Greg responds...

I feel like I've answered this one too, but I'm not as sure, so...

Do you want the "Story" answer or the "Behind the scenes" answer?

The story answer to your question is "yes".

Behind the scenes, Frank Paur was not satisfied with the designs that we had in "Metamorphosis", but we had run out of time. So he had to run with what we had. After "Metamophosis" shipped, he had time to revise them for "The Cage". So he did. This was o.k. with me because I could easily believe they were still mutating. Also, I didn't think they'd spend their lives dressed in the tattered clothes they were wearing when they were first injected.

Greg responds...

Define "mate". Define "make". New gargoyles would have been introduced.

Greg responds...

Appearances can be deceiving. Una is all gargoyle. Gargoyle's lay eggs.

Greg responds...

1. Yes.

2. That's not a quick question. Well, at any rate, it's not a quick answer.

3. I don't remember exact numbers. The first season was promising, especially considering we were only on once a week. The second season was solid but disappointing to many Disney executives, because they had high hopes that once we went daily, we'd start kicking butt. Instead, we placed 2nd consistently, usually to Power Rangers. Third season ratings weakened even more, or so I'm told. I never saw any numbers for either the reruns or for the Goliath Chronicles. There are a lot of mitigating factors, the biggest being FOX's overall strength in kid's programming, but it doesn't change the fact that we didn't put up winning numbers with any consistency.

Greg responds...

I'm struggling with three or four year old memories here, but I think this is what happened. When we had finished casting the lead characters, my development associate, Paul Lacy, made some phone calls to a number of tribal reps and got a bunch of different Elisa surnames for us to choose from. (We were initially leaning towards "Bluestone". We even recorded the first couple episodes using the "Bluestone" name. And that's after we had already recorded those same lines using the name "Chavez".) My boss, Gary Krisel, chose "Maza", which was fine with me also. We were under the impression that "maza" was the Sioux word for "iron". That appealed to me. (So we rerecorded again.)

Later in the season, when Elisa was shot, her parents made reference to her sister Beth who was in school in Arizona. That was my mistake. No real Sioux population in Arizona, as it turns out. Brynne Reaves and Lydia Marano found that out pretty quick when they started doing their research for what would eventually be titled "Cloud Fathers". I had recently read Tony Hillerman's novel COYOTE WAITS, so I suggested a Navajo connection, but by the time the story was done, we clearly had a Hopi ritual. (Or maybe Zuñi. Even now, I certainly don't pretend to be an expert.)

To top things off, Michael Horse, the voice of Peter and Carlos Maza, read the script and gave us a few tips. He also told us that "Maza" was not a Sioux name, so we got that wrong too somehow.

So the long answer is... I screwed up. And it pains me, because we had such good intentions. Next time, I'll be much more careful.

The short answer (the explanation) is that Carlos Maza's ancestors are largely, but not exclusively, Hopi. This is some consolation to me, since (1) it helps us understand the interracial marriage that Peter and Diane have (not to mention Elisa's interspecies attraction) and (2) it offers us the possibility of exploring more Native American legends while simultaneously exploring more of Carlos, Peter, Elisa, Derek and Beth's ancestry. Trust that if I ever get the chance to do these further stories, I will research the hell out of the whole thing before I even begin.

Greg responds...

Inspirations, I think I've discussed. If you read the archives and have a more specific question about what did or didn't inspire me, let it fly.

As to who the characters were based on... well, no one was based on anybody specific from my life. Though all of them came out of my life experience and (I'm sure) the life experiences of the other writers, editors, artists and producers who worked on the series.

[It's an inherent danger of this whole ASK GREG set-up, that it always comes off as if I was working by myself. Let me state again that a LOT OF PEOPLE contributed a lot of extremely creative material to this show.]

Greg responds...

The Ultra-Pack was not supposed to be part of the "Future Tense" spin-off.
It was just going to be part of the on-going Gargoyles series. The "fifth member" would have been an all-new character. No one you know.

Greg responds...

It depends what you mean. Internally, we would have done what we did with Othello, Desdemona and Iago. That is, we would have given them designations in the script, so the artists and animators, etc, knew who we were talking about. In the show itself, we would have avoided using those names.
The gargoyles would refer to each other by relationship, just as they did in our very first episode. At least, that was the plan. I had a back-up plan if that just didn't seem to be working, which entailed Prince Malcolm giving each of his gargoyle warriors a Biblical or Mythological name. They never would use those names with each other, but the humans could use them and the audience could too. By the way, this series would have been set in the year 971.

Greg responds...

I don't remember if I had any. I may not even have been the person who came up with it. What I do remember is that from the moment I saw Bob Kline's drawing of a castle atop a skyscraper, I knew it was cool.

Greg responds...

People love to toss around incendiary terms. We had no "censor".

Yes, of course, the romantic relationship between Goliath and Elisa was planned from the start. I'm sure that's self-evident. I wouldn't call it "Lois & Clark-ish" though; I don't really see the parallel there.

I wanted to play their "courtship" realistically. I had two individuals who were destined for each other. But that doesn't mean things would progress quickly. Elisa is an extremely guarded woman in many ways. She's had to be. She's succeeded in a career that is traditionally male. Dating fellow cops is a dangerous move for a female detective. Double standards, sexual harrassment claims, precinct harmony etc. make it less than ideal. Dating crooks isn't too appealing either, for obvious reasons. Who else does she meet working the night shift as she does? You'll notice that the person who was always putting the breaks on any romantic discussion that Goliath tried to initiate was Elisa. She has trouble admitting her feelings, even to her mother. She's fairly secretive.

In addition, Elisa had, and still has, a keen sense of the situation's impossibility. I think Elisa would like to have kids someday. Not necessarily right away, but someday. That's not possible with Goliath. At least not in the traditional way. I hope "High Noon" revealed that Elisa is not Fox Mulder. She was never looking for weirdness to enter her life. She wanted, and to some extent still wants, a normal life. She could never have that with Goliath.

Goliath had a totally different problem. He had a wounded heart. Gargoyles mate for life. Mates die, but it was beyond his understanding that his mate could still be alive, and they would not be together. That's why Goliath was still trying to win Demona back as late as "Vows". That's why he never quite knows what to do with her. What to make of her. That was a huge distraction from Elisa. His feelings for Elisa were already present, as early as "Awakening, Part Three". But it took him awhile to recognize them. And when he did, he was ashamed. He felt he shouldn't be able to fall in love again.Certainly not with a human. (Don't for a minute believe that Goliath is immune to prejudice. No one is. At least no one I've ever met.) What's interesting is that Goliath fell in love with Elisa even before he understood how physically attractive she was. He didn't realize that until "The Mirror". He tried to talk to her about his feelings on numerous occasions. She always cut him off. And maybe, he thought, that was for the best. But that's also why the events of "Sentinel" were so painful to him. She didn't remember him or their life together. She didn't trust him. She even tried to shoot him. It broke his heart. (Again.) Of course, it wasn't her fault, and he knew it. And when push came to shove, she instinctively knew that they were connected and so saved him from Nokkar.

And that's the problem they were both faced with. Not having anything more than a platonic friendship made sense to both of them. But that wasn't possible. They didn't have a choice. They loved each other. It was almost a curse.

That's what was going on with Elisa in "Hunter's Moon". Jason and Goliath actually have a number of things in common. Jason's the kind of guy she goes for, and gee whiz, he was human. (Of course, he was also a Hunter, but she didn't know that at first.) She really liked him. And if she had never met Goliath... who knows? I think Officer Morgan is another guy who could have made Elisa very happy -- if she had never met Goliath. But she had.
And her love for Goliath transcended their differences. That's why she kissed Goliath at the end of "Hunter's Moon". That's what was going on between them at the end of "The Journey".

But that didn't solve the problem. Eventually, they'd have to TALK about it. Really talk about it. They'd have to discuss the pragmatic aspects of it. Not to get too crude, but how does a gargoyle make love? (I know the answer to that, by the way, but let's try to keep things clean.) What about children? Goliath has Angela and a whole clan of rookery kids on Avalon, but Elisa's never going to be a mother to Angela. And what about their future?

If I had continued on the show, I would have dramatized this conversation, with the end result being that they would have decided once and for all NOT to have a romantic relationship. The realities of the discussion would temporarily overwhelm their feelings for each other.

That break-up wouldn't last long. Because, ultimately, they have no choice.
They love each other with one of those great mythic loves of song and story.
But again, that doesn't solve any problems. (Well, actually, it does, but not the problems I'm talking about.) They'd have dealt with each issue as it came up.

Now back to your original question about censorship. Who knows what problems we might or might not have run into down the line? I can't answer that. But we had ZERO problems during the 66 episodes that I worked on. Elisa and Goliath loved each other. That was a given. But the characters we created weren't about to jump into interspecies sex, so there was nothing to object to. Heck, it took 65 episodes for them to kiss on the lips. What I'm getting at is that the slow pace was intentional. It suited the characters to go slow. But that dovetailed nicely with the fact that there was nothing for anyone to object to.

We also had the added help that Disney's Beauty and the Beast had just come out and raised everyone's consciousness. The animated lesson not to judge a book by it's cover was well-learned throughout the halls of Disney.