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hey greg
Do you know if gargoyles is gonna be on another chanel ecept toondisney
Not that I know of.
AHH! I need to know what Shakespear's The Tempest and King Lear were about my monday!!! HURRY!!! plez a breif discription 2 or 3 sentances for each :(
You wrote this on a Sunday?
Forget that I'm two years behind. How were you EVER going to get this answer in less than 24 hours?
Tempest: Guy and daughter are set adrift. Guy gets magic. Punishes his tormentors. All ends happy.
Lear: Dad has three daughters. Splits his kingdom between the nasty two. All ends sad.
Does that help?
No?
Good.
Yo
Long time watcher, first time question asker, I happen to be doing a research paper for colege concerning the literary references within Gargoyles (shakespeare and mythology). I was wondering what comments you might have concerning the way which you used these works. For example, your re-telling of McBeth in city of stone parts 1-4 is very different from the play. This makes sense because the play is an altered versain of the actual historical story to make it more entertaining as well as aceptable to the king of england. As i intend on focusing a majority of my paper to Mcbeth I was wondering how you went about combining history, shakespeare, and your own storyline. If you could make any general comments or speak about mythology in any way would be greatly apriciated. I ask not only because it would help my paper, but also it would be a personal thrill to even get a responce. I've known about this site for a while, but this is the first time i've had a decent question. Lastly, I know its quite possible this has been answered before, but i have not yet read all of the entries in the archives, you are creator and producer of one of my favorite cartoons of all time, how does one find themself in that possition of creater and producer? thanx for your time
Well, unless your paper wasn't due until 2004, I guess I'm too late to help you there.
Macbeth (with an "a" and a lower case "b") the play was indeed a major influence on our version of Macbeth, but we chose to follow the less-told tale that was the true (or truer) history. But we kept the Weird Sisters in it, and even a few lines of Shakespeare where possible. Plus of course we added the gargoyle race, weaving Demona in and out of Macbeth's story. Or rather, we weaved Macbeth's story into the tapestry that is the Gargoyles' Universe.
As to my background, I'd suggest checking the FAQ and coming back here if you have more specific questions that the FAQ didn't answer.
whats the story of some real gargoyles
As opposed to fake ones? Or fictional ones?
I don't understand the question.
Hi Greg. Looking over your G2198 responses, I picked up on something a little confusing.
You say that Samson, Delilah and Zafiro all learn Bushido in Ishimura. Then you say that Nick also goes to Ishimura to join the Order of the Guardian, and is trained in the way of the Gargoyle Warrior. I'm a little confused as to whether both groups are essentially doing the same thing--are the gargoyles *also* part of the Order of the Guardian? And yet you've referred to Nick several times as just "Guardian", as if he were the only one. So if you could please clarify this for me...
1a) Are Delilah, Samson and Zafiro also part of the Order of the Guardian? b) If not, are any gargoyles part of this Order? c) Is Delilah, Samson, and Zafiro's training in Ishimura completely separate from Nick's training? d) If so, were they able to meet in Ishiura, or do they only get introduced to each other later?
2a) I'm assuming that because it's an "Order", there must be more than one member, but because you've referred to him simply as "Guardian" (perhaps as in "the one and only"), *is* Nick the only one? b) If not, as a very rough estimate, how many would you say there are in 2198 before the invasion? ...a handful, dozens, hundreds?
3a) Is Ishimura the only training area of this Order, or is it one of many? b) If Ishimura is the only place the Order trains initiates, why was that particular location chosen?
4a) I admit I haven't done the math, nor am I sure of the life expectancy of a human living on Avalon, but is Thom, the original Guardian, still alive in 2198? b) If he is alive, does he help lead or train those in the Order? c) Is the purpose of the future Guardian(s) the same as the purpose of the first Guardian? (Thom)
1. There are two "academic" tracks in Ishimura. One for Gargoyles and one for humans, though they have many classes that overlap. Any and all gargoyles are admitted to the program in Ishimura, but the admissions process for Humans is very stiff. I picture lawsuits over the inequity. But the reasoning is that they are teaching skills that in theory can be used against them, so they need to be very careful about who gets these skills. Since (a) the admission process is difficult and (b) the course work is difficult, very few humans graduate to Guardian status. Nick is not the only Guardian, but they aren't a dime a dozen. Frankly, I doubt Nick met Samson for the first time in Ishimura, because I would think that the Maza family and the Manhattan clan would still be pretty tight. Samson probably met Nick more or less immediately after he was born.
2. Less than a hundred.
3. Ishimura has a long tradition of teaching Bushido to humans. In a global environment, it made sense to locate the school of the Gargoyle Nation in that location. Avalon was much less practical.
4. The purpose is the same, and Tom is the clear inspiration for the Order. I'm not going to reveal whether or not he's alive. Mathematically, it is possible. Assuming Tom spent nearly all of his remaining life on Avalon, he'd be biologically 62 in 2198. (As opposed to biologically 54 in 1996.) But that's no guarantee of survival.
Would we maybe see Jesus in an episode?
It isn't likely.
Siren writes...
Well, first off, Smart Ass answers are my favorite...But I can't pick one, so here are just a few of my favs.
Airwalker writes...
In the 'ONCE UPON A TIME...' segments you've done, we've seen why Malcolm would need to ally himself with a Gargoyle clan. But why would Hudson want
to ally himself with Malcolm?
Greg responds...
Patience, grasshopper...
Scott Iskow writes...
That last question of mine got me thinking...
Are there flying pigs in the Gargoyles Universe?
(Believe it or not, that's actually a serious question. Go fig.)
Greg responds...
I've got the bacon, do you have the catapult?
ndrew writes...
In the episode the gathering (part 2) what did titania whisper to fox at the end of the episode. I have been wondering this for a long time.
Greg responds...
You and what army?
Oh, yeah. That army. <WAVES> "Hi, guys!"
Heidi Doeing writes...
I don't think, despite your multiple attempts to evade the question, that anyone will stop until the real answer is given:
What did Anastacia whisper to Fox?
( ;) just thought I'd try again)
Greg responds...
You misspelled Anastasia.
Greg responds...
Yeah, those are pretty fun. Particularly the middle two.
The last one's a bit feeble.
And the first is just a famous reference.
recorded on 03-02-01
Were you calling me feeble or your response?
Just curious. And I have a cousin named Anastacia and that's how she spells her name.
I was most definitely calling my smart-ass response feeble. Couldn't think of anything funny to say, so I just attacked your spelling. Which by your lights, wasn't even wrong.
So that makes my answer even more feeble.
Hi Greg
I have a few questions regarding gargoyles 2198…
1) You once said that CGI would be ideal for 2198, care to elaborate. Do you feel that certain visual aspects would be best represent in GCI or do you figure people will naturally equate aliens and such with CGI.
2) A lot of the plot lines in 2198 seems to depend on the viewer being familiar with the original Gargoyles series and would be near incomprehensible to a new viewer. I mean how would you explain stuff like the Owen/Puck and Alexander IV relationship without regurgitating a complex and confusing back-story. (I know it doesn't seem confusing when you actually watch the show but it's not the sort of thing you can relate in a few minutes of exposition). So have you given any thought on how you would bring a new viewer up to speed?
1. The subject matter of the show, being more science fiction driven than fantasy, suggests to me that the things that are relatively easy in CGI animation -- as opposed to the things that are difficult and therefore expensive in both dollars and man-hours -- would be high-lighted more than in the old series. I'd be happy to do 2198 in either CGI or cell or a combo. Frankly, whatever I could get. But to the extent the show has been developed, it was developed so that CGI would be an economically feasible option.
2. Yes. Mostly, by taking nothing for granted. Let me use Owen as an example. New viewers meet Owen for the first time, perhaps in a scene talking to Alexander. They don't know about Puck. They don't need to know about Puck. He's simply Xanatos' advisor. (Does this scenario sound familiar to anyone?) After Xanatos' abduction from Earth, Owen can't change into Puck. Since he can't change he doesn't. Since he can't and doesn't, he doesn't talk about it, because it's a non-issue. So no new viewers are confused. Sure the old viewers know that this guy is Puck, but hopefully they'll understand why he cannot change (i.e. he can only change to teach or protect Alex. He's already failed in the latter and Alex isn't around for the former, so he cannot change). Their (inside) knowledge hopefully enhances their viewing pleasure. They understand Owen's frustration and its ramifications more. But there's nothing to distract the audience that is new to the Gargoyles Universe -- until we are ready to reveal things anew.
Does that help?
I would like to ask a producer his view on what an aspiring director and/or producer should major in college? Should it be filmmaking? Or media arts? Or is it something else all together? Thanks!
Two years later, I'm guessing my answer comes late. And I'm afraid you didn't provide me with enough information. I assume we're talking about Animation, right?
I'm a producer, and I majored in English w/an emphasis in Fiction Writing. But a director (as opposed to an animation director or a voice director) ....
I don't know.
Depends on the programs available....
Something I've been thinking of regarding the proposed Timedancer spin-off. If Brooklyn spends 40 years bouncing back and forth through time then after the first few years, he probably realises that the phoenix gate keeps appearing in front of him. Now the problem starts when he meets Katana and they have Tachi because they would have to keep in close proximity to Brooklyn at all times just in case. This would mean effectively zero privacy, I mean what happens when Brooklyn and Katana want to "do it", do they just toss Tachi a blindfold and tell her to stick his talons in her ears?
Tachi doesn't hatch until after the ride is over, but there's Nash and Fu Dog to consider.
After a few years of this, Brook's attitude toward the Gate changes. Pretty much a 180 from the way you see it changing.
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