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Bråndeewine writes...

on 08-19-00, you said, "But FYI, we didn't have lackluster ratings our first two years. They were solid, strong ratings. They just didn't beat Power Ranger's ratings."

Uhh.... Gargoyles was lost to us, due to POWER RANGERS?!?!?! I Think I'll go throw up now.

Greg responds...

Join the club.

Response recorded on September 02, 2000

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Todd Jensen writes...

In your first season Gargoyles Bible, you raised the question of whether gargoyles fought in the Battle of Britain, a notion that eventually became "M.I.A." in the second season. This indicates that the notion of gargoyles protecting London from the Germans in 1940 was one that you'd had quite early on in the history of making the series.

Is there any particular reason why you had thought of gargoyles as participants in the Battle of Britain?

Greg responds...

It was cool.

(I know that's not too deep, but that's the truth.)

Response recorded on August 23, 2000

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Marjorie Harris writes...

I am a huge fan, and because of my work schedule, I rarely get to watch the show. I met Keith David on the street, and his brother is a neighbor mine, and I think he is cast well for the voice of Goliath. I no longer have cable and was wondering when does the show (if at all) on regular television. I know UPN here in NEw York plays many of the Disney cartoons, in the AM. I am in New York City, when and where does the show air here?

Thanks for your help!

Marjorie

Greg responds...

Well, to be honest, I have no idea. But I think the answer is, it doesn't. As far as I know, it's only playing on ToonDisney right now in the U.S.

Anyone know different?

Response recorded on August 21, 2000

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Jenn :) writes...

Why did you stop the show anyway? What's up with that? Did you have a buget problem?

Greg responds...

Jenn...

I didn't stop the show. Disney did. Check the archives for a more detailed answer.

Response recorded on August 21, 2000

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Abigail Thorne writes...

A few days ago I took out my store-bought copy of "Gargoyles, The Movie," which is the first five episodes without commercials. I was trying to remember why I hadn't watched it in a while. That question was immediately answered once I started watching it.

There are certain details in the movie--background music, sound effects, scene editing--that are either off or just plain wrong. The sound of Goliath crushing Elisa's gun, the arrows flying through the air during the Viking battle, the metallic sounds of the Steel Clan opening their wings and firing their cannons--they are all different, and they drive me crazy!! Then there's the background music, which either starts too late or is completely wrong for that particular scene. But the most excrutiatingly obnoxious error of all is the sound of the gargoyles gliding--it's this high-pitched swooping noise, like a mechanical glider, or something, I don't know what exactly, but it's NOT RIGHT!! {Loud scream of frustration!!!!!!!}

I know, I know, these are fussy nitpicks, but the little details really do effect the quality of the program. I'm a diehard Gargoyles fan who's seen these episodes dozens of times, so hearing a difference makes me cringe. So yeah, what's the point of this post? To ramble, to complain, and to ask if anyone else (yourself included) had noticed and were annoyed by the changes made in "Gargoyles, The Movie."

Thanks for letting me rant. And vent. I feel better now.

Greg responds...

Sigh. I'm glad you feel better, but I'm annoyed.

They are NEITHER OFF NOR WRONG, they are simply DIFFERENT from what you've grown used to. They were mixed simultaneously with the five pilot episodes. NOT AFTER. And the people who mixed those pilot episodes went on to mix the rest of the series' episodes, so the style they used became ingrained.

And again, if you heard the movie version played the way it was designed to be played -- that is with giant SPEAKERS and on a big screen theater, you'd see that the effects work quite well. Still different, but well. They weren't designed for home video.

NOW CAN WE PUT THIS QUESTION TO BED. CHECK THE ARCHIVES PLEASE.

Response recorded on August 19, 2000

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Anonymous writes...

Why did Gargoyles go off the air?

Greg responds...

Sorry, anonymous, but the answer to that is long, complicated and involved. And I've answered it SO many times before. I'm gonna have to ask you to check the archives first. Then if you still have a specific thing you don't understand, come back here and ask me.

(I once answered this in INCREDIBLE DETAIL, and I have a vague memory that someone has it posted on their site. Does anyone remember. I wouldn't mind reposting that long explanation here.)

Response recorded on August 19, 2000

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Matthais writes...

At www.xanatos.com, there is an actual company called Xanatos Enterprises. Is this the source of the name, or visa-versa? That is, did they name the company after the character from Gargoyles? Or were you unaware of this company's existance?

Greg responds...

I can't say for certain, though I have an inkling, whether the show gave them the name. But I do know, because Disney's Legal Department did a search, that there was no Xanatos Enterprises in existence when the show first went on the air. There was a Xanacorp, however, which had been our first choice.

Response recorded on August 19, 2000

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dracolich5 writes...

Hello again, Greg! I've decided to start posting questions more frequently, and I've got an interesting assortment of production questions.
During the creation of characters, how were their eventual designs chosen? Did the artists in question work on one design only, or were several designs tried? If so, is there any way we can ever see these unused designs? My interest in unused character designs started when I purchased some Japanese Godzilla books that showed alternate designs for machines and creatures. Just curious to see if similar interesting designs are around.

On a side note, IF any alternate character designs were made, were any of these re-used for later characters? Just checking!

Greg responds...

We had development artists at Disney come up with inspirational designs for all the main characters, which were used in the pitch to sell the show.

Bob Kline: Xanatos, the Eyrie Building
Dave Schwartz: Brooklyn, Lexington, Broadway
Greg Guler: Goliath, Demona, Elisa, the Pack
Paul Felix: the Clock Tower (and Hudson, I think)

These designs were then sent to Disney TV Animation Japan, where they sort of had a little competition to see who would be the primary designer on the show. They submitted multiple interpretations of the characters (Goliath in particular), and we chose Mr. Takeuchi, who seemed to capture the feeling of the show the best. Eventually Frank Paur went to Japan to work with Takeuchi and fine tune his designs. Paul Felix did a very early Bronx, but Frank changed it so entirely, it's basically a new design.

I have some of this old stuff, though I wish I had more. For example, I have almost nothing from the early comedy development. If you attend the Gathering, you can see the pitch and some of those early designs.

Response recorded on August 02, 2000

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Blaise (repost by Aris) writes...

TEMPTATION

While this isn't the ep that cemented Brooklyn in my head as "Favorite Character," I have to admit he is GREAT in it.
I still love Lexington's remark about building a horse from spare parts.
Demona's tour of the city--Yeah, the DEAD BODY surprised me too. Very powerful, very good, as were Demona's other two "examples" of humanity. Bennett and Sirtis did WONDERFUL jobs with their voice acting here.
As for the bikers not noticing Brooklyn, yeah everybody notices that. I just try to ignore it and that seems to work. If nothing else, most of the bikers in that scene WERE wearing sunglasses at night (as someone else already pointed out). Come to think of it, some of them weren't even wearing helmets....;-)
Elisa's finger--great, now that you've mentioned it, *I'LL* probably look for it and not be able to see anything else in the scene.
I was surprised to hear that Brooklyn's description of the Cloisters was taken by some folks as "proof" that gargoyles were not native to this planet. Anyone who saw the first two episodes should have understood what Brooklyn meant. Come to think of it, why WOULD people want the gargoyles to be from another planet?
One of my favorite lines in this episode--Brooklyn: "You hold the book, Demona. But *I* hold the *spell*!" I just LOVE that.
The resolution of the spell may have been a bit of a cheat, but it WAS a creative and original solution to the problem. So, you guys still get some points in that area.
Lex and Brooklyn talking about the motorcycle at the end and Lex's reaction are always enjoyable.
Pointless note: Hudson doesn't speak a single line in this episode. Odd, when I think about it. Still, you do at least SEE him a few times.

Good ep.

Greg responds...

The Hudson thing was budgetary. Often if we had a character who needed to appear for logic's sake but didn't have too much to contribute to the story, we'd avoid just giving him one or two lines to prove he's there. That way we could save money on the actor's salary for that episode. That money saved could be used later on for some of our big cast expensive episodes.

Trust however that I never scrimped. If I thought Hudson needed to speak in that episode, even if it was only ONE line, I would not have hesitated to pay for Ed Asner to be in the session.

Response recorded on August 01, 2000

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Good news (in the long term)...

I have found a cache of documents relating to the early comedy development of the series. Historically speaking, these are fairly interesting. Unfortunately, they are hard copies. I don't have them on computer files. Transcribing them will have to be a LONG-TERM project.

But at least we know they exist.



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