A Station Eight Fan Web Site
It's been awhile, but I'd like to try and continue to post old memos and such from my development file.
This is where we left off in July of 1993...
 From: Bruce Cranston 7/16/93 10:57AM (801 bytes: 10 ln)
To: Suzanne Prescott
cc: Greg Weisman, Paul Lacy, Adrienne Bello
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In our outline for the Gargoyle's pilot, we refer to a fictional robotics company named CYBERCORP. Adrienne suggested that I have you check that there's no real company by that name. They aren't bad guys or anything. The bad guys steal something from them. But I guess we should check. Does it cost money to check7
It isn't necessary to check it at this point, especially if the clearance fee is more than $100.00 or so.
Please just remember to do a check once we get the go-ahead to production.
Time to get back to rambling...
Well, we've had our adventure in Avalon and made a couple stops on what I knew was going to be a long trip. Time to check in on the home front.
Only trouble is, as these things originally aired, this one actually didn't manage to get broadcast right here. It just wasn't ready in time, and we had enough trouble airing reruns without holding up episodes that were ready to go just because this one wasn't. And besides it was all part of Tier Four. So we couldn't justify waiting for it.
Still. Out of the 66 eps I was involved in, only two aired out of order. "The Price" aired too soon. "Kingdom" aired too late.
Hope it didn't screw too much with your sense of continuity.
Oh, by the way, Kingdom was
Directed by Bob Kline
Story Edited by Gary Sperling
Written By Marty Isenberg & Robert Skir
KINGDOM (BROOKLYN & TALON)
The title, I believe, was another one of my one word 'theme' titles. It refers, of course, to the newly established kingdom of the Labyrinth and who and how it will be ruled. Can any organization exist without leadership? Or will a power vacuum by nature be filled by something, positive or negative?
We have in this show two reluctant leaders. Brooklyn and Talon. Ironically, Talon seems to have no problem asserting himself to lead -- especially among the Gargoyles in the void of Brooklyn's unleadership. He wants the authoritiy of leadership without the responsiblilty that comes with actually having the title.
Brooklyn feels a burden of leadership that's two-fold. On the one hand, he feels like acknowledging his role as leader is a betrayal of Goliath. Like he's giving up on finding his older brother. On the other hand, he feels intimidated by trying to fill Goliath's shoes (assuming Goliath wore shoes).
He's specializing in 'avoidance' or as Kent Brockman would say, "Avoision".
"Why are you looking at me?"
"Stop asking me that. I don't know."
Everyone else is actually working on the missing Goliath/Bronx/Elisa problem. Brooklyn isn't even doing that, because any action risks being misinterpreted as leadership.
So throughout, Hudson uses psychology to gently nudge Brooklyn into the right mental space.
Guess he'll go to the Labyrinth to ask Elisa's brother if he's seen her. Might see Maggie there....
Suddenly Brooklyn is volunteering. For the wrong reasons, of course, but Hudson has at least gotten him started. Moved him from active to passive.
Is fun in this. Didn't want to leave the poor cat alone for months now, did we? I like how Broadway and Hudson care for him. How the cat reacts, sleeping on Hudson's head, when Hudson wakes up. How he reacts to Maggie the (other) Cat. How Hudson, quietly admits just how much he loves Bronx in Cagney's presence.
AL, CHAS and ?
I like these guys. They're well characterized in just a few little bits.
Al's the homeless guy that Fang harrasses. Chas and his buddy (who's name I didn't catch this time through -- though I know I have it written down at the office) are Fang's cronies.
Jeff Bennett (as Chas' buddy) is very funny describing their discovery to Fang.
There's a brief moment at the end, where it looks like Lex and BW might be smashing these two guys heads in with rocks. But we pull back and see they're really smashing the guns. I don't think we'd get away with even the tease of that in the current S&P atmosphere.
I wonder where they went after Talon chased them out. Can't help thinking they were naturals to join the Quarrymen.
And how's Al doing?
FANG & CLAW
I love Belushi as Fang. (He's got a great growl that's a sound effect, but it works great with Belushi's stuff.) My wife Beth thought Jim was too over the top. But I think he's hilarious.
He's got a bunch of great lines:
"...Flying bug zappers."
"Now wouldn't that be a crying shame."
"Open the door, Fang. Protect the weak, Fang."
"There's a new Sheriff in town."
Talon: "You and what army?"
Fang: "This army, pal. And you're our first prisoner of war." (Though technically Talon is the second, since Maggie's already trapped in the gun chamber.)
My nearly eight-year-old-daughter Erin asked, "Is he greedy or jealous?" Both, probably.
And he is bright enought to trick Talon.
And Claw is just a love. Charming in his silence. He really comes into his own in this ep, you know?
Incidentally, this year "Kingdom" made the fan's top ten favorite episodes, alongside such others as: "Hunter's Moon, Parts One, Two and Three," "The Mirror," "Future Tense," and others.
I was a bit surprised. Most of the other ten look a hell of a lot better than this one. It's a tribute to Brooklyn's popularity probably, but also, I think to Claw.
There's great fun throughout with that darn key card. Fang trying to bust into the gun chamber initially. Being so frustrated, and Claw just lowering the card in front of him.
"Give me that!" Fang says and grabs it.
Later, after Maggie's escaped, and Fang regains consciousness to find out what happened, Claw does his intentionally indecipherable pantomime schtick. And Fang simply repeats: "Give me that!"
The scene with Broadway and Matt is oddly animated. Looks briefly like it's from some other show. But there's something strangely cool about the animation, even though it's off.
Erin said, "I like Maggie. She's very..." But she didn't complete the sentence. Even with prompting from both Beth and myself. She just liked her, I guess.
Maggie begs Claw to let her out. So that she can join the fight? No. So that she can get help. That's Maggie's version of bravery. And I'm not knocking it. Frankly, it's what we teach our kids. You don't teach them to enter dangerous situations. You teach them to go get help. Dial 911. Maggie will never be a warrior, though she has the power for it. It's just not who she is. Normally, that might bug me. But this was a show with so many strong warrior female types, that I liked having the variety.
But this episode doesn't happen to have any of those strong female types like Elisa or Angela or Fox or even Demona. Did it bother anyone that Maggie was the only woman depicted and that she never participated in battle?
Maggie does get to shine in an area that comes more natural to her. Acting. She figures out at the end what Brooklyn is up to, and then performs her heart out to keep Fang in the dark, as she releases Derek. Well, I've always said she came from Ohio to make it in NYC as an actress...
She and Talon are now even more firmly established as a couple. Even in Brooklyn's mind. Finally, he adjusts and moves on.
XANATOS & OWEN
Hey, how about that new security system, installed as a result of Thailog's 'kidnapping' in Double Jep. Doesn't it... SUCK??!!!!!
The cannons do WAY more damage to X's castle than to anyone or anything else. And I also felt like we had done this before at Mac's place in Lighthouse and the Price.
So this is just weak. A failure on our part to come up with something stronger, more original, etc. We needed some action around now. But I still wish we had cracked this better.
There are some fun moments, if not always for the right reasons...
There's a comedy WAY off-model Broadway riding the exploding cannon.
There's a couple gargs falling through X's ceiling.
And it leads into a fun scene...
Owen's stone fist use (though a great idea) is actually a touch feeble, but X is in rare form...
Xanatos: "Do I really need an excuse to have a good time in my own home?"
And Xanatos: "A man has to make a living."
And Xanatos again: "I wasn't aware I needed permission."
Of course, on my tape that effect is spoiled when he suddenly goes cross-eyed. I'm hoping that's a retake that got corrected after the first airing.
Finally, after the debacle at X's place (which winds up being less of a debacle since we never figured out an episode that would show how X would take advantage of the info he learned) and after Maggie's plea for help (Brook could never resist a damsel in distress), Brooklyn finally takes up the role of Leader. Reluctantly.
Brooklyn: "This has nothing to do with what I want."
Hud: "Is that an order then."
Brook: "Yeah, I guess it is." Then look at him right there. That's a hero, am I right?
And Erin says, "Funny. All the leaders have long hair."
And so Brooklyn can't avoid leadership...
"Yeah, try as I might."
And he and Talon shake hands, as both accept the roles destiny has thrusted upon them. It looks good on them.
And that's my ramble. Where's yours?
1) Are the Gargoyles and the Garg-Dogs (prolly not correct, please don't yell!) related evolutionarily to humans, animals, plants, and cells as are all other known denizens of the biological kingdoms? i.e. Did Gargoyles and Garg-Dogs emerge from the same kind of ancestral single-celled organisms that every other animal comes from and if so, what are the closest evolutionary relatives to the Gargoyles besides the Garg-Dogs?
2) Does a Gargoyle in stone form weigh as much as he does in flesh form?
3) Why is the humanoid form (arms, upright walking, opposible thumbs) most prevalent in the known sentient races? (Fae, Gargoyle, Human)
4) Are Gargoyles photosynthetic organisms? If not, how much food do they need to eat and do they actually produce some type of feces or is stone skin their waste product?
1. Yes, but I'm not going to answer your question specifically.
2. It seems like it must, but I don't know.
3. I don't know this either.
4. Everytime I even try to answer these types of questions, I wind up digging a deeper hole for myself. Tonight, I'm shovel-free, so I'll demure.
Were you ever going to explore the other legends involved with Loch Ness?
Eventually, and with enough time, money and episodes, we'd have covered EVERYTHING. That was the goal, anyway.
i didn't notice it til recently, but in your Gargoyles 2198 proposal you wrote, "2. The Ishimura Clan. Ishimura, Japan. These gargoyles have lived in peace (and until recently, in secrecy) with their human neighbors for centuries."
1. how recently was the Ishimura Clan revealed to the world?
2. did the other gargoyle clans even know about their exictence (not including the Manhatten Clan)?
3. were they the last gargoyle clan to be revealed to the world?
4. did their remaining a secret have anything to do with the events of "Bushido"?
1. Haven't decided.
2. Haven't worked out those details.
3. Not necessarily.
4. See above.
if a character had the spell could they use anything to get to Avalon, for instance:
1. could you swim to Avalon?
2. could you take a Jet-Ski, Paddle Boat or Ocean Liner to Avalon?
1. I guess.
2. I suppose.
Have you found a new job?
I've had better luck (a bit) generating freelance work this year (as compared to the last two). But no, I haven't yet found a steady gig. It's a tough market right now.
1) You've mentioned that the fae evolved somehow - if so, are they related to the same evolutionary tree that animals belong to? What are their cloest evolutionary but non-third-race relatives and what are they like besides magical?
2) Why precisely did Mab go insane - or was she always that way?
3) If you had to be one of the Third Race, which one of them would you be and why?
1. I've mentioned this before: Will-O-The-Wisps.
2. Pretty much born crazy.
3. What makes you think I'm not?
is angela really demona's daughter?
Biologically, yes. But Katharine is her clan mother.
Got to sleep a touch later. Went down to the lobby and turned in my key. Kess and Arno drove Kathy and I to the airport. (Thanks guys!)
We had some Burger King.
Had a bit of a wait for our flight.
Then we flew to Atlanta -- I think I slept most of the way -- where I said good-bye to Kathy.
Then I had a layover waiting for my L.A. flight.
Ate some more, of course. Jambalaya, I think. And a candy bar.
Got on the plane. The movie was "The Rookie". I'd already seen it, and though I liked it, I figured I didn't need to pay $5 to see it again, so I read mostly. Finished a Hillerman mystery and started reading a biography of Queen Henrietta.
Got to LAX. Got home. Hugged my wife and kids and distributed much booty.
A great trip!!!
Thanks, all of you!!!