Greg responds...

Very. Very, very.

They both have such distinct and complex personalities, scenes between them all but write themselves.

Plus, watching Kelly and Stephanie perform against each other - and we recorded their arc pre-pandemic when we were still recording the cast in groups - is always a treat. They really make great sisters!

Greg responds...

Taking your last question first, absolutely.

I haven't priced anyone recently. I try not to think about that. Generally speaking, availability is a way bigger issue than cost, especially since the pandemic.

I worked with Kate Mulgrew, of course, on Gargoyles. Would love to work with her again with the right part. There are actually a ton of actors I've worked with before that I'd be thrilled to use again. But timing and role don't always sync up.

I voice directed George Takei on Team Atlantis. But I'm pretty sure that was on one of the episodes that never was completed or saw the light of day. I'm sure I have a cassette tape with his work on it in my storage room somewhere.

Haven't worked with Patrick Stewart, but it would be an honor. And I love Erick Avari. Saw him play King Lear once on stage. He was fantastic. But you have to be thinking of someone at the right time for the right role. It's more of a crapshoot than you'd probably guess.

Greg responds...

1. I'm trying to remember if we did auditions for any character for season four... I'm not sure we did. Oh, wait. Yes. But that character hasn't appeared in the first thirteen yet.

2. Yes. The one character I'm thinking of we auditioned by sending copy out to agents, etc., and getting readings back.

3. I'm fairly certain that was Jamie Thomason. And I agree, Logan was amazing in the role!

Greg responds...

I barely remember. But New Generation Pictures' Jonathan Klein, a former student of mine, has hired me on occasion, ever since I directed 3x3 Eyes for him.

Greg responds...

1. They were born in September of Team Year Six.

2. Rob was no longer available. We offered the part to Chad. He got his brother's blessing and took over.

3. They were enemies.

3a. He got away.

4. Team Year Two.

Greg responds...

1. No spoilers.

2. I was very happy, too! Kelly is always great!

3. Nope.

Greg responds...

1. He auditioned. We cast him.

1a. Nope.

2. I honestly don't remember. I know we didn't hold auditions for the part. I'm trying to recall if perhaps she auditioned for Miss Martian, and whether we perhaps liked her and kept her in mind. I had also worked with Alyson previously (when she was barely a teenager) on W.I.T.C.H., in which she played Lilian Hale. So maybe I suggested her. Or maybe Jamie Thomason did. I just can't recall.

Greg responds...

1. Only ones starring Danica McKellar or Lacey Chabert.

2. No spoilers.

3. She's a therapist, and she also owns a flower shop.

Greg responds...

1. Green Arrow only appeared with a speaking role in one episode in Season Three.

2. They were definitely in the studio together pre-pandemic. They seemed friendly to me.

Greg responds...

1. I'm going to hold off answering which other organizations we've worked with for now, as I think revealing the organizations would by default reveal content. I'd be happy to answer this after the season's over. But I've already stated that we've been working with GLAAD and OUT and MPAC (Hollywood Division). Plus, we've run every single outline and script by Dr. Janina Scarlet (superhero-therapy.com and @shadowQuill on Twitter). She's helped us with psychological and therapeutic details, while also generally acting as a sensitivity reader for our work. And there's also Warner Bros' own DEI department, who've been very helpful. There are more organizations, but the rest will have to wait for now. As for process, it can differ slightly. But generally, we discuss the stuff we were thinking about doing with them and get their feedback. Then we show them our outlines. Then our scripts. Sometimes even animatics or animation. At each step, we listen, take their notes and make sure everyone feels good about what we're doing before we take the next step in the process. We don't do anything that doesn't work for our story and characters. But we admit to ignorance on many fronts and many levels, and we like educating ourselves and allowing that education to be reflected in the work.

2. Well, it is fun! (Or, you know, most of the time. Nothing's perfect.) But pre-pandemic, we'd bring a majority of any episode's cast in together. (Although our casts are SO big, that sometimes we might split that cast into two shifts, trying to get folks who have scenes together to record together.) Jamie usually has them do a first run through without much direction. Then he might dive in and nuance an exchange or a line. Or even a certain phrase. We like to have options, but we want to make sure we get at least one version that hits the nail on the head. And we also make sure that we have at least two versions of every line. Post-pandemic, everyone was recording alone. Which is still great but not quite as much fun. There's a lot of playing back what one actor did for the other actor. (Whomever went first, kinda gets to set the tone for any scene, in these cases.) As for when we'll get back to recording in person, I don't know. Not on Season Four. That's all fully recorded.

3. See above.

4. After an episode or two, we definitely begin to incorporate their performances into their characters. With regulars or our long time recurring actors, we often sit down and talk to the actors about their characters, and I'm not at all adverse to listening to their takes on their own characters and importing those ideas into future episodes.

5. We wanted to fully bring their culture and milleu to life. To see Posiedonis - which is all you've seen of Atlantis so far - as its inhabitants see it.

Thank you for watching!