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POSTINGS 2008-06 (Jun)

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Greg Weisguy writes...

Harry looking like the Green Goblin when seen through the vial of globulin green was a nice touch.

Clones have a bit of a stigma attached to them among Spider-Man fans, but you've shown you can execute the concept well in Gargoyles and Buzz Lightyear. How do you feel about the issue? Can clones work in a (relatively) grounded property like Spider-Man?

Greg responds...

We'll have to wait and see...

Response recorded on June 17, 2008

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Harvester of Eyes writes...

Thoughts on the Spectacular Spider-Man episode "The Uncertainty Principle."

Wow. So many good scenes in this episode. I'll do my best to keep my thoughts following some sort of coherent pattern.

First off, I'm very impressed with the Green Goblin so far. I was a little stunned to learn Steve Blum was doing his voice (my reaction was probably the same as my reaction way back when I first learned Mark Hammill voiced the Joker), but it fits the character well. I love all his gadgets, and I'm glad to see that he has the charged gloves again (something I missed from the movie). I also love the sound effects his pumpkin bomb explosions make. Like sick, mutilated laughter, which is very appropriate.

I also love the way that his mind works. Blackmailing Tombstone was never his intent. He was simply trying to get his two main enemies into the same room to eliminate them.

"Anyone else getting deja vu? Oh well, let's run with it!" Great watching Spidey and the Goblin interact.

It's kind of funny how the Goblin keeps making Spider-Man and Tombstone work together. And wow... Tombstone took three blades in the back. Makes me wonder what exactly he had done to himself. Also thought it was interesting the way Spider-Man saved himself from going splat. Reminds me of an old episode of the first cartoon where he fought the Sandman, but what he did in this series is much cooler.

As far as the ending is concerned, I loved the confrontation between Harry and his father. Norman raised a good point. Tombstone probably wouldn't have let Harry live if the Goblin's identity were revealed, but I can't help but wonder if anything else was going through his mind. Norman is a ruthless man who never apologizes. And as far as unmasking the Goblin is concerned, I'm convinced there's another angle, but I'll avoid delving into "ideas masquerading as questions," and won't get into specifics.

Still, it was a good character moment for Norman. We also got a nice character moment from Jonah. It's fun seeing hard men have moments of softness. I particularly liked how Jonah's actions bit him on the rear, forcing him to swallow his pride again (the first time being in the episode "Catalysts," when he was forced to give Spider-Man credit for stopping the Goblin). I like his voice a lot better than in the 90s cartoon. Ed Asner was good, but he wasn't a perfect fit. I like what Daran Norris does with it.

It was also nice to see a cameo from the Black Cat. Wonder if she'll be popping up again.

Greg responds...

She does pop.

Response recorded on June 17, 2008

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Greg Bishansky writes...

"The Uncertainty Principle"
*** SPECTACULAR SPOILERS ***

I loved this episode.

Very good title, as curve balls continue to be thrown at the audience. The mystery of the Green Goblin's identity is far from over. Well, after re-watching "Catalysts" and "Reaction" over again before watching this I am more convinced than ever that Harry is not the Green Goblin. Either he's been brainwashed or Norman has the Chameleon (who is showing up in the next episode) standing in for him as an alibi. But I'll get to that later.

Nice to finally see Hammerhead in action. Yes, this is why he's Tombstone's enforcer. But, nope, he's no match for the Green Goblin... that's why he's Spider-Man's arch-nemesis.

I loved scene with the Goblin and Tombstone. Just watching the two most dangerous characters in the series go at it like that is priceless. You can see why Hammerhead respects Tombstone so much. The Goblin is arguably more dangerous, but Tombstone commands respect just as much as fear.

It wouldn't be Halloween without costumes, and is that the Black Cat I see? Nice. Mary Jane shows up dressed as a sexy vampire. Liz shows up dressed as a Johnny Depp Fan Girl. Gwen... doesn't even have time to get into a costume because she is too busy worrying about Harry. Poor Gwen, when I see her, I think to myself that she is the only sane person in an insane world. "Some one is getting the look!"

I've been waiting to see Flash dressed as a cheerleader, but I did not expect the rest of the football team to be joining him. Way to show unity, guys. Flash seemed to like having boobs a little too much. So, how long until Rand tells Sally where she can stick it?

I loved Jameson in this episode. People have complained about him being two dimensional, but I never saw it. Hopefully this shut them up. His concern for his son's life was touching. I like this reasoning for his hatred for Spider-Man in this universe. He can't stand to see the spotlight stolen from his son. Is it rational? Not really. Is it understandable? Yes.

"Trap?" "Trap!" Someone's been watching "Serenity".

The fight scene at the end of the episode was stunning. A tip of the hat to everyone involved. Though this borders on cliche, you could feel the heat. I'd say it would be hard to top this one, but I said the same after Spidey's fight with the Lizard.

The final scene at the Osborn residence was... great. Norman is such a manipulative bastard, and I really felt for Harry. But this is the finest case of "the writers are trying to trick you" that I have ever seen. Now, Harry is taking a leave of absence. I hope we see him again soon.

Harry as the Green Goblin just does not add up.
* When the Goblin stole the tech-flight glider from OsCorp, it didn't have the bat-head designed to fire pumpkin bombs and extend a spear on it yet. Harry does not have the technical know-how to add on a feature like that. Norman does. Or the expertise to add that Inhibitor cannon to it. Harry's a moron.
* If Harry were the Green Goblin, he would have attacked the Fall Formal instead of going after Tombstone.
* How would Harry even have access to the Globulin Green in the first place?
* Why would Harry attempt to kill Octavius? Norman knew Otto was a liability, Hammerhead said so in "The Invisible Hand". Norman berated Otto for being a weak man. Then he dressed up as the Goblin so he would have an alibi to show Hammerhead.
* The Green Goblin and Norman Osborn both had the same safety key for Otto's experiment.
* The Big Man was only ever referred to as "Mr. Lincoln" by Norman once and that was in the underground lab while Rhino was being created. Harry could not have overheard that.
* Norman Osborn just so happens to have a secret chamber, which we never saw the inside of. Where's Harry keeping the glider and equipment... not under his bed. For that matter, stealing one or two vials of Globulin Green, I can buy... but we've seen Harry drink from too many.
* Norman's knowing smirk at the end of "Reaction" about unmasking the Goblin before it's too late.
* Peter tipped his hand, told the Goblin he figured out who he was. The Goblin knew Spidey would be coming to the Osborn residence.
* Harry in "Goblin mode" didn't admit to anything except taking the drug. To be the son Norman always wanted. A straight A student and a star athlete.
* Norman is thrown twenty feet up a wall by Harry and is uninjured.
* And it was Norman himself who rationalized it all at the end (a very rehearsed sounding explanation). Then offered to take he fall.

No, Harry was set up. By his own bastard father.

Spectacular episode.

Greg responds...

Many of your premises are faulty, independent of the conclusions you draw from them. Without going into too much detail, the ones that REALLY jump out at me include...

*Harry is not a moron. You don't have to like him or respect his judgment, but he was never unintelligent - even before he started taking the Green.

*If Harry were a petty moron, then maybe he'd attack the Fall Formal. But see my first point.

*The Green Goblin used Otto's safety key. Norman used an override key. Two different keys.

Response recorded on June 16, 2008

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Ashley writes...

In the episode "Kingdom", the gargoyles talked about how Goliath and Bronx had been missing for days. But when they all lined up to sleep on the clocktower, there's a shadowy Bronx climbing into position. Was that an artist mistake, or did some scenes just get copied and reused from episode to episode to save money?

Greg responds...

No scenes were reused to save money. Errors did occur, though I'd have to watch again to see if what you're describing is an actual error of if you are misinterpreting.

Response recorded on June 16, 2008

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Rose writes...

I know that the first two seasons of "Gargoyles" are on DVD but are there anymore available? Or will there be?
And most importantly will they be available in Western Australia?

Greg responds...

Refer to the archives for your first couple questions, and I'm afraid I don't know anything about your last question.

Response recorded on June 16, 2008

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dph writes...

My Review of Bad Guys #2

I really loved it. Everything, especially the cover. The story starts where the last one left off. Very interesting. I'm looking forward to seeing how their 1st mission together turns out. I didn't catch the cameo of Vinnie and the others at first. The flashback showing Yama's banishment is great.

That Yama is his own judge for when he can return to his clan speaks volumes for his character. Characters with that much integrity are as rare as diamonds and I'm thankfull you included one like that in a primary role in a spin-off.

I do hope that by the time the next gargoyles breeding season comes Yama will have found his redemption. The battle to get Yama's attention is quite good and realistic. It's great that Yama knows English. Question is does an entire clan speak English that well? It's nice to see Hunter come clean about wasting her past. (I do have a cat named Hunter. She once stole a mouse from a snake, but that's another story.) It's interesting that Matrix doesn't comprehend the problem with a gargoyle serving a gargoyles hunter. Dingo's reaction to going back to New York City is authentic, but shouldn't he realize that it's just as dangerous for Hunter to return them? In this sense, I'm glad that you haven't told the story of how Hunter was recruited as it would spoil the upcoming story.

Robyn Canmore's revelation that Dingo was recruited to get Matrix is incredible. Only a small handful of people around the world can possibly know about Matrix. Also only a small number of people around the world can possibly know about the Ishimuran clan. When I stop to consider the intersection of those two groups, I'm perplexed because it can only describe a much smaller set than those two groups. That leads me to believe whomever Hunter is working for has to be extremely well-connected and/or possessing Sherlock Holmes type of intelligence.

Back to New York, it shouldn't surprise me that Dr Sevarius was keeping tabs of his former experiments, but it did. I was wondering how Fang was going to be 'liberated' and know I see. At last, we learn Fang's real name.

Overall excellent story-telling. You keep throwing more things to consider along with answering questions. I am really looking forward to the next issue.

Greg responds...

Hopefully, by now you're looking forward to issue #4, which should be out fairly soon. (It's all done.) Issue #5 is currently being pencilled by Karine, and I'm currently scripting #6.

Response recorded on June 16, 2008

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IrishPhantom writes...

Hi Mr. Weisman ^_^
I'd like to know if the show would ever come back. I know that it was canceled/terminated and I'm hoping that some time in the near future that it will come back with new ep's and the canceled/terminated will change to coming back. Will this EVER happen?????? I was a big fan of the show and still am and would love to see it back on the air.
I would also like to know why the show was even canceled in the first place. The show rocked, wasn't too violent, no swears, top notch charactors, first rate story line and with humor for all ages that everyone from the six yr.old to the college student could find humourous. Why would a show with such promise and talent be canned???????
THANK YOU FOR YOUR TIME AND FOR TAKING THE TIME TO WRITE BACK TO ME. ^_^
Sincerly:Jewl/IrishPhantom

Greg responds...

I'm going to refer you to the ASK GREG FAQ and ARCHIVES for the answer to both those questions. They've both been answered before in copious detail.

Response recorded on June 16, 2008

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Mary Jane origins...

My folks, Beth and the kids went to see a truly wonderful performance of "Big River" yesterday at the Los Angeles County High School for the Arts. "Big River" is of course based on "The Adventures of Huckleberry Finn". Now keeping in mind that this is a show I've seen at least three times before, and that Huck is a book I've read at least four times, it stunned me that I NEVER noticed this fact before...

The girl that Huck has a huge unrequited yen for is named "Mary Jane Wilkes". And one of the women who takes Huck in at the beginning of the book is named "Miss Watson". It seems nearly impossible to think that the name "Mary Jane Watson" from Spider-Man wasn't lifted (consciously or otherwise) from Twain... I assume by Stan Lee (though possibly from someone else working at Marvel in those years).

How did this get by me?


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The Spectacular Spider-Man #113

___________________________________________________________________________

The Spectacular Spider-Man
Ep 113: "NATURE VS. NURTURE"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________

Developed For Television By
VICTOR COOK & GREG WEISMAN

Created by
STAN LEE & STEVE DITKO

Opening Credits

Card #1
Supervising Producer and Story Editor
GREG WEISMAN

Card #2
Producer and Supervising Director
VICTOR COOK

Card #3
Producer
DIANE A CREA

Card #4
Written By
KEVIN HOPPS

Card #5
Directed By
VICTOR COOK
___________________________________________________________________________

__________________________________________________________________________
Closing Credits

Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring

CLANCY BROWN as GEORGE STACY
LACEY CHABERT as GWEN STACY
GREY DELISLE as SALLY AVRIL, ERIN
BEN DISKIN as EDDIE BROCK / VENOM
DORIAN HAREWOOD as DOC BROMWELL
PHIL LAMARR as RAND ROBERTSON

_______________________________________________________________________
Card #8
Also Starring

JOSHUA LEBAR as FLASH THOMPSON
VANESSA MARSHALL as MARY JANE WATSON
KEVIN MICHAEL RICHARDSON as TOMBSTONE
DEBORAH STRANG as MAY PARKER
ALANNA UBACH as LIZ ALLAN

Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL MCCUISTION

___________________________________________________________________________
Card #11
Associate Producers
ERIC VESBIT
WADE WISINSKI

___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS

Apprentice Writer
RANDY JANDT

Card # 13
Storyboard Artists
JOAQUIM DOS SANTOS
SAHIN ERSOZ
JAY OLIVA
DAVE PRINCE
ROBERT SOUZA

Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON

Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
DANA LANDSBERG
THOMAS PERKINS
GREG GULER
JOSE ZELAYA

Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK

Card #16
Background Supervisor
VINCENT TOYAMA

Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN

Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE

Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG

Color Stylists
PAMELA LONG
DAVID SVEND KAROLL
CRAIG CUQRO
NANCY ULENE

Card #18

Supervising Timing Director
GORDON KENT

Timing Directors
BRIAN HOGAN
RICK LEON
RANDY LUDENSKY
SWINTON SCOTT
JUNG JA KIM WOLF

Animation Checker
SANDI HATHCOCK
__________________________________________________________________________
Card #19

Storyboard Production Manager BRIAN G. SMITH

Production Art Supervisor JOHN DIAZ

Production Coordinator SHERRIAN FELIX

Episodic Casting Supervisor MATTHEW C. OTOSKI

Production Assistant BEN MALONEY

Post Coordinator GEORGE COX III

Post Production Assistant JENNIFER L. ANDERSON

Production Accountant NATHAN HARAMOTO

__________________________________________________________________________
Card #20

Associate Producer for Marvel
JOSHUA FINE

Production Coordinator for Marvel
ADAM TOOTLA

__________________________________________________________________________
Card #21

Recorded at
STUDIOPOLIS, INC.

Dialogue Recording Engineer
ERIC LEWIS, C.A.S.

Dialogue Editor
TERRY REIFF

Track Reading
SOUND BYTE, INC.

__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
JHG BOYAN

Editors
RALPH A. EUSEBIO
BRUCE A. KING

Assistant Editors
MYRA OWYANG
CHUCK SMITH

Digital Effects Supervisor
ULYSSES ARGETTA

Card #22

Music Engineers MARK MATTSON
MAKO SUJISHI

Post Production Sound Services ADVANTAGE Sound Services

Sound Designer ROBERT POOLE II

Dialogue Editor ROBBI SMITH

Foley Artist CRAIG NG

Foley Mixer MARY ERSTAD

Digital Audio Transfer ROBERT PRATT

Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX

Main Title Directed by
VICTOR COOK

Main Title Storyboard by
PHIL WEINSTEIN

Main Title Color by
JOEY MASON

Main Title Animation Production by
HANHO HEUNG-UP CO. LTD

___________________________________________________________________________
Card #24
Animation Production by
MOI ANIMATION CO. LTD

Card #25

This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.

"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."

Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.

___________________________________________________________________________
END LOGOS

MARVEL ENTERTAINMENT CULVER ENTERTAINMENT

SONY PICTURES TELEVISION


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jean-michel writes...

hello, i'm a french fan so first i want to apologize for my english. My question is: why demona choose to use a name given to her by humans despite her hatred towards human beings?
Thanks for your answer and congrutalation for your job both on tv show and comics.

Greg responds...

She liked what the name invoked. And at the time, she liked Macbeth, who named her. Later, she was... addicted to it.

Response recorded on June 13, 2008


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