A Station Eight Fan Web Site
: Displaying all 14 records. :
G2009 Radio Play - Act Two
BIG MAN STANDS.
Act Two. The Big Man of Crime enters his offices, but finds heâs not aloneâ¦
248. BIG MAN
You spend so much time here, Iâll need to buy you your own chair. So youâll stay out of mine.
Green Goblin STANDS.
249. GREEN GOBLIN
Surprised to see me?
250. BIG MAN
251. GREEN GOBLIN
Then you wonât be surprised to learn Iâm still running thingsâ¦
252. BIG MAN
If you can run them from a hospital bedâ¦
Catching Gobby off guard, Lincoln punches him right through the windowâ¦
254. GREEN GOBLIN
The goblin-glider swoops in and catches the Goblin, who pulls out a Pumpkin Bomb.
PUMPKIN BOMB STANDS.
256. GREEN GOBLIN
Ever the gracious host. And ever the gracious guest, the Goblin must show his appreciation. Here. I brought a gift.
Gobby throws his âgiftâ, but Goliath swoops in, catches it and throws it back.
Goliath and Spider-Man STAND.
258. PUMPKIN BOMB
259. GREEN GOBLIN
Not far awayâ¦
No, no, no, no, noâ¦ I was hoping Iâd never hear that trademark Pumpkin Bomb shriek againâ¦
Spidey swings in to find Goliath and a recovering Gobby togetherâ¦
So thatâs what these gargoyles areâ¦ more of the Goblinâs Halloween creationsâ¦
Spidey swings into action against Goliath.
265. GOLIATH, SPIDER-MAN
<ad-lib battle sounds>
The Bugle was right about you: you are a threat and a menace!
Wait, you can talk? And read?! And what you read is the Jolly Oneâs editorials?!
268. GREEN GOBLIN
I know I should assassinate Mr. Lincoln. But Iâm so enjoying the show. Really, someone should make more Gargoyles. I know: Iâll call Walt Disney.
Green Goblin, Spider-Man, Goliath, Pumpkin Bomb and Big Man sit. ANGELA, BROOKLYN, BROADWAY and LEXINGTON STAND.
Meanwhile, atop the Eyrie Building, Brooklyn, Lexington and Broadway watch Angela playing with Brooklynâs son Nashvilleâ¦
Thatâs great, Nashville. This time try the axeâ¦
Wow, Angela looks so adorable playing with Gnash. I mean, Gnash is cute tooâ¦
Thanks. I know he hatched in another decade, but Katana and I discussed it, and we want the whole clan to be Gnash and Egwardoâs Rookery parentsâ¦
Weâd be honoredâ¦
I still canât quite take it all in. I go to Britain for a few weeks, and everything changesâ¦
At least you were gone for weeks. Try adjusting in forty seconds.
Hey, I had forty years to get ready for this, and itâs still strangeâ¦
But, dude. Youâre soâ¦ old.
Older than Goliath.
Almost Hudsonâs age.
I get it. Iâm old.
Itâs not that. Everything about you is different.
Oh, come onâ¦
No, heâs right. The way you talk. The way you move. All those weapons you carry now. Itâs like youâve outgrown us.
Thatâs not fair. I canât tell you how much I missed you both.
We get that. And weâre not mad. Butâ¦
Look, this isnât all on me. As I recall, things were already changing. Broadway spent all his time with Angela.
Not all my time.
Uhâ¦ pretty much.
Yeah, well, youâre practically on the internet non-stop.
Itâs addictive! Do you know they have porn on that thing? Thereâs this one website, Blue Mug Prodâ"
I donât wanna know. The point is weâve all gone through some changes. Thatâs just life.
I guess our Three Musketeer days are overâ¦
Zafiro and Obsidiana STAND.
Gargoyles of Manhattan!
We need youâre help!
At just that moment, the sun rises, turning Brooklyn, Lexington, Broadway, Angela and Gnash to stone. Obsidiana and Zafiro are unaffected, thanks to their mystic Mayan pendants.
Nuestro cronometraje apesta hoy.
Obsidiana, Zafiro, Lexington, Broadway, Brooklyn and Angela sit. Spider-Man, Green Goblin and Pumpkin Bomb STAND.
Across town, Goliath also turns to stone.
What the heck?!
303. GREEN GOBLIN
Well, that wasâ¦ unexpected.
All right, thatâs enough. I know youâre not the real Gobby.
305. GREEN GOBLIN
Yes, yes, âItâs not the voice; itâs the words. Not the tech, but the moves.â Iâve heard it all beforeâ¦
Then I know exactly who you really are: Chameleon!
307. GREEN GOBLIN
That would ease your conscience, wouldnât it? To think Iâm Chameleon â" and not the ghost of the man you killed!
I donât believe in ghosts.
309. GREEN GOBLIN
Then maybe youâd prefer I was the Spawn of Goblin.
Oh, youâd just love to shift the blame to Harry. Sorry, Gobby â" I mean, Chammy â" but weâve been there, done that. Besides, no matter who you are, there hasnât been time for the Globulin Green to kick in and truly Goblify you. So Iâm gonna take you down now while youâre still just a cheap imitation.
311. GREEN GOBLIN
You could do thatâ¦ or you could save stoneface over there.
Gobby throws a pumpkin bomb at Goliath. Instinctively, Spidey webs it awayâ¦
313. PUMPKIN BOMB
Pumpkin Bomb and Green Goblin sit.
By which time, the Goblin is gone, leaving a confused Spidey perched on Goliathâs headâ¦
So in hindsight, Iâm thinking maybe you werenât part of the Gob-Squad, right?
Fine. Stonewall me.
That morning in Forest Hills, Spidey sneaks in through his bedroom window, hoping to catch a few Zs.
Peter, are you awake.
Uh, sure Aunt May. Just getting dressed.
Well, hurry up. Iâmâ¦ âconferencingâ with all the other parents.
Robbie, ROSIE THOMPSON and George STAND.
Are you sure you donât mind, Mrs. Parker? Cuz I gotta say, what youâre proposing would be my worst nightmare.
<laughs> Oh, I donât believe that for a minute, Mr. Robertson. Itâs a joy to be around Peter and his friends. And I wonât be alone. Anna Watson and Mrs. Osborn will be with me.
Emily? Sheâs soâ¦ odd. I donât think sheâs ever said one word to meâ¦
Well, I donât know her very well, Rosie, but Harry is Peterâs best friend â" no offense to your Eugene â" so she must be doing something right.
May, you never change. Always seeing the best in people.
Iâll take that as a compliment, dear girl.
In any case, Iâm glad to get Gwen out of Manhattan for a few days. The streets are looking pretty grim right about now.
Oh, Iâm sure your officers will have things under control in no time.
Aunt May, whatâs going on?
Oh, didnât I tell you, Peter. Iâm chaperoning your trip to Miami Beach!
Peter, May, George, Rosie and Robbie sit. Big Man and Dominique STAND.
Meanwhile, back at L. Thompson Lincolnâs officeâ¦
332. BIG MAN
And how can I be of help, Ms. Destine.
I think I can help you, Mr. Lincoln.
334. BIG MAN
What makes you think I need any help?
Oh, little things. The shattered window, that unusual statue on the ledge outsideâ¦
336. BIG MAN
Point taken. How about you cut to the chase?
Fine. Tony Dracon. Tomas Brod. Silvio Manfredi. All in jail. Hammerhead. Sable Manfredi. On the run. This gives you a unique opportunity to reclaim what was lost.
338. BIG MAN
Iâm sure L. Thompson Lincoln has no idea what youâre talking about. But go onâ¦
You have three problems. Green Goblin, Doctor Octopus and the government watching your every move.
340. BIG MAN
And you have the solutionâ¦
I have the manpower. Threeâ¦ âsuper-villainsâ to take down the competition and Dominic Dracon to use as a figurehead.
342. BIG MAN
The old man? I heard he was shy a few brain cells.
Itâs easy enough to spread the word he was faking insanity to avoid prosecution. And easy enough to assign him a keeper. Meanwhile, heâs a Dracon. And that name still carries weight, I believe.
344. BIG MAN
It does. But what would you want in exchange?
Nothing extraordinary. Just the services of the Tinkerer.
346. BIG MAN
I believe that can be arranged.
Lovely. But letâs not allow the moss to gather. Youâll want to move fast. Before the Octopus retrieves his armsâ¦
Dominique and Big Man sit. SILVER SPOON MANAGER, Vulture, DOCTOR OCTOPUS and Electro STAND.
The weather has turned cold. At the Silver Spoon, three men in trench coats and hats wait for their coffee.
349. SILVER SPOON MANAGER
Vulture sits down with Electro and Doctor Octopus.
352. DOCTOR OCTOPUS
Thank you, Adrian. Now. My arms?
In an OsCorp vault.
<shhhhh> Not THE Vault. A vault. Still very high security, and the police are bound to expect our arrival, butâ¦
356. DOCTOR OCTOPUS
Indeed. <sigh> OsCorp. Even in death, Norman Osborn torments me. But it cannot be helped. I must have my arms. We go in under cover of darkness tonight.
Doctor Octopus, Vulture and Electro sit. Silver Spoon Manager remains standing. Peter and Mary Jane STAND.
The three men exit through one door. Two teenagers enter through another.
358. SILVER SPOON MANAGER
359. MARY JANE
Try to understand, Tiger. I just canât do that to Gwen. Sheâs really become my best friend at Midtown.
But itâs not like weâd be making out or anything, right? Uh, right?
361. MARY JANE
Right, right. Weâd be going as friends. Hanging out when the couples were â¦ you know, coupling.
363. MARY JANE
And that would be great. But look at it from her point of view. She took all the risks, and you still wound up with Liz. Thereâs no way, sheâd see me as anything but a threat. Wait, that sounded really conceited.
Have you looked in a mirror? Not conceited. Just fact.
365. MARY JANE
Ooh, nice one. Such a player.
Yeah, right. The worldâs loneliest player.
367. MARY JANE
Stop it. I know you donât want to hurt Gwen either. Not after all the two of you have been through.
Yeahâ¦ I wonder if Ms. Brant likes Miami. Kidding, kiddingâ¦ Wow, pretty good. That was practically the Look.
369. SILVER SPOON MANAGER
SEYMOUR OâREILLY stands.
So youâre just not going?
371. MARY JANE
Oh, Iâm going. Itâs 48 degrees outside and 82 in Miami. I asked Tiny to be my plus one.
Tiny?! Tiny McKeever?! The guyâs got the brain of an amoeba. He makes King Kong look like a genius. Hell, he makes Flash look like Stephen Hawking!
373. MARY JANE
<argggh> I just wish I could skip the whole thing. But Aunt Mayâs going, and after her heart attack, I really think she could use some fun in the sun--
Sorry to interrupt. Couldnât help overhearing.
Oh, hey, Seymour.
Just wanted to let you know Harry invited me too. And Iâm totally going stag. I mean who wants a ball and chain when Miami Beach is full of hotties, right?
Just donât expect to hang out, okay. Youâd fully cramp my style.
Of course I wouldâ¦
381. SILVER SPOON MANAGER
Silver Spoon Manager, Peter, Seymour and Mary Jane sit. Dominique and TINKERER STAND.
Meanwhile, the Tinkerer arrives at the Destine Mansionâ¦
You have the devices?
Five was all I could put together on short notice. Unless you want to bring Mysterio inâ¦?
Our stage is crowded enough. And five should do quite nicely.
Dominique and Tinkerer sit. May, Mary Jane, GREG BISHANSKY, Sally, Gwen, Harry, Kong, Rand, Flash, Liz, Jason, Peter and Seymour STAND.
Later that afternoon, Harryâs rented a party bus, and the gang is en route to the airport, stuck in heavy traffic on the expressway. A very prepared May Parker has a clipboardâ¦
All right, we have three adults and sixteen children â" sorry, sixteen teenagers. Thatâs nineteen sojourners bound for Florida. So why did my headcount come to twenty?
388. MARY JANE
I think you counted the bus driver, Mrs. Parker.
Oh, that I did.
Hey, twist my arm! Iâll go to Miami with you guys!!
Was anyone talking to you?
Then eyes front.
Harry, are you all right?
I dunno. All this stopping and starting. My stomachâs a little queasyâ¦
Dude. Does this bus rock or what?!
Damn right itâs cool. Wouldnât mind taking this baby all the way to Florida.
Excuse me?! Itâs a bus.
Sallyâs right. Weâre not ditching the private jet for a bus. Right, Jason?
It really is a very nice bus though.
Hey, Iâm not offended. I still canât believe the Osborns hired me again. The last time, I got in two-- <impact grunt>
Dude, you totally rear-ended that guy at the tollbooth!
Wonderful. Now, weâll be stuck here forever!
Everybody stay calm.
Ah, man, gotta use the johnâ¦
<laughs> I think Osbornâs gonna hurl!
Oh. My. God! If my hair starts smelling like vomit, Iâll sue you for bus-driver malpractice!!
Bishansky, Sally, Kong, Harry, May, Seymour, Peter, Jason, Liz, Flash, Rand, Gwen and Mary Jane sit. Brooklyn, Lexington, Broadway, Zafiro and Obsidiana STAND.
The sun sets. At the castle, the gargoyles awakenâ¦
415. BROOKLYN, BROADWAY, LEXINGTON
You must be Zafiro.
How did you know?
Strong family resemblance.
Long story. Time travel. The future. A whole other spin-off. Two actuallyâ¦
We donât have time for your âspin-offsâ. Â¿Donde esta Goliath?
He didnât sleep here.
But Iâm sure heâll be back soon.
Heâd better. We have trouble. Demona trouble.
Hi, Obsidiana. Iâm betting you have trouble tooâ¦
Elisa, Obsidiana, Lexington, Broadway, Brooklyn and Zafiro sit. Kraven, Calypso, Curt and Gulyadkin STAND.
And while the clan awaits Goliathâs returnâ¦
It is time, Calypso.
Yes. The forces gather. We can make this one our own.
I demand you let me go!
Hold your tongue, American dog. Or Gulyadkin will hold it for you.
<low lion growl>
Calm yourselfâ¦ This change will not be difficult. The primitive bound within is barely skin-deepâ¦
I-- I donât know what youâre talking about.
I think you do. You see my companion. The details may have been created in a laboratoryâ¦
But the soul of the Hunter â" the beast inside â" was always my own.
What are doing with that doll?
Turning it inside out.
Listen to me, please. Even if you can release the âbeast insideâ, you donât want to! It canât be controlled.
<laughs> Nyet. Not by you perhaps. But my Calypso is not so easily trifled with.
It is timeâ¦
Noooo!!!! <transformation scream>
Curt Connors is transformed by Calypsoâs magic into the Lizard.
Nowâ¦ to the Hunt!
Kraven, LIZARD, Calypso and Gulyadkin sit. Obsidiana, Zafiro, Angela, Elisa, Goliath, Broadway and Brooklyn STAND.
Back at the Castle, Goliath has returned, and the entire clan has gathered. Elisaâs revealed what she knows about Demona. Now, itâs Obsidianaâs turnâ¦
It came from somewhere further south. Two human smugglers carrying an object of great power through the Greenâ¦
My mate is sensitive to these things. We tracked them, but they boarded a jet airplane and were soon out of our reach.
Pero still I could sense great forces gathering. I asked Jade and Turquesa to teach us the way to Avalonâ¦
Gabriel says hello, by the way.
Oh, I miss him. How is he?
Angela, honey, letâs stay on point. I take it Avalon sent you here.
Yes. We nearly achieved the totem, but a ridiculous human dressed in red and blueâ"
454. ELISA, GOLIATH (UNISON)
He did spin webs like a spider. Though from his hands, not hisâ"
Focus, mi amor.
Lo siento. This Man-Spider, he interfered. The smugglers escaped again. Now, power builds on power, rising to a crescendo.
And thatâs bad, right?
Elisaâs cellphone rings.
Itâs Matt. Somethingâs going down at the OsCorp vault off the Expressway. Most of the Taskforce is already here. Stacy and his men too. But Iâm thinking we might needâ¦ âback-upâ. Lots and lots of back-up.
Weâre on our way. Brooklyn, can Bronx and Fu-Dog baby-sit Egwardo?
Good. Because otherwise itâs all hands on deck.
Elisa, Brooklyn, Broadway, Obsidiana, Zafiro, Goliath and Angela sit. George, Morgan and OâNeil STAND.
Okay, Captain. The rest of the Taskforce is on its way.
My men are deployed.
And just in time! Cuz we got Gobby and his Pumpkin-Heads at 12 oâclock!
Green Goblin and Pumpkin Bomb STAND.
468. GREEN GOBLIN
469. PUMPKIN BOMB
And a gargoyle at 3 oâclock!
Thatâs not a gargoyle. Thatâs the Vulture!
You were right, Otto. The police were waiting. And the Goblin is here too. You donât think it could actually be Osborn, still alive, do you?
Doctor Octopus and Electro STAND.
473. DOCTOR OCTOPUS
Do not get distracted by old grudges, Adrian. It hardly matters who wears the Green. His intent is still to prevent me from regaining my arms. You must keep the Goblin and the authorities occupied.
475. DOCTOR OCTOPUS
Now, Electro. Open the vault.
Roger that, Doc!
Electro, already inside, short-circuits the vaultâs electro-magnetic lock.
Tinkerer and Demona STAND.
Electroâs breached the vault.
So predictable. Send in your operatives.
Tinkerer opens a burlap sack, releasing his five âoperativesâ.
HOMUNCULUS #1, HOMUNCULUS #2, HOMUNCULUS #3, HOMUNCULUS #4 and HOMUNCULUS #5 STAND.
481. HOMUNCULUS #1
Homunculi to the rescue!
482. HOMUNCULUS #2
Dirty work to be done!
483. HOMUNCULUS #3
484. HOMUNCULUS #4
Uh oh, somebodyâs language systemâs off-line again.
485. HOMUNCULUS #5
You know it, girlfriend!
Calypso, Kraven and Lizard STAND.
And down in the sewerâ¦
It is right above us, my love. The Power and the Glory. The very keys to the Kingdom.
And Kraven will lay them all at your feet.
Up top, a stretch limo skids to a stop outside the vault. Dominic Dracon and Fancy Dan emerge.
Dracon and FANCY DAN STAND.
All right, boys. Get me those jewels!
492. FANCY DAN
I think what the boss means isâ¦ Destroy the competition!
Carnage, Colonel Jupiter and Venom STAND.
<evil chuckle> Carnage time?
494. FANCY DAN
Yeah. Go. Kill. Whatever.
495. COLONEL JUPITER
Colonel Jupiter will stop the Green Goblin and Vulture in their tracks!
496. FANCY DAN
Knock yourself out. But what are you waiting for?
Someone worthy of our hate. But we have faithâ¦ Heâll comeâ¦
498. GREEN GOBLIN
My, my, the fieldâs getting crowded. Letâs thin the herd. Pumpkin-Heads, release the hounds! <ahem> That was a metaphor. Throw your pumpkin bombs already!
499. PUMPKIN BOMB
Pumpkin Bomb, Green Goblin, Venom, Fancy Dan, Colonel Jupiter, Carnage, Dracon, Lizard, Kraven, Calypso, Homunculus #5, Homunculus #4, Homunculus #3, Homunculus #2, Homunculus #1, Demona, Tinkerer, Electro, Doctor Octopus, Vulture, George, Morgan, OâNeil and Matt SIT. May, Peter, Bishansky, Flash, Kong, Sally, Mary Jane, Gwen and Harry STAND.
Goodness, what was that?
Something The Bugle will want pictures of. Open the door.
Peter Parker, I am not letting you off this bus in the middle of the expressway.
Aunt May weâre at a complete standstill. And you donât have to worry. Iâll use my telephoto lens. I wonât be anywhere near the action.
I suppose it is your jobâ¦ Open the door.
Thanks, Aunt May. You rock!
If Puny Parkerâs going, Iâm going too!
Eugene Thompson, you sit your backside down in that seat right this minute.
Whatâs he going to take pictures with? I saw his camera get blown up two months ago.
513. MARY JANE
Peteâs a professional photographer, Sally. Iâm sure he has more than one camera.
Harryâ¦ Are you all right in there?
<vomit noise> Ugh, donât come in. It really isnât pretty.
Harry, Gwen, Mary Jane, Sally, Kong, Flash, May, Peter and Bishansky sit. Broadway, Goliath, Brooklyn, Angela, Elisa, Zafiro and Obsidiana STAND.
The clan alights on a rise overlooking the battlefield.
Whoa, what a messâ¦
We will split our forces. Brooklyn, Lexington, Broadway, Obsidiana, Zafiro with me.
Shouldnât I lead the other contingent?
I need your experience and your weapons at my side.
Donât worry, Brooklyn, weâve got it covered.
Angela, Hudson, Katana, Gnash, Coldstone and Coldfire glide toward the battle.
523. BROOKLYN, BROADWAY (UNISON)
You know Iâm going with you.
Not this time, Elisa. You must join your fellow officersâ¦
When all is settled, we shall need your help to cover our retreat from this conflagrationâ¦ You know this is true.
Elisa sits. Spider-Man STANDS.
Elisa makes her way down the hill. Goliath and the others glide to the Vaultâs roof. Spider-Man lands there at the same time.
530. SPIDER-MAN, ZAFIRO (UNISON)
Hold, Spider-Man. I have a friend who knows your Captain Stacy.
This policeman believes in you. So I choose to believe in you as well.
Says the eight-foot tall medieval monster. But I get it. Weâre on the same side. So letâs go kick some Pumpkin-Butt!
Â¡Idiota! That battle is a mere distraction.
The true danger lies withinâ¦
All right, all right, you had me at âIdiotaâ.
The gargoyles rip open the rooftop. The seven heroes descend, but someone watchesâ¦
Spider-Man, Obsidiana, Zafiro, Goliath, Broadway and Brooklyn sit. Venom and Fancy Dan STAND.
And there goes our Broâ¦
540. FANCY DAN
You going in? That wasnât the plan!
And how do intend to stop us?
542. FANCY DAN
Fine, go. But if you see my Ricochet suit, bring it out!
Fancy Dan and Venom sit. Foswell, Jonah and Robbie STAND.
See, J.J. The tip from Draconâs old chauffer was right on the money.
Whaddaya want, a fershlugginer medal?! Letâs get in there!
Slow down, Jonah. I promised Joan I wouldnât let you lose your head, figuratively or literally.
Forget my head! Who cares about my head?! My boy needs me!
Ned and Colonel Jupiter STAND.
Looks to me like your boyâs doing pretty well, Chief!
548. COLONEL JUPITER
Take that, miscreants!
Ned, how did youâ"
Tip from one of the pumpkin-heads. Foswellâs not the only one with sources.
You two can naked mud-wrestle over whoâs the biggest brown-noser later. For now, Robbie, if you donât let go of me in zero-point-zero seconds, Iâll dropkick you to next Season! And thereâs no guarantee thereâll be a next Season!
Jonah breaks away from Robbie, but his path is blockedâ¦
Get back! You want to wind up street pizza!
But thatâs my son up there.
Yeah, well, at least heâs fighting on the right side.
556. COLONEL JUPITER
Nothing stands against the might of Colonel Jupiter!
Does he always talk like that?
Bombasticism runs in the family.
Robbie, Elisa, Colonel Jupiter, Jonah, Ned and Foswell sit. Vulture, Carnage, Green Goblin, Angela, Fancy Dan, Matt and Dracon STAND.
Jupiter takes down Pumpkin-Heads right and left. Hudson squares off against Vulture.
Why do I get the old guy?
Youâre old. Heâs old. Itâs parallelism. Get over it.
Coldstone and Coldfire isolate Carnage.
No fair! These two donât spatter at all!
Angela and Katana take on the Goblin.
564. GREEN GOBLIN
Oh, goody. Gobby likes getting down and dirty with the hotties.
Oh, you did not just say that.
And little Gnash goes after Fancy Dan.
567. FANCY DAN
Admit it, you gave me the kid because Iâm short?
Even Detective Bluestone gets into the act.
Youâre confused. Iâm G.F. Benton, a certified public accountant. I think Iâll be going nowâ¦
Yeah. Back to Ravencroft, you old nutter!
But inside, things are a bit more seriousâ¦
Matt, Dracon, Fancy Dan, Angela, Green Goblin, Carnage and Vulture sit. Electro and Doctor Octopus STAND.
Got your arms, Doc!
574. DOCTOR OCTOPUS
And my Megalo-Pack?
Youâre Mega-what now?
576. DOCTOR OCTOPUS
My power-source, Maxwell.
Right, right. No. Thatâs not here.
578. DOCTOR OCTOPUS
Homunculus #1, Homunculus #2 and Homunculus #3 STAND.
579. HOMUNCULUS #1
Gotta get the true treasure!
580. HOMUNCULUS #2
Bring it back to the big Smurfette!
581. HOMUNCULUS #3
Blunk hates getting wet!
Three Homunculi fly deeper into the vault to retrieve Demonaâs prize.
Homunculus #3, Homunculus #2 and Homunculus #1 sit. Zafiro, Spider-Man, Lexington, Homunculus #5, Goliath, Brooklyn, Broadway and Obsidiana STAND.
What are those things?!
584. SPIDER-MAN, LEXINGTON (UNISON)
And I got one!
586. HOMUNCULUS #5
Leggo, you big bully!
<ugh> What an annoying voiceâ¦
588. HOMUNCULUS #5
(aside to audience)
Look whoâs talking.
â¦But I might be able to use it to take control of the others.
I think I can help.
Youâll be a little too busy for that, Bro.
Friend of yours?
Once upon a time. Not so much now.
595. VENOM, SPIDER-MAN
<add-lib battle sounds>
A little help?
Brooklyn blasts Venom, who collapses.
Sonic Cannon. Circa 2198. Guess my weapons do come in handy.
Just cover me until I can get this workingâ¦
Demona and Tinkerer STAND.
Whatâs wrong, Tinkerer? Why havenât they returned?
Someoneâs trying to counter their programming. He wonât succeed.
He had better not.
My hackâs being hacked!
Heâs overriding my override!
Homunculus #4 STANDS.
606. HOMUNCULUS #4
Go right. Go left. Go right. Go left. Blow up!
Homunculus #4 blows up. But so does Homunculus #5 in Lexingtonâs hands!
Homunculus #4 and Homunculus #5 sit.
610. DOCTOR OCTOPUS
This is madness! Grab my arms and get me out of here!
Workinâ on it!
Electro blasts away, until he and Doc Ock are blindsided byâ¦
Kraven, Gulyadkin, Lizard and Calypso STAND.
613. ELECTRO, DOCTOR OCTOPUS
Look, itâs Claw.
Thatâs not Claw.
Well, itâs sure not Maggie.
Is that an actual lion?
Lizard, too? Seriously, this is way over the top.
Homunculus #1 and Homunculus #2 STAND.
622. HOMUNCULUS #1
Got the gizmo!
623. HOMUNCULUS #2
Homunculi never fail!
Two homunculi fly past, carrying a sealed container down a dark corridor.
625. CALYPSO, OBSIDIANA (UNISON)
(pointing at each other)
Donât let her near it!
Go, Calypso! Leave them to us!
Â¡Vaya, mi amor!
We got your back, Goliath! Go!
Think Iâll tag along tooâ¦
Spider-Man, Obsidiana, Calypso, Homunculus #2, Homunculus #1, Goliath, Tinkerer and Demona sit.
Calypso, Obsidiana, Goliath and Spider-Man race down the corridor.
Lizard, take the reptile!
Â¡No soy ningÃºn reptil! Â¡Soy un GÃ¡rgolo!
633. ZAFIRO, LIZARD
<ad-lib battle sounds>
Gulyadkin and Kraven attack Lex and Broadway!
Hey, get him off me!
Kinda busy at the moment!
639. GULYADKIN, LEXINGTON, KRAVEN, BROADWAY
Brooklyn steps in and pulls both cats off his rookery brothers. They turn on him.
642. BROADWAY, LEXINGTON (UNISON)
All for one!
The two gargoyles return the favor, knocking Kraven and Gulyadkin aside. Then Brooklyn blasts them both.
And one for all!
645. KRAVEN, GULYADKIN
Some things never change.
Zafiro throws Lizardâs unconscious body on top of Kravenâ¦
648. KRAVEN, LIZARD
We should follow Obsidianaâ¦
650. ZAFIRO, BROOKLYN, LEXINGTON, BROADWAY
The four gargoyles are dropped by Electroâs blast.
Still want out?
653. DOCTOR OCTOPUS
Indeed not. My curiosity is piqued. Letâs see where this leadsâ¦
Doctor Octopus, Electro, Broadway, Lexington, Brooklyn, Zafiro, Gulyadkin, Kraven and Lizard sit. Demona, Homunculus #1 and Homunculus #2 STAND.
Electro and Octopus head down the corridorâ¦ In a dimly lit room, Demona holds the Spear of Destiny and watches as the two homunculi open the container. Insideâ¦ is a crown of thorns.
The Crown of Thorns!
Demona removes her tiara.
Place it on my headâ¦
658. HOMUNCULUS #1
659. HOMUNCULUS #2
Homunculi aim to please!
The Homunculi gently lower the crown onto Demonaâs head before disappearing back into the darkness. The thorns bite into her brow, drawing blood. Calypso, Obsidiana, Goliath and Spidey come rushing in.
Homunculus #2 and Homunculus #1 sit. Spider-Man, Goliath, Calypso and Obsidiana STAND.
My Kingdom come. My Will be doneâ¦
Friend of yours?
Once upon a time. Not so much now.
On Earth as it is in Heavenâ¦
For MINE is the Kingdom and the Power and the Glory for ever and everâ¦
668. CALYPSO, OBSIDIANA, SPIDER-MAN (UNISON)
Light radiates outward from the Spear. Goliath watches in confusion as Calypso, Obsidiana and Spider-Man drop to their knees before Demona. Octopus and Electro enter and likewise fall to their knees. The light reaches the outer vault. Though still unconscious, Venom, Lizard, Zafiro and Kraven lurch to their feet, then drop to their knees. And still the light advancesâ¦
Obsidiana and Calypso sit.
What sorcery is this?!
The most powerful human sorcery ever created, Goliath. This is humanityâs Armageddon. Their entire raceâs final act.
END ACT TWO
NEXT: ACT THREE...
This day in Gargoyles' Universe History....
In Avalon, Angela, Gabriel, Ophelia, Boudicca and thirty-two other gargoyles and gargoyle beasts hatch out of their eggs.
Mace disappears with a fortune in jewels to become a full-time operative for the Illuminati. He writes a letter to Dominic Dracon, taunting him with false clues about the location of the jewels.
From around the globe, human heads of state and all twelve Gargoyle Clan Leaders come to Queen Florence Island for the hatching. The Space-Spawn attacks, abducting the gargoyle eggs and the human and gargoyle leaders, including U.N. Secretary General Alexander Fox Xanatos IV. And in Antarctica, Earth's Master Matrix Computer is stolen. The Space-Spawn invasion has begun.
This day in Gargoyles' Universe History....
King Arthur leaves Avalon on his own to explore the world. The Weird Sisters are forced to release Macbeth and Demona from their thrall. Goliath pushes his unconscious foes off of Avalon. They land in Paris, where Demona awakens first, sees Macbeth unconscious and flees. Minutes later, a confused Macbeth regains consciousness. Realizing where he is, he retreats to his Chateau on Paris' famous Left Bank. (Neither retain any memories of events that have taken place between November 12th, 1995 and January 1st, 1996.) Meanwhile, Goliath takes possession of the Eye of Odin and the Phoenix Gate, then releases the Weird Sisters, who vanish. Goliath leaves Tom, Katharine and Gabriel in charge of Avalon and the Avalon Clan. Only Angela chooses to join Goliath, Elisa and Bronx aboard the skiff. They begin their "World Tour" while attempting to find their way home from Avalon. Avalon sends Goliath, Elisa, Angela and Bronx to Wyvern Hill in Scotland. There the ghosts of Hakon and the Captain attempt to drive Goliath insane and steal his life force.
This day in Gargoyles' Universe History....
Macbeth and Demona attack the humans and gargoyles at Oberon's Palace, while the Magus faces off against the Weird Sisters at the Hollow Hill, and Goliath and Angela seek out the Archmage at the Grotto. At first things look grim, but Princess Katharine defeats Demona with help from Ophelia, the Guardian, Elisa Maza, Gabriel, Bronx and Boudicca. King Arthur Pendragon also defeats Macbeth, and the Magus captures the Weird Sisters, though it fatally weakens him. Goliath battles the Archmage, who uses the Phoenix Gate to bounce them around through Time and Space. But the Archmage cannot shake Goliath, and returns to the present, where Goliath succeeds in removing the Eye of Odin from his brow. Without the Eye, the energy from the Grimorum Arcanorum burns the Archmage to death from the inside out. The battle is over.
This day in Gargoyles' Universe History....
Goliath, Angela and Gabriel attempt to steal the Eye of Odin and the Phoenix Gate from the Archmage. They fail. Meanwhile, Elisa Maza and the Magus succeed in waking the Sleeping King, Arthur Pendragon.
This day in Gargoyles' Universe History....
Westminster Abbey, built by Edward the Confessor, is consecrated.
David Xanatos, who is scheduled to be released from jail in one week, is contacted by Macbeth, who offers to rid the castle of gargoyles.
Goliath and Tom the Guardian meet at Belvedere Castle in Central Park. Together with Elisa Maza and Bronx, they depart for Avalon, where they are introduced to the grown hatchlings of the Wyvern Clan, including Angela, Gabriel and Boudicca, and reunited with the Magus and Princess Katharine. Meanwhile, a recently transformed Archmage travels back in time...
Is Gabriel Coldstones son? If so then does that make his love his mother?
Yes, Gabriel is the biological son of Coldstone and Coldfire. But from a gargoyle's point of view, Goliath is as much Gabriel's father as Coldstone is.
do you have any story ideas where Gabriel and/or Ophelia are the focus?
1.)Did Magus, Tom, and the Princess know Angela was Goliath and Demona's daughter?
2.)Did they know Gabriel was Desdemona's and Othello's son?
3.) Did we ever meet Ophelia's parents? Besides the Britain Clan and Zafiro, she is one of the most interesting looking.
1. Given her looks and coloring, it's not a great leap.
3. I haven't given it any thought.
1. by "Ill met by Moonlight" had Gabriel and Ophelia mated already?
2. had they already made a monogamous commitment to each other?
3. how many biological children will they have?
4. how many of the founding Avalon Clan females (the fifteen Angela said existed) will bear eggs?
1. I think so.
2. I think so.
3. Odds are three, assuming one or the other doesn't die prematurely.
4. Odds are all of them, assuming one or another doesn't die prematurely.
will Broadway ever meet Gabriel and the rest of Angela's rookery siblings? if so, what will Gabriel think of Broadway?
At some point, yes.
Broadway's a pretty personable guy, wouldn't you say?
I would think that Gabriel would like him.
Time to Ramble...
This third part of the tryptich, was designed to be a kick-ass battle. Lots of action, lots of excitement. All (or nearly all) the pipe had already been laid out. We had two of our toughest mortal villains (Demona and Macbeth) working with the mysterious and powerful Weird Sisters and the MEGA Archmage Plus, who possessed the power of Gate, Book and Eye. That seemed like some real competition for our good guys, who had wounded to protect.
It was time to go to war.
A few other soldiers:
Director: Dennis Woodyard
Story Editor: Brynne Chandler Reaves
Writer: Lydia C. Marano
As the main titles were playing and Keith was narrating, my seven-year-old daughter Erin mentioned that Goliath and Darth Vader both do voices for phone companies.
Erin also figured out that Angela and Gabriel were being stalked by Demona, before she actually came on screen.
Goliath says it like a curse word when he realizes that A&G are being followed. That was how I wanted to use it. As I've mentioned before, the art staff eventually threatened a coup if I didn't drop it.
But if I ever get to do Gargoyles 2198, I'm bringing it back. That's a threat, not a promise.
Anyway, Goliath attempts to appeal to Demona and Macbeth's better natures. It starts to work, but it's too late. The Archmage has a good line: "They are my creatures now."
Then Bronx and Boudicca attack, saving our 'goyles. This was hinted at in Part Two. And clarified later when Angela comments on it. But it also was my way of serving notice that Bronx was no longer going to be the puppy-most-left-behind. The World Tour was his coming out party.
Anyway, the Archmage now changes his plan. Not because he doesn't want to take any chances, but really because his sensibilities have been offended. He has another good line: "If they are so eager to die..."
But it's really that balance I was trying to maintain between his newfound ultimate power and his original clichéd origins.
HUNTING HOLLOW HILLS
Elisa asks about the Sleeping King. The Magus says he's been sleeping in his Hollow Hill. More hints as to who the king was. (If the name Avalon wasn't hint enough.)
On the way, Elisa pumps Magus for information like he was in the interrogation room back home. She already guessed that he had a thing for Katharine. She wants the lowdown. It's really not her business. Call it a habit of her profession.
(There's an animation error on my tape, which I hope was corrected for later airings. When the Magus starts to narrate the flashback, both his and Elisa's mouth are moving, mouthing the same lines. Obviously, Elisa's animator misread the X-sheets and thought she was talking instead of the Magus.)
(Of course there's another semi-error which I've tried to explain away in the past. The lighting on the scene where Katharine and Tom play with the baby-gargs Angela, Gabe and Boudicca seems very daylight. I've always claimed that it was just a very bright moonlit night. That's my story and I'm sticking to it.)
This last flashback got my five year old son Benny talking. He asked "How did the gargoyles even get born?" And had to be reminded about the eggs from Part One (which we saw three weeks ago). "Oh, yeah," he said.
Then when we got to the Sleeping King, he compared that to a character that's on his radar: The sleeping MATA NUI from Bionicle.
The Magus uses magic, explaining that "magic is the lifeblood of Avalon." This seemed logical to me. That a practioner like the Magus could train himself to access that ambient magic -- but at a price.
My wife Beth was very impressed with Jeff Bennett's performance here. As a change of pace, Jeff was only playing one character -- as opposed to his usual fifty. But it was a truly heartbreaking performance, I think.
And I have to ask, given the Magus' first appearance in "Awakening, Part One", did you guys ever think that you could or would find that character this appealing, this sympathetic? I think that our ability to allow characters to grow and change was one of the hallmarks of our series. And I had the backbone of his change planned as early as "Awakening, Part Two": (1) his love for Katharine which is unequivocal and (2) his guilt over what he did to the gargoyles, which he never tries to dodge or make excuses for in any way.
The Leap of Faith. It does seem too Indiana Jones now. But obviously it must not have at the time. Either that or we were kidding ourselves. Still, I like Elisa here a lot.
The Platform lowers on cue and Elisa finally names the Sleeping King: "Arthur Pendragon, King of All Britain... You are needed." We wanted to keep it simple. That simple. I also wanted to begin establishing the name Pendragon. Everyone's heard of King Arthur. But you have to have had a bit of exposure to the legends to be familiar with the Pendragon name. I always thought it was cool. And I think that even then I had the notion of using it as the title for a spin-off.
Anyway, we get back to the Palace, and Elisa states a fact that I wonder if anyone had focused on before (regarding Demona and Macbeth): "You've never actually beaten either of them." Goliath agrees: "Simply foiled their plans or fought them to a stand still.
And then Arthur asks: "What's going on?" which I always thought was kind of funny. They're counting on him to help save the day. He doesn't even know the set up.
So while we get him up to speed, we cut to the Archmage who orders the Sisters to "Dispatch the Sleeping King." Erin smiles and says,, "What they don't know..." is that it's too late. But what I found interesting is that Erin actually did trail off. She knew that she didn't need to state what they didn't know. Cool.
DIVIDING THE TROOPS
True to Elisa's hopes (and my interpretation of the character of legend) Arthur in fact does immediately take charge.
He'll go with Elisa, Tom and Gabe to fight Demona & Macbeth.
Katharine, Bronx and Boudicca will guard the wounded 'eggs'. (Katharine has one of her bookend tough mom statements here: "They'll not harm my eggs again!")
Goliath and Angela will attack the Archmage.
And the Magus agrees to take on the Sisters.
Eventually -- after Art figures out that Demona feels Mac's pain and Demona establishes that she and Mac need to put distance between them to minimize the link -- things change a bit and Arthur faces Mac one-on-one, while Kathy, Bronx, Boudicca, Ophelia, Elisa, Tom and Gabe all team up to battle Demona -- who as always, may present the greatest threat of all, even when it's against her own interests.
All this seemed very appropriate to me. I like how the battle divides up. How the opponents match up. And you'll notice at the cliffhanger/commercial break that every one of our battles is going badly for the good guys. Macbeth seems to have the upper hand over Arthur. The Archmage has Goliath down. The Weird Sisters are clearly overpowering the Magus and even Demona is on the verge of wiping out all her opposition at the Palace.
KING ARTHUR PENDRAGON vs. MACBETH
We gave Arthur a mace, because I didn't want anyone to think that some random sword he was carrying might be Excalibur.
When Arthur says, "What manner of magic is this?" it made me wish we had just gone ahead and said "What sorcery is this?" like we usually did.
There's some fairly effective slo-mo animation in here. Slow motion in animation (when called for in scripts) usually makes me nervous. If not done well, it can just look like a poorly-timed, poorly-animated scene. But here it seems to work.
I like how the battle ends. Arthur takes the sword fragment, and for a second, it looks like he's going to skewer Mac. But instead he uses it to pin Mac to a tree. Setting him up for Arthur's punch into camera with his ringed fist. Disney S&P let us do that. ABC S&P didn't allow those kind of fist coming into camera shots on Goliath Chronicles. But I wasn't informed of the change in policy until after "The Journey" was animated.
PRINCESS KATHARINE, OPHELIA, BRONX, BOUDICCA, GABRIEL, THE GUARDIAN & ELISA MAZA vs. DEMONA
Ophelia gets another nice moment here, as even injured, she attempts to stop Demona.
Elisa again takes advantage of the fact that she knows that Demona's hatred for her is so extreme and irrational, that she'll literally drop her weapon for the chance to grapple with Elisa, the chance to tear her apart with her bare hands.
Of course, this is after Elisa demonstrates that she never carries enough ammo. After uselessly shooting at a beach and a hollow suit of armor, she's out of bullets by the time she gets a target of flesh and blood. Of course, we made Elisa a touch dopey in this department for S&P reasons. Elisa, being a NY cop, had to carry a gun. But short of doing an episode about gun violence like "Deadly Force" (which Toon Disney refuses to air these days), we couldn't actually let Elisa shoot anyone with her gun. So we found other uses and excuses.
But ultimately, it's Katharine who brings Demona down, looking quite intentionally like a medieval Ripley, saying the other bookend: "No one threatens my eggs."
THE MAGUS vs. PHOEBE, SELINE & LUNA: THE WEIRD SISTERS
Luna says to the Magus: "There is no future for you." That was a clue from the voice of fate. Anyone pick up on it?
I also like how all the Sisters say together: "You will suffer!" But of course, he's been suffering for decades. What he will soon be is free of all suffering...
I wanted to show here (among other things) that magic itself was neither good nor evil. Magic simply existed at the disposal of those with the power to wield it.
The Magus defeats the sisters and collapses onto Artie's platform. Erin asked quietly: "Did he die?" Benny looked for another way out: "He might have just lost his power."
GOLIATH & ANGELA vs. THE ARCHMAGE
Erin asked what the Archmage was planning for Goliath... and I had to answer something like "a painful death."
Goliath asks what I thought many of you might be asking: why doesn't the Magus just kill him. And David Warner answers as only he could: "Because I'm having too much fun."
We have all this Gate-Jumping. This was an afterthought. Because at one point I had thought of having our guys steal the gate back, I had forgotten to have the Archmage use the gate in the script. So at the board stage, I asked Dennis to put this in. We were very tight for time, but he obliged me. Ideally, I'd have liked to show them briefly in some other times, but I knew we just couldn't afford to design new layouts for two second shots. Even so, who knows where and when they went? Who knows how long they were gone? Sometimes their poses changed. But Goliath is like the Old Man of the Sea. He never lets go. And finally he takes the Eye away.
The Archmage is already in trouble, but how much he doesn't know for a few seconds. Then the power of the Grimorum destroys him from within. A nice creepy companion to him eating the book in Part Two.
And I love David's last line, the forlorn: "All my lovely magic..." Believe it or not, I had to fight a little to get that line in. Just a little. But still.
DEATH OF A HERO
The Magus' death stll moves me. His quiet desire for rest. Katharine's love for him. (Not romantic love, but love nonetheless.) K: "Oh, Magus, what have you done?"
The Magus still concerned that he owes a debt to Goliath and Goliath's forgiveness. The eyes closing and the star shooting overhead.
For S&P reasons, we decided not to make it absolute that he was dead. No one mentions death. Just rest. Sleep. And he is lying on the Sleeping King's platform by his own request.
And many fans, even adult fans, chose to believe he might still come back someday. Hey, more power to 'em, I guess.
But I felt/feel that would cheapen the moment. Cheapen the sacrifice. We sent our heroes into battle. And in battle, their are casualties. Some things are worth fighting for, but if we don't understand costs, then I want people to know that when something isn't worth fighting over, they shouldn't.
For various reasons, many of our voice actors in this episode recorded their lines separately. So we recorded each character saying goodbye to everyother character. Not knowing exactly what we would use. We, in my opinion, wound up using too much of these wild goodbyes. It's very awkward sounding to me now.
Gabe & Goliath establish why Gabe and his clan don't join Goliath in Manhattan and why Goliath doesn't bring his clan back to Avalon. Though both clans are born of the old Wyvern Clan, both have found new homes, which they will not abandon.
But Angela has a bit of Demona in her. The iconoclast, she wants more than normal clan life has to offer. She wants to see the world with Goliath. He proudly agrees. He wants one of his children with him. Gabriel and Angela say goodbye. He refers to her here as his rookery sister (not as his "Angel of the Night" or some other equivalent). This was done to make clear that they regarded each other as brother and sister, not mates. I basically wanted to leave her unattached for the Trio. Nevertheless, many fans still thought that they were a couple.
Art goes off on his own to be less conspicuous, and Goliath laughs a borderline Thailog laugh. He also plants pipe for Arthur's eventual stop in Manhattan.
Mac & Demona are freed from the spell, leaving them with no memory since they were first ensorcelled. There's an awkward bit of business here as the gargs who were guarding them move away, just so that Goliath can move in and push the skiff off. Flaw in the boarding that no one caught, I'm afraid.
The Sisters move off, having been forced off-camera to explain most everything.
Bronx & Boudicca part. Now that's a couple.
More pipe: Goliath swears that no one will ever use the eye or the Gate again. Famous last words.
Tom: "Elisa, I thought you understood. Avalon doesn't send you where you want to go! Avalon sends you where you need to be!"
Both Elisa and Erin said: What does that mean? at about the same time.
What did you think when you first heard that? We had officially launched the World Tour, but you didn't know it yet. What were you thinking?
Anyway, that's my ramble. Where's yours...?
Time to Ramble...
Director: Dennis Woodyard
Writer: Lydia Marano
Story Editor: Brynne Chandler Reaves
I guess you guys were used to longer multi-parters from us, so you probably didn't think this was the last part when you saw Part Two come up after the title. I tried something different at the end though. Instead of writing "To be continued" I had them put down "To be concluded". It seemed (at least in my head) to increase tension to know that the next part would be the last.
I've been told by people that out of context, this episode is incomprehensible. I hope it's not quite that bad, but I will say that unlike the rest of our eps, I felt that multi-parter eps don't quite need to stand alone in the same way.
Still with all the time travel stuff, it's very complex. I remember Lydia having to come into my office after her first draft and needing me to diagram the time travel for her. The loop that the Archmage takes. I love it. But I guess it's not that easy to follow.
Anyway, this ep was designed to be the second part of a tryptich. This is the one where we focus on our villains and bring them all up to date, just as in part one, we focused on our heroes. All gearing to a MAJOR BATTLE coming in Part Three.
Picking up where Part One left off, Elisa looks at Angela, Gabriel and Boudicca and says: "These are the eggs?" I love her tone there.
Guardian: "Sorry, I always call them that." It was a cheat to buy us, at least with some percentage of our audience, the shock value of expecting eggs and finding fully grown gargs and beasts instead. Still, I believe that a guy like Tom, dubbed "Guardian of the Eggs" would continue to use that term to refer to his kids, even after they are grown.
Goliath is initially shocked that the gargs have names. Angela says the standard human response: "How else would we tell each other apart?" This was done intentionally to both cover the issue of non-garg naming (which I still think is neat, but which is often a massive pain) and to indicate that these are gargs raised by humans.
So I'm in my office one day, after the script to "Avalon, Part Two" has gone final. And Supervising Producer Frank Paur and Producer/Director Dennis Woodyard come in. Frank hates the script. Dennis is calmer, but he seems to clearly agree with Frank, more or less.
I'm annoyed because it's VERY late in the game for them to be giving me these kind of notes. Things get heated between me and Frank.
I yell something like: "Well, what do you want me to do?!!!"
And he yells something like: "We need some action! Like a fight on the Beach with the Archmage!!"
And I start to object for about a second. Then I go, "Oh, yeah. A fight on the beach with the Archmage. That'd be cool. Would that fix it?"
And that was it. Our fights were always like that. We always only wanted to make it better. He'd get worked up, but the solution wound up being simple and when push came to shove (we never actually pushed and shoved by the way) we agreed on nearly everything.
It was also good to have Dennis' calming influence. Frank and I would go momentarily nutty and Dennis would always maintain.
So anyway, after the fact we added the memorable fight on the beach. Now I can't imagine the episode without it. It forced us to trim down some the Archmages travels (cause we were already long) but it definitely improved the episode.
I think, not sure, but I think I wrote that fight because it came so late in the game. It's also possible, I might have taken it back to Brynne and/or Lydia to write. I really don't remember anymore.
Either way, there are some great lines:
Goliath: "Don't be too insulted!" I love how he goes nuts here. We really get a reminder of his warrior-ness.
Archmage: "Don't crow too loudly, after all, what have you accomplished: you beat up a beach." You beat up a beach. That's one of my favorite lines in the whole series.
Archmage: "At dawn you all will die. Get used to it!"
Tom: "Let's get out of here before the very air attacks us!"
The fight itself is pretty cool too. I like how Bronx and Boudicca immediately team up. I like the symbolic nature of the Archmage growing wings, turning to stone and then shattering. I think that was a board-artist's addition. I don't remember seeing that in the script. (And I'm too lazy to stand up and check right now.)
At the end of the fight, my five year old son Benny asked: "Why can't they glide to the castle?" I had to explain the flight rules.
ANGELA & GABRIEL
Elisa slides up to Goliath: "Angela sort of looks like Demona, except her coloring is different. Exactly whose daughter is she?" Again, I love Salli's reading here. That need to know. The jealousy. The feeling for Goliath -- who dodges the question by saying that all children belong to the clan.
But of course Elisa knows. Knows something that I believe never occured to her before. Sure, she knew that Goliath and Demona had been mates, lovers. But she didn't let her mind traverse to the next logical step. Parents. Together. Goliath and Demona.
And of course, the audience knows it too, I hope. It was never meant to be a secret to anyone but Angela who her biological parents are. These lines also served to point that out.
On the other hand, we didn't make a big deal of Gabe's bio-parentage. But I wanted it to be semi-clear that his folks were Othello and Desdemona (Coldstone and Coldfire). Anyone get that at first viewing?
Everyone returns to Oberon's Palace. There are many injured and Gabe is apologetic. As Leader, he feels responsible. But there was 'never any need to hone our combat skills' before this.
Tom & Katharine are reunited. Elisa, the cop, picks up on the human dynamics, the relationships, immediately. She sees the Magus' reaction to their reunion.
I also really like the exchange between the Princess and Goliath.
K: "This is more than I could have hoped for."
G: "What you've done for the eggs is more than I could have dreamed of"
We kept dropping hints. He's mentioned by the Magus, but the conversation moves quickly on.
Later, the Weird Sisters mentioned him. The Archmage is surprised to hear he's not a myth, causing Seline to say her famous: "All things are true." line. The Archmages promise to kill the king later.
And Elisa brings the guy up at the end. This policy was me trying to play fair and make his awakening in Part Three not seem artificial. But also not to allow the guy to distract from the matter at hand.
Of course, most of THIS crowd must have known the s-king was a ref to KING ARTHUR. Particularly when the Hollow Hill ref was thrown in too. But did anyone not know on first viewing?
This was an episode for tying up Loose Ends in a big way. Solving some mysteries.
Why did the Weird Sisters do what they did? (At least objectively.)
Why were Demona and Macbeth working together in "High Noon"? (Elisa: "They hate each other." Guardian: "I saw no sign of that.")
And how did the Archmage survive?
Tom unwittingly hints at the truth when he says that the Archmage seemed to be able to be in two places at once.
Now let's reveal...
Wow! Did we get negative feedback from fans when we played the Sisters as villains here. Of course, I always had it in my head that the Sisters had three aspects. Grace, Vengeance and Fate. Sometimes one aspect is ascendent, but there is always a touch of all three in anything they do. But after the Sisters' Fateful appearances in "City of Stone", many fans rebelled at the notion that the objective reason they did all those things was for simple petty vengeance here in "Avalon". Oh, well.
[When Benny saw the Sisters for the first time, he said "Weird Sisters" with an interesting tone of awe. They're his favorites. But he didn't comment on them being bad guys here.]
The sisters have some nice lines...
L: "What is time to an immortal."
Phoebe: "This is true." (in ref to what cannot be broken can be bent).
Okay, this was just fun for me. In many ways the origin of much of this was the flat out talent of David Warner. He brought such life to the underwritten (and clichéd) part of the Archmage in "Long Way to Morning" that I just knew I'd have to bring him back. Many of the events of "Vows", "City of Stone", "High Noon" etc. were all geared toward bringing him back as a real THREAT!!
Yet with all this, I didn't want to forget the character's roots. We tried to set a balance between his clichés and his new power.
Think about it. The Archmage+ (as we called him in the script), had only been plussed for about a day. Still he's full of arrogance. His power hasn't raised him above that hybris nor above the thirst for vengeance nor above gloating or above impatience. That's his flaw, but also the fun, I think.
And of course, David. Wow.
Praise for Salli Richardson as Elisa. For Kath Soucie as Princess Katharine and all three Weird Sisters. For Frank Welker as Bronx and Boudicca.
But this Archmage stuff here is a tour de force, I think. David just went through, playing both characters. Both versions of himself. Keep in mind, he hadn't been privy to all that the writers had planned. He had come in for his small parts in both "Long Way" and "Vows". Now suddenly, he's this guy(s). Amazing.
"Do you know what to do?"
"I should. I watched you do it."
"Show some dignity."
"I could put you back where I found you."
"No, no." (I love that no, no. So tiny and fearful.)
"Not where. When."
"If you don't know, don't guess."
"The book must remain in play."
"Try to keep up."
"We're not doing her any favors."
"The rules that cannot be broken can surely be bent."
"Nine hundred and seventy-five YEARS??!!"
"I hadn't thought that far in advance."
"What am I supposed to do, eat it?!"
"Now I understand."
"As it did. As it must. As it always will!"
All great fun.
All these episodes were being produced simultaneously. All in various stages of production. So inconsistencies were bound to happen.
The Egg boats are messed up here. Demona's model in her flashback. Etc.
And storywise, what's the deal with Macbeth? I can see why the Archmage wants to include his former apprentice Demona in his plans. He felt betrayed by her, and is glad not to be doing her any favors by enslaving her.
Okay, it's not a true flaw. Macbeth is included because the 'plan of the Archmage' -- birthed whole from the timestream without the Archmage ever actually coming up with it independently (though he takes credit) -- included Macbeth.
It is the provence of Luna, not Seline, at work.
But still, I'd have liked to have been able to figure out some connection between the Archmage and Macbeth so that he wouldn't question the boy's inclusion. Thankfully, the Archmage+ is so arrogant, he takes credit and thus never questions. It occurs to me now, that I could have made a connection between Mac and his ancestors, all related to Katharine and Malcolm. Oh, well.
These became fun for me. Adding Captions indicating place and time is one of the very last steps in production. So I'm in there for the "On-Line" with Jeff Arthur, our post-production supervisor, and I'm just indulging...
Sure we start with...
"Scotland, 984 A.D."
But pretty soon we're at "YESTERDAY" and "SIX HOURS AGO" and "ONE MINUTE AGO" and finally "NOW".
It still makes me smile.
So the Archmage gets the eye. Power. But he's still an idiot. He needs wisdom. He eats the book, which I always thought was really creepy and cool. Now he understands. Now we truly have two Archmage+es. But they can't coexist forever. Aside from how complicated that would be to choreograph, and aside from the fact that the timestream needs the younger of the two to fulfill his role....
They also couldn't coexist because both are too arrogant.
So we repeat the scene of departure to close the circle and tack on: "Finally. I thought he'd never leave."
We get to see a new clan awake from stone. I hoped that was fun.
Ophelia appears (pre-injury). She looked way cool. For all those people who thought that Gabe and Angie were a couple, take a look at the way Gabe is holding Ophelia and looking at her after she's injured.
In addition to the Sleeping King, we were also laying pipe for our whole fourth tier WORLD TOUR. Tom says: "Avalon dropped me in your laps." He credits Avalon with sending him to Goliath.
The Magus declares that he is without magic and useless. Katharine rebels at that: "Don't say it, and don't think it!" She loves him. Just not the way he wanted her to love him.
Bronx and Boudicca want to go with Goliath.
Elisa asks about the Sleeping King...
And Goliath, Angela and Gabriel take off on a stealth attack.
And we immediately see that the Archmage knows they're coming.
As the Archmage says... "[We've layed all the damn pipe we could possibly need and more], Now the fun really begins!"
To be concluded...
And that's my ramble. Where's yours?
since Angela has had an interest in gargoyle parentage and has a close relationship with Gabriel has see perhaps guessed that Gabriel's parents are Othello and Desdemona? she had to know that they had a child on Avalon, did she think through the next step and guess at that child?