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Harlan Phoenix writes...

The Wizard of Oz references in Gargoyles are among my favorites when it comes to your various literary sources. My all time favorite literary allusion in Gargoyles comes from issues 3-5 of Clan Building, where Lexington's "post-modern Tin Man" is the very cyborg visage he possessed when losing his heart in the Future Tense scenario.

Given that the original book is in the public domain, was there any thought ever given to how the events of the Wizard of Oz related to the Gargoyles Universe?

Greg responds...

Like Frankenstein, I mostly thought in terms of references, rather than working the story into actual continuity. But you never know...

Response recorded on February 21, 2014

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A fan from far away writes...

Hi Greg!
I'm a huge fan girl of YJ from Singapore. I really love your show and hope to see more seasons if possible.
My favorite character in the show is Artemis, she really struck me in season 1 and her tenure as Tigress in Season 2 was really impressive. So I would like to ask a few questions about her.
1) What served as your inspiration for creating her?
2) Are any of her character traits inspired by strong female characters from other sources? Cos I noticed that she was rather similar to some of my other favorite ladies, such as Katniss Everdeen from Hunger Games, Eponine from Les Miserables, Mulan, Ravager (Deathstroke's daughter), to name a few.
3) How abusive was Sportsmaster? Cos I figured he had to be pretty bad to his girls for Jade to pack up and abandon her younger sister.
4) Unrelated but... Will YJ be translated into Chinese? I'm ethnic Chinese and I would love to know their Chinese names.
Thanks for looking through my queries, though they may have been answered. Thank you for giving us fans a really wonderful show while it lasted!

Greg responds...

1. The DC Comics character.

2. Well, I'm not familiar with Katniss. I mean, obviously, I've heard of her, but I haven't read the books or seen the movies. I'm only passingly familiar with Ravager, though we had plans for her in YJ, given enough seasons. I would have done more research on her before bringing her in, of course. I don't really see much Mulan in Artemis, other than the fairly generic notion of a woman in combat. So that just leaves Eponine. And I can indeed see a bit of Eponine in Artemis. But if so, I wasn't conscious of the influence at the time.

3. He was emotionally and verbally abusive. He was not sexually abusive. It's debatable whether or not you'd consider him physically abusive. He didn't beat them. But he did endless combat drills with them, and they took punishment from him. Given that he was a full-grown man and they were young girls, it's absolutely fair to say he was physically abusive.

4. No idea.

Response recorded on January 30, 2014

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A Flash Fan writes...

These 2 are related...

1. While on the topic of inspirations I have a question about your series Gargoyles. When it originally came out I really don't remember it because I was really young, but I did always know of its existence. When I learned that you, who are producer of YJ, also created Gargoyles I was motivated to watch the series and I am doing so know (soon I hope to see SSM too!). It is very interesting and I really like your character portrayals and interesting plots. Now the question I have about inspiration is did you derive anything of Gargoyles from the original Teenage Mutant Ninja Turtles animated series, and if so what? I apologize if the question seems strange, but I notice how both series were produced in the close time frames, they both take place in NYC, and in essence both show are about groups of outcasts by society who in turn fight crime. I think what merely stood out for me is that when I see Elisa Maza and her friendship with the gargoyles it kind of reminds me of April O'Neil and the turtles. Besides there are mutants in both series, most cool stuff happens by night (for the turtles so they won't be seen); Gargoyles because they don't have a choice, etc. Anyway these are the similarities I see and I just wanted your opinion on them.

2. While on the topic of the TMNT, have you seen the new CGI series, and if so what do you think? I think it's a cool adaptation.

Greg responds...

1. Not so much, because as you say, both were being produced at more or less the same time. There may have been some influence in little things, like when we started saying Jalapeña all the time - though the origin of that (as discussed elsewhere) was nevertheless very different. And I won't deny the two series have things in common. But just as often we tried to AVOID having things in common with Turtles. If the series started to veer in that direction, there were plenty of people (Frank Paur, especially) who would make sure to course correct.

2. I haven't seen it - or, frankly, most any version of TMNT. That's not meant as a critical comment. I just haven't had the opportunity.

Response recorded on March 22, 2013

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F.H. writes...

I've seen the novel The Mysteries of Udolpho pop up multiple times in the series (Young Justice), and I've scanned the Wikipedia page (I would read it, but Outlaws of the Marsh isn't something you flick through in an afternoon, and my to-read list is long enough already), and I can't see anything tying it to the plot outside of a girl with a bad father, which would be Artemis, I guess?

1) Is there reason or rhyme to this, or is it just you showing off your literary power level, as you're known to do (which we all love, by the way).

And another question on a similar idea:

2) Where's the Shakespeare, man? Your name on a show promises Shakespeare, and YJ remains bardless. Bring a little of him back from Oregon for the team, wont you?

Greg responds...

1. It's kinda the original gothic novel.

2. Stuff has to fit, you know? If I just wedge it in artificially, how does that help anyone? And I find it hard to believe there have been NO Shakespeare references at all. That seems unlikely.

Response recorded on December 06, 2012

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celestia writes...

Hey Greg! I think you adviced people that wanted to become writters to read great literature and the classics.

Beyond Shakespeare (who is a must read :) ) What kind of literature would you recomend for this purpose?

Greg responds...

Homer, for sure.

Cervantes.

Austin.

Dickens.

Hardy.

Faulkner.

Even Hemingway.

The list of authors are probably endless. Personally, I'm a big fan of mysteries/detective stories, and my favorite author in that genre is Ross Macdonald, who I believe transcends the genre. I also like James M. Cain, Dashiell Hammett, Raymond Chandler, Michael Connelly and Maj Sjöwall & Per Wahlöö, to name a few.

I'd scarf up myths and legends. Greek, Roman, Egyptian, Norse, Arthurian, etc., etc., etc. And I wouldn't just limit myself to Western Culture. Chow down on the stories of the far east, of the mid-east, of aboriginal peoples everywhere...

Read NEWSPAPERS.

History books. Biographies. Some are deadly dull, but others are fascinating.

Anyway, that should keep you busy for awhile.

Response recorded on December 05, 2012

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Sammy writes...

I just wanted to say I love all th puns on your show! I especially love the Powerpuff Girls pun in "Darkest" or rather, the Rowdeyruff Boy reference xD

Greg responds...

Not that I don't love the Powerpuff Girls and the Rowdyruff Boys, but you do realize that that nursery rhyme WAY pre-dates that show, right?

Also, it's not a pun.

Response recorded on December 03, 2012

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Toasthider writes...

Hi Greg,
I was wondering if you read Hellboy at all? It just occurred to me recently that the use of folklore and mythology in the series is kind of in the same vein as Gargoyles!

Greg responds...

I've read some Hellboy and seen both movies. I see some overlap, though we did Gargoyles long before I read any Hellboy.

Response recorded on November 30, 2012

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Marvelman writes...

Hi Greg,

I'd like to make an observation about "Salvage."

It's that moment where the creature says (through Blue):

Where is the stillness of wood, of stone, of crystal, of metal? All this noise, all this life is pain. We sense the power in this place - power enough to destroy us, to end the pain, to be still again.

And Superboy says, "I can identify."

And then it hit me…

Oh that this too too solid flesh would melt…

the thousand shocks that flesh is heir to…

I wondered if we were intended to hear an echo of Hamlet in Connor and the… whatever it was. One of the reasons that Hamlet is so despondent is that he believes the girl he loves has betrayed him. Then, I remembered that the girl Connor loved and probably still does betrayed him.

So, my question is: am I reading too much in to this? Or, did you intend for there to be deliberate overtures of Hamlet in this scene and in Connor's character in general?

Greg responds...

I'd love to say otherwise, but it wasn't in my conscious mind. But you know, it's all rattling around in my brain, so...

Response recorded on November 28, 2012

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B writes...

When you were creating the Superboy/Miss Martian breakup storyline, was the plotline from Buffy the Vampire Slayer where Willow erased Tara's memories of their arguments about Willow misusing her powers, leading to their breakup, an inspiration?

Greg responds...

Not a conscious one.

Response recorded on November 27, 2012

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btgr writes...

In YJ did you based Wade Eiling on disgraced US Marine Lieutenant Colonel "Oliver North"?

Greg responds...

No. We based him on Wade Eiling from the Captain Atom comic book that Cary Bates and I wrote in the 80s and early 90s. And Eiling was loosely modeled on Captain Kirk.

Response recorded on November 19, 2012

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Marvelman writes...

Did you have Beatrice and Benedict in mind when you created the Wally-Artemis dynamic?

Greg responds...

Shrug. I suppose it'd be cool to answer yes, but the truth is - and I'm not pretending otherwise - it's a pretty common trope, and mostly what we had in mind was Wally and Artemis and tracking how they'd react as individuals.

Response recorded on November 14, 2012

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Kyle Reece writes...

I was wondering, was Blade a possible inspiration for Macbeth's modern design?

Greg responds...

No.

Response recorded on November 06, 2012

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An Intelligent Mackinaw writes...

HI GREG!

I heard down the grapevine you're a fan of Joss Whedon.

1.) Have you gotten to see the Avengers film yet?

2.a) If so, did you draw any inspiration from it, seeing as it's in the same "super-hero ensemble" genre you write (so well) for?

2.b) What modern works (be they film, television, literature, art, or not at all) do you draw inspiration from? Or just like?

3.) Over your career, you're written generally high-concept stories. Now more than ever, it seems like high-concept stuff has entered the mainstream (aliens, super-heroes and giant transforming robots running around everywhere). Since everyone's playing in the same sandbox artistically, does that make it more difficult to come up with original ideas? Without subverting or straight-up parodying the genre you're writing in?

4.) How do u rite so gudd? What would you recommend to new, ambitious writers, to help us learn to write with confidence and voice and stuff?

5.) Your decision to skip ahead 5 years (in YJ) shocked me, upset me and piqued my interest. I've never seen a show jump so much time, so I'm very excited to see how you all bridge the two season together. How did you let the studio powers-that-be let you take such a big narrative risk? Was it a big struggle?

Thanks for (presumably) taking the time to read and answer my questions. I love that Ask Greg makes it so easy to reach out to an artist I admire, whose work I respect. I'm the biggest fan ever of everything you've ever done, yadda yadda more accolades, etc. But really, you are an inspiration.

Greg responds...

1. Yes.

2a. We were WAY done by the time I'd seen the movie.

2b. Check out the "INFLUENCES" archive here at ASK GREG.

3. I'm not sure you're defining "High Concept" correctly. I think you mean "genre" has entered the mainstream. In any case, I just don't think in those terms. I'm just trying to tell good stories.

4. READ the classics. WRITE a lot. Proofread scrupulously. Get yourself VERY educated. Read newspapers. Etc. Or check the ASK GREG archives for a more complete answer.

5. No struggle. Everyone loved the idea.

Response recorded on October 08, 2012

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Battle Beast writes...

I was having a religeous debate at work today with a staunch Christian. Long story short, she got to "Remember David Versus Goliath?" and I said to her, "Hold it. I know full well about them but the only Goliath I care about is eight feet tall and lavender."

And then it hit me: David V. Golaith. I never, ever thought of that connection before... so I check the Archive and sure enough I was right. It was intention, you said.

I get their relationship now on a different level... Very clever! :)

Greg responds...

Thanks.

Response recorded on October 08, 2012

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Erik writes...

Hey Greg,

I know a lot of people consider Gargoyles to be an anti-Disney show due to its dark tone, but I think it actually has a lot of similarities. Both Gargoyles and other Disney films adapt mythology and famous stories in their own ways, while featuring strong emotions and conflicts(okay, those might be a bit general).

My question is, did Disney storytelling have an influence on the making of Gargoyles, and the eventual integration of different mythologies?

Greg responds...

I'm sure it did, since I grew up on Disney movies. But we weren't consciously trying to either DO DISNEY or NOT DO DISNEY. We were just doing GARGOYLES.

Response recorded on October 04, 2012

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A Pretty Cool Guy writes...

Hi Greg,

I hope you don't shut down the site, it's excellent being able to reach out to a creator I so admire and discuss their work. On that subject, I was wondering who are some of your influences are as a writer (obviously Shakespeare). Which writers serve as your models or inspiration for plotting stories, writing dialogue, and the writing process as a whole?

Are you familiar with / a fan of Joss Whedon's work? Between Gargoyles and Buffy the Vampire Slayer, you two wrote characters facing some similar challenges (tormented individuals, tragically and unwittingly bound to each other, frequently dealing with the burden of immortality). Obviously Gargoyles came first, I've just noticed you two writing about many of the same themes, and was wondering if you enjoy or find inspiration in his work in general.

Assuming I am granted it, thanks for your time!

Greg responds...

1. This has been answered before. Please look at the "INFLUENCES" section of the ASK GREG archives.

2. Yes, as even a casual glance at the topics in the archive would indicate, e.g. "Buffyverse Geek-Out".

Response recorded on September 12, 2012

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Andre writes...

Hey man, been a big fan of Gargoyles since my early childhood days, and have been following your work from Spectacular Spider-Man to Young Justice.

My question refers to the primary antagonist of the Gargoyle universe, David Xanatos. What was the inspiration for you to create such a complex gray villain? Also, where'd the name come from for Xanatos too?

Greg responds...

1. The most immediate inspirations were Captain Hook/Duke Igthorn mixed with a healthy dose of General Wade Eiling, plus some Bruce Wayne and Captain Kirk.

2. The name is a variation on Thanatos, the greek god of death. It also is a real name you can find in most phone books. Assuming you can find a phone book.

Response recorded on August 30, 2012

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Matthew writes...

Just watched Performance and liked it a lot. I'm glad to see an episode focusing on Robin. Just curious was Robin's laugh inspired by the Shadow of pulp/radio fame?

Greg responds...

Well, the Shadow's up there in my brain, but I really don't think so. It's inspired more by his youth and irrepressibility.

Response recorded on August 23, 2012

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The Greenman writes...

Hi Mr. Greg Weisman,

I have been a fan of yours since Gargoyles. One of the things that interest me is the basic structure of the themes and world building in the series. One of the styles I see continue to pop up in your series is the relationship between science and sorcery. This is something I have been a fan of in comics like Iron Man and Fantastic Four (specifically Dr. Doom versus Reed Richards). I love the simple explanation that energy is energy.

1. Now I didn't see much of this argument come up in your Spectacular Spider-Man series, because Peter debunked Mysterio, but can you say that you ever planned to and who you would've used to explore that science versus mystic aspect?

2. I am upset that directors such as Jon Favreau and Shane Black have knocked down the very idea of Mandarin showing up as not to approach the so-called mystic aspect. Though, it could be be alien in origin or something, as they claim and prove that even super-science isn't allowed in the MCU. Have you read and understand the Iron Man comics specific to Mandarin and Tony's relationship to science versus sorcery? Was it influential at all in your writing?

Greg responds...

1. Well, we had Calypso. I'm not going to get into much beyond the fact that we would have explored her character more.

2. I'm not sure specifically to what you're referring. I've read comics from the 60s, 70s and 80s with Iron Man and Mandarin. Probably nothing more recent than that. In any case, I don't think it influenced me much if at all.

Response recorded on August 15, 2012

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Richard Jackson writes...

Did you name the London Clan's magic shop, Into the Mystic, after the Van Morrison song?

Greg responds...

I didn't name it. I assume either Gary Sperling or Robert Cohen named it.

Response recorded on May 16, 2012

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Todd Jensen writes...

Though I haven't seen "Coldhearted" yet, I've read a bit about it, and learned that Perdita originated in a Green Arrow story that you wrote a couple of years ago, meaning that you created the character. Did you name her after the Perdita of "The Winter's Tale"? (I thought it likely, given your fondness for Shakespeare, but wanted to make certain.)

Greg responds...

Yes. The Lost Girl.

Response recorded on May 16, 2012

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Tyler Reznik writes...

More a philosophical question than one about any of your work (although it does relate to some of your characters):
What is your opinion of Friedrich Nietzche's quote "He who fights monsters should see to it that he himself does not become a monster. And if you gaze for long into an abyss, the abyss gazes also into you"? How do you think it relates to superheroes, and characters who struggle against "evil" in general? I'm very interested in your input on the subject.

Greg responds...

I buy into it 100%. Doesn't mean every good guy goes bad, but every good guy's going to - at the very least - have those moments where it could go either way.

Response recorded on May 10, 2012

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Mel writes...

Hi Greg,

I have a MacBeth question this time. You mentioned a while ago that MacBeth has worked as a stage actor in the past. I thought that was such an interesting tidbit about a guy we don't necessarily know a ton about. Was that you idea, and if so, what inspired it?

You also mentioned that you saw MacBeth as acting in a lot of George Bernard Shaw plays probably. Why is that? Shaw was pretty political - do you think that influenced MacBeth's decision to do those plays?

Greg responds...

1. Yes.

1a. It just felt right. Plus I like the idea of him collaborating with Shakespeare.

2. Yeah. It just felt like Shaw's work would appeal to Macbeth.

Response recorded on May 04, 2012

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Zach Baker writes...

Hey Greg!

I recently saw this line from an interview with Steven Bochco in the early 80's, talking about Hill Street Blues (which currently has its first two-and-a-half seasons on Hulu Plus, by the way):

"Maybe the biggest problem with Hill Street, in terms of popular success, is that it is a show that demands to be watched. And most people do not watch television. They simply are in its presence."

I love that quote. What an insightful way to encapsulate about what was essential and great about Hill Street Blues, without going into all the details of what made it so outstanding. Just leave at this: unlike nearly anything before it, in many ways it was a show that demanded to be watched. I think that characteristic also applies to Gargoyles as well, no doubt due to the major influence Hill Street Blues had on the show (as you've often mentioned).

Nowadays, that quality, of being a show that "demands to be watched," is characteristic of so many excellent shows that appear on HBO, Showtime or AMC (before hitting DVD boxsets and iTunes), places where popular success isn't the one and only yardstick. And again and again, we've seen how this kind of series can flourish in the atmosphere of creative freedom offered by these outlets.

Can viewers hope that someday soon, that kind of environment will produce an animated serial drama that has the same level of quality, complexity and acclaim as these channels' current headline series? If so, what might it take for that to happen?

Greg responds...

Hey, Zach. Long time no see. I'd heard that quotation about Hill Street before, and couldn't agree more.

I appreciate you think Gargoyles falls in the same category. It's flattering and certainly what we strived for. I don't pretend that we were as good as Hill Street Blues, but no one can accuse us of not going for it.

As to your question, I like to think that W.I.T.C.H., Spectacular Spider-Man, Young Justice and Young Justice: Invasion also qualify. At least at Gargoyles' level. So I think it's already possible. But that's just my - apparently not so - humble opinion.

Response recorded on May 03, 2012

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Todd Jensen writes...

Recently, somebody asked you if you were familiar with C. S. Lewis' work, and you said "No", apart from seeing a couple of adaptations of "The Lion, the Witch, and the Wardrobe". I thought that you might like to know that Lewis and Roger Lancelyn Green were friends, and that it's thanks to Green that "The Lion, the Witch, and the Wardrobe" was finished and published.

When Lewis was writing "Lion", he read some of it to J. R. R. Tolkien; Tolkien had done the same to him with "The Lord of the Rings" when he was writing it, and Lewis wanted to return the favor. Tolkien thought that "Lion" was dreadful, however, and made that clear. Lewis was so saddened by Tolkien's critique that he considered abandoning the story, but first read it to Roger Lancelyn Green. Green told him, "No, this is a great story, you mustn't drop it," and his words encouraged Lewis to complete the story and get it published.

Green also included a tribute to Lewis in his King Arthur book. One of Lewis's fantasy novels for adults, "That Hideous Strength" had Merlin awakening in the modern world to help the main characters defeat an Illuminati-type organization; Lewis had Merlin sleeping beneath a forest called Bragdon Wood. In Green's "King Arthur and his Knights of the Round Table", one of the places where Merlin is said to be sleeping is "beneath the Wood of Bragdon". Since you especially liked Green's book on King Arthur (and even drew on it for Blanchefleur, and Percival's parentage), I thought you might enjoy hearing about that (and I hope the Wood of Bragdon wasn't on your list of places for King Arthur and Griff to visit during their search for Merlin, since it was Lewis' invention!).

Greg responds...

I did not know about the Green/Lewis connection. I did know about Tolkien/Lewis, but this is great additional info. Thanks.

Response recorded on February 10, 2012


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