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Anonymous writes...

greg, okay, what were the general circumstances under which you would have had owen and his true love meet? would she have been a former enemy, working for another corporation or what? also, how would that have affected owen's re sponsibilites to xanatos and alex?thanks for your answer!

Greg responds...

I'm not going to answer that one at this time. Sorry.


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Anonymous writes...

ok, heres another Question for you; I've been reading your recent "Gregs Ramblings." I notice that 2 familiar names are in it. Katherin and Malcom.
Is malcolm suppose to be the same Malcolm from Gargoyles (princess kathirens father)?
IF so, does that mean Kathiren (Yikes I'm a good speller =) was named after her grandmother?

Greg responds...

Yes and Yes. (And it's KATHARINE and MALCOLM. See above.)


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Anonymous writes...

In "Avalon" the king of Scotland was overthrown. Was the new king Duncons father? If no, how did Duncon become king? On that note, I f I remember right "mac" is used in Surnames as son. In your rambiling there was a Duff.
is he the fat her of MacDuff (the general of Duncuns son)?

Greg responds...

Constantine III overthrew Kenneth II. The tyrant Constantine was later overthrown by Kenneth III (the sun of Duff) with help from his cousin Maol Chalvim (the son of Kenneth II). Maol Chalvim later betrays Kenneth III and becomes High King. Maol has three daughters, all of whom he marries off strategically. Each daughter has a son, thus Maol has three grandsons (Duncan, Macbeth and Thorfinn) and three potential heirs. In "City of Stone", I had originally planned to include Thorfinn, but I just didn't have the extra screentime to fit in his part of the story.

MacDuff was not the son of King Duff but I'm sure he was related. He might have been a grandson, or a cousin or grandnephew or something.

This seems like as good a time as any to continue the story:

"Once upon a time there were three brothers..." PART THREE

Five years have passed since Duff was crowned High King of Scotland at Scone.
The year is 967 and the kingdom is at peace. But for how long? Duff is 55 years old. He has many, many daughters, but no sons. Word comes from Ireland: Indulf is dead. But Culen is not. Culen seems to get along well with the Irish. It is -- well -- an uncomfortable situation.

An heir must be chosen. And in Scotland in 967, a daughter will not suffice. Duff turns to his thirty-five year old brother Kenneth. Kenneth is strong, faithful. Kenneth also has a five year old son, Maol Chalvim, so succession will be secured into the next generation. Little Prince Maol is told that someday he will be king. Little Prince Maol is quite pleased.

And what of the third brother? Prince Malcolm is thirteen years old. And life for him has improved immeasurably since that frightening day when he was buried alive in Edinburgh Castle. He's been to every corner of Scotland with his brothers. He's seen sorcerers and gargoyles and maybe even a glimpse of the Loch Ness Monster. Katharine, his mother, is honored throughout the land for her intelligence and bravery; in many ways, she is the de facto Queen of the realm. His two royal half-brothers welcome him at every council meeting and even take the time to personally coach him on his swordsmanship.
Frankly, in the Dark Ages, it just doesn't get any better than this.

Which of course means, that it can't last.

Malcolm is riding along the western shores admiring the sunset. By his side, as usual, is his best friend Robbie. Corporal Robert is 21 years old, and has grown into a true bull of a man, complete with a new bushy mustache and a commission in the King's Guard. Malcolm is looking out to sea at the falling sun, but Robbie directs his attention to a cliff a few hundred yards distant. As the sun sinks into the water, the rocks on the cliff seem to move, to flex, to grow. A great collective roar echoes down the coastline. Malcolm's eyes go wide; Robbie laughs. It's a gargoyle rookery, he explains. They're waking from stone.

"Have you been there?" Malcolm asks.

"Aye," Robbie responds. "Even talked with the head of the monsters' clan. I liked him. He's a warrior. You should meet him."

"What's his name?"

"Hasn't got one. None of them do. They're not like the Gargoyles in Scone or Loch Ness. They're rougher. Harder."

"Good peasant stock like you."

"Aye."

"Then lead the way."

They ride on. The moon rises over the hills: a small crescent, a pitiful thing. Nevertheless, its light catches something out in the water. Many somethings. Ships. A fleet.

Both boys see them in the same moment. And in that moment, both boys truly become men. They don't have to talk. They turn their horses in unison and ride off at a full gallop. They'll exchange horses at camp and keep riding.
The King must be told. Invasion.

At the court, there is celebration. Duff's wife has just given birth to her ninth child. But this one is different. This one has a penis. This one will someday be a King. Little Prince Maol is confused by this. He's going to be the King, he knows. But everyone else couldn't be happier, including Duff's brother Kenneth. Kenneth immediately relinquishes his role as heir to the throne. And swears to serve the infant prince until his dying day. Duff is deeply moved and names the boy Kenneth, after his brother and best friend.

Then the shouting starts. Malcolm and Robert burst into the room. Within the hour, the King and his brothers are riding west at the head of an army.
A small army. There has been no warning. There is little time to gather their forces.

Culen, now forty-five years old, leads the Irish troops. He has come, he says, to regain his rightful throne. His armies have swept inland with surprising speed, like a dagger plunged into Scotland's back.

At Gaine, they meet the King's Men.

The first battle is brief and bloody. One would think that God would be on the side of the Scots, but Culen's Irish get the better of it. Duff is wounded in the leg. Nothing serious, but he's carried from the field.
Kenneth fights like a true Thane. Malcolm gets his first taste of combat.
He kills one man. Stands over that man. Wonders if the man's wife has red hair. Corporal Robert uses his shield to block the cudgel aimed at Malcolm's contemplative skull. Robert shoves Malcolm to the ground and kills the attacker. Malcolm stares at his friend. Then nods. Now he understands.
Retreat is sounded. Malcolm picks himself up. He and Robbie fight there way back behind the Scotish lines.

That night, in council, Duff once again names his brother Kenneth as his heir. Kenneth protests: there is a new heir, a new Kenneth. Duff shakes his head. If anything happens to him, the kingdom will need a king, not a wee babe. Kenneth protests: the kingdom will NOT need a new king.

"It might," Duff states. "We're fighting tomorrow."

"You can't walk, Duff!"

"We've ordered a litter. The men need to see their King."

Kenneth, exasperated: "Duff!"

"We've ordered a litter. The men need to see their King." The final word on the subject.

There's fog in the morning. Four huge Guardsmen carry the king on his litter. The battle is joined. Kenneth pushes forward in a berserker rage.
Malcolm flanks him, keeping pace. He kills his second man. His third. His fourth. His.... He realizes consciously that it is time to lose count.
Robert is never far from his friend. NEVER. It's going well. The Scots have rallied. They are going to win.

Suddenly, in the midst of the fighting, one of the King's Guardsmen, the one on the left at the rear, simply steps back and lets go of his burden. Caught off guard, the other three drop the King onto his back. Left-and-Rear draws a dagger, and before anyone can move, before anyone can think to move, he plunges it into Duff's heart.

Left-and-Rear. Nameless. Soon to be quite faceless. What was this man thinking? What was he promised? How did he think he'd survive? We'll never know. He's set upon immediately. Killed. Shredded, practically. But the damage is done. Word spreads like wildfire. The King is dead, betrayed by one of his own. The Scotish line breaks, folds in. Shatters, like a mirror bringing seven years bad luck. (Well, four at least.)

Kenneth, Malcolm, Robert and a handful -- a handful only damnit -- barely escape with their lives. Culen has won. Won the battle. Won the war. Won the kingdom. Allies defect faster than rats off the proverbial sinking ship. Kenneth flees with his extended family down into Northern England. They are not welcomed there, but they are tolerated. Enroute, Malcolm's mother Katharine takes a chill. The chill becomes a fever. The fever, a delirium. And then... she's gone. Malcolm is an orphan.

Frankly, in the Dark Ages, it just doesn't get any worse than this.

TO BE CONTINUED...


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Anonymous writes...

Hello! I just wanted to tell you that "The Mirror" is my all time-favorite ep. But just one question - was it's production rushed? I ask this because Puck's character design seemed to be in flux through out the entire show.
Actually, it still seemed to be changing in his two other eps. (by way of eye size/ height etc...) Was this due to different animators or lack of time to develop him?

Greg responds...

"The Mirror" wasn't anymore rushed than any of our other second season episodes. We were on a very tight schedule in general. We had 10 months to get the first 13 episodes on the air. Then we had 10 months to get the next 52 on the air. We also had to ramp up our staff, since we had only planned on producing six episodes for the second season originally. So time was an issue, although not development time per se. Another issue is that many different artists worked on the show. And although each artist is theoretically working off the same model sheets, their individual styles are bound to shine through a bit. In fact that individualism is probably key to making a character like Puck really come alive in "The Mirror". I haven't noticed a great deal of flux in Puck specifically, at least no more than in, say, Goliath.


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Anonymous writes...

Just another Q from your local Puckateer :-) : You said that Owen *would* have a lovelife, now would she be fae, human, gargoyle or another race I've failed to mention or we haven't met yet? Thanks!

Greg responds...

Human.


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Anonymous writes...

This question has been bugging me for god knows how long. First of all, let me make sure I have a few things straight about the restraint on Owen/Puck.
He cannot go back to Avalon- that is what is meant by eternally banished.
He c annot use his powers unless he is prtecting or teaching Alexander. Am I correct, or have I missed something? There are a few details I'm curious about. Alex can only learn so much. I assume that once you've got the basics of magic down, everything e lse, more or less, is pretty much covered. There's only so much you can do. In which case, what is poor Puck going to do when he has nothing left to teach? More or less, he's pretty much stuck as Owen forever. . . Unless, of course, if I understand correctly, Owen is mortal. In which case, if Puck remains Owen for too long, will he die? Will just the Owen facade "die" or will Puck actually die? On the topic of Owen's mortality, if someone were to slice off Owen's head, and working under the a ssumption that Puck dies when Owen dies, who's left to teach/protect Alex? Would Oberon start the whole kidnapping ordeal again, or would he just sort of forget about it?
Speaking of which, does he monitor Alex's teaching, or is that mostly Titania, or is it anybody? Oh, and just a quicky "yes or no" answer; was Fox ever going to learn to use her magic or is she uninterested? Thanks.
Marie Treblast

Greg responds...

It seems you've got the rules straight, but the notion that Alex can only learn so much seems preposterous to me. I'm 34 and constantly learning new things, even new things about things I thought I had wired. Learning is a lifelong process.

Owen is mortal. But everytime Owen becomes Puck to teach Alex something, he kinda resets Owen when he changes back. So Owen's never gonna age all that much. It's a loophole, that allows Owen/Puck to continue to teach and protect Alex as long as Alex lives.

If Owen gets killed (like shot in the back or something) while he's Owen, then both Owen and Puck die. The situational question you ask is tougher to answer, because it depends on what else is going on, how old Alex is at the time, etc.

I don't think Oberon monitors much unless it strikes his fancy. Titania probably plays closer attention.

As to Fox, I think she'd be very interested, up to a point.


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Anonymous writes...

Greetings, Mr. Weisman. One thing that fascinates me most about "Gargoyles" is the attention to, (and characterization of), minor characters. Especially for the gargoyle from the flashbacks of "City of Stone" who wore plates of armor . (I'm assuming he was second-in-command, if Demona even bothered to choose one.) Seeing how this gargoyle was characterized inspired my question. It seems that, throughout the flashbacks, he has something he wants to say to Demona, but is afraid of how she'll react, given how she reacted when he spoke about making peace with the humans. The question is: What exactly was Demona's relationship with the clan that she rebuilt after the massacre at Wyvern? Some seemed afraid of her, and there was one cene in a melee where she said something like, "Come to me, my warriors!", which made it appear as if she owned them. Also, Macbeth once referred to Demona as the gargoyles' queen. Did she rule over the clan? Did she consider those gargoyles as her "l yal subjects,"
or as equals?

Greg responds...

Demona's never been particularly egalitarian. If the question had been posed to her at the time whether she was Leader or Queen, I'm sure she would have said Leader. But I've no doubt, that she acted like a tyrant. I also think the others allowed her to act that way, because the situation was quite desperate, and she was clearly the toughest warrior they had.


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Anonymous writes...

1. Does Demona sleep at all? You'd think that she'd get tired. 2. I understand the divorce laws in France and Italy are pretty stiff. They like a lot of face to face counseling and attempts at reconciliation before a divorce is gr anted. Said rules are doubly ture if the ceremony was Catholic and you have to go through the church. That being said, are Demona and MacBeth still legally married? Somehow, I don't see the two of them going down to a lawyers office together to have th s thing enulled.
Plus, Demona might very well derive some perverse pleasure in forcing MacBeth to remain her legal husband.

Greg responds...

1. Yes. She does have to sleep now, though she gets by on a few hours per day, (I get about five). Doesn't really improve her mental outlook, if you know what I mean.
2. No. The marriage had not been consumated when the bride tried to kill the groom for his money before disappearing without a trace, so getting a unilateral annulment was surprisingly easy. And Demona doesn't get pleasure from a lot these days.


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Anonymous writes...

Greg, I have a weird Q for you. Or actually several. When I really think about Owen's stone arm, I wonder how he would accomplish certain things like putting on his tie, tieing his shoes, drying his back after a shower, cutting hi s food, and stuff like that. In the series, he doesn't seem too bothered by his disability. Were there any plans on showing how it changed his life?

Greg responds...

In a twenty-two minute episode, there isn't much room to depict the daily tasks of a supporting character. But we might have gotten around to it, if there was a story reason. To some extent, I don't know how Owen manages, but there are a lot of people out there with less than two hands, and I'm quite sure that they manage just fine. If we had shown some of the things you mentioned we would have tried to do our homework to make sure we were depicting things with accuracy.


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Anonymous writes...

I have a few questions. 1. Do Robyn and Jason know what their eloquent younger brother has been doing (John Castaway, the Quarrymen)? 2. What is John Castaway's driving force, hate or guilt? Thanks.

Greg responds...

1. Is this a Post-Journey CHRONICLES question? I had plans that they'd find out. I don't know whether the CHRONICLES staff even thought about it.
2. Guilt, then hate.



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