A Station Eight Fan Web Site
I notice that Carl Johnson's webpage includes the following information,
GARGOYLES: THE MOVIE
Walt Disney Pictures
Composer, Orchestrator, Conductor
It is not the t.v. series, because that is listed further down. Is this for the proposed movie? I notice that it does not include a date.
No, I'm guessing it's the video release, which combined the first five episodes and was titled: "Gargoyles: The Movie: The Heroes Awaken".
This isn't really a question at all. I just found that Carl Johnson has made the 14-minute "Gargoyles Suite" available on his web site, and it spans all the music themes heard in the episodes. There is also an original African-inspired track entitled "Panther Queen", as well as the main title themes for the Disney and ABC series. (I think that these are the same as the CDs from one of the Gatherings, but I can't be sure.)
Anyway, I thought that you'd want to know that the music is freely available now, and I'd bet that a lot of readers will be downloading it :) The address is http://www.swanderfulmusic.com/MP3/Default.asp?q=f&f=%2FCartoon%2FGargoyles
(If that link is mangled, you can find them by browsing Carl Johnson's pages at www.swanderfulmusic.com)
Thanks for the news!
It's funny how you mention Xanatos finding out that Goliath is missing, then not hatching any kind of a plot as a result, because you honestly couldn't think of something. I strained my brain to try and figure out how X might possibly use such knowledge to his advantage, and came up dry, so when nothing happened, I kind of expected it. In fact, felt validated by it. In my head, knowing that Goliath was missing let him put two and two together in episodes like "Cloud Fathers."
X's new security system DID suck, but it's cool to know why it was installed (as a result of "Double Jeopardy"). Those cannons were out of control. I think the sequence would have worked, thanks to the atmosphere and X's cool lines, if the cannons just would have aimed AWAY from the castle. The redundancy didn't bother me. Sure, Mac's place has these spiffy blaster cannons too, but HE'S not Xanatos.
Where did those Cyberbiotics rifles come from? Why did Cyberbiotics abandon them? Okay, so they pulled out fast, but jeez, talk about corporate neglect, leaving an arsenal of deadly weaponry in a subway. So much for Renard's integrity. (I'm trying to bait you here.)
Oh, the climax with Maggie and the key card? One of my favorites. The build-up is perfect and Carl Johnson composes it well.
Carl is great, but much credit should go to Marc Perlman, our music editor. We couldn't afford to have Carl score every episode. So Marc had to edit Carl's music to fit any situation. Though they were rarely in the same room together, the two made an amazing team.
I read your faq about the soundtrack so this is probably a worthless question, but do you know if there is anywhere to find or purchase Sheet music for Gargoyles music? I know they make music books for Disney movies and such and was hoping that perhaps there would be one for Gargoyles. Well I love the show and hope to see new episodes sometime. Thanks, Jacob
I'm pretty confident that nothing like that exists for sale.
It's a shame though.
Hi, I know this question was asked in forum but I don't know how long ago so maybe now it is available.
where can I get the soundtrack for Gargoyles?
Some of the music is available for free at:
But there's no soundtrack on the market.
I was watching Gargoyles on Toon Disney tonight, plus my taped episodes over the weekend. I couldn't help myself, I whipped out my axe and hammered away. Eventually though I found the Gargoyles Title Theme. So guitar players out there here it is:
opening intro-10 measures- first measure is in 2/2 time then it goes into 4/4 time for the remaining 9. I could be wrong but it doesn't really matter.
E-9-11-13-9-11-14-17]continued to outro-->
==listen to the song for the timing it is really easy. Plus keep in mind that the opening "ahhhhh" sound seems to be in 2/2 time but the main "dummm da da dumm" flute? is in standard 4/4 time. And the outro is sped up considerably it is apparantly in 3/4 time.
Have fun with it. It sounds okay on an acoustic, but electric has a way better richness to it. I like to go crazy with the whammy bar on the 14th fret on the high E when its held for four counts. Another way to ROCK-up the sound is set the gain up to 7 or 8 and pull your switch all the way back.
questions-comments-corrections write me at email@example.com I'll be happy to work with you.
A public service. Thanks.
It has been well established and I would think we all are well aquainted with the notion that Gargoyles didn't use names. Not for themselves as humans did and that the eventual use of names was influence and need of conformity from/by humans.
However you have said that gargoyles kept their myth, history and traditions alive by oral revelation from one generation to the next.
How where they able to tell sagas of things great leaders had done if they had no name of which to tell? (Try to tell your children about Napolean and all the things he did and all the people in his life without using his name)
It would be all too generic and vague for any real value. Did gargoyles never realy have great leaders? Did they consider the clan as a whole more important than the decision making of the leader?
and further note-my post on the guitar tab--well the on the outro the difference in the type size from the field box to the post page made it look wrong. so here is the outro again.
History to the gargoyles is more about the clan, about movements, than about individuals. But descriptive terms can be used to identify individuals. (Cf. Homer's Illiad.) I'm forgetting the technical term just at this moment -- where's Aris when you really need him -- but if you've got a guy named Ajax of the Broad Shoulders, for example, then do you really need the "Ajax" part of the name.
The point of NOT naming, as Hudson would say is to NOT set limits on who or what an individual is. So he might be "Of the Broad Shoulders" one minute and also be "Of the Massive Temper" the next. Both would be true, but reflect an aspect of the individual, as opposed to making an attempt to wrap the entire individual up into one word: Ajax. Over time these epithets would become as familiar as a name for an historical figure -- particularly in the context of a tale told over and over again.
How did the composition for the Gargoyles theme come to be?
Was all music made just for certain situations, (Macbeths 'break-up' scene with Luoch(sp)), or was it lifted from somewhere else???
Was the music made for the characters/scene or did the character/scene just match the music?
1. We auditioned a few composers. Liked what Carl Johnson was doing. Hired him. And he composed the theme.
2. All the music that aired on the series was composed FOR the series, but once a piece was composed it was put in our Gargoyles' Music Library. Our budget didn't allow for us to score every episode with original music, so our amazing music editor, Marc Perlman, used the Gargoyles' Music Library to edit a score for every episode.
3. Uh... Well, again, Carl composed certain themes that were applied and often reapplied to certain characters. But Marc juggled all this stuff.
I have always wanted to find the music, aside from the title and close music from Gargoyles (For example, the Something Sad is happening music, or An Evil Robot Is Attacking Music).
Can I find the music played during the show? Thanks
Only by watching the episodes, I'm afraid.
I've always loved Carl Johnson's music in the series. Watching City of Stone Part IV recently, I realized that you can hear this great, low, vocal music as Macbeth and Gruoch abandon Castle Moray. I thought it was a good, dramatic piece to go along with the scene, but I can't remember hearing it in any other episode. Do you know if original music was composed/recorded for this episode in particular, being one of the landmark multi-parters?
Speaking of the music of the series, I probably should have asked this first. I'm not sure how score composition works in an animated series. I seriously doubt new music was recorded for every episode, but I really can't say. Was the music used in each episode from stock clips? Would Mr. Johnson produce a series of generic pieces at the beginning of each season, or for the multi-parters? Or am I wrong, and it was more frequently than that? I realize that you may not have had that large a part in the incorporation of a score into the series, but anything you know about the process would be appreciated.
I'm sorry, I can't remember specifically about that moment in City IV. Generally, on GARGOYLES, we fully scored a few episodes at the beginning of each season. And we partially scored selected episodes where we knew we'd need something unique. Then Marc Perlman, our amazing music editor, would use our music library to edit a score to everything else.
At SONY, they score EVERY episode, but they do it with synthesizers not orchestras, in order to afford it.