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Well, I'm taking off tomorrow for Vegas. I'll be back here in August to post my Gathering Journal. Don't forget to post yours too!
Gorebash is going to be opening the ASK GREG posting function in the next day or so. Specifically, that's because I'm hoping that a whole bunch of you will post your Gathering Journals, Diaries, Notebooks, etc. right here.
It helps to have a central place for industry types to read this stuff. Plus I like to read it all.
I'm told we have 170 people pre-registered for the Gathering. So my goal is to get 100 Gathering Journals up on this site in the next couple weeks.
During this period, we'll also be open for questions, but I urge you not to post a question lightly. I'm still backlogged nearly two years worth.
Thanks in advance,
Hi, Greg it's Lovel again. I wanted to apologize to accidently posting twice. I didn't know how it happened. So I wanted to apologize for making you read my ramblings twice,*snicker*. With that said, I guess I want to add something that I forgot to put in my other posts.
It REALLY irritates me when fans refer to the Wyvern and Ishimura Clans as "GENERIC" Gargoyles. Being a intense Biology nut I fully see the differences between the two clans, and being a Anthropology student I can see the clear differences between the two clan's cultures. I see nothing similar about the Ishimura and Wyvern clans. I appreciate each distinct curve of their horns and the beauty of their wings, and tails. Sorry to post all that I just figured that it probably bothers other fans,lol. Thanks for everything.
I tend to agree with you.
Hi Greg, this is my first time posting a question am almost reluctant to do it because of the amazing volume of questions that all the other Gargoyles fan post. I guess it's just an amazing testament to the show.
First off I wanted to express my love and admiration of the show. I have been a fan since the show first came out and I was about 10 or 11. The best part of watching the show now is that all the subtle nuansces and social commentary that was slightly lost on me as a child is fully realized and appreciated in me as a college student.
Second, I wanted to say that I spent the last 3 days LITERALLY reading all the archives I could to find an answer to my questions....Some I found answers to and some I thought up as I was reading some of the other questions posted by other fans. Which is why I wanted to say what a wonderful resource this website is...so having said that it prompts this announcement "THANK YOU GORE FOR HOSTING THIS SITE!!"
Now, on to the questions. Okay you are probably going to flip when you read this one....yes it is yet another "Gay Gargoyle" question...so sue me I'm gay and it's a topic that staunchly interests me. I wanted to ask if a Gay Gargoyle would imprint upon his or her mate just as a Straight Gargoyle would? I only ask this question because I figured the answer would be "yes" since in all your other responses about Gay Gargoyles you indicated that there would be no difference between Gargoyles, Straight or Gay. But I figured that since this is your universe and that since you are the author of said universe that it would be highly unethical of me to assume something without asking the creator.
Now that I got my first question out of the way, I wanted to ramble alittle of how much my appreciation of Gargoyles has grown from reading the questions in this forum. I never knew any of the subtlies that existed in the show such as the stroking of hair and horn, the tradition of not naming things, the practice of the whole clan being the Fathers and Mothers to all the rookery children, and the wonderful Wind Ceremony that you went into detail here in the forums. This all highlights the amazing differences between Humans and Gargoyles. This intensely intrests me now that I'm in college and am a Anthropology student,(yes I do realize the oddness of the situation, a Anthropology student getting a kick out of studying culture that isn't that of man). I particularly love the not naming tradtion in Gargoyle society. Both of my parents are deaf so growing up my first language was Sign Language, not English. This put me in a unique position of knowing 2 names for everything, and knowing 2 different ways of expressing my own name. One being that of my spoken English name "Lovel" and the other being the expressed gesture of my Sign Language name (which I can't even express in writing becasue it is something you have to see instead of read). So when I read your response to a ramble of one of the fans that Hudson would have been put off by the odd tradition of giving the sky a name when it already has a name, and that he would think it odd of giving himself a name since he is already known as "Friend,Father, Mentor, Old Friend etc." This delighted me when I read it since it made me reflect on how my name is not really who I am and I never identify it as "ME". When I try and think of who I am I think in adjectives, kind, friendly, smart, jolly, the last thing that comes to mind is my name. I also enjoy knowing that I can also think of myself as a gesture instead of a spoken word or a sound. Having said all of that,(thanks for putting up with it for this long), my second question would be, How would a Gargoyle refer to the great Hudson in a story? To clarify you once repied that a Gargoyle would refer to another one in a story as "The one of Broadshoulders". This made me wonder how would the clan refer to Hudson in a story. For that matter how would Golaith be refered to in 2198? Would he be refered to by his human name of Golaith or would he have a Gargoyle "name" to which they would refer?
Thank you for your time and I appreciate everything you have done for all us fans. I also want to thank you for coming up with such an amazing universe and introducing it to everyone here. Thanks
I'm not entirely certain what you mean by "imprinting". But most gargoyles, gay or straight, mate for life.
Hudson wouldn't have just one name in the Middle Ages. "Broadshoulders" or the like, if used by everyone, would just amount to another name.
Different individuals would refer to Hudson by different callouts when necessary, including many of the ones you named above "Old Soldier" "Mentor" etc. "Friend". Mostly relationship driven things.
But naming once initiated is contagious and addictive. Goliath is Goliath is Goliath.
I've been waiting for a long time to ramble on this one.
I like this episode mostly, I think, because of how it deals with death, and even the personification of that concept. Anubis' change when going through the three personae really does reflect the faces of death: it can be horrifying and gruesome (Jackal-avatar), or it can be a peaceful release (Emir-avatar), and finally, outside of those faces, it just exists as a constant part of life (Anubis).
I thought Anubis was well done (and I cannot describe how thrilled I was to hear Tony Jay's voice in GARGOYLES). Actually, Mr. Jay also played an incarnation of Death (the Grim Reaper, in this case) in an episode of DARKWING DUCK (a slightly less dignified portrayal, but a fun one). At any rate, I also thought it was cool that Anubis talked without a mouth or any outward expression. In fact, he strikes me as the type of being who really doesn't care what form/name he takes on. I could be wrong on that count, but he seems to take his office very seriously and place it above all other concerns. I, too, felt it was out of character for him when he laughed in THE GATHERING part 1.
On a tangent, here, Greg, I feel I must disagree with your description of laughter as "petty." I, for one, think laughter to be one of the best things there is in life--heck, I watched "Treasure of the Sierra Madre" last week and one of the best parts is the laughing at the end (I'll say no more for fear of spoiling it). Anubis, of course, is one who for ages has been "guardian of the gate" so he would be less likely to laugh at anything in this world (certainly not at the Banshee falling on her bum), but I still don't think that in any way diminishes the "power of laughter," if you will. Of course, I could have just been reading too much into that statement. Okay, enough out of me on that.
I was VERY surprised to see the Emir actually appear. I had always figured (as I have said in earlier rambles) that Xanatos' dealings with the Emir would be something of a running gag, always in the background of the series. Instead, he turned out to be a person with a past and an agenda all his own. I don't condone his actions here, but I do understand, and even sympathize with him. I cannot fully know his pain, that of losing a child (and I pray I never find out), but I have lost family and friends over the years, and felt the wish to turn back the clock, if only for a little bit. Tony Shaloub did fantastic work here. I especially like his one line: "To hold [my son] again...I would move Heaven and Earth with my BARE HANDS!" Indeed, he seems to be doing that. I may be wrong in assuming the Emir is Islamic, but if he is then calling up a deity of the Egyptian pantheon shows just how desperate and determined he is to regain his son.
Okay, now let's back track and start at the beginning.
I was glad to see the Pack again, though a little disappointed that Dingo wasn't among them (I was starting to find him the most interesting), but then he always did seem to be the odd one out. Coyote's new design was cool, and I was glad the head was still there (though I was puzzled, since last I saw it was smashed--now I know it's an image). My eyes widened at Hyena's line to Coyote, "Wanna make sparks fly?" That had to be one of the most sexually tilted lines I had ever heard in the series. And then there's Jackal's look at the Anubis carving. I know Jackal liked Anubis for being jackal-headed, but I sometimes wonder if the connection to death might not have sweetened the idea.
The old "hidden temple in the Sphinx" concept. I know it was at least used in an old computer game before GARGOYLES came out, but is this an idea that dates even further back?
The travelers arrive, and Angela describes the Sphinx as the world's "biggest gargoyle" (and yes, I did expect that connection to be made!).
I looked at the scene where Goliath spys on Coyote and from what I can tell the face is in the bubble. Also, Coyote and Goliath seem to press the same carvings--maybe that got fixed in later airings?
Shortly thereafter a battle ensues. Jackal and Hyena, with their prediliction for blades, are still unnerving. I love the little "Uh-oh" Elisa says before Coyote knocks her out.
One more thing about Anubis, here. It always fascinates me how he refers to death as a "boon." Actually, his lines about death really got me the first time I saw this ep. It actually made me think about the nature of death and look at it in a slightly different way.
The Pack has some nice interplay with each other in this ep. Pity it's the last we'll see of it for a while--a fact I didn't really pick up on until the second or third viewing. The Pack had always been a group (except for HER BROTHER'S KEEPER, where it was Jackal and Hyena), and them splitting up was as unthinkable to me as the Manhattan clan splitting up. But I digress....
Jackal to Coyote: "You're not exactly Mr. subtlety." And the understatement of the year award goes to.... :-)
I agree that a great opportunity was missed by not having our heroes get blasted and survive. It would have really driven the magnitude of the situation home. However...even as I think of that, I can't help but wonder if their bodies could still be damaged, which may open up a whole other can of worms. Ah well, it's all moot now.
I knew Jackal would try to take the Emir's place as Anubis' avatar. I thought it was a great job with the character design and voice mixing--not only did I like having both Anubis and his "vessel" talking at the same time, I kind of expected it. It seemed right.
Jackal-avatar's attitude and use of power are indeed chilling. Heck, by the time he ages Elisa he's doing it just for fun (she wasn't even moving to attack him). The skeletonized crocodiles were pretty eerie, but that WHOLE TOWN (obviously inhabited) being wiped out was horrifying. I had wondered for years if Emir-avatar had been able to undo that damage. Now I know that he couldn't...and that makes the whole scene all the more disturbing.
I never picked up on Jackal using the promise of reuniting the Emir with his son as Jackal's way of keeping the Emir from stopping his fun--I always took it that Jackal would kill the Emir last of all. But now the Emir's refusal to act sooner makes more sense to me.
Goliath anashamedly refers to Angela as his daughter here. He doesn't do it to her face, but still....
The Emir-avatar's design is cool, too. I especially like the soft blue eyes (as opposed to Jackal-avatar's one ghost-white eye and Anubis' glowing red eyes).
Backing up, again, I like the "black light" energy that Jackal-avatar gave off. I had always wondered how something like that would be accomplished, and this was a pretty darn good way of showing how.
Emir-avatar destroys the temple, and I remember worrying (even on the second viewing) that the Sphinx would be destroyed as well. I was also thankful that it survived. (Like Todd, I saw that "X-Men Evolution" episode, and recalled cringing when I saw missles hitting the Sphinx in the face and back).
I already knew that gargoyles aged at half the speed of humans (again, that Disney Adventures article), but it was nice to actually hear it onscreen.
And I loved that final summation by Goliath. Very poignant.
This was an episode I really loved (the title is great, too).
Glad you liked it.
I don't recall ever EVER knocking laughter in general. I think I was just referring to that moment in Gathering that really didn't work for me.
Thanks for the ramble on "Grief", Greg.
I was amused by your remark about Michael Reaves and a Batman episode that he'd written involving Egyptian elements that had gotten changed. As I'd commented in an earlier question (which you should have gotten to long before you read this response to your ramble, since it's that much before me in the queue), I'd seen an episode of "Batman: TAS" once named "Avatar" with some moments strongly evocative of "Grief", and I suspect that that was the episode that you alluded to.
I hadn't picked up the double meaning of the title (though I did recall Wolf's use of the word). Thanks for pointing it out.
I certainly wasn't surprised that Dingo was absent, after "Upgrade". I *was* surprised to see the Emir actually becoming an on-stage character, and agree with you that his role was an effective one. (Another bit that I hadn't picked up on was your remark about Jackal's semi-promise to reunite the Emir with his son was what kept him from acting earlier, and was deliberately uttered by Jackal to keep him from interfering.)
I might add that I was certainly not surprised to see your remark about "I should have had the Pack kill Goliath and Co. only to discover that they couldn't die while Anubis was trapped." (Incidentally, the situation of "While Anubis is imprisoned, nobody can die" reminds me of the Greek myth about how Sisyphus put either Hades or the death-god Thanatos - which one he imprisoned varies from which version of the story you read - in handcuffs to wriggle out of being taken away to the underworld, with the result that nobody was able to die - until Ares, fed up with the fact that the "nobody could die" business was taking all the "fun" out of war, freed his prisoner.)
Jackal becoming Anubis's avatar and causing all that devastation was one of the creepiest moments in all of "Gargoyles" for me - especially when he aged Goliath and Co. (The fate of the crocodiles was certainly chilling). I think that the fates of Hyena and Wolf served as a good "comic relief" counterbalance to it to keep it from getting too dark. (Wolf being turned into a puppy was great!)
(I can see one flaw in Jackal's plan, though; if you wipe out all other life on Earth, what do you do after that, with nobody else to torment?)
I can agree with you about the "cringe" moments over the gargoyles and the Pack destroying ancient Egyptian antiquities, and the relief that they didn't destroy the Sphinx. (It's odd, since a couple of days ago I saw an episode of "X-Men: Evolution" where there was a battle between Apocalypse and some Sentinels at the Sphinx, and I had a shuddering moment when one of the Sentinels blasted a hole in the Sphinx's back.)
And the end with Goliath hoping that the Emir was reunited with his son in the afterlife was a touching moment.
I thought so too. I think Tony Shaloub is brilliant. Monk is both hilarious and heart-breaking.
1.Who is better trained in magic, the Archmage of 984 or Demona anno 1994?
2.Did the clan learn of Demona learning magic by the Archmage in the Dark Ages? If yes what was their reaction? I'm just asking since neither Goliath nor Brookly seemed very surprised by seeing Demona using magic.
3.Why has the Archmage taught Demona magic? I mean as selfish as he was he wouldn't do it for nothing and having a gargoyle around who is trained in magic (or anybody else for that) is dangerous. Was it sort of quid pro qou, Demona helped him by his rituals and he trained her?
4.Did the Archmage have a large effect on Demona's personality? I mean from 971 to 975 she was still young and easy to influnce.
Just in general. simple delete questions which don't make sense or completly off topic and if a question is asked too often ignore it. So you have more time for the serious fans.
1. It's an interesting question. Demona's certainly had years to study... but she's also not the most focused or patient of students, whereas I believe the Archmage would have been mono-maniacal in his pursuit of the Dark Arts.
2. I don't think they did.
3. It's a pretty standard master/apprentice set up.
4. I'm sure he had an influence -- taught her an appreciation of power. But I doubt she'd acknowledge that influence.
1. how did Xanatos acquire the Eye of Odin? from where or whom did he get it from?
2. what year did Odin lose the Eye?
1. Now that I've got the comic coming out, you'll find I'm much more stingy with revelations.
2. I honestly don't know. What makes sense to you?
Greg, I write from the U.K after reading the news of Gargoyles being released on DVD in 2004, and well you've probably had everyone asking about it, are there any chances of me being able to get a copy here in the U.K, or will I have to get mine posted from the U.S.
Anyway, I think its great, I loved the series so much and do miss it, ever though I only saw just three seasons of it here I still love it.
There only WERE three seasons of it, so I think you saw it all.
Anyway, the DVD did come out in 2004, with another DVD due in the winter -- hopefully.
You'll have to tell me whether or not you were able to track it down in Britain. But you can always get it through Amazon.com.
Crossovers are starting to become a big thing now. If you had your choice, who would you like to see in a crossover with the gargoyles?
Uh... the New Olympians...?
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