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POSTINGS 2008-06 (Jun)

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Nina writes...

Hello Greg,
First of all, thank you for such an intelligent, brilliantly-written series.
Secondly, I have a question regarding Broadway and Angela's kiss in The Journey. I'm sorry if this has been answered before, but I don't recall finding anything related to it in the archives.
Anyway.
You've stated (I believe in the DVD commentary) that gargoyles don't kiss to show affection, but rather wrap their wings around each other and stroke each other's hair. So why do Broadway and Angela kiss? I've had a number of theories, myself:
1. being younger, Broadway and Angela (especially Angela) have been heavily influenced by the tendencies of humans, ie. ways of displaying affection. I mean, Angela must have seen Tom macking on Katherine a few times back on Avalon, right? Not to mention the fact that the eggs were raised in an unconventional (human) way.
2. To show the pair actally kissing would have truly established them as a solid couple in the minds of viewers. It's also a lot more heart-wrenching to see them kiss with Brooklyn watching them.
3. It WAS The Goliath Chronicles, and the writers weren't aware of all the nuances in the world of the gargoyles.

Well, I've probably gone and answered my question, in there. But thanks for taking the time to read through this, anyway!
You and Gargoyles truly are the bees' knees.

Greg responds...

We're stuck with 1 & 2, since I was the writer of "The Journey".

Response recorded on June 10, 2008

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Todd Jensen writes...

My comments on the latest "Spectacular Spider-Man" episode.

I'd been looking forward to this one, since I'd noticed how meek and timid Dr. Octavius (now Dr. Octopus) had been up until now. Since I'd recognized him as a future "Spider-Man" villain (I'm not a big Spider-Man expert, but I still know about Dr. Octopus), I was eagerly awaiting the revelation of how he'd change into a super-villain (and the mental change more than the physical change).

What I got didn't disappoint me. Octavius has finally had enough of Norman Osborn pushing him around (I liked the moment where he's fantasizing about getting back at Norman even before the accident), and the worm finally turns. And how!

Norman is as cool as ever at the end, when Hammerhead's bringing up Green Goblin's actions and the problems they're causing for his boss. (I assume that it's Norman rather than his son who's the Goblin - though Harry's doing a good job of leading the audience astray. I'm looking forward to how that plays out in future episodes, especially since Gwen's getting suspicious.)

Wouldn't you know that Peter would win a stuffed octopus at Coney Island?

And I've got a suspicion that John Jameson's space flight will lead to further trouble for our friendly neighborhood web-slinger, especially since I vaguely remember it featuring in other "Spider-Man" adaptations, with big consequences.

Greg responds...

Yep.

Response recorded on June 10, 2008

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Anonymous writes...

I'm new to all this just reading through Ask Greg, While I was wandering around something caught my attend whih was in VII. Family Xanatos & Owen/Puck question 8. Does Owen have a love life? If so, do we know his romantic interest? And Your respond, Yes he does, but we do not know who she is, but however she is human. Now here is my question, is it only owen who loves her, or does puck also care for this woman?

Thank you for your time

Greg responds...

I'm not answering this at this time.

Response recorded on June 10, 2008

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Greg Bishansky writes...

"Reactions"
Well, my reaction is that was certainly an awesome episode.

Let's see, where to begin. I've been waiting to see Otto's transformation and it was well done. Gone is the meek, subservient Otto "Yes, Mr. Osborn. Whatever you say, Mr. Osborn" Octavius, and now we have the the ruthless and psychotic Dr. Octopus. I need to extend my compliments to Peter MacNicol for the contrast in both versions of the good doctor.

The Spider-Man/Dr. Octopus battles were great. From their first encounter at OsCorp, where Ock in his paranoia believed that Spidey discovered he created supervillains to the attack on Tri Corp and their battle at Coney Island (Enjoy Coney Island while it's there, it's being torn down). And damn, not too long ago, Otto could probably never bring himself to put a girl like Liz in harm's way. How he's changed. I look forward to him leading the Sinister Six.

"My fans expect a certain amount of quipage in every battle." You tell him, Spidey! That was one of the many reasons the movies were a disappointment.

But, Peter Parker's civilian life is always just as interesting as his superhero life. Poor sap, thought he and Mary Jane had something going. Not yet, Pete. Your time will come, be patient... but be warned, Joe Quesada... er, I mean, Mephisto will conspire to take it away from you. In the mean time, enjoy your time with Liz. And with Liz and Flash now broken up, he might have a shot there.

Let's see. Peter wins an octopus for Liz. Ock is defeated on the octopus ride. And this is the eighth episode. Cute. Very cute.

Harry Osborn is now a junkie. Just like in the original comics, only instead of acid, he's been raiding his dad's medicine cabinet for Globulin Green #994. It's a good way to do Stan Lee's drug story without using a real drug that would make S&P balk. It explains why he's good at football all of a sudden. It's a steroid story without steroids. Cool.

But not to go unmentioned, the Green Goblin plot line is advanced. Norman Osborn is such an asshole, first berating Otto, then feigning concern when he's the one who tried to kill him. While the Harry red herring is being done well, I just can't believe that he's the Goblin. If he were, he'd have attacked the Fall Formal and gone after Kenny in the previous episode. He has no reason to go after the Big Man, and the only place we heard Norman call the Big Man "Lincoln" was in the subterranean lab. Norman knows Otto is a liability. This all fits in with Norman's modus operandi. Not to mention having two close friends of Peter go arch villain on us this season would be redundant. We still have Eddie Brock becoming Venom in a few more episodes.

Still a terrific episode, and I look forward to the mystery being resolved next week.

Greg responds...

You're awfully confident.

Response recorded on June 10, 2008

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kyle tonarella writes...

i noticed you wrote a couple episodes of The Batman i wass wondering if you did a batman show how would you play the characters particularly joker

Greg responds...

I've written more than a couple "The Batman"s. Plus I've written the character in comics. If you want to see how I'd handle the Joker, check out "The Rubber Face of Comedy", "The Clay Face of Tragedy", "Strange Minds" and others...

Response recorded on June 09, 2008

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Aldrius writes...

I'm starting this early because I had a thought while watching the Rhino rerun.

Jameson saves Peter from the Rhino, then Spider-man saves Jameson from the Rhino, would he have if he hadn't saved him? Or has been as determined to do it?

All right, and now for the episode, which ironically, I'm starting late now...

I didn't know Spider-man could fly.

I love Peter McNichol. I can hear the X the Eliminator in his voice, and that's one of my favourite roles of his. I wonder what caused Otto's change in personality? The arms or did he just go crazy?

Who does Spider-man think his fans are? Furthermore does he know he's being watched? Does he think Norman is his fan?

Otto sure took to being a super-villain pretty quickly.

And the mystery continues. Harry's passed out, but Norman was obviously at the Oscorp... so is it the father or the son. Kinda parallels the Big Man mystery that at least the fans seem to have going.

"Where do you hide the muscles". Jeez. If he's not the green goblin he's definitely on the green goblin juice at least. Maybe they're both the green goblin. Weird... extra... dimensional...? personality stuff. That would be quite the twist.

Gwen sure forgave Peter pretty fast. That's actually another good thing about the show, be pretty unrealistic if she held a grudge against him just for lying to her once... that wasn't even really a lie, he just changed his mind.

Ah, Octapus has got the movie coat. That's cool. I like the movie coat. And another Gargoyles line, eh?

"Stop that Ms. Brant I'm a married man" that one made me crack up. I'm not exaggerating.

Flash likes Spider-man. I like that. There's that 3-dimensional Flash-ness.

And a girl gets kidnapped. At least it's not Mary Jane I suppose.

...I missed what happened with Liz and Flash... and how it was Peter's fault, I guess I'll find out. And it looks like we're getting another Green Goblin episode next weekend. Cool. I'm guessing we'll finally find out who he is. Harry or Norman. Or maybe even a third party.

This one seemed short to me, but maybe that means I enjoyed it all the more... felt like there were more questions asked than answered. Definitely superior to last weeks anyway.

Greg responds...

Of course, Pete/Spidey would have saved Jonah. He LIKES Jonah.

If the episode didn't explain why Otto changed, then it's pointless for me to do it, I'd think.

Response recorded on June 09, 2008

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Lizzy writes...

(Sorry, that should be #8, not 38. And I meant to add that in the comic, Hudson has not returned to flesh form in between the metal-sword box-loading frame and the stone-sword cover illustration.)

Greg responds...

I got the gist.

Response recorded on June 09, 2008

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Lizzy writes...

This has been bothering me for some time now, and I need an answer: What is up with Hudson's sword?

The FAQ states that all gargoyles are subject to a modesty spell which causes their clothing and other objects they consider "theirs", which are in contact with their bodies, to turn to stone with them at daybreak. However, Hudson's sword seems to defy this spell, being stone in one shot but metal in the next. In some scenes the sunlight clearly glints of the metal blade as the sunrises; yet in other scenes it is dull as concrete! In the episode "The Price," Xanatos states that one of the harder parts of his plan was to find a replica of Hudson's sword to use in the fake Hudson statue (let's ignore the inherent sculptural difficulties of putting a metal sword in a carved stone hand without damaging either). Yet the statue, and even the miniature version of it Xanatos is holding during this exchange, are both holing metal swords. On the cover of Gargoyles comic 38, stone Hudson is holding a stone sword; yet when stone Hudson and Lexington are being crated for the flight, the sword is clearly metal.

Help! What's going on here! Please put my poor little brain at rest.

(Also, Demona's armlet, earrings and occasionally her crown suffer from this same sometimes-stone-sometimes-metal phenomenon.)

Greg responds...

It's pretty simple -- AND HAS DEFINITELY BEEN ANSWERED IN THE ARCHIVES -- but it all depends on what Hudson's thinking at the time of sleep. If he's feeling at one with the sword it'll turn to stone. If not, it won't.

Response recorded on June 09, 2008

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The Spectacular Spider-Man #112

___________________________________________________________________________

The Spectacular Spider-Man
Ep 112: "INTERVENTION"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________

Developed For Television By
VICTOR COOK & GREG WEISMAN

Created by
STAN LEE & STEVE DITKO

Opening Credits

Card #1
Supervising Producer and Story Editor
GREG WEISMAN

Card #2
Producer and Supervising Director
VICTOR COOK

Card #3
Producer
DIANE A CREA

Card #4
Written By
GREG WEISMAN

Card #5
Directed By
DAVE BULLOCK
___________________________________________________________________________

__________________________________________________________________________
Closing Credits

Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring

ED ASNER as BEN PARKER
LACEY CHABERT as GWEN STACY
ROBERT COSTANZO as SULLIVAN EDWARDS
JIM CUMMINGS as CRUSHER HOGAN
BEN DISKIN as EDDIE BROCK / VENOM
DORIAN HAREWOOD as DOC BROMWELL
_______________________________________________________________________
Card #8
Also Starring

JOSH LEBAR as FLASH THOMPSON
VANESSA MARSHALL as MARY JANE WATSON
KEVIN MICHAEL RICHARDSON as TOMBSTONE
KATH SOUCIE as MARTHA CONNORS
DEBORAH STRANG as MAY PARKER
ALANNA UBACH as LIZ ALLAN

Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL MCCUISTION

___________________________________________________________________________
Card #11
Associate Producers
ERIC VESBIT
WADE WISINSKI

___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS

Apprentice Writer
RANDY JANDT

Card # 13
Storyboard Artists
IRINEO MARAMBA JR.
RICK MORALES
KI HYUN RYU
ADAM VAN WYK

Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON

Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
DANA LANDSBERG
THOMAS PERKINS
GREG GULER
JOSE ZELAYA

Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK

Card #16
Background Supervisor
VINCENT TOYAMA

Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN

Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE

Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG

Color Stylists
PAMELA LONG
DAVID SVEND KAROLL
CRAIG CUQRO
NANCY ULENE

Card #18

Supervising Timing Director
GORDON KENT

Timing Directors
BRIAN HOGAN
RICK LEON
SWINTON SCOTT
JUNGJA KIM WOLF

Animation Checker
SANDI HATHCOCK
__________________________________________________________________________
Card #19

Storyboard Production Manager BRIAN G. SMITH

Production Art Supervisor JOHN DIAZ

Production Coordinator SHERRIAN FELIX

Episodic Casting Supervisor MATTHEW C. OTOSKI

Production Assistant BEN MALONEY

Post Coordinator GEORGE COX III

Post Production Assistant JENNIFER L. ANDERSON

Production Accountant NATHAN HARAMOTO

__________________________________________________________________________
Card #20

Associate Producer for Marvel
JOSHUA FINE

Production Coordinator for Marvel
ADAM TOOTLA

__________________________________________________________________________
Card #21

Recorded at
STUDIOPOLIS, INC.

Dialogue Recording Engineer
ERIC LEWIS, C.A.S.

Dialogue Editor
TERRY REIFF

Track Reading
SOUND BYTE, INC.

__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
JHG BOYAN

Editors
RALPH A. EUSEBIO
BRUCE A. KING

Assistant Editors
MYRA OWYANG
CHUCK SMITH

Digital Effects Supervisor
ULYSSES ARGETTA

Card #22

Music Engineers MARK MATTSON
MAKO SUJISHI

Post Production Sound Services ADVANTAGE Sound Services

Sound Designer ROBERT POOLE II

Dialogue Editor ROBBI SMITH

Foley Artist CRAIG NG

Foley Mixer MARY ERSTAD

Digital Audio Transfer ROBERT PRATT

Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX

Main Title Directed by
VICTOR COOK

Main Title Storyboard by
PHIL WEINSTEIN

Main Title Color by
JOEY MASON

Main Title Animation Production by
HANHO HEUNG-UP CO. LTD

___________________________________________________________________________
Card #24
Animation Production by
HANHO HEUNG-UP CO. LTD

___________________________________________________________________________
Card #25

This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.

"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."

Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.

___________________________________________________________________________
END LOGOS

MARVEL ENTERTAINMENT CULVER ENTERTAINMENT

SONY PICTURES TELEVISION


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Nelio writes...

In the background while I am playing on my MMORPG, I tend to have my DVDs going, which of course includes Gargoyles. Tonight I was watching Legion when I noticed the Gargoyles heading to an island north of the Statue of Liberty while chasing Coldstone. Out of curiosity, I decided to check google maps and see which island that was since I didn't think it was named in the show. TO my surprise, Ellis Island is not only in the exact location as in the show, but is incredibly accurate to what was show. I even managed to find the exact location in which Coldstone crash to on the fort there.

Likewise, in other episodes I have noticed an astonishing level of detail in Gargoyles, which I find to be very cool since it is placed in a real world location. To name a few, the Brooklyn Bridge (Reawakening), Belvedere Castle (High Noon), Central Park (various episodes), and so forth in the show. While I was a child, I never noticed just how much detail was there, but now that I am an adult, I can see just how much effort went into it.

My question to you: How much research did you put into these real world locations that appear on the show, and did you check to make sure that the art for the locations were accurate?

PS. Thanks for having a great and dedicated site where we the fans can ask you our questions! I only wished my other favorite shows had similar sites.

Greg responds...

I lived in New York for years. So I did very little locational research myself. Mostly relied on my memory. But our artists (both in L.A. and Tokyo) did TREMENDOUS amounts of research. I never had to check to make sure it was accurate. I trusted those guys and gals. And my trust seemed well-placed, don't you think?

Response recorded on June 07, 2008

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Jackie writes...

Dear heavens that's a lot of red tape just to ask a question. Well, I'm sure my question has been asked many times before, and please forgive me if you find it to be an annoyance (I'm sure I'll politely be escorted to the 'archives' for this one), but I just wanted to know if the creators foresee a film coming out in the near future. I was so very proud of this cartoon. It is quite nostalgic for my younger brother and me. I'd be overjoyed to support this brilliant cartoon on the big screen.
Thanks,
Jackie (Gargoyles fan since I was a youngster!)

Greg responds...

You know, Jackie, I've got no sympathy for you here. You seem perfectly aware of the archives -- perfectly aware that you're asking a question that's been asked before. And yet...

I mean you complain about the red tape and then contribute to the reason we HAVE red tape in the first place.

So, yeah, consider yourself escorted...

(sigh)

Response recorded on June 07, 2008

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Jordan writes...

Hey Greg,

Who would you consider your ten favorite voice actors?

Greg responds...

Oh, please, even assuming I could rank these talented people, why would I? I gotta work in this town, bro.

Response recorded on June 07, 2008

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Chip writes...

Man this was so worth it.

I swear every issue that comes out just gets better and better.

Yama's characterization was fantastic, and the scene with him and Sora was absolutely beautiful. Powerful and emotional.

I've been to two gatherings and I still have yet to see the gargoyles: bad guys Leica Reel. I still hear Bruce Locke as Yama in my head and I hear Jim Cummings as both Dingo AND Matrix. (Yeah I know he's Jeff Bennett but I've not heard it)Nevertheless I expected Matrix to turn into a sphere and protect them...what I hadn't expected was his ability to FLY! I had figured he'd morph into a boat or something.

Fang/Fred Sykes was great. Oddly enough I was watching "According to Jim" the other night (which I always jokingly call "According to Fang") and Jim said that exact line: "I'm outta here, suckers". I heard it crystal clear in my head.

When Robyn first spoke to Yama I figured he was supposed of go chasing after Fang or something, but I was wrong. Instead the RS fights the robots from Seasame Street. (1,2,3,4,5,6, Seven...Seven deadly robots Mwahahaha)

Yama always reminded me of my dad. I kinda see him as my dad if had been born in the Gagoyles Universe as a Garg. My dad (who incidently had a birthday the day this came out)is obsessed with Japanese culture and especially Samurai so this was strangely fitting. Plus my dad collects Japanese weapons and Yama is armed to the teeth. (I count two katana's, a taichi, four ninja stars, two daggers, and Nunchukku)

Matrix is weird, that's all I have to say on that.

Robyn/Hunter is interesting. I get the feeling that she kind of admires gargoyles/tengu now, but she's still quite prejudiced. The stick was unnessesary, the carrot would have worked.

Dingo feels for Yama, and heck I think he genuinely likes the tengu/gargoyle. Speaking of which, I think that Dingo and Robyn are already attracted to each other. I think that that caught her off guard and so she does little things to get under his skin.

And so Sevarius comes to bust Fang out...again. What is this, the third time someone broke into the Labyrinth? Fourth...I forgot about Awakenings. Security in the Labyrinth SUCKS!

Thug: Somebody broke into the Labyrinth again.
Al: Must be Wednesday.

And the cameo's dotted about were the sprinkles on top. Vinnie, Karine's avatar Kanthara (as a human), Brendan, Margo, Shari, Claw, Benny, Greg B, Mara, and I think I'm missing someone but oh well.

Bad Guys RULES

Greg responds...

Doesn't it though?

Response recorded on June 07, 2008

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Matt writes...

My Review For Bad Guys #2, "The Lost"...

Well, let me just say. It was worth the wait. And I don't just mean the wait since "Strangers" I mean the wait since I found out at Ask Greg about Yama and Sora and the Redemption Squad. For some reason, I've always thought that the Yama/Sora relationship would be fascinating to watch, and "The Lost" didn't let me down on that note. Ugh, it tugs at my heart to watch them in this issue. They both know what must be done, and yet they are both so conflicted. Without saying the word, I see love between them. I love that Sora is willing to be banished with Yama, and I love that Yama won't let her. Who knows how long they will be apart, but I love thinking that down the road they will always be on the others mind and in the others heart.

"The Lost" is really exciting. As always there is so much going on it is hard not to just point out how I loved every little detail in my review, but I'll attempt to focus on the basics. The action is outstanding. Karine really has a knack for drawing action and Greg has a knack for writing it. It is amazing to me that the comics seem to be as dynamic and fast-paced as any TV episode of the series, if not more so in some cases. Hunter's acrobatics are exciting to watch, Matrix is, as always, very fun in his various forms and fluidity, Dingo's everyman attitude is great and Yama is just so darn cool with his nobility and warrior spirit. This is really shaping up to be a very fun bunch as a main cast.

Lots of cool little bits in this one, as well. The inner monologue stuff was very interesting, I especially enjoyed Dingo's thoughts on fighting gargoyles. The tension between Hunter and Yama is neat too. A former gargoyle hunter and a gargoyle as teammates. Makes me wonder if Hunter has ever actually killed another gargoyle. Matrix is all over the place with this one. His abilities are outright astounding. He can separate himself into numerous, fully functional entities, he can form his arm into a gun, he can float/fly/hover... With all that it is hilarious when Hunter remarks to Dingo that, "I recruited you to get to Matrix." No kidding, he/she/it may seem naive and simple at times, but he is very powerful.

Finally, the New York sequence. Fun to see a cameo by Margot, Brendan, Al, Claw and Shari (not to mention Greg B and others, guess it pays to have friends in high places), but the really fun stuff here is Sevarius. His infiltration of the Labyrinth leads to all sorts of questions. Questions I'm sure won't be answered for a few months at least. But we do get one answer to an old question, Fang's human name. Fred Sykes. And what is Sevarius's interest in Mr. Sykes? I guess thats a story for another day.

So, all in all, a fantastic issue. No errors or problems of any sort that I can see and the story and art and cover are all fantastic. Great job to everyone, I look forward to "Estranged" with great antici........ pation.

Greg responds...

How did I fall so far behind here, that I'm only reading #2 reviews now, when #3 is out...?

Response recorded on June 06, 2008

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KingCobra_582 writes...

BAD GUYS #2.

Warning for anyone who's not Greg W., is not involved with making the comic, and/or hasn't read it yet. HERE LURK SPOILERS.

Cool comic, IMO. Feeling too lazy to write out a full length review, so I'll just comment on everything I liked about it and hope it counts.

Nice opening segment. Definite parallels to the BG leica reel. At least, for those who've seen it.

Yama. There's a reason he's one of my favorite minor characters in Gargoyles, and that is because how serious he is. He's focused, driven on honor. Obsessed with honor, in fact. Good characterization on Yama's part, and I always felt he could carry a story. Which he definitely does here. Kudos.

And DAMN, the guy really loves his weapons!

Nice little bits with Dingo as well. Is that a Nightstone mug he's drinking? And his reaction to returning to Manhattan. LMAO. Priceless.

Matrix can turn his own arm into a gun. How badass. Is there ANYTHING the guy can't do?!

And, on that note, for some reason, I think Yama looks wicked, practically ramming his blade in Robin's throat like that. What did she say to tick him off that bad? Talked smack about his clan, apparently.

Nice little cameos towards the end. Nice seeing Margot (though she does annoy me) and Brendan in there. Shari too.

And speaking of cameos. Didn't see Sevarius showing up until it actually happened. Nice. And to get Fang's real name (No, I won't reveal it here) also. Nice plot twist.

Good story. I'm definitely (of course) looking forward to #3.

End my (lazily mild) attempt at a review.

Greg responds...

Glad you liked it...

Response recorded on June 06, 2008

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Blaise writes...

BAD GUYS #2: THE LOST

I somehow knew the format would begin by advancing the "leica reel scenario" before going back to the main story. It's nice, and ends on quite a cliff-hanger for Yama (while also showcasing what a jerk Fang is--"I'm outta here, suckers!")

But on to the main story:

Well, it seems Vinnie's in Japan, which puts this AFTER Vinnie's cameo in "Gargoyles" #8. Most likely, sometime in November then (placing the "leica reel sequence" sometime in January, at least). I LOVE the designs of some of the Japanese pedestrians.

Anyway, we then flash even further back to Yama's banishment. I love the interplay between Kai, Sora and Yama. It intrigues me how Sora was the one who suggested Yama be his own judge--and how Kai objected because the choice was "too harsh." Not that they have to outright say it; Yama figures out that he's his own judge just by Sora and Kai's statements.
Kai then leaves the two alone. I just have to say, I love how stoic Kai acts throughout this sequence.
You can see the pain on both Yama and Sora's faces as they part.
"Ask me to go with you"...damn. Poor girl.
Somewhat Random Thought: I can't help but find myself wondering how much their age difference plays a factor in their relationship.

Back in the "present" flashback, Yama unfurls his wings...and reveals a frickin' armory! How many blades does that guy need?

The Matrix in Surround Sound! Man, that AI is dang useful.

I like how Dingo isn't thrilled with hunting a gargoyle. Nevertheless, he nets Yama, who counters with swords and then cuts right through the Matrix-hammock and hits the ground. Of course, Hunter pulls off some pretty impressive acrobatics of her own.

And Yama is surrounded and gets "the pitch." I'm glad Yama got to surprise Hunter by speaking English ("Better than you speak Japanese.") Yama and Dingo ragging on her accent was fun, too.

Matrix just had to get that "We serve Law and Order" in there, didn't it?

Robyn reveals some of her growth. Particularly in the way she describes having "wasted (her) life hunting gargoyles" and that her "studies of the species were tainted by old prejudices." She seems to have learned enough to know about banishment, however (and I wonder where exactly she learned about that).
Did anybody else notice her Demona reference?

It's strange, but Hunter's face (even in the mask) seems a lot...well, "softer" I guess, then I've ever seen it. I mean, is it just me, or is she a heck of a lot nicer with Yama than she was with Dingo? She even pats him on the shoulder--much more chummy than I would have expected either of them to be.

Yama's actually favorable to the idea of joining the group and doing good already (which, as Dingo thinks, is the "Carrot"). But then, Hunter trots out "the Stick." "Fifteen seconds later..." Hunter's on the ground with a sword pointed at her throat (in addition to Yama's hand around it) and Yama's got THREE guns pointed at him (Dingo's, Hunter's, and Matrix's new gun made out of his arm). I laughed out loud at that.

Yama's angry expression fades to one of consternation over being coerced into this. Despite the gun, Dingo actually comisserates with Yama a bit. Even more surprising, Hunter proves (once again) a bit more receptive to Yama and his dilemma than she was towards Dingo. She even seems to know enough about Bushido to offer a solution--but Yama doesn't let the "gargoyle-hunter" off the hook so easily (Matrix, like the naive AI it is, fails to see the problem).

Who wants to bet that the coffee cup Dingo's drinking from is one of "Nightstone's"?
I like Dingo's spit-take, and referring to Hunter's "evil little mind" as well as his "put-upon" expression in the next panel.

I thought I recognized a couple of the "extras"--go Greg B. and Mara!
And somehow, I knew who "Fred" really was in the first panel--something about the nose and eyes. What interests me is how familiar the residents of the Labyrinth act towards him. He clearly must have been doing this for a while and building up trust.
Shari seems to know who he really is (but does he know that she knows? And if so, does she know that he knows that she knows? And if so...I'll just stop now).

Let me just say, poor Thug.

And then the Big Reveal. Not just Sevarius himself, but Fang's real name: Fred Sykes. My first thought was also about Bill Sikes from "Oliver Twist" (in fact, Tim Curry played him in one made-for-TV version a while back). My second thought was that Sevarius's homeless persona had the same first name as Fang. My third thought was, "Boy, Sevarius really is a ham."
And that is one shocked look on Fang's face at the end.

Oh, and one last thing...I'M IN THE LETTERS SECTION! Wow, man, I never expected that in a million years. That is so frickin' COOL! (ahem) It was rather gratifying. Thank you, Greg.

So, bring on the next installment!

Greg responds...

It's brought. And the next is done. And the next is scripted and being Karine'd as we speak!

Response recorded on June 06, 2008

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Missi writes...

Kind of a random question, but when the Gargoyles lived in the clock tower, where did they use the bathroom? (Of course, this is assuming that they would need to considering they eat and it has to come out somewhere). While watching the show, I never saw some sort of random door or anything, so I figured I'd ask.

Greg responds...

Is this something anyone really needs to know the answer to? There's a bathroom up there, kay?

Response recorded on June 06, 2008

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Todd Jensen writes...

Got "Bad Guys" #2 today. Here are a few comments on it.

Strong characterization for the members of the Redemption Squad, especially Yama. I liked how he was handled in it, especially the banishment scene and the remark that he had a "rigid and unforgiving" judge - himself. And his stiffly dignified response to Robyn's offer (as well as his wrath when she threatened his clan).

But the other members also had some great moments. Matrix's multiple heads all popping up to make their report to Dingo (just when you thought Matrix couldn't get any more bizarre....). Dingo commenting on how grating Robyn's brogue was (says the guy with the Australian accent). His way of introducing Matrix. His alarm when he learns that they're returning to New York, and Robyn's cool response.

The revelation that the bearded man entering the Labyrinth was Sevarius surprised me - but to add to that, we finally learn what Fang's real name is. (I immediately thought of Bill Sikes from "Oliver Twist" once I read that scene, but I don't know if you really did have Dickens in mind or if it's just a coincidence.) And who but Sevarius would deliver that "time to meet your maker" line to a Mutate?

I also enjoyed the various cameos: Vinnie (as misfortune-prone as ever), Brendan and Margot, Al, Claw, Shari.

Looking forward to #3 (especially since the other two Canmores will be guest-starring in it). Thanks for this issue, Greg!

Greg responds...

Bill Sikes was an inspiration.

Response recorded on June 06, 2008

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Phil writes...

Got Bad Guys #2 today and really enjoyed it. I'll have to read it again before I do any kind of review, but I have a question.

Toward the end we see Shari hanging out in the Labyrinth as "Fred" wanders through. Without making suggestions that may be construed as ideas, what is the time frame for this scene? Am I correct in assuming its sometime before Halloween?

Since we're on the subject, I'd like to fill in the Bad Guys timeline:
1) What date did Hunter recruit Dingo and Matrix?
2) What date did Hunter recruit Yama?
3) What date did Sevarius spring Fang from the Labyrinth?
4) What date did the Redemption helicopter get blown out of the sky?

Any other Bad Guys-related dates you'd like to provide would be greatly appreciated.

Thanks!

Greg responds...

1. Tuesday, November 5th, 1996, 7:00pm AEDT
2. Friday, November 8th, 1996, 7:07pm UTC+09
3. Friday, November 8th, 1996, 9:27pm EST
4. Monday, January 5th, 1997

Response recorded on June 06, 2008

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Greg Bishansky writes...

So, I picked up #2 of "Bad Guys" today. I enjoyed it more than the first issue. Now we finally seem to be getting somewhere and the team has more or less coalesced. Well, still one more, but we're getting there.

Most of the issue takes place in Tokyo, where we open with Yama reflecting on his banishment from the clan. He can only return when his honor has been regained, and he himself is his own judge. A very harsh and unforgiving judge. This universe has never had a lack of characters full of self loathing. Nice to finally see Sora get some characterization after, what, twelve years now?

Loved the action sequence where Hunter and Dingo take down Yama. Hunter is quite the wily one, isn't she? I'm really enjoying her character. Yama and Dingo making fun of her accent was also quite amusing. But more than that, she threatens his clan if Yama does not join, and being the samurai that he is feels that his lost honor cannot be regained under coercion. Damn, this must suck for him.

Must not forget Vinnie's cameo. I hope he doesn't get mugged. Poor guy, doesn't speak the language.

I did enjoy Dingo's reaction to being told they're heading to New York. He's still a wanted, escaped felon there, and Hunter pretty much tells him to get over it. She is such a bitch, I love her.

Next we get to cameos, cameos, cameos. Let's see, who have I spotted.

Brendan and Margot
Shari... I see she's still hanging out in the Labyrinth. Is she doing double agent work for Thailog? Looks like it.
Greg Weisman's son, Benny.
Long time fans, Mara Cordova and I.... yup, that's right. Between Harry Osborn making fun of me in "The Spectacular Spider-Man" and now walking down street past a Mystery Homeless Guy, I am making the rounds in Weisman's material. ;)

http://img.photobucket.com/albums/v661/gregx/Gathering%202007/MeandMara.jpg
Mara and I strolling down a street in Manhattan.

Thanks, Karine!

Okay, back to the story. Mysterious homeless drifter named Fred climbs into the sewers and makes his way to the Labyrinth. He is greeted by Claw, a couple of homeless people. A sinister looking Shari smiles knowingly at him, and "Fred" walks up to Fang's cell and removes his fake beard, hat and coat revealing the good doctor we all love to hate, Dr. Anton Sevarius, here to release Fang for whatever scheme he has in the works. We also learn Fang's real name.

Cool issue. Had less of a "meet the characters" feel, and more of a story. I eagerly anticipate #3.

Greg responds...

Which by now you have...

Response recorded on June 03, 2008

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Mara writes...

Not a question so much as comments- REALLY enjoying the hopping in time for issue seven and eight as well as the art gets better and better each issue. (Hedgecock's pencils are strong and improve as he's getting more familiar with the characters and Bevard's colors are beautifully crisp and more in touch with the style the show was done in.)

So, yeah. Keep on keeping on.

Greg responds...

Thanks, Mara.

Response recorded on June 03, 2008

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Lizzy writes...

Not so much a question as an add-on. One question on the Gargoyle FAQ asks why Gargoyles do not kiss as humans do. While it is true that kissing is a human custom, it is not universal; some cultures view kissing as gross or bizarre. In ancient Inuit tribes, couples would share affection by leaning close to each other so they can feel the warmth of each other's breath. That is where the original term "Eskimo kissing" comes from. In Bali, couples will lean close to each other and gaze into each other's eyes as a show of intimacy. (This has changed as Westernization moved in.) Kissing was not a custom in many Asian countries until relatively recently, when American culture became very popular. The Sirinio in Bolivia and the Thonga in Africa do not kiss as they see it as a sharing of dirt and saliva.

Greg responds...

So it goes...

Response recorded on June 03, 2008

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UncannyGarlic writes...

I'd like to start by saying that I like what I've seen of your work with Gargoyles (was around the target demographic when it was produced, the move to comics is probably for the best [even though I miss the quallity voice work]), WITCH (amusing show, interesting enough story and humourous dialogue [some of it is just that special kind of terrible ;)] keeps me watching when I'm awake for it), and 3x3 Eyes (quite the rarity, a good english dub for anime, major props for that) standing out. I'd comment on your newest serries but I haven't watched The Spectacular Spiderman, never really been a fan of the franchise.

Onto the question:
After watching "The Gathering: Part II" again I noticed that when Hudson attacked Oberon's hair with his sword (presumably made from steel as it was from the tenth century) he couldn't cut the hair and was zapped; however, when Angela and Brooklyn (I think, may have been Broadway...) attacked the hair with shards of the broken iron clan they cut clean through it without any negetive effects. My question is, why was Hudson's sword (presumably containing iron) ineffective while the scraps of iron worked great?

Greg responds...

I'll leave that to your imagination.

Response recorded on June 03, 2008

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John writes...

I looked through the archives and you seem to get this question somewhat often but I would really like to know at least vaguely what the heights of the major gargoyles are (within half a foot would work). At the very least could you give the height of Lexington? He tends to not stand up straight a lot and its a little hard to tell.

If its really that bothersome forget it but as I'm sure you know the estimates from fan vary so much even a guess from you would probably be more accurate. I suppose even one height would help as I could just estimate from that...

I'd appreciate any help on the subject but I would blame you if you have better things to do.

Greg responds...

It's not that I have better things to do, but I'm just not a numbers guy...

Response recorded on June 03, 2008

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The Spectacular Spider-Man #111

___________________________________________________________________________

The Spectacular Spider-Man
Ep 111: "Group Therapy"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________

Developed For Television By
VICTOR COOK & GREG WEISMAN

Created by
STAN LEE & STEVE DITKO

Opening Credits

Card #1
Supervising Producer and Story Editor
GREG WEISMAN

Card #2
Producer and Supervising Director
VICTOR COOK

Card #3
Producer
DIANE A CREA

Card #4
Written By
ANDREW ROBINSON

Card #5
Directed By
JENNIFER COYLE
___________________________________________________________________________

__________________________________________________________________________
Closing Credits

Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring

IRENE BEDARD as JEAN DeWOLFF
JEFF BENNETT as SHOCKER , ST. JOHN DEVEREAUX
STEVE BLUM as DILBERT TRILBY
CLANCY BROWN as RHINO, GEORGE STACY
GREY DELISLE as BETTY BRANT
JOHN DIMAGGIO as SANDMAN, HAMMERHEAD
BEN DISKIN as EDDIE BROCK
ROBERT ENGLUND as VULTURE

_______________________________________________________________________
Card #8
Also Starring

CRISPIN FREEMAN as ELECTRO
ELISA GABRIELLI as ASHLEY KAFKA
PHIL LAMARR as ROBBIE ROBERTSON, FANCY DAN
PETER MACNICOL as DOCTOR OCTOPUS
VANESSA MARSHALL as MARY JANE WATSON
DARAN NORRIS as J. JONAH JAMESON
KATH SOUCIE as ANNA WATSON
DEBORAH STRANG as MAY PARKER

Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL McCUISTION

___________________________________________________________________________
Card #11
Associate Producers
ERIC VESBIT
WADE WISINSKI

___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS

Apprentice Writer
RANDY JANDT

Card # 13
Storyboard Artists
KEVIN ALTIERI
NATE CLESOWICH
JOAQUIM DOS SANTOS
CHARLES DROST
DAVE SCHWARTZ

Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON

Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
THOMAS PERKINS
GREG GULER
JOSE ZELAYA

Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK

Card #16
Background Supervisor
VINCENT TOYAMA

Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN

Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE

Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG

Color Stylists
PAMELA LONG
DAVID SVEND KAROLL
CRAIG CUQRO
NANCY ULENE

Card #18

Supervising Timing Director
GORDON KENT

Timing Directors
BRIAN HOGAN
RICK LEON
RANDY LUDENSKY
JUNGJA KIM WOLF

Animation Checker
SANDI HATHCOCK
__________________________________________________________________________
Card #19

Storyboard Production Manager BRIAN G. SMITH

Production Art Supervisor JOHN DIAZ

Production Coordinator SHERRIAN FELIX

Episodic Casting Supervisor MATTHEW C. OTOSKI

Production Assistant BEN MALONEY

Post Coordinator GEORGE COX III

Post Production Assistant JENNIFER L. ANDERSON

Production Accountant NATHAN HARAMOTO

__________________________________________________________________________
Card #20

Associate Producer for Marvel
JOSHUA FINE

Production Coordinator for Marvel
ADAM TOOTLA

__________________________________________________________________________
Card #21

Recorded at
STUDIOPOLIS, INC.

Dialogue Recording Engineer
ERIC LEWIS, C.A.S.

Dialogue Editor
TERRY REIFF

Track Reading
SOUND BYTE, INC.

__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
JHG BOYAN

Editors
RALPH A. EUSEBIO
BRUCE A. KING

Assistant Editors
MYRA OWYANG
CHUCK SMITH

Digital Effects Supervisor
ULYSSES ARGETTA

Card #22

Music Engineers MARK MATTSON
MAKO SUJISHI

Post Production Sound Services ADVANTAGE Sound Services

Sound Designer ROBERT POOLE II

Dialogue Editor ROBBI SMITH

Foley Artist CRAIG NG

Foley Mixer MARY ERSTAD

Digital Audio Transfer ROBERT PRATT

Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX

Main Title Directed by
VICTOR COOK

Main Title Storyboard by
PHIL WEINSTEIN

Main Title Color by
JOEY MASON

Main Title Animation Production by
HANHO HEUNG-UP CO. LTD

___________________________________________________________________________
Card #24
Animation Production by
MOI ANIMATION CO. LTD

___________________________________________________________________________
Card #25

This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.

"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."

Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.

___________________________________________________________________________
END LOGOS

MARVEL ENTERTAINMENT CULVER ENTERTAINMENT

SONY PICTURES TELEVISION



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