Todd Jensen writes...

Did you find it spooky that Disney bought Marvel so soon after you wrote and put on the Gargoyles/Spectacular Spider-Man crossover Radio Play for the Gathering? I know that it was just a coincidence, but I still found the timing a bit eerie.

Greg Bishansky writes...

Just a couple of questions about "Opening Night"

1. How did Norman Osborn manage to contact Spider-Man so he could request that Spidey help test the Vault?

2. Well, we know where Harry was. We know why Norman was "occupied". But why didn't Emily Osborn go to the play? How was she "otherwise occupied?"

Blaise writes...

BAD GUYS
REDEMPTION
LOSERS

SPOILERS!!!!!!!!!!!

And now we meet the Director. Sort of. We never get a clear look at his face, or learn his real name. In a way this makes him the opposite of another surprise character, Monsieur Le Maire, who appears to be the Director's superior! We know his name (or alias at least), but we never see him, or learn exactly what organization they belong to. Just what we need, another "super-secret organization." At least this one seems to be trying not to fall into the "ends justify the means" trap.
I just noticed on my second read through that Falstaff stuffs his leg of meat into his tankard while talking. I guess if you enjoy beer soaked meat....

We get introduced to Falstaff's motley crew, and Dingo introduces his group (poor Fang's out cold for his intro), and we move to dinner. I love the look on Fang's face after Hunter says they "won't be breaking any bread" ("Uh...we won't?" with a mouthful of food). Interestingly, the Matrix seems to be sampling the silverware. I also enjoy Hunter's reaction to Dingo's defense of Falstaff as having raised him ("That's a recommendation?").
Matrix seems to confound Falstaff from the get-go. I particularly like the look he gives Matrix when it makes a statement in regards to its attempt to take over the world "with geometry."

Of course, we come to the part we saw in the trailer where Falstaff makes the claim that the Illuminati are the good guys, and brings in character witnesses for that. Namely, Fiona Canmore and Thailog (love Yama's initial call for someone to fix the color after thinking it was Goliath).
Both offer some wonderful character/plot moments. For Fiona, there's the revelation that the "family" has been looking for Robyn (just how big is the Canmore family anyway?), and that "the Hunt" is just a part of something larger (of which we are not told right now). Thailog describes himself as Goliath's "rookery son" (I felt I had to laugh at the audacity of that lie), and then says Fang will vouch for him. Fang's next line ("Sure. Thailog's my kinda gargoyle") floored me. Saying that EXACT phrase to Yama pretty much guaranteed that Yama would want nothing to do with the Illuminati. Actually, Fang brings a lot of surprises in this issue, but I'll deal with the rest later.
That is a LOT of treasure. I just had to say that.
I find it hilarious that everyone has to hop for the Matrix to form a "privacy bubble." It's a fun image--as is all of them crowded together inside. Meanwhile Falstaff is stymied in his attempts to eavesdrop on their conversation. The Matrix has done nothing to endear itself to him.

The inter-cutting of the Squad's "signing up" with the Illuminati and their earlier private conference in the bubble do an effective job of keeping the reader guessing. At first I was a bit confused, but on my second read through I finally figured out what was going on. They make the decision that the Illuminati cannot be trusted, but Dingo doesn't want to just nuke the place. In addition to wanting to spare the lives of his foes, he also wants to save the treasure and all the art and history contained therein (and proving himself closer to "hero" than "anti-hero" in the process), so they play along. Their attempt at infiltration goes south, however. Maybe it was Falstaff's halfhearted acceptance of Hunter's claim that she works for Interpol, or the fact that the Thieves were already surrounding them, but something convinces Fang that Falstaff is onto them, and he starts blasting (taking out Doll first, probably for payback).

There's a lot of stuff with this fight I like:
-how quickly and easily the Matrix neutralizes Mistress Quick.
-Dingo's unhappy look at having to face off against his old mentor.
-Yama's rather unique method of defeating Points (yet another showcase of something that would NEVER have made it on television). Interestingly, I think there are actually stories from Japan of swordsmen defeating opponents with such tactics.
-Hunter's graceful handling of Bardolph.
-And Pistol's surprise entrance with a BFG.

It wouldn't surprise me at all if Matrix really could blow up the island (I find that more believable than it lying about such a thing--doesn't seem programmed for that yet). The fact that the island is a freakin' submarine caught me by surprise, but not as much as Falstaff's casual dismissal of them all drowning. After all that he'd seen/heard about the Matrix, did he really think something like this would kill them? And he didn't seem too upset about the capture of Mistress Quick (who has a whole "screaming statue" thing going on). Speaking of which, I wonder if she's at all conscious throughout this sequence.

Matrix makes a nice raft. I really enjoy the conversation here at the end, especially Yama's little speech. Even if he doesn't feel he has redeemed himself yet, he certainly seems more at peace than he was in "The Lost." I also enjoy everyone's surprise at Yama's statement that Fang was actually "more right than wrong." Actually, Fang is surprising in several ways, not the least of which is how helpful he is to the squad. He subtly indicates that Thailog (and by extension, the Illuminati) is untrustworthy, doesn't give Falstaff time to trap them, and sounds almost philosophical about losing the mission but surviving. The serious look on his face while Yama gives his speech caught me off guard, too. I never would have pegged Fang as interested in redemption before. I wonder if Tasha's suicide had something to do with it.
So Yama turns to stone in mid-sentence before he can say how they'll know they are redeemed, much to Fang's (rather humorous) consternation. I love how Yama's Squad uniform does not turn to stone with him. I'm also rather surprised at the smile Hunter and Dingo share. It's nice to see them not sniping at each other for once.

Nothing left to say really, except about that sketch on the inside of the back cover. I don't remember Hunter kissing Dingo like that in these comics! Here's hoping we see something like that in a comic in the near future.

Blaise writes...

BAD GUYS
REDEMPTION
STRANGLED

SPOILERS!!!!!!!!

Wow. We finally get to where the leica reel ends (with all the requisite high action). All the while it is interspersed with flashbacks--the most interesting being the look at Dingo's past. It's sad to see how quickly the news his mother's walked out again quells his joyous mood (did anyone else see how he crushed his math test in his fist? One thing about Karine's art: it's so full of little details). I knew something wasn't quite right with John from the way he was holding the door closed, and the look on his face. I will admit, I kind of figured he had killed Mariah, but I didn't expect the shot at the end of the comic with his friggin' hands still around her throat! That one was a shocker (though after the suicide, I wonder why that should be). Actually, seeing John Oldcastle's interactions with the young Harry is very disarming. He does seem to genuinely care about the boy (but that could just show how good a liar he is). As a side note, I know that the comic gets away with a lot, but young Harry's joking question about John being a "molester" raised an eyebrow.
The "teaching montage" is just beautiful. Shows where Dingo learned most of his skills, but not necessarily his style (the surprise on John's face when teen-Harry proudly displays his new haircut is hilarious). One question that is not resolved: WHY did Oldcastle kill Mariah? A story for another day, I guess.
Loved the shot of Dingo saving Hunter. The look on her face during that sequence is priceless. Of course, immediately after that "moment of weakness" (so to speak) she pushes off Dingo and free-falls(!) to take out another robot. Damn!
I loved Dingo's reaction to Robyn's rather melodramatic description of the Illuminati as a "super-secret organization trying to take over the world. ("Seriously?") You've got to feel for Dingo. Even after leaving the Pack, his life refuses to stop acting like a comic book. At least this time he's a hero.
Yama's still not happy about Fang coming along. He's even less happy about losing that sword. I loved the robot POV just before its destruction, as well as Yama's casual inspection and then discarding of the head.
Dingo tries to help up Hunter, she blows him off, and for some reason has a smug smile on her face (is she just proud of blowing up a robot herself?). Actually, Dingo really seems to be looking out for Hunter here--when he calls out the possibility of a trap, he has his right arm out as if to shield her or hold her back. She is not impressed, of course.
Matrix as a light source (that's a little TOO bright). Win!
"Guess we came to the right secret lair." Indeed, you have to admire the subtlety of that gigantic wall decoration.
And then we are introduced to a nimble young woman apparently named "Doll." All I can say about the last panel of her introductory page, where she sends Fang flying with a flip that leaves her doing a handstand with her legs wide open, is "SWEET JEEBUS!"
Other folk include a heavily scarred fire-breather, a woman who runs really fast, a guy who looks like a "Pirates of the Caribbean" extra (who manages to cross blades with both Yama and the Matrix), and a guy who would look at home in a Robin Hood film except he's armed with guns. And is fast enough to outdraw Hunter, not to mention skilled enough to shoot the gun out of her hand. Oh yeah, and his name's Pistol. At least that's what Dingo calls out because he apparently knows him--and who he's connected with.
And here comes the revelation: Dingo's old mentor John Oldcastle is the one calling the shots, and he's now known as "FALSTAFF, KING OF THIEVES!" (Am I the only one who hears this guy being voiced by BRIAN BLESSED?) Okay, how does he manage to get BOTH nubile young women hanging off him like that? And he does it while sitting in a throne, with a leg of meat in one hand and a tankard in the other. A more important question would be, how can I put myself in that position?
As I said, the artwork is incredible and rich in detail. I am a little sad at not seeing the cover for issue #5 (Dingo's wanted poster) in color, but that's a minor gripe.

Blaise writes...

GARGOYLES
CLAN-BUILDING
ISSUE #12

PHOENIX

SPOILERS!!!!!!

Once again, excellent art from Ben Dunn that also remains consistent with the work of the previous two artists. I feel he sometimes puts in a few too many wrinkles/flecks/spots on Goliath and Brooklyn, and he has a tendency to draw some of the women's faces (especially Finella) in a style too similar to Japanese manga. Also, Maol Chalvim's face looks a bit...off to me on page 11 (it doesn't look as "long" as it should to me). Demona's, too, on occasion. But overall, a bang up job.

This chapter actually begins in 1997 with Goliath (in his "thinker" pose) ruminating on how a thousand years ago "the humans" thought they had crushed his kind completely, before we go back to Brooklyn in 997 thinking about how "a thousand years from now" Broadway and Angela are wondering if he'll come back. I like that bit of parallelism.
"Damn good question." I'll never get over the casual swearing (no matter how mild).
For the next few pages, we're treated to Brooklyn's interior monologue as he dishes out exposition. I love how he calls the Phoenix the "Time-Fowl." He would be the type to give a casual name to a magical entity.
I can't help but wonder what kind of sword Brooklyn's using. I've heard people call it a broadsword, but Brooklyn sometimes swings it two-handed. Wouldn't that make it a bastard sword?

Meanwhile, Valmont is gloating about having the Grimorum. "First of the Three Keys to Power...the pathway to Avalon...the fate of Scotland in my hands!" Okay, it's official: Valmont is Archmage Jr.
Well, Mary's clever enough to pull the wagon out from under him. Pity it wasn't enough to make him drop the book.

Back to Brooklyn, as he continues to think about what his actions mean for the gargoyles he brought out of hiding. After he and the gargoyle with the beaky nose lift and drop a couple of soldiers, Brook gets carried away and calls him "bro" and tries to give a high-five (or high-four, in this case). He's able to recover quickly enough, though (easy when you can say "bro" is short for "rookery brother"). I like the camaraderie he managed to pull off with the other garg here.
I also like how he refers to Demona as his "least favorite personal demon." Brooklyn's no fool, he knows Demona's planning a betrayal, but he's got to play along.
Let me take this moment to say that, even if she is the Demona from 997, I am REALLY glad to see Demona back again. I've really missed her. And she is VICIOUS in battle! Clawing people across the face seems to be a thing with her.
Brooklyn's response to Demona's compliment on his battle prowess ("I had a good teacher...Goliath") is wonderful. To me it both shows the respect he has for Goliath, and also acts as his way of sticking it to Demona. She, however, takes it as an opportunity to disparage Goliath's trust of humans, and state that the humans will turn on the gargoyles at the end of battle (you're one to talk, Ms. Backstabby McBackstab).
Meanwhile Constantine taunts Kenneth with talk of "superior numbers" and how he has no mercy (which he says with a vicious smile). Okay, Constantine belongs under the "Complete Monster" category of villain. You know the kind of villain you love to hate? Well, this isn't that kind of villain. This is the type of villain you just want to see die horribly. And Gillecomgain is putting himself in that very same category with his actions here. Sure he was a monster in "City of Stone," but somehow what we see of him here makes him even worse! He's trying to kill poor Bodhe (no wonder the kid grew into a coward) and he's doing it with glee! And Constantine is egging him on. "It is the Hunter's Moon, be a hunter for your king!" (I love the close-ups of both Constantine and Gillecomgain in those two panels--page 9). Findlaech makes an offhand remark to his adversary, Mail Brigti, to the effect of Gil seeming like Constantine's son.
Mail just ignores that, fights him and reveals...that he and Findlaech are half-brothers! I had remembered hearing about this (that Gillecomgain and Macbeth were actually related), but I wondered why Gil would be a peasant if that was the case. Now we get a story where this is explained. It also explains why Mail always acted so angry (bitterness, and he may have taken some of it out on Gil). Findlaech definitely comes across as having the moral high ground, having offered to share Ruaidri's (their father) inheritance, but Mail seems determined to have everything, even if it means siding with a Complete Monster.

And then Brother Valmont casts a spell. While Finella is trying to figure out the translation, Maol finally shows up. Turns out he's quicker to understand Latin, and orders the women to take cover while he threatens Valmont to make him call off the spell. Actually, this shot of Maol Chalvim could almost be considered a hero shot. Maol's a strange character. Not nice, by any stretch of the imagination, and I know he's going to turn on poor, good Kenneth eight years on, but somehow he's able to pull of these "hero" type moments. Unfortunately, the threat doesn't work on Valmont. And Finella figures out the spell just in time to take cover.
The spell? Arrows begin to rain down from the skies (what IS it with Brother Valmont and arrows?).

Demona's Second's Mate shields him from the arrows with her own body and dies (NOOOOO!)! And she's not the only one getting hit--there are several gargoyle silhouettes in the background, some pierced with the arrows (NOOOO! multiplied by however many died). But she is the one we've seen the most of, and the fact that she's the mate of a gargoyle we are (slightly) more familiar with, helps to personalize it as he grieves for her, poor guy. Brooklyn and even Demona are horrified by this turn of events.
To be fair, I kind of figured she'd die before the end of the comic arc simply because we never saw her in "City of Stone." Of course, we never saw the beasts or "True" there either, so....
At any rate, farewell, oh web-winged female. We hardly knew ye.
Poor Magus the horse gets hit, too (NO! NOT THE HORSE!).

Valmont takes this opportunity to gloat to Maol...and loses his right hand to Brooklyn for his troubles. I was actually quite impressed, Greg, that you managed to go this far. Granted, we don't see the actual stump of the hand, but it's still a pretty shocking turn of events. And of course, it couldn't have happened to a more deserving jerk.
Maol's line, "The arrows...they still reign." Love the wordplay there (something that wouldn't come across in spoken dialogue, sadly).
Is it just me, or does Finella REALLY want to do magic. Maybe she's just trying to do SOMETHING and not feel useless. At any rate, a real sorceress steps in: Demona. She manages to reverse the spell (and look cool while doing it), but she can't bring any who died back to life, of course.

And one last casualty of the arrows is revealed: Mail Brigti (NOO--wait, what am I saying, YEEEESS!). Findlaech may be a big enough man to cry over his treacherous half-brother, but as far as I'm concerned, after following Constantine, a man he KNOWS is evil, just for his own gain, Mail Brigti got his just deserts.
Unfortunately, the arrows didn't hit the selectively blind Gillecomgain, who chooses to not see the arrows and believe that his father died by Findlaech's hand. Findlaech warns Gil not to cross him, mostly because he doesn't want to see his brother's line end. Gil chooses to believe it's because Findlaech fears him. This whole confrontation, along with the struggle over Ruaidri's inheritance, adds a whole new level to the Hunter's assassination of Findlaech in "City of Stone." Damn. The only reason they don't fight now is because Constantine and Kenneth's fight passes right between them (even a rain of arrows doesn't stop these guys!).

Geez, Constantine just doesn't shut up! And this is the second time he's gone on about his "superior numbers." He promises to kill Maol Chalvim (while hinting at Maol's future turn) after he kills Kenneth's son Bodhe (well, he promises to gut Bodhe while calling him a very unflattering word). This is the last straw for Kenneth ("You shouldn't make Kenneth angry, Constantine...you wouldn't like him when he's angry"). Kenneth throws away his shield and begins attacking Constantine with both hands on his sword. He manages to unhorse Constantine and slay him. I love the look on both Constantine and Gillecomgain's face before Kenneth drives the blade home (where's your "superior numbers" now, Constantine?). In contrast to Constantine earlier, Kenneth is silent through all this part. It reminds me of a quote from Terry Pratchett's Discworld book "Men at Arms." To paraphrase it shortly, "If you are staring down a loaded crossbow, pray that the man on the other end is an evil man. Because an evil man will want you to know you are beaten, so he will talk and gloat and put off the moment of killing you for as long as possible the way a man might put off smoking a good cigar. A good man will just kill you without a word." Seems to fit this situation.

Well, Demona is in awe at having the Grimorum Arcanorum in her hands, while Brooklyn tries to figure out how to separate it from her. And then the Phoenix appears again. I wonder why Brooklyn focused on "Timedance" as his metaphor of choice, embellishing it with such gems as "chronal-boogie" and "temporal-tune." I can definitely understand his frustration at not being able to know how everything turned out (guess he'll be hitting the books when he gets back).
I loved Brooklyn's way of tricking Demona into giving him the Grimorum (playing on her desire for power, offering to hold the book while she got her half of the Gate). I can only wonder what Demona thought and did after he was gone. This whole thing also adds another level to "Temptation"--how much of this encounter did Demona remember through the years?
Well, Brook's ready to go, but so are Mary and Finella, much to his dismay.

But now we travel back to the present (well, 1997) and repeat the last few panels we saw of Broadway and Angela, and--THERE! In the last panel of page 20! In that panel, Angela has her collar (a bit more wrinkled than usual, but it's there), but in the panel before, and the panel after (first panel of page 21) she has no collar! Just let her keep the collar already!
Sorry.
Anyway, I liked Brooklyn's "Forever...forty years...forty seconds...however you keep time, the Dance is finally done." So cool. And yeah, I've already been spoiled so the "He's not alone" misdirection didn't work on me, but I can appreciate the effect it might have on readers not "in the know."

Well, we return to Goliath and his ruminations. But what's this? Lexington and Hudson have returned...and they brought Coldstone and Coldfire! Goliath is, needless to say, overjoyed by this turn of events. And then Broadway arrives to say that Brooklyn went on "a little trip" of his own and...well, Goliath has to see for himself.

Okay, this is IT! The part I've waited 12 years for. The first canon appearance of Brooklyn's mate, Katana. Not to mention his son, Nashville, and Fu-Dog, and how Brooklyn himself looks after his journey. I will admit, I had not expected him to so closely resemble his "Future Tense" self, but I'm not complaining (that armor just looks cool). And man is he armed to the teeth or WHAT? That Scottish sword (which he apparently kept with him throughout all 40 years), a Japanese Katana, a hand pistol (or blaster of some kind) and a Big Fricken' Futuristic Rifle. It also seems he lost his left eye somewhere along the way. Funny, that's the same eye Hudson lost sight in. You know, Broadway may be Hudson's biological son, but Brooklyn seems to me to take after the old garg a lot more than anyone else.
And Nashville (or Gnash, as he prefers to be called) is pretty much what I expected. I didn't know his coloring, and he looks a lot tougher than I would have thought (he's the physical equivalent of a 9-year-old, but then again, he's a time-traveling gargoyle), and I didn't expect him to be ARMED with a Japanese blade, but yeah, he's definitely Brooklyn's son. The clothes were a surprise, too--more modern than either of his parents, which makes sense I guess (so U.S.N. stands for "U.S. Navy?" Interesting).
And Fu-Dog...what can I say. He's like a green lion (and pretty darn cool looking).

But Katana...oh man, where do I begin? Well, let's start with the fact that she is the first major beaked female in the canon. I am ashamed to admit that in all those 12 years, I was never able to picture her beaked. I knew intellectually that it was a possibility, but for some reason I could never wrap my mind around it. Maybe it was the difficulty of trying to picture a beaked female that DIDN'T just look like Brooklyn with boobs.
But now Katana's been revealed and...the first word that popped into my mind to describe her was "cute." There's just something about her face that lends itself to that. Her beak is smaller than Brooklyn's, and maybe that helps. Her hair is gorgeous, and I love the style. But the real secret is in her eyes and expression. God, those eyes are perfectly shaped, and the look in them, coupled with her smile.... You said, Greg, that her and Brooklyn's relationship would have been like Sam and Diane, or Beatrice and Benedick, and I can just see ALL of that in the look on her face here.
As for the rest, I somehow always figured she'd be some shade of blue. I love the design of her clothes (I have looked extensively at Robby Bevard's design sheet for her). I'd really like to see her use those war fans at some point. I'm still surprised at her having one digit less per appendage (3 instead of 4). And then there's how she acts with her egg. When Angela asked to hold it, she seemed guarded. And she even takes the egg into battle with her! I can think of only one reason she would do that: she can protect that egg from ANYTHING the world can throw at her!
All this, and she didn't even get a single line in this issue (even Gnash got ONE). Damn. Well, you can't have everything. But I still can't wait for the next installment of the "GARGOYLES" comic, or for the "TIMEDANCER" spin off. I want to hear Katana speak (figuratively, of course). I want to see her fight. I want to see her and Brooklyn's relationship. I want to see her three-fingered hand intertwined with his four-fingered one. God, it's going to be a long wait.

"Egwardo?" Brooklyn, some things about you never change.

The group shot at the top of page 23 is kind of neat. I love all their reactions. Bronx and Fu-Dog are sniffing at each other, Angela's excited over the egg, Hudson's laughing, Lex seems to be chatting with Gnash, and Brooklyn...he just seems happy to be home again.

Then Elisa comes in and has a wonderful reaction to the overnight change in the clan's roster. Seriously, I can't help laughing everytime I imagine Salli Richardson saying that line.
Well, Jackal's busted Hyena and Wolf out of prison and they're wreaking Times Square, so the WHOLE FRICKEN' CLAN goes out to meat them. Lex is right, "The Pack'll never know what hit 'em."

This was a great issue, a great arc, and a great series. If I had any complaints about this particular issue it's that the last four pages felt very rushed. I mean it's like BOOM--Lex and Hudson--BOOM--Coldstone and Coldfire--BIG BOOM--Brooklyn and family--BOOM--Pack attacks--BOOM--attack Pack. I felt like I couldn't catch my breath! And this just makes me want another issue right NOW!

"Never the End..." eh? I'll drink to that, but like I said before "It's going to be a long wait." Still, here's to what we did get.

Thank you, Greg!

Blaise writes...

GARGOYLES
CLAN-BUILDING
ISSUE #11

TYRANTS

Let's dive right in.

SPOILERS!!!!!!!!!!

Once more, I will begin with the art. David Hutchison does a good job, and is a decent successor to Greg Guler here. This is especially true in regards to consistency. This and the Halloween arc ("Invitation Only," "Masque," and "Bash") are the only two that have a completely different artist for each issue within the arc. In the case of the Halloween arc, the contrast in styles between David Hedgecock, Nir Paniry, and Karine Charlebois was quite jarring at times. Here, however, the difference in styles between Greg Guler, David Hutchison and Ben Dunn isn't as drastic. Consequently, these three issues seem to..."flow together" better, I guess. The transition is easier.
At any rate, the only complaint I have is that Hutchison sometimes draws Brooklyn's wings in a semi-bat shape when their edges should be smooth. Other than that though, kudos to Mr. Hutchison.

Well, we pick up where we left off: Brooklyn, along with Mary and Finella, makes for Castle Wyvern ("Home sweet decimated home"). Brooklyn seems to feel like hooking his wing-claws on his shoulders (like his "Future Tense" version did) for now instead of caping them like usual. Interesting.
Brooklyn mentions getting back to his century, confusing Mary, who figured the 10th century was his century. It's funny--Brooklyn lived most of his life in the 900's, and yet after two years in the 1990's he already considers that his century. Of course, the fact that his clan's there probably has something to do with it.

I remember hearing a while back that the Constantine we saw on "GARGOYLES" was King Constantine III who ruled from 995-997 A.D. (what year is Brooklyn stranded in again?), and he was known as Constantine the...bald. Yeah, I kind of figured the "GARGOYLES" crew either missed that, or decided he looked better with a wig. But NOW we see why he was called that in the "GARGOYLES" universe. He cut his hair to turn his head into "the proper canvas." Canvas for what I wonder.
Given his reaction to Gillecomgain's brown-nosing answer, Constantine seems to like yes-men and toadies.
Mail Brigti (and now we know his first name) arrives with news about the Grim's army assembling at Rathveramoen, and Constantine sends him off to wait at the head of his (Constantine's) own army. Mail calls Gil, but Constantine wants to keep Gil nearby (it was the toadying that impressed him, wasn't it?), and begins an in-depth study of Gil's scars. Mail hesitates, but leaves when curtly dismissed.
Constantine then takes a moment to gloat about wiping out "the male line of the Three Brothers" (there's that reference only "Ask Greg" readers will fully understand again) before asking Brother Valmont about the Magus and Princess Katharine. Valmont..."read the entrails of half the goats in Scotland?!" YUCK!! EW! Okay, my appetite's gone. Anyway, short version, they're both out of Scotland, Tom's out of Scotland as well, but the Grimorum is still around and Valmont must get it.

"Okay, this is just freaky." Yeah, seeing your sleeping form would engender that reaction. But then Brooklyn moves among the remains of his massacred clan while thinking to himself how "freaky" is a nice, safe adjective in comparison to "horrific, traumatizing, or soul-killing." This is probably just as bad as living that night after the Massacre all over again. I like his description of it feeling like his heart is "turning to stone and Hakon is taking a mace to it."
He also finds a scabbard for his new sword. Interesting. I wonder what prompted him to keep the sword in the first place. He's been going for years without a weapon and now he decides to keep the first sword he grabs? Then again, with the King's army against you, a sword might come in handy.

Well, Mary asks after Tom, and Brooklyn starts to explain about Tom being married. This floors Mary who is still thinking of Tom as the little boy she left two years ago. Brooklyn leaps away (awkward transition that, since we don't see him actually leaving Mary in that panel), and resolves to keep his "big beak shut" just in case. Probably wise, things will be simpler that way.
I rather enjoy Brooklyn's annoyance at stone sleep (and wondering how Elisa can stand it). And we finally have a canon mention of the Humility Spell...but no explanation. Yes, we who have read "Ask Greg" and the GargWiki know the story, but for those who have only watched the series and read the comic, I wonder if this mention (along with the one about the "Three Brothers" and the later one about the Wind Ceremony) will whet their appetite for more stories and for the background on these references.
Given that Brooklyn's most likely stuck in the 10th century now without the Gate, he seems quite calm about it. No whining, no rage, just a sigh and "I guess this IS my century again, after all." Man, Brook's made of some pretty stern stuff. I'm pretty sure I wouldn't be that calm.
And he calls Demona a witch. Oh, come on Brooklyn! Just replace the "w" with a "b" and be done with it. We all know you want to!

Demona arrives at a cave and announces to the gargs there the death of the Sruighlea cell (damn, I do not know how the hell that name is pronounced). Okay, so Demona's clan is split into separate cells. I did not know that (in fact, I've always wondered why the number of gargoyles Demona led in "City of Stone" seemed to change, and now I finally know). This particular cell she leads is full of familiar faces, though. There's her Second, and apparently his Mate (I know she's called something else in the scripts, but since she isn't referred to as that by the characters, I'm just going to call her Second's Mate). Also a new young gargoyle face and two beasts, one of whom looks like Bronx except for coloring, and one of whom is colored like Bronx. Oh, and the new young one has Hudson's skin tone and white hair and...okay, yes she's Hudson's biological daughter (True), and the beasts are obviously Bronx's biological parents. I wonder why this female beast's eyes glow red but Boudicca's didn't?
At any rate, "True" says they should hold a Wind Ceremony for the fallen (the first canon mention of that, too), but Demona once again shows that vengeance trumps all other concerns for her (save her own survival, of course). Bitch.

Maol Chalvim is his usual self as he spells out to Kenneth just why they can't count on gargoyle support...and then one shows up in their camp, carted in by Mary and Finella. I must admit, I hadn't realized Maol might hold some animosity towards Finella, but it makes perfect sense.

I wish I could have seen the first meeting between Brooklyn, Kenneth, Maol and Finlaech, but I guess something had to be sacrificed for page space.
Seeing Brooklyn pointing at the map and telling Kenneth to engage Constantine's forces at Rathveramoen while he (Brooklyn) brings reinforcements seems to cement the image of Brooklyn as strategist. Brook also seems intelligent enough to realize that he needs Demona's help and must put his own personal feelings aside (our boy is FINALLY growing up in that area!).
Brooklyn's little "break the fourth wall" bit in the last panel of page 13 seems to have provoked a mix of reactions. I've read a few people who seemed to think it was Greg's way of directing an "educational" message directly at them, and hating it just for that. Me? I find it a hilarious character moment of Brooklyn joking around. I mean, heck, *I* sometimes address a non-existent audience! It can lighten up a strange situation and make it bearable.

I liked the shots of Brooklyn discovering the massacred cell, and him hiding in a tree during the day. And then he encounters Demona...and immediately attacks her. Demona's too shocked by the fact that he's someone from Wyvern (still love the "By the Dragon" exclamation) to be too upset about this. Brooklyn tries to regain his composure, and almost loses it again just thinking about her betrayal. Still, they manage to keep from splatting and Demona...is smiling? Wow, she really looks happy to see an old clan-mate alive again. She mentions her new clan and asks how Brooklyn survived and if any others did. Brook, clearly uncomfortable at having to make nice, has to tell a half truth--omitting himself being cursed as well (and almost calling Hudson by name). Demona sees red (literally) at hearing about the sleep spell, until Brooklyn undercuts it by pointing out she managed to escape both fates and now Demona has to stammer an explanation. In the end, Brooklyn brushes it all aside for the greater good.

Wow, no sorcerers for Kenneth's side? Finella decides she'll try the book herself just because she knows Latin. Mary points out the danger, and Finella points out that they're already in danger. I love the little "Magus--the man, not the horse" bit.

Constantine has the messenger killed. And he does it for no reason, it would seem, other than he just likes being able to. Douche.
Mail Brigti seems saddened by that action, too. If that's the case, why does he stick with Constantine anyway (yeah, I know the answer will come in the next issue, and if anything shows how much of a sell-out Mail really is)? Gillecomgain on the other hand, seems to approve of Constantine's behavior (look at that smile).
And now we see Constantine's war-paint. The roots of the Hunter's mask. In addition to the three red slashes across black on the front, he has the same design on the back along with two false eyes (doubtless to confuse and unnerve foes in the heat of battle). I think Gil likes the new look. I recall, Greg, you saying at the Gathering that this was a way to explain how people wouldn't immediately conclude that Gillecomgain was the Hunter based on the design of the mask in "City of Stone." Whatever the reason, it's a striking visual.

The armies converge and Findlaech notes there are fewer Irish (Constantine's soldiers) than he thought. Yeah, Fin, that's because the rest are hiding in the forest waiting to outflank you! There's some great art here for the battle, especially in regards to the light of the setting sun. In the last panel of page 21, I think I can see winged shapes in the sky behind the fighting Constantine and Kenneth. Three guesses what they are (and the first two don't count).
Sure enough come the next page and we get an excellent two-page spread of the gargoyles arriving into battle. Second's Mate appears to have the same wing structure as Lexington--COOL! The striking visual of the gargoyles attacking is almost enough to make one forget there's fighting on the ground, too. Gil knocks Bodhe off his horse, Mail and Finlaech are heading towards one another, and Constantine and Kenneth are still fighting. I wonder where Maol is in all of this?

The last page brings us parallel panels of simultaneous events again. Demona's Second apparently likes a good battle, and is glad they followed the "gargoyle of the sword" (looks like Brooklyn just picked up a new name). Demona (who casually BREAKS A MAN'S NECK), is already planning to turn on the Grim after the battle is won (wow, Demona's planning betrayal, what a surprise). Meanwhile, Finella is still intent on learning a spell, and doesn't realize until too late that all her guards have been killed by the flaming arrows of Brother Valmont, who snatches the Grimorum and reveals his intention to turn on HIS boss, Constantine. And then both he and Demona share the EXACT same thought at the EXACT same time: conquering Scotland! (Yeah, they haven't quite graduated to "take over the world" yet.)

Damn cliffhanger! Then again, I didn't have to wait two months for the conclusion to this story....

Blaise writes...

GARGOYLES
CLAN-BUILDING
ISSUE #10

THE GATE

Yes! Finally! The "TIMEDANCER" story! A three-comic arc focusing on my favorite "GARGOYLES" character! I have been looking forward to this for (literally) YEARS. And it did not disappoint. Okay, maybe there are a few nitpicks here or there, but who cares? It still rocks! So let's start with the first part.

SPOILERS!!!!!!!!!!!!!!!!

First of all, I must address the art. Greg Guler did a fantastic job here. I mean, good God, this is probably the best art I've seen throughout the entire "Clan-Building" comic run (Karine, I love you and your work on "Bash" but this...wow, just...wow). I mean, the issue even starts out with what could only be called a "hero shot" of Brooklyn, and it kicks ass! The only nit is that in the first panel it looks like Brooklyn has the "one-claw" style wings instead of his normal ones. Well, maybe the other two claws are hidden. Regardless, it's still great!

Anyway, Brooklyn seems to be enjoying a glide out by himself...and then Broadway and Angela show up. And they're holding hands (and just what had they been doing to make their eyes glow like that?). Brook is not happy (I love his expression here). Broadway remarks how dull it's been with Lex and Hudson off in London (really, Broadway? Is spending "quality alone time" with Angela THAT boring?). He wishes they'd come back, to which Brooklyn responds "Yeah, that's one of my wishes...". Wow, for being the two most intuitive members of the clan, Broadway and Angela are REALLY blind to Brooklyn here. I mean, it's like (to borrow from "The Princess Bride") they're giving him a nice paper-cut and pouring lemon juice on it--and they don't even realize they're doing it!
Actually, Brooklyn's kind of interesting here. He seems to bottle most of his feelings up around them. I mean, it's like he's trying not to make a big deal about his disappointment over not "getting the girl" and just trying to avoid being constantly reminded of it, but all the body language and subtle hints in the world aren't piercing through the little "love bubble." I can only wonder what this little powder keg might have become had he not gone on his little Dance. But I'll get to that in a minute.

A little art tangent here: Angela's collar. Now, we've seen Angela's new two-piece since the start of the comics, but one thing that's always been inconsistent about it is the presence or absence of a high collar. Well, there's also the number of threads covering the, um..."low cut" area on the chest. Whenever Greg Guler draws Angela, whether on the covers, or right here in his own issue, he draws her with the collar, and only two threads over the low cut area. The ONLY OTHER artist who did that is Gordon Purcell (in Issue #6 "Reunion" for the "present" scenes). Every other artist who drew her in her "normal" outfit draws her top without the collar and with a LOT more threads. This is something that's always bugged me. It's a new outfit for her, designed by Greg Guler (I believe), so why not follow his design all the way? Why do so many make her new two-piece look like her original one-piece with just a section missing. Maybe I wouldn't care so much except I LIKE that collar. I like the distinctive look it gives her. And yes, I admit, I would not say "no" to less threads obscuring the low-cut area. ;-)
Okay, there, I've said all I need to say about that. Sorry for the digression--on with the comic.

The Phoenix Gate arrives, bouncing off one of the letters in the sign before coming to rest on the rooftop. Angela is really concerned about this development, while Brooklyn seems rather calm (and even flippant). Maybe he's just glad for the distraction from the happy couple. I like the glow of the Gate reflecting off Brooklyn's eyes.

Brooklyn reaches for the Gate (not unreasonable, from his POV--you don't want to leave something like that lying around), and...it disintegrates. Ummm, okay, in the 12 years I'd known about "TIMEDANCER" I never thought that the Gate would do this. First disintegrate, and then spit out a huge flamin' Phoenix that would swallow Brooklyn whole and vanish! I especially like that first panel on page 6--with the Phoenix's eyes looming over the three gargoyles. Maybe it's because he's closest to center, but Brooklyn does seem to be the focus of that gaze (no surprise there).

And now we begin the real meat of this tale--Brooklyn's adventures in the past. I easily recognized Constantine and Gillcomgain. Gil's father I didn't recognize until Gil referred to him as such, and a few pages later we finally get a name for him, Brigti. Anyway, poor Brook lands right in front of this rather hostile audience. Gil immediately calls him "demon" and Constantine (for reasons soon to become apparent) gives the order to "kill it." Brigti's reaction is the odd one out, if only because it's so calm and matter of fact. I wonder if Brigti sees gargoyles as something a person doesn't need to kick up much of a fuss about, at least no more so than any wild animal. This makes his reaction an interesting contrast to Constantine and Gil's rather vehement ones.

Young Gil trying to take out a surprised Brooklyn with a knife=FAIL! Constantine trying to take out Brooklyn with his HORSE=a considerably more dignified FAIL. That guy in green casting a fire arrow spell with no magic book or other noticeable conduit and getting Brooklyn in the leg=OUCH! Actually, overall, I'm impressed by how Brooklyn handles himself throughout this whole thing. He doesn't panic, keeps his head (even manages to crack a few smart remarks), correctly figures the place and century he landed in, is able to get enough height to glide somehow (it looked like a hilly bit of land, I guess) and even manages to take a FIRE ARROW in the leg and keep going (much to Constantine's displeasure). Go Brooklyn!

Anyway, we learn more about what Constantine is doing out at this hour--posting "Wanted" posters for the Magus, Tom, Mary and Finella. It would also seem that he's also hunting down gargoyles because of past history (and for those of us who have read the "Three Brothers" story, this is an added bit of icing on the cake). Oh, and the wizard in the green cloak is called Brother Valmont...and maybe it's the bald head but he looks strangely similar to someone from the previous chapter....
And just what is this "Grim" that is amassing an army?

As soon as I saw that feminine, blue-sleeved hand rip off that poster, I knew Filella and Mary had arrived. Constantine, that jerk, has been doing a bit of spin-doctoring it would seem. Among other things, the poster accuses Finella of "turning to sin and Satan" (even with the violence and minor swears the comics have been able to get away with, that line surprised me) in grief over the loss of her son.
MARY: You had a son?
FINELLA: I--NO!
Okay, that line and the look on her face leave me to wonder if she was telling the truth there.

To get past the Porter, Mary introduces Finella as the Lady...Fiona (the name of *another* "GARGOYLES" character voiced by Sheena Easton). Meanwhile, Brooklyn lands nearby and pulls out the arrow. Wow, hardcore. The expression of pain on his face is great, as is the surprise and lighting when the two halves of the arrow dissolve into flames (he should be thankful they didn't do that while he was holding one in his mouth).
Well, gold is enough to get the past the Porter, but not the Guardsman, who pulls off the poster...what, wait a minute! Didn't Finella already tear it off? Yeah, there she is holding it, and now the Guardsman's holding one and...THERE'S ANOTHER ON THE DOOR?! Okay, Finella looks about as surprised as I feel. Does the poster have some sort of magic spell on it that creates an exact copy if it is torn off?
Things go south very fast for our heroines. The jerk Guardsman can apparently follow orders enough to want them alive, but no one else in the town seems to agree. Finella tries to bluff her way out with the Grimorum (LOVE that last panel on page 15), but the Guardsman is not as easily cowed as the townspeople. Until Brooklyn arrives, that is. Brook even pulls a Goliath and takes the sword in his had by the blade (leaving a fair amount of blood in the process). And then he pulls a Hudson by taking that sword and keeping it with him. I loved his lines here (especially, "You wait here for my clan to come eat your brains..." and "Now that I've set back human-gargoyle relations for the next millennium").
"RUN AWAY! RUN AWAY!" You've just been waiting to put that Monty Python bit in, haven't you, Greg?
One art nit: It would seem the top part of a word bubble is floating just above the bottom of panel 6 on page 16. Oh, well.
I love Finella's expressions first after Brook appears and then after he turns to stone. I'd guess this is the first time she's been this close to a gargoyle in her life. She seems concerned about the wound on his hand though (YIKES, yeah, you wouldn't have been able to show that much on the TV show). Mary seems to wear a concerned expression, too in the final frame of page 17.
Mary named the horse "Magus?" Heh. That's kind of cool.

And now we meet "The Grim"--jolly Kenneth (soon to be King Kenneth III), cousin of Maol Chalvim and Princess Katharine. We see Maol, too (as gregarious as ever), and surprisingly enough, a younger Findlaech. Oh, and Bodhe as a boy, ready to follow his father into battle (or so he says). I got the Shakespeare reference (either Kenneth or Shakespeare must have been psychic), and the irony about Ken being called "The Grim" instead of Maol. After some exposition on how the war against Constantine goes, Kenneth brings up gargoyles ("the solution of our fathers") and we cut to a group of gargoyles sleeping in a cave...right before they fall to the mace. Gillecomgain, not surprisingly, is in a frenzy, screaming at them to "DIE" as he smashes their unconscious forms to rubble. He is so into this, it impresses even Constantine (who had smashed the first one with a smile on his face). And unless I miss my guess, it unnerves Brigti somewhat.
Why would they put a poster there? Do they really expect people to stop by that cave? Or is it for any other gargoyles that might happen along?

Loved Brook's wake up (and the detail of stone flakes on Mary's hood a few frames later). Brook and Mary recognize each other from Wyvern and exchange names (and I wonder if Brook had already heard about Finella from Goliath or Angela retelling Tom's story). Brook's response to all this? "Oh, this is too cool!" Wow...that would not have been my response. I mean, seriously, Brooklyn has adapted to this situation admirably fast. Maybe that's because he HAS seen "Star Trek" and "Quantum Leap" (loved those references, by the way). At any rate, he certainly is handling himself well, all things considered.

"The year of our Lord Nine Hundred and Ninety-Seven." I don't know why, but I love that Finella stated the year that way. Brooklyn figures that the only way he'll get back is with the Phoenix Gate, and because he knows his "997 Clan History" he knows that half the Gate is with Goliath and the other half with...

...Demona, in a FANTASTIC final image!

Here's to the first part of a great Brooklyn story!

Lyana writes...

Does Owen need sleep

Greg Bishansky writes...

The Gathering 2009 - Con Journal - Part Five...

Woke up on Monday to find one of my roommates was in the shower. I had the staff breakfast to get to, but I wanted a shower. So I waited. And waited. And waited. And waited. When I was fifteen minutes late, I took off for breakfast. After waiting forty-five minutes for the shower. Aw well. I got one after breakfast.

Breakfast was short and fun, I forget what I ate, but I remember we called Laurean and sang Happy Birthday to her. I guess we owe someone some royalties for that song ;)

After that, I helped clean up the art room a bit before attending the "Gargoyles" and "Bad Guys" comic book panel. We got some cool question in there. Greg confirmed there was indeed a connection between Duval and Brother Valmont, but wouldn't confirm or deny if they were one and the same. Also, on the subject of Duval, the topic of his identity came up, since the presence of Peredur fab Ragnal seems to have thrown us all for a loop. Still, Greg refused to comment on whether Duval is or isn't Percival. Now, at the moment, I do have a very strong theory on who Duval really is. If Blanchefleur is one of the two people Peredur loves most in the world, who would logically be the other? Chew on that for a while.

Among the topics, Greg said that Dan Vado and SLG are still our best bets. But who knows what will happen with Disney buying Marvel. Speaking of, funny how that happens days after that Radio Play. Guess Greg could make that canon if he wanted to. LOL!

After that, it was the Biology panel, which I've never attended before. To quote Greg, I am a writer, not a biologist. There was a lot of interesting stuff discussed there as well, but I will admit, a lot of it went over my head. Math and science were never my strongest subjects in school. English, history, and art were. I was called out early, but I forget the reason why.

I did get a phone call from my brother, who couldn't make it. So, I briefly put Thom Adcox on the phone with him. While they're talking, Thom motions me to come closer and then he lightly slaps me. My brother asked him to. LOL!

Finally it was time for Closing Ceremonies. And, well... let's just say it was one of the most emotional hours of my life. I'm just glad it managed to be bittersweet and not just bitter. Prizes were handed out. People got up and shared memories. I wanted to, but I was too busy trying to keep it together, I don't think I could have spoken without breaking. There were a lot of tearful good-byes.

Once that was over, we tore down the art room. Karine had a comic book page there, and I told her that if I had the money, I'd take it off her hands. But then she turned around and gave it to me. It was from #5 of "Gargoyles" where Goliath and Elisa kiss and declare their love... thank you Karine. That was awesome.

We eventually retired to the staff suite where Chris bought the entire staff pizza. That was very generous. We all laughed, and enjoyed ourselves. Eventually Greg had to leave, and we all hugged him good-bye. Well for some of us, it was more of a see you later, but I'll get to that in a bit.

So, we partied. Jenn-Bob showed up on her webcam since she couldn't attend the convention. Bra-clad boobs were involved.

Later on, we all took a walk up to City Walk, where Cat and I shared some fries. Flanker and I talked about his time in Afghanistan. Eventually Thom Adcox came to pick Flanker up so they could go hang out, and we all piled into Thom's car... just to mess with him. We all got out, and said our laters to Thom as well.

Then we went back to the suite and just hung out until it was time to say good night.

EPILOGUE

I woke up to all my roommates gone. Grabbed a shower, and then went downstairs to check out. Patrick came down with Karine to take her to the airport, and I hugged Karine in a see you later way.

I refused to say good-bye to anyone. It was all "see you later." Because, as far as I'm concerned, I will. I think a lot of us forged lifelong friendships at these conventions that will continue even if the convention does not.

I then called Revel, because he and Michelle couldn't make it to the con. They had just gotten back from her ultrasound. It's a girl. As I got the news, Jen and Mara came down to drop Mara off at the airport. I briefly handed my phone to Jen so she could congratulate them.

Went upstairs to the suite and hung out with Jen's kids, Fox and Sydney, and we watched a mockumentary on the Weather Channel about a Katrina sized hurricane hitting NYC. I couldn't tell if this was trying to be "The Day After Tomorrow" or not.

Jen came back, and we chilled, finished off the last of the pizza. And when Patrick came back, we all checked out, and loaded up the cars. I hugged Jen and we talked about how if we ever won the lotto we'd have another one. So, she got into her very full car with her kids and took them home. Patrick then dropped me off at the house.

And so the Gathering came to an end... for most. But for me, it continued... because fatigue, stress and friends are a part of it.

Having no time to recover from the convention, I had to pack up my car, and prepare myself for another cross country drive. I had left the hotel at noon on Tuesday. By 4am on Thursday, I was on the road... for a very long drive. But I had twitter and a few texts with Jen on the way to keep me sane. I stopped off to sleep in El Paso.

The next day I hit the road, I had a meeting in San Antonio. Now, I expected to be there at 1:15. But, my GPS didn't account for timezones, so after switching it manually, I had to update the plans. Finally, at 3:15, I arrived at Antarctic Press in San Antonio, and met, for the first time, my last good friend in the fandom I never met in person. Robby Bevard. I got him to sign my copy of Clan Building Vol. 2 and Bad Guys. David Hutchinson, who drew #11 was there, and he signed it too. So, overall, my book is signed by Greg Weisman, Greg Guler, Thom Adcox, Marina Sirtis, Keith David, Robby, and David Hutchinson.

Aaron showed up, he couldn't make the Gathering. But the three of us went for lunch at Chile's. It was fun. A lot of fun. We hung out for five hours before I had to hit the road again. I was off to Conroe, which is forty miles north of Houston.

So, I ended up spending a week at Revel and Michelle's place. They are still working on baby names. We went out and bought a crib with Revel's mom... who threatened to kick Michelle's ass if she doesn't take Revel's last name before the baby is born. LOL, come on, it's the 21st century... wives never take their husband's last names anymore. Look at every married woman in "Gargoyles" ;)

Seriously, it was a lot of fun. We went to this great Tex-Mex place at one point which had, and I kid you not, the best salsa I have ever eaten. I need to get that place's info, and call them for a recipe, or something.

Thursday rolled around, and I left... later than I should have. I drove, and drove, and drove, and then I got caught in terrible traffic in Louisiana. Along the way, I discovered that in Louisiana there is a strip club called "Road Kill."

The traffic was so bad, I stopped to sleep in Mississippi. I didn't cover as much ground as I wanted to. It happened again the next day in Virginia. God... when I drove down to Conroe, two years ago, I did in two days as opposed to three. But then, I had Aaron as my second driver.

So, yesterday, I finally arrived in New York. Only temporarily. I'm heading back to California. My career is out there. A career I would have probably never considered if not for these conventions, and meeting and greeting so many people. And it will happen. This is one of many things that the Gathering has given me, and it will live on in my memories.

And I will say this, if there is ever another one, I will be there. I will staff it. I will help make it happen. Until then... it was a blast. I mean, thirteen conventions... that's not bad for a small fandom dedicated to a series that hasn't had new episodes since Bill Clinton's first term as president.

And out of those thirteen, I attended eleven. After missing 2000, I promised myself I'd never miss another one... and I didn't. I kept that promise. After 2003, I promised myself I'd never staff another one, but that's one promise I am glad I broke.

Never the end...

Greg Bishansky writes...

The Gathering 2009 - Con Journal - Part Four...

I woke up on Sunday morning, grabbed a shower and rushed down to the staff breakfast. I have no idea what I ate, but it was good.

This was another day spent, mostly ushering guests to panels. It was good. I remember having lunch in the conference room with Mara and Susan and talking about yesterday's Radio Play.

I remember completely not recognizing Frank Paur, as he had grown his hair out. He and I discussed the show, and the current comics. He still does not like "jalapena!" Then it was time for the "Gargoyles" production panel. Mostly stories I've heard before, but I love listening to these people tell them.

After that, it was the Spidey production panel. That was very cool. I loved seeing the unused footage, especially Shocker being dragged off by Ox and Fancy Dan disguised as cops. I hope all this footage makes it's way onto the second season box set as a special feature.

I had them all sign my Radio Play script and my Spidey DVD.

Finally, it was time for the writer's panel. As a writer myself, I really enjoyed this one. Writers from both "Gargoyles" and "Spidey" were there, including Michael Reaves. Seeing Michael Reaves there with Parkinson's like that was tough. His work has been a part of my life since I was a child, as he has written for almost every cartoon I loved growing up. Not to mention seeing him at the previous California cons in much better health. But, he was still an awesome guest, and he still had stories to share. I'm glad he came.

I had all the writers sign my script, and I chatted for a while with Bob Skir. We talked, especially about a series he story edited called "Beast Machines." A series I admitted that I had some issues with, but I was honest, polite, and we talked because I was interested, and he is a very nice and cool guy. I think I walked away from that making a friend. Good guy, a real pleasure.

Afterwards, it was time for the banquet. Having left my tie at home, I wore a suit with no tie, which I felt weird about at first, but I'm told I still looked good... no, I was not trying to look like David Xanatos. If I was, I'd have never chopped off the ponytail. The ladies on staff looked terrific, especially Jen and Karine who were both dressed to kill. I sat with Susan, Karine, Jade Griffin, her husband, kid, Patrick, and... I'm sorry, it's a blurr. We had a nice, delicious buffet. Having been on the Ramen diet, I had to sample a little of everything, and it was all good.

After that, people left to get ready for the masque. I chatted for a little bit with Ben Diskin... he really got into the whole con, it was awesome having him. Then came the masque. We didn't have many costumes this year, but what we had was awesome. Jade and her family as Fox, Owen, and baby Alex were beyond cute. Zehra gothed up as Shari with Tony and Andrea as random Illuminati members. We had a great King Arthur. I am truly going to miss this.

Finally, the contest was over. I spent the next few hours chatting. Greg told people the story about the drive to LaGuardia airport, which we clearly have two different versions of. I clearly remember him keeping his cool a lot more than how he now tells the story. But it was fun, lots of laughs. Greg and I also discussed recent happenings in the Amazing Spider-Man comic book, and his opinions on the finale of the "American Son" arc, and #600. #600 consisted of Dr. Octopus taking control of all the computers and electronic devices in the city, and I told Greg that I liked it better when he did it in "Shear Strength."

Eventually, we all called it a night... at about 1am.