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POSTINGS 2008-06 (Jun)

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dph writes...

My Review of Bad Guys #2

I really loved it. Everything, especially the cover. The story starts where the last one left off. Very interesting. I'm looking forward to seeing how their 1st mission together turns out. I didn't catch the cameo of Vinnie and the others at first. The flashback showing Yama's banishment is great.

That Yama is his own judge for when he can return to his clan speaks volumes for his character. Characters with that much integrity are as rare as diamonds and I'm thankfull you included one like that in a primary role in a spin-off.

I do hope that by the time the next gargoyles breeding season comes Yama will have found his redemption. The battle to get Yama's attention is quite good and realistic. It's great that Yama knows English. Question is does an entire clan speak English that well? It's nice to see Hunter come clean about wasting her past. (I do have a cat named Hunter. She once stole a mouse from a snake, but that's another story.) It's interesting that Matrix doesn't comprehend the problem with a gargoyle serving a gargoyles hunter. Dingo's reaction to going back to New York City is authentic, but shouldn't he realize that it's just as dangerous for Hunter to return them? In this sense, I'm glad that you haven't told the story of how Hunter was recruited as it would spoil the upcoming story.

Robyn Canmore's revelation that Dingo was recruited to get Matrix is incredible. Only a small handful of people around the world can possibly know about Matrix. Also only a small number of people around the world can possibly know about the Ishimuran clan. When I stop to consider the intersection of those two groups, I'm perplexed because it can only describe a much smaller set than those two groups. That leads me to believe whomever Hunter is working for has to be extremely well-connected and/or possessing Sherlock Holmes type of intelligence.

Back to New York, it shouldn't surprise me that Dr Sevarius was keeping tabs of his former experiments, but it did. I was wondering how Fang was going to be 'liberated' and know I see. At last, we learn Fang's real name.

Overall excellent story-telling. You keep throwing more things to consider along with answering questions. I am really looking forward to the next issue.

Greg responds...

Hopefully, by now you're looking forward to issue #4, which should be out fairly soon. (It's all done.) Issue #5 is currently being pencilled by Karine, and I'm currently scripting #6.

Response recorded on June 16, 2008

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IrishPhantom writes...

Hi Mr. Weisman ^_^
I'd like to know if the show would ever come back. I know that it was canceled/terminated and I'm hoping that some time in the near future that it will come back with new ep's and the canceled/terminated will change to coming back. Will this EVER happen?????? I was a big fan of the show and still am and would love to see it back on the air.
I would also like to know why the show was even canceled in the first place. The show rocked, wasn't too violent, no swears, top notch charactors, first rate story line and with humor for all ages that everyone from the six yr.old to the college student could find humourous. Why would a show with such promise and talent be canned???????
THANK YOU FOR YOUR TIME AND FOR TAKING THE TIME TO WRITE BACK TO ME. ^_^
Sincerly:Jewl/IrishPhantom

Greg responds...

I'm going to refer you to the ASK GREG FAQ and ARCHIVES for the answer to both those questions. They've both been answered before in copious detail.

Response recorded on June 16, 2008

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Mary Jane origins...

My folks, Beth and the kids went to see a truly wonderful performance of "Big River" yesterday at the Los Angeles County High School for the Arts. "Big River" is of course based on "The Adventures of Huckleberry Finn". Now keeping in mind that this is a show I've seen at least three times before, and that Huck is a book I've read at least four times, it stunned me that I NEVER noticed this fact before...

The girl that Huck has a huge unrequited yen for is named "Mary Jane Wilkes". And one of the women who takes Huck in at the beginning of the book is named "Miss Watson". It seems nearly impossible to think that the name "Mary Jane Watson" from Spider-Man wasn't lifted (consciously or otherwise) from Twain... I assume by Stan Lee (though possibly from someone else working at Marvel in those years).

How did this get by me?


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The Spectacular Spider-Man #113

___________________________________________________________________________

The Spectacular Spider-Man
Ep 113: "NATURE VS. NURTURE"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________

Developed For Television By
VICTOR COOK & GREG WEISMAN

Created by
STAN LEE & STEVE DITKO

Opening Credits

Card #1
Supervising Producer and Story Editor
GREG WEISMAN

Card #2
Producer and Supervising Director
VICTOR COOK

Card #3
Producer
DIANE A CREA

Card #4
Written By
KEVIN HOPPS

Card #5
Directed By
VICTOR COOK
___________________________________________________________________________

__________________________________________________________________________
Closing Credits

Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring

CLANCY BROWN as GEORGE STACY
LACEY CHABERT as GWEN STACY
GREY DELISLE as SALLY AVRIL, ERIN
BEN DISKIN as EDDIE BROCK / VENOM
DORIAN HAREWOOD as DOC BROMWELL
PHIL LAMARR as RAND ROBERTSON

_______________________________________________________________________
Card #8
Also Starring

JOSHUA LEBAR as FLASH THOMPSON
VANESSA MARSHALL as MARY JANE WATSON
KEVIN MICHAEL RICHARDSON as TOMBSTONE
DEBORAH STRANG as MAY PARKER
ALANNA UBACH as LIZ ALLAN

Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL MCCUISTION

___________________________________________________________________________
Card #11
Associate Producers
ERIC VESBIT
WADE WISINSKI

___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS

Apprentice Writer
RANDY JANDT

Card # 13
Storyboard Artists
JOAQUIM DOS SANTOS
SAHIN ERSOZ
JAY OLIVA
DAVE PRINCE
ROBERT SOUZA

Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON

Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
DANA LANDSBERG
THOMAS PERKINS
GREG GULER
JOSE ZELAYA

Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK

Card #16
Background Supervisor
VINCENT TOYAMA

Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN

Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE

Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG

Color Stylists
PAMELA LONG
DAVID SVEND KAROLL
CRAIG CUQRO
NANCY ULENE

Card #18

Supervising Timing Director
GORDON KENT

Timing Directors
BRIAN HOGAN
RICK LEON
RANDY LUDENSKY
SWINTON SCOTT
JUNG JA KIM WOLF

Animation Checker
SANDI HATHCOCK
__________________________________________________________________________
Card #19

Storyboard Production Manager BRIAN G. SMITH

Production Art Supervisor JOHN DIAZ

Production Coordinator SHERRIAN FELIX

Episodic Casting Supervisor MATTHEW C. OTOSKI

Production Assistant BEN MALONEY

Post Coordinator GEORGE COX III

Post Production Assistant JENNIFER L. ANDERSON

Production Accountant NATHAN HARAMOTO

__________________________________________________________________________
Card #20

Associate Producer for Marvel
JOSHUA FINE

Production Coordinator for Marvel
ADAM TOOTLA

__________________________________________________________________________
Card #21

Recorded at
STUDIOPOLIS, INC.

Dialogue Recording Engineer
ERIC LEWIS, C.A.S.

Dialogue Editor
TERRY REIFF

Track Reading
SOUND BYTE, INC.

__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
JHG BOYAN

Editors
RALPH A. EUSEBIO
BRUCE A. KING

Assistant Editors
MYRA OWYANG
CHUCK SMITH

Digital Effects Supervisor
ULYSSES ARGETTA

Card #22

Music Engineers MARK MATTSON
MAKO SUJISHI

Post Production Sound Services ADVANTAGE Sound Services

Sound Designer ROBERT POOLE II

Dialogue Editor ROBBI SMITH

Foley Artist CRAIG NG

Foley Mixer MARY ERSTAD

Digital Audio Transfer ROBERT PRATT

Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX

Main Title Directed by
VICTOR COOK

Main Title Storyboard by
PHIL WEINSTEIN

Main Title Color by
JOEY MASON

Main Title Animation Production by
HANHO HEUNG-UP CO. LTD

___________________________________________________________________________
Card #24
Animation Production by
MOI ANIMATION CO. LTD

Card #25

This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.

"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."

Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.

___________________________________________________________________________
END LOGOS

MARVEL ENTERTAINMENT CULVER ENTERTAINMENT

SONY PICTURES TELEVISION


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jean-michel writes...

hello, i'm a french fan so first i want to apologize for my english. My question is: why demona choose to use a name given to her by humans despite her hatred towards human beings?
Thanks for your answer and congrutalation for your job both on tv show and comics.

Greg responds...

She liked what the name invoked. And at the time, she liked Macbeth, who named her. Later, she was... addicted to it.

Response recorded on June 13, 2008

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aaron writes...

what places can i go to and buy the seasons?

Greg responds...

Amazon.com is probably your best bet at this point. Otherwise, you're just counting on dumb luck for any particular store to carry them.

Response recorded on June 13, 2008

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Chip writes...

We know that Ishimura has at least one gargoyle beast, considering the state of Beasts in London, I was curious, how many gargoyle beasts does Ishimura have?

Greg responds...

I haven't done the math. Not a ton, but more than a few.

Response recorded on June 13, 2008

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Chip writes...

When Taro kidnapped the Ishimuran Clan (and Goliath, Angela, and Bronx) what did he do about the Gargoyle eggs? Obviously there were eggs in the Ishimurian Rookery, did he leave them in Ishimura, or did he take them "Gargoyle World" with the clan?

Greg responds...

Good question... uh...

The answer's ... uh...

Yeah.

Response recorded on June 13, 2008

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Meg writes...

Review of BG#2:

Solid, solid issue. Overall, I can see why you said this LS is a slow boil; it's not all the way there yet, but it's definitely heating up, and in a good way. Somehow a lot more seems to HAPPEN this issue that is relevant and on-target to the series (then again, it might just be that I like Yama more than Dingo and Matrix), and it really leaves me wanting more.

In terms of the art, I'm really digging the decision to do BAD GUYS in black and white. I'm sure it was mostly a financial decision, but I think the atmosphere it brings is more appropriate to the subject matter than the atmosphere a colored comic would evoke. And Charlebois definitely seems to have found her groove here; she seems slightly more comfortable this issue, and it gives us some truly spectacular art from start to finish. The shading is also phenomenal, especially in the scene where Hunter and co. capture Yama.

Things I really liked:
-Fang's face in the first panel of page 3. It's easy to forget that he used to be a normal guy and is not, in fact, accustomed to putting his life in danger at regular intervals and fighting crazy huge robots. He looks scared, which I think gives a little insight into the character. Then him running away gives even more, but, you know. It's the little things.
-The whole Yama/Sora scene. That tugs at the heartstrings. And it's so telling when Sora says "Ask me to go with you" and Yama says "Bushido demands that I do not." He WANTS to ask her so badly; he doesn't say so, but the evasiveness of his answer gives him away. And yet he loves her too much to do that to her. And she loves him enough to know that she has to let him go it alone, or that'll be something else that'll eat at his heart. Poor them. (Also, major props to Charlebois' art in that panel--Yama's face is just tortured.) How long had they been mates when Yama was banished?
-I also love the characterization of Kai here. Stern, not really angry, just disappointed. Perfectly right.
-It'll be interesting to see how Matrix develops; he seems uberpowerful, so it'll be fun to see him in situations that test him, or where he can't just power through.
-What did Yama do between his banishment and his recruitment? Boy loves his toys, that's for sure.
-Hunter's too funny. "Want something done right..." I'm thinking she doesn't so much think highly of Dingo's skills. I do wonder how much of her "Gargoyle knowledge" is educated guesswork, although she sure seems to have a lot of knowledge of bushido. Also, I love that even when Yama has his sword on her throat she's got a gun aimed between his eyes. Now THAT is a kickass, take-no-prisoners, strong woman.
-I love Yama's snark re: the accent. But I also read him as very hopeless, not caring all that much what happens to him. And it just gets worse. He looks so crestfallen when he realizes he's being coerced; I feel for the dude. His big chance at redemption, to get back with his clan...and joining this group won't really redeem him. And yet he still has to do it. And he's too unforgiving of himself to consider forced work in exchange for protecting his clanmates penance. Dude's got STANDARDS.
-Hunter's a smart leader. I think she feels more of a kinship to Yama than Dingo, which accounts for part of it, but she handles them very differently and it's very appropriate for each character. (She handled Dingo and Matrix differently and well, too, come to think of it.) I'm starting to wonder about the dynamic of her and her siblings, who was ACTUALLY the leader and got stuff done.

Really, really looking forward to #3....

Greg responds...

Jason was the leader. Robyn got stuff done.

Response recorded on June 13, 2008

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Vaevictis Asmadi writes...

I finally got a hold of Bad Guys. It's great to see Yama, although I'm sad that we don't see more of the Ishimura clan. I was very much hoping we would.

Sora wants to go into exile with him, that is sweet of her. She'd rather be with him than with her clan? But he feels too ashamed to be around her.

Apparently Matrix can hovor/fly without any visible means of propulsion. I find it amusing that when it turns one arm into a gun, the gun has a handle on it, completely unnecessarily. I guess that Matrix has only seen guns that have handles, and thinks that is how they should look.

We see Vinnie in Japan, and he is trying to get to Ishimura. I wonder what Taro has hired him to do. Maybe hoping he'll join his ninja squad, or something.

Also, how does Yama suddenly gain altitude like that, since he can only glide and not fly? I'm honestly confused by this.

Yama looks pretty cool when he stands up on the skyscraper. He's really loaded himself down with weapons -- two katanas, a larger sword (a tachi?), a dagger, nunchakus, ninja stars, and another sword/dagger (a wakizashi?). Clearly he's expecting to be attacked and feels vulnerable outside the clan!

I'm impressed that the artist can show Yama's eyes glowing even in black and white. Not just the lack of irises but the light shining from them.

And his line about Robyn's accent is great! Also the look on his face as he says that, and his calling her Gaijin. All priceless.

Matrix declares that they serve Law and Order, as if that would explain everything.

Robyn tells him that she's a (former) hunter, which I didn't expect. And while she appears to have discarded her old attitudes at least partly, we do not see what her new attitude is toward gargoyles. She is still willing to threaten the Ishimura clan. Or is that what the Director ordered her to say?

Yama's reaction to that is strange. Desperation, but he doesn't look all that angry, in his face. And he agrees... but why? Just because he feels he is so desperate he has no choice? We do not see the moment when he makes this decision.

I find the square thought bubbles confusing. It is difficult to tell what is thought and what is out loud.

Surprisingly, this issue already moves away from Yama to Fang. Who has a name (and look there's the Yuppies).
Sevarius is clearly impersonating a real person who's known to the Labyrinth-dwellers... some guy named Fred. Is he impersonating Fang? But then Claw doesn't react as if he were. I'd think Claw would know what Fang used to look like.

I'm really liking the art. Yama's face is a little odd, but then he's got a difficult face to draw. The rest looks great.

It was really great to see Yama. I look forward to seeing more of him. The issue felt short but I enjoyed it. Thanks for the continuing story.

In honor of Bad Guys #2, where in Japan is Ishimura located? Which island is it on? Vinnie seems to think it is within a train ride of Tokyo, but then he could just be clueless.

Greg responds...

I honestly would have to do a bit more research before I could pin down Ishimura's fictional location.

Response recorded on June 11, 2008


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