are correct for their major role.

R.I.P. Spectacular Spidey

Greg responds...

I'm not sure I understand why I'd need to pick just one?

Response recorded on September 29, 2010

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Emily writes...

I imagine that you had to read alot of comics when making shows like Young Justice or Spiderman. So did you get those comics for free from the Marvel and DC saying you needed them to help with the shows or did you have to go out and buy?

Greg responds...

Mostly, I went out and bought. Alan Burnette had a backlog of Young Justice comics he lent me, i.e. a bunch of individual issues, not always consecutive. Maybe a couple other things here and there. But mostly, I'm outlaying on my dime to do the research.

Response recorded on September 29, 2010

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ALL CAUGHT UP

Hey gang,

I'm finally all caught up on the ASK GREG queue. Gonna take a short break, but we'll open the queue again on September 27th, 2010 in preparation for the release of Superman/Batman: Apocalypse which also contains the DC Showcase Green Arrow short that I wrote.

As always, I urge you guys NOT to flood ASK GREG with questions. Check the archives. Check the FAQs. Ask questions of the loyal fans in the Station 8 comment room.

AND, please, THINK BEFORE YOU POST. I am NOT, for example, going to SPOIL "Young Justice" before it airs. I'm not going to SPOIL "Gargoyles" either since I still have hopes of bringing that back. I'm not even going to "SPOIL" Spectacular Spider-Man, because I don't see any real point in revealing future plans and ideas independent of their execution.

Happy to talk process. Happy to talk about what's ALREADY aired or been published. Happy to talk about Mecha-Nation and many other things. But. NOT. GONNA. SPOIL.

Thanks,

gdw


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Clark Cradic writes...

What comic universe would you say you're more knowledgeable about: DC or Marvel?

Greg responds...

I'm pretty equal on both companies.

Fairly knowledgeable (all things considered) on pre-1970s stuff.

More knowledgeable on the 70s.

Extremely knowledgeable on the 80s.

Less knowledgeable on the early and mid 90s.

Almost completely ignorant of the mid 90s through 2006.

Somewhat knowledgeable but with huge gaps on 2006 through the present...

Of course, I worked at DC as a freelancer from 1983-1991, and on staff from 1985-1987, so I have more INSIDE knowledge of that company, but during that period I was reading ALL the Marvel books too, so if we're talking CONTINUITY and CHARACTERS, I know both companies pretty darn well. I certainly grew up reading both. And when I was a little kid, I didn't even get that there were different companies that made comics. I'd see Green Lantern team up with Superman in one book. And Spider-Man team up with the Fantastic Four in another. And I didn't know that next month I might not see Captain America team with Batman. It took me a while to get the whole competing companies idea.

Response recorded on September 21, 2010

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Laura 'ad astra' Sack writes...

I'm sorry to hear you are feeling some vitriol coming your way for the differences between the Young Justice comic book and coming cartoon. As a huge fan of YJ I was hoping for a Spec Spidey type treatment of the original source material and I bet others were too. That said, I just keep repeating to myself that that is not to be so I should just look forward to a different great cartoon.

I did have the thought of, 'then why not use a different name?' If I can come up with a couple more ridiculously bad ones to balance the numerous "Blah" ones I may post some names that came to mind...

Greg responds...

It IS a very Spec Spidey treatment of the source material. It's just that our definition of the source material is BIGGER and more EXPANSIVE than yours seem to be. Just as on Spec Spidey, we developed YJ to combine characters from different eras to create a cohesive, coherent yet contemporary whole, without losing what's classic and iconic about these teen characters. That meant borrowing from classic Teen Titans as well as Young Justice and other arenas as well. Just as we borrowed from Spidey's high school years, his college years and more recent arenas as well. On Spec Spidey, we said it was early days in the Marvel Universe (recast as 2008). On YJ, it's early days in the DC Universe (recast as 2010).

It's the exact same thing -- from my point of view at least. It's adaptation with a starting point. Where it goes from that starting point...? Time will tell.

Response recorded on September 21, 2010

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Oscar writes...

Hi i am a big fan of spider-man and i have a few questions

1)Will the new show for spider-man be starting all over or continue where you left off on the spectacular spider-man?

2)Do you think the new spider man show will better?

3)Are y'all going to use the same characters?

4)Why did the Spectacular spider-man show get canceled?

5)Do you think y'all could have gone far with the spectacular spider-man more than the 1994 series?

6)Last question Do you think there will be ever a chance that they could bring back the Spectacular spider-man if the the new one won't receive good ratings or it crashes like other shows that lasted 13 episodes or less?

Thank you for your time

Greg responds...

1. Ask the new creators. I have no idea, but I can't imagine they'll be picking up where we left off.

2. Not for me to say.

3. I did Spectacular. Ask the new guys about the new show.

4. See the archives.

5. If given the opportunity, we could have kept SpecSpidey going pretty much indefiinitely. But I'm not in competition with any other series.

6. It seems highly unlikely.

Response recorded on September 13, 2010

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Algernon writes...

Hey again Greg,
I've recently started rewatching "The Spectacular Spider-Man", and I thought I'd test the waters with a question you probably would never have answered while the show was on the air. If every character from the show was taken from the comics, then who was Hammerhead's female chauffeur?

Greg responds...

We did have some thoughts on that subject, but I'm not too inclined to go into them...

Response recorded on September 13, 2010

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Alan Gavinchki writes...

Dear Greg,

I forgot to ask, when will season 2 of TSSM be released on DVD? I am not patient as you can see. Would the DVD feature any plans you had for a possible season 3? Sorry I forgot to ask you that question in my previous question.

Your fan,
Alan

Greg responds...

I have no idea about the release schedule, but I don't see how it could have any "plans for a possible season 3" since I wasn't involved in the extras (if any) at all.

Response recorded on September 08, 2010

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Alan Gavinchki writes...

Dear Greg,
I was really looking forward to a season 3 of TSSM, but due to recent news, I am a little disappointed that we won't see that show again. I have a few things I want to say. Firstly, I want to thank you for this great show. The two year run was my favorite two years yet. I have a few questions.

1. Would we have seen the Punisher? I'm a huge Punisher fan and I would've loved to see him.

2. I already know Scorpion and Hobgoblin would appear, but what other villains would we have seen?

3. Would Sandman become a good guy?

4. In the episode "Accomplices", Roderick Kingsley got away from the fight with Spidey, Silver Sable, and Hammerhead and ended up running away without a coat. But at the parking garage, Kingsley is seen in a different car (his limo was destroyed and appeared to have no other form of transportation) and had his coat back. When he saw Rhino, he seemed less surpirsed rather when he was attacked by Silver Sable. Was this Roderick's identical twin brother Daniel?

5. Speaking of Rhino, I loved seeing him and Spidey team-up. Would Spidey team-up with any other villains?

6. When the symbiote went into the sewer, was it possible that it reproduced and would create the Carnage symbiote?

7. Final question, would Miles Warren become the Jackal? If so, would he do something like the clone saga and make Ben Reilly? I'm a huge Scarlet Spider fan and I was really hoping we'd see him.

That's all I have, thanks again for a great 26 episodes.

Your fan,
Alan Gavinchki

Greg responds...

Alan, I appreciate your obvious enjoyment of the series. But I've pretty much made the decision that there's nothing in it for me to just spit out ideas I had for future seasons. Absent the execution of said ideas, they just become fodder for debate on whether or not they were good ideas. A debate that has little to do with whether they MIGHT have been good ideas if we had had the chance to execute them. So...

1. As I've stated MANY times before, we weren't given access to characters like Punisher. And at this point, it's a little moot to theorize what we might have done had Punisher become available. It was never considered.

2. Some are obvious, given the fact that we had already introduced them in their civilian identities or other hints we dropped. Beyond that, I'm not saying.

3. Things aren't black and white.

4. Again, I'll leave that to everyone's interpretation.

5. I wouldn't rule it out, but that's so specific. We never got into detail breaking down Season Three.

6. And STILL, I'm not interested in using this forum to reveal unexecuted ideas.

7. Ditto.

Response recorded on September 08, 2010

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GEOGNE writes...

WHY DID YOU GUYS CANCEL SPECTUALR SPIDERMAN PLEASE BRING IT BACK ITS SUCH A CLEAN SHOW WHY DID YOU i HAVE A LOVE FOR THAT SHOW SIGNED GEOGNE

Greg responds...

It wasn't my choice to not renew the series. I would have loved to do more. The combined forces of Disney, Sony and Marvel chose to discontinue it.

Response recorded on August 31, 2010

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Clark Cradic writes...

If the series had continued long enough for you to include the Scorpion, would you have made the source of his powers like the Rhino or like Kraven?

Greg responds...

No comment.

Response recorded on August 31, 2010

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Tyler writes...

Hey Greg ,

I have another question about the episode storytelling in the Young Justice cartoon. Is the cartoon's episodes going to be told similar to The Spectacular Spiderman and Gargoyles with one long story arc, that ends each season with a big bang, But in each season the characters still recall what happened in the first season or will the show be told similar to Teen Titans and JLU where each episode has its own story?

Greg responds...

Like all my shows - including SpecSpidey - Young Justice is both episodic and sequential, with building arcs.

Response recorded on August 30, 2010

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Anonymous writes...

Man, every Spidey question you answer that ends with some form of "it's moot now" or "we'll never see it" is depressing. I miss the show so much, miss anticipating what great new direction you guys were going to take it in, miss the awesome surprise of each new design by Cheeks, the great voice acting and sharp writing, the structure of the seasons and the way you were organically growing Spidey's world, etc. I'm really excited for Young Justice and think it looks great, but at heart, I'm mostly a Marvel, and specifically Spider-Man, fan. So basically, just thanks for the show. I loved it, it's a credit to your great talent in the field, and it was unquestionably the best animated Marvel adaptation ever made, series, movie, or otherwise.

Greg responds...

Thank you.

Response recorded on August 30, 2010

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Anonymous writes...

in the future where u know for a fact that spectacular won't get renewed-even though it was made pretty clear-would u ever consider posting something talking about some of your plans for the characters on the show. no every single character because that will take forever but some of the thing that ended on a cliffhanger like one question about man-wolf and kraven...and what you might've been planning for hobgoblin and scorpion. also, do u think the sales of the second season dvd's could have anything to do with sony not renewing the show because it kind of seems like they're waiting for that to get money out of the people who want a third season and think buying the dvd will help? the reason i ask that is because i read on marvel animation age that spec spidey is still a sony production and its up to them.

Greg responds...

Marvel says its up to Sony. Sony says its up to Marvel. Either way, the show's not coming back. But a new Ultimate Spider-Man series is currently in production with a number of good people on board.

As I've said RECENTLY, I probably will not be revealing much of what my plans might have been.

Response recorded on August 26, 2010

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Anonymous writes...

"I had plans for both John and Kraven -- in fact those plans were connected. But I'm not inclined to go into detail on them at this time. "

You, sir, are a horrible tease. If you ever are inclined to go into the plans you had for certain characters, etc. in the series, please, please do not hold out on us. :) For some of us, it's all we've got left to keep experiencing the greatest Spider-Man adaptation every produced. :)

Greg responds...

Thanks. But ideas divorced from execution are subject (particularly on the internet) to a level of second-guessing that I just think would be unpleasant.

Response recorded on August 25, 2010

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Laura 'ad astra' Sack writes...

Interesting background on Flash... You say that part of Flash's development would be becoming more aware of and dealing with his long held grudge to Peter. Does Peter have any inkling of why Flash turned on him? Not that he's given any indication of it openly, but was Flash's abandonment an emotionally scarring event, or was it lost in the greater trauma of his parent's deaths?

Greg responds...

Largely the latter, but I'm sure it felt like piling on. There was no way for a young Pete to understand why he couldn't see Flash anymore. One gets the sense that Flash's mom and Aunt May had many conversations about this. But Peter's sense of abandonment - and thus his emotional dependency on May and Ben -- would have only been heightened by Eugene. But that pales in scope to the loss of both parents.

Response recorded on August 25, 2010

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Greg Bishansky writes...

You know I loved "Spectacular Spider-Man" and I am sad that it is gone. Your recent answer on how Flash's enmity for Peter began fascinated me and depressed me at the same time. That was quite deep.

I'll admit, the element of the show that has been fascinating me the most is Emily Osborn. Mostly because this is the only continuity where she's actually alive (and thus a completely blank slate), and the few teases we got made me wonder what is up with her. What kind of mother is she? What kind of wife is she?

She was just so mysterious. We know why Norman and Harry missed the school play, but why didn't she go? That couldn't have been a coincidence.

And then, while I know it was non-canonical, when she finally did speak, and presented this mysterious tape from Norman, along with "the Green Goblin is not what your father wanted for you" it raised even more questions.

So, I need to ask. What role was she playing? Did she know Norman was/is the Green Goblin?

Greg responds...

I had very specific plans for Emily. But I'm just not seeing the benefit (to me) of elaborating on them at this time.

Response recorded on August 18, 2010

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Greg Bishansky writes...

I wrote this blog entry up a few months back, and I thought I'd share it with you. I'm curious as to your thoughts on the matter:

Ever since Disney bought Marvel, people have been asking Greg Weisman if he has any interest in integrating the "Gargoyles Universe" (which would be the first sixty-five episodes of the series, and the two SLG comic series "Gargoyles" and "Gargoyles: Bad Guys") into the Marvel Universe, and Weisman keeps saying no. Yet people keep asking him.

I love "Gargoyles" and I love the "Marvel Universe." I love "Gargoyles" more, and I'm not afraid to say it. But this is a terrible idea, and I'm going to talk about why it's a terrible idea.

First of all, the two universes are pretty incompatible. Time travel works differently in both universe for one. In "Gargoyles" you cannot alter history, and that series is so much better for it. If it were a part of Marvel, it would be too easy for Goliath to, let's say, go back in time and prevent the massacre of his clan back in 994 Scotland.

I suppose you could retcon away those Marvel time travel stories like "Age of Apocalypse" and "Days of Future Past." While I would not mind that, it wouldn't be fair to the fans and creators of those stories.

Second, while I have no doubt the existence of gargoyles would be shocking to the people of the Marvel Universe, it wouldn't have the same impact it should. Not in a world where mutants, super-beings, Atlanteans, Inhumans, Eternals, Norse gods, and Fin Fang Foom are already known to exist with Galactus stopping by every other Tuesday.

Third, okay, Marvel's Odin is now a Child of Oberon, as are the Asgardians. Okay... how well do you think that's going to go over with the fans of Jack Kirby's Thor who have been reading it for nearly fifty years now? Hell, there are still some people who are uneasy about Odin being subject to Oberon in "Gargoyles." I'm not one of those people, but I understand where they're coming from.

Now, I know some people are bound to mention the NON-CANON Radio Play from the 2009 Gathering, that was a crossover between "Gargoyles" and "The Spectacular Spider-Man," so let's get this out of the way. That wasn't actually the Marvel Universe. It was a re-imagined, and stream-lined version of it. It also helped that both shows were created or developed by Greg Weisman. It was a lot of fun, and I enjoyed it, but I don't think anyone wants this to be a regular, or even a recurring occurrence. I think it worked well as a pandering love letter to fans of both franchises, and the voice actors who brought these characters to life.

Finally, and perhaps most important, the Marvel Universe is not really going anywhere. It is very cyclical. Things come, things go, status quos change and are restored. Spider-Man is married for twenty years, then he is single again. Magneto reforms, then is a villain again, then reforms, etc, etc.

For example, I respect a lot of what Joe Quesada has done for Marvel. However, the notion of him having any kind of creative influence over "Gargoyles" scares me. "Goliath and Elisa were more interesting before they finally declared their love and got together. The core of it was always impossible love, so now we have to split them up." You know it would happen.

"The Gargoyles Universe" is going somewhere, even if we're currently not getting any new fiction, it was always evolving. Never going backwards, but moving forwards. It was an evolving tapestry, and change was constant. Marvel, on the other hand, lives and breathes on the illusion of change, while actual change is non-existent. Death is meaningless. Characters don't age, and the status quo may shake up on occasion, but it is always eventually restored.

The Marvel Universe was built by Stan Lee, Jack Kirby, and Steve Ditko, and maintained by many very talented and creative people acting as custodians of that work. But, for better or worse, it is a soup with hundreds of cooks. Many great chefs, and more than a few fast food fry cooks.

"Gargoyles" was co-created by Greg Weisman, and while he had a lot of help, he was the only co-creator, and the one who never stopped working on it. He was the first author of "Gargoyles" and more than likely he will be the last author of "Gargoyles." For the better. We saw "Gargoyles" without Greg Weisman, and it was nothing good.

Both universes have their place, but you couldn't merge them without one of them being significantly altered in the process. Now, I will admit my bias again and say that I wish the "Marvel Universe" was more like the "Gargoyles Universe" but, there's no real point. It's been around for nearly five decades (over seven if you want to talk about Timely Comics), and it's not going to change. As I've made clear, I think that's kind of the problem, but an understandable one given the nature of Marvel Comics. DC too, for that matter.

Now, I realize a lot of the above makes it look like I'm saying "Gargoyles" is great and Marvel is awful, but I don't feel that way at all. I just don't think such a thing would work without one of the universes suffering for it.

Greg responds...

I agree.

The Radio Play was a ... lark, a goof. But even if we were ONLY talking about the Spectacular Universe merging with Gargoyles, I'd be opposed.

Response recorded on August 18, 2010

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Mo writes...

Hello again Mr. Weisman. First, let me say how sorry I am that Spec Spidey was cancelled. It truly was the best show Marvel ever produced and was the first I honestly felt told stories of the web-slinger and didn't talk down to it's audience. Bravo on making an excellent program.

This does, however, make me all the more excited about Young Justice. I never read that specific series, but i've been a fan of Teen Titans for a while (including the trippy TV series) and am really looking forward to this series. I have a few questions, though:

1) Why the change in Aqualad's character? Was Garth just not interesting enough or was Jackson just cooler? And did the idea for him come from the comic first or did you guys make it up?
2) Why add Ms. Martian to the roster? She's a fun character to be sure, but doesn't exactly scream classic Titans/YJ member (It sort of seems like she's a stand-in for Starfire as the 'alien immigrant' of the team).
3) Will any voice actors from Spec Spidey be working on Young Justice?

Thanks again.

Greg responds...

Just to be clear, Marvel did not produce Spectacular Spider-Man, though of course they were very involved. But Sony produced the series, not Marvel.

1. The idea came from myself, Brandon Vietti and Phil Bourassa, though we had many, many conversations with the folks at DC, including Geoff Johns, obviously. And obviously, we think he's an interesting and cool character, or we would not have put him in there.

2. She's not a stand-in for Starfire at all - not in our minds. She's not a stand-in for anyone. To be honest, you need to get out of the mindset of some kind of fixed team, where all we did was substitute a few characters here for a few characters there. That wasn't our process AT ALL. We began with a list of over fifty teen heroes (male and female) and chose the ones that worked best for us on a number of different levels, ranging from chronology, power mix, personality, iconicness, dynamics, etc. We really started from scratch, with no preconceptions. It would be best if the fans did the same.

3. Yes, some.

Response recorded on August 18, 2010

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Edgar writes...

Hi I am Edgar and I am a fan of spider man and the cartoons they are of it. I have been watching the new show "The Spectacular Spider-Man" and is going good and i think you should keep going with. If this is a real website that Greg Weisman reads him self please continue the season 3, the last two where great and since you are making this show i thought it would be best to find a way to tell you. I know this is out of topic here in Gargoyles but this is the only way i found of contacting you so far. Please continue with the show don't stop like they did with "Spider-Man - 1994 animated series". So hopefully you will read this and change our mind. Thank You for making does two episodes so for i would give them 9.5/10 and you will continue with the work. Thank You for your time if you reads this.

Greg responds...

This is a real website that Greg Weisman (me) reads, but I have no control over whether or not a Season 3 was ordered, and unfortunately it was not. It's just not up to me. Sorry.

Response recorded on August 16, 2010

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AJC writes...

Very excited for your new series! Its good that you can move on to something else, especially after how spec spidey ended.

My questions are, how much have you watched of teen titans and justice league and JLU?

Will you watch the new ultimate spider-man cartoon when it comes out?

Greg responds...

I've watched many Justice League, Justice League Unlimited and Teen Titans episodes (particularly from the early seasons of each) but not every single episode.

And, no, I won't watch Ultimate Spider-Man, though that's not a dig at it. If it's great, it'll just drive me crazy with envy. If it's not, it'll just drive me crazy with frustration. It's a no win proposition for me. So I might as well just avoid it.

Response recorded on August 16, 2010

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Ming writes...

Hi. First, I heard about what happened to the Spectacular Spider-Man. I'm sorry you didn't have a chance to do all the things you wanted to do. I would have loved to see stories Venom vs. Carnage, Harry Osborn as the New Green Goblin, the Hobgoblin, the deaths of Gwen Stacy and Harry Osborn or a shortened version of the Clone Saga or the return of Norman Osborn. Ah, well, so much for possibilities.

Anyway, I'd like to ask about Young Justice:

1) Will you be adapting Young Justice or Teen Titans storylines (i.e., Young Justice: A World without Grown-Ups)?

2) I heard that Red Arrow (or at least, the Roy Harper before Cry for Justice and "Rise" of Arsenal, which I don't know if you've heard of) and Tempest will show up. Any other Titans or Young Justice characters that will show up as the show progresses?

Greg responds...

1. You'll have to wait and see.

2. Yes.

Response recorded on August 16, 2010

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Alex writes...

Dear Greg,
You may remember my name. I wrote to you twice concerning if I could help write the third season of the Spectacular Spider-Man. Yes I realize taht was stupid but I don't care about that anymore or if you even reply the two earlier messages. Yes I realize there won't be a third season and we'll never see possibly grestest Spider-Man TV show yet. I only have a few things to say. I want to thank you for two years of seeing this show. They have been the best two years yet. I just want to say that this is probably by far the greatest Spider-Man TV show. Why? It wasn't because of the first animated appearances of the Enforcers, Tinkerer, Colonel Jupiter, Ricochet, or Molten Man. Or the other villains I've come to love in this show (most notably Hammerhead, Electro, Sandman, Rhino, Tombstone, Green Goblin, Kraven, Silver Sable, and Silvermane). I like it because in a way I am Peter Parker. Not physically, but with his love interests. I became friends with a girl who had glasses. She recently got contacts. But yet she went to a different school in the same district. I haven't seen her in a year. I rely on Facebook or e-mail to talk to her. But yet I sometimes get the feeling I may lose her to someone else. This is in a way like Gwen Stacy. The reason why I wish there was a third season is because I want to know how Peter would finally be with Gwen. (If he would.) If I don't know what happens, then I don't know what could happen to my own relationship. I know I shouldn't rely on a TV show to solve girl problems, but I think this show could make it possible for me to go all the way with her.

Right now, I don't care if this series becomes the longest Spider-Man TV show, I just wish if the third season could at least explain how Peter would get to be with Gwen. Also I would to see Spidey fight new threats. (The villains I would've loved to see were Scorpion, Hydro-Man, Tarantula, Beetle, Green Goblin II, Hobgoblin, Prowler, Carnage, and Jackal.) If possible, could tell me how Peter would be with Gwen and if any of the villains I listed would've made their appearances or if there were others I didn't list? If you can't do it here, you may feel free to e-mail me at luckygalucki@bellsouth.net. Once again, thank you for a great 26 episode series.

Your fan,
Alex Galucki

Greg responds...

I've already mentioned that Hobgoblin and Scorpion would have appeared in Season Three. Beyond that, I'm not inclined to reveal much... and certainly not to help you "go all the way" with a girl. (Even assuming I had that kind of power, which of course I don't.)

Response recorded on August 13, 2010

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Richard Jackson writes...

Hi Greg,

I'm a big fan. I work in South Korea teaching English and I thought you would be interested in your creations' progress over here.

I did some research on the internet and Gargoyles: The Movie and some season 1 episodes were released on VHS over here. What a collector's item those would be? The official translated name of the show is "Champion Goliath", but happily enough online Korean fans just call it "Gargoyles."

Channel surfing, I did see The Spectacular Spider-Man on the cartoon channel, 5:30, Saturday morning. That's actually a good time, since Korean children have Saturday school and 5:30am would be just the right time they're waking up.

Keep up the good work and hopefully I'll see Young Justice in Korea.

Greg responds...

Very cool! Thanks, Richard.

Response recorded on August 13, 2010

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mick jones writes...

What's with the Cindy Crawford mole on Pete's cheek in SSM?

Greg responds...

It's a Cheeks signature.

Response recorded on August 11, 2010

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Bill Friedman writes...

First, thank you for making both of your shows. I loved Gargoyles, but The Spectacular Spider-Man somehow managed to be even better, and I think was probably my favorite animated superhero story ever, and I await Young Justice eagerly.

Second, I had a question. If you had known at the start of the second season that you were certainly not going to get a third, what would you have done differently, if anything?

Thanks!
Bill

Greg responds...

Nothing different. Nothing at all.

("Both" my shows? Only two? Been a few more than that.) ;)

Response recorded on August 11, 2010

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Dan writes...

Hi Greg!
Even though the Spectacular Spider-man has been untimely canceled do you think it's possible that it could continue in some capacity? Perhaps in a comic like Gargoyles did?

Greg responds...

Someone JUST asked this. Check the latest responses.

Response recorded on August 11, 2010

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Anonymous writes...

Hello,Mr.Weisman.I want to ask some questions about Spectacular Spider-Man.

1)I know you originally wanted to use Kingpin as main crime lord in your show,but you couldn't due to rights to him tied to Fox,but you replaced him with Tombstone.But if you were allowed to use Kingpin,would he have same role as Tombstone(sending Enforcers to kill Spider-Man,creating super villains,allying with Norman Osborn,meeting with Venom,and obviously being in Gang War)?Would voice actor be different if you were allowed to use Kingpin?

2.When your show was canceled due to business and legal issues or something like that,i heard such things like "Disney/Marvel didn't care about show" or "Disney intentionally tried to ruin the show" or "It's Sony's fault that show was canceled" or similar things.Do you think that Disney/Marvel or Sony INTENTIONALLY tried to ruin the show or that they tried to save it? Do you blame them for show's fate or not?

3.One thing has interested me in your Gang War Arc.It's about Doctor Octopus henchmen.I know that he runs powerful super villain empire and that he is sort of Big Man Of Supervillains and he has bunch of supervillains to do his job,but i wanted to ask you,did Dr.Octopus had any normal,regular thugs in his employ?.In Reinforcements when Blackie Gaxton told Spider-Man about Master Planner,he mentioned that he(Master Planner/Doc Ock) hire thugs,crooks and construction workers.Also did you planed to use or take closer look to Doc Ock's empire in Gang War Arc?

4.I have question about Silvermane's robot suit.How did Silvermane got it?I mean,he just has it without any explanation.Did Tinkerer had something to do with it or he stole some technology from Oscorp Or Tri-Corp?I loved his suit,but still interesting how he got it.

5.Is there a chance that you could make Spectacular Spider-Man continuation in Comic Book?Did you approached Marvel about it?I know you are working on Young Justice,but still if were are some chance about Spectacular Spider-Man continuation.

6.In your show Jean DeWolff seems to distrust Spider-Man and saying that he goes to far in fighting crime.Is it simple distrust or something happened to Jean in past that she doesn't trust vigilantes.The Punisher is vigilante who goes to far and kills criminals.So did Jean DeWollf had met Punisher and had something to do with each other or she just simply distrusts Spider-Man?

And i will ask some important things

7.Did you and your crew intended episodes we have now to be different or they were made how you wanted?I mean did you had many ideas for current episode or you had different ideas for some episode but those ideas were dropped and you used current ideas.For example:I read that some fans thought that Gangland would be big battle between forces of each crimelord,but in Gangland only bosses fought with each other and their bodyguards played minor role.In other words,what were your original ideas for your episodes.

8.This question is similar to question 7.Did you and your crew planed to include some storylines or characters in seasons 1 and 2,but weren't include or made?For example did you wanted to include Scorpion in season 1 and 2 in some way or another or did you planed to include villains who appeared in season 2 to appear in season 1 or vica versa?And did you planed to make some episodes in Season 1 or 2 but they weren't made?

9.And most important question:Will you reveal your ideas for Season 3 any time soon?

I'm sorry if my questions bothered you.Good Luck

Greg responds...

1. The basics would be the same, I suppose. But I'm sure there would have been differences. No way to know about the voice actor. The thing to keep in mind is that the verdict that we couldn't use Kingpin came VERY early on in the process. It's not like we had fully formed ideas for Kingpin and then slotted Tombstone instead. We wanted a crime boss, and were told we couldn't use Kingpin and so chose Tombstone. THEN we came up with all the ideas.

2. No one intentionally set out to ruin a multi-million dollar investment. I think we had some bad luck and multiple corporations participated in some mismanagement of the series (in my opinion). But no single company is at fault, and no one had it "out" for us.

3. He used what he needed to use. And given enough episodes, we would have gone into greater depth on everything.

4. Tinkerer is my bet.

5. I'd love to, and I did approach Marvel about it, but they didn't respond. At this point, I'd guess they're pretty much focusing on the new show.

6. Punisher is not an issue.

7. What you saw on screen was what we wanted to put on screen. Anything else is OBVIOUSLY groundless rumors.

8. The answer is largely no. Again, what you saw is what we wanted to produce. I had some notions VERY early on to include Kraven, Kingpin and Human Torch in Season One. But we didn't have access to the latter two characters, and everyone (including me) eventually agreed that Kraven made more sense as a Season Two villain (after Spidey was better known). But again, all these decisions happened SO early in the process that we hadn't broken down the stories yet. They were just notions. What you saw is what we wanted you to see.

9. Probably not.

Response recorded on August 10, 2010

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garg and spidey fan writes...

Long time reader first time poster. Something that I found odd in season two of spectacular spider-man was how apparently Norman set up this mentor thing with Pete up in the season opener yet we hardly saw anything of it. There was the teaser for shear strength and that thing with Pete having an osberry prototype in a later episode but beyond that there wasn't really anything else we saw with this mentor thing. I wonder why was that? Did you originally intend to have more of it as a bigger lead in for Osborns reveal as the goblin and simply found there wasn't enough room for it in most episodes, or were we going to see some of this in flashbacks in a later episode where it would be relevant to the story? I ask because it really had me intrigued when i saw this in blueprints and I was slightly dissapointed with the end result not really being much of anything. Although for the record I really loved the show over all and was dissapointed it ended when it did.

Greg responds...

I think we got less of it in than we would have liked, mostly from issues of space. Only so many minutes of screen time in so many episodes.

But it also would have had long-term implications that now we'll never get to.

Response recorded on August 06, 2010

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Akeem M. writes...

Hey Greg,
Thank you for the two Spectacular seasons of what may be the best Spidey series ever. Unfortunately it was cut shorter than it should have been because of things that were beyond your or any of us fans’ control. I have a few questions about the show.

1) What race are Miles and Aaron Warren in the show? They are clearly tanned and a darker shade from the white characters in the show. Also, they are voiced by Brain George, who normally plays South Asian (Indian, Pakistani, etc) characters. So I’m wondering what specific race you made them. And hey I might as well throw Ox from the Enforcers as well, who is also clearly tanned and his voice actor is Latino (Mexican to be specific), so is it right to assume that Ox is Mexican?

2) You said you had plans for Emily Osborn as she is dead in the comics and has been dead since Harry’s birth. My first assumption is to have someone to run Oscorp while Norman is “out of the picture” as Harry is too young to be a CEO of a business. Is this the case, or were there other things behind her inclusion. She just seemed to be there in the scenes we’ve seen her in; she was either cutting food or walking away. Was she in on the identity and antics of her husband’s costumed criminal alter ego?

3) You have also mentioned you had long term plans for Kraven the Hunter in his beastly form. Since we won’t be seeing those plans come to the small screen at all I would like to ask what those plans were. Most people think that you were just going to make him human again, either via Calypso, or some other way. Were your plans for him about regretting his choice to become mutated in order to beat Spidey? Please let us know what your plans were, as it is an intriguing departure from the comics (and you tesased us about it).

4) Now, according to you in, your Spectacular universe it is now well known to the public that Norman Osborn is the Green Goblin after his “final” fight in Season 2. In the comics, the Green Goblin’s identity was a mystery to the general public in the comics until real recently in Spidey’s comic history. In fact, before Norman came back from the dead, Norman’s hobby was the leverage that Roderick Kingsley had on the Osborn family for blackmail during his stint as the Hobgoblin. I’m curious to know why you made this decision and how the Hobgoblin story would have been handled with the information that Roderick had just out in the open to everyone in New York like that.

5) Also, even though it's all moot now, I need to know, what were your major plans for the show had it continued...provided that what you answered above wasn't all of it. You don’t need to give any SPECIFIC details since aside from Hobgoblin and Scorpion showing up in season 3 and Peter graduating high school at the end of the series' run, nothing was ever really set in stone. However you did have some ideas about where you wanted the series to go, and I can assure you that the many other fans and I would love to hear any of your ideas about where you were headed with the show. And...the fact that I'm kinda desprate for ANYTHING Spidey related now that there is nothing on TV until next year....

Greg responds...

1. Yes, we were thinking Indo-European for Aaron Warren and Indian-American for Miles Warren. (The theory was that the Warren moved to the U.S. while older brother Aaron was young and before Miles was born - to explain their differing accents.) Ox is Hispanic. We never specified beyond that.

2. I'm not in the mood to reveal this at this time. (See the answer to #5 for why.)

3. Ditto.

4. Tritto.

5. I had many specific ideas, some of which would undoubtedly have changed over the course of production. But I'm just not too inclined to reveal them. It's not that I'm trying to torture you, it's just that there's no way I can do them justice in this format. I write "X" would have happened, and that one statement will get dissected across the internet. And any idea is only as good as its execution - which you'll now never get to see. It may sound stupid here, but I might have been able (with the help of Vic Cook and all my other many collaborators) to pull it off on the series and have everyone think I'm a genius. Or not. But at least it would have had a shot. I just don't feel like opening myself up to potential second-guessing based on raw notions as opposed to executed episodes.

Response recorded on August 05, 2010

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Anonymous writes...

For some reason, Man-Wolf is a very cool villain to me. I loved what you were doing with John in the show. Did you have a plan to make him Man-Wolf? It seemed like Professor Warren was going to be the perfect catalyst/enabler for that transformation.

Also, you once said that even if one didn't like the transformation of Kraven, to bear with it because you had some really cool plans extending from that. Would you be able to give us an idea of what those plans were?

Greg responds...

I had plans for both John and Kraven -- in fact those plans were connected. But I'm not inclined to go into detail on them at this time.

Response recorded on August 04, 2010

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Laura 'ad astra' Sack writes...

one last question:
In response to my appreciative ramble on your portrayal of Flash Thompson in the cartoon you answered that you had specific ideas about when and why Flash stopped liking Peter and being friends but you were on the fence about revealing them. Similarly on when he transitioned to actually tormenting Peter and whether all this took place before or after Peter’s parents’ deaths. If you have come off the fence in whole or in part I’d love to hear more.

You also said that Flash’s well timed hauling of Peter over the coals for his bad treatment of others was the reason he was went to the hospital and not to visit Aunt May. (Though I suppose he may have visited as well.) If despite all the animosity he believes he justly holds towards Peter he still came and did that, it speaks all the more highly of him. Also kudos to the animators for giving him that annoyed look that fits very well with: ‘I have to be doing this right thing here, but you really don’t deserve it’.

Greg responds...

Hmmm...

Okay. Here's my thinking. Peter and Flash were best friends at age @4. Then Peter's parents died. Flash's dad was a soldier and then a cop (both dangerous jobs). Young Flash couldn't deal with being that close to death. He didn't want to play with Peter anymore. And in his own YOUNG mind he had to find a way to justify/rationalize his decision that wasn't about his fears. So he convinced himself that Peter was a stuck-up egghead (or somesuch) who deserved to be dumped as a friend.

By the time WE meet Flash and Peter at the beginning of their junior year of high school, Flash's mindset is fairly well entrenched and the original reason for it is lost to him. Somewhere deep down, he knows better and given enough time and episodes we would have eventually dealt with this objectively in the series. Not to be, I'm afraid...

Response recorded on August 03, 2010

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Laura 'ad astra' Sack writes...

This is touching on the type of theoretical questions you hate, but I’ll attempt it…

Are there any shows you watch that you wish you were involved in? Any shows you are glad you weren’t involved with because you wouldn’t want it any other different than it is? Any shows you didn’t enjoy, but think you could have made the concept shine? I don’t necessarily mean something you worked on and it didn’t work out, (like when you wrote the series bible to Roswell Conspiracies or the like), I mean even seeing a cartoon as an adult that you enjoyed as a child and thinking ‘if I were doing that…’. That creative itch that sometimes hits when watching a show and really wanting to play in that sandbox.

I figure either you'll hate this question or one or two examples will suddenly spring to mind.

Greg responds...

Yeah... I would have loved to work with Joss Whedon on Buffy or Angel or Firefly. Not that I think I would have improved on it, but I would just have loved to play in that world with the master.

There are cartoon series I was really jealous of, like the MTV Spider-Man series. But (no surprise) I'm over that now.

I haven't seen anything but a few clips of the upcoming series, so this isn't a comment on it per se, but I would have loved to do an Avengers series. Frankly, I would have loved to have taken what we did on SpecSpidey and widened it, building an entire Marvel Universe. It's one of the things that's so fun about Young Justice. We're not just adapting YJ or Teen Titans, but the entire DC Universe (or one of them (#16) anyway).

The Highlander TV series was one where I thought it had moments of greatness, but was also a bit of a mess at times. I would have loved the POWER (Bwahaha) to grab the reins of that one.

I'm sure there are plenty of other examples, as I have generally -- and I'm not proud of this -- lived a professional life filled with (and marred by) tremendous ENVY. I just can't think of any others at this time. At least not any others that wouldn't get me in some trouble. ;)

Response recorded on August 03, 2010

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Laura 'ad astra' Sack writes...

I read an interesting article arguing that Ditko walked away from Spiderman because of an affront to his Objectivism principles. Specifically that he was setting up Norman Osborn to be Peter’s mentor and an exemplar of Objectivism. I was wondering what your thoughts were on the theory, and if there was ever a thought about it when working on Spectacular Spiderman?

Greg responds...

I won't pretend I'm an expert on Objectivism or even on the reasons why Ditko left Spider-Man.

We did set Norman up as a mentor to Peter... but this was in line with how we had interpreted the character. Whether or not Mr. Ditko would like our interpretation is a question, I cannot of course answer.

Response recorded on August 03, 2010

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lamberto writes...

i was wondering how your production team came to the decision on how to pronounce sha shan nguyen's last name. it is also my last name and since i was young i have always pronounced it "new-win". yet others pronounce it "new-yen". just curious. you don't see "nguyen" much in the media.

Greg responds...

Basically, I knew someone with the last name "Nguyen" and she pronounced it "wen". So I assumed that was how it was pronounced.

Response recorded on July 14, 2010

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Z_n_a_k writes...

Dear Greg,please tell me,when will we see third season Spectacular Spiderman?

An Ask Greg Helper responds...

There won't be a third season. Please check the archives for more information.

Response recorded on June 30, 2010

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anonymous writes...

Hello,
I checked the archives and didn't see it asked, so if it was, sorry. I'm confused. You said that the timeline for "The Spectacular Spider-Man" is basically the 1962 era, when Spidey first meets his foes and when he first meets the early Marvel heroes, like Fantastic Four, the Incredible Hulk, and Ant Man as examples. You mentioned Donald Blake hasn't gone to Norway yet and become Thor, but I thought Thor was from 1962 and made his debut before Spider-Man? Anyway, I wanted to ask, when does this show go into the "1963" era of your show? Season three, if there is one? Has it basically started since the January and on episodes of season two?

Thanx for reading. :)

Greg responds...

Spidey and Thor both debuted in August 1962. But you're taking my statement too literally. It's not a one-for-one ratio, i.e. 2008 = 1962 and 2009 = 1963. We were adapting a huge, sprawling work -- and as you know -- bringing in characters from multiple eras to do it. So in my mind, Donald Blake had not gone to Norway yet. Just a decision I made, basically.

Response recorded on June 29, 2010

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Frederick writes...

Hi, Greg. I wanted to know if there's a website or magazine or SOMETHING that has ratings/updates for Spiderman in it? I'm sure you get a lot of questions asking for the status of the series, and I wanted to know if we can be proactive and check a source or something.

Greg responds...

Well, by now, you probably know that the decision has been made not to renew Spectacular. In any case, no, I know of no website.

Response recorded on June 29, 2010


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