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Since the Illuminati are going to be the villains for Pendragon, New Olympians, Bad Guys and Gargoyles were you planning a crossover for all four series?
This is all so hypothetical. All series are set in the so-called "GARGOYLES UNIVERSE" so you would see characters running in and out of everywhere. So I guess the answer is technically yes. But deciding whether or not there'd be a true cross-over, i.e. a story that started with a Part One in one series and ended with a Part Two in another would completely depend on outside criteria, like whether the network would allow something like that.
1.Is Morgana related to Oberon?
2.What does she think of Oberon?
3.Does she still hate Arthur or Merlin?
1. Not saying.
2. Not saying.
3. At what point in history?
Growing up and living most of one's life in Southern California makes having a number of so-called "Brushes with Greatness" inevitable.
Sunday, I saw Tony Shaloub in Larchmont Village, but since I had recently seen him at Los Angeles International Airport AND spoken with him at Logan International Airport, I refrained from accosting him again, lest he think I was stalking him or something.
And just yesterday, I rode up an elevator with Florence Henderson, who looks great, by the way.
So the fact that I once met Art Carney is, in and of itself, not particularly remarkable. But his passing seems an appropriate time to relate this story.
In the mid-seventies, I was in Junior High. I read a LOT. I had somewhat eclectic, and geek-leaning tastes, but most of what I read were mystery novels, especially mystery novels that were part of on-going series. One such series was Harry Kemelman's Rabbi David Small mysteries. (This is a series that I highly recommend. The more recent books aren't quite as strong, but the original seven are terrific.) Each book's title began with the day of the week. And the first mystery was called, "Friday the Rabbi Slept Late."
One day, I came home from school and found that my street was, as they say, "bustling with activity". An army of humans and trailers and equipment had descended on Queen Florence Lane. In the seventies, in the San Fernando Valley, this was still something of a rarity. But in any event, I was fascinated. They were filming a movie in and around the house directly across the street from ours.
Soon, I discovered that the movie was a telefilm called, "Lanigan's Rabbi". It was an adaptation of "Friday the Rabbi Slept Late." I'm not sure how I managed this, other than persistance and the chutzpah that comes with not knowing anything at all, but I kept telling people that I had read the book that the movie was based on. At some point someone grabbed me and introduced me to the director. I have no idea if he was humoring me or truly interested, but he asked me a number of questions about the original novel, claiming that he -- and that in fact NO ONE on the set -- had actually read the thing. There were, I was told, certain things in the script that weren't tracking for him. So I answered his questions and told him how the mystery played out in the book. He took it all in and seemed grateful for the insight.
In any case, he then did something fairly astounding. He let me hang out. That's it. But I was allowed to watch filming. I was allowed to get food from the catering truck. I was allowed to sit with the actors and talk with them. Now, this couldn't have gone on for very long. It's not like I was employed by the movie company or anything. I didn't follow the shoot to its next location. But they spent at least three or four days in the cul-de-sac where I lived. They gave me a copy of the shooting script, which I then had autographed by the movie's two leads.
One of those leads was Stuart Margolin, who's probably most famous for playing "Angel" on THE ROCKFORD FILES. "Lanigan's Rabbi" wound up spinning off into an on-going series, and for some reason Margolin didn't end up playing Rabbi Small in the series. But he was terrific in the movie. And he was an extremely nice guy, who didn't seem to mind chatting with a thirteen-year-old, who was hanging around the set.
But the part of Police Chief Lanigan was played by Art Carney. Now Art Carney is a certified genius. Emmy winner. Oscar winner. Of course his performance as "Ed Norton" in THE HONEYMOONERS is nothing short of brilliant. His on-screen teaming with Jackie Gleason, a match-made in sitcom heaven. Among other things, Ed Norton was the clear inspiration for any number of cartoon characters, ESPECIALLY "Barney Rubble". People often forget, however, what a wonderful dramatic actor Carney was. How he brought a touch of humanity to every role he played. Rod Serling knew this. Art is unforgettable as a drunken department store Santa in "The Night of the Meek" episode of THE TWILIGHT ZONE. A part that Serling wrote especially for Carney. He is also truly wonderful in a number of movies: "Harry & Tonto" and "The Late Show", among others.
I knew almost none of this at the time. I didn't even know Ed Norton. In New York, the Honeymooners has probably NEVER been off the air, but Los Angeles was and is an I LOVE LUCY town. It would be nearly a decade before I would move to New York and learn to appreciate Ralph and Ed and Alice and Trixie.
What I knew at the time, all I knew at the time, was that this was a big time star -- in the middle of shooting a movie -- who spent time with me. Time by the catering truck. Time on the set. He explained how things worked. He explained why things were done the way they were done. He was just so damn nice -- nice enough that as ignorant as I was -- I didn't take it for granted. It impressed me even then.
A few days later, they were gone. Stuart, Art, all of them. The movie finished shooting in my neighborhood and moved on. Some time later, the movie went on the air. We didn't have a VCR back in those days, so I don't have a copy. I followed along on my shooting script and took note of all the little changes in it. It seemed to me (though I might have been seriously kidding myself) that the final version of the film leaned a bit closer to the original novel than the shooting script in my hand. I was certainly kidding myself when I took credit for that somewhat dubious conclusion. And without a doubt the coolest moment was watching Rabbi Small and Chief Lanigan (Stuart and Art, as I called them) walking down the hill of my street and turning a corner and suddenly being at the Rabbi's Temple. There was no temple around the corner from Queen Florence Lane, but the transition was so seamless, it seemed miraculous. A true bit of movie magic before I understood movie magic. Before I was even vaguely jaded.
I just now spent a half hour looking for that shooting script. I couldn't find it. I hope it turns up eventually. I'm sure I wouldn't have thrown it out, but there's a good chance it was in one of my boxes that was in my parents' basement, part of my past which was destroyed by a flood caused by the Northridge Earthquake. I hope not. I haven't thought about any of this in years, but now it's something I'd like to revisit in more detail.
I wrote about Bob Hope a couple of months ago, when he passed, and I suppose this is a very similar kind of tribute. Others will, I'm sure, write more important, more personal and more informed things about Art Carney in the next few days. But I wanted to add my bit.
Not just for the incredibly talented performer, a loss we should all feel, though not too intensely as he has achieved a meta-Xanatosian immortality through the many great performances we will always have to rewatch time and again. And not for the friend and/or family member, because he was none of these things to me, and I was none of these things to him.
But oddly, I wanted to write a tribute to the stranger. To the nice man, who was patient with a dopey know-it-all kid. He was warm and funny and made me feel welcome.
And for that I am truly grateful. Thanks, Chief.
Hi Greg- first time posting but a well educated fan of the show. I am now in the process of showing the series to my girlfriend and she recently posed a question following 'M.I.A.' that even I cannot justify or find an answer for. Question being, if Goliath is able to utilize the Phoenix Gate to return to the past and save Griff by bringing him to the present day, then why is it he cannot use the Gate to return to Scotland prior to the slaughter of the clan and bring them into the present where they may be alive with the remaining gargoyles?
Now I have exhausted the archives and I realize that this question has been asked before although not in this exact scenario. Problem is that people are writing essays on the subject in rough draft form and thus their respective points, along with your answers/explanations, are lost to me.
Now, knowing full well that history cannot be altered, the closest thing to an answer I found was you citing that Goliath did not in fact change the past but rather fulfilled it. To the effect of Leo and Una having recognized Goliath from 1940 demonstrates it was not anybody elses history being altered but rather Goliath playing out his role in something that already had happened TO HIM.
Armed with that, it still makes no logical sense to me. First off, if Goliath had in fact saved Griff once before, why did he have no recollection of him, the war, Una, or Leo? Also, in 1940, wasn't Goliath still in stone sleep as
Xanatos had not yet found them and broke the spell? If that is the case, how could have Goliath ever been there to fight alongside Griff in the first place?
Perhaps the answer is that the line between altering the past and fulfilling it is a fine one given all of the intricacies of time travel. Anything you might wish to
expound on this matter would be of great appreciation Greg.
It hadn't happened to Goliath already, but it HAD happened in the past to Una and Leo already. Goliath then went back and fulfilled the role that from there point of view he had already played but from his perspective he had yet to do.
His 1940 self was unaffected. His 1940 self was indeed frozen in stone sleep. But his 1996 self went back in time. In essence for a few short hours, there were TWO Goliaths in Great Britain. One flying over London, one frozen in stone in Scotland.
The past was not altered. Goliath going back to Wyvern solves nothing because those gargs were not saved. They did not "disappear" as Griff did in 1940. They were reduced to rubble by Hakon and his men in 994. We saw this -- or at least the start of it. So we know it cannot be altered.
(I know I promised not to get snippy, but I swear I feel like I JUST answered this question, and that it was phrased in almost the exact same way. Is this a double post?)
Not a question, or a suggestion (really!), just a quick comment. For your example of What Not To Ask (point #2), you use "Asking if Demona tried to assassinate Hitler during World War II". I'd just like to say that based on my knowledge of Demona, she'd've been more likely to have been fighting on his side, assuming she was involved at all.
Ok greg this has been puzzling me for a long time.
What does titania whisper to fox when her and oberon leave back to avalon after they give her baby back? She whispers something to her. First you think it is a kiss. But its a whisper. Now I know a whisper when I hear one. *L*
Can you answer this riddle/question?
Yes, I can.
Just wanted to say hi and ask something, I never really "wanted" to ask. I just hope Gorebash lets it in:
Do you still have "hope", and with that I mean are you... well... quite sure, that one day we'll get Gargoyles back? And if yes, do you think that it still will be Disney or maybe an independent corporation?
I just ask because I am quite sure, that Disney are to arrogant to put a show back on, that they just named as a "flop".
Well, Thanks for asking this hard question.
Let's start here. I don't think anyone at Disney ever labeled Gargoyles a "flop". They didn't think it was a home run, certainly, and because they had high expectations, they were disappointed in its performance, but no one ever would call it a flop. And in any case, there's an entirely different group of people in charge now.
They still air the show. Daily on Toon Disney. So it must do fairly well for them, even today.
For more details check the archives and FAQ, but, yes, I do think there's a chance that Disney will someday bring the show back in some way, shape or form.
Yesterday, I made the following request at Station 8's Gargoyles Comment Room:
I really need some help. Without going into details about the why, I'd love to get the answer to the following question:
"WHAT ARE THE TOP FIVE REASONS THAT YOU ARE DRAWN TO THE GARGOYLES SERIES?"
We don't need fancy answers -- and of course there's no right or wrong answers -- so don't feel like you need to compose elegant
responses. Just RESPOND, please.
Also, please, spread the word around and have as many fans as possible stop by THIS WEEK and give their answer right here at the S8 Comment Room. It would be much appreciated. Very much appreciated.
Thanks in advance,
The responses so far have been very gratifying. I'm particularly impressed with how many people have stopped by the Comment Room that usually don't.
But (with good reason) I'm greedy. I'd like to get even more people to stop by. So please SPREAD THE WORD. E-mail/telephone/snail mail anyone you know who was EVER a GARGOYLES fan and ask them to stop by the Comment room and post their own personal top fives. We really, really, really need something akin to 100% participation.
Here's the address:
a lot of the stuff i see on here i dint understand.Is there a place where i can put all the pieces together!?!?!?!?!?!?!
Yep. The FAQ would certainly help. And so would the Archives.
(I've been told by Lurker, that I've been a bit snippy recently. Gonna try to improve on that.)
Sorry if something is spelled wrong!
Nothing is here.
But thanks for caring. It really is appreciated.