Harlan Phoenix writes...

Only two episodes of your run on WITCH, namely the first and last, have your writing credit (if my research is correct). Was there anything about WITCH's production that prevented you from contributing more scripts personally or was it a creative choice?

Sophie writes...

I love how badass Aqualad and all the other Atlantians are on YJ! Usually, Aquaman is considered kind of a joke by a lot of people, but you made them so cool and powerful on the show, which is great. I was wondering, was some of the water controlling powers Aqualad use inspired by Avatar: The Last Airbender?

Charlie writes...

Hey Greg
I heard that you wrote the lyrics for the will to love and even though the full song was never released, the lyrics for the full version were released. recently i have been learning the song by ear and have been making a tab for it. the one problem is that even though i can learn almost all of the song from 'S is for Self' the bridge is quite a problem for me. i would be quite happy to create my own chords and melody for it but i would much rather write it with the correct chords and melody. i was wondering if you would know any of the chords from the bridge or know anybody who might know them? just the chords will do because i will be able to create my own melody ontop. Please don't just look over this question as this project means quite alot to me as it is my first one.
Thanks!
Charlie

Harlan Phoenix writes...

Though I know your mind isn't the kind to play favorites, but given how you acknowledge The Mirror as your favorite/the best episode of Gargoyles, I think this might be able to fly.

Do you have any particular episodes of WITCH or The Spectacular Spider-Man that, if it wasn't your favorite necessarily, you felt was the best of those shows? And for what reasons, if so?

Matthew writes...

This is about pretty much all the series you've worked on. I've noticed that most of your series has a large cast of recurring characters (and that despite this characters tend to be very well delineated.) Now for Young Justice, WITCH, and Spectacular Spiderman that may be just because they were pre-existing properties and already have large casts. However, Gargoyles also had a large cast.

Was this a because of conscious choice?

Do you perfer working with a large cast of characters?

Greg Bishansky writes...

I know I wrote to you about a year ago with some thoughts on “W.I.T.C.H.,” but I just went through the series for a second time, and rather than just watch it, I was able to study it, catch all the clues and pieces of foreshadowing and other things that I missed.

Last year, it took me two weeks to make it through the first season, and twenty-four hours to make it through the second season. This time, well, I wanted to let the second season breathe a little more, which is why it took twenty-seven hours to make it through this time.

What can I say, it’s addictive.

I think I’ll start with the large cast, which seems to be a feature in every series you produce. I don’t feel like anybody got the short end of the stick. Will, being the lead, of course got the most time. Everyone else was well balanced also. Casts this big can be pretty hard to juggle. Five main characters, and so many supporting characters, recurring characters, villains, etc.

Irma was probably my favorite of the Guardians. She just had so much spunk. A huge sense of humor. I enjoyed how she often seemed like she would be the most fun to hang out with, but at the same time, probably the meanest when she was in a bad mood. Cornelia at her worst has nothing on a pissed off Irma. Very scary. God help you if you push her to anger. I’ve known people like that in real life, but I find that TV seldom ever does it well. So I have to commend a series that can take someone so likeable and make them nasty without losing their likeability.

The theme of the season seemed to be growing up. Hay-Lin and Taranee change and grow the most this season. Cornelia does well too, learning to be a better sister to Lillian. Will growing in her powers, as a leader, in her relationship with her parents, and their new love interests, and in her own relationship with Matt.
Ironically, Irma seems to change the least over the course of the season, but that’s okay, because she still got a lot of characterization.

Surprising nobody, my favorite character in the series was Nerissa. She always kept me guessing. Going through the series for the second time, I could really see her master plan and all the pipe-laying for her. I probably shouldn’t mention season one, but I paid much more attention to Trill this time, as well as the Mage. Nerissa just seemed to be everywhere, pulling everybody’s strings. I liked the twist that she wasn’t really out for vengeance, which is a twist that made sense. Watching it the first time, I asked myself why would she want to avenge Phobos, she wasn’t there. Well, she was, but you know what I mean. The Knights were all a distraction, and the second time, that seemed much more obvious. But I enjoyed how cold and intelligent she was. She was always scheming; always Machiavellian; and two steps ahead of everyone; all the while carrying around a mountain of repressed guilt. I once described her to a friend with the following words: “imagine if Xanatos and Demona had a baby together, that child would be Nerissa.” I thought Kath Soucie did a magnificent job.

I must also say that the twist that Nerissa was Caleb’s mother was brilliant. As I understand it, this was not the case I the original comic book. But I enjoyed it; I thought it worked quite well. It also made things even more chilling in that, when you think about it, she essentially raped Julian. Rape by deception is still rape, and that’s not something you see often in a cartoon. It almost reminds me of Merlin helping Uther deceive Igraine in order to create King Arthur.

And then there was Prince Phobos. It’s impossible to discuss what was done with him in the second season without talking about the first. I thought he was pretty one note throughout the first season, but season two did something far different with him, and you really felt how this guy could have held the entire world of Meridian under his control for so long.

I felt the same way about Lord Cedric, he got old really fast in the first season, and when he finally gets out of his cell in season two, he’s not doing much that he didn’t do in the first season until what had to be the shock moment of the entire season. I won’t say anymore, but it was nice to see a character I thought so poorly of get that moment. What inspired that twist, I wonder.

The Shagon mini-arc was very well done too. It seems to be a theme in Weisman produced shows to have a character change into something else, all under the control of a villain. David Xanatos turned Derek Maza into Talon; the Green Goblin turned Mark Allan into Molten Man; and Nerissa turns Matt into Shagon. What I also enjoy is just how different each of these scenarios really are. Shagon was a nice personal antagonist towards Will. As I understand it, this is another case where the TV series deviated from the comics for the better. Turning Matt into Shagon just gives that character a lot more chemistry with our heroes than he otherwise would have had.

Would I have liked to see a third season? Sure. But aside from the mystery of who this new teacher was, I thought it was all wrapped up very well, and didn’t leave me “needing” to see more the same way “Gargoyles” and “Spectacular Spider-Man” did. It was great television, and I’m sorry I didn’t get to see it when it was originally airing.

Harlan Phoenix writes...

When working on WITCH, did you ever meet or otherwise communicate with the creator of the original comic?

Laura 'ad astra' Sack writes...

Silly little question- Do you ever feel the urge, (or give into the urge), to slip something into a script purely because you know something about the actor? Like writing a song into a scene because you know the actor sings, (but maybe not telling them that they're going to be doing Sondheim or Gilbert & Sullivan till after they agree to sing 'some ditty'), or make them speak a foreign language because someone is fluent (but perhaps has a horrid accent)? Someone has a great cackle? Find a reason to have it come up. Someone is afraid of canaries? Put on on the character's shoulder for the whole episode. etc The only example I can think of now would be to have M'gan spout a long series of made up equations to see if Danica McKellar's head explodes in the face of nonsensical math. (Or replace of a series of made up equations with her own theorem at the last moment and wait for her to notice.)

Or does "Jalapeno!" qualify as such evil?

Jamie writes...

Hey greg,first of all, you're awesome, i remember when i was only 5 and i would re enact your gargoyles haha good times.

If you were to compare Young Justice and your other works, would young justice be in the top 5?

How many views are you having on Young justice ?

Edward writes...

Is the Green Arrow short in continuity with Young Justice since you were/are involved with both?