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Entity writes...

Hi!

After reading your comments about prefering an hour-long format over a half-hour one, I thought I'd seek your opinion on something I (and I'm sure any other fan) has wondered: Do you think Gargoyles could've been "The One" to break through into mainstream?

Sure, the show was a breakthrough as it is. A heavy, animated drama series... and by the light and fluffy Disney, no less. But could it have gone further? Could it have been the first to gain the attention and respect of mainstream America? I don't think I have to say how condescendingly your average demographic adult views animation.

Gargoyles could've easily been an hour-long show. And while it had the fantasy and the science-fiction, its present urban setting made it down-to-earth. With it aimed at an adult demographic, there could've also been more of a PG rating.

That was the whole problem right there, in my opinion. The series should've never been targeted toward younger children. They were all watching Power Rangers. It was the older viewers who remember it. And they all came upon it on chance. To think of the audience Gargoyles could've gained had it been advertized for adults...

Gargoyles was so many things. Talk about a wide appeal. A cop show. A conspiracy show. A historical show. A mythological show. A sci-fi show. A business show. There were so many levels. It couldn't have been anything BUT successful.

Well, those are my... quite a few... cents. Heh. Hope I didn't ramble on.

Greg responds...

We targeted kids. I targeted kids. And, largely we were successful at reaching that target. Kids (of 1994-1996) still remember the show fondly. I know. They tell me.

I just didn't limit the show's appeal to kids.

So I think what you're really asking me is "WHAT IF IT HAD BEEN IN PRIME TIME and marketed that way?"

And my answer is... I just don't know. I would have thought that first season of BATMAN THE ANIMATED SERIES would have worked on primetime on FOX. And it didn't. And if we had been on one of the three major networks, I know we wouldn't have been given the time to build an audience and we'd have been gone. After six or less episodes. Cable sounds like the answer, but at the time there wasn't a single cable network that could have afforded the show and/or would have paid that money for a cartoon.

And all this by-passes the notion that we created the show specifically for the Disney Afternoon. So any speculation becomes such a series of What if's and maybes...

Which doesn't mean I haven't thought about it endlessly... :)

Response recorded on April 04, 2000

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Sharon writes...

I only discovered Gargoyles this past summer (first on Disney, later on Toon Disney) and I was immediately hooked! The characters and stories were intelligent and in-depth, and such a refreshing change from most cartoons nowadays.

I still have a hard time watching some of the episodes,(especially the ones that take place in medieval Scotland). I often find myself saying "if only!".. I know these are fictional characters, but I have come to care about them, and it's hard to see them screw up.

You also asked us to share our comments about the show, so I must say I loved that line by Xanatos when the Gargoyles are captured and bound to the coyote carving with a tray of acid above their heads and he says something like; "this is my first real stab at cliche villany, how am I doing?" That line was so over the top and yet so realistic it was great.

Furthermore the episode where Vinnie (?) spends the whole show pursuing the Gargoyles with a giant cannon while they fight for their lives and he finally shoots Goliath with a giant cream pie was unexpected and hilarious.

That is another thing I like about the show. Although tragic things happened, and could not be undone, these were intermixed with classic moments of comedy.

Greg responds...

Thanks, Sharon. We tried to balance the tone. Vinnie's pie is an obvious example, but we tried to keep things light amid the general darkness. And we tried to show that there's a lot of humor in the darkness too. Glad it worked for you.

Response recorded on April 04, 2000

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Ed writes...

Hi there, Greg!

At the time of writing, you've just been going through rambles about past episodes, specifically the first 'AWAKENING' instalments. So here's my own views on it, responding to some of the points/questions you raised then. (For those that missed those rambles, they were dated 10-12 February and are presumably in the 'rambles' section).

Firstly, a little explanation of how I came to 'Gargoyles'. The first episodes I watched were World Tour episodes ending with 'THE GATHERING PART ONE'. I missed a lot around then; the only ones I do remember seeing for sure were 'EYE OF THE STORM', 'THE GREEN' and 'BUSHIDO', 'ILL MET' and 'FUTURE TENSE'. This interested me enough (especially with that Oberon cliffhanger) to keep my hooked, but Disney took it off-air after that. But when flicking through the television channels one morning I found what I thought to be a curious little medieval cartoon. The scene had Katharine and the Magus in the banquet hall.

I quite like sword and sorcery bits and pieces, and the initial impression I got was that it looked rather realistic. It did occur to me that it was similar to 'Gargoyles' although I don't know what tipped me off (possibly the music). Of course, when I saw Goliath walk in, I got really excited. :)

I think what did occur to me (although I'm not sure how accurately I can recall) is that he seemed to have more presence about him then. More menace if you will.

One interesting thing is how many tiny little scene contrasts I didn't pick up as being significant. You mentioned the hypocrisy of Katharine having dogs in the chamber but blaming the Captain for 'beasts in the dining hall', and Broadway's differing reactions to food as the different circumstances demonstrated.

What annoyed me most about these episodes were the darn "next time on Gargoyles" snippets. These always annoy me. It seems like:
(a) an excuse to pad out air time.
(b) an indication that the people that whoever added it didn't have enough faith in the power of their cliffhanger to leave it to stand alone.
(c) a spoiler in a lot of ways.
Who decided to include these?

My first reactions to Xanatos... well, I knew that he was suspect because I'd seen him in THE GATHERING. The character fascinated me, but obviously I knew that he had another motive. I always felt that the introduction betrayed that a bit as well...

As for the Demona shadow... well it did give it away somewhat. I must admit, I didn't recognise Demona at all. I'd cottoned on that Angela (although I couldn't remember her name then) was the daughter of Demona. I can't remember whether this was simply because their designs were so similar as to make it obvious, or because I particularly remembered this detail. It was painfully obvious that Demona was alive from the initial encounter. It was a fascinating twist, although it did dumb down the surprise. And because I knew that Xanatos was a bad guy, the connection wasn't too difficult to make.

That GMTV run lasted until UPGRADE (omitting REVELATIONS and DOUBLE JEOPARDY, but including TURF). I only realised far too late in the day that I should start taping it, but what I do remember from the initial run was that the characters did get confusing.

For example, when I first watched vows it was several months after AWAKENING and I'd forgotten what the Magus looked like. So naturally, I got the Archmage confused with the Magus quite a bit. In some ways, this might have been the advantage that I 'got on' the 'Gargoyles' fan ride at the World Tour. The scenario was fairly self-explanatory - three gargoyles and a human touring the world and sorting out whatever problems arose there. After I was fairly hooked into it (that 14-month GATHERING cliffhanger) I then found out the backstory. But it wasn't until I was able to tape them that I appreciated the continuity.

To this extent, I do wonder if - even though it's not popular amongst many fans - the World Tour was a well-timed addition.

That's enough from me - you're supposed to be the one rambling on this page. ^_^

Greg responds...

No, no, I want us all to ramble. That's what makes it fun.

As for those "Next time" teasers, this was done for a number of reasons.

1. We DID want to pad out our air time. Teasers take up time that allow us to edit the show tighter, make it play better. They are a useful tool.

2. One concern we had about the first episode was that it was entirely medieval except for a two minute prologue that the audience might have missed or even forgotten. We wanted the audience to know that the series was largely set in the present. There was a feeling among the execs that a medieval series wouldn't play as well. No one wanted to cut back on our 994 flashback, but they did want to use the Teaser to reassure the audience that the show was contemporary and cool. Reaffirm our core premise. This wasn't my idea, but I wasn't against it.

3. Once we elected to use the Teasers on episode one, we felt we should be consistent for the whole mini-series.

Response recorded on March 31, 2000

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Onil writes...

Awakening -One big comment on the mini-series

I remember my first time watching the series VERY well. After my first day of high school I came home and saw an ad for the show that was cut from the "darker" scenes used in the opening credits. I was intersested. The next Monday, I came home late and forgot about "that new cartoon I wanted to see", but caught it when I was flicking the channels. I only missed a little bit of the intro. I watched the ep and was interested in it even though it wasn't what I expected from the commercial. To be honest I DID expect it to be more Batamn-like, but i didn't care -- the "you are tresspassing scene" had me hooked.
I have to say that every surprise that was unveiled really did surprise me. I didn't expect the clan to be slaughtered, and I did think that Demona was dead -- I figured Goliath would be able to ID her remians. Seeing her behind the shadows in the doorway TOTALLY ruined that for me though, so I felt zero dramatic effect when Goliath and his true love were reunited. But I didn't really care, everything was just so well-done that everytime I watched the show, there was a unique mood that was unlike any show I had seen. Sure, the animation was amazing, but the music helped too (except in the butchered direct-to-video version).

After the mini-series was done, I wasn't sure whether or not any more eps were being shown. In Toronto, the mini was first shown on a major Canadian network (that kids never watched after school). The Fox carrier that we see started showing the mini at 7AM on weekdays, but there was no way I could wake up to watch it. I set my VCR timer and ended up seeing the same mini rerun for another 2 weeks until new episodes were finally being aired. I remember the show temporarily moving to afternoons for some of Season 2, but I know that there must've been a lot of kids out there that had no idea where the show came from. It's not the kind of show everyone could jump right into (not that I'm complaining). I just think Gargoyles got a rotten deal when it came to Canadian timeslots.

Greg responds...

That's too bad about Canada. We had some bum luck here and there. The OJ Simpson trial didn't help us either.

I'm also a big fan of Carl Johnson's evocative music for the series. But I helped edit "the butchered direct-to-video version" which as I've said many times wasn't edited for direct to video at all. Anyway, what was wrong with the music in that?

Response recorded on March 31, 2000

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Blaise writes...

Whew! I'm going to have trouble keeping up with your remarks on the episodes!

"Awakening Part 3"
Brooklyn the ladies' garg...well THAT certainly would have been interesting to say the least.
And I agree with your observation that it would have been best to not have seen Demona's silhouette (I KNOW that's spelled wrong) in the doorway this early-on. It would have made her reappearance in Part 4 more shocking and her story more believable. At this point I kind of figured Xanatos was untrustworthy, but wondered about "the female gargoyle" and what her role in all this was.
The latch on the freezer door actually would have made that scene more believable (especially because that door shouldn't have been so heavy that Brooklyn and Lexington TOGETHER would have had to exert so much effort). Forgive me for bringing up a little wound here, but WHY does Toon Disney think it has to cut the scene of Brooklyn's escapade with the stove? I would think children would be LESS likely to play with a stove, if that scene does anything other than make them laugh.
Really wish you guys had been able to sneak in Elisa's little joke about names. ;) Hudson really is terrific in that scene, and I still love the zinger Elisa gives about the River.
I do have to agree that everytime I watch this ep now it constantly surprises me to hear Goliath tell a joke. How many of those did he get in the series? Two? Three, maybe?
As for the mistakes in Broadway/Brooklyn's lines and the animation, well...okay, don't take this as criticism (it isn't), but at this point, either one could have said those two lines and it would have been alright. Personally, I kind of like the way it did turn out (not to second guess you, Michael Reeves, and Eric Luke).
And yeah, who'd have thought cameo characters would be given development?

I like these rambles of yours!

Greg responds...

I like yours too.

And I have no idea why Toon Disney makes the cuts they do. They don't consult me, obviously.

Response recorded on March 31, 2000

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Coldlaser writes...

Hello mr. Weisman.

It was only recently that I saw Frank Welker was one of the voice actor. This guy is amasing when it come make animal sounds or strange voices. But, did you ever thought of giving him a role where he would actually talk, like all the other voice actors?

I first knew Welker as Megatron, Soundwave, Galvatron and other Transformers (well Decepticons actually), he was great!

Greg responds...

I first worked with Frank on DuckTales, where he talked very well. He did the voice of BigTime Beagle (among others) a particular favorite of mine. (Our cat's name is BigTime.)

And Frank did a few "Speaking Parts" for us: Banquo, Kiron, the Stone of Destiny and a bunch of one-liners here and there. We try never to let talent go to waste.

Response recorded on March 31, 2000

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Robby Bevard writes...

Hey Greg, it's me. The Vinnie fanatic and the guy who voiced the psycho truck driver at G99. This is my first post to ya, and I'm not even asking a question! (Well, I am curious about where you got the name "Nashville", but thats a different matter, I'll ask about that in a bit.) This is in response to your rambles about the series, and you asking about our first impressions of it. Since you're covering Awakenings, I'll cover the first season, since you'll be well past that by the time you read this.

My first impression of the show came during the trailer in "Nightmare before Christmas" actually, and I was totally psyched by that. I could tell it was going to have that sort of feel "Beauty and the Beast" had. The live version, with Linda Hamilton. Mixed in with Batman and nifty looking creatures. Looked good.

My second experiance unfortunatley, was a Disney Adventures mini-comic, so I knew the characters names and that Xanatos and Demona were villains before I ever saw it, which is a real pity. Ah well.

Then came the airing of the first episode. I watched the firs... 5 minutes, mezmerized. Then, my dad told me I had a doctor's appointment, and I had to leave, without a chance to set my VCR. I argued and fought to stay, but had no choice but to leave.

The next day, a couple of kids in my art class were talking about it. I tried to join the conversation based on what I knew from the Disney Adventures comic, only to be told, "But they don't have names. You're making that up." Heh.

Then came the second episode, which I watched, enthralled. I think perhaps having Demona's shadowed hint was a bad move, but I recal watching it with a friend and going "wow" the first time I saw the gargs cape their wings. Strangely enough, that's the part I remember most clearly, them caping their wings and thinking it was cool. Wierd.

The next three episodes flew by in a blur, day after day, that was grand. I was hooked and amazed by this series, and since it came on after I came home, I didn't even need to set the VCR! Yay! All of Awakenings just sort of blurs together as one great experiance with romance, action, and lots of good things. I rather enjoyed the trio's experiances in modern day, including the kitchen and bike riding scenes. (Incidentally, circumstances CONTINUOUSLY made me miss the first episode, so I never saw it until Awakenings was released on video, so I had no idea there was cut footage at first!)

The next episode I saw was the first encounter with the Pack. I liked Lexington at that point and thought perhaps he could be my favorite character. I also enjoyed the concept of a really cheezy TV-show being liked by the gargs, but at the time, didn't like the Pack at all. This I suppose, is just because you brought in the five of them all at once, and it was a lot of new personalities to keep up with.

After that, my schedual made it so that I saw episodes out of order, and both "Temptation" and "Reawakenings" I inintially saw only the last few minutes of.

Temptation however, I loved. It locked Brooklyn into place as my favorite character, and was the first episode I taped on the second run through. The way Brooklyn reacted to Demona was great, and she was also an interesting character as well, particularly in the little hints she dropped. The first time around I totally missed the fact that the bikers had failed to notice Brook was a monster until after he took his helmet off, I just knew it was a cool bike, and a cool attitude.

Long way till Morning- It was just cool to see Hudson kick butt and Demona be totally evil and sadistic. "Fine, I'll just shoot everything in this room." Man, I miss Demona being that nasty.

I suddenly forget the name of the episode where Broadway shoots Elisa, it'll come to me as soon as I post this... The first Dracon, didn't really care for him in that episode, he was much more interesting later. All I remember clearly is, Broadway firing, seeing Elisa on the ground, and then the cut to a commercial break. I stood up, stared at the screen, and went "NO! You can't do this!" Particularly effective since Gargs was so different from every other show on the air, it was actually possible a main character could die right then and there. I was scared for Elisa's life.

Enter Macbeth- All I remember about that one the first time is "Ouch." Vrooo. "Ouch." Vrooo. "Ouch." Hee hee... That's still probably the best bits of the series. In retrospect, I was really impressed with MacBeth at the time. Cool voice, cool outfit, cool sense of honor. I *LIKED* him.

Her Brother's Keeper- Wasn't too thrilled with this one the first time. It was another Pack episode, and I still didn't really care about them. (Later viewings made it out to be a much better episode than the original impression gave.)

ReAwakenings- ANother one I originally saw the last few minutes of first. However, another of the best lines in the series, "It's alive! Aliiiive! I've always wanted to say that." still cracks me up to this day.

Hmm. I've missed an episode, but for the life of me, I can't recall which one it was. It'll come to me... And I've probably rambled on enough already considering I think I'm one of the first to ramble back at you...

Greg responds...

You forgot "The Edge". But that's o.k. Nice to hear from you. You were a great Psycho Truck Driver. Hope to see you again in Orlando.

Regarding the "caping of the wings"... That was Gary Krisel's idea, and initially I was against it because it felt too Batman to me. But at some point, I became a true convert. We sent a bunch of faxes to Japan to make sure they'd cape the wings whenever it was emotionally appropriate. That would give us opportunities to cape and uncape for various dramatic effects. Plus, hell, it looks cool.

Response recorded on March 31, 2000

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Lynn writes...

I got to watch "Awakening" for the first time last night(!!), which was broadcast after the final TGC episode "Angels of the Night". Man, could I really see the difference between the two! I mean, there's the sense of the mythological story present in the first episode not found in TGC.
As far as your question on whether we thought Demona might really be dead, I can't really say for myself, since I had seen the series through (for the most part). I probably would have wondered at least a little, considering she wanted to follow Goliath on his hunt for the Vikings.
Anyway, I'm excited about the series running again, and I promise not to miss a single ep...thanks for such a terrific tale! gives me goosebumps ;)

Btw, are there any other Texans in this group? Yes, I'm a CowGoyle (sorry, couldn't resist), actually a HorseGoyle--most texans don't ride cows... :P

Greg responds...

Lynne, I'm not sure this is the right forum to quiz for fellow Texans, though of course I know from last summer's Gathering that there are a few. Spike comes to mind, for one.

I am glad that you were able to enjoy the series, even though you didn't see it in order the first time through. We tried to write and produce it so that seeing the eps in order would give added value. But we also tried to make sure that every episode stood alone enough so that you could join and enjoy the series at any point. Some people have told me that we failed in the latter attempt, so I'm glad it worked with you.

Response recorded on March 31, 2000

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Chapter XII: "Her Brother's Keeper"

I think Michael Reaves came up with this title. I wanted to shorten it to "Brother's Keeper" so that it would implicitly include the Trio, Goliath and his late rookery-brothers, Jackal & Hyena. But Michael talked me out of it. He was right.

This was the second out of three episodes where we attempted to do Kenner a solid by inserting a toy into the series. The Helicopter was a much more awkward fit than Brooklyn's motorcycle had been. But we all agreed to make it work. Originally, Lex was going to repair Derek's police chopper, but someone suggested using the Pack 'copter instead. So we tried to make it all play as organic as possible. Lex and the Simulator, to set up his ability to pilot the thing. Broadway bringing up the obvious question as to why winged gargs would need a chopper, so that the audience didn't think we were ignoring those points. Etc. And in the end, it still plays artificial. But fortunately it's in an episode that is othewise filled with tremendous emotional honesty. So maybe it all balances out.

Of course, the irony was that Kenner never made a gargoyle helicopter. Without telling us, they switched to a sky sled sorta thing, because they couldn't figure out how to do a helicopter that successfully interacted with the garg-toys' wings. No good deed goes unpunished.

Broadway: "If cops were meant to fly they'd have wings." I love that line.

Derek - This was part of our plan to turn Derek into Catscan. Of course, the Catscan name was eventually dropped for Talon. The original plan for Catscan had him being a scientist that worked for and was duped by Xanatos. Picture us trying to combine Derek and Anton. (I know it's a mind-bender. It was more like Derek's personality and Anton's expertise.) But the Garg Universe told me otherwise once we created Derek for "Deadly Force". He'd be the cursed one. And this was just step one. Step only, if we never got a second season. So we left it open ended. And I think it's a pretty stunning bittersweat ending. The snow starts to fall (all very symbolic) and we don't know if Derek will listen to Elisa's tape of Fox or not. And we leave Elisa, standing, wondering, thinking, as the snow falls. It's not your typical Saturday morning cartoon conclusion -- not even for a drama. What did you all think at the end of that after your first viewing?

The snow became a very important visual metaphor for me. I exchanged a few faxes with Japan to make sure (that contrary to the script) there was NO SNOW on the ground at Xanadu, no snow at all, until it starts falling during Elisa's last conversation with Derek.

CONTINUITY:

Sure, Jackal and Hyena were at large, but we establish here that Wolf and Fox are in prison. Anyone looking back at "Thrill" would know that this makes sense. Lex and Goliath take Dingo, J & H out on the roof. No human witnesses to their evil. And they didn't do anything against anyone but the gargs. But Wolf and Fox were photographed taking human (well, fashion model) hostages. So they go to prison. Dingo goes to Europe. J&H are still around to do mischief. But meanwhile, most normal humans still regard them as celebrities, until Hyena pulls a knife. (We had planned once-upon-a-time to make knives a bigger element/part of their arsenal. But it was a bit problematic S&P-wise, and it became moot after "Upgrade".)

Broadway, ever Elisa's biggest fan, thinks Derek should just trust her.

Brooklyn, still scarred from trusting Demona, points out that trust doesn't mean much without honesty.

Lex, still pissed at the Pack, just wants to catch them.

And it's nice to see Morgan and Matt again. If you like guys in towels.

Xanatos, as usual, is so cool.

"Never a gargoyle around when you need one."

"Detective. Always a pleasure."

"My life is anything but dull."

And that's just his dialogue. His plan is audacious. He has Owen call the Police, counts on Elisa and the gargs to rescue him from Jackal & Hyena. (We loved playing that irony.) And instructs Fox to tell Elisa everything. He's so confident, he even has no qualms about leaving Elisa and Derek alone to talk at the end.

And you gotta love a guy named Xanatos naming his retreat Xanadu.

I love the Hannibal Lechter inspired scene between Elisa & Fox. This of course was the moment when we all figured out what the garg universe already knew: "My god, Fox is in love with Xanatos." I hadn't known that back when Fox was created in the development days of yore. Hadn't known it when we did "Thrill". Hadn't known it until we were way into script on this. But there it was. And nothing would ever be the same. (Did you guys realize it there? And how far did you think we'd take it?)

Suddenly, the events of "Leader of the Pack", "Eye of the Beholder" and "Vows" seemed to spread out before me. And Alexander became a glimmer in my eye (if not Xanatos').

Elisa acts true to form here. What we'd spell out later in "Revelations" is already implied here. Elisa is extremely (if subconsciously) reluctant to share her gargoyles secret with anyone. Three times Goliath tells her to share her secret with her brother. Three times she finds an excuse not to. (Frank Paur found this repetitive. He tried to take one of the scenes and make it play more subjective. Like Elisa imagining a conversation with Goliath, while the actual Goliath was sleeping in stone. It was a sweet idea, but it didn't make any logical sense in terms of story flow and forced us to make storyboard changes and call retakes in order to get the version we've all seen.)

We loved playing irony. Elisa and Peter are right about Xanatos, but dead wrong about the way they're trying to control Derek's life. Diane and Derek are absolutely right about Derek needing to control his own destiny, but make the tragic choice of trusting that destiny to Xanatos. Those two scenes are terrific. (Helped immensely by vocal performances. And I also love Nichelle Nichols as the diamond exchange saleslady.)

Derek thinks Elisa thinks Xanatos is the "Prince of Darkness". "He practically is!" she responds. <SIGH> Tricksters are always being confused with Satan.

But that was more irony. It's not the demonic-looking gargoyles who are being compared to Satan. It's the handsome, rich Bruce Wayne-esque playboy. I guess the goatee helps.

My daughter's reactions:

As you may have gathered, it's become fascinating to me to see how Erin is reacting differently seeing all these episodes for the second time at age 5 1/2.

She was stunned at the end of Act One and following when Derek told Elisa that he was accepting Xanatos' offer. "That's not supposed to happen," she kept saying.

And all the trio stuff made her laugh. She especially liked Goliath's admonitions to the Trio: "Try to get along."

Brooklyn sure knows his pop-culture: Star Wars and Star Trek references within a few minutes of each other.

It was important to us to show that even guys as close as the Trio could get tired of each other. Sure they're all Rookery brothers and best friends. But if they had stayed at Wyvern (i.e. if there had been no massacre) they wouldn't have had to spend ALL their time together. At the very least, females would have provided a distraction. But here in the 20th century they're all they've got. So of course, there'd be good days and bad days. Like any siblings.

And of course, the sibling theme was central to the episode, including the Jackal & Hyena's relationship. The irony there being that they were getting along better than the Trio or the Mazas.

I loved Goliath's outrage at the lack of appreciation that the Mazas and Trio have for their siblings. It's very moving to me. (And helps us set up Coldstone for next episode.)

When Lex comments that if Broadway had his way, the garg-copter would be covered with food, I knew that we were pushing Broadway's eating habits into the dull one-joke tired category. I hate that line. And we tried to back off the eating jokes after that.

Anyone notice our tribute to Launchpad McQuack when Lex says "Any landing you can walk away from..."

Some gorgeous animation in this one. I loved what they did with the lighting when Lex gets Jackal and Hyena in the chopper's spot.

S&P

--The trio toss Jackal & Hyena out of their chopper. It's o.k. They're wearing parachutes. But did the Trio know that? Maybe with Jackal, since Hyena's chute had already opened. But was Hyena tossed to her presumptive death.

Yes. After all they're still thinking (first season) like tenth century warriors, not like twentieth century super-heros.

--One of the advantages to Syndication over Network is a more liberal S&P. We could show Broadway's fist heading into camera. We couldn't actually show him punching Jackal in the head, but we could show Jackal's POV of that fist heading toward him. A couple frames of black, and then we cut wide to Jackal on the ground, and we know what happened. But on Network, in "The Journey" or, say, "Max Steel", we are NEVER allowed to even imply a head blow. And we can't show a fist or gun or whatever pointed directly at camera (i.e. at the audience). Too disturbing, I'm told.

And finally, at the end, when Elisa arrests Hyena, I've got to ask, what do you think Hyena's smiling about?

Maybe that's the next contest...

Hmmm....


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Chapter XI: "Long Way To Morning"

"Long Way To Morning" This was my title, based on an idea I'd had from way early in the development of the series. It was always obvious to me that the fact that the gargs turned to vulnerable stone at sunrise, gave the series a built-in ticking clock that added tension. But given the gargoyles' healing factor (to borrow a Wolverine term) it occured to me early on that there might come a time when sunrise couldn't come fast enough. That was the origin of this episode and the title. (I think I may have even mentioned the scenario in the Series' Writers' Bible.)

The other obvious purpose of the episode was to give Hudson a showcase episode to equal the Trio tryptich. As I've mentioned before, Gargoyles was originally developed as a comic series, and one of the funny little gargoyles in that show was "Ralph", a very domestic couch potato Gargoyle who loved to stay at home and watch T.V. Hudson developed out of Ralph, but he spent much of the first few episodes "Guarding the castle" (or the clock tower). We'd given him some great action in AWAKENING. But we still felt a major need to UN-RALPH him.

I wanted to deal with his age as realistically as possible. To have him doubt himself, maybe even be aware of his limitations, but then have him prove to himself that he still had something to contribute. I think we basically succeed in that here.

But this ep afforded us other opportunities as well. Opportunities to explore Wyvern backstory in our parallel flashback story:

--We find out definitively that Hudson WAS the leader of the clan and that Goliath was his second. We also get to see the baton get passed.

--We learn how Hudson was blinded in one eye.

--We meet Prince Malcolm and get a sense of how Princess Katharine became the bitch she was at the start of "Awakening". I think this was very important in paving the way for her role in the "Avalon" tryptich. By the end of "Awakening", she's remorseful and has seen the error of her ways, but it doesn't change how badly she acted. But this episode reveals how and why her antipathy toward Gargoyles was created. It doesn't excuse her behaviour, but it helps to explain it enough so that we can buy her as a heroine when we next see her. Malcolm doesn't come off as well. I wanted to present how easily casual thoughtless words could be hurtful, and even lead to tragic consequences. My daughter Erin (age 5 1/2) had seen this episode at least once before. But this time, that aspect of Malcolm's inadvertent damage and Katharine's mistaken blame really grabbed her attention. The injustice of it really troubled her. Which is exactly the response I was looking for. (My kids are so cool. She also noticed Hudson's eye getting injured, and commented on how smart Hudson was to jump off into the waterfall.)

--I love the subtle changes that Jeff, Keith and Marina made in their voices when playing the young Magus, Goliath and Demona. It's interesting to see Demona's progression in hindsight from "Vows" to "Long Way" to "Awakening, Part One" to "City of Stone" to the present day. She really is a fascinating character, if I do say so myself. Here, you see her ambition. But no villainy. Of course, it made for a nice counterpoint with her vicious murderous tendencies in the present day story.

--Throughout production of this episode, I had to keep pointing out to the artists, etc., that the flashbacks all had a point of view, i.e. Hudson's. That Demona and Goliath's "private conversations" could NOT be as private as they thought. Hudson had to know what they were saying about him. Both because it further eroded his confidence in both the past and present (the true demon he had to overcome) and because if he didn't hear those conversations it would be cheating to include them in HIS dreams and flashbacks.

--We also intro'd the ARCHMAGE. A one-shot villain if I ever saw one, except that David Warner was so amazing, I knew I had to bring the character back. When he falls into the chasm, you can just here the Phoenix Gate exploding open down there. (Of course, to some people that sounded like him hitting bottom. Their mistake.)

Continuity:

Brooklyn still has it in for D. Broadway is now Ultra-Protective of Elisa. Hudson has superior tracking skills in the past and the present.

And Demona has clearly focused her hatred on Elisa. (Who, by the way, loses her second gun of the series.) It was important for these early episodes that we fool Demona into thinking that Elisa was dead. Otherwise, how else do we explain why she doesn't just kill her.

Demona at the end, uses her cannon as a club. This was designed to be ambiguous. Did Hudson's sword damage the weapon? Or was Demona just so furious that she wanted the satisfaction of cudgeling the old guy to death? Yeah, it was designed to be ambiguous, but no one ever EVER thought that the gun was damaged. They all assumed Demona just lost it. Which is probably true.

Speaking of that Waterfall thing, that image was important retro-pipe for Hunter's Moon, Part Three. (More on that in 54 chapters.)

Animation-wise, I just wish Demona hadn't come off as such a lousy shot.

I love Hudson and Goliath's last exchange. Goliath assures Hudson that he still has "Years of fighting left". Hudson, glad to be of use, is still less than thrilled at the prospect. It's a great wry beat, but it was also important to me to point out that no rational person would wish to fight like that forever. The gargs, including Hudson, fight the good fight because they have to, because it is their duty, part of their natural protective instincts. But none of them WANT to fight.

As usual, I'd like to encourage responses to this episode here at ASK GREG, particularly how you responded to viewing this for the first time.



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