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Enterprise writes...

I know you been asked this before but dose disney have a say so or the rights in weather a film could be made out of this spectaculer series

Greg responds...

Are we talking about Spider-Man or Gargoyles?

Gargoyles - Of course.

Spectacular Spider-Man - None at all.

Response recorded on June 20, 2008

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P.B.D. writes...

Is there a chance Norman staged the whole green goblin is Harry thing to throw people off his trail?

Greg responds...

<sigh>

Response recorded on June 20, 2008

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P.B.D. writes...

Why did you go more with the movie symbionite suit instaed of the classic look?

Greg responds...

We decided to do both, as you probably know by now, in order to show how the Symbiote was gradually taking Peter over.

Response recorded on June 20, 2008

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Dirk writes...

1. Since Harry was the First Green Goblin in the new cartoon, does that mean that Norman Osborn will never become the Green Goblin?

2. Will the Hob Goblin, Scorpion, Mysterio and other villains appear in the series?

3. Will Carnage eventually appear in this series (like Season 4 or 5 if the show stays succesfull)? Or is he too violent/scary to put in this cartoon.

Greg responds...

1. GANG, GANG, this is NOT a forum for me to post all sorts of ridiculous spoilers about Spider-Man. Why would I do that and scoop my own stuff?

2. Yes. Mysterio is slated for the first episode of Season Two. I've previously revealed that both Hobgoblin and Scorpion will debut in Season Three (if there is a Season Three).

3. Time will tell.

Response recorded on June 19, 2008

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Nabil writes...

Hey Greg,
you guys are doing a fantastic job on the series i really love it, every bit and piece of it i have couple questions though:

1- Do you have any idea on when the first dvd will be released and will it have a bluray edition as well?
2- is there any chance that tombstone is not really the big man, but as foswell put it "some other guy pulling the strings from behind" especially that tombstone never refer to himself as the big man?
3- there surely a lot of mystery surrounding goblin's identity even though we are to believe it is harr after the unmasking in last episode, when will we have a definitve answer on who the goblin was/is? (season 3 ?)
4- are there any plans for a series of comics or video games based on the spectacular spidey series?

Keep up the good work and thanx a bunch for all your efforts

Greg responds...

1. No idea.

2. Did you really think I was going to answer this?

3. Who says you don't?

4. I don't know.

(Sorry, I know the above isn't too helpful, but...)

Response recorded on June 19, 2008

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Arcturus writes...

First of all, I just want to say that the Spectacular Spider-Man is perhaps the best Spider-Man television series in a long time! The writing, the animation, the voice work and the plot lines are all excellent! I also like how the episodes flow together. I can certainly see all the dedication throughout the series, keep up the good work! I do have a few questions, where has Eddie Brock been? What has he been up too? I believe the last we seen of him was in Catalysts. I understand that the symbiote saga is underway, and Eddie Brock is an essential part of the arc, are we going to see what drives him into wanting to smash Spider-Man/Peter Parker? I simply ask because Venom is my favorite Spider-Man villain.

Greg responds...

Well, by now, I'm hoping you've seen all 13 episodes, and most of your Venom questions have been answered. So feel free to stop by here again if you still have questions.

Response recorded on June 18, 2008

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Todd Jensen writes...

My review/report on the latest episode of "The Spectacular Spider-Man", if a day late.

Obviously, the big question about this episode is: Is Harry really the Green Goblin, or has he been framed? Bishansky's already said a lot about that, so I won't say anything more (except that I also think that Harry *is* being set up).

What more appropriate time for the Goblin to show up than Halloween? I enjoyed Spidey's parody of "Twas the Night Before Christmas", especially his not-too-successful effort at the rhymes. And talk about daring! Peter actually making Spider-Man his Halloween costume. Shades of the gargoyles' own two Halloween parties ("Eye of the Beholder" and the Double Date story in the comic).

And not only does Flash Thompson wind up dressing as a cheerleader, but so do all his football buddies. I hadn't expected that latter part.

Tombstone's as imposing as ever (I can see why Hammerhead respects him). And I got a kick out of Goblin's "deja vu" remark to Spidey.

Great to see more of J. Jonah Jameson's human side, as he waits anxiously for news about the shuttle landing. Which itself looks like it'll have its own big consequences: now Venom's in town. Things are going to get even more lively in the Big Apple now....

Greg responds...

I'm not sure Pete was planning to go as Spidey for Halloween -- of if he was just improvising.

Response recorded on June 17, 2008

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Greg Weisguy writes...

Harry looking like the Green Goblin when seen through the vial of globulin green was a nice touch.

Clones have a bit of a stigma attached to them among Spider-Man fans, but you've shown you can execute the concept well in Gargoyles and Buzz Lightyear. How do you feel about the issue? Can clones work in a (relatively) grounded property like Spider-Man?

Greg responds...

We'll have to wait and see...

Response recorded on June 17, 2008

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Harvester of Eyes writes...

Thoughts on the Spectacular Spider-Man episode "The Uncertainty Principle."

Wow. So many good scenes in this episode. I'll do my best to keep my thoughts following some sort of coherent pattern.

First off, I'm very impressed with the Green Goblin so far. I was a little stunned to learn Steve Blum was doing his voice (my reaction was probably the same as my reaction way back when I first learned Mark Hammill voiced the Joker), but it fits the character well. I love all his gadgets, and I'm glad to see that he has the charged gloves again (something I missed from the movie). I also love the sound effects his pumpkin bomb explosions make. Like sick, mutilated laughter, which is very appropriate.

I also love the way that his mind works. Blackmailing Tombstone was never his intent. He was simply trying to get his two main enemies into the same room to eliminate them.

"Anyone else getting deja vu? Oh well, let's run with it!" Great watching Spidey and the Goblin interact.

It's kind of funny how the Goblin keeps making Spider-Man and Tombstone work together. And wow... Tombstone took three blades in the back. Makes me wonder what exactly he had done to himself. Also thought it was interesting the way Spider-Man saved himself from going splat. Reminds me of an old episode of the first cartoon where he fought the Sandman, but what he did in this series is much cooler.

As far as the ending is concerned, I loved the confrontation between Harry and his father. Norman raised a good point. Tombstone probably wouldn't have let Harry live if the Goblin's identity were revealed, but I can't help but wonder if anything else was going through his mind. Norman is a ruthless man who never apologizes. And as far as unmasking the Goblin is concerned, I'm convinced there's another angle, but I'll avoid delving into "ideas masquerading as questions," and won't get into specifics.

Still, it was a good character moment for Norman. We also got a nice character moment from Jonah. It's fun seeing hard men have moments of softness. I particularly liked how Jonah's actions bit him on the rear, forcing him to swallow his pride again (the first time being in the episode "Catalysts," when he was forced to give Spider-Man credit for stopping the Goblin). I like his voice a lot better than in the 90s cartoon. Ed Asner was good, but he wasn't a perfect fit. I like what Daran Norris does with it.

It was also nice to see a cameo from the Black Cat. Wonder if she'll be popping up again.

Greg responds...

She does pop.

Response recorded on June 17, 2008

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Greg Bishansky writes...

"The Uncertainty Principle"
*** SPECTACULAR SPOILERS ***

I loved this episode.

Very good title, as curve balls continue to be thrown at the audience. The mystery of the Green Goblin's identity is far from over. Well, after re-watching "Catalysts" and "Reaction" over again before watching this I am more convinced than ever that Harry is not the Green Goblin. Either he's been brainwashed or Norman has the Chameleon (who is showing up in the next episode) standing in for him as an alibi. But I'll get to that later.

Nice to finally see Hammerhead in action. Yes, this is why he's Tombstone's enforcer. But, nope, he's no match for the Green Goblin... that's why he's Spider-Man's arch-nemesis.

I loved scene with the Goblin and Tombstone. Just watching the two most dangerous characters in the series go at it like that is priceless. You can see why Hammerhead respects Tombstone so much. The Goblin is arguably more dangerous, but Tombstone commands respect just as much as fear.

It wouldn't be Halloween without costumes, and is that the Black Cat I see? Nice. Mary Jane shows up dressed as a sexy vampire. Liz shows up dressed as a Johnny Depp Fan Girl. Gwen... doesn't even have time to get into a costume because she is too busy worrying about Harry. Poor Gwen, when I see her, I think to myself that she is the only sane person in an insane world. "Some one is getting the look!"

I've been waiting to see Flash dressed as a cheerleader, but I did not expect the rest of the football team to be joining him. Way to show unity, guys. Flash seemed to like having boobs a little too much. So, how long until Rand tells Sally where she can stick it?

I loved Jameson in this episode. People have complained about him being two dimensional, but I never saw it. Hopefully this shut them up. His concern for his son's life was touching. I like this reasoning for his hatred for Spider-Man in this universe. He can't stand to see the spotlight stolen from his son. Is it rational? Not really. Is it understandable? Yes.

"Trap?" "Trap!" Someone's been watching "Serenity".

The fight scene at the end of the episode was stunning. A tip of the hat to everyone involved. Though this borders on cliche, you could feel the heat. I'd say it would be hard to top this one, but I said the same after Spidey's fight with the Lizard.

The final scene at the Osborn residence was... great. Norman is such a manipulative bastard, and I really felt for Harry. But this is the finest case of "the writers are trying to trick you" that I have ever seen. Now, Harry is taking a leave of absence. I hope we see him again soon.

Harry as the Green Goblin just does not add up.
* When the Goblin stole the tech-flight glider from OsCorp, it didn't have the bat-head designed to fire pumpkin bombs and extend a spear on it yet. Harry does not have the technical know-how to add on a feature like that. Norman does. Or the expertise to add that Inhibitor cannon to it. Harry's a moron.
* If Harry were the Green Goblin, he would have attacked the Fall Formal instead of going after Tombstone.
* How would Harry even have access to the Globulin Green in the first place?
* Why would Harry attempt to kill Octavius? Norman knew Otto was a liability, Hammerhead said so in "The Invisible Hand". Norman berated Otto for being a weak man. Then he dressed up as the Goblin so he would have an alibi to show Hammerhead.
* The Green Goblin and Norman Osborn both had the same safety key for Otto's experiment.
* The Big Man was only ever referred to as "Mr. Lincoln" by Norman once and that was in the underground lab while Rhino was being created. Harry could not have overheard that.
* Norman Osborn just so happens to have a secret chamber, which we never saw the inside of. Where's Harry keeping the glider and equipment... not under his bed. For that matter, stealing one or two vials of Globulin Green, I can buy... but we've seen Harry drink from too many.
* Norman's knowing smirk at the end of "Reaction" about unmasking the Goblin before it's too late.
* Peter tipped his hand, told the Goblin he figured out who he was. The Goblin knew Spidey would be coming to the Osborn residence.
* Harry in "Goblin mode" didn't admit to anything except taking the drug. To be the son Norman always wanted. A straight A student and a star athlete.
* Norman is thrown twenty feet up a wall by Harry and is uninjured.
* And it was Norman himself who rationalized it all at the end (a very rehearsed sounding explanation). Then offered to take he fall.

No, Harry was set up. By his own bastard father.

Spectacular episode.

Greg responds...

Many of your premises are faulty, independent of the conclusions you draw from them. Without going into too much detail, the ones that REALLY jump out at me include...

*Harry is not a moron. You don't have to like him or respect his judgment, but he was never unintelligent - even before he started taking the Green.

*If Harry were a petty moron, then maybe he'd attack the Fall Formal. But see my first point.

*The Green Goblin used Otto's safety key. Norman used an override key. Two different keys.

Response recorded on June 16, 2008

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Mary Jane origins...

My folks, Beth and the kids went to see a truly wonderful performance of "Big River" yesterday at the Los Angeles County High School for the Arts. "Big River" is of course based on "The Adventures of Huckleberry Finn". Now keeping in mind that this is a show I've seen at least three times before, and that Huck is a book I've read at least four times, it stunned me that I NEVER noticed this fact before...

The girl that Huck has a huge unrequited yen for is named "Mary Jane Wilkes". And one of the women who takes Huck in at the beginning of the book is named "Miss Watson". It seems nearly impossible to think that the name "Mary Jane Watson" from Spider-Man wasn't lifted (consciously or otherwise) from Twain... I assume by Stan Lee (though possibly from someone else working at Marvel in those years).

How did this get by me?


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The Spectacular Spider-Man #113

___________________________________________________________________________

The Spectacular Spider-Man
Ep 113: "NATURE VS. NURTURE"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________

Developed For Television By
VICTOR COOK & GREG WEISMAN

Created by
STAN LEE & STEVE DITKO

Opening Credits

Card #1
Supervising Producer and Story Editor
GREG WEISMAN

Card #2
Producer and Supervising Director
VICTOR COOK

Card #3
Producer
DIANE A CREA

Card #4
Written By
KEVIN HOPPS

Card #5
Directed By
VICTOR COOK
___________________________________________________________________________

__________________________________________________________________________
Closing Credits

Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring

CLANCY BROWN as GEORGE STACY
LACEY CHABERT as GWEN STACY
GREY DELISLE as SALLY AVRIL, ERIN
BEN DISKIN as EDDIE BROCK / VENOM
DORIAN HAREWOOD as DOC BROMWELL
PHIL LAMARR as RAND ROBERTSON

_______________________________________________________________________
Card #8
Also Starring

JOSHUA LEBAR as FLASH THOMPSON
VANESSA MARSHALL as MARY JANE WATSON
KEVIN MICHAEL RICHARDSON as TOMBSTONE
DEBORAH STRANG as MAY PARKER
ALANNA UBACH as LIZ ALLAN

Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL MCCUISTION

___________________________________________________________________________
Card #11
Associate Producers
ERIC VESBIT
WADE WISINSKI

___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS

Apprentice Writer
RANDY JANDT

Card # 13
Storyboard Artists
JOAQUIM DOS SANTOS
SAHIN ERSOZ
JAY OLIVA
DAVE PRINCE
ROBERT SOUZA

Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON

Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
DANA LANDSBERG
THOMAS PERKINS
GREG GULER
JOSE ZELAYA

Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK

Card #16
Background Supervisor
VINCENT TOYAMA

Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN

Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE

Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG

Color Stylists
PAMELA LONG
DAVID SVEND KAROLL
CRAIG CUQRO
NANCY ULENE

Card #18

Supervising Timing Director
GORDON KENT

Timing Directors
BRIAN HOGAN
RICK LEON
RANDY LUDENSKY
SWINTON SCOTT
JUNG JA KIM WOLF

Animation Checker
SANDI HATHCOCK
__________________________________________________________________________
Card #19

Storyboard Production Manager BRIAN G. SMITH

Production Art Supervisor JOHN DIAZ

Production Coordinator SHERRIAN FELIX

Episodic Casting Supervisor MATTHEW C. OTOSKI

Production Assistant BEN MALONEY

Post Coordinator GEORGE COX III

Post Production Assistant JENNIFER L. ANDERSON

Production Accountant NATHAN HARAMOTO

__________________________________________________________________________
Card #20

Associate Producer for Marvel
JOSHUA FINE

Production Coordinator for Marvel
ADAM TOOTLA

__________________________________________________________________________
Card #21

Recorded at
STUDIOPOLIS, INC.

Dialogue Recording Engineer
ERIC LEWIS, C.A.S.

Dialogue Editor
TERRY REIFF

Track Reading
SOUND BYTE, INC.

__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
JHG BOYAN

Editors
RALPH A. EUSEBIO
BRUCE A. KING

Assistant Editors
MYRA OWYANG
CHUCK SMITH

Digital Effects Supervisor
ULYSSES ARGETTA

Card #22

Music Engineers MARK MATTSON
MAKO SUJISHI

Post Production Sound Services ADVANTAGE Sound Services

Sound Designer ROBERT POOLE II

Dialogue Editor ROBBI SMITH

Foley Artist CRAIG NG

Foley Mixer MARY ERSTAD

Digital Audio Transfer ROBERT PRATT

Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX

Main Title Directed by
VICTOR COOK

Main Title Storyboard by
PHIL WEINSTEIN

Main Title Color by
JOEY MASON

Main Title Animation Production by
HANHO HEUNG-UP CO. LTD

___________________________________________________________________________
Card #24
Animation Production by
MOI ANIMATION CO. LTD

Card #25

This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.

"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."

Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.

___________________________________________________________________________
END LOGOS

MARVEL ENTERTAINMENT CULVER ENTERTAINMENT

SONY PICTURES TELEVISION


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Antiyonder writes...

Since, I haven't done any particular episode comments or reviews for The Spectacular Spider-Man I'll be commenting on each story arc for the time being. That said:

Episode 1- Survival of the Fittest
- Considering the plan of using comic book only characters, I'm a bit embarassed that I didn't identify Randy earlier when seeing the episode prior to Market Forces.
- As much as I feel sorry for Peter's rejection from Sally, I couldn't help but laugh when Gwen and Harry commented on it. Either the scene was well written and executed or deep down I'm a jerk. I'll go with well executed scene :).
- Same with the comment above, I had a small laugh when Eddie tell Peter that being a high school student with lack of experience keeps him from getting paid.
- Relating to the comment on the podcast, as a fellow sap (I have a box of Shojo Manga for crying outloud), I too enjoyed Peter's dialogue about having Aunt May at the end.

Episode 2- Interactions
- Unlike the identifying of Randy, I was able to pick up on the cellphone dial tone immediately (which would be impossible to miss).
- In Flash's defense, he did get a higher grade than Liz, so maybe Mr. Warren was a little too judgemental of him (interms of how he would function as a tutor). I'm half serious and half joking about this of course.
- Not being able to have coffee for the rest of my life, I certainly hope I wouldn't go mad.

- I do have a question which my brother brought up. Was Curt's serum going to turn him into the Lizard as it was or was it partially due to exposure to Electro's voltage?

Episode 3- Natural Selection
- Have to say that this episode was a nice flipside to the 1994 cartoon episode "Night Of The Lizard". Basically both had Eddie and Peter involved in the story, but this time Peter looks like the bad guy. Also a good example of Pete winning and losing at the same time.
- My favorite scene is definitely Spidey trying to sneak up on the Lizard only for the cellphone to go off.

Greg responds...

Electro gave the serum an unintenional boost.

Response recorded on June 11, 2008

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Algernon writes...

Spectacular Spider-Man

S
P
O
I
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S

Reactions

Another strong outing from what might be the greatest superhero toon of all time

After seeing the timid nebbish Dr. Octavius over the course of the series, I was wondering how you were going to handle his transformation into a crazed supervillain. Peter MacNicol deserves some kind of award for so perfectly capturing all the power and arrogance of Doctor Octopus. I especially liked Otto's little "daydream" while being chewed out by Norman.

The whole High School Soap Opera aspect of the show continues to be surprisingly engaging. Harry's continuing downward spiral makes for pretty heavy TV and puts the lie to anyone who still dismisses this show as kiddy fare.

I have to admit though I was expecting to see more of the Green Goblin, since the episode blurb implied he'd play a larger role. Considering all the other stuff going on in this episode that's probably just greedy of me.

Greg responds...

Only 22 minutes per episode... can't fit everything...

Response recorded on June 11, 2008

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Lee H writes...

Hey Greg, I'm loving Spectacular Spider-Man!

The Spectacular team has done a great job at forming a diverse supporting cast in regards to race and sex, but what is the plan where female villains are concerned?

Spider-Man has had very few female villains and most of them were forgettable. The two major female antagonists were Black Cat and Silver Sable, but they quickly became more allies than bad guys.

In May 2008's issues of Amazing Spider-Man two new female villains are introduced - Screwball, a young thrill seeker who commits crimes and uploads videos of them on the Internet, and Paper Doll, a villain who is... well, like paper!

Is there a chance of either of them being featured in later seasons of Spectacular Spider-Man, a few years down the line, or is the plan to stick with older tried and tested villains?

Thanks for your time!

Greg responds...

I'm partial to female villains myself.

There are no current plans for Screwball or Paper Doll, but if we last long enough, who knows?

Black Cat has of course appeared, and she'll be back in Season Two. Silver Sable will make her debut in Season Two, as will Calypso. Others are in my head for later seasons, but I think I'll hold off on going into any more detail at this time.

Response recorded on June 11, 2008

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Greg Bishansky writes...

So, quick question.

Did Peter kick Sally's dog or something? I understand the whole clique thing, but this full blown hatred.

Greg responds...

Seen Mean Girls?

Response recorded on June 10, 2008

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Todd Jensen writes...

My comments on the latest "Spectacular Spider-Man" episode.

I'd been looking forward to this one, since I'd noticed how meek and timid Dr. Octavius (now Dr. Octopus) had been up until now. Since I'd recognized him as a future "Spider-Man" villain (I'm not a big Spider-Man expert, but I still know about Dr. Octopus), I was eagerly awaiting the revelation of how he'd change into a super-villain (and the mental change more than the physical change).

What I got didn't disappoint me. Octavius has finally had enough of Norman Osborn pushing him around (I liked the moment where he's fantasizing about getting back at Norman even before the accident), and the worm finally turns. And how!

Norman is as cool as ever at the end, when Hammerhead's bringing up Green Goblin's actions and the problems they're causing for his boss. (I assume that it's Norman rather than his son who's the Goblin - though Harry's doing a good job of leading the audience astray. I'm looking forward to how that plays out in future episodes, especially since Gwen's getting suspicious.)

Wouldn't you know that Peter would win a stuffed octopus at Coney Island?

And I've got a suspicion that John Jameson's space flight will lead to further trouble for our friendly neighborhood web-slinger, especially since I vaguely remember it featuring in other "Spider-Man" adaptations, with big consequences.

Greg responds...

Yep.

Response recorded on June 10, 2008

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Greg Bishansky writes...

"Reactions"
Well, my reaction is that was certainly an awesome episode.

Let's see, where to begin. I've been waiting to see Otto's transformation and it was well done. Gone is the meek, subservient Otto "Yes, Mr. Osborn. Whatever you say, Mr. Osborn" Octavius, and now we have the the ruthless and psychotic Dr. Octopus. I need to extend my compliments to Peter MacNicol for the contrast in both versions of the good doctor.

The Spider-Man/Dr. Octopus battles were great. From their first encounter at OsCorp, where Ock in his paranoia believed that Spidey discovered he created supervillains to the attack on Tri Corp and their battle at Coney Island (Enjoy Coney Island while it's there, it's being torn down). And damn, not too long ago, Otto could probably never bring himself to put a girl like Liz in harm's way. How he's changed. I look forward to him leading the Sinister Six.

"My fans expect a certain amount of quipage in every battle." You tell him, Spidey! That was one of the many reasons the movies were a disappointment.

But, Peter Parker's civilian life is always just as interesting as his superhero life. Poor sap, thought he and Mary Jane had something going. Not yet, Pete. Your time will come, be patient... but be warned, Joe Quesada... er, I mean, Mephisto will conspire to take it away from you. In the mean time, enjoy your time with Liz. And with Liz and Flash now broken up, he might have a shot there.

Let's see. Peter wins an octopus for Liz. Ock is defeated on the octopus ride. And this is the eighth episode. Cute. Very cute.

Harry Osborn is now a junkie. Just like in the original comics, only instead of acid, he's been raiding his dad's medicine cabinet for Globulin Green #994. It's a good way to do Stan Lee's drug story without using a real drug that would make S&P balk. It explains why he's good at football all of a sudden. It's a steroid story without steroids. Cool.

But not to go unmentioned, the Green Goblin plot line is advanced. Norman Osborn is such an asshole, first berating Otto, then feigning concern when he's the one who tried to kill him. While the Harry red herring is being done well, I just can't believe that he's the Goblin. If he were, he'd have attacked the Fall Formal and gone after Kenny in the previous episode. He has no reason to go after the Big Man, and the only place we heard Norman call the Big Man "Lincoln" was in the subterranean lab. Norman knows Otto is a liability. This all fits in with Norman's modus operandi. Not to mention having two close friends of Peter go arch villain on us this season would be redundant. We still have Eddie Brock becoming Venom in a few more episodes.

Still a terrific episode, and I look forward to the mystery being resolved next week.

Greg responds...

You're awfully confident.

Response recorded on June 10, 2008

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Aldrius writes...

I'm starting this early because I had a thought while watching the Rhino rerun.

Jameson saves Peter from the Rhino, then Spider-man saves Jameson from the Rhino, would he have if he hadn't saved him? Or has been as determined to do it?

All right, and now for the episode, which ironically, I'm starting late now...

I didn't know Spider-man could fly.

I love Peter McNichol. I can hear the X the Eliminator in his voice, and that's one of my favourite roles of his. I wonder what caused Otto's change in personality? The arms or did he just go crazy?

Who does Spider-man think his fans are? Furthermore does he know he's being watched? Does he think Norman is his fan?

Otto sure took to being a super-villain pretty quickly.

And the mystery continues. Harry's passed out, but Norman was obviously at the Oscorp... so is it the father or the son. Kinda parallels the Big Man mystery that at least the fans seem to have going.

"Where do you hide the muscles". Jeez. If he's not the green goblin he's definitely on the green goblin juice at least. Maybe they're both the green goblin. Weird... extra... dimensional...? personality stuff. That would be quite the twist.

Gwen sure forgave Peter pretty fast. That's actually another good thing about the show, be pretty unrealistic if she held a grudge against him just for lying to her once... that wasn't even really a lie, he just changed his mind.

Ah, Octapus has got the movie coat. That's cool. I like the movie coat. And another Gargoyles line, eh?

"Stop that Ms. Brant I'm a married man" that one made me crack up. I'm not exaggerating.

Flash likes Spider-man. I like that. There's that 3-dimensional Flash-ness.

And a girl gets kidnapped. At least it's not Mary Jane I suppose.

...I missed what happened with Liz and Flash... and how it was Peter's fault, I guess I'll find out. And it looks like we're getting another Green Goblin episode next weekend. Cool. I'm guessing we'll finally find out who he is. Harry or Norman. Or maybe even a third party.

This one seemed short to me, but maybe that means I enjoyed it all the more... felt like there were more questions asked than answered. Definitely superior to last weeks anyway.

Greg responds...

Of course, Pete/Spidey would have saved Jonah. He LIKES Jonah.

If the episode didn't explain why Otto changed, then it's pointless for me to do it, I'd think.

Response recorded on June 09, 2008

Bookmark Link

The Spectacular Spider-Man #112

___________________________________________________________________________

The Spectacular Spider-Man
Ep 112: "INTERVENTION"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________

Developed For Television By
VICTOR COOK & GREG WEISMAN

Created by
STAN LEE & STEVE DITKO

Opening Credits

Card #1
Supervising Producer and Story Editor
GREG WEISMAN

Card #2
Producer and Supervising Director
VICTOR COOK

Card #3
Producer
DIANE A CREA

Card #4
Written By
GREG WEISMAN

Card #5
Directed By
DAVE BULLOCK
___________________________________________________________________________

__________________________________________________________________________
Closing Credits

Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring

ED ASNER as BEN PARKER
LACEY CHABERT as GWEN STACY
ROBERT COSTANZO as SULLIVAN EDWARDS
JIM CUMMINGS as CRUSHER HOGAN
BEN DISKIN as EDDIE BROCK / VENOM
DORIAN HAREWOOD as DOC BROMWELL
_______________________________________________________________________
Card #8
Also Starring

JOSH LEBAR as FLASH THOMPSON
VANESSA MARSHALL as MARY JANE WATSON
KEVIN MICHAEL RICHARDSON as TOMBSTONE
KATH SOUCIE as MARTHA CONNORS
DEBORAH STRANG as MAY PARKER
ALANNA UBACH as LIZ ALLAN

Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL MCCUISTION

___________________________________________________________________________
Card #11
Associate Producers
ERIC VESBIT
WADE WISINSKI

___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS

Apprentice Writer
RANDY JANDT

Card # 13
Storyboard Artists
IRINEO MARAMBA JR.
RICK MORALES
KI HYUN RYU
ADAM VAN WYK

Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON

Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
DANA LANDSBERG
THOMAS PERKINS
GREG GULER
JOSE ZELAYA

Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK

Card #16
Background Supervisor
VINCENT TOYAMA

Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN

Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE

Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG

Color Stylists
PAMELA LONG
DAVID SVEND KAROLL
CRAIG CUQRO
NANCY ULENE

Card #18

Supervising Timing Director
GORDON KENT

Timing Directors
BRIAN HOGAN
RICK LEON
SWINTON SCOTT
JUNGJA KIM WOLF

Animation Checker
SANDI HATHCOCK
__________________________________________________________________________
Card #19

Storyboard Production Manager BRIAN G. SMITH

Production Art Supervisor JOHN DIAZ

Production Coordinator SHERRIAN FELIX

Episodic Casting Supervisor MATTHEW C. OTOSKI

Production Assistant BEN MALONEY

Post Coordinator GEORGE COX III

Post Production Assistant JENNIFER L. ANDERSON

Production Accountant NATHAN HARAMOTO

__________________________________________________________________________
Card #20

Associate Producer for Marvel
JOSHUA FINE

Production Coordinator for Marvel
ADAM TOOTLA

__________________________________________________________________________
Card #21

Recorded at
STUDIOPOLIS, INC.

Dialogue Recording Engineer
ERIC LEWIS, C.A.S.

Dialogue Editor
TERRY REIFF

Track Reading
SOUND BYTE, INC.

__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
JHG BOYAN

Editors
RALPH A. EUSEBIO
BRUCE A. KING

Assistant Editors
MYRA OWYANG
CHUCK SMITH

Digital Effects Supervisor
ULYSSES ARGETTA

Card #22

Music Engineers MARK MATTSON
MAKO SUJISHI

Post Production Sound Services ADVANTAGE Sound Services

Sound Designer ROBERT POOLE II

Dialogue Editor ROBBI SMITH

Foley Artist CRAIG NG

Foley Mixer MARY ERSTAD

Digital Audio Transfer ROBERT PRATT

Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX

Main Title Directed by
VICTOR COOK

Main Title Storyboard by
PHIL WEINSTEIN

Main Title Color by
JOEY MASON

Main Title Animation Production by
HANHO HEUNG-UP CO. LTD

___________________________________________________________________________
Card #24
Animation Production by
HANHO HEUNG-UP CO. LTD

___________________________________________________________________________
Card #25

This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.

"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."

Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.

___________________________________________________________________________
END LOGOS

MARVEL ENTERTAINMENT CULVER ENTERTAINMENT

SONY PICTURES TELEVISION


Bookmark Link

The Spectacular Spider-Man #111

___________________________________________________________________________

The Spectacular Spider-Man
Ep 111: "Group Therapy"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________

Developed For Television By
VICTOR COOK & GREG WEISMAN

Created by
STAN LEE & STEVE DITKO

Opening Credits

Card #1
Supervising Producer and Story Editor
GREG WEISMAN

Card #2
Producer and Supervising Director
VICTOR COOK

Card #3
Producer
DIANE A CREA

Card #4
Written By
ANDREW ROBINSON

Card #5
Directed By
JENNIFER COYLE
___________________________________________________________________________

__________________________________________________________________________
Closing Credits

Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring

IRENE BEDARD as JEAN DeWOLFF
JEFF BENNETT as SHOCKER , ST. JOHN DEVEREAUX
STEVE BLUM as DILBERT TRILBY
CLANCY BROWN as RHINO, GEORGE STACY
GREY DELISLE as BETTY BRANT
JOHN DIMAGGIO as SANDMAN, HAMMERHEAD
BEN DISKIN as EDDIE BROCK
ROBERT ENGLUND as VULTURE

_______________________________________________________________________
Card #8
Also Starring

CRISPIN FREEMAN as ELECTRO
ELISA GABRIELLI as ASHLEY KAFKA
PHIL LAMARR as ROBBIE ROBERTSON, FANCY DAN
PETER MACNICOL as DOCTOR OCTOPUS
VANESSA MARSHALL as MARY JANE WATSON
DARAN NORRIS as J. JONAH JAMESON
KATH SOUCIE as ANNA WATSON
DEBORAH STRANG as MAY PARKER

Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL McCUISTION

___________________________________________________________________________
Card #11
Associate Producers
ERIC VESBIT
WADE WISINSKI

___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS

Apprentice Writer
RANDY JANDT

Card # 13
Storyboard Artists
KEVIN ALTIERI
NATE CLESOWICH
JOAQUIM DOS SANTOS
CHARLES DROST
DAVE SCHWARTZ

Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON

Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
THOMAS PERKINS
GREG GULER
JOSE ZELAYA

Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK

Card #16
Background Supervisor
VINCENT TOYAMA

Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN

Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE

Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG

Color Stylists
PAMELA LONG
DAVID SVEND KAROLL
CRAIG CUQRO
NANCY ULENE

Card #18

Supervising Timing Director
GORDON KENT

Timing Directors
BRIAN HOGAN
RICK LEON
RANDY LUDENSKY
JUNGJA KIM WOLF

Animation Checker
SANDI HATHCOCK
__________________________________________________________________________
Card #19

Storyboard Production Manager BRIAN G. SMITH

Production Art Supervisor JOHN DIAZ

Production Coordinator SHERRIAN FELIX

Episodic Casting Supervisor MATTHEW C. OTOSKI

Production Assistant BEN MALONEY

Post Coordinator GEORGE COX III

Post Production Assistant JENNIFER L. ANDERSON

Production Accountant NATHAN HARAMOTO

__________________________________________________________________________
Card #20

Associate Producer for Marvel
JOSHUA FINE

Production Coordinator for Marvel
ADAM TOOTLA

__________________________________________________________________________
Card #21

Recorded at
STUDIOPOLIS, INC.

Dialogue Recording Engineer
ERIC LEWIS, C.A.S.

Dialogue Editor
TERRY REIFF

Track Reading
SOUND BYTE, INC.

__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
JHG BOYAN

Editors
RALPH A. EUSEBIO
BRUCE A. KING

Assistant Editors
MYRA OWYANG
CHUCK SMITH

Digital Effects Supervisor
ULYSSES ARGETTA

Card #22

Music Engineers MARK MATTSON
MAKO SUJISHI

Post Production Sound Services ADVANTAGE Sound Services

Sound Designer ROBERT POOLE II

Dialogue Editor ROBBI SMITH

Foley Artist CRAIG NG

Foley Mixer MARY ERSTAD

Digital Audio Transfer ROBERT PRATT

Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX

Main Title Directed by
VICTOR COOK

Main Title Storyboard by
PHIL WEINSTEIN

Main Title Color by
JOEY MASON

Main Title Animation Production by
HANHO HEUNG-UP CO. LTD

___________________________________________________________________________
Card #24
Animation Production by
MOI ANIMATION CO. LTD

___________________________________________________________________________
Card #25

This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.

"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."

Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.

___________________________________________________________________________
END LOGOS

MARVEL ENTERTAINMENT CULVER ENTERTAINMENT

SONY PICTURES TELEVISION


Bookmark Link

Man Mountain writes...

Hey Greg. I was listening to Howard Stern this morning (4/28/08) and he just gave a quick, but rave review of your Spiderman series. He said he is embarrassed to be his age and watching Saturday morning cartoons, but said he loved it and would be watching. Just thought I'd let you know. Keep up the good work and thanks!

Greg responds...

That's very cool!

Response recorded on May 30, 2008

Bookmark Link

Algernon writes...

Spectacular Spider-Man

S
P
O
I
L
E
R
S

Catalyst

You know what I love about this show? It's the consistency, seven episodes in and we've yet to get anything less the great TV. Even the best shows don't usually get this far without at least one mediocre outing, yet the Spectacular Spider-Man continues to go from strength to strength. This episode stands out in particular as we are introduced to two of the most important figures in the Spidey-mythos.

First up I absolutely love this version of the Green Goblin, cunning, creepy and completely insane. Steven Blum has already solidified himself in my mind as the definitive voice of the Goblin. I especially like his banter, it's cool to have a villain who can go toe to toe with Spidey on the quip front. Credit goes to Sean Galloway for the design of Gobby's glider, darn thing looks like it could bite somebody's face off.

This episode also marks our first real look at Mary Jane Watson. I really like MJ, she's a babe and she knows it but doesn't let it go to her head.

Tombstone comes across very well in this episode, calm and calculating even when facing down a super-powered psychopath. He also had a neat xanatosian moment near the end. God do I pithy those poor goons when Tombstone tracks them down. A few questions though…

1) It's interesting that your going with the whole mystery angle with GG identity, aren't you worried about your audience being already spoiled by the Spidey movies or previous cartoons?

2) Not so much a question as minor observation. I noticed a lot of glass breaking in this episode, which I understand is something of a S&P no no. your S&P people must be fairy laid back.

Anyway looking forward to the next episode with Doc Ock.

Greg responds...

Actually, I think the Glider was designed by Tae Soo, our prop designer.

1. Sure. But I'm a worrier.

2. They seem pretty understanding.

Response recorded on May 30, 2008

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Aldrius writes...

All right, starting this ramble about halfway through the episode. Don't have much to say about the first half anyway... and what I do...

That thing with Harry taking some sort of goblin formula strikes me as a bit of a red herring. But it might not be. (I think it is). But the fact that it might not be keeps me guessing!

Anyway, I guess that shows why Harry was grinning like the laughing fish in the last episode. But what makes me think it's Normy is the Big Man connection. Why would Harry care about the Big Man?

I'm gonna assume there won't be a relevation as to who it is by the end of the episode.

And poor Harry too. That was rude of that girl to take back her boyfriend on the night of the prom when she was with another guy...

I don't like how I can tell that the Green Goblin and his thug are voiced by the same guy. Oh well, not that big a deal.

Kevin Michael Richardsons PERFECT Keith David (wouldn't be able to tell if I didn't know) impression makes up for it.

'And Maybe call the Police' That was hilarious. Because I could see another show completely forgetting about even mentioning that.

Wow, Peter way to completely sacrifice the element of surprise. For someone who can't be surprised you sure don't value it very much.

Huh, that cut between the fighting with Green Goblin and Spider-man wasn't in the opening scene!

That little screech whenever a bomb goes off.

I think the goblin's 'bomb' is a bluff. Or not...

I think it's sweet that Jonah went back up with his son.

And it looks like the Mary Jane/Peter romance gets it's first step. But I'm still hoping we get to explore other avenues first. And of course, there's nothing saying that we can't.

Still think Harry's green vial is a big red herring, though. We'll see if I'm right soon. And of course Tombstone's 'you just did what I was gonna pay you for, for free' was great, and has me thinking. If Tombstone's just going to pay him for doing what he was already doing for free, why would he be surprised that he continued to do it? And why doesn't Peter just accept it? He'd be getting paid for doing what he's doing already. Obviously he doesn't, because well, you don't accept favours from 'the mob' and not expect to have to do something in return, at least that's what the Simpsons has always taught me.

But it intrigues me, because I could see Peter accepting Lincoln's offer down the road. And that interests me. That interests me greatly, and now I'm interesting in watching more, and seeing if that actually DOES happen, because I think it COULD happen.

In short, I'm hooked.

Greg responds...

Good. Hooked is what we were going for!

Response recorded on May 30, 2008

Bookmark Link

Todd Jensen writes...

A brief review of "Catalysts".

I enjoyed this one a lot (like the other episodes I've seen so far). A few things that stood out to me most:

We got to see J. Jonah Jameson's better side, for a side. He's clearly proud of his son - and I think it's justified. (I was particularly impressed with the younger Jameson figuring out that the Green Goblin had planted his bomb on the chandelier, and promptly alerting Spidey.)

Did Keith David go back to doing the Big Man/Tombstone's voice? I thought it sounded more like his this time around, but I might be wrong. (And I liked his performance - especially when he's commenting that Spidey wound up helping him after all. I also enjoyed Spidey's disgust at having to help Tombstone, but doing it because he doesn't want all the bystanders to get blown up.)

I'm looking forward to the next episode, introducing Dr. Octopus. I'm especially eager to find out how he goes from the meek, timid little fellow he's been so far to a fearsome super-villain (and I don't just mean the physical changes).

Thanks for another good one, Greg.

Greg responds...

It's still Kevin Michael Richardson as Tombstone.

Response recorded on May 29, 2008

Bookmark Link

Greg Bishansky writes...

"Catalysts" marks the first real appearance of my favorite Spider-Man villain, the Green Goblin. So, needless to say, I've been anticipating this one for a long time, and it did not disappoint.

I loved the Green Goblin. Cheeks' design looked great, like an updated version of Ditko's design that took out all the hokey aspects of it. I love the Goblin, but even I'll admit that Ditko's design was always very hokey looking. Steve Blum just nailed that voice. His cackle was as good as Mark Hamill's Joker cackle.

I think I'll take this moment to compliment the casting and voice direction on this series. Jamie Thomason is a genius. He, along with Andrea Romano, are the two best voice directors in the business. I'm loving what I've been hearing. Vanessa Marshall was terrific as Mary Jane. Very sexy voice. And I've been a fan of Steve Blum since I first saw "Cowboy Bebop" six years ago. As soon as I heard him on that show as Spike, I knew he was going to go places. Unfortunately, most of the time it seems he gets hired just to do the Spike voice, and it's a great voice, don't get me wrong, but it's nice to see what else he can do. The man has range. His Goblin was excellent, and blows every other Goblin voice actor out of the water. It's like the voice I always had in my head when reading the comics without ever quite knowing what that voice was. I felt the same way about Robert Englund's Vulture, come to think of it. Okay, tangent over.

This version of the Green Goblin seems to have just about everything that I love about the character going for him. Smart, cunning, insane, ambitious, and more than a match for the spectacular Spider-Man. This is the first villain (aside from Tombstone) that really, really, really felt like a real threat. Which is as it should be. The Green Goblin is an A-List villain. Him, Doc Ock, Kingpin, Venom and the original Hobgoblin have always been the elite of Spidey's rogues gallery. So, it is great to finally, after all these years, see him being done justice in one of the cartoon series. The 90s series didn't do him justice. Neither did the 80s series or "The Amazing Friends". The movie came very close but didn't quite nail it. But, between Blum's Green Goblin and Alan Rachins' Norman Osborn, I think we have a winner here.

Tombstone was great last episode and I am really enjoying him in this episode. I no longer lament the lack of the Kingpin. Tombstone is just fun. I love how cool he is under pressure, and how he's able to get Spider-Man to protect him like that. I also thought it was great how instead of fleeing, he stayed and helped Spider-Man look for the bomb.

But where would I be if I didn't discuss Mary Jane? I already said that Vanessa Marshall sounds great, and I love Cheeks' character design for her. I've called this the first time Mary Jane has appeared outside the comic book medium. The 90s series had a character named Mary Jane Watson, but that wasn't Mary Jane Watson. The movies turned MJ into Gwen-Lite. But here she was smart, witty, funny, and someone you'd want to hang out with. I also suspect that she already knows Peter is Spider-Man. Poor Gwen. Hell, poor Flash... he's going to have to dress up like a cheerleader.

And poor Harry. Glory used him to get back at Kenny. Now he's drinking "Gobulin Green #994" (Nice "Gargoyles in-joke there, Greg.) Also, nice red herring. But no, I don't think he's the Green Goblin, if that is what they're trying to make us think. For one, how would he know about Tombstone being the Big Man? For another, how would he know about the Tech-Flight glider? Besides, after Hammerhead tried to blackmail Norman in the last episode, taking out Tombstone would probably be at the top of Norman's to-do list. If anything, Harry taking the formula looks like a great way to tell the Harry drug addiction story. Cool. Also, Norman was more than conspicuous in his absence... except that he wasn't really absent.

"Randy?"
"Very!"
How did that get past Standards and Practices??? Nice!

Looking forward to Dr. Octopus next week. Come to think of it, I am beyond amused that Doc Ock makes his villainous debut in the eighth episode of the series.

Greg responds...

Just trying to push the envelope...

Response recorded on May 29, 2008

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Avalon writes...

Just watched the Spider-man episode "Catalyst" where Spidey took on the Goblin. However, something seems amiss. I thought I'm caught up with all the episodes, but did I miss a storyline somewhere? How did Spiderman figure out (or at least it was insinuated in the episode) that Tombstone is the "Big-guy" or even know who Tombstone is? (anyway, I thought the "Big-guy" would have been the Kingpin, but guess I was wrong...)

Greg responds...

You must have missed our sixth episode "The Invisible Hand" featuring Rhino and Tombstone.

Response recorded on May 28, 2008

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Anonymous writes...

The Spectacular Spiderman is terrific Mr Weisman I hope it continuous to be a success. My question for you involves one of the characters particularly Liz Allen. I just want to know the reason for her ethnicity being changed from comics. Please don't take my question as a negative I'm just curious thank you.

Greg responds...

The traditional Spider-Man cast was predominantly caucasian, and that just didn't feel realistic to us in modern day NYC. (Wasn't realistic then either, but in 1962...)

So we made a conscious decision to change the ethnicity of some of the characters. Certain characters seemed too iconic to change. Others did not. For us, Liz fell into the latter category.

Response recorded on May 28, 2008

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Vasy writes...

As A sPiderman fan through the ages...

PLEASE PLEASE PLEASE...
No show or movie has ever got it right with Venom...

He got the costume int he Secret Wars...which involves outer space and alot of Super heors and Villians

PLEASE DO IT THIS WAY

WOULD LOVE TO SEE OTHER MARVEL CHARACTERS IN THE SHOW.

THANKS

Greg responds...

We aren't using other Marvel characters in the series, save those from the Spider-Man corner of the Marvel Universe (which is huge, btw). So that eliminates the possibility of using Secret Wars as a source for the Symbiote. (Can't say I'm sorry, either. Not as big a fan of that series as you obviously were.)

Response recorded on May 28, 2008

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Anonymous writes...

I've been waiting with great anticipation for the Spidey cartoon since even before I attended the panel at last year's San Diego Comic Con. I never once feared that I would be disappointed, and I certainly have not been. Hats off to you and your crew for making the best animated incarnation of any Marvel Comics character I've ever seen. The show is fun, stylish, unforced, and very much in the spirit of the old Spidey comics. I actually get up at 9:00 am on Saturday mornings (when I'm not working) to watch a cartoon when I am not one who has much love for the idea of appointment television. So far, I've loved how you have handled every character, and I love how each episode is not simply a villain-of-the-week affair, but also further develops Pete's situation and even features the occasional surprise villain (that Tombstone appearance at the end of "The Invisible Hand" was fantastic). I love that we've seen Jean DeWolff and George Stacy without even having been told who they are yet. I just love a lot of stuff about this show. :)

I guess I do have a question, so forgive me for even MORE preamble: For some reason, I've always had a soft spot for Spidey's less popular, but strange and off-beat villains. I'm sure you've got plenty of stories to tell with the likes of the Goblins, Doc Ock, and other heavy-hitters, but are there any villains off the beaten path that you personally have lobbied to get included, or would like to at some point, even if it might require a big change in origin/design/etc? I'm thinking on the level of Man-Wolf, the Swarm, Stegron the Dinosaur Man, etc., just some villains that are a bit ridiculous but that still have their fans. I have nothing but confidence that you guys could put a cool new spin on guys like these and introduce them into the show in an organic and interesting way. And since I mentioned Man-Wolf: are we going to be seeing John Jameson at all in this show?

Again, apologies for my long-windedness, but this show has visions of sugar plums dancing in my head. :)

Greg responds...

By now you've seen John in three straight episodes... and he'll be appearing more in Season Two as well. We'll also be hitting a few more obscure villains, but I don't even feel we've hit all the majors yet...

Response recorded on May 27, 2008

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Anonymous writes...

Hello, Greg. How will "The Spectacular Spider-Man" show will be affected when Kids WB will be gone? Will the show still air at the same channel? Will the show continue normally?

Greg responds...

We don't yet know where the second season will air. But we are definitely making it, and I'm confident it will air somewhere.

Response recorded on May 27, 2008

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webhead2006 writes...

Hello again Greg. I have a quick question i wanted to ask you. I was just watching the episode promo for ep 7 "Catalysts" and first off wanted to say goblin looks great in motion and i loved his signature goblin laught, the only thing i was wondering why did you make his regular talking voice sound like he is irish like the lucky charms elf?

Greg responds...

I have no idea what you're talking about.

Response recorded on May 27, 2008

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Andrew writes...

Hi this question might have been asked before but...
Are there going to be any guest superhero appearances on The Spectacular Spider-man
I understand that it's probably too soon to tell it's only been 6 episodes
But are you planning any appearances for the future?
Thank you in advance...

Greg responds...

Not currently.

Response recorded on May 27, 2008

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SpaceWay2007 writes...

Hello, Greg. I enjoy this new series of "The Spectacular Spider-Man." It's very interesting and funny to watch. You wouldn't believe how much I enjoy and look forward to watching this show. It's one of the reason why I wake up early just to watch this show. Great voice acting, great animation, excellent character development, and spectacular storyline. Keep up the good work!
Now, for my question, how come all of a sudden "The Spectacular Spider-Man" shows every other Saturday? Whatever happened to showing new episodes consecutively? And sorry if this question have been asked already, but will there be 13 or 26 episodes for the first season. Thanks for you time.

Greg responds...

There are 13 episodes in this first season. Thirteen more are in the works for season two. The short answer as to why we've had a few weeks of reruns interspersed is pretty straightforward: the episodes weren't ready. As of this writing, the eleventh episode finished posting JUST today. Twelve and thirteen aren't done.

Response recorded on May 23, 2008

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Philip writes...

Hello Greg.

I'm a long time Spider-Man fan, ever since I was a kid. And when I learned that the man behind Gargoyles would make an animated Spider-Man series, well, I was damn happy. So far, the show really is 'spectacular'.

Now, for my question; when is "The Scorpion" going to appear on Spectacular Spider-Man? And will the character's origin be the same as in the comics? From what I understand, the series is suppose to resemble the Lee/Ditko era, so I'm rather shocked that ol' Scorpie haven't appeared already :P

Greg responds...

Season Three.

Response recorded on May 21, 2008

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Confused Fan [Shocker Question] writes...

So, Montana was the Shocker.
Does this mean that Montana is Herman Schultz? :S
I think Montanas real name has never been told even in the comics?

Greg responds...

If it makes you happy...

Response recorded on May 21, 2008

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Sylvester writes...

Ever since I heard the man behind Gargoyles would be working on a Spider-Man animated show, I knew it would be the best yet. The icing on the cake was learning you were also an avid Spider-Man fan. You've done a really excellent job.

I've got to ask though, where is the super strength and spider-sense reflexes? I've seen plenty of web shooting, wall-crawling, agility and did I say web shooting? I just feel those two traits were lacking in the fights he had with Ox, Fancy Dan, and just recently, Tombstone. I'm all for the hero being challenged and all, but not as a result of his powers being watered down. Will we get to see just how strong someone who possesses the proportionate strength of a Spider can be in future episodes?

Thanks

Greg responds...

Well, you say his powers have been watered down, but I say his powers have been put back to where they started in the early Lee/Ditko comics. Potato/Potahto, except we both know it matters more than that, right?

Spidey has the proportionate strength of a spider still, and I can't say how you can see our show and not feel he has spider-reflexes. But I've never bought into the notion, despite what's been written by individual writers in things like the Marvel Universe Handbook -- and this from a guy who once wrote multiple, multiple entries of DC Comics' Who's Who -- that Spidey is one of the strongest guys around. He's stronger than a normal human, certainly. Considerably stronger. But he's not Hulk; he's not Rhino; he's not as strong as Doc Ock's arms. He's about at Gobby level, in my mind. Even a quote-unquote normal human like Ox, for whom strength is his main claim to fame, can challenge him. Again, all you have to do is look at the early Lee/Ditko issues to see that's how Spidey started. And that's how I think he should stay -- at least as long as he's still so young, physically immature and inexperienced. Which is not to say you haven't seen and won't continue to see feats of strength in coming episodes and especially in Season Two. But Spidey's never been about the strength, and I think it's flat out WRONG to make him too strong, so to speak. Frankly, I'd rather see him overpowered, than over-powered.

Spider-Sense is another ability that I think has, over the years, been abused as well. Pete was bit by a spider, not by a psychic. If you buy the notion of SPIDER-sense at all, you need it to fit with (at best) our perception of what a SPIDER can do. So in our show, Pete can only anticipate an incoming blow. That to me, is key. Pete could walk right by a serial killer with a chainsaw hidden under a trenchcoat and not feel a buzz, unless the guy took a swing at him. (Again, he's not psychic. He doesn't have a built-in EVIL SENSOR.) Because having spider-sense is NEW to Pete, he's not even that great at taking advantage of it now. We've decided that his spider-sense doesn't go off (or at any rate it's too low a level to bother with) when he can see the danger right in front of him. That would be redundant. And unless there's a lot of anticipation to a blow coming from an unseen source, he just may not get enough warning or information. Often the warning comes too late for him to react. Often the warning comes. But it's generic. He knows he's about to get slammed - but doesn't know from where. (It's just a tingling sensation. It can't talk to him and give him more information.) I won't deny that some writers -- including, on occasion, Stan -- have in fact turned spider-sense into an all-purpose evil sensor. But personally I don't buy it.

Of course, you're more than welcome to disagree with me. But I think you can see that there's at least a logic to our choices.

And for the record, all of the above was laid out in our series bible -- long before a single episode was ever written, boarded or animated. And that bible was vetted and approved by Marvel. They had every right -- not to mention responsibility -- to disagree with me and insist on a different approach to protect the integrity of the character. But there were no disagreements. We talked it over and concurred. These decisions weren't made lightly.

Response recorded on May 21, 2008

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WolfCypher writes...

Since it never hurts to ask, and if I cross any lines, all you have to do is ignore that question, I'm going to get presumptuous with some of my questions.

1) I gotta know...what will drive Eddie to hate Peter/Spidey to the point of wanting to kill him?

1.1) Okay, that may be too much, so maybe I'll ask if Eddie's hatred will be towards only Peter, or Spider-Man, too...

1.2) Okay, okay, at least can you reveal by what episode will we see their brotherly bond breakdown and Eddie's dark side come out?

2) Will the opening feature the same animation in later seasons, or will the animation change, such as featuring season 2 characters in the opening?

3) Have there been any Gargoyle referrences in this show? Besides Max getting electrocuted by the eels in "Interactions"?

Well, it was an honor wasting your time with these nerdy questions. Seriously, big fan of Gargoyles, and I love your handling of 'Spec SM'!

Greg responds...

1. You'll just have to be patient.

2. The opening changed a little with episode #110. I honestly don't know what if any changes we'll make for Season Two.

3. There have been a few. You know, like the gargoyles in episode 101.

Response recorded on May 20, 2008

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Webhead2006 writes...

Hey Greg, first off i wanted to say i love the spidey show. Personally i think its the best out of all the past shows, i loved the early 90s one when i was a kid growing up with it. But now i see all the flaws it had back then and all that. So far SSM is great love the characters, the story, and the action all top notch. I wish you the best of luck with the show and i heard your podcast with spiderman crawlspace and i would love to see the show make it to 65 episodes or more and then also would love to see some direct to dvd films which would be great. I just had one question i was wondering if you can give me the answer to and here it is: Are you planning to have any other villains/supporting characters be mergered between two different characters like you did with shocker/montana? I was really just wondering because its something i wouldnt want to see happen alot/ to certain characters. Thanks again for any answer you may give me. Also P.S Could we expect any twists with foswell and the big man identity or is big man just going to be tombstone's alias.

Greg responds...

I do appreciate all the kind words, but I'm really not going to use this forum to post, confirm or deny spoilers. (Happy to discuss what's already aired though.)

Response recorded on May 20, 2008

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Alex writes...

Hi Greg!

I just wanted to know when is each arc of The Spectacular Spider-Man supposed to be released on DVD?

Thanks Greg! :)

Greg responds...

I'd like to know that too.

Response recorded on May 20, 2008

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The Spectacular Spider-Man #110

___________________________________________________________________________

The Spectacular Spider-Man
Ep 110: "Persona"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________

Developed For Television By
VICTOR COOK & GREG WEISMAN

Created by
STAN LEE & STEVE DITKO

Opening Credits

Card #1
Supervising Producer and Story Editor
GREG WEISMAN

Card #2
Producer and Supervising Director
VICTOR COOK

Card #3
Producer
DIANE A CREA

Card #4
Written By
MATT WAYNE

Card #5
Directed By
DAN FAUSETT
___________________________________________________________________________

__________________________________________________________________________
Closing Credits

Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring

DEE BRADLEY BAKER as CURT CONNORS
XANDER BERKELEY as QUENTIN BECK
STEVE BLUM as DILBERT TRILBY, CHAMELEON
CLANCY BROWN as GEORGE STACY
GREY DELISLE as SALLY AVRIL
BEN DISKIN as EDDIE BROCK
TRICIA HELFER as BLACK CAT

_______________________________________________________________________
Card #8
Also Starring

JOSHUA LEBAR as FLASH THOMPSON
DARAN NORRIS as J. JONAH JAMESON
ALAN RACHINS as NORMAN OSBORN
DEBORAH STRANG as MAY PARKER
BJ WARD as MAYOR WATERS
TOM WILSON as STAN CARTER

Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL McCUISTION

___________________________________________________________________________
Card #11
Associate Producer
ERIC VESBIT
WADE WISINSKI

___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS

Apprentice Writer
RANDY JANDT

Card # 13
Storyboard Artists
PATRICK ARCHIBALD
TIM ELDRED
JAE KIM
KALVIN LEE
DAVE PRINCE

Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON

Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
THOMAS PERKINS
GREG GULER
JOSE ZELAYA

Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK

Card #16
Background Supervisor
VINCENT TOYAMA

Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN

Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE

Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG

Color Stylists
PAMELA LONG
DAVID SVEND KAROLL
CRAIG CUQRO
NANCY ULENE

Card #18

Supervising Timing Director
GORDON KENT

Timing Directors
BRIAN HOGAN
RICK LEON
RANDY LUDENSKY
SWINTON SCOTT

Animation Checker
MYOUNG SMITH
__________________________________________________________________________
Card #19

Storyboard Production Manager BRIAN G. SMITH

Production Art Supervisor JOHN DIAZ

Production Coordinator SHERRIAN FELIX

Episodic Casting Supervisor MATTHEW C. OTOSKI

Production Assistant BEN MALONEY

Retake Coordinator GEORGE COX III

Post Production Assistant JENNIFER L. ANDERSON

Production Accountant NATHAN HARAMOTO

__________________________________________________________________________
Card #20

Associate Producer for Marvel
JOSHUA FINE

Production Coordinator for Marvel
ADAM TOOTLA

__________________________________________________________________________
Card #21

Recorded at
STUDIOPOLIS, INC.

Dialogue Recording Engineer
ERIC LEWIS, C.A.S.

Dialogue Editor
TERRY REIFF

Track Reading
SOUND BYTE, INC.

__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
JHG BOYAN

Editors
RALPH A. EUSEBIO
BRUCE A. KING

Assistant Editors
MYRA OWYANG
CHUCK SMITH

Digital Effects Supervisor
ULYSSES ARGETTA

Card #22

Music Engineers MARK MATTSON
MAKO SUJISHI

Post Production Sound Services ADVANTAGE Sound Services

Sound Designer ROBERT POOLE II

Dialogue Editor ROBBI SMITH

Foley Artist CRAIG NG

Foley Mixer MARY ERSTAD

Digital Audio Transfer ROBERT PRATT

Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX

Main Title Directed by
VICTOR COOK

Main Title Storyboard by
PHIL WEINSTEIN

Main Title Color by
JOEY MASON

Main Title Animation Production by
HANHO HEUNG-UP CO. LTD

___________________________________________________________________________
Card #24
Animation Production by
DONGWOO ANIMATION CO. LTD

___________________________________________________________________________
Card #25

This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.

"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."

Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.

___________________________________________________________________________
END LOGOS

MARVEL ENTERTAINMENT CULVER ENTERTAINMENT

SONY PICTURES TELEVISION


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Kenneth Chisholm writes...

How much of Anton Sevarious was inspired by the Nazi scientist, Josef Mengele?

Greg responds...

Not at all specifically, other than the general that Mengele became part of that archetype.

Response recorded on May 16, 2008

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Todd Jensen writes...

I enjoyed the latest episode of "The Spectacular Spider-Man" this morning.

Rhino, despite being not all that bright, still proved himself a challenging adversary; points to Spidey for figuring out a clever way of finally taking him down.

The meeting with the Big Man/Tombstone was also a great scene. Not only is Tombstone himself tough, but he's even able to convince the police that Spidey's the bad guy, adding to his menace even more than sheer physical prowess can do. I also liked Spidey's comment that he's not looking the other way again (I assume that's another reference to the same incident as, in the first episode, "...the way I lost Uncle Ben").

Another touch I liked: Norman Osborn making a profit out of incarcerating the super-villains as well as making them, and his altercation with Hammerhead (which Harry overhears - I look forward to seeing how that develops). And it seems that Dr. Octavius is going to be in trouble soon.

And Peter's personal life (Aunt May, Betty Brant, and the introduction of Mary Jane) was well-handled too. Fine work on another fine episode.

Greg responds...

Thank you.

Response recorded on May 16, 2008

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Greg Bishansky writes...

Okay, first off... I never thought I would ever enjoy a Rhino episode that much. Rhino is a bug, dumb thug and those are usually not my favorite villains. Far from it. But this had to be the best fight scene they've done yet, even topping the Lizard subway battle. I loved how Spidey used his brain to defeat the Rhino. Steam, that clever.

While I'm on the subject of the Rhino, props to Clancy Brown. He's always been one of my favorite voice actors, whether he's playing Hakon, Wolf, Lex Luthor, Gorrath, or whoever. The man is very talented, and brought a real sense of menace to that Big Dumb Thug.

Big Man's identity was a surprise, but honestly, I am not entirely convinced. First off, Tombstone is a badass. But my eyebrow raised as soon as I heard Osborn refer to him as "Mr. Lincoln." This is not me being a comic book purist, far from it. If it is him, I'll be very happy with the decision. While it was fun in the 60s, a journalist leading a double life as a crime lord just doesn't seem like it would fly today. Why would a crime lord need that cover? That's what money and lawyers are for. But Foswell certainly seemed to know a lot about the Big Man... curious. I am expecting another twist here. But the Spidey/Tombstone scene was terrific, and damn, this series is beginning to get epic.

Norman Osborn is being paid to manufacture supervillains as well as imprison them. He's got quite the racket going on there. Good for him. But now that Hammerhead is threatening him, well... Norman obviously won't take that lying down, which makes a great lead in for the next episode, considering who the villain there is supposed to be.

Now, let's swing back to Peter's personal life.

Aunt May is an evil mastermind. So very manipulative. I loved it. Though I will admit, even knowing who was coming, I was kinda rooting for Peter and Betty. But, that all faded as soon as Peter opened the front door and who do we see? Mary Jane Watson, and we get that famous line... "face it tiger, you just hit the jackpot." As a long time fan, this pleased me. I am definitely in the camp that agrees that Mary Jane is Peter's one true love, but even there it annoys me how in most modern re-tellings, Mary Jane has been Peter's "It Girl" since they were toddlers. The movies did it, "Ultimate Spider-Man" did it, and it's refreshing to see the classic version here on screen.

It does make me wonder if Mary Jane fought with her Aunt Anna about meeting Peter Parker. "Their aunts are setting them up, this can't be good." Then again, in the comics, she knew Peter was Spider-Man before they ever met... she saw Spider-Man crawl out of Peter's window the night Uncle Ben died. Should be interesting to see if "Spectacular Spider-Man" follows this story or not.

I eagerly anticipate seeing Flash Thompson dressed as a cheerleader. BTW, Josh LeBarr as Flash cracks me up.

Greg responds...

Our supporting cast always cracks us up in the records, particularly Josh as Flash, Andrew as Kenny, Phil as Rand and especially Grey as Sally, whom I just think is hilarious. Oh, and Daran as Jonah is a hoot.

Response recorded on May 16, 2008

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Aldrius writes...

Ramble on episode 6. (I'll be back with 5 soon)

That "Mr. Lincoln" was kind of a blatant drop. I guess it's to prove he's NOT one of the more popular spider-man characters?

Are these three thugs the... uh... there are no spider-man villains left that I can think of... I guess that must mean next week we're getting a biggie or an encore.

That Peter Parker is persistent.

And now his aunt is showing up to have coffee with her. Peter and Betty are moving so fast.

"She's 20 and hot". That line made me laugh.

And the Rhino is looking for Peter Parker. He really should use an alias for taking those photos, it's kind of an invitation for supervillains to go looking for him.

Now here will be the test if Jonah is actually a good man 'Dante's 9th circle' deep. Or if he's just a big mouth who's willing to do anything for money/his own life. I'm kinda hoping and betting he'll cover for Peter.

And I'm right. That's encouraging.

The Rhino sure is durable in this show. Peter can't even dent him. Makes for a good 'how's he gonna beat this guy' moment. But I think that's because the show has established a rather cool trend of having an interesting way for Peter to beat the bad guy.

I wonder what Peter's gonna do with the Rhino out in the open... furthermore, where is he gonna find an open unpopulated place from the middle of Manhattan? Central Park? I don't know New York's geography very well.

Ah, of course. BENEATH New York. That's a good explanation. And sweating him out of that suit was a cool idea.

Ouch, Peter Parker is a jerk... and apparently he gets off on pretending to be Rhino's mother. That's... interesting...

Aha, so the Big Man is Tombstone. That's really cool too. And now he's bribing Peter. I kinda hope he accepts, just because that'd be really interesting in the long run. I have a feeling he'll end up accepting down the road at least. Maybe when the cops start putting the pressure on him every time he shows up.

What's with Harry's smirk? Is he just happy he's popular, or did he hear something while Norman and Hammerhead were talking?

And now we get Mary Jane. I saw that "Face it Tiger" coming from a ways away. But I'm sure I wasn't the only one. Mary Jane strikes me as coming a little too soon, I was hoping to develop the relationship between him and some of the other 'girlfriends' he's had before that, but just because she's here doesn't mean that can't happen. I have no idea if Mary Jane had been introduced after Gwen had died... I'm assuming she had been.

This was a good episode. I figured it was going to be more of a filler episode rather than anything major, but I learned not to listen to that assumption. Another good one, though I hate it because it was over too soon. :p

When you got the order for more episodes, were you able to re-organize your plans so the finale could be moved, or are we going to get a mid-season-esque "Avalon" soon?

Greg responds...

Creatively, we really have two seasons: Episodes 1-13 and 14-26.

Response recorded on May 16, 2008

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Greg Bishansky writes...

Since you're doing Spider-Man and obviously have gone back and studied the mythos intimately while prepping to do the series, I've been meaning to ask. Which writer's run on Spider-Man has been your favorite?

In my case, I'm a big fan of Roger Stern's run on the character, especially his Hobgoblin stories.

Greg responds...

I'm pretty focused on the Stan Lee era at the moment.

Response recorded on May 15, 2008

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Aldrius writes...

And here's my ramble on number 4 and number 5 of le spider-man de spectaculare.

I've never really cared for the Shocker, so I had no real investment in his past identity, and his change affects me naught. I think it's cool that we saw like 5 pre-super villains in the first episode and only now are we starting to see them get their super powers.

Still like the theme song. Though I think I might get sick of it eventually. It's kind of repetitive. I love how in an animated show, it's always the characters that are credited, rather than the actors. It's kind of amusing.

Hmm... does Aunt May have a job? I guess she must be running off of Ben's life insurance or maybe she has her own retirement fund...

And 'ms. wonderful personality'. Teenage boys with super powers are so shallow. I mean he hasn't even gotten a look at her and already he's decided she's not worth his time. For shame, Peter, for shame.

I can never hear what Peter says when he's starts web slinging there... maybe I don't want to know...

Hmm... I'm not sure if I like Eddie. I think that's the first time I've ever heard the word 'emo' used in a cartoon anyway.

Team Weissman is sure keeping up with modern lingo.

I wonder if the slang will make any sense in 50 years...

Ah, Kevin Michael Richardson. I liked him as Gantu in Lilo and Stitch (the movie anyway) but he's never really stood out to me otherwise, always had an interesting, cool voice at least.

That Norman sure is a creep. Even when he's a nice guy he's still a creep. Kinda like Malcolm McDowell. Even when he's playing a good guy he's still creepy beyond reason.

And through that whole speech of Norman's, Harry is standing right there. Nice job, Norman.

Harry doesn't bother me in this episode as much as he did in the first episode. I think it's because he has more dialogue, and it allows for more emotional range. Rather than him just being the nerdy buddy. I still kinda hope he evolves into somebody who's a bit more... smooth... and less uh... nerdy. But from the looks of the next episode, that's a strong possibility.

That Harry sure is emotionally dependent on Peter... I guess it's fitting, Peter always has been pretty self-absorbed... or maybe that's not exactly the right word.

Ah, JK Simmons, where does your influence end? First Spider-man, then The Simpsons, now Spider-man... er... wait.

Ah, and now we meet Peter girlfriend number 2. Nice to see we're seeing some Spider-man girlfriends other than Mary Jane. It's more realistic. Outside of Harry Potter, it's extremely rare that someone marries their first girlfriend...

Shockers tough in this show... I bet all the hardcore fanboys are complaining about how he's not a loser.

Jeff Bennett sure likes his accents. I was surprised to hear him playing a serious villain in an older video game I played recently. Jennifer Hale was in that too, co-incidentially, and she played the Black Cat in the 90's show. Not sure if she ever played anyone in Gargoyles... wouldn't surprise me if she had, but I'm pretty sure she didn't.

Why do these villains always turn into jerks whenever they get super powers?

All joking aside on that matter, though, the theme of spider-man, and the theme of this show is really evident. Integrity, responsibility.

I like Robby, furthermore I like Phil LaMarr. So the two together should result in lots of... liking.

Hmm... even the camera salesmen in New York are irresponsible!

Aunt May is so easy at being a jerk when she's not trying to be.

And Flash is really annoying me. But as with everyone, I'm sure he'll develop down the line.

Peter is barking up the wrong tree I think. Asking an adult woman to your high school prom is just bound for disaster. Did he really expect her to say yes?

The way villains send messages to the heroes in these shows is just ridiculous. I mean I suppose Spider-man could just trail the tremors on his own, but Shocker is really counting on a lot.

Silly expositional dialogue. Rather straight-forward way to assess the villain's motivation, but I suppose it's fairly insightful, and it brings up that old responsibility angle. Even the Shocker is involved in that!

It's interesting the different ways the shocker can use his powers here. And more punny dialogue from Spidey. It's all very exciting and fun.

And more responsibility, with Norman this time. Though he is right. Don't blame other people for your problems.

Super-mercenary field? Is that a real field of business these days?

Kevin Michael Richardson is a good replacement for Keith David, I think. He sounds a lot like him, and while he lacks the resonance, he's got the edge.

I thought Peter got a new camera...

Hmm... that's interesting, Peter said almost the exact same line that Shocker did, when he was talking about responsibility. More of that mirror stuff, huh?

...and come to think of it, I'll write my ramble on episode 5 a little later.

Pretty good show this time around, not a huge amount of development, but more setting of the stage. A lot of necessary exposition and necessary introduction of characters, I must say, with this and a few other shows not out on the market, there's more than enough to keep my cartoon fandom happy this season.

Greg responds...

Glad you're having fun. We are too.

Response recorded on May 14, 2008

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Todd Jensen writes...

Do you think that adapting a familiar comic-book figure from the medium of comic books to the television screen (as you're currently doing with "The Spectacular Spider-Man") is much like adapting a familiar legendary figure (such as King Arthur or Theseus) to a modern work of fiction (except, of course, that Arthur and Theseus have been around a lot longer than Spidey has)?

Greg responds...

There are common factors, but no. The main difference is that Spider-Man isn't public domain. Marvel OWNS the character and is quite the watchdog, as it should be.

Response recorded on May 14, 2008

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The Spectacular Spider-Man #109

___________________________________________________________________________

The Spectacular Spider-Man
Ep 109: "The Uncertainly Principle"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________

Developed For Television By
VICTOR COOK & GREG WEISMAN

Created by
STAN LEE & STEVE DITKO

Opening Credits

Card #1
Supervising Producer and Story Editor
GREG WEISMAN

Card #2
Producer and Supervising Director
VICTOR COOK

Card #3
Producer
DIANE A CREA

Card #4
Written By
KEVIN HOPPS

Card #5
Directed By
DAVE BULLOCK
___________________________________________________________________________

__________________________________________________________________________
Closing Credits

Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring

STEVE BLUM as GREEN GOBLIN, DILBERT TRILBY
LACEY CHABERT as GWEN STACY
GREY DELISLE as SALLY AVRIL, BETTY BRANT
JOHN DIMAGGIO as HAMMERHEAD
ANDREW KISHINO as KENNY KONG, NED LEE
PHIL LAMARR as RAND ROBERTSON, ROBBIE ROBERTSON
JOSHUA LEBAR as FLASH THOMPSON

_______________________________________________________________________
Card #8
Also Starring

VANESSA MARSHALL as MARY JANE WATSON
DARAN NORRIS as J. JONAH JAMESON, JOHN JAMESON
ALAN RACHINS as NORMAN OSBORN
KEVIN MICHAEL RICHARDSON as TOMBSTONE
JAMES ARNOLD TAYLOR as HARRY OSBORN, FREDERICK FOSWELL
ALANNA UBACH as LIZ ALLAN

Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL McCUISTION

___________________________________________________________________________
Card #11
Associate Producer
ERIC VESBIT

___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS

Apprentice Writer
RANDY JANDT

Card # 13
Storyboard Artists
VINTON HEUCK
IRINEO MARAMBA JR.
RICK MORALES
ADAM VAN WYK

Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON

Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
THOMAS PERKINS
GREG GULER
JOSE ZELAYA

Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK

Card #16
Background Supervisor
VINCENT TOYAMA

Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN

Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE

Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG

Color Stylists
PAMELA LONG
DAVID SVEND KAROLL
CRAIG CUQRO
NANCY ULENE

Card #18

Supervising Timing Director
GORDON KENT

Timing Directors
BRIAN HOGAN
RICK LEON
SWINTON SCOTT

Animation Checker
SANDI HATHCOCK
__________________________________________________________________________
Card #19

Storyboard Production Manager BRIAN G. SMITH

Production Art Supervisor JOHN DIAZ

Production Coordinator SHERRIAN FELIX

Episodic Casting Supervisor MATTHEW C. OTOSKI

Production Assistant BEN MALONEY

Post Production Assistant JENNIFER L. ANDERSON

Production Accountant NATHAN HARAMOTO

__________________________________________________________________________
Card #20

Associate Producer for Marvel
JOSHUA FINE

Production Coordinator for Marvel
ADAM TOOTLA

__________________________________________________________________________
Card #21

Recorded at
STUDIOPOLIS, INC.

Dialogue Recording Engineer
ERIC LEWIS, C.A.S.

Dialogue Editor
TERRY REIFF

Track Reading
SOUND BYTE, INC.

__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
JHG BOYAN

Editors
RALPH A. EUSEBIO
BRUCE A. KING

Assistant Editors
MYRA OWYANG
CHUCK SMITH

Digital Effects Supervisor
ULYSSES ARGETTA

Card #22

Music Engineers MARK MATTSON
MAKO SUJISHI

Post Production Sound Services ADVANTAGE Sound Services

Sound Designer ROBERT POOLE II

Dialogue Editor ROBBI SMITH

Foley Artist CRAIG NG

Foley Mixer MARY ERSTAD

Digital Audio Transfer ROBERT PRATT

Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX

Main Title Directed by
VICTOR COOK

Main Title Storyboard by
PHIL WEINSTEIN

Main Title Color by
JOEY MASON

Main Title Animation Production by
HANHO HEUNG-UP CO. LTD

___________________________________________________________________________
Card #24
Animation Production by
HANHO HEUNG-UP CO. LTD

___________________________________________________________________________
Card #25

This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.

"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."

Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.

___________________________________________________________________________
END LOGOS

MARVEL ENTERTAINMENT CULVER ENTERTAINMENT

SONY PICTURES TELEVISION


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Matt writes...

Hey Greg, just thought I'd say you are doing are great job with the new Spider-Man show. I'm sure you get that alot, but just felt like thanking you for bringing a version of Spider-Man that feels true to the comics. Sure you've put your own spin on a few things but it still has the feel of classic Stan Lee/ Ditko era. Being a longtime Spider-man and Gargoyles fan I was thrilled when I heard you would be heading this new show. Oh and FYI "616" refers to the main Marvel universe, as opposed to the Ultimate universe. I believe it was Alan Moore who coined the term that the main Marvel universe, instead of being universe 1 or universe 2 as seen in DC, would be some random universe so he had it assigned universe 616. Anyways thanks again for making Spectacular Spider-Man truly Spectacular.

Greg responds...

You're very welcome.

Response recorded on May 06, 2008


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