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Hey Greg! Long time fan first time posting! I was wondering, you said that Gargoyles is the total property of Disney. Does that mean that even though you are the creator, you can't do anything with the series unless they give the okay? If so, does that mean your unable to buy ALL the rights to the show? If not, do you ever plan to reair the show with all new episodes in the future? The reason I ask these questions is because Disney was stupid in pulling the plug on the series just because they wanted to move on to something new. But if your able to buy the rights, I'm sure there's more than enough studio's out there who are so eager for ratings that they'll finance the reintergration of the show back to television. The WB would definatly welcome the show to it's programing as it was aired on that station in New York. Is there anyway that, at the very least, you can create a book series of Gargoyle novels that bring a close to the storylines that were never closed while the series was on the air? I just think that if Gargoyles will never make a big TV come back that comic books or novels should be made in it's place that bring a big close to the universe once and for all. Well... an official close because we all know that Gargoyles will always live on in fanfiction. That's all I guess. Thanx for writing such a wonderful series. One more questions, although it's not documented, in your most best thought opinion since the Gargoyles are the guardians of Manhattan, how do you think they reacted when, upon waking up from their stone sleep, they saw a big gapeing hole and a huge smoke screen on what used to be the world trade center on September 11th??? I, and alot of the fans, would really like to know.
Yes. Again. Disney owns 100% of Gargoyles. They don't sell their properties, and even if they did -- WHICH THEY DON'T -- the cost would be way prohibitive.
I don't know if they were stupid to pull the plug after Goliath Chronicles. I'm not sure they exercised much smarts in pushing me out the door prior to Chronicles, but that's a VERY complicated story and in any case, should be attributed to individuals who no longer even work for the Mouse. Including me.
I also think, unfortunately, that you're wrong about other networks like the WB wanting the show. It's a moot issue, because Disney won't sell, but I see no indication that there is a single network out there looking for something like Gargoyles. No indication at all. Gargoyles has the greatest fans in the world, and I'm hoping that the DVD release will make enough of a splash and attract fans, both old and new, to wake people up to the possibilities that the series represents.
In the meantime, I haven't given up trying to get the property up and running again in some way, shape or form, and publishing (comics or novels) is something I'm extremely interested in.
As for the fans, the best thing they can do -- at least until the DVD's release -- is to come to the Gathering (our annual Gargoyles Fan Convention), this August, 2004 in Montreal.
Check out their website:
http://www.gatheringofthegargoyles.com/
The more fans that show up to the convention, the greater our collective voice, the more likely that Disney takes notice.
Finally, I've answered the 9/11 question many times. Check the archives.
For those of you who missed the controversy over the following set of questions... You're lucky.
These questions waited a long time in the queue, but were deleted...
What follows is a bit difficult to read, so here's a primer.
<Lynati lists topics -- or perhaps they are old questions -- inside these carrots.>
[She then quotes ASK GREG inside brackets.]
Then she asks new numbered and lettered questions inside parens, e.g. 1a).
MY NEW RESPONSES FOLLOW IN ALL-CAPS.
From Lynati:
I'm in a Canmore mood this evening. Err, morning.
<Of Fiona's relationship to Robyn and her siblings, posted at two different times>
[Fiona is the twin sister of Jason, Robyn and Jon's grandfather. That is, she's their great aunt.]
DID YOU CUT AND PASTE THIS QUOTATION OR RETYPE IT YOURSELF? DID I REALLY MAKE THAT GLARING AN ERROR, SUBSTITUTING JASON FOR JACKSON.
[But I'm pretty sure that Jackson is Fiona's twin brother. That Jackson was the father of Aron who was the father of Charles
who was the father of Jason, Robyn & Jon. And I know Fiona's great-grandfather was Angus.]
This second list would make her their great-great-aunt. When you have a chance, will you look it up in your Canmore-bloodline list and clarify for us:
(1a)Is she Jackson's twin brother, or Aron's?
THE TWINS, JACKSON AND FIONA CANMORE WERE BORN IN 1888.
(1b)How many "great"'s properly belong in front of her name in relation to Robyn?
IN 1908, JACKSON'S SON ARON CANMORE WAS BORN. FIONA WAS HIS AUNT.
IN 1936, ARON'S SON CHARLES CANMORE WAS BORN. FIONA WAS HIS GREAT AUNT.
IN 1964, CHARLES' SON JASON CANMORE WAS BORN. FIONA WAS HIS GREAT-GREAT AUNT.
IN 1966, CHARLES' DAUGHTER ROBYN CANMORE WAS BORN. FIONA WAS HIS GREAT-GREAT AUNT.
IN 1972, CHARLES' SON JON CANMORE WAS BORN. FIONA WAS HIS GREAT-GREAT AUNT.
<At the time of 'Hunter's moon' were Jason, Jon and Robyn Canmore the only descendents of Canmore? Do they have any other family out there that they are unaware of?>
[There are probably a lot of Canmore descendants. They probably know some and don't know others, just like anyone. But they were the three who had carried on the tradition of the Hunter.]
(2a)Were Robyn and her siblings chosen to continue the Hunter tradition, or did they get a choice?
THEY WERE CHOSEN. AND THEY HAD A CHOICE IN THEORY, BUT GAUGE THAT RELATIVE TO WHAT YOU SAW IN "HUNTER'S MOON".
(2b)As they were trained by the "Canmore clan", does that mean that a large part of the family knows about "the Demon" and
the pledge to hunt her down, or is it kept a secret from anyone not pledged on the Hunter path?
IT DEPENDS ON HOW YOU DEFINE "CANMORE CLAN". IF YOU'RE TALKING ABOUT ANY AND ALL OF THE DESCENDANTS OF DUNCAN & CANMORE -- THAN NO, I DON'T THINK MOST STILL KNOW ABOUT DEMONA. BUT IF YOU'RE REFERRING TO THE BRANCH OF THE CLAN THAT RECREATED THE HUNTER TRADITION, THAN YES, MOST KNOW.
(2c)Were any of Robyn's cousins (and second cousins, etc.) offered the choice to become Hunters, and if not, did they receive similar training anyway?
I TEND TO THINK THAT THE MANTLE OF THE HUNTER FALLS ALONG A DIRECT LINE OF DESCENT AS OFTEN AS POSSIBLE.
(2d)Was Fiona Robyn, Jason, and Jon's primary teacher and trainer?
NO. BUT SHE PARTICIPATED.
[But I've charted so many Canmores that I get confused sometimes, and I don't have that chart with me. I can't remember for
sure. Ask me again later. ]
[She [Demona] was hunted (a) because she was the only one left (as far as they knew) and (b) because of a little mishap with
Canmore and one of his sons that I haven't told you about yet.]
(3a)Will you tell us about all of the Canmore's you have charted at 2002 (or whichever con is "next" by the time this post gets
through), including the above-mentioned "incident" that you have not previously told us about?
NOPE.
(3b)If not, will you tell us about most of them?
NAH.
Hmm...maybe you should just sell copies of the Canmore family list at the Gathering.
IT'S A THOUGHT.
<So what happened in Paris, 1920 that was so significant to the Atlantis and Gargoyles universes? >
[Come to G2002 and find out.]
<origination of the word "Gargoyle".>
[The etimology of the word gargoyle goes back a long way. It evolved at least in part from an Atlantean word. That's all I want
to say at this time. But hold tight. More will be revealed at the Gathering 2002 in Virginia Beach.]
<Who created the Praying Gargoyle? >
[If you come to G2002, you'll find out.]
<How powerful is its magic?>
[Potentially, very powerful.]
(4a)So, was the Praying Gargoyle created on Atlantis?
IT WAS CREATED BY ATLANTEANS -- BUT I'M NOT SURE IF IT WAS LITERALLY CREATED IN ATLANTIS.
(4b)Did the first gargoyles develop on Atlantis?
NO. GARGOYLES PREDATE ATLANTIS. AS DO HUMANS.
(4c) What did you have for lunch today?
NOTHING. TOO BUSY ANSWERING QUESTIONS.
(4d)In 1920, were Fiona Canmore and Demona fighting over the possession of the Praying gargoyle?
NOT REALLY, THOUGH IT PLAYED A ROLE IN THEIR CONFLICT.
(4e)If yes, and the Praying Gargoyle was hidden this year, was there any particular reason that Demona had to wait 60
years to reclaim it, or did she just figure it was too good a hiding place to leave the statue in until she needed it?
THE PRAYING GARGOYLE WAS DESTROYED IN 1920. IT TOOK 60 YEARS TO REGENERATE.
And, while I'm here...
(5a)...Does Demona really "know every remaining gargoyle" as she claims in "the reckoning", or was this just another one of her "I am right about everything (and therefore there can be no more gargoyles than I know of)" delusions?
IT SEEMS CLEAR TO ME THAT SHE DOESN'T KNOW EVERY REMAINING GARGOYLE, AS SHE CLEARLY DOESN'T KNOW ABOUT AVALON.
(5b)Which clans is she actually aware of at the time she makes that proclamation?
I'M NOT GOING TO TIE MY HANDS BY LISTING THEM AT THIS TIME.
(5c)As Angela learned about Demona's immortality in "Sanctuary", why was she crying after Demona's "death" in the reckoning?
IT'S ONE THING TO KNOW SOMETHING INTELLECTUALLY, IT'S ANOTHER TO TRULY ABSORB IT. ALSO, AS I'VE STATED MANY, MANY TIMES BEFORE, THE MANHATTAN CLAN KNOWS THE BASIC RULES REGARDING DEMONA AND MACBETH, BUT THEY ARE NOT AS SURE AS I AM THAT DEMONA CAN NEVER BE KILLED EXCEPT UNDER CERTAIN CIRCUMSTANCES. THIS IS ALL NEW TO THEM.
(5d)Did Angela and Goliath honestly believe that Demona was permanently killed by the roller coster collapse/fire, even
knowing that Demona is only able to truly die at Macbeth's hands?
THEY JUST WEREN'T 100% SURE.
(5e) Was Angela not aware of that stipulation?
SEE ABOVE.
(5f)Since Goliath knew, did he deliberately keep the knowledge that Demona would survive from Angela?
SEE ABOVE.
(5g)Have I forgotten something that makes a flaw in my reasoning here?
ONLY THAT YOU ARE THINKING IN ABSOLUTES. MOST PEOPLE (AND GARGOYLES) GO THROUGH LIFE WITH SOME DOUBTS, INSECURITIES AND UNCERTAINTIES. EVEN IF THEY ARE TOLD SOMETHING, THERE'S ALWAYS ROOM TO QUESTION IT.
Yes, I plan to attend the Gathering in 2002.
The last question is, will you have read this post by then?
OBVIOUSLY, NOT. BUT AT LEAST I GOT TO IT BEFORE G2004.
How did you get the idea? It's a wonderful story, the best I've ever seen. The travel between our time and the past, the different stories, the magic and goth. I fell in love with it the first time I saw it. How come it's not on the air anymore? Is it possible to get it back? Sailor Moon was taken off the air and so many people responded that a few years later it was brought back. Is there a place I can write to to voice my opinion?
Doesn't hurt to write to Disney.
I'm gonna refer you to the FAQ and the archives for most of your age-old "Why is it off the air and how do we get it back?" questions. Same for "How did you get the idea?"
Meanwhile,
DVD is coming next year.
Toon Disney still airs reruns now.
Supporting both those are great, but the key -- I firmly believe is to support the Gathering -- the fandom's annual convention. Coming to Montreal in August of '04.
Dear Greg,
Hi my name's Annick, I have longed been a Gargoyle fan. Ever since the series went off the air I have always had a couple of questions that I've always wondered about. I'm so happy I found this site! My first question is in the show Goliath blames Demona for the destruction of their clan, I quote,"Don't you see, none of this would have happened if it weren't for you!" And also I think most of the others do too. From watching the show it also reveals that she can't face her own guilt as well. But in reality from the episode "City of Stone," I get the idea that it wasn't her fault. I mean, she thought she was doing something good for her clan. She didn't know that the captain wouldn't have been able to save them. Also I don't think it was the captains fault because he tried to stop Hakon. You see? So why is everyone blaming her? She was trying to do something good wasn't she? Well good in her sense. She didn't want to hurt her clan. My other question is in the FAQ's you explain that it isn't the gargoyle way to kiss. That's a human custom. Yet in the episode,"City of Stone," when Demona returns to Wyvern Castle she sees everyone is dead, and Goliath and the other's are stone at night. Out of grief she climbs to the top tower and looks at Goliath. Takes her finger kisses it and places it on Goliath's lips. Then kisses his forehead. So how can this be if it isn't a gargoyle custom? (Don't get me wrong I really liked that part. So touching... I always cry everytime I think of that part.) I'm just wondering. And my last questions comes from the episode,"The Mirror." I think everyone deep inside knows that Demona does still care for Goliath. I believe you mentioned it in the FAQ's. Do you think Demona would have ever revealed this to Goliath? And what kind of situation do you think they would have to be in? Thank you very much Greg for reading my questions. I really wish I could meet you one day. I'm studying at my college in animation. I hope some day, I'll be just as good as you!
Sincerely Annick
She didn't want to hurt the clan, certainly. But she also wanted the clan to conform to her vision of what it should be and she took a horrendous chance with their lives -- right down to the moment when she might have warned Othello and Desdemona and DID NOT.
No, the massacre of the clan wasn't ALL her fault, but only her participation (and crucial inaction) made it possible. So she IS partially to blame. That's what Goliath meant.
As to the kissing, it's a human custom, but it's an addictive one, in my opinion. Demona, having been around humans for decades, would have seen it, and may have adapted it long before events in CITY OF STONE.
Demona still has Feelings for Goliath, but that's not necessarily the same thing. Those feelings are twisted, confused, etc.
If you want to meet me, I'd recommend attending the GATHERING in Montreal this summer. Check out...
http://www.gatheringofthegargoyles.com/
for more information.
I have a few questions about the Leica reel for Bad Guy's, as I've never seen it (but really want to).
1. If you can't/don't want to spread the reel all over the net, could/would you write a detailed/some what detailed report on how the story goes. You of course don't have to, but I'm sure it would satisfy a lot of people who have never gathered to a gathering.
2. What IS a Leica reel? Is there anything animated about it, or is it more of a montonage <sp?> of art work with voice-overs from key characters?
3. How much detail is shown in the animation/stills (i.e.: sketches or paintings or stuff the like I see in Gargoyles)?
4. How long dose it run for?
*Note* I could have asked the CR about all this, but I enjoy the way you write, when you do :^B (enough flattery?).
And I hope to see it for myself someday, not in Virginia, but in NY, 2003 if all goes well.
1. No. Sorry. It's a special treat for Gathering attendees, and I don't want the story in it to become common currency. I still have hopes of selling it someday.
2. A leica reel can be many things. The spelling suggests it has something to do with a Leica camera, but I've been assured that it really is code for IT'S LIKE-A REEL. It's also sometimes called an ANIMATIC or SIZZLE TAPE. There is no true animation, though I've seen some recent stuff using flash. It's basically a filmed storyboard, with a few fancy editing tricks, like panning, scanning, pushing in, pulling out and maybe a few dissolves or wipes. That's put with actual recorded vocals and hopefully some music and sound effects. It's an effective way to tell a story, like a glorified comic book for the screen. But it's supposed to be done for a relatively small amount of money. A few thousand dollars as opposed to tens of thousands of dollars.
3. It depends. Some are very detailed some are very sketchy.
4. Again, it depends. I think BAD GUYS runs about 7 minutes, which is probably too long for anyone but garg fans.
Or maybe you can come see it in Montreal in August of '04.
I personally haven't seen Gargoyles since 1998. I live outside the United States and the T.V station that showed Gargoyles cancelled it despite the excellent ratings the show had. Anyway, I realize that I'm far behind on the topic of Gargoyles because all of a sudden I hear something about some Redemption Squad in which I see some of the bad guys in the series as part of it. Can you give me detailed info on this Redemption Squad?
No more detail than already exists on the ASK GREG FAQ and the ASK GREG "Bad Guys" archive. Again, the only way to learn more is to attend the Eighth Annual Gathering of the Gargoyles (our fan convention) in Montreal next August. Check out their website at:
Where can I find the stories refered to in different questions? Such as the story of Oberon and Mab, or the stories that take place in the future? I've searced for them but haven't found them.
Well, some of those stories just don't exist anywhere outside my head.
If you look at the Gargoyles 2198 ASK GREG archive, you can see the development I did for that imaginary spin-off. And if you come to a Gathering, you can see the original pitches for GARGOYLES, GARGOYLES: DARK AGES and NEW OLYMPIANS and the reel for BAD GUYS.
But mostly, I've only revealed tidbits here and there that at best might suggest a story or two. The only stories I've actually told are:
1. The first two seasons of the GARGOYLES Series. 65 Episodes.
2. "The Journey". The first episode of THE GOLIATH CHRONICLES.
3. An unpublished comic book script, featuring an untold episode from the World Tour. So far, I haven't shown this to anyone beyond my former Marvel Comics Editor.
4. "The Last". An episode of TEAM ATLANTIS that was never made, but which was written, recorded and partially storyboarded. I play the voice tape (featuring Marina Sirtis as Demona) at the Gathering.
5. "Once Upon A Time There Were Three Brothers..." My one and only stab at fanfiction. It's a prequel to DARK AGES... which you can find here:
http://www.s8.org/gargoyles/askgreg/faq/threebrothers.htm
At the end, it says TO BE CONTINUED, but DARK AGES is the continuation.
SUNDAY, June 29, 2003:
Got up relatively late.
Made a couple more attempts to get into see the Othercon art, and still couldn't.
Went down into Penn Station to the Krispy Kreme store. Now, the thing is I've gotten Krispy Kreme's at a bunch of different places (Dodger Stadium, in particular). But I've never been to an actual Krispy Kreme store where I got their full line-up of donuts to choose from. I restrained myself and only bought and ate three. (And you wonder why I put on 11 pounds over a two week vacation.)
Speaking of sweet treats... PEANUT M&M'S. All weekend long, various different people walked up to me and kept handing me little bags of Peanut M&M's. I happen to really like Peanut M&M's so I was fine with the thing. But it started to get a little weird. Particularly when I left the judges table Saturday night with Vic and Thom to make our costuming picks, only to come back and find a huge pile of those little yellow bags on the table. (We gave them out as prizes for the costume/cosplay contest.) It's not like I minded, but I was pretty stumped as to who or what was behind it all. Eventually, Kathy Pogge revealed herself as the culprit. Seemed I had made one offhand comment at some point about how I was more of a peanut M&M guy than a regular M&M guy. And she ran with it. Hey, free food. I won't complain!
Anyway, after Krispy Kreme I headed up to Auction and Signing. Not many autographs to sign. I guess most people have my signature already. It was nice to see the materials for my Team Atlantis episode "THE LAST" (copies of my director's script, the Demona redesign, the audio-tape of the cast recording and the partial storyboard) all go for a whopping $740 to IRC GOLIATH.
But then it was time for Vic and I to take the elevator down for our last panel.
Speaking of elevators, it seemed odd at first that most of the elevators had t.v. sets playing CNN non-stop. Except that by the end of the weekend, if I got into one of the elevators that didn't, it really felt like something was missing. I'll never forget where I was when I learned that Katharine (note the spelling) Hepburn had died. In an elevator, watching CNN.
Anyway I finally got down to see the Othercon art. A bunch of people, Hudson in particular, watched me watch the art. Having an audience, while being an observer, was a little strange. I think they thought my head was supposed to explode or something. But I just thought it was pretty cool. I smiled and moved on. They all seemed very disappointed.
Next was the Team Atlantis panel. We showed the materials that Seth had just won in the auction and I played the tape of "THE LAST" which went over very well. I'm bummed that Disney never made the series and that episode, giving you guys another shot at seeing Demona on the screen. But I'm glad we at least got as far as recording the episode, so that I have a radio play to add to my opening ceremonies tapes every year. We also showed some clips from the new Atlantis DVD, featuring many garg voice actors, including Tom Wilson, Clancy Brown and Morgan Shepherd as a guy who thinks he's Odin.
Back upstairs for Closing Ceremonies, which is always bittersweet. I gave one last speech, trying to rouse the crowd to register for G2004. The new staff, by the way, is already in high gear. Montreal is going to be great. You don't want to miss it.
But I think my speech was just so-so. I remember the fire&brimstone thing I did in Florida to try and sell G2001 in L.A. I think I had the whole crowd on their feet that day. Sometimes you just can't recapture the magic.
But I'm amazed at how often you can. I think that's one of the many, many reasons why the Gathering is so fun for me every year. (Of course 72 hours of non-stop adulation might have something to do with it too.)
I said good-bye to some people. The auction restarted. No one had bid on my kids' painted ceramics. (Though they shared third place in the 3-D category.) So I tossed their pieces in with mine at the charity auction. I think Uriel picked them all up for about $40. I was grateful that someone wanted them. But this may not have been my most intelligent charitable contribution. It cost me $70 to make the things. Plus I had to give each kid $5 as their "profit". So next time, maybe I'll just hand the con $40 instead of trying to be so creative. They'll make more and I'll lose less. We also auctioned off a signed Atlantis poster, and scripts from "The Journey" and "The Reckoning". But I don't remember what they sold for.
Somewhere in here, I missed saying goodbye to Thom. So I said goodbye to Vic instead, even though he wasn't actually leaving NYC for another day.
Next up was our school field trip. There were 27 of us total, including myself, Kathy, Patrick, Kelly, Liz, Sean, Montreal Rob, Leo, BrooklynMagus, Mandi, Sarah, Erik, Dylan, Wingless, Seth, Ayami, Ethan, BiZZ and... and... well, more.
I was very concerned about someone getting lost, so I was constantly counting heads. A nightmare.
We stopped first at Ground Zero. I'd love to say I was blown away. But to be honest, I felt so distant from the place most of the time. I think it's too immense. And it looks too much (now) like a construction site. Plus so much is gone, I couldn't get my bearings. Couldn't picture what I remembered. It was so unreal, I guess. I think I was more effected by the effect it had on BrooklynMagus than the effect it had on me.
Back on the subway then, the 27 of headed for Coney Island. We arrived and split up, agreeing to meet back at 10pm to find out who wanted to stay and who wanted to go. I immediately knew I'd be wanting to go at 10pm. (I must really be getting old.) It just occured to me that I'd rather spend those hours hanging out and talking than spinning around on the kinds of rides I could go on at any county fair.
But Kathy and Patrick and Wingless and Seth and I tried to hit the things that really made Coney Island special, i.e. the original Nathans, the Cyclone and the AstroTower. Missed out on the Ferris Wheel, which I only realized after the fact was unique. We took a walk down the boardwalk and then met up with everyone. Miraculously, all 27 people showed up and all wanted to go. So we did.
Made our way back to the hotel. I did a final headcount and we scattered. A bunch of people joined me on my pancake hunt, but all I can say is "City that never sleeps, my foot!" Places were closed or closing right and left. We couldn't find a diner. We couldn't even find an ice cream parlor. Finally, we found an open ice cream place deep below Penn Station in the Labyrinth. Well, actually near the LIRR. After sheparding 27 people all night long, it seemed for a good long five minutes that we had lost Kathy somewhere underground. But she showed up with Popeye's chicken in hand. I was inclined to be cross until she offered to share. (I'm such a food whore.)
We all wanted to drop stuff off in our rooms and then hang out. So we agreed to meet in the Consuite in ten minutes. I was there, right outside the door, when Mandi came out. She needed a drug store and no one would go with her, so she and I went on a trek to a 24 hour pharmacy that made the Pancake hunt look like child's play. By the time I got back to the consuite, most of the people I had agreed to meet up with weren't there. Those present were quietly focused on some anime. Wasn't in the mood, so I headed off to bed. Not a big deal, but I do want everyone to know that I didn't blow you off on purpose.
TUNE IN TOMORROW FOR GREG'S FURTHER ADVENTURES IN THE CITY THAT SEEMS TO SLEEP A LITTLE...
FRIDAY, JUNE 27, 2003:
So I remembered what I did after dinner the night before. And since technically it was after midnight, it's kinda okay that I'm putting it in this entry.
I read. I had finished two novels in Nantucket: THE DANTE CLUB and THE DAVINCI CODE. And I started a third, THE SINISTER PIG by Tony Hillerman. I finished that one late Thurs/early Fri.
Normally, I'm a big Hillerman fan, but I have to say this book was weak. No mystery, since he gives it away. Little suspense, since we know that our heroes have allies. Omniscient narrator, so it doesn't have the unique dual protagonist structure that makes his books so neat. Almost nothing of Navajo culture. And worst of all, Bernie was turned into a damsel in distress. YUCK.
Also, it didn't fit the pattern of my other reading for the vacation, i.e. that mix of fact, legend and fiction, which was one of the hallmarks of the first two books and of the Gargoyles series. ALL THINGS ARE TRUE.
Still, I so rarely get to read for pleasure, it was nice to put away three books.
Anyway, back to Friday...
I woke up at 8am, which wasn't easy. But I knew I wasn't going to get much sleep this weekend.
At 9, I was down in the consuite for the staff breakfast that didn't materialize because there were other more pressing things to do. I helped stuff and alphabetize envelopes instead.
After that, around 10:30am, Kathy and Carol and I went down to the hotel Lindy's for a WAY-overpriced meal that included fermented tomato juice. Kathy insisted on paying, which was very, very nice of her, if unneccesary.
Around 11:30, I stopped by the art room to drop off the ceramic figures that Erin, Benny and I had painted for the con. Mine was just on display -- but was destined for the charity auction on Sunday. It was a gargoyle that I dubbed (at the last minute) "No-Name". Erin had also done a gargoyle; she had painted glasses on it, so I named it "Four Eyes". Benny had done a fairy, which I named "Junebug" after one of the fairies in our back yard at home. The kids weren't donating their art to the charity auction. They wanted to get paid for theirs. More on this Sunday.
At 1:30pm I had a Mug-A-Guest up in the Skytop room. Answered a few questions in my long-winded fashion. It was fun.
Then at 2:30 I went downstairs to join Thom for a Voice Acting Seminar. This was fun. We answered questions, but we also workshopped a number of pieces including the Demona audition side, a Griff/Leo/Una/Goliath scene from MIA, a Lex/Tom/Mary/Brooklyn/Demona scene from Awakening One and a Lex/Goliath/Brooklyn/Broadway/Hudson scene from Thrill.
It was fun and we discovered two exceptional actresses, Jill & Rachael. Unfortunately, Rachael actually got a paying acting gig so she wouldn't be around for the Radio Play.
After that, at 4pm, Thom and Carol and I held the first round of auditions, with Archangel and I think Chyna acting as our volunteers, managing the line.
We had some really great people, but I couldn't help missing some of our missing long-standing Gathering Players: Jen, Jubes, Zehra, Zach Baker, Jordan Mann, etc.
Kathy brought Thom and I Nathans hot dogs from downstairs for lunch. So I think she paid for two of my meals that day. Uh. Thanks AGAIN!!
6:30 brought Opening Ceremonies. The G2003 staff intro'd themselves. And then the G2004 staff (led by Karine and Kelly) did the same. I'm already excited about the Montreal con. I hope all of you will be there.
Then it was my turn. I took hand counts of con virgins, 2nd timers, third timers, fourth timers, fifth timers, sixth timers and those absolutely HEROIC SEVENTH TIMERS. It was great to see people like Noel, Patrick, Karine and others raise their hands.
But it again made me think of those MIA that I missed. All those listed above and also Derek, Christine, Tim and Becca Morgan, Spike, Pogo and Aimee, Kenna, Steph, Cindy, etc. I'll admit it. I'm greedy. I want them all back!
I read letters from Greg Guler and Brigitte Bako, both announced guests that unfortunately had to pull out at the last minute. They said some nice stuff.
Then I did the Video Presentation AGAIN. Garg pitch. Garg promo. Garg presentation. Dark Ages Pitch. New Olympians Pitch. Bad Guys Reel. It was fun for the Virgins. Fun for the old hands. Fun for me. My resolution for next year is to stop apologizing for showing the same stuff over and over. If people don't want to see it they can leave the room.
After opening ceremonies, a group of us (me, Carol, Kathy, Patrick, Mandi and Vic) went to a restaurant called AMERICA, which was one of my favorite places to eat back when I lived in NYC. It was empty, which was weird, since back in the day, the place was always packed. The food was still great, so it just must be out of fashion. I had popcorn shrimp and pulled pork and tastes of a bunch of other stuff. As a table we shared like six deserts including apple pie, cheesecake, brownie alamode, and Death-By-Chocolate. Also, my college friend Doug joined us for dinner. I hadn't seen him in years, so it was great to catch up, especially at America, a place he and I used to go to with some frequency.
After Dinner, time was short so we hustled back to the hotel (sorry, Mandi). Thom and I held our "Blue Mug" which was a real blast. People try to shock me, but it isn't easy to do. I suppose by now, most of you have heard the big revelation of the night: that Lexington is Gay. I hadn't planned on revealing it, but a direct question was asked and so I gave a direct answer. We had an intelligent mature conversation about it -- spiked with lots of laughter. I was really sorry when the Security Guard broke us up around 2am, and in hindsight even sorrier that none of us took him up on the offer to check with the front desk for permission to continue.
Still it was late. I went to bed. But I was so juiced it took me another couple hours to crash.
TUNE IN TOMORROW AS OUR YOUNG MAESTRO GATHERS HIS PLAYERS...
You know, one of these days I would actually like to attend a Gathering. However, I've found that the past Gatherings have been around the coasts, Virginia, Florida, and the next one is to take place in LA? Here's my problem: I live smack in the middle of the country (Nebraska). With college and a part-time job, not only do I lack the time for a lengthy trip, but I'm not exactly swimming in money, either. I may be a wee bit hopeful, but what are the chances of a Gathering taking place in or around Nebraska in the near-future (within the next 5 years or so)?
Well, here's the (abridged) history of the Gathering...
1997 - Fans got together and organized the first New York Gathering. Most of the work was done by Mae Li, who should be hailed by fandom as the woman who gave birth to our cons.
1998 - Out of the fist Gathering, a group of fans got together and organized the second New York Gathering.
1999 - Having completely exhausted the New York fandom, another group of fans got together and organized the Dallas Gathering.
2000 - Still another group of fans got together and organized the Orlando Gathering.
2001 - Survivors of the Dallas Gathering got together (with some fresh fan blood) and organized the Los Angeles Gathering.
2002 - Survivors of the Orlando Gathering got together (with some fresh fan blood) and organized the Williamsburg Gathering.
2003 - A new group of fans got together (with a few familiar faces) to organize this year's new New York Gathering. For info, check out http://gathering.gargoyles-fans.org .
2004 - A group of Canadian fans have gotten together and are already organizing next year's Gathering in Montreal.
2005 - Is up for grabs. As you can see from this history, there's no magic to it. Dedicated fans just decide to make it happen. In fact, it's a lot of hard work. But if you want a Gathering in Nebraska, organize a group of fans and put together a bid. You've got at least six to eight months to get your act together before next year's bidding process begins. Go for it.
As for attending before then... it's not necessarily as expensive and time-consuming as you may think. Look into cheap fares or ride sharing and/or room sharing. Just LOOK into it, before deciding it isn't possible. Give it a try. I guarantee you won't be sorry.
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