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Cam writes...

Hello,

I hope this question doesn't sound too nitpickey, but, I've been reading the archives and came accross something of aninconsistancy. I'll start off by refreshing your memory of this exchange beyween you and another poster:

"matt writes... what would happen at dawn if Demona put on a Mayan sun amulet? would she turn to a human or remain a gargoyle?"

"Greg responds... I think she'd turn human. But I don't think she'd be able to nap."

Now, you've also said before, when refering to magic, that Children of Oberon magic (ie. Puck's spell on Demona) does not mix with mortal magic (ie.the Myan Amulets)...and that both types of magic cannot be used at the same time or on the same object (ie. on Demona during the day), or the results would be disasterous.

My question is, in this specific scenario, why would both magics affect Demona (Puck's spell turning her Human & the Amulet preventing her from sleeping) without something more disasterous than a bout of insomnia?

It seems to me that, if anything, the magics would cancel each other out and she would remain a Gargoyle and turn to stone.

Greg responds...

I think it's fairly clear I was joking, when I wrote: "Greg responds... I think she'd turn human. But I don't think she'd be able to nap."

As for the actual answer to the question, my current answer is that it seems like a highly unlikely scenario, and I'm not particularly interested in hypothetical questions. But if it were to happen, I'd have to answer with NO SPOILERS.

Response recorded on July 22, 2016

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Vinnie writes...

How many magical talisman has Demona found in her long life time?

Greg responds...

I don't have any desire to assign a hard number at this time.

Response recorded on April 09, 2014

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Vaevictis Asmadi writes...

Hello Greg,

I questions about magic in Gargoyles. To quote an older question:

<<1.What kind of magic powers the Holy Grail? Fay magic? Location magic?>>
<<Greg responds...>>
<<"1. There are other categories. Talisman magic for one.">>

I'm guessing there is much to this that we don't know. I'm a bit confused because in other responses, you identified certain talismans as being of one specific type of magic or another: for example the Phoenix Gate and Eye of Oberon are said to be Third Race magic; the Maya amulets are mortal magic; and the Grimorum was seemingly mortal magic, since it could not be (safely) taken to Avalon, and I think you said it was created by the Roman Magus.

1. What is meant by "talisman magic" in the Gargoyles verse? It seems that this means another form of magic other than to mortal, Third Race, and ghost magic. Does it mean that some talismans are neither mortal nor Third Race in origin? Or that talisman magic as a category doesn't depend on who/what made the talisman?

2. The Weird Sisters, on Avalon, said (paraphrase) "No magic may enter here, save Avalon's own." Does that mean that ghost magic and Space-Spawn magic can't be brought to Avalon? Or does it only apply to mortal (gargoyle and human) magic?

Thank you for talking to us.

P.S. I am really looking forward to the Gathering coming to CONvergence next year!

Greg responds...

1. Well, there's what the thing is and what the source is for what the thing is. And there's also things that are the embodiment of other things. I don't really want to narrow the scope too much outside the context of a story.

2. I haven't thought much about this, honestly.

See you at CONVERGENCE! We can discuss this more there!

Response recorded on January 21, 2014

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Paul writes...

I have a couple of questions about the "teleport to Avalon" spell cast by the Magus and later Tom in "Avalon, Part One".

Tom was able to cast the spell without using the Grimorum. Can anybody who knows the incantation cast the spell, or was Tom a special case because he had previously seen and heard the Magus cast it from the Grimorum? Or was he a special case for some other reason?

Did Elisa, Goliath, and/or Angela cast the spell to return to Avalon during their World Tour, or did the boat take them back to Avalon on its own?

Greg responds...

Hm. Good question. I'm going to posit that this was a very powerful spell, needing only an aural component. Once learned, it worked without assistance.

Response recorded on August 09, 2013

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Matt writes...

Hey Greg.

In "Heritage" Natsilane battles Raven using a shield and spear. In the course of the battle, we see Nick wield the shield almost as if it was a magical force field and he shoots some sort of lighting bolt from the spear.

Are the spear and shield themselves magically powerful? Or are the just ordinary battle gear that have channeled magic because they are being used by Natsilane the Chief of this Haida tribe? In other words, is the magic coming from the tools themselves or from Natsilane due to his heritage?

Thanks Greg!

Greg responds...

How about all of the above?

Response recorded on November 23, 2010

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Anthrokid writes...

For the Mayan Clan, those who wear the magical prevention-turn-to-stone pendants, how does sleep work for them, or is it no longer needed? Also, to follow this how do they contain their gargoyle strength with out stone sleep?

Greg responds...

See the archives.

Response recorded on December 08, 2009

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Geoff writes...

Why didn't the Magus just throw the Grimorum into the body of water the group was in before entering Avalon or burn it with a torch before entering Avalon, instead of forcing Finella to go into a life of hiding from Constantine and forcing Mary to do the same AND abandoning her son?

And, how could Mary just abandon her son like that? I mean, I've heard of the "Parental Abandonment" trope being used for the sake of good drama (and it did turn out to be good drama in Gargoyles), but I find it a little ridiculous that she believed that leaving her only son at such a young age was the best course of action.

Oh, and here's that trope if you're interested (I <3 TVTropes):
http://tvtropes.org/pmwiki/pmwiki.php/Main/ParentalAbandonment

Greg responds...

Destroying the Grimorum isn't that easy. And given that fact, the need to protect it and thus protect Tom from being attacked on Avalon by Constantine made Mary's decision necessary. It wasn't abandonment at all. It was her staking out a defensive position to protect her son.

Response recorded on November 04, 2009

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G2009 Radio Play

G2009 Radio Play - Act Three

672. NARRATOR
Act Three.

673. DEMONA
Norman Osborn was a fool. So obsessed with the power of science, he kept the Crown of Thorns in this vault as if it was just another souvenir â€" albeit an expensive one â€" to hang upon his wall. But with the Crown and the Spear of Destiny together, I now have the power to force all of humanity to its knees.

674. GOLIATH
These are Christian icons, Demona. Not every human being is a Christian.

675. DEMONA
Not every human being speaks Latin, but that didn’t stop me from using a Latin spell to turn a city-full of humans to stone. The magic I wield is potent beyond measure. Mine is the Kingdom and the Power and the Glory. No human may resist. No human will be spared. None will be spared who oppose me. Just look at this fool…

676. GOLIATH
Her name is Obsidiana.

677. DEMONA
Of course it is. For she wears the mystic Obsidian pendant fashioned by human sorcerers. Even that is enough to put her in my thrall. She has relinquished her gargoyle birthright.

678. GOLIATH
I have relinquished nothing.

679. NARRATOR
Demona waves the Spear of Destiny, and Electro rises and blasts Goliath back into the wall.

680. GOLIATH
<impact>

681. DEMONA
Yes, I’m surprised you’re unaffected… since you reek of humanity. The stink of your human whore is in your hair, on your lips, everywhere. And nothing in this world will give me more pleasure, Goliath, than watching your detective on her knees to me, as she draws her service revolver and thanks me with tears of joy in her eyes… before gratefully blowing out her own brains.

682. GOLIATH
(coldly furious)
That will never be.

683. DEMONA
No? My power expands with every second. I doubt she’s far away.

684. GOLIATH
You will not harm Elisa.

685. NARRATOR
Goliath advances on Demona. Electro blasts away, but Goliath will not be stopped…

686. DEMONA
No one ever said you weren’t persistent, Goliath. But what do you hope to gain?

687. GOLIATH
(through gritted teeth)
I will turn these forces back upon you.

688. DEMONA
Impossible. I am the last true gargoyle left on this world. The Crown’s magicks cannot touch me.

689. GOLIATH
So you believe. But I am not the only one who reeks of humanity. Am I… Dominique?!

690. NARRATOR
Goliath grasps the crown. The thorns bite into his hands, drawing blood. They struggle for control of the immense power…

691. GOLIATH, DEMONA
<roaring to the heavens>

692. SPIDER-MAN
<moan>

693. NARRATOR
Goliath’s intervention â€" and his complete immunity to the Crown’s effects â€" creates the smallest of fluctuation in Demona’s control. In a haze, Spider-Man lifts his arm…

694. SPIDER-MAN
Thwip.

695. NARRATOR
He shoots off a web, yanking the bloody crown from Demona’s head.

696. DEMONA
Noooooo!!!!

697. NARRATOR
There is a massive explosion of mystic energy and light! Demona, Goliath and Electro collapse.

698. GOLIATH
<moan>

699. SPIDER-MAN
Goliath…

700. GOLIATH
The Spear… the Crown…

701. SPIDER-MAN
Gone. I think they… blew up. Calypso’s gone too. But I’m betting that’s just a talent of hers. And I’d guess she’s taken Kraven and the pussycat with her.

702. DEMONA
<unconscious moan>

703. SPIDER-MAN
But the Big Bad’s still here…

704. GOLIATH
(sadly)
Leaving behind, as always, nothing but a handful of thorns…

Goliath, Spider-Man and Demona sit. Jonah, Elisa, Matt and George STAND.

705. NARRATOR
While Goliath helps Obsidiana, Spidey webs up Demona, Electro and Ock. In the outer vault, Zafiro and the Trio recover, finding only an unconscious and de-venomed Eddie Brock. Outside, the bad guys have all been beaten. Goblin and Vulture, their tech badly damaged, barely manage to fly away. Carnage and Jupiter are once again Cletus and John.

706. JONAH
I’m here, Johnny. Your old Pop’s here…

707. ELISA
Matt…

708. MATT
Call an ambulance, Elisa. Old Man Dracon said something about seeing a light. Then he collapsed. A stroke or something. I’ve been giving him C.P.R.

709. ELISA
Matt… Matt! You can stop. Stop. He’s gone.

710. GEORGE
You’re gargoyles are flying off, Detective.

711. MATT
(breathing hard)
Really? Not sure I see ‘em myself. But is that Spidey web-slinging away?

712. GEORGE
You think? I must have missed him?

Margot STANDS.

713. MARGOT
Are you all blind?! They’re right over there!

714. GEORGE, MATT, ELISA (UNISON)
Oh, give it a rest, Margot…

Elisa, Matt, George, Margot and Jonah sit. Peter, May, Harry and Gwen STAND.

715. NARRATOR
Back at the bus…

716. PETER
I’m back. And not a single decent picture to show for my efforts.

717. MAY
Well, you tried your best, Peter. I’m sure Mr. Jameson will appreciate that.

718. PETER
Oh, yeah. He’s a sweetheart that way.

719. NARRATOR
Emily Osborn watches as her son finally emerges from the bathroom.

720. GWEN
Harry?

721. HARRY
Hey, Gwen. I feel much better.

Harry, Gwen, Peter and May sit. Jonah and Robbie STAND.

722. NARRATOR
Later that night, at The Bugle…

723. JONAH
Whaddayou mean I can’t publish it?! How else can I make them all pay for what they did to Johnny!

724. ROBBIE
You can’t publish because the authorities refuse to comment. We have no pictures or statements to corroborate a story that includes gargoyles, a dead Green Goblin and everything except the kitchen sink. No one will believe it. I was there, and I don’t believe it! Print this, Jonah, and The Bugle becomes the next Daily Tattler.

725. JONAH
Ms. Brant, call the bomb squad. BECAUSE I’M ABOUT TO EXPLODE!!

Jonah and Robbie sit. Gwen, Peter, Kong, Curt, Harry, EMILY OSBORN and Mary Jane STAND.

726. NARRATOR
Later still, aboard OsCorp’s private jet en route to Miami…

727. GWEN
I still can’t believe we ran into you in the airport parking lot, Doctor Connors.

728. PETER
Yeah, and we’re so sorry you got mugged.

729. KONG
Dude, they took your shoes?! That’s hilarious! <laughs>

730. CURT
Yes, well, I just really appreciate the ride back to Florida…

731. HARRY
Anytime, Doctor C. Anytime.

732. EMILY
Harry, could I have a moment… in your father’s office?

733. HARRY
Uh, sure, Mom.

Curt, Kong and Gwen sit.

734. MARY JANE
Pete, help.

735. PETER
What’s wrong?

736. MARY JANE
Tiny. Cute enough, but it’s like talking to a tree stump.

737. PETER
Tried to warn you.

738. MARY JANE
Just say we’ll spend the week as a threesome, okay, Tiger.

739. PETER
Sure!

740. MARY JANE
Not that kind of threesome.

Mary Jane and Peter sit.

741. NARRATOR
Meanwhile, Harry follows his mother Emily into the jet’s private office.

742. EMILY
I know you were playing at being the Goblin, Harry.

743. HARRY
What?! Mom, that’s crazy! I was in the bathroom…

744. EMILY
Don’t lie to me, baby. You hired the worst chauffer in the city to delay our progress. You had a secret hatch installed in the bus bathroom, so you could slip in and out undetected. And you left a pre-recorded “vomit tape” with voice recognition software. All very impressive for a sixteen-year-old. But you need to understand… the Green Goblin is not what your father wanted for you.

745. HARRY
I have no idea what Dad wanted for me…

746. EMILY
Then let him tell you…

747. NARRATOR
She slips a DVD into the computer and Norman Osborn appears on screen…

NORMAN OSBORN STANDS.

748. NORMAN
Harry, my son. If you are watching this, then I am dead. And I have instructions…

Norman, Emily and Harry sit. Big Man, Blackie and SHARI STAND.

749. NARRATOR
Meanwhile at the Big Man’s office, he and Blackie Gaxton are visited by Shari, a young woman wearing a pendant depicting an eye atop a pyramid…

750. BIG MAN
Thirty-six.

751. BLACKIE
Thirty-five.

752. SHARI
Nine. Any problems?

753. BIG MAN
Not particularly. Ms. Destine was ready to believe I could find Dracon and the others useful.

754. BLACKIE
And that faux Goblin was happy to believe I’d been fooled into thinking he was the real thing.

755. NARRATOR
Blackie removes his false face, revealing that he is actually the Chameleon in disguise.

756. CHAMELEON
Just as he was happy to believe I was the real Blackie Gaxton. But I’m still not sure why the Society wanted all this…?

757. SHARI
Isn’t it enough to know the Illuminati appreciates your efforts?

CHAMELEON and Big Man sit. THAILOG, BRENTWOOD, Homunculus #1, Homunculus #2 And Homunculus #3 STAND.

758. NARRATOR
Shari leaves Lincoln’s office and pulls out her cellphone…

759. SHARI
Dial Nightstone Unlimited.

760. THAILOG
Alexander Thailog.

761. SHARI
The Spear? The Crown?

762. THAILOG
Waiting for you to send to Duval.

763. BRENTWOOD
Brentwood capture little robot. Use it to control other little robots. When bright light shine, robots take spear and crown.

764. SHARI
Lovely.

765. THAILOG
What should we do with the Homunculi?

766. SHARI
Set them free. Maybe they’ll get their own series some day.

767. HOMUNCULUS #1
Free, free, set them free…

768. HOMUNCULUS #2
On basic cable and DVD…

769. HOMUNCULUS #3
Jazz hands!

Homunculus #3, Homunculus #2, Homunculus #1, Shari, Thailog and Brentwood sit. Elisa and Goliath STAND.

770. NARRATOR
At the castle, Elisa’s cell rings.

771. ELISA
Maza… Yeah, Captain Stacy said you might call. Sure, he’s right here.

772. NARRATOR
She hands the phone to Goliath, who doesn’t quite know how to hold it. She takes it back and puts the call on speaker.

773. GOLIATH
Hello…?

Spider-Man STANDS.

774. SPIDER-MAN
Hey, Goliath. It’s your Friendly Neighborhood Spider-Man.

775. GOLIATH
You protect your… neighborhood.

776. SPIDER-MAN
Just like you do the super-hero thing without the tights.

777. GOLIATH
Spider-Man, I think this is the beginning of a beautiful friendship.

778. SPIDER-MAN
Hey, I was just gonna say that. You saw that movie too?

779. GOLIATH
Movie?

780. ELISA
God, I love you… <kiss>

Elisa, Goliath and Spider-Man sit. Kafka STANDS.

781. NARRATOR
And finally â€" yes, finally â€" we end where we began. In the offices of Dr. Ashley Kafka at Ravencroft. She’s on the phone to her Board of Directors.

782. KAFKA
After all that tsuris, little has changed. Otto and Eddie are still disassociative. Max still needs a cure, and John still wants power. Cletus? He just keeps repeating, “I got a taste now,” over and over. Yes, we lost Dominic, I’m afraid. But we do have a new patient…

Dominique STANDS.

783. KAFKA (CONT)
…Dominique Destine.

784. DOMINIQUE
Just wait until the sun goes down…

Dominique and Kafka sit.

785. NARRATOR
The End.

THE END

NEXT: I finally get back to answering questions...


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Vaevictis Asmadi writes...

Following up on what Clark asked, how is that such a powerful artifact, the Phoenix Gate, is used by such a simple incantation that even Goliath, certainly no trained sorcerer, quickly learned it? Maybe I'm conditioned by role-playing games to assume that more powerful magic will always be harder to learn than the weak magic, but it seems quite strange to me that the Phoenix Gate incantation, and for that matter the incantation to enter Avalon, are so easily learned when they seem to be quite powerful spells.

Greg responds...

It has to do with the nature of the Gate and of Avalon. I don't want to go into too many details (particularly on the former) when we're so close to the release of the Trade.

Response recorded on July 02, 2009

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NOVEMBER 14

This day in Gargoyles' Universe History....

November 14th...

1995
After another shift, Elisa returns to the Clock Tower just before sunrise, where she's confronted by Demona and witnesses her change into a human being. Demona challenges Elisa to save the gargoyles. Meeting the challenge, Elisa shows up at Belvedere Castle at high noon to confront the trio of villains. Elisa fights the human Demona, while Othello and Desdemona internally challenge Iago. Othello wins control of Coldstone's body and turns against Macbeth, who is forced to flee with Demona. Coldstone, fearing for the safety of his clanmates as long as Iago exists within him, departs Manhattan. Back at Macbeth's mansion, the Weird Sisters reassert their control over Macbeth and Demona, revealing that they were behind the theft of the three magical objects.

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