Greg responds...

I walked out on BORN ON THE FOURTH OF JULY.

Greg responds...

Cool.

My dog's name is actually Air Commander Bentley Norman. (It's a long story.) We usually just call him Normie.

Greg responds...

Nope. Neither of those were mine. In fact, I'm fairly certain that those were both made before I started working at Disney.

The four episodes I story edited were:

1. "New Gizmo-Kids on the Block" aka "Honey, I Shrunk the Gizmo-Suit". (I can't remember which title we ultimately used.)

2. "The Golden Goose, Part One"

3. "The Golden Goose, Part Two"

4. "Curse of the Metal Mites" (Or something like that.)

Plus I also worked on the Valentine's special (aka the 100th episode) and a bit on the Feature Film, Legend of the Lost Lamp.

Greg responds...

1. She is complex. She contains multitudes. I'm fond of her in a strange way. But that fondness doesn't mitigate her actions as far as I'm concerned. On the other hand, I've always been fascinated with the idea of redemption. So who knows?

2. None really. Or all of them put together. Or Vinnie, because I'm often hapless. Without hap.

3. A puddle.

Greg responds...

1. I'm writing a book now. Don't know if it'll ever get published.

2. That's less likely. I have no interest in writing an autobiography. The latter sounds interesting, but for something like that, I'd want a publisher interested in advance.

3. Sure. I'm holding my breath.

Greg responds...

Haven't I answered this a hundred times?

No. In those days, Disney TV Animation did not give out "Executive Producer" credits. I started as a "Co-Producer". Then became a "Producer". Then "Supervising Producer". Through all these title changes, my duties never changed. [Which is to say, that a title doesn't necessarily give a consistent read on an individuals responsibilities or efforts. So I can't speak for all Executive or even Supervising Producers. I can just tell you what I did.]

I came up with all 66 story springboards and supervised the writing staff. Though I didn't have the title, since my producer credit rendered it redundant, I was the Supervising Story Editor for the series. I personally wrote and story edited "The Journey". Though I did not produce the Goliath Chronicles episodes, including Journey.

I also supervised all recording sessions with the actors. I voice directed one episode (VENDETTAS).

I don't draw, but I did give notes and approvals on all designs and storyboards. I also supervised post-production. Called retakes, supervised final edits, mixes, on-lines, etc.

I didn't do any of this stuff alone. But along with Frank Paur, I was the final word on everything.

Greg responds...

Yeah, it's come up before. The short answer is that my contract was up. Disney didn't offer me a new contract. DreamWorks did.

Greg responds...

I'm afraid I didn't really care. I went to school with John Elway, so I'd been a Broncos fan for years, until he retired. But Giants/Ravens? I have no connection to either team.

Greg responds...

Sometimes I think it would be more healthy if I just gave up. Then if it came back it would be a pleasant surprise.

But I can't give up. Just can't.

Greg responds...

Well, I wasn't an Executive Producer. Gargoyles didn't have any executive producers.

I was a Supervising Producer. I came up with all the springboards, reviewed all premises, outlines, scripts. Supervised Voice Recordings, edit sessions, sound mixes and on-line sessions. Gave notes on all designs, storyboards and animation. I was a busy boy.