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RESPONSES 2001 - 2 (Feb)

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matt writes...

what other spells besides the sleep counter spell were on the page of the Grimorum that Hakon burned? if you have this planned out, i'll be surprised so i really don't expect a big answer!

Greg responds...

I didn't have anything too specific in mind.

Response recorded on February 07, 2001

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Yttrium writes...

You'd mentioned in the archive that gargoyles may be capable of having twins, yet it would be extremely, extremely rare. My question is, if a gargoyle did have twins, would they be born from the same egg, or would two eggs be laid?

---Ytt

Greg responds...

It's so rare, I hate to answer this. But I'd say one egg.

But let me emphasize that I don't see this happening naturally more than once every few hundred years.

Response recorded on February 07, 2001

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Oberon writes...

Are the wyrd sisters the mythological
fates ?
norns ?
furies ?
horae ?
sirens?
are they classical moon goddesses selene, luna and pheobe or just named after them?
if they are these figures, do they have different forms? (personality traits?) for different names?

Greg responds...

Fates, norns, furies, moon goddesses - yes.
Sirens - No.

Horae? What are those again?

And they have many different forms. We've seen at least four on the show (plus multiple costume changes).

Response recorded on February 07, 2001

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Jim R. writes...

Do you think our technology will progress further than the magic of Oberon's children? When will Oberon's children reach the limitations of their magic? Would any of them possibly decide to live amongst us mortals and begin thinking scientifically, like an outcast fae, that would prefer sceince over sorcery?

Greg responds...

1. Apples and oranges.
2. Who says they will?
3. To some extent, Titania has done this already.

Response recorded on February 07, 2001

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Corrine Blaquen writes...

Why did you decide to change Tom's name from Robby to it's present form?

Greg responds...

I didn't. One of our writers, probably Michael Reaves changed the name. I never knew why, but it seemed petty to insist on changing it back.

Response recorded on February 07, 2001

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Entity writes...

Hi Greg,

In your latest beat sheet for the series opener, I see that the idea of the Trio being young and inexperienced was still prominant. I understand where you came from in eventually changing that, but when I first watched AWAKENING I was distraught by the Trio. Every gargoyle we saw was a full-fledged warrior. Where _were_ the inexperienced kids? The elderly? It seemed slightly out-of-sync that the Trio were such able-bodied fighters. Was the Viking attack a real threat or wasn't it?

That is just my original impression of the events of the initial Viking attack. Later on, when the gang counterattacks the camp, I can understand their participation.

I guess the battle just came off too light-heartedly when we glimped the Trio, starkly contrasting with characters like Goliath's and Demona's scenes. A real sense of danger is added by Hakon drawing Goliath's blood, boulders crashing into stone, refugees huddling about, the Captain barking orders, etc. But then we have the Trio gallavanting through the battle like it's, as Brooklyn puts it, just "fun."

I think their innocense could have been portrayed in a way that didn't detract from the realism that was so effectively installed earlier on.

This isn't intended to come off as pure criticism. AWAKENINGS was brilliant, especially Part 1. But I thought I'd mention my first impressions.

Another little thing I noticed from the beat sheet is that the flashback originally began showing the refugees entering the castle, with the Marauders/Vikings on their tail, and then both parties camp for the day till dusk. This struck me in two ways: First, it gave me a better grip of realism. Enemy attackers camping right outside the castle, both sides waiting for the battle to begin... that could've added a cool flavor to things, and immerse us more into the medieval setting. Secondly, showing the refugees herded into the castle beforehand would've better clarified the events surrounding the battle. In the final product, we jump straight into the fight and, as a result, a reason is not even necessarily needed. The Captain's off-hand comment about refugees comes off as superfluous. I remember shrugging. 'That's nice' I thought. We were in the battle. Who needed backstory? Of course, the refugees were an important component, for the sake of Tom and his mother, and to better portray the environment of 10th century Scotland. If we'd seen the prologue to the battle, that's included in the beat sheet, I think it would've been much more effective.

I guess what this comes down to in the end is my earlier message I sent to you, in which I asked about trimming episodes with Last Time and Next Time segments. You defended, saying they were useful for tightening the episodes, but I put forth, as shown here, that some valuable stuff can be lost. Of course, it's doubtful you would've wanted or could've gotten a 6th Part to AWAKENINGS, but don't you think you could use ANY extra time you have to better flesh things out?

Greg responds...

The trio are new to this warrior thing at the time of the Viking attack. Brooklyn takes it more seriously, and unfortunately we don't see much with Lex (not enough time in the episode). Broadway enjoys the battle and doesn't take it as seriously as he should. We did this on purpose in order to contrast his response in the second battle at the Viking encampment.

I don't think the realism was damaged (though, of course, you're entitled to your opinion). I just think we were showing a variety of responses to the stimuli at hand.

And we did show the elderly -- in the person of Hudson. We couldn't show everyone, so he stood in for all of his generation that still survived. The only group we didn't show at all were kids (Bronx's age). It was felt that it would just be too brutal to establish and show these kids -- only to have them smashed later.

As for the prologue, well, I liked it too. But talk about superfluous...

I mean, what would you have been willing to cut from the episode in exchange for adding that prologue. It's not like I can say, "Hey, we want this prologue. Let's animate an additional three minutes here." Ultimately we have an absolute time limit to every episode. A footage limit (based on budget concerns) that we are allowed to send overseas to be animated. Something had to go. And I think the Captain's line covers the necessary info. It might not be elegant. But it's servicable.

But don't start on the Previously and Next Time segments. They don't count. What I'm talking about is how much we were allowed to ANIMATE at our budget. That was limited to about twenty-two minutes and thirty seconds. Putting entire new sequences in would require us to speed up the pacing of everything else. Using thirty seconds for a PREVIOUSLY segment allows us to tighten pacing and cut out bad frames of animation once something is animated. Because, the truth is, nothing ever came back to us PERFECT. NOTHING.

So AGAIN, had I cut all those previously and next time segments you would not have gotten any extra scenes. You just would have had the scenes you saw with some bad animation and pacing left in. And if there's still bad animation and pacing in there -- well, trust me, we used those thirty seconds to cut out the worst of it.

We clear now?

Response recorded on February 07, 2001

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LSZ writes...

Would the Loch Ness Monsters ever be featured in Dark Ages or Timedancer?

Greg responds...

Maybe.

Response recorded on February 07, 2001

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Aris Katsaris writes...

A question about rookery generations...

1. If the Wyvern massacre had not happened, would the Trio normally have been considered rookery parents to the eggs that would have hatched in 998? Or was the generation of the first rookery parents the one immediately older than them? (Goliath, Demona, ColdTrio, etc)

In short are rookery parents 40 or 60 years older than their first rookery children?

2. What if one of the gargoyles had mated really young (teen pregnancy) and contributed an egg by the time she was biologically 15? Ten years later would she *not* be considered a rookery mother even though she had biologically contributed an egg? Or would she be treated as an exception among her generation?

3. For that matter would Iago be considered a rookery father to the eggs simply because of his generation, even though he was mateless and hadn't contributed an egg himself? Or not?

Greg responds...

1. 60.

2. Gargoyle females aren't generally fertile by age 30 (biological age 15). This decision, frankly, was probably S&P driven originally, but I'll stick with it now. Garg females generally lay three eggs in a lifetime at age 50, 70 and 90 (biological age 25, 35 and 45). This further separates them from human biology, which I kinda like. And keep in mind, sex drive isn't limited to fertile cycles.

3. First off, did I ever say Iago was mateless? But to answer your question, Iago would likely have been viewed as a Rookery Father (or at least Rookery Uncle -- though there would be no such terminology) UNLESS he made a personal point of not accepting that responsibility.

Response recorded on February 07, 2001

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matt writes...

i'd just like to make a comment about gargoyles kissing. i think that stroking the brow ridges or hair is an extremely intelligent and important things in the garg series. first of all, it gives them some culture very different from humans and second, given that many gargs have beaks kissing becomes kinda hard to do. i'm surprised that Broadway and Angela kiss but i understand Greg's explanation that this is because of human influences on these two. good job, Greg, these subtle differences between humans and gargs really gives depth to the show!

Greg responds...

Thanks.

Response recorded on February 07, 2001

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matt writes...

i have a question about gargoyle customs. you've said that Opheila is Gabriel's second in command and for a time, Demona was Goliath's second, is it common among gargs to choose their mate as second? if so, isn't that unfair to the other gargs hoping to become second, or am i thinking too much like a human?

Greg responds...

You're generally thinking too much like a human.

The bigger issue over time is age. A second should be in a position to be groomed to take over for his leader, either in case of an emergency (as when Brooklyn took over for Goliath during the World Tour) or in the case of succession, as when the older Hudson stepped down in favor of the younger Goliath.

Had things gone differently at Wyvern, eventually either Demona would have stepped down to allow a new second to be chosen from the younger generation (most likely Brooklyn) OR Goliath would have stepped aside to allow Demona to lead and chose a new younger Second (again, most likely Brooklyn).

It's largely a meritocracy otherwise. Hudson chose Goliath as his second based on a myriad of positive qualities but primarily integrity, intelligence, natural leadership abilities and a genuine ferocity in battle.

Goliath in turn selected Demona for the same qualities. *He was just mistaken about the integrity.*

As for Avalon, the situation is a bit different, as all the gargs there are of the same generation. Originally Gabriel was chosen as leader and one of his many rookery-siblings Angela was chosen as his second. When Angela left, Gabriel did select his mate as his second, at least for the time being. But you can bet Ophelia was qualified -- look how she performed even when wounded in Avalon Part Three -- or he would not have chosen her. Does nepotism play a part. Possibly. But I'd think that the qualities necessary would have to be even more obvious to avoid charges of nepotism.

In London, Una is the leader of the clan. Her second, whom we have not yet met, is of a younger generation and generally runs things at their more rural (or at least suburban) estate.

In Japan, Kai was the leader. Yama, of a younger generation, was his second. After Yama's banishment, Yama's mate Sora was probably chosen as Second (though don't hold me to that). Again Sora's chosen for her attributes and (relative) youth. Someday -- short of a catastrophe taking place -- she will lead the clan in Kai's place.

In Guatemala, Zafiro is the leader. His second is not his mate Obsidiana, but Turquesa, Jade's mate. They are all of the same generation, but they are also the only gargs alive down there at the moment. (Not counting the eggs.)

Response recorded on February 07, 2001

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Mel. I. C. writes...

ME Again! Hi!!!
1. If G. an' E. really,REALLY want a kid together, thought of Titania or Xanatos offering them the chance, would they choose sorcery or science?
2. Any other gargs and humans out there pursuing relationships like G & E??

Greg responds...

1. Ultimately, neither.
2. No.

Response recorded on February 07, 2001

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CONCEPTION

A random bit of information that I thought I'd post while I'm thinking of it. Based on my current research, Alexander Fox Xanatos was conceived sometime between September 6th, 1995 and November 16th, 1995.

This may change, or I may eventually be able to pin it down more. But right now, that's my most current info.


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Chapter XXV: "City of Stone, Part Four"

Time to ramble...

Picking up right where Part Three leaves off, Demona is forced to back off on killing Elisa right away because of Bronx. I really like that scene, mostly for how it illustrates Bronx's level of sophistication. It's not like he understands English, beyond a few simple names and commands. But he understands tone of voice. Something that Demona uses. She talks him down by saying nasty things in a nice tone of voice. He's still suspicious. But as long as her actions and tone don't get hostile, he's content to back off. At one point though, she can't restrain her venom, and he starts to growl again. And she has to regain her composure.

FLASHBACK

Great Choral music during the battle. Carl Johnson and music editor Marc Perlman (both of whom will be attending the Gathering this June in Los Angeles) did a magnificent job with this.

And there's some great fog as well.

It's also nice to see a legitimately joyful Demona, hoisting Macbeth into the air. He laughs, but his mind's on other things, wondering why Bodhe wanted to talk to him without Demona present. Perhaps he's feeling guilty. Perhaps she picks up on that, which is why she eavesdrops.

A tragedy of bad timing: My sense is that Macbeth is about to read Bodhe the riot act, when Luach interrupts. Mac essentially agrees with Luach, but not with his manner. He takes JUST the wrong moment to teach him a lesson about being a good king. Luach reacts badly and storms out. And it is Luach's behavior that Macbeth is considering when Demona leaves. Two seconds later, I'm quite sure the conversation went like this:

Bodhe: "Well, sire?"

Macbeth: "Well, what?"

Bodhe: "The Gargoyles, sire. You must disavow them!"

Macbeth: "Don't be a fool." etc.

The siege is pretty cool too. (Though you'd think boulders dropped from the battlements would be a touch more effective.)

Mac rescues Gruoch. Even at this age, I still think they're a sexy couple.

I like the scene where Canmore removes his Hunter's Mask. Like Gille before him with Demona, he's truly annoyed when Mac doesn't immediately recognize him.

"Never would I have done so! We have been allies for thirty-seven years!!" Demona ain't a great judge of character.

Luach and Bodhe show up. I like this scene too. (O.K., I'm partial. What can I tell you?) Bodhe has an interesting moment. One of two things happens here. Either he's pleased to finally have one of his own blood (i.e. his grandson) installed as King or the death of Macbeth has finally awakened the hero inside him. Or both. For once, I tend to give Bodhe the benefit of the doubt. I think, at this late date, he's finally come into his own. I like to think he died a good warrior's death at Luach's side.

Demona wakes up. She claims not to believe Gruoch's admonishment, but NOTE, she does not kill Gruoch. Underneath it all, she knows that Gruoch is right and feels chastened.

Macbeth wakes up. Here we have our final scene on Lunfanan Hill. It parallels the previous break-up of Mac and Gru. That time Mac sent her away, but he loved her still. This time she sends him away. She loves him too. But this parting is permanent. Very moving to me. "I will always love you." And because of that, he must leave her. But we know he hasn't forgotten her even into the present. Her loss informs what follows.

Back to the present. Over episodes two and three, things in the present have been progressing very slowly. Now the present takes center stage.

Demona echoes what I'm sure by this time we were all thinking: "Take off that mask. You aren't fooling anyone... Macbeth." And he explains that he wears it as a symbol of her betrayal. (And for a psychological edge, no doubt.)

Meanwhile, we have that semi-feeble exchange between Goliath and Xanatos in the air. Feeble (a) because in one little scenelet, the mouth on Xanatos' armor is moving like it had lips; and (b) because the whole tapestry thing was a fairly forced way to get X and Goliath back to the castle.

I like Demona's line: "Let's not start that again. You blame me. I blame you..." etc. It's a very rational Xanatosian moment for her. But that rationality is born from the knowledge that she can't kill Macbeth without killing herself. Her usual vengeful attitude is useless. What she doesn't know is how suicidal he is. "Revenge is a dish best served cold. And I have waited 900 years for mine." Hey, leave a dish out for 900 years and it will get pretty cold.

There's always a bit of comedy in the pain-sharing battles of D&M.

When the floor starts to give way, it reminds me of a scene that was WAY better animated in the DuckTales pilot. Where the bricks of gold fall away in a simlilar vein. It's nice here, but it was awesome there.

I also like when Demona has Mac's E-M gun, tosses it and catches it to fire at X and G. Nice little touch.

And Xanatos' truly frightened yet underplayed: "This is bad." when he sees the computer screen.

I like the multiple falls that get us down to the Atrium -- a wonderful setting for the final confrontations.

And Goliath's speech: "...Death never does."

Again we get multiple images of the Sisters throughout this scene. And again, I had to fight for that.

Each Sister gets to take a mental punch to weaken first Macbeth and then Demona. Are they being hypocrites here? One aspect of their persona is, certainly. But there's more going on, some of which I still haven't revealed.

But the key thing in terms of this scene (and the events of AVALON) is that both Mac and Demona need to be mentally weakened for the spells of control that the Sisters are going to use on them in HIGH NOON and AVALON. And M&D need to borderline volunteer to relinquish control over themselves. Macbeth, who has been suicidal, is tired and willing. Demona's tougher. But even she doesn't put up much of a fight. "You tricked me." she says. And certainly they have, but she can't break the grip of three children, and though of course they are not ordinary children, one must wonder if she really wanted to.

Goliath: You have learned nothing.

The sisters (as children) say their cool (and ironic) line: "We have written their stories. They are our responsibility. They are our children." My three year old son Ben says: "I love the triplets."

But theirs is a story for another day.

Xanatos really has to sweat in this one. Unusual for him. I love his line to Bronx: "What are you looking at?"

But once the skies burn, he's back to his old self: "Magnificent." Believe it or not, it took some effort to really get the skies burning. The animation came back with only a few contrails of gas burning. We used video tricks to get that whole sky-burning effect that was SO important to the story.

When the gargs rush back inside they were supposed to lift Elisa up into the air in their joy at seeing her unstoned again. Thus you have contrast to explain Xanatos' line to Owen, "You'll forgive me, if I just shake your hand." (But you also have to wonder how he'd respond to Fox when next he saw her.)

And Xanatos gives a line I'd been waiting to use for a year. "I always wondered why I allowed you gargoyles to live. You come in handy now and then." I had always worried that an audience raised on certain villain cliches would just assume that the reason Xanatos never killed the gargs on one of the myriad occasions when he had the chance, was because we were bad writers. This X/G exchange was here to demonstrate that X wasn't that kind of villain. That he was never wasteful. Maybe at this point in the series, it wasn't necessary to spell it out. But it was still nice to get the sentiment across.

Of course, this ends the Xanatos/Demona partnership. Uneasy though it had been. It's why VOWS had to come first.

And that's my ramble...

Where's yours?


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My Journey to Oregon...

Around March of 1993, my boss at Disney, Gary Krisel, became fascinated with comic books -- mostly because his sons were collecting. At the time, no one was more successful than Tod McFarlane. He had launched SPAWN, and for awhile at least was bringing in multi-millions of dollars per month. WOW. I had worked briefly with Tod at DC Comics in the mid-eighties, when he was penciling INFINITY INC. for Roy Thomas, and I was Roy's Associate Editor on the book. At the time, Roy was a huge fan of Tod's. Most everyone else at DC thought his work was too eccentric. What did they know?

So anyway, Gary had me contact Tod. He wanted to see if he could get Tod interested in participating in GARGOYLES. We arranged a meeting at Tod's new home in Oregon. I prepared yet a tenth pass at the pitch, and Gary and I flew up north for an hour meeting with Tod. I did pitch the show, but Tod was way too focused on SPAWN to have any real interest. He and Gary talked about strategies for turning Spawn into a movie, and then we flew home. Nothing ever came of it. But here's the pitch, I pitched Tod:

GARGOYLES McFarlane Pitch
Semi-Modified Tenth Pass (Weisman / 3-4-93)

I. Trio of typical stone GARGOYLES.

"These are GARGOYLES. Ugly, stone statues that squat on the roofs of old buildings. But there was a time, one thousand years ago, when gargoyles were real, living creatures. During the day, they slept...frozen in stone."

II. GOLIATH, the GARGOYLE-MASTER. Proud and Noble.

"But when the sun went down, GOLIATH, the GARGOYLE-MASTER would lead his gargoyle-warriors in defense of the king's castle."

III. HUMANS scorning the Gargoyles.

"For these efforts, Goliath received no reward, no thanks or even kindness. In fact, the people of the castle treated all gargoyles with nothing but contempt."

IV. The Gargoyle-Master alone in the throneroom.

"Still Goliath could no more stop guarding the castle than breathing the air. It's part of a gargoyle's nature to be territorial, protective. And so for years, he maintained his lonely vigil. Then one night, Goliath was betrayed and lured away from his post."

V. SORCEROR curses Goliath and the other gargoyles on the castle ramparts.

"The castle was overrun and sacked. Goliath and the surviving gargoyles were unfairly blamed. The kingdom's SORCEROR laid a curse upon them, and they fell into a stone sleep--that lasted a thousand years."

VI. Castle on the skyscraper.

"New York City, 1994. A rich and powerful man has decided there's a better place for a medieval castle than a picturesque hill in Scotland. He's moved the whole place--lock, stock and gargoyle--to the top of the tallest skyscraper in Manhattan."

VII. Police Detective ELISA CHAVEZ.

"All of which means absolutely nothing to New York City Police Detective, ELISA CHAVEZ. She doesn't care about castles, and she doesn't believe in curses. She's hot on the trail of a major badguy."

VIII. She's ambushed on a rooftop by multiple THUGS. She's got the drop on most of them. But someone's about to nail her from behind. (And from another rooftop, someTHING is watching in the shadows.)

"Too bad that trail leads her right into an ambush. But thank goodness, a shadowy figure sees what's happening and decides to help."

IX. Reveal THE GARGOYLE, determined, as he dives into fray from above.

"Thank goodness for THE GARGOYLE."

X. Gargoyle lifts a badguy with either hand. While a third shoots at him, the bullets glancing off his stone-like hide.

"Goliath benchpresses two badguys easy. And that stone-like hide of his makes him practically invulnerable..."

XI. Romantic shot in moonlight. Close in. She reaches up to touch his face gently. He looks handsome and noble and just a bit uncomfortable and sad.

"...To everything but Elisa's kindness. She is the first human being who's ever offered him understanding and friendship, hope..."

XII. From atop the skyscraper, she shows him Manhattan. The city as fortress. This is our showpiece card.

"...And a sense of purpose. She introduces him to his new home, Manhattan, and asks for his help in protecting it against modern day barbarians."

XIII. HUDSON. (One pose, plus two headshots.)

"Fortunately, our hero isn't alone. This is Goliath's old friend HUDSON, a Gargoyle-Warrior long past his prime. Hudson helps out by keeping an eye on the young Warriors-in-training..."

XIV. Trio of young Gargoyles, BROOKLYN, LEXINGTON and BROADWAY. Same as card 1. (But in color, perhaps?)

"...BROOKLYN, LEXINGTON and BROADWAY. (Uh, they picked their own names.)"

XV. BRONX, the DOG. (Multiple poses.)

"And then there's BRONX, the Gargoyle-dog. He's not a big fan of adventure."

XVI. Bronx (two poses) chewing on a fire hydrant and flying.

"He just likes to eat a lot, sleep a lot and make a general mess."

XVII. Goliath and Elisa try to be inconspicuous on the Subway.

"Goliath has wider interests, but it can be hard for a seven-foot medieval monster to squeeze into the modern world."

XVIII. Interior of Gargoyle lair.

"Sometimes he just needs to retreat back to the old castle and let time stand still. Of course that can be tough too..."

XIX. XAVIER.

"Especially with XAVIER around. Rich, powerful and arrogant, Xavier bought the gargoyles' castle. Now he thinks he owns the gargoyles too."

XX. ROBOT climbing building toward Gargoyle.

"If something rotten is happening in New York...odds are Xavier's behind it."

XXI. DEMONA with BIG GUN.

"But Goliath's greatest foe is the evil gargoyle DEMONA."

XXII. Demona vs. Goliath, above the city.

"Once she and Goliath were friends. Now, she's his sworn enemy, and she won't rest 'til she controls the night..."

XXIII. Stone version of our Gargoyle. Looking vicious and scary. Daylight.

"And the night is all that matters, because the gargoyles still sleep as stone statues during the day, finding an outdoor ledge just before sunrise and striking a pose that could give you nightmares."

XXIV. Night. Goliath, handsome and noble again, on top of a skyscraper with the full moon, Elisa and the other Gargoyles right behind him. Gothic mood, but clearly set in the present.

"But when the sun goes down, they're our only protection from the city's dark terrors."

XXV. Title Card: "GARGOYLES".

"They are the GARGOYLES."

XXVI. KID at Disneyland.

"Joining the Disney Family in 1994."


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Chapter XXIV: "City of Stone, Part Three"

Time to ramble...

So the sun rises on the next day. Elisa IMMEDIATELY starts talking, even though she's facing the wrong way, putting to the lie all those nice fans who tried to make excuses for why she was animated facing that direction.

It's also kind of cool to watch Goliath and Brooklyn turn to stone and then see Owen turn from stone to flesh. He's got that URGENT-Owen tone going there for a sec, then quickly regains his usual Owen composure. It's fun.

There's a line in here about mixing magics, which was supposed to be a vague, vague cover for later revelations that Owen is Puck. Owen suggests getting the Grimorum from Goliath. X responds it wouldn't do any of them any good since none of them are sorcerors and MIXING MAGICS is supposed to be dangerous. That last phrase is REALLY a reference to a notion in X's head, that Puck might be able to help. X than rejects the notion himself. He's right about mixing magics, but that isn't the main reason that Puck won't help. Puck won't help because that's not the deal that Owen made with Xanatos.

I like Xanatos' casual confidence though: "We'll just have to set the sky ablaze."

Travis scene is fun for me too. Gives me one of those oblique opportunities to semi-break the fourth wall. A woman comes up, tells Travis the truth. He discounts her story, nominally because she doesn't watch television. Anyone who doesn't watch television must be a kook. Now a report on Mass Hypnosis... (That last bit is in there to explain in passing what the world response to the City of Stone events is likely to be.)

FLASHBACK TIME: Duncan has a beard. "Some cousins are not that close." I love how Neil Dickson read that line. And I love Duncan's genuine surprise when Mac saves his life.

Mac saves Demona again. Proving what a good, loyal guy he is.

And then we bring in the Weird Sisters, in the most SHAKESPEAREAN scene in City of Stone.

But first let's talk about the title. I LOVE that title. "CITY OF STONE". I think it was one of mine. But I have to admit it's flawed. Though it's spooky and evocative it really only covers the present day story. The present day story is certainly important, but I think we'd all agree that the real juice in this four-parter is in the tenth and eleventh centuries. And the title doesn't really cover that stuff at all. I didn't notice it at the time, because the importance of the flashbacks snuck up on me. At first I thought they would simply inform the action in the present. But it wound up being more of the reverse. Still I like the title. It sounds like a Movie title to me. What do you guys think?

Anyway, we bubble, bubble, toil and trouble it a bit. I love the nasty expressions that Canmore and Luach shoot each other. [I also love J.D. Daniels work as Canmore. He's such a little nasty. Great contrast to his work as the goody-good kid Tom.]

I'm fairly certain that we screwed up on Luach's name. The name should have been Lulach. But a typo got us stuck on Luach. At first I thought maybe either name would be accurate, like Malcolm and Maol Chalvim. But now I think we just blew it.

I love Luna's line: "You would lecture US on fate."

Erin, my six year old daughter, began to get very annoyed with Duncan here. "Why doesn't he give Macbeth one chance? He just saved his life! Duncan is a fraidy-cat. And stupid." I love a good judge of character. When Bodhe ("Be reasonable, Macbeth") tells Mac that Duncan's after him, and Mac can't believe it, Erin felt quite vindicated, "See, [Mac] just asked the same question that I did."

I like Mac's sad line to Gruoch: "The Journey will be brief."

And I like D and Mac's exchange:

Mac: "You are the answer."
D: "I'm uninterested in the question."

Ben, my three year old son, was having a little trouble with how fast everyone was aging. He didn't always get that the flashbacks weren't taking place right after each other. He got the difference between past and present. But not that we kept leaping forward from say 1032 to 1044 etc. "That's a different Demona," he would say, before I explained that she was just getting older. It then occured to me that I'm not even sure if he knows that white hair specifically signifies old age in a cartoon. After all, Brooklyn's hair is white. So's Luna's, in all her forms. (It's supposed to be silver, but it looks white most of the time.)

Mac is surprised, and not a little freaked out, to hear that there's still a Hunter out there. With Gill dead, he has no clue who it could be.

He offers an alliance, and Demona -- clearly thinking of the Captain of the Guard -- says, "You sing an old song." That, for me, helped tie in our Wyvern flashbacks to the whole Mac/Demona story. I was always afraid they weren't really related enough.

The whole thing with the Sisters looking different depending on the point of view, was another idea of mine that most people thought I was nuts about. (Like having characters unaware of the change in themselves in "The Mirror".) It worked just fine, and in many ways is clearer than any alternative I can think of. But man, I had to WORK to convince people.

The sisters are pretty tricky here, they use the barest excuse of an offered trade to more or less enforce their will on Mac and D. Bending Oberon's law without breaking it. That's not too important here, but will obviously be important in later episodes.

The clues of course are planted in the spell. "Forever and eternal bound and each the other's pain resound." How many people got the implication here as opposed to figuring it all out when the sisters explained it near the end of part four?

Seline handing Mac that magic ball was another instance of us cheating a bit. We were sick of using the fall to the death shtick. But we couldn't just have Duncan skewered. So this was an S&P compromise. The good news was it looked pretty cool. Brief but scary. It even seems to scare Mac.

When Gruouch says that she's afraid Mac's made "a bad bargain," she was supposed to touch his hair to give a visual reminder that he had given up his youth to protect his clan -- and that it scared and saddened her more than a little. I gave that note over and over, but somehow it never got in there. It still works, but I really wish she had run her fingers through his hair there.

D likes Mac and Gruoch here. Look at her face. Maybe she sees a bit of herself and Goliath in them. (With Gruoch as Goliath, of course.)

I like the battle too. It's very economical staged, yet it feels kinda epic to me. Very smartly story-boarded. I really like Demona's clean sweep of Duncan's cavalry off their horses.

Mac says: "You fight like a demon." Laying the groundwork for Demona to get named. This was a bit of an argument with S&P. "Demon" was supposed to be an off-limit word for us. I convinced Adrienne Bello it was important to justify Demona's name. And my bosses backed me up. (That never happens anymore, by the way.)

There's a character in here that we never name except in the credits. He's Duncan's right hand man and Demona appears to brain him by flying him head first into a big rock. He's called MacDuff in the credits. Obviously, another name from Shakespeare. I think maybe he didn't die, but became an ally of Canmore's in part four. But I'm not sure. I know that in part Three, Charlie "Travis Marshall" Hallahan did his voice. In part Four, the character I'm thinking of (both of whom have red hair at least) is voiced by Jeff Bennett.

M&D find the mask with Duncan, and Mac says, "so the battle is truly over for us both." Which is majorly ironic, since we know the battle will continue for at least 900 years.

Bodhe comes out from the background only after "THE NIGHT IS WON!"

Bodhe, though contemptuous, is a very fun character to write. I love his little aside about Canmore: "He'll be trouble; slay him now." We like Mac better that he won't kill a child. But you'll notice that Demona won't kill the kid either.

The coronation is fun. That whole naming sequence is fun.

M: "They will learn to respect you."
D: "I'd rather they feared me."
M: "They'll do that too... 'Demona'"

A nice bow tied on that "Know her?!! I named her!!" line from way back in "Enter Macbeth".

Now as we prepare to segue back to the present, Erin recognizes the three sisters as serving wenches "Because of their hair". To which Ben says, "Me too". But when we get to the present, neither realize that the sisters are also posing as cops. Mostly, because they're police hats largely cover their hair.

Now finally, back to Elisa. Confused as hell, but beginning to catch on at the mention of PackMedia Studios. She heads for the Eyrie. X's response: "Ah, the charming Detective Maza." Love that guy.

Owen and Elisa do their little dance and we get to play a gargoyle recurring bit with them as they freeze into stone mid-argument. At this point my kids catch on to the basic rules. (All of which might have been clearer if we hadn't had such a big gap between watching part two and part three). Erin: "So the humans are the opposite of the Gargoyles. When they turn to stone, the others wake up."

Xanatos starts explaining the plan, and my son turns to me and says, "Daddy, I have to tell you something." [Which is how he starts most conversations these days.] "I had a lot of dreams about fire in the sky." I'm not sure if I believe him, but it was a nice conversation piece.

I like the way Goliath looks at Elisa when he says, "This has to work." Feelings showing.

Then everyone leaves to go pass gas. :) [I know. I'm really mature.]

Bronx goes after the tapestry. We wanted to keep that subtle so that we weren't tipping our hand. Did anyone wonder about that or did it just slide by? Did anyone remember at the cliffhanger that Bronx had been left behind to save Elisa?

Anyway, there's my ramble. Where's yours?


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FOCUS TESTING

Perish the thought that a yes answer can just be a yes answer. We had approval to proceed, but the powers that be at Disney were still not sure about doing this kind of cartoon at Disney. So they decided to focus test it with kids. Of course, we didn't have an episode produced yet to focus test. So they decided to put the pitch on video, and here I was doing a "Modified Ninth Pass" on the pitch, for this test.

In a focus group test, for those of you who've never heard of one, they pull a bunch of kids more or less off the streets (or out of malls) and put them in a room to watch a cartoon or something. Then a moderator asks questions, while we watch behind a one-way mirror and/or on closed-circuit t.v. The process, from my point of view, is WAY less than scientific, as one strong personality can push an entire group into saying almost anything. Some kids try to guess what answers the moderator wants, and try to make him happy or piss him off. The mere fact that they try this skews the results whether they're successful or not. Also answers get confused, particularly with kids. A kid will say, for example, that he or she "didn't like the villain." That might mean that he or she thinks it's not a very scary or interesting villain. Or it might mean they think it's a GREAT villain to hate.

Personally, focus groups are fascinating to watch in the way a train wreck is fascinating. You can't take your eyes off it. But as feedback goes, I don't hold much store by them.

GARGOYLES FOCUS GROUP VIDEO-SCRIPT
Modified Ninth Pass (Weisman / 1-29-93)

1-A. Trio of typical stone GARGOYLES.

"These are GARGOYLES. Ugly, stone statues that squat on the roofs of old buildings. But there was a time, one thousand years ago, when gargoyles were real, living creatures. During the day, they slept...frozen in stone."

2-B. GOLIATH, the GARGOYLE-MASTER. Proud and Noble.

"But when the sun went down, GOLIATH, the GARGOYLE-MASTER would lead his gargoyle-warriors in defense of the king's castle."

3-C. Goliath reading in library, sitting on small gargoyles.

"And if there was no battle to be fought, he'd retreat to the library to read and learn, all the while making sure that the other gargoyles stayed out of trouble."

4-D. HUMANS scorning the Gargoyles.

"For all these efforts, Goliath received no reward, no thanks or even kindness. In fact, the people of the castle treated all gargoyles with nothing but contempt."

5-E. The Gargoyle-Master alone in the throneroom.

"Still Goliath could no more stop guarding the castle than breathing the air. It's part of a gargoyle's nature to be territorial, protective. And so for years, he maintained his lonely vigil."

6. Close-up of Goliath.

"Then one night, Goliath was betrayed and lured away from his post."

7-F (and/or 7-Alt). SORCEROR curses Goliath and the other gargoyles on the castle ramparts.

"The castle was overrun and sacked. Goliath and the surviving gargoyles were unfairly blamed. The castle SORCEROR laid a curse upon them, and they fell into a stone sleep--that lasted a thousand years."

26. Xavier.

"Now it's 1994. A rich and powerful man has decided there's a better place..."

Pre-8. Castle.

"...for a medieval castle than a picturesque hill in Scotland."

8-G. Castle on the skyscraper.

"He's moved the whole place--lock, stock and gargoyle--to the top of the tallest skyscraper in Manhattan."

9-H. Police Detective ELISA CHAVEZ.

"All of which means absolutely nothing to New York City Police Detective, ELISA CHAVEZ. She doesn't care about castles, and she doesn't believe in curses. She's hot on the trail of a major badguy."

10-I. She's ambushed on a rooftop by multiple THUGS. She's got the drop on most of them. But someone's about to nail her from behind. (And from another rooftop, someTHING is watching in the shadows.)

"Too bad that trail leads her right into an ambush. But thank goodness, a shadowy figure sees what's happening and decides to help."

11-J (and/or 11-Alt). Reveal THE GARGOYLE, determined, as he dives into fray from above.

"Thank goodness for THE GARGOYLE."

12. Gargoyle lifts a badguy with either hand. While a third shoots at him, the bullets glancing off his stone-like hide.

"Goliath benchpresses two badguys easy. And that stone-like hide of his makes him practically invulnerable..."

13-K. Romantic shot in moonlight. Close in. She reaches up to touch his face gently. He looks handsome and noble and just a bit uncomfortable and sad.

"...To everything but Elisa's kindness. She is the first human being who's ever offered him understanding and friendship, hope..."

14-L. From atop the skyscraper, she shows him Manhattan. The city as fortress. This is our showpiece card.

"...And a sense of purpose. She introduces him to his new home, Manhattan, and asks for his help in protecting it against modern day barbarians."

15-M. HUDSON. (One pose, plus two headshots.)

"Fortunately, our hero isn't alone. This is Goliath's old friend HUDSON, a Gargoyle-Warrior long past his prime. Hudson helps out by keeping an eye on the young Warriors-in-training..."

16-N. Trio of young Gargoyles, BROOKLYN, LEXINGTON and BROADWAY. Same as card 1. (But in color, perhaps?)

"...BROOKLYN, LEXINGTON and BROADWAY. (Uh, they picked their own names.)"

20-O. BRONX, the DOG. (Multiple poses.)

"And then there's BRONX, the Gargoyle-dog. He's not a big fan of adventure."

21-P. Bronx (two poses) chewing on a fire hydrant and flying.

"He just likes to eat a lot, sleep a lot and make a general mess."

23-Q. Trio uses Bronx to play trick on Hudson.

"All in all, it's a lot for Hudson to handle."

24-R. Goliath and Elisa try to be inconspicuous on the Subway.

"Not that Goliath has it any easier. It's hard for a seven-foot medieval monster to squeeze into the modern world."

Pre-25 (and/or Pre-25-Alt). Exteriors of castle.
"Sometimes he just needs to retreat back to the old castle..."

25-S. Interior of Gargoyle lair.

" and take it easy. Unfortunately, he doesn't get much time for relaxation..."

26. XAVIER.

"Not with XAVIER around. Rich, powerful and arrogant, Xavier bought the gargoyles' castle. Now he figures he owns the gargoyles too."

30. ROBOT climbing building toward Gargoyle.

"If something rotten is happening in New York...odds are Xavier's behind it."

31. CATSCAN is discovered by Goliath and Elisa.

"Then there's CATSCAN. A scientist mutated by his own experiments..."

32. Catscan, in full pose and "Night Vision" head shot.

"...Into a bitter criminal with deadly Night-Vision."

33. DEMONA with BIG GUN.

"But the toughest villain of them all is the evil gargoyle DEMONA."

34. Demona vs. Goliath, above the city.

"Once she and Goliath were friends. Now, she's his sworn enemy, and she won't rest 'til she controls the night..."

35-T. Stone version of our Gargoyle. Looking vicious and scary. Daylight.

"And the night is all that matters, because the gargoyles still sleep as stone statues during the day, finding an outdoor ledge just before sunrise and striking a pose that could give you nightmares."

36-U. Night. Goliath, handsome and noble again, on top of a skyscraper with the full moon, Elisa and the other Gargoyles right behind him. Gothic mood, but clearly set in the present.

"But when the sun goes down, they're our only protection from the city's dark terrors."

37. Title Card: "GARGOYLES".

"They are the GARGOYLES."

38-V. KID at Disneyland.

"Joining the Disney Family in 1994."


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Still at work on the pilot...

This is still us trying to work out the story we wanted to tell with the first writer we hired for the project (one previous to Eric Luke and two previous to Michael Reaves). I remember this writer felt that having the gargs turn to stone EVERY night was too limiting. He asked us to drop that. I didn't want to, but checked with my boss Gary Krisel for confirmation. Gary agreed with me, so the first order of business was confirming that rule.

Much of the rest of this is a repeat of stuff that already got said. The fact that I had to keep repeating myself was probably not a good sign that we had the right person for this particular project. (I've mentioned before, that I very much admire this writer; it was simply two people seeing things two different ways.)

GARGOYLES 1-22-93
Notes on First Part of multi-parter.

GENERAL NOTES
The following combines (in as coherent a form as we could manage) the General Notes of all concerned.

--First off, we raised the issue of the stone/day - alive/night rule and the problems it can potentially cause. The consensus was an acknowledgement of the difficulty, but a real desire to keep that element. Gary, in particular, felt very strongly that it was one of the main appeals to the concept: an automatic ticking clock to every story, kryptonite, etc.

--Though we all agree that the ECLIPSE would make a great episode some day, we're very concerned about establishing the gargoyle rules here in the first part. We don't want to confuse the issue with an eclipse.

--We want to keep the story largely from Goliath's point of view. His problems. His tragedies. But we don't want him to be a morose character. He's optimistic (until the very end). He believes that in time humans and gargoyles will learn to get along better. He has a sense of humor. He's heroic not dour.

--The-not-yet-named-Hudson is Goliath's aide and advisor. He is NOT a baby-sitter to the kids. In fact, if Goliath requested him to act as baby-sitter, he'd probably refuse. From his point of view, Goliath's the gargoyle-master, and the kids are his responsibility.

--Anyway, we'd like to establish the kids independence from the get-go, to help establish them as being more teen-age in nature than real young. They don't need a chaperone. They're cocky and gung ho.

--We also felt strongly that the castle should be home to both the gargoyles and the humans in 994 A.D. We discussed the following back-back-story as rationale:

Long before 994, there was a gargoyle rookery high on a rocky promontory overlooking the sea. Medieval man sought out these rookeries as prime real estate for building their fortresses or castles. For one reason, the cliffside protected there backs, and the only accessible wall was easily manned by archers, etc. Secondly, medieval man knew that the gargoyles were instinctively territorial and protective of the rookery's inhabitants, whether those inhabitants were gargoyles or humans. If the humans of the castle could put up and co-exist with the gargoyles they'd have a built in group of warriors at night. And it was mutually beneficial: the gargoyles received human protection during the day.
Though not as rare in Europe as, say, the giraffe, even then Gargoyles and their rookeries were scarce. A castle-builder who couldn't find one to build on might carve stone gargoyles to fool and thus scare away would-be attackers. (Back then everyone knew about gargoyles.)
But our castle in Scotland was built on a rookery. And the gargoyles and humans have coexisted there for years. But as our story opens, relations are tense. Humanity as a race is taking on airs. To the humans, the gargoyles are uncouth. Grotesque. Ill-mannered. Nocturnal, and therefore noisy at night when humans are trying to sleep. Considered, at best, a necessary evil.

STORY NOTES
--The following "outline" is only designed to track the story and lay out the serious, emotional underpinning. It still needs to be injected with fun, humor, exciting action, etc. It comes to a tragic conclusion, but we aren't looking for 22 minutes of depressing tragedy. Obviously, it can be improved upon. Also, most of these scenes can be very quick.

ACT ONE
I. Open with peasants struggling on foot up the hill toward the castle on the promontory. It is minutes from sunset.
A. Intro ROBBY (a peasant boy) and ROBBY'S MOM. She's hurrying her son along (with other peasants) so that they reach the safety of the castle walls before the advancing army of MARAUDERS.
1. They enter the castle. The gates are closed.
B. CAPTAIN of the Guards has all his archers at the ready on the castle battlements. We establish hideous stone gargoyle statues.
C. Outside the castle, just out of arrow range, the Marauding Army waits for sunset. It's a large force.
1. LOCHTER, purely evil leader of the Marauders, is keeping his men in line. (Perhaps violently.)
2. One MARAUDER asks Lochter why they wait: "What about the Gargoyles?"
a. Lochter tells him that every castle in Scotland claims to have Gargoyles. Most are just statues. Soon it'll be dark. The archers won't be able to pick them off. They'll attack.
D. Darkness falls. Silently, the marauding horde climbs the hill. The Captain tells his men not to waste their arrows.
1. Marauders attack, perhaps with grappling hooks and ropes, their own archers, etc. Perhaps one grappling hook flies toward the largest of the stone gargoyles.
a. GOLIATH, the GARGOYLE-MASTER, suddenly comes to life, catching the hook. Play up the transformation big time. (Maybe as he awakens, he shatters a thin outer layer of stone, like shedding a new skin every night. Then again, maybe not.)
2. Goliath flies down upon the marauders, closely followed by many GARGOYLE WARRIORS. Fun action.
a. Maybe it looks for a moment as if Goliath has been dragged down by three or four marauders, but soon he's shrugged them off.
3. Prominent among the warriors is [DEMONA] a FEMALE GARGOYLE, that Goliath seems to favor.
4. Intro ELDER Gargoyle [HUDSON], who coaches from the battlements.
5. Also intro TRIO of "teen-age" Gargoyles [BROOKLYN, LEXINGTON, BROADWAY] and their GARGOYLE-DOG [BRONX]. One in particular [Lex] can't wait to be a gargoyle warrior himself.
a. The trio participates in action, but the way they fight brings in humor. More prankish. They make fools of enemy.
E. Gargoyles rout the Marauders who sound the retreat. The battle is over.

II. In throne room, intro the spoiled, beautiful, young QUEEN and her rich, foppish court.
A. Intro semi-dottering old WIZARD. Sweet, but largely ineffectual. Establish that his powers are on the wain. He needs to have his books of spells in front of him to perform any magic.
B. Captain enters with Goliath. They report the victory.
1. Though the Queen is polite on the surface, we can tell she took the victory for granted. We can tell she takes these two for granted. In fact, holds them in contempt.
a. Captain may be a bit of a pig. Tobacco-spitting kinda slob. Queen assumes Goliath's just like him.
b. Queen might also suggest that after this Marauder episode is done with, the Captain will be reporting to LORD FOPWORTH over here. Captain's clearly steamed.
2. Captain and Goliath exit, but before they're out of earshot, they hear the queen make snide, contemptuous comment about Goliath and Gargoyles.
C. Outside the throne room, the Captain and Goliath are joined by the old one [Hudson] and the female [Demona].
1. Captain is really burned up about the way Queen treats Goliath. Wants to know why Goliath puts up with it? Why he stays?
a. Female agrees.
b. Goliath responds on another level. He has the patience to wait for a better day. He sees a lot that's positive about humanity. And he's proud of his own race. Someday, things will get better. Besides, this is his ancestral home. The castle was built on Gargoyle Rookery. Gargoyles are instinctively and atavistically territorial beings. Where would he go?
c. Old Gargoyle is satisfied with answer. He and Goliath walk off.
d. We see that neither the Female nor the Captain find the situation satisfactory.

III. In open courtyard, where peasants are "camped out", we see Gargoyle dog and trio of young 'goyles wreaking havoc. A. They're waking people. Eating food, sloppily. Making a general mess. But not maliciously. They're just having a good time. (This should be a real fun, good time scene.)
1. It looks like fun to Robby the young peasant boy, and he moves to join them.
a. Robby's mom pulls him away. Gargoyles are dangerous and untrustworthy.
b. This really hurts the de facto leader of the trio [Lex]. He decides to live up to the gargoyle reputation and scare them.
c. He succeeds. Robby now believes Gargoyles are bad.
d. Goliath intervenes. Maybe even disciplines. (Though he's not humorless.) It's getting close to sunrise anyway.
2. Gargoyles all move to the battlements and strike a pose. They freeze into stone at daybreak. (We need to really play this up too.)

IV. Daytime in Lochter's camp. Marauders are nursing their wounds.
A. Lochter is visited by a mysterious shrouded figure who wants to make a deal. (Maybe to misdirect the audience, we will put this stranger in the voluminous robes of the Wizard.)
1. In exchange for a fair share of the profits, stranger promises to secure entry for Lochter and his men.
a. And they won't have to worry about Goliath or his Gargoyles.

ACT TWO
V. That night, Captain talks to Goliath, Female Gargoyle and Old One. (Perhaps in front of Queen, as well.)
A. Captain urges Goliath to take all his Gargoyles and chase Lochter's army out of the county.
1. Goliath doesn't like the idea. He basically believes in DEFENSE, not OFFENSE.
2. Captain, with some support from Female, argues that the best Defense is a good Offense.
a. Besides, Goliath doesn't have to battle Lochter's forces, he just has to put a good scare into them so they'll never come back.
3. Goliath reluctantly agrees, but he's not going to take all the gargoyles with him. He'll go alone.
4. Female takes him aside. It isn't safe. He could never fight off all of Lochter's army alone. She's worried about him.
a. But Goliath has no intention of fighting. And he can be plenty scary enough, by himself. (Makes a scary gargoyle face to prove it.)
b. She says, at least, let me go with you for back-up.
c. He claims he needs her (his best warrior) to stay behind at the castle. (But it's clear that truthfully, he doesn't want to put her at needless risk.)
d. To make her feel better, he agrees to take Old One with him, in case something goes wrong. But the rest will maintain their nightly vigil.
5. Goliath and Old One take off after Marauders.
B. Lochter gets word from the traitor: there's been a slight change in plans.

VI. Intercut between the following:
A. Goliath and Old Gargoyle follow the tracks of the Marauders by starlight.
1. Goliath is impressed by how fast the army has traveled in one day.
B. Another fun scene with the Trio and their dog, before they are chased off by frightened and annoyed humans.
1. They explore the bowels of the castle and find the ancient caverns of the Gargoyle rookery that the castle was built on.
C. The Captain is giving some odd orders to his night guards. Sending them away from weapons' room. Etc.
1. He is examining their bowstrings, etc.

VII. Goliath and Old Gargoyle catch up with "army", only to discover it is a small band of men running abreast without equipment.
A. Goliath realizes something's definitely wrong. He and the Old One head back to the castle. But it's almost dawn.
B. The sun comes up.
1. Goliath and Old One are frozen, en route back to castle.
2. Trio and Dog are frozen in bowels of castle.
3. Gargoyle warriors are frozen on parapets.
4. Archers take up their stations, unaware that their bows have been sabotaged.
5. The captain (i.e. the traitor) gives the signal for Lochter's men to attack.

VIII. Lochter and his army attack.
A. Each bowman gets off one shot, before their bowstrings snap. (The Captain had tampered with them.)
1. Soon the castle is overrun.
2. And it doesn't help that the Captain opens the gates as well. This is probably all we see. The rest [in brackets] is just for story-tracking purposes.
[ 3. The battle is short.
B. The castle is sacked.
1. Anything worth anything is taken by the marauders.
2. All the humans including the Queen and the Wizard and Robby and his mom are put in chains and dragged off.
C. Lochter's men begin to destroy the stone Gargoyles with maces.
1. Captain tries to stop it. This wasn't part of the deal and isn't necessary anyway.
a. If Marauders leave territory with their slaves and booty, the gargoyles won't follow. It's not in their nature.
2. Lochter isn't taking any chances. All the gargoyles are destroyed.
a. Ultimately, the Captain has no choice.]

IX. Fade to sunset. Goliath and Old One awaken and hightail it back to castle.
A. They arrive long after Lochter has left. A small fire still burns here and there.
1. The castle has been sacked of all valuables.
2. There are no people.
3. And worst of all, the Gargoyles have all been destroyed, i.e. murdered.
a. They lie in stone rubble all around him. Partial pieces, etc.
b. There is no particular sign of the female; Goliath assumes that she is among the rubble. Big time FURY.

ACT THREE
X. The trio and dog emerge from rookery caverns. (Maybe they were temporarily trapped there by damage done during the battle.) They are torn up by what they find.
A. Goliath and Old One are relieved that someone survived. But that doesn't abate their anger.
1. Together, the six gargoyles fly off to get their revenge.

XI. Lochter's army has encamped for the night.
A. We see our Marauder taunt Robby and his mother outside in chains.
B. Inside his tent, Lochter and the Captain discuss how much ransom they can get for the Queen.
1. They figure the wizard is probably worthless.
a. Wizard wishes he could just get his hands on his books of magic.
b. Lochter taunts him with the books, burning them one by one. (Only one left.)
C. Outside the gargoyles attack. Lots of fun and action here.
1. Gargoyles are way out-numbered.
2. Old one is old. But he picks up a sword and holds his own.
3. Trio and Dog have little fighting experience.
a. Trio leader [Lex] makes use of some of the "scare" techniques that worked on the peasants in act one.
b. [Lex] saves Robby's mother from Marauder.
c. Robby saves him from one too.
4. Goliath is a holy terror. Wading into the hordes. Tossing them aside. Scaring the stuffing out of them.
D. Lochter and Captain hear the noise and look outside.
1. Despite the overwhelming odds, the Gargoyles are winning.
2. Captain says they better get out now.
3. Lochter dumps the last magic book and grabs the queen.
a. Wizard tries to stop him, but is pushed aside.
b. Lochter says he'll never see the queen again.
c. Wizard assumes they're going to kill her.
4. Lochter and Captain flee with Queen in tow.
5. Goliath sees them go. Follows alone.
E. Wizard stumbles out of tent with last magic book.
1. Battle is winding down.
a. Freed peasants and guards are now helping gargoyles.
b. Marauders retreat, scatter.
c. Queen is nowhere in sight.
2. Irrational Wizard blames gargoyles for causing the queen's death.
a. Using his spell book, he curses them. [See spell options below.]

XII. Goliath catches up with Captain and Lochter.
A. Captain tries to reason with Goliath.
1. Tells him he never meant for Gargoyles to be destroyed.
2. Besides, what does Goliath owe the queen anyway. Now he can return to his rookery and be left in peace.
B. Goliath rejects Captain's excuses.
1. The Captain had taught him to go on offensive. "See what your lessons have wrought." Etc.
C. Goliath defeats (kills?) Lochter and Captain.
1. Rescues grateful (and much changed and matured) Queen.

XIII. Goliath and Queen return too late.
A. Though it is still night, the other Gargoyles have been turned to stone.
B. Wizard feels like garbage when he finds out the truth.
1. But he can't undo the spell. Lochter burned his other books.
C. Queen says that her people will not return to the cursed castle. They will start a new life/build a new castle elsewhere in the kingdom.
1. She sincerely invites Goliath to join them.
D. Goliath says no. He will return to the rookery.
E. Only gift that Wizard can offer is to cast the same spell on Goliath that he cast on the other gargoyles. (Or perhaps a slight variation.)
1. Goliath agrees to this.

XIV. The stone Gargoyles are perched on the abandoned castle walls by the humans. Robby waves goodbye.
A. One DAY, 1000 years later.
1. XAVIER is looking over his newly purchased ancient castle.
a. "Terrific," he says, "Now move it to Manhattan."

END OF PART ONE

[NOTE: DEMONA's story tracks as well. Like the Captain, she hates to see the way Goliath and the Gargoyles are treated by the spoiled Queen. She and the captain make a deal. They will convince Goliath to temporarily remove the Gargoyles from the castle. Lochter will sack it and take away the humans as slaves, leaving the empty castle for Demona, Goliath and the rest of the Gargoyles.
Goliath screws up the plan by refusing to take all the Gargoyles away. Captain says, no problem. He'll sabotage his archers and the attack can take place during the day. He promises to protect the frozen Gargoyles.
Demona agrees, but just before dawn she gets nervous and flies away to hide.
She returns at some point (though Goliath won't see her). She sees the destroyed 'goyles and realizes that Goliath would never forgive that. She flies away to find a new life. Somehow, she will survive into the twentieth century, by which time, three factors will have turned her bitter and evil and eventually make her Goliath's worst enemy. (1) Her largely negative and criminal experiences since she last saw Goliath. (2) Goliath's inability to forgive her, (as much as he might wish he could). (3) Goliath's modern loyalty to humans, particularly Elisa Chavez.
In light of this, we should probably bring her back in @part Four of five-parter. She eventually teams up w/Xavier, raising the stakes, and tying part one to the rest of the story. However, though we should plant the clues, we shouldn't give any real indication that she was part of the Captain/Lochter conspiracy in Part One. All the revelations about her roll in the betrayal should wait until we see her again in 20th Century.]

SPELL OPTIONS
For initial spell that Wizard casts upon Old One, Trio and Dog in anger...
1) Frozen in stone for 1000 years.
2) Frozen in stone 'til castle rests in the clouds.
3) Frozen in stone so long as this castle stands on this ground.

For spell Wizard casts upon Goliath, as the best he can do for him.
1) Same, or maybe the slight variation of 999 years, giving Goliath a headstart, and an ability to see if it's safe.
2) Same.
3) Same.
4) He will continue his endless cycle of sleeping as stone in day, guarding the castle and his friends at night until either 1), 2) or 3) occurs.

Advantages and Disadvantages to various choices:
The main question, is whether or not Goliath has been awake and alone every night for a thousand years. (Goliath option 4)). If he has, it would allow him to be at least passingly familiar that modern technology exists. I.e. when we get him to NYC and he sees an airplane, he won't think it's a dragon. Plus there's the tragedy of that much loneliness. And the possibility down the road of one or two flashback episodes (Goliath fights in WWII or something). Disadvantages include that it adds a layer of complication to the spell. And maybe we like the idea that he thinks an airplane is a dragon. (Although keep in mind, we can always play those beats with the other 'goyles.)

As to the other gargoyles, the main issue is when do you want them to wake up. If it's not until after the castle is installed at the top of the skyscraper, than option 3) doesn't work. 1000 years makes a nice round number, but is it a stiff coincidence that the 1000 years ends in NYC? Probably no more so than the Castle in the Clouds curse, though the latter may have more ambience.

And again, if we want Goliath awake BEFORE the castle arrives in NYC, i.e. on the boat, than we have to vary the spell with him to some degree or else it won't be possible.

Right now we're leaning toward Goliath Option 4) "the endless cycle" coupled w/ Option 2) "the castle in the clouds". There is some concern that the Wizard casting two spells may be awkward though. So it's still open for discussion.

That's it.


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I'm losing my touch...

I'm feeling like my smart-ass responses just haven't been very sharp lately.

So appropos of nothing, I'm taking a poll.

If you've got a few minutes, go through the smart-ass response archive and copy and paste your favorite one.

Maybe if you guys point out the "classics" to me, it'll help me redefine my mission on this score.


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I'M TRYING!

Hey guys,

For the last couple hours, I've been trying a new system wherein in addition to my responses/answers/rambles/rants being placed in there appropriate subject-based archives, I'm also supposed to automatically add them to a chronological archive. In this case "RESPONSES 2001 - 2 (Feb)"

Unfortunately, I didn't start this first thing this morning. It was a good idea that came later in the day from one of your fellow fans. So some early-in-the-day responses won't make it into this new archive.

And, unfortunately again, I'm trying to learn a new habit here. It isn't literally automatic. I have to remember to do it. And I've forgotten to click that button on a couple of messages. Sorry.

I'll try to do better.


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Ed writes...

Just a request, something I've been meaning to ask about for ages.

Since the answers shown are only for what you've said in the last few replies, it means that if anybody misses more than a week or so then they have to trawl through all the individual archives. You mentioned that you decide what archives posts go in, so would it be possible to run separate archives just for the last, say, month or so. You know, so you click on "February 2001" for all the posts that month?

I don't suppose it's possible with existing archives, but if it's possible with the ones in future, could you please do something like this? :)

Greg responds...

Yes. It's possible and a good idea.

It's too late for the questions I've already answered today. But it'll work starting now.

The only problem is that the archives are alphabetized.

So I'll start with the year, than the month, numerically.

Response recorded on February 01, 2001

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Adam writes...

2198 CONTEST

518: operating

Greg responds...

YES!

WAY TO GO ADAM! 1 point!!!!

Just three blanks left: 74, 517, 519.

Remember, I'm giving out TWO prizes. One to the person who got the MOST correct answers, and one to the person who gets the LAST correct answer. So anyone can still win!

Response recorded on February 01, 2001

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Adam writes...

2198 CONTEST

517: obtained

Greg responds...

nope

Response recorded on February 01, 2001

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Adam writes...

2198 CONTEST

517: targeted
519: heavenward

Greg responds...

nope

Response recorded on February 01, 2001

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Adam writes...

2198 CONTEST

74: protected
517: retained
518: abilities
519: challenges

Greg responds...

nope. Sorry. But keep trying.

Response recorded on February 01, 2001

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Sapphire writes...

I know you said you won't be answering any questions on Gargoyles 2198 until the contest is over but the question I am going to ask is this. In the future would any gargoyles go to university or collage? I just wanted to ask because here in the Yukon the local collage offers night courses and in the gargoyles universe gargoyles are nocturnal and I bet they might attend school at night in the future with humans who also attend night classes?

Greg responds...

Sure.

College, though. Not Collage.

Response recorded on February 01, 2001

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Jim R. writes...

Greg,
I'm no physicist but your theories of time-travel are different than others that i've heard. I bet you've seen the "Back to the Future" trilogy, so why is it, that things Marty and the Doc did back in the past change the outcome of the future for them, because it was obvious that the past couldn't be altered until the Doc invented the time machine in the present so they could go back to the past. So the future they were familiar with when they were in the past was different when they finally came back into the future (present). (Say that ten times over...)

So, my point is, in Gargoyles, Goliath says "Time is like a river, unchanging in its course." Basically that says anything they did in the past using the Phoenix Gate did not effect the future at all? Which is confusing, because if I were to go back and save JFK, that would certainly alter the future for me and anyone else that came back with me...

On Star Trek they believe in infinite possibilies for every outcome and decision.
I know, I know...Just answer my question about the Gargoyles part. We would need Einstein to explain this quantum stuff. Hey, maybe I'll jump in my time machine and go get him. :)

Greg responds...

<Sigh> I thought the first Back to the Future movie was very entertaining. I thought the second was masturbatory (excuse my language) and I thought the third was mildly amusing.

But I thought the time travel logic was fairly loose (at best). Look, I'm no physicist either. This is all make-believe. But I wanted STRICT, STRICT rules in the garg universe to eliminate the kinds of abuses that Star Trek writers (for example) are prone to doing. Cheats that start as time-travel cheats, but wind up being story cheats, character cheats, etc.

And in the garg universe, if you went back in time to save JFK, you'd fail. Or you'd succeed. But he'd decide to go into deep hiding or travel to Avalon or to the year 2002 or something, so that history as we know it would still be exactly the same.

Response recorded on February 01, 2001

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Aaron writes...

Hope this gets through in time. The annual ritual of consulting Greg's Oscar picks.

So, who do you like for Best Picture? Actor? Actress?

Greg responds...

1. What are my options?

The truth is, I've seen so FEW movies this year, I'd be a lousy judge. Why don't we wait until the nominees come out, then ask me again.

(And did we do this last year? I have no memory.)

Response recorded on February 01, 2001

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Anonymous writes...

Going over various lists of voice actors, writers, producers and such for various TV shows, as is a hobby of mine... And under listings for "Captain Simian and the Space Monkies", there is a writer named Marlowe Weisman. Relation or just a coincidence?

Greg responds...

I know Marlowe. In fact, I once hired him to work at Disney, when I was an exec here. But we're not related.

Response recorded on February 01, 2001

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Camcuru writes...

What is the Gargoyle's bible?
Where could I find it?

Greg responds...

The "Gargoyles Bible" is a document I wrote before the production of scripts for the first season (and then revised before the production of scripts on the second season) as a guide for our writers (and whoever else was working on the series). Something to help them understand character, backstory, context, etc.

I know someone's got it posted on the web. And eventually, I'll get around to posting it here too.

Response recorded on February 01, 2001

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He-Who-Shall-Not-Be-Named writes...

One quick question: will there ever be a Gargoyles video game? Or is there one already?

Greg responds...

There was one. (Or two, depending on your definition.)

Response recorded on February 01, 2001

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Blaise writes...

CITY OF STONE

[flexes fingers] Gonna be doing a LOT of typing about this one.

The opening scenes with the hostage situation are pretty good (Terrorist fires off a round of gun-fire and Matt wryly responds, "Think they're starting to see it our way?" The more I think about it, the more I realize how fun this guy is).
Slow person that I am, I didn't pick up on the Weird Sisters' oddity until they started talking to Goliath. Then they disappeared and that sort of clinched it. I knew they were talking about Demona (an idea probably helped by my reading a "Disney Adventures" article on GARGOYLES that litterally described her as a "Gargoyle terrorist").

The heretofore(sp?) unseen conversation between Demona and the Captain is finally revealed (and thanks to your ramble, the reason Demona looked a bit aged in some of the shots--that always drives me CRAZY!). On about my second viewing (I'm still slow) I finally picked up that the "Dawn Attack" was a back-up plan, and the original plan was attacking at night with the gargoyles away from the castle.
It always kills me to see Demona ALMOST tell Othello and Desdemona...and then not. Just like it always kills me later when she ALMOST accepts responsibility for what just happened...and then pushes it off on the humans. The first time I saw that, I was almost literally left breathless, it just seemed so...I don't know--I really cannot describe what that scene made me feel.

Backtracking a bit--The "Tears of Stone" are indeed a nice touch. Very effective, even the second time. In fact that whole sequence where Demona kisses the Goliath statue good-bye is one of the more heartbreaking parts in the series (especially considering the fact that now Demona tries to KILL Goliath).
Love the shattered "Coldstone-head" and Demona's anguished wail/roar; an excellent Act-ender.
The Eggs--You're right, I never gave them a thought after Xanatos mentioned them. Even after this, I didn't give them much thought, for much the same reason as Todd (a thousand years? Honey, they're dead by now--Avalon? Well now, that's different).
Gillcomgain (however you spell it). I liked the trickle of blood that came through his hands after Demona had slashed him. That's just the fiend in me.

Back in the present:
I entirely bought Demona's story about how she lived forever. Xanatos' interest in immortality caught me by surprise a bit. Wasn't this like the first time his desire to live forever was brought up?
"Listen, or watch, but not both." I wondered why Xanatos seemed so intent about this, and it took Hudson's explanation in the next episode for me to catch on. But I like it. It gives that extra complication to the magic.
Yeah, Owen being mesmerized and lifted into a chair while Demona gave the final phrase of the spell was a bit of a cheat. I try to rationalize it, like always (she...had a special talisman palmed in her hand--yeah, yeah!).

Then the Weird Sisters as "Modern Maidens" (if you will). Yeah, Phoebe looking at Seline while she's addressing Luna is a bit aggrivating, but on my tape, as she's finishing the line, after turning her head to Seline, Pheobe's eyes look back in Luna's direction. Maybe in times of great excitement Pheobe just gets her sisters mixed up (for half a second).

Demona and the guards. Yeah, she did NOT age well. The guards--in my mind, they're dead (that mace coming down seemed pretty final to me). I liked that about this 4-parter--people actually DIED. It added more emotional weight.

Demona's Second (I KNEW IT! I just KNEW that was John Rhys-Davies doing his voice). Yeah, I like him too, probably because he was the only other gargoyle in Demona's band who spoke and managed to develop a definitive personality (even when he wasn't speaking, his animated actions/reactions were great). Considering what happens to him off-screen in part 4...so much for not personalizing the victims.
The Weird Sisters as gargoyles--good, and I love their designs.

Ah, the happy days of Macbeth's youth. Like Todd, I find it all the more despicable of Duncan to order Findlaech's(sp?) death after Findlaech's true pledge of loyalty. Bodhe's cowerdice did register for me, but I only REALLY began to take full note of it as the multi-parter progressed and in later viewings.
The Hunter (I LOVE that title--any one word title that has a "The" before it just really piques my fancy). Yeah, I knew it was Gillcomgain (thanks to the painted scars on the mask). Yeah, the more I thought on it the less sense it made that no one would suspect him with those scars on his face. Still, he did wear a hood, and the very nature of his business may make a few people want to overlook any similarities, assuming they even had time to make note of the scars on the Hunter's mask before he A) gutted them or B) disappeared again.

Findlaech's death is the "fall-death," but I don't mind it too much here, and Macbeth's reaction makes it all the more tragic.
Demona saves the young couple. It's actually nice to see her make the "good-guy" choice here. It still shows a glimmer of what she once was, as opposed to how she now acts.

Unfortunately, no I never got the impression that Gillcomgain was going to attack Prince Duncan. But on the plus side the Weird Sisters' appearance really gave the scene an extra impact.
For the record, I was thrilled when I heard Jim Cummings as the Hunter--I think this guy does great voice work.

It was nice seeing Fox here (I had forgotten that in the original outline Derek was the pilot. I'm probably being redundant, but I'm glad you guys were able to go with Fox, it personalizes things even more for Xanatos). And the whole "humans turned to stone" thing really worked for me. When Owen changed, it was just shock--seeing the true nature of the spell. Fox's, more amazing for the danger it put both her and Xanatos in at that moment. Elisa's...her's was the eeriest, due in part to the camera shot and the closing music. I couldn't wait to see the next episode.

Be careful with the rest of these rambles--When it comes to CITY OF STONE I tend to be very long winded and go over almost every scene.

Greg responds...

Fine with me. I'm having fun reading everyone's responses. The more detailed the better.

Response recorded on February 01, 2001

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matt writes...

Jim R. and i were just discussing how to get certain with-held info from you by tricking you when we realized just how ruthless we fans can be. thats okay, cuz your smart-ass responses are worth not getting the answers we seek. keep up the good work!!!

Greg responds...

Uh, thanks. SO... you and Jim R. are a team?

Oh. And here I thought he was picking on you.

Me so dumb.

Response recorded on February 01, 2001

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Sixshot writes...

I always loved City of Stone 1-4.

My favorite moments :
- Demona smashing the soldiers at the food raid. Vengeance never tasted so cold.
- Gillecomegain entrance at Moray. Nice cloak.
- Demona ripping the mask off Gillecomegain. Demona never realized that she ruined a little boy's life.
- Duncan quote about the mask to baby Canmore.
- The coronation of Luach by Bodhe. Very dramatic.
- Final battle at the Eyrie Building. The double-punch by Demona-MacBeth at Goliath was priceless.
- Xanatos' quote about 'fire at them, sort this out later'.
- The mask passing from one Hunter to another during the whole series.
- And of course, Oeqn's note about 'even cable'.

My only complaints:
- Demona waiting all night to make up her mind on revealing or not her bargain with the captain.
- Demona didn't slaughter Katherine and Magus to retake the eggs.
- Gillecomegain putting the mask to kill MacBeth. Hey buddy, you only for the hunt!
- MacBeth comment about Robots/Gargoyles taking off from the world tallest building in a frozen city. Frozen or not, you can still notice Robots/Gargoyles taking off from the world tallest building.

Greg responds...

Yes, but there are fewere distractions.

Response recorded on February 01, 2001

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Todd Jensen writes...

My ramble-response on "City of Stone Part Two".

I very much enjoyed it (like the other parts of "City of Stone"). A few specific thoughts:

The 11th century flashbacks continued to be good ones. I particularly liked Macbeth and Gruoch's scene on the hill, the "villains-fall-out" part between Duncan and Gillecomgain, and Duncan's afterwards duping Macbeth into going against Gillecomgain. (One thing that I recently found myself wondering was whether Duncan was hoping to trick Macbeth into killing Gillecomgain for him as a means of disposing of a former henchman who was now becoming of a problem to him, as a means of forcing Gillecomgain into killing Macbeth by having Macbeth attack him, or maybe even whether he was hoping that they'd kill each other and get rid of two problems for him at once).

One thing that strikes me about the Duncan of "City of Stone" (here already in the first two parts and even more in Part Three): he's a lot closer to the Macbeth of Shakespeare than the Macbeth of "City of Stone" is. Duncan is here the one who ensures a clear path to the throne by murdering the opposition; furthermore, he moves against Macbeth in a manner almost evocative of Macbeth's moving against Banquo in the play, because of the fear that Macbeth will cheat him and his future lineage of the throne. (It strikes me as significant that Duncan renews his scheming against Macbeth after Canmore's birth, as if that was the catalyst for it: now he has a future dynasty to protect, rather than just his own personal ambitions). The one significant difference is that the Duncan of "Gargoyles" never shows any of the internal torment or remorse that the Macbeth of Shakespeare shows over his criminal deeds; apparently Prince Duncan is much more hardened and callous.

I also like the touch of Demona genuinely failing to recognize Gillecomgain as the boy she attacked back in 994, even after he spells it out to her. (Definitely fits Demona's character a lot).

For the present-day parts: I liked Jeffrey Robbins' return, and thought that it was well-integrated into the story. Demona's massacre was very chilling. As for Xanatos shutting off the broadcast, I picked up on later showings the notion that he initially thought that that would be enough to undo Demona's spell, but I'm not so certain that it occurred to me the first time around.

The thing that interests me most about the ending, actually, isn't so much Xanatos and Goliath calling a truce as the fact that it's Xanatos who brings up the need for a truce with the words "Do you want vengeance, or a solution?" Temporary truces between the hero and the villain over a common foe happen often in adventure cartoons - but how often is it the villain who realizes the need for it first and has to convince the hero of it? The line tells us a lot, I think, about Xanatos's uniqueness: he has common sense, and the clear understanding that finding a way to undo Demona's spell is a much greater priority than just looking for someone to punish.

Looking forward to the rambles on the remaining two parts.

Greg responds...

me too for yours...

Response recorded on February 01, 2001

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matt writes...

Jim R., i think that Greg explained time travel pretty well and it makes sense to me. if you were to go back in time to save JFK one way or another you failed cuz JFK was assasinated! its like Xanatos said, "You won't, because you didn't. Time travels funny, that way." you wouldn,t succeed it saving JFK because you obviously didn't save him, he was killed despite what you would do. another example is "M.I.A." Goliath knew from meeting Leo and Una that Griff didn't come home that night so when he went back in time even if he did everything to keep Griff in his time something else would have happened. Griff would have been killed etc. time is like a river and any attempt to change it will end in failure because if history had been changed you would never had wanted to try and change it in the first place! does all this make sense?

Greg responds...

Yeah!

Response recorded on February 01, 2001

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He-Who-Shall-Not-Be-Named writes...

I just returned from a vacation in Disney Land. (Boy, was it crowded!) So I figured that I could find some Gargoyle merchandise there; those stores have everything Disney. I walked into one, then another...and another...and another...with no luck. Not a single piece of Gargoyles merchandise anywhere in the park!!!
In one store, I asked an employee, "Do you have any Gargoyles stuff?"
He replied, "I...don't know what you mean...I don't know what a Gargoyles is."
It's nice to know that Disney employees know so much about there company's works. (And they use good grammar, too!) I have searched everywhere for Garg stuff, without luck. Where can I find it? Why isn't there any to be found; especially in Disney Land?

Greg responds...

I don't know. It's a source of much frustration to me, believe me.

Response recorded on February 01, 2001

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Sapphire writes...

Hey Greg what would your other self be doing right now in the gargoyles universe?

Greg responds...

Writing about all you nutty humans, I guess.

Response recorded on February 01, 2001

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Todd Jensen writes...

Re your comment on changing Broadway's character from female to male:

Well, maybe it was cowardice, but I'm certain that it was a good thing for Angela that you did. She wouldn't have been able to have had a S&P-approved relationship with Broadway otherwise, after all :)

Greg responds...

Now, I can't really imagine it any other way.

Response recorded on February 01, 2001

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Aris Katsaris writes...

Chronology questions, instigated by the City of Stone memo you posted... What years did the births of Gillecomgain, Canmore and Luach take place?

Greg responds...

I know this. But it's at my Beverly Hills office, not here at Disney. SOrry. Try again later.

Response recorded on February 01, 2001

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Baal writes...

Had to ask this and I didn't see it in the archives, so here goes:

1.What companies did the the animations for the two episodes, Temptation and Future Tense? I was wondering because they did an awful good job considering some of the animation I've seen on some other nameless television shows.

2.(This may have been asked already but I don't think so.)If you had a chance to get the series going again, would you use CGI or the old animation style if you could. I guess it kinda depends on what is actually more expensive. I was always a little partial to the regular animation myself.

Greg responds...

1. This is from memory, but I'm fairly certain both of those were done by Walt Disney TV Animation Japan. It says on the episode credits, though.

2. Largely it would depend on what I could sell the higher-ups on. I'd do either if either were the only option. If given my choice (which rarely happens in this business), said choice would be based on issues of content.

Response recorded on February 01, 2001

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Jim R. writes...

In one the first series episodes, (i forgot the name), where Xanatos donated the eye of Oden and then had it stolen again for himself, there in the museum scene there was night watchman who was walking down a corridor, and he stopped to look at a painting. He said "Yeh, you and me both, pal." Was that painting any famous one in particular? I almost thought it looked like Edward Munch's "Scream" but then I thought why would the night watchmen associate what he was feeling with "Scream"(not the movie)?

Greg responds...

Scream the movie wasn't out yet when we made that. It had no influence on us. And in any case, I've never seen it.

That was supposed to be Edvard Munch's painting though.

Response recorded on February 01, 2001

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matt writes...

okay, you told us to stop asking detail questions about the Puck created world in "Future Tense" cuz there were no details and Puck didn't work any harder than he had to so what about Maria Chavez's daughter? why was she included in Puck's ruse? i don't think Goliath had much of a relationship with Chavez and might not have known her, in fact, i don't see it as very likely that Goliath even saw that picture! so why did Puck include that detail? (lets see you get yourself out of this one. :) )

Greg responds...

Goliath would recognize Chavez. Thus the importance of the photograph in "the daughter's" cart. If Goliath had made an effort, Puck would have given young Ms. Chavez more of a personality, with a sob story about her mother to further discomfit our boy.

(How was that? Amateur.)

Response recorded on February 01, 2001

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Heather N. Allen writes...

City of Stone...what a great miniseries! Not one of my specific favorite sets of episodes, but I love how everything storywise came together ('what a tangled web we weave'!) I ADORE continuing story lines, which is why I never got into many 'sitcom' cartoons. (I DO admit having a weakness for "Freakazoid", though...)

And thanks for explaining that whole screw up with Demona looking too old in that 'new' scene with the Captain of the Guard. That has always annoyed the heck outta me, but I wasn't thinking along the lines of the poor animators trying to keep things straight. Considering I want to go into some type of animation, I feel guilty for not being more thoughtful! ^_^

Now, on to some questions/musings/etc...

"If it turns out short, we can add the bit about 'Birnam Wood coming to Dunsinane', which I've left out for now."

1>You planned to use this witches' prophecy from the play in the show? How were you going to fit it in exactly?

This was one of my favorite ironies in the play (now that I've read it!), right next to the prophecy about Mac not being killed 'by a man of woman-born'. And if you think about it, that irony _was_ portrayed in the series. Demona isn't woman-born, and she certainly ain't a man! ^_~

"He gets in his helicopter heading for Studio, with Derek at pilot."

2> You mean you didn't have "Metamorphosis" planned out at this point in time? Or were you just confused? Or am I just confused...?

"Duncan goes to destroy them starting with Demona."

3> Whoa, hold on! I just thought of something...how'd Duncan know about Gil's feud with Demona specifically? Did Gil tell him? And did he pass on the legend of "The Demon" down to Canmore? How did the Eternal Hunt for the Demon get passed down (I mean, how did future Canmores specifcally know to hunt HER?)

"Duncan is killed in some way. (Preferably the same way Find & Gil bought it.)"

4> Well, we know he DIDN'T die this way. How did that whole magical orb thing come into the picture? Who's idea was it? (Yours? Mr. Reaves?)

"...To Demona, who is having a grand old time with the 'stoners'..."
"...She's practically giddy, talking to herself and the 'stoners'..."
"...In the skies above Manhattan, Xanatos & Goliath fly abreast for a moment as they 'pass gas'..."

>No questions here, I just thought that was funny. ^_~

>Hmm...I just ran this by spell check, and it suggested "manatees" for "Xanatos". How the heck do you get _manatees_ outta that?! There's no "X" in manatees! Sheesh!

Ciao, thanks again!
~H\A~

Greg responds...

1. Honestly, I no longer remember exactly. But it would have been part of Canmore's attack on Castle Moray. The one where Demona switched sides.

1a. I liked that irony too.

2. We didn't have the order of things planned out at that time. We knew Metamorphosis was coming. Didn't yet know where it would fall.

3. He didn't. (Now I think one of us IS confused.) She was hunted (a) because she was the only one left (as far as they knew) and (b) because of a little mishap with Canmore and one of his sons that I haven't told you about yet.

4. I don't remember. I'm guessing Michael (or Lydia or Brynne). Maybe they remember. Come to the Gathering this June in L.A. and ask them. All three will be there. (End of plug #562 in a series.)

5. Gotta keep myself amused, you know.

Response recorded on February 01, 2001

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matt writes...

Greg, just read the ramble on "City of Stone". what a great bunch of episodes!!! it's very typical of the series to reveal one secret but create ten more mysteries. when i first saw "City of Stone" i thought, "Hooray! now i know how Macbeth named Demona and how she survived the centuries but who are these "wierd sisters", where did they take Demona and Macbeth, is Xanatos becoming a good guy, and i wonder if that was the last Hunter?..."
i'm glad you waited on telling Matt about the gargs, i thought that desearved its own episode esspecially since this one is the villian's story not the good guy's. i also loved Bronx being the protector without the other gargs and how he continues to have loyalty to Demona but not enough to allow her to hurt Elisa. until this episode i had begun to wonder why Bronx was in the series, he just did so little... i really liked the role revearsal of the gargs protecting the stone Elisa.
as for why Elisa was turned the wrong way when she turned to stone the first time, i always assumed she was pacing in anticipation for the gargs to wake up and her pacing caught her facing inward.
i have two questions about "City of Stone" (for now):
you have said that Demona did not have any children with her little almost all male clan but by "CofS IV" there are dozens of garg warriors in the fight with the English. did Demona's clan assimilate another garg clan into thiers or were these all rougue gargs who heard of Demona's clan and decided to join it or what? also did Demona even bother to assign a second in command?

Greg responds...

Demona's clan was larger than appearances, because they lived in "cells" (not literally), i.e. small groups. That way if one cell was discovered and/or destroyed, the rest would still be safe.

And the garg with the metal breastplate was her second, but she didn't give him much room to stretch his wings.

Response recorded on February 01, 2001

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Kitty Paige writes...

I was wondering in what year did Sevarius start working on creating mutates.

Greg responds...

You mean generally doing research or on specifically creating the four or five we know?

Response recorded on February 01, 2001

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Eric Daniels writes...

yes hi I was wondering if you could tell me why gargoyles satnd for on buildings and what are they? Are they god's creatures, like "angels" or are the devils creatures? if you could, could you email me at Danielse@gatorzone.com thank you for your time, Eric Daniels

Greg responds...

Sorry, Eric. I cannot e-mail you from this site. It wouldn't be fair. I hope you'll check back here for your answer.

Gargoyles are certainly not the 'devil's creatures'. Nor are they angels. They're mortals like us of a different species. You're typo "satnd" makes it tough for me to know exactly what you're asking, but however you believe humans were created/evolved whatever, something similar happened with gargs.

Response recorded on February 01, 2001

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Anonymous writes...

Are there any female gargoyles with wings like Lex's, or male gargoyles with wings like Desdemona's?
Are there any female gargoyles who have a beak like Brooklyn's? Or an overbite like Lex and Broadway?
Save Una, most females I have seen look pretty similar, no offense.

Greg responds...

Sure, why not?

(And none taken.)

Response recorded on February 01, 2001

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Anonymous writes...

How long is a female gargoyles' gestation period?

Greg responds...

Didn't I answer this already? Check the Gargoyle Science archive.

Response recorded on February 01, 2001

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Anonymous writes...

Between what ages are gargoyles able to reproduce? (youngest/oldest)
Do female gargoyles have menopause?

Greg responds...

1. I don't have that info with me at the moment.

2. I imagine so.

Response recorded on February 01, 2001

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matt writes...

would there be any biological problems with two gargs of different races (i.e. Guatemalan and London) mating and having a hatchling? i know interracial humans don't generally have any medical problems but i'm wondering if it is any different for gargs.

Greg responds...

No. Despite appearances, the differences in garg terms are as genetically superficial as racial differences between humans.

Response recorded on February 01, 2001

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Heather N. Allen writes...

==From one of your early revisions to the five-ep opener:
"--Our fault, but we don't think the Bannister character is adding anything. We can probably drop him."

Who was Bannister, exactly? Sounds like a cutesy name for a cat, or a cheesy villain's pet bat or something. But since you know for sure, would you enlighten us?

~H\A~
Who probably _would_ name a cat 'Bannister', if she had a cat...

Greg responds...

I'm not sure I remember. I have a VAGUE memory that at one point we discussed having a "good" Rich Guy to place in opposition to Xanatos. We decided against that -- didn't want to make life too easy for our heroes. Bannister may have been that guy, or he may have been someone else entirely. The good rich guy sort of eventually kind of became Renard.

Response recorded on February 01, 2001

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Oberon writes...

If a child of oberon transforms into a human, you said that they were truey human, so does that mean that they can handle iron and go against oberon's law?

Greg responds...

They can handle iron, though most don't like to.

And no one can break Oberon's Laws. Only bend them. You included.

Response recorded on February 01, 2001

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Entity writes...

Hi Greg,

We've all been awaiting this ramble for a long time, and no doubt, the coming weeks will be VERY enjoyable. :)

CITY OF STONE, PT 1.

I'll admit to you that the opening terrorist sequence wasn't all that effective to me. It came off rushed. But it provided an excellent transition to Demona. And then... THE FLASHBACK. The first of many. My God, this was glorious. I always imagine that if I were to ever show off Gargoyles to someone new in under 5 minutes I'd show them this flashback. Even though deductive reasoning filled the holes that this flashback does in, it was still such an experience actually seeing it take place, like witnessing history. The Wyvern Massacre was the defining moment of the series. And now, to see the behind-the-scenes was breathtaking beyond description. Demona's tearful turn to stone, then horrific discovery at sundown were amazing. That 'blood-curdle' music is just great, too.

Let's see, I can't go on like this with every scene, so I'll try to sum up from here.

You mentioned it was originally going to be a three-parter. Allow me to accidentally spit my drink all over my keyboard at reading that. Even now, I think about how much better it could've told its story with five or even six parts. Just three? Impossible. There is so much jammed in there. Too much, really. I'm glad you're here for insight, because I'll be honest: I got scarcely any of what you had in mind for various characters' motivations and inter-relating. Everything was crunched to 'sound bites' and didn't get enough flesh for me to interpret what you were aiming for. Of course, I got all the necessary things needed to understand the flow of the story, but I regret not getting the rest...

This is completely random, but I just thought I'd say that when Macbeth removes his Hunter's Mask later, in Part 4 I think, I like how his hair was ruffled. A nice touch. Very appreciated.

Anyway, to do with Part 1, I have really one more comment. I think the "mistake" you made with the Weird Sisters in their portrayel in this multi-parter has to do with just one key scene... aww, crap, here I go referring all the way to Part 4 again. Oh well, the scene in question is the very end, the "they are our responsibility... our children... that is a story for another day" scene. Up until then, I believe our impression of the Sisters was of benevolent helpers, like you wanted us to believe, according to your memos. However, in this scene, they suddenly "reveal" that they actually had a reason for helping them. That there is a greater design. That Demona and Macbeth have destinies to fulfill. I, and I'm sure most other people, suddenly got insanely excited thinking that D&M were going to be instrumental in saving the world from some great prophecy or something. But as it turns out, it's just a petty strike on an island...

Just my take. (I'd be interested - if this doesn't sound like me usurping your forum, Greg - in what others' takes were.)

Lastly, I just thought I'd mention that, ironically, I was talking with a friend this morning about the play Macbeth. I mentioned Gargoyles and off-handedly about its superior historical accuracy, to which Friend reponded that Macbeth, the play, was fiction. I insisted there really was a Macbeth and Duncan, but he was convinced otherwise. Interesting, huh?

Of course, I myself thought it was all made-up by you and the makers of the show till I looked it up in my Encyclopedia, to see what kind of historical "damage" you were doing in drawing these elaborate tales set in real countries' pasts... heh.

Greg responds...

Again, the sisters have many aspects. Like the moon. Vengeance was certainly one. Petty vengeance at that. But they have other motivations as well. That is a story for another day.

(And I'm always interested in other takes. I welcome them here.)

As to Macbeth and the legends/history, we always tried to be as accurate as we could. Not necessarily out of benevolence, but because the truth, when mixed with our gargs, made for such GREAT stories!

You're friend needs to be dragged into a library. It never bothers me when people don't know things. But it sure is disturbing when they're positive they know something and they're wrong.

Response recorded on February 01, 2001

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Dracolich writes...

Hello again.

After checking a great website called Encyclopedia Mythica (probably the most extensive list of mythology) I discovered an interesting tidbit on a being that might make the unusual depiction of the Banshee in the Garg universe understandible. The creature there is called a Baobhan Sith, and on a different webpage, it is considered to be another name for the Banshee.
This being is supposed to be a fairy-vampire. Interesting to note that it is supposed to wear green clothes, like the Banshee of the series. Interesting.

Greg responds...

Yeah.

Response recorded on February 01, 2001

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Corrine Blaquen writes...

Did Thailog turn to stone during the day when he was in his growth tank?

Greg responds...

Yes.

Response recorded on February 01, 2001

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matt writes...

Delilah is a Human/Gargoyle hybrid but she seems to be more of a combination of Demona and Elisa as a garg as she was seen in "The Mirror". given that we've seen only one episode with Delilah but why does she seem totally garg without any human characteristics?

Greg responds...

That's arguable. And I don't feel like arguing write now.

Largely, Thailog wanted a garg mate, but he wanted her to be visually reminiscent of Elisa.

Response recorded on February 01, 2001

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Todd Jensen writes...

How did the Archmage remain in Prince Malcolm's service for so long? From the evidence that you've given us, he seems to have been Malcolm's advisor from 971 (when the humans first moved into the future Castle Wyvern) to 984 or shortly before (cf. "Long Way Till Morning") - around thirteen years.

The Archmage honestly didn't strike me as a particularly subtle character or one whom I'd easily expect to be able to conceal his true nature; Xanatos can easily pull such a deception off, but the Archmage's style was so obviously that of the blatantly evil sorcerer with all his ragings and tantrums that I find it hard to believe that he could have been able to dupe the court for so long. (Of course, Hudson does seem to be already suspecting him by 975 in "Vows"). How did he manage to pull it off?

Greg responds...

The Archmage arrives on the scene shortly after the alliance is formed. He does something that endears him mightily to the Prince. And though his true nature is obvious to us (and to Hudson) he was very careful not to reveal it to the Prince. Until he did. At which point, he was booted.

There may have been a few close calls before that, but nothing obvious enough for the Prince to turn out a valuable ally.

Response recorded on February 01, 2001

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Anonymous writes...

Did Hudson have a biological child who was Goliath's age?

Greg responds...

Yes.

Response recorded on February 01, 2001

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Yadira - xena_lawless@hotmail.com writes...

Comment:

Shutting off the broadcast, did not make me think that would work in breaking the spell and I thought it foolish of Xanatos to be so sure that it would work. I thought I was going to see a bit of hesitation and uncertainty in Xanatos right before he shuts off the broadcast. It seemed too simple a solution. In many experiences, it's easier to start something, but a bit more complicated to end it.

I did pick up on the fact that Demona recognized and knew the true identity of the person behind the mask when they felt each other's pain, an incident which I found rather interesting and wanted to learn more about it.

I do like Xanatos' line "You want vengeance or a solution." Something a true businessman would say. Put all your personal feelings aside and let's get right down to business , this needs to be fixed right away. That line is totally Xanatos.

Then at the end when Xanatos and Goliath shook hands...I didn't like it. I thought Goliath too forgiving....I mean shaking the hands of a man who's attacked you, paid people to attack you, manipulated you, and evicted you from the only home you've ever known....to shake hands with that man after only one situation where they had to work together and call a truce....for me...it was too soon. I think they should have just nodded to each other
when they parted...letting the other know that they appreciated the other's help, but I still don't trust you. Sometimes I don't blame Demona for being so upset at Goliath and calling him a fool....because sometimes he's too trusting and forgiving....but then again that's why I love him.

Thanks again, Greg, for helping to create a fascinating
series which I will continue to watch on tape and adore.

Greg responds...

You're welcome.

But shaking hands is literally a symbol of truce in medieval times. Goliath's time. It shows that you're not carrying weapons. Notice they didn't grasp forearms, which is how Goliath greets his friends. They shook hands. A symbol of their deal. A display of non-aggression.

Whether or not you think Goliath's too trusting and forgiving, I don't see this as an example of that.

Response recorded on February 01, 2001

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Anonymous writes...

Did Demona mate with Thailog?

Greg responds...

What do you mean by "mate"?

Response recorded on February 01, 2001

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JADE writes...

Hi Greg,
Your always asking for some feed-back, and well here's mine, well it's more of my thoughts of a certain character--Demona. In the show she always seemed to filled with so much hatred, hatred for every one it seemed. Seeing the person she was before and after the raid of the castle really made me think. Having my own bad days, like every one else, I know what it feels like to "hate" the world, and during those days I realise it takes more strength to stay mad at the world than it does to "like" it. So thinking of Demona always being so full hate all the time is really sad, of course in a way she put herself in it...it was her own hatred for humans that did her brothers and sisters "in". Of course she'll never understand this, I guess her pride gets in her way some times, like every one does. In closeing I would like to say that I think Demona was a good character to throw in, it made the viewers see what a long time of hatred does to the heart.

Greg responds...

Thanks. We tried to get that across in a non-simplistic way. I'm gratified that it worked so well for so many people.

Response recorded on February 01, 2001

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matt writes...

after Angela learned Goliath was her father but before she learned Demona was her mother, who did she think her mother was? a gargoyle destroyed in the massacre? did she ever ask Goliath about his mate? she must have been equally curious about her mom.
also do Katherine, Tom, Gabriel and the rest of the Avalon clan (or some of them) know about Angela's parentage of Goliath and Demona?

Greg responds...

1. I'm not sure she was focused enough to give it any thought. She was thinking about Goliath-as-Dad-present-here-and-now, not some vague "mom".
2. Probably, if she gave it any real thought.
3. No. She was still trying to get him to acknowledge the significance of his biological paternity.
4. I don't know if they gave it specific thought. Neither Tom or Katharine or the Magus spent much time with the gargs pre-massacre. There's no way they could be sure. Angela's coloring might be a clue.
5. Do they know now? Probably. Angela probably told them.

Response recorded on February 01, 2001

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Dexter writes...

Why is Angela so DAMN sexy? Oh I love her SO much! Dude, do you think she'd go for a blonde-haired punk? I mean, her own dad even went for a human, so maybe there's hope for me yet. Hmm...I bet you're gonna give me a smart-ass remark like "she's taken" or something cuz "gargoyles mate for life" BUT Demona proved that it is not true! Go me! Long live the beautiful Angela!

Greg responds...

Hey, good luck, man. More power to you.

[Poor slob.]

Response recorded on February 01, 2001

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matt writes...

by the time of "The Journey" does Demona know about Broadway and Angela being a couple? if not, when does she find out?

Greg responds...

After.

Response recorded on February 01, 2001

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Xavier writes...

1)Just out of plain curiosity, why did Angela have the get "involved" with any one of trio? Did you ever consider just having her go with nobody? She just seemed to me as somone who was more interested in having family relationships with her parents versus a romantic one.

2)This may answer my first question, but in regards to having Angela go with Broadway, did you do it to set a good example for children? I mean,Broadway didn't exactly have the charm of a knight in shinning armor,and he was also fat which would have taught kids that "looks are not important,it's what's inside" So again,it makes sence and I was just wondering if that's why you decided to do it.Thank You!

Greg responds...

1. She didn't "have to" (I assumed you meant "have to" and not "have the"). But she seemed to me to be a young blossoming woman-garg, who might eventually be interested in both familial and romantic ties.

2. I wasn't unaware of potential lessons, I guess. But the answer is no. We did it because it seemed right. Gary Sperling and I sat down while working on "Turf". I felt that it was important that Turf not reveal a choice for Angela, but rather her independence. But I also felt it was important for us to know who (if anyone) she was going to wind up with. Brooklyn was in many ways an obvious choice, but as we discussed it, it soon became clear that they were a bad match. That she was just another pretty face for Brooklyn to get a crush on. But that Broadway, the sensitive, intuitive soul, would appeal to something deep inside her. And she to him, as well.

Response recorded on February 01, 2001

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WereFox writes...

Greg

Just read your rambling about COS part 2 and I must confess I didn't ever pick up on Goliaths intention on killing Demona. It makes sense even though it would have been futile. Still, say he did try it (Big IF I know), I wonder what her reaction would be. As often as she's thrown his feelings for her back in his face, she'd view his attempt to kill her as a sign that his sentimental weakness regarding her was over. On the other hand, would it be so shocking that Demona would express sorrow that Goliath's feeling for her had so diminshed that he was capable of killing her?

Greg responds...

I think she'd be effected on many levels, including those you've named.

Response recorded on February 01, 2001

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Anonymous writes...

Addressed to "matt":
About Goliath "abandoning" the eggs: There IS no justification for him leaving the responsibility of taking care of the eggs to Princess Katherine and the Magus. BUT I do "understand" why. Perhaps it was because he was so depressed and traumatized he couldn't think things all the way through. Perhaps because he didn't feel himself "suitable" or "worthy" of taking care of the eggs and that even the humans would do a better job than he would; he must have blamed himself and not just the captain of the guard and Hakon for what happened at Wyvern. He must have felt he deserved the fate of the surviving members of the clan. And it seems that you have forgotten how sincerely remourseful the Princess and Magus were toward Goliath and how they offered to do anything they could for him. It wasn't as if they grudgingly offered to help him; so they were not very likely to go back on their promise. Also he is mortal and imperfect, and as an imperfect being he made a bad decision. Everyone makes a bad decision, and no one is codoning it, I just want to make sure you understand that.

Greg responds...

What he (or she) said.

Why "Anonymous"?

Response recorded on February 01, 2001

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Anonymous writes...

Hi! I'm Mel from Malaysia and I just wan't to tell you that how much that I'm REALLY hooked and into your original and unique cartoon and it's colourful characters I adore. Well, actually, I do have a vast of shooting questions that might just nip your time away....But you know how Daddies monitor their 17 year old daughters, so I'll just ask a few.
1.I'm so head over heels giddy about the 'steam' between the romantic Duo(G&E), but it also kinda surprises me that the other clan member didn't mind the sparks, I mean, being two different species(I don't mind,REALLY!=]); How come? What did they see within that?
2.Should ever IF THEY have a kid, how'd Demona react to the hybrid

Greg responds...

1. I think that it happened so gradually, that by the time it occured to everyone (but maybe Hudson), Elisa was already part of the family. Too LOVED to be rejected.

2. I don't know how to answer a hypothetical based on a hypothetical. What do I disown first?

Response recorded on February 01, 2001

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matt writes...

i was just thinking about the whole Goliath suicide in "Awakening". at first i really understood why Goliath (being he was the last of his kind)did it but as the season went on and i learned things that Goliath must have known i really couldn't justify Goliath doing what he did. first of there was the eggs. those were 36 more of his kind right there! how could he possibly put 36 CHILDRENS! lives into the hands of the people who not only were cruel to him and cursed his species but were not even qualified to raise 36 children of a different species! then there were the other clans of gargs, two must have been pretty close to the Wyvern clan, the clan formed when the Wyvern clan split up and the Loch Ness clan. there were probably many other clans in the vicinity of the Brittish Isles, like the London clan. finally, there are those rouge gargs, some of which became Demona's clan. if she could find them so could Goliath, and with his leadership, who knows the Macbeth-gargoyle alliance might not have ever happened or might have been successful leading to the gargoyles surviving through the centuries. i have trouble condoning Goliath's decision and despite what would later happen in the series i think he made a very bad decision at the time.

Greg responds...

I'm not -- and was never -- asking you to condone it. How could I and how could you? It was a suicide! Hurtful to himself and those who cared about him. Irrevocable, save for an amazing sequence of events that no one could have predicted.

I simply wanted you to understand it.

Response recorded on February 01, 2001

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Laura 'ad astra' Ackerman writes...

A recent comment on the final scene in Hunter's Moon III brought a question to mind. Being typically human I had not realized Goliath putting Elisa's hair behind her hair was an equivilent to kissing- I just saw it as an intimate gesture. Is Elisa conscious of the meaning of stroking hair to to gargoyles?

Greg responds...

Not fully, but she did read it as an intimate gesture, as you did.

Response recorded on February 01, 2001


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