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In how much detail have you plotted the lifes of Macbeth and Demona in the years between 1057 and 1994? Do you know only some tidbits of their lifes (as for example the one you mentioned that Macbeth knew Shakespeare) or have you plotted them and their movements to some greater extent?
Did Macbeth and Demona meet any time between 1057 and 1995? Or was 'City of Stone' their first meeting after so many centuries? Did they meet the Weird Sisters again?
The Weird Sisters were watching them, but I think largely with maybe a couple of exceptions, they stayed out of sight.
Macbeth and Demona definitely had a handful of encounters over the centuries.
As for what I've plotted, well, as you said, I have a few tidbits and a sense of the sweep. But, no, I don't have a detailed account in my head of what happened to each character.
We all know that Demona hates humans, she sees them as being basicly lower on the food chain to Gargoyles...So what is her attitude towards the Fey?
Less overtly hostile. But she doesn't much care for them.
Is there a special story behind the flute of Puck that was seen in "Gathering, Part I"? Or the harp seen in "Lighthouse in the Sea of Time"? Were you planning to do stories on either or both of the two?
I had planned on using the flute in THE GATHERING, PART TWO -- and it's probably a mistake that I didn't. I wanted Puck to use it to temporarily subdue Oberon, but it got away from me somehow.
But yes, the flute definitely interested me, and I would have done something with it eventually.
The harp, I hadn't given any real thought to. But it could probably come into play down the road in Pendragon.
In an episode we see Goliath battling Odin, the Norse God. Later in the gathering story line, we see Odin as a Child of Oberon.Does this mean that in the Gargoyles universe, the Gods of the ancient Norse religion are children of Oberon? If so they really messed up on the whole not interfering on human affairs thing, I mean look whats happeneing in Norway now because of belief in Odin.
What's happening in Norway now because of belief in Odin? You mean right now?
Anyway, yes, Odin and the Asgardians are all of the Children. (Though, of course, they're not literally Oberon's sons and daughters.) As for the Non-interference edict, I think most of Asgardian mythology took place before the edict.
In "The Price," after Hudson escapes Xanatos's dungeon, Xanatos bitterly comments that he now has no one to test the Cauldron of Life's magic on. Ever the good servant, Owen volunteers and sticks his hand into the cauldron without a second thought.
Now, I know Xanatos isn't the most practical being on Earth, but couldn't he have just dipped one of his little lab animals into the brew, or even one of his lower-level lackeys?
Owen didn't give him the chance. I think Owen was feeling a little jealous of Xanatos' praise of the Macbeth robot. He dived right in, so to speak.
Of course, both men knew that "Owen" really had nothing to lose by dipping his hand. That's why both had such mild reactions to Owen's hand turning into stone.
The Magus and Puck look very similar...are the related is is that pure coincidence?
I don't think they look very similar.
Hello Greg, can you tell me the names of the three 'weird sisters'?
Thanks for your time in advance.
Again?
Phoebe, Seline, Luna.
In Norse mythology, Odin traded his eye (as well as a number of other nasty things that happened to him) for knowledge of the Universe which partly came in the form of 2 ravens known as "Thought" and "Memory". The fact that Odin is allowed to recover the eye and the notable absence of the Ravens in his first appearance suggests that he has lost the knowledge that he traded for. If this is true, what happened to the knowledge he received?
I wouldn't read the myth that way. I don't ever recall the Ravens as being part of the bargain. It seems to me they were his familiars already. Odin was a knowledge junky. He gained a ton of info by sitting atop his perch in Yggdrasil. That led him to Mimir the wise frost giant, who agreed to trade Odin's eye for a drink from his Well of Knowledge. (Am I getting this right? Someone backstop me.)
Anyway, it seems to me that the eye got away from Mimir (Hard to hold onto something after you've been beheaded.) Which means it is fair game for anyone to salvage, whether Xanatos, Fox, the Archmage, Goliath or Odin himself.
Don't read too much into the absense of the Ravens. As always, the list of what we didn't have time to include could fill a set of encyclopedias.
Resubmission:
If the show continued, would you might have introduced other mythology characters, such as Pegasus, unicorns, dragons (besides the stone one), etc. If so, would they be considered New Olympians or Fay? And would they speak?
Everything we did would be decided on a case-by-case basis. There's no way to answer this blanketly.
In the original Irish myths the Banshee's voice was used to foretell rather than cause deaths. I think that would normally make her in your universe one of the fays with magical talents connected to death - a minor death goddess perhaps.
In the episode 'The Hound of Ulster' though, her voice carries a different meaning (as a bringer of death rather than as a foretelling of it) which would not make her necessarily have a greater connection with death than any other fay. However she managed to recognize which one among millions of people was the reincarnation of Cuchullain. Is that a special talent of hers (signifying perhaps that she is indeed a minor death-goddess) or is that a skill that every fay has? Your take on this?
In my head, the Banshee's cry is a foreteller -- but for GARGOYLES purposes, it was an easy extrapolation to make it a weapon (and general magical tool) as well. We also wanted to get that Barghest notion of the Great Beast's howl, being a similar foreteller and so we simplified things a bit. (Hopefully not too much.)
The notion of the Banshee as a minor death goddess seems accurate to me. But it doesn't put her on Anubis' level. Lots of Children have the ability to bring death.
As for recognizing Rory, well, I think that has less to do with her connection to death than on their personal history. Recognizing him was something she'd go out of her way to do, because he posed a threat to her. (And for other reasons, that she's not even aware of yet.)
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