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Nobody here but us chickens.


Nobody here but us chickens.


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LINKS

I'm back (briefly) after a great trip to Ashland for the Oregon Shakespeare Festival. Saw eight plays (Comedy of Errors, Richard III, Tempest, Into the Woods, Great Society, Two Gentlemen of Verona, Wrinkle in Time, Family Album) in four days, and though I didn't love every play, I have to say that every production was stellar.

Then last night I saw a very cool production of King Lear at the Theatricum Botanicum in Topanga Canyon, starring Ellen Geer as Lear.

Anyway, I'm in town for just a few days, then I leave again to drop my daughter off for her junior year at Tulane and take my son (starting his senior year of high school next month) to look at a number of schools, including Tulane, Emory, Duke, UVA and Georgetown. ROAD TRIP!!

Starting in September, I'll be in town for the foreseeable future, and I promise to get back to answering questions here. Meanwhile, here are some cool links:

Warner Archive Podcast interview, regarding Young Justice:
http://bit.ly/wacyjpod

In case you need to know where to find the Young Justice Blu-ray:
http://bit.ly/yngjs1

And another podcast:

http://www.goldenspiralmedia.com/as-09-arrow-squad-episode-09-interview-with-greg-weisman-of-young-justice (specific episode for Arrow Squad)

http://www.goldenspiralmedia.com/ccu-02-central-city-underground-episode-03-interview-with-greg-weisman-of-young-justice (specific episode for Central City Underground)

http://www.goldenspiralmedia.com/ (general website)

https://itunes.apple.com/us/podcast/arrow-squad/id891769883?uo=8&at=1l3v5ck (iTunes link for Arrow Squad)

https://itunes.apple.com/us/podcast/central-city-underground-flash/id904991850?uo=8&at=1l3v5ck (iTunes link for Central City Underground)

And some sights promoting Rain of the Ghosts and Spirits of Ash and Foam:

Plain Talk Book Marketing http://www.plaintalkbm.com/
Twitter: https://twitter.com/Gillianfx
Amazon Author Page: http://www.amazon.com/-/e/B00EAUDZM6
Book Information: http://www.plaintalkbm.com/family-portrait-novel/
Facebook Fan Page: https://www.facebook.com/FamilyPortraitNovels


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APOLOGIES

Hey gang,

I'd like to apologize for not getting to many of your questions recently. It's really due to all the travel I've been doing this summer - and the need to fit a LOT of work in between the trips.

Some of you have commented that the same excuses don't seem to apply to my Twitter account, and that's true. But the difference is that I can tweet from my phone at odd times and before bed - AND with little thought.

I've tried doing Ask Greg from my phone, but it's just too difficult. I'd rather give considerable thought and have the option of answering questions in depth. But if you want to make quick contact, by all means follow me on twitter at @Greg_Weisman.

The travel isn't over, either. I leave Monday for Ashland, Oregon, for my family's annual trip to the Oregon Shakespeare Festival. For the curious, we're seeing the following eight plays over four days & nights:

THE COMEDY OF ERRORS by William Shakespeare
RICHARD III by William Shakespeare

THE TEMPEST by William Shakespeare
INTO THE WOODS by Stephen Sondheim and James Lapine

THE GREAT SOCIETY by Robert Schenkkan
THE TWO GENTLEMEN OF VERONA by William Shakespeare

A WRINKLE IN TIME by Madeleine L'Engle and Tracy Young
FAMILY ALBUM by Stew and Heidi Rodewald

We're really looking forward to it.

Anyway, then I'm back for half a week, before the family takes another trip - this one to (a) drop my daughter off at college for her junior year and (b) take a road trip to look at five different colleges in five different cities with my son before he enters his senior year of high school. The entire trip will take eleven days, bringing me to the end of August.

But in September, my current plan is NO TRAVEL. (Stop #6 on the Gargoyles 20th Anniversary Tour is Long Beach Comic Con, which is driving distance. http://longbeachcomiccon.com ) So I should be back to answering a few questions every weekday regularly. Thank you for your patience.


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My CONvergence 2014 Schedule

So the #Gargoyles20 U.S. Tour continues. Stop #3 is CONvergence in Minneapolis, Minnesota. (Well, actually in Bloomington, Minnesota, but close enough.) http://www.convergence-con.org

This is a big one for us. It includes a number of events that we used to do at the old Gathering of the Gargoyles Conventions, which ran from 1997-2009. And I know a bunch of Gargoyles fans will be attending, so it'll also be a reunion of sorts.

My schedule for the long weekend is quite packed - which is just how I like it!

THURSDAY, JULY 3, 2014
2:00pm - 3:00pm GARGOYLES RADIO PLAY AUDITIONS
Ever wanted to be in a radio play? Now is your chance! We are holding auditions for a live performance at CONvergence! You don't even have to be a fan of Gargoyles to enter. You just have to know how to read! Casting: Myself and Jennifer Anderson (Talent Coordinator on The Spectacular Spider-Man and Young Justice). Casting decisions will be posted by 7:00pm on Friday, July 4th. ATRIUM 7.

3:30pm - 4:30pm BUFFYVERSE TEN YEAR ANNIVERSARY
Okay, so Gargoyles ISN'T the only show celebrating an anniversary. The Buffy/Angel universe has been off the air for ten years. Let's reminisce and talk about the impact these shows have had on TV fantasy since their cancellation. Panelists: Myself, Tim Lieder, Cetius d'Raven, Madeleine Rowe, Mark Goldberg. EDINA.

7:00pm - 8:00pm OPENING CEREMONY
If it's not exactly a magical invocation, it is nonetheless our official kick-off for the convention! Join CONvergence mascot Connie as we welcome our Guests of Honor, give out some awards (including the Mark Time and Ogle winners), and get this party started. Panelists: Myself, Amy Berg, Emma Bull, C. Robert Cargill, Sarah Clemens, Scott Lynch, Marina Sirtis, Frank Paur, Matthew Ebel, Dawn Krosnowski, Greg Guler, Rob Callahan, Windy Bowlsby, Michael Lee. MAIN STAGE.

9:00pm - 10:00pm GREG WEISMAN'S FANCY BASTARD PIE COMPETITION
Geek Partnership Society is excited to host the Greg Weisman Fancy Bastard Pie Competition at CONvergence 2014! It is open to all CONvergence members who wish to participate. The goal is to make a pie that Greg Weisman, herein to be known as "Fancy Bastard", likes best. The winner will be told super-secret Young Justice spoilers. Find out [some of] what would have happened in Season 3! (But winner must swear to secrecy to claim prize.) See below for some helpful hints.* CABANA 110.

FRIDAY, JULY 4th, 2014
11:00am - 12:00pm GARGOYLES RADIO PLAY AUDITIONS
Ever wanted to be in a radio play? Now is your chance! We are holding auditions for a live performance at CONvergence! You don't even have to be a fan of Gargoyles to enter. You just have to know how to read! Last chance to audition! Casting: Myself and Jennifer Anderson (Talent Coordinator on The Spectacular Spider-Man and Young Justice). Casting decisions will be posted by 7:00pm on Friday, July 4th. ATRIUM 7.

12:30pm - 1:30pm FROM TV TO COMICS
We'll discuss the TV shows that expanded into the comicverse, such as Buffy, Smallville, Young Justice and Gargoyles. Did they succeed? Were any of the comics improvements on the shows? How did canon change during the transition? Panelists: Myself (Gargoyles, Young Justice), Shawn van Briesen, Jonathan Palmer, Greg Guler (Gargoyles), Karine Charlebois (Gargoyles, Bad Guys), Christopher Jones (Batman Strikes, Young Justice, Bad Guys). PLAZA 2.

2:00pm - 3:00pm SIGNING
Myself, Christopher Jones (Young Justice, The Batman Strikes, Parallel Man) and Greg Guler (Gargoyles, Phineas and Ferb) will be holding a signing session. Both Chris and Greg always have an array of stuff (books, prints, etc.) to sell and sign. But this time I'm pretty darn prepared as well. First off, I'll be selling and signing copies of my first novel RAIN OF THE GHOSTS for $10 cash, which includes the book, a personalized signature and signed copies of the original development character designs by Kuni Tomita for the television version of Rain that never was. In addition - and by popular demand - I am selling and signing an array of my animation teleplays for $20 cash from such series as Gargoyles, Team Atlantis, DC Showcase (Green Arrow), Men in Black: The Series, The Spectacular Spider-Man, The Batman, Batman: The Brave and the Bold, Roughnecks: Starship Troopers Chronicles, W.I.T.C.H., Young Justice and even the 2009 Radio Play "The Spectacular Spider-Man Meets Gargoyles". I'll also sign anything else you bring and put in front of me for FREE - especially if you buy my book. ;) CONVERGENCE CENTRAL.

3:30pm - 4:30pm CREATING GARGOYLES
This is what we used to call (at the Gathering) the Rocky Horror Gargoyles Show. The creators of Gargoyles show clips and tell stories of how the show came to be. Lots of visual aids. Panelists: Myself (Creator, Supervising Producer/Story Editor, Writer), Frank Paur ( (Supervising Producer/Director), Greg Guler (Lead Character Designer). ATRIUM 6.

7:00pm - 8:00pm TIME TRAVEL THEORY
Let's assume for a moment that Time Travel is possible. This panel will explore the theories behind such technology. We'll explore quantum realities, temporal anomalies and all other challenges our theoretical time travelers will be face! [Now, I suggested this panel, but then they went and put some actual scientists on the damn thing. So I may quickly be embarrassed into silence.] ;) Panelists: Myself, Nicole Gugliucci, Jim Kakalios, G. David Nordley, Amy Berg. ATRIUM 4.

8:30pm - 9:30pm GARGOYLES Q&A
Join the cast and creators of the "Gargoyles" series and SLG companion comic books to ask and talk about the property. And, as always, Cosplayers are welcome! Panelists: Myself (Creator, Supervising Producer/Story Editor, Writer), Christopher Jones (Bad Guys guest artist), Marina Sirtis (voice of Demona and Margot Yale), Frank Paur (Supervising Producer/Director), Karine Charlebois (Gargoyles Guest Artist, Bad Guys Artist), Greg Guler (Lead Character Designer, Gargoyles Guest Artist). MAIN STAGE.

SATURDAY, JULY 5th, 2014
9:30am - 10:30am GARGOYLES SIGNING
Myself, Marina Sirtis (voice of Demona and Margot Yale) and Frank Paur (Supervising Producer/Director) will be holding a signing session. Again, I'll be selling and signing copies of my first novel RAIN OF THE GHOSTS for $10 cash, which includes the book, a personalized signature and signed copies of the original development character designs by Kuni Tomita for the television version of Rain that never was. In addition - and by popular demand - I am selling and signing an array of my animation teleplays for $20 cash from such series as Gargoyles, Team Atlantis, DC Showcase (Green Arrow), Men in Black: The Series, The Spectacular Spider-Man, Roughnecks: Starship Troopers Chronicles, W.I.T.C.H., The Batman, Batman: The Brave and the Bold, Young Justice and even the 2009 Radio Play "The Spectacular Spider-Man Meets Gargoyles". I'll also sign anything else you bring and put in front of me for FREE. CONVERGENCE CENTRAL.

11:00am - 12:25pm GARGOYLES RADIO PLAY REHEARSAL
This is a closed session - for those who were cast in the Radio Play - led by Myself, Jennifer Anderson (Talent Coordinator on The Spectacular Spider-Man and Young Justice) & Marina Sirtis (voice of Demona, Margot Yale and Queen Bee). ATRIUM 6.

12:30pm - 1:30pm GARGOYLES RADIO PLAY PERFORMANCE
Fans and professionals - including Myself (voice of Donald Menken and Lucas "Snapper" Carr), Jennifer Anderson (Talent Coordinator on The Spectacular Spider-Man and Young Justice), and of course, Marina Sirtis (Deanna Troi from Star Trek TNG and the voice of Demona, Margot Yale and Queen Bee) - perform a LIVE, ORIGINAL Gargoyles radio play! ATRIUM 6.

2:00pm - 3:00pm GARGOYLES BIOLOGY AND CULTURE
A "what if" panel about the biology and culture of the Gargoyles universe. Creators and performers speculate about anything and everything going on outside the frames of the TV series. Panelists: Craig A. Finseth moderates Myself (Creator, Producer) and Greg Guler (Lead Character Designer). ATRIUM 7.

3:30pm - 4:30pm RAIN OF THE GHOSTS
I'll be reading from and talking about the world and characters of my novel "Rain of the Ghosts" and its sequel, "Spirits of Ash and Foam," which comes out July 8th, 2014, one week after the convention! ATRIUM 3.

7:00pm - 8:00pm ONE ON ONE WITH GREG WEISMAN
Hal Bichel will moderate a one-on-one panel with Myself. PLAZA 2.

8:30pm - 9:30pm SIGNING
Once again, I'll be selling and signing copies of my first novel RAIN OF THE GHOSTS for $10 cash, which includes the book, a personalized signature and signed copies of the original development character designs by Kuni Tomita for the television version of Rain that never was. In addition - and by popular demand - I am selling and signing an array of my animation teleplays for $20 cash from such series as Gargoyles, Team Atlantis, DC Showcase (Green Arrow), Men in Black: The Series, The Batman, Batman: The Brave and the Bold, The Spectacular Spider-Man, Roughnecks: Starship Troopers Chronicles, W.I.T.C.H., Young Justice and even the 2009 Radio Play "The Spectacular Spider-Man Meets Gargoyles". I'll also sign anything else you bring and put in front of me for FREE. CONVERGENCE CENTRAL.

10:00pm - 11:00pm BLUE MUG
Ever wonder about the sexual habits of Gargoyles? Ever wonder who was sleeping with whom among the Young Justice Team or the cast of Spectacular Spider-Man? Join us for for a late night peek at your favorite animated series. This panel will get blue! (So attendees will be carded!) Panelists: Myself, Christopher Jones, Mara Cordova (Last Tengu in Paris Artist). It is also rumored that Edmund Tsabard (an unfancy bastard and Last Tengu in Paris Writer) may make an appearance. EDINA.

SUNDAY, JULY 6th, 2014
11:00am - 12:00pm PROTOFEMINISTS IN SHAKESPEARE
Shakespeare portrayed several intelligent, independent, and self-aware women--Juliet, Lady Macbeth, Katharine, Beatrice, Viola, Rosalind. We'll discuss the problematic and the remarkably (for the era) fleshed-out aspects of their representation. Panelists: Myself, Elizabeth Bear, Ashley F. Miller, Joseph Erickson, Alexandra Howes. EDINA.

12:30pm - 1:30pm GARGOYLES FAN PANEL
It's the 20th Anniversary of Gargoyles. Come share your favorite moments from the show. As always, Cosplayers are welcome! Panelists: Daniel Mohr moderates Myself, Ryan Alexander, Robert Wagner, Maggie Schultz, Jennifer Anderson, Karine Charlebois. ATRIUM 6.

2:00pm - 3:00pm SIGNING
Myself and Greg Guler (Gargoyles, Phineas and Ferb) will be holding one last signing session. Greg G. always has an array of stuff (books, prints, etc.) to sell and sign. And I'll be selling and signing copies of my first novel RAIN OF THE GHOSTS for $10 cash, which includes the book, a personalized signature and signed copies of the original development character designs by Kuni Tomita for the television version of Rain that never was. In addition - and by popular demand - I am selling and signing an array of my animation teleplays for $20 cash from such series as Gargoyles, Team Atlantis, DC Showcase (Green Arrow), Men in Black: The Series, The Spectacular Spider-Man, Roughnecks: Starship Troopers Chronicles, The Batman, Batman: The Brave and the Bold, W.I.T.C.H., Young Justice and even the 2009 Radio Play "The Spectacular Spider-Man Meets Gargoyles". I'll also sign anything else you bring and put in front of me for FREE - especially if you buy my book. CONVERGENCE CENTRAL.

3:30pm - 4:30pm YOUNG JUSTICE
Creative minds behind the Young Justice TV and comic book series will talk about this fan favorite. We're planning some special surprises as well. And, as always, Cosplayers are welcome! Panelists: Myself, Marina Sirtis (voice of Queen Bee), Christopher Jones (Artist YJ Comic). MAIN STAGE.

5:00pm - 6:00pm CLOSING CEREMONY
It's not over 'til the gynoid sings - or something like that. Join CONvergence mascot Connie and our Guests of Honor as we say farewell to another convention. Shenanigans may ensue. Panelists: Myself, Amy Berg, Emma Bull, C. Robert Cargill, Sarah Clemens, Scott Lynch, Marina Sirtis, Matthew Ebel, Frank Paur, Dawn Krosnowski, Greg Guler, Windy Bowlsby, Rob Callahan, Michael Lee. MAIN STAGE

SEE?!! I told you there was a lot. And that's only the stuff that I'm doing. CONvergence is jam-packed with all sorts of pop culture nutritional goodness. So stop by and say hello!!

*In the interest of Full Disclosure, Fancy Bastard would like all to know that he especially likes the following pies:
APPLE
BERRY (pretty much any kind of berry or a mix of same)
PEACH
APRICOT
PUMPKIN
BANANA CREAM (herein to be known as the funniest pie)
Combinations of some of the fruit pies can be great. Contestants are welcome to try other pies at their own risk.

Fancy Bastard does NOT especially like the following pies:
PECAN
Anything with Chocolate or Lemon or Meringue
Raisins in Apple Pie
Almost never Cherry, though he has tasted the rare exception...


Nobody here but us chickens.


Nobody here but us chickens.


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Twitter vs. ASK GREG - To the Death!!!

Twitter vs. ASK GREG - To the Death!!!

So for the first time in nearly a month, I lurked on a few sites and someone was bitchin' (that's right, I said it) about the fact that I was tweeting a lot but hadn't spent much time here at ASK GREG.

Mostly, the responses that person received from other fans were dead obvious, but they bear repeating:

1. Twitter is a lot more convenient. I can tweet with my phone during downtime. (I tend to do it while I'm doing my isometric neck exercises.) I can also do Ask Greg with my phone during downtime (as I did yesterday when I was stuck at an airport), but (a) it's much more difficult because the screen is so small and (b) I have no access to the materials that some questions require. So Ask Greg answers done on the phone tend toward the short and unsatisfying.

2. Stop acting so entitled. Greg Weisman has NO obligation, explicit or implicit, to answer any questions on ASK GREG ever. Let me repeat that: Greg Weisman has NO obligation, explicit or implicit, to answer any questions on ASK GREG ever. I do it because I enjoy doing it (most of the time). But if for any reason I take a break for however long, that's life. I will not be made to feel guilty about it.

Those are the two main points, but there are a couple others:

3. I've been traveling A LOT. Since the end of May, I've taken four trips up north to Lucasfilm, one trip to Denver Comic Con, one trip to Oregon for their Shakespeare Festival and a family trip to EUROPE. I still have both San Diego Comic Con and New Orleans MechaCon (http://www.mechacon.com/) coming up in the next couple months, plus at least one more trip to San Francisco for Lucasfilm. When I travel, internet is a dicey prospect at best, and that's on top of the fact that the reasons for the trip tend to preclude me having the free time to post on ASK GREG.

4. I've been SWAMPED with work. That's a good thing. (In fact, these are all good things.) I have tight deadlines on Star Wars Rebels, a looming deadline on the second book in the Rain of the Ghosts series, plus a few other random freelance things that I'll mention (perhaps) when they're finished. Lots of work means less free time to post at Ask Greg.

As for Twitter, I'll admit I might be a little addicted, but the bald-faced truth of the matter is simply that I was basically coerced into joining Twitter by my book publisher, my agent/manager and my family. I am making an extremely conscious attempt to raise my profile there (and gain followers) for the sake of RAIN OF THE GHOSTS. I make no bones about that. I'm not trying to hide the fact AT ALL. I want/need the book to do well, and Ask Greg just was NOT reaching enough people. Hence Twitter.

Having said that, I have no interest in using or allowing Twitter to replace ASK GREG. Folks have asked me questions on Twitter, which I've either ignored or used as an excuse to nudge the askers over here. It's a tad difficult, since the ASK GREG Question Asking Function here is currently down until I catch up, but whatchagonnado? ASK GREG still matters to me, and Twitter hasn't changed that at all.

So really, the title of this ramble is a sham. The two resources are not in conflict at all. I'm hoping Twitter brings MORE people to Ask Greg and maybe, vice versa. (And maybe that's the real reason for this post. Heh heh heh.)


Nobody here but us chickens.


Nobody here but us chickens.


Nobody here but us chickens.


Nobody here but us chickens.


Nobody here but us chickens.


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YOUNG JUSTICE: INVASION: EPISODE: 210: "Before the Dawn": Premieres!

YOUNG JUSTICE: INVASION: EPISODE: 210: "Before the Dawn": Premieres: this Saturday, October 13th as part of Cartoon Network's DC Nation block. (It repeats Sunday too.) Check local listings for times.

Keep in mind, this tenth episode of Season Two was plotted before we knew if we'd get the second half of the season. Once we got that pick-up, we assumed this would be our hiatus episode. Instead, we took the break after 207 (which was a great and exciting stopping point, so no complaints). But nothing changed about our story in 210. This is a significant episode on every level: plot, character and LOTS of action. Don't miss it!

I'm posting this reminder a couple days early, because I'm leaving this afternoon to head up to Ashland, Oregon for the Shakespeare Festival. But believe me, my DVR is set to record both YJ and Green Lantern.


Nobody here but us chickens.


Nobody here but us chickens.


Nobody here but us chickens.


Nobody here but us chickens.


Nobody here but us chickens.


Nobody here but us chickens.


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SO WHERE HAVE I BEEN? Updates & Debunks

Hello everyone,

Haven't posted here in a while, and since I did a bit of message board lurking this morning, it seems to have led people to believe all sorts of odd things, so...

Where have I been?

Well, in early June, my family and I went to the Oregon Shakespeare Festival in Ashland, Oregon.
We saw seven plays in four days. Six of them (Henry IV, Part Two, The Language Archive, To Kill a Mockingbird, Julius Caesar, Love's Labours Lost and Measure for Measure) were just stellar productions. Everyone was great, but I'd like to particularly single out Susannah Flood in both Language Archive and Mockingbird, Dee Maaske in Mockingbird and Michael Winters as Falstaff in 2HenryIV.

Coming back from that, I was understandably swamped and didn't have time to post.

Next, I went to Minneapolis for the always great ConVergence convention. I did about thirteen panels. Some of which, like Gargoyles and Spider-Man and Young Justice, I felt qualified to be on. And some, like Dexter and Galaxy Quest, my only qualification was being a fan of whatever we were talking about. This was my third ConVergence, and it continues to be the best run convention I've ever attended. And now that the Gathering of the Gargoyles is no more, it has become my FAVORITE convention to attend.

Returning from ConVergence, I then got quite ill. In fact, I'm still home sick today. (Home sick as opposed to homesick, clear?)

So THOSE are the reasons I haven't posted. Nothing nefarious.

Next topic: YOUNG JUSTICE UPDATE.

We have aired episodes 101-109 (i.e. Season One, episodes 1-9).

(Yes, episode 110 accidentally was posted on Cartoon Network's website, but I'm going to pretend that never happened.)

Episodes 110-115 are in the can, i.e. they are completed and ready to air.

Episode 116 awaits only the final on-line, i.e. the final review of the episode. This has been delayed ONLY because I've been out sick this week.

Episode 117 will have it's sound mix on Friday. (I hope to be back at work by then.)

Episode 118 has been edited and work progresses on scoring and sound effects.

Episode 119 is ready to begin post-production.

Episodes 120-123 are being animated in Korea.

Episodes 124-126 are in layout in Korea, while we finish the final color models here in the States.

Episodes 201-202 (i.e. Season Two, Episodes one and two) - Are fully recorded and are in storyboard. (201 was written by me. 202 by Nicole Dubuc.)

Episode 203, written by Kevin Hopps, is almost fully recorded. We have one actor left to pick up, who has been out of town. It is also in storyboard.

Episode 204, written by me, will record this week. It is also in storyboard.

Episode 205 - Brandon Vietti, has turned in his draft of the script. I have to read and edit it.

Episode 206 - The outline, written by Peter David and edited by me, went out Monday for notes, which are due tomorrow.

Episode 207 - Kevin Hopps turned in his outline, which I need to read and edit.

Episode 208 - I'm writing this one. I'll start the outline, after I've edited the outline to 207.

Episode 209 - Jon Weisman turned in his outline, which I need to read and edit.

Episode 210 - Kevin Hopps is working on his outline.

We do NOT yet have a pick-up beyond episode 210, but our bosses have told us to start blocking out episodes 211-220 in anticipation of one.

Episode 211 - We've broken this story. I still need to find time to write up the Beat Outline, though I have it all on index cards.

Episode 212 - We've got the basics of this one down, but we (i.e. myself, Brandon and Kevin) still need to finish breaking the story.

Episodes 213-220 - We've got a very clear sense of the arc and what things need to happen, but we haven't started on these yet.

NEXT TOPIC: DEBUNKING YJ RUMORS

False Rumor #1: YJ IS A GREG WEISMAN PRODUCTION
Everywhere on the Internet, all I see is that YJ is Greg Weisman's show. That's just blatantly false. This is a VIETTI/WEISMAN production. Just as Spectacular Spider-Man was a COOK/WEISMAN production and Gargoyles was a PAUR/WEISMAN production. I am not, nor have I ever been, a one-man show on ANY project I've EVER worked on. EVER. And in particular, on YJ, it's extremely unfair to Brandon to leave him out of consideration. Brandon is heavily involved in every aspect of production, INCLUDING SERIES DEVELOPMENT AND STORY. He's been right there with myself and Kevin Hopps breaking every single episode. It's been a team effort from day one. Many of the series' best ideas came/come from Brandon. And this is aside from the fact, that of course, Brandon can write - but I cannot draw, which arguably makes him MORE important to the production than I. I am exceedingly proud of this series and my own work on it - though certain very vocal fans seem to think I shouldn't be - but that doesn't change the fact that Brandon and I are a team.

False Rumor #2: YJ WAS RUSHED INTO PRODUCTION
Another blatant misconception. Look, Brandon and I are both perfectionists. Neither of us would deny that we'd LOVE to have more time on each and every episode. But that's not the same as being rushed. Let's make a comparison: on Spectacular Spider-Man, I basically had one week to develop both the series and the entire first season. Then Vic Cook came aboard, and we raced to get into production in less than two months. Brandon and I had seven months to develop the series, break the first season (which granted had twice as many episodes as the first season of Spidey) and head into production. The show isn't and never has been rushed. That's not to say the schedule isn't tight. But we haven't aired a single episode that wasn't ready to air. And we won't.

False Rumor #3: YJ ISN'T AIRING NOW BECAUSE WE'RE REWORKING EPISODES BASED ON INTERNET CRITICISM
This is my favorite. I love it the most because the first person I saw who posted this rumor also said that I'd deny it. So here I am denying it, which of course serves to PROVE that he or she was correct, see? Let's be clear: for better or worse, this series is COMPLETELY unaffected by internet criticism BECAUSE of schedule. Everything of any significance was set and DONE before even the pilot movie aired last November, so we couldn't address fan concerns even if we wanted to. And, honestly, we don't want to. We don't in part because there is way less consensus than some people seem to think. For example, for every post I see expressing hatred for "Hello, Megan!", I see a post that likes it. And personally, I like it. Brandon likes it. So why would we change it, even if we could? In fact, even Season Two is moving forward more or less disregarding "fan" criticism. Brandon and I always had very clear ideas for what we wanted to do in Season Two (and even Season Three, should we get one) and those ideas haven't changed. As with every series I've co-helmed, all we can ever do is write and produce to OUR OWN passions - and then just cross our fingers and hope enough people share our passions to make it a success. Anything else is doomed to failure, because if we're not passionate about it, it'll show in the work, and then no one will like it. And just to make it clear: WE LIKE OUR SHOW!! Doesn't mean you have to - but don't try to tell me I don't.

So why aren't we airing new episodes now? That's a fair question that I don't have an answer for. After all, we have six unaired episodes in the can, with four more on the verge of completion. It's a Cartoon Network decision. Some fans have argued that they shouldn't have started airing ANY episodes until ALL episodes were in the can. But that too is a decision above my pay grade.

My best guess - and that's all it is - is that CN will air new episodes - starting with 110 ("Targets") - in September. The good news is that the later they wait, the more weeks they can go uninterrupted by reruns. I do know that Season Two (i.e. "Young Justice: Invasion") will begin airing as part of DC NATION in March of 2012. And by then ALL of Season One will have aired. So do the math.

People have asked me if I'm bummed about losing momentum by this delay. But the thing is we've ALREADY lost all momentum. So as long as they PROMOTE us whenever they finally do start airing us again, then pragmatically I'm good. Yes, I'll admit to a certain level of frustration in that I want our stuff to get out there, but if CN has a plan to make the most of the episodes, then more power to them.

Anyway, I think that's it for now. I'll get back to answering questions on ASK GREG as soon as I can find the time. (But keep in mind that San Diego Comic-Con is fast approaching. Note: Young Justice has a panel scheduled for Sunday, July 24th at 10am, with a signing to follow. I'll also be signing Gargoyles comics (and whatever else anyone might want) at the SLG Booth from 11:30am to 12:30pm on Thursday, Friday and Saturday (July 21, 22, 23).


Nobody here but us chickens.


Nobody here but us chickens.


Nobody here but us chickens.


Nobody here but us chickens.


Bookmark Link

Oregon Shakespeare Festival 2010

Hey gang,

I just got back from taking my kids to the Oregon Shakespeare Festival in Ashland, Oregon. Saw five uniformly great productions:

Hamlet

Henry IV, Part One

Twelfth Night

Merchant of Venice

Jane Austen's Pride and Prejudice

Can't recommend any or all of them strongly enough...


Nobody here but us chickens.


Nobody here but us chickens.


Nobody here but us chickens.


Nobody here but us chickens.


Nobody here but us chickens.


Nobody here but us chickens.


Bookmark Link

G2009 Radio Play

G2009 Radio Play - Act One

4. NARRATOR
The Spectacular Spider-Man Meets Gargoyles. RELIGIOUS STUDIES 101: A HANDFUL OF THORNS. Act One. Late that night atop the Eyrie Building…

Dominique and Kafka sit. GOLIATH and ELISA MAZA STAND and KISS.

5. GOLIATH, ELISA
<kiss>

6. GOLIATH
There are some human customs I will never get used to Elisa. <kisses her again> This is not one of them.

7. ELISA
You’re in a good mood.

8. GOLIATH
I am. Hudson and Lexington are back from Europe, bringing Coldstone and Coldfire with them.

9. ELISA
<chuckle> Not to mention Brooklyn returning from forty years of TimeDancing with a mate, a son, a beast and an egg.

10. GOLIATH
The clan has doubled in size. What challenge can the Fates throw at us now that we cannotâ€"

11. NARRATOR
The sun rises. Goliath turns to stone.

12. ELISA
<groan> You just had to say that out loud, didn’t you?

Elisa and Goliath sit. MAY PARKER and PETER PARKER STAND.

13. NARRATOR
Meanwhile, in Forest Hills…

14. MAY
Peter, what are you doing up?

15. PETER
Studying for today’s English final. It’s on Midsummer Night’s Dream. And I missed seeing the Cliff Notes version.

16. MAY
Which may explain why you and Miss Allan are no longer a couple.

17. PETER
Aunt May, you know we didn’t break up because I missed her play.

18. MAY
You’re right; I shouldn’t be glib. I suppose there’s no chance that you and Gwen…

19. PETER
I don’t know. Not now anyway. Not when Harry’s hurting so much from the death of his father.

20. MAY
It hardly seems possible that Norman Osborn is gone. The Bugle says he was the Green Goblin, but I’m not sure I can believe that.

21. PETER
Sometimes, Aunt May… it’s, okay, to believe everything you read…

May and Peter sit. GREEN GOBLIN and BLACKIE GAXTON STAND.

22. NARRATOR
At a dive bar downtown, the Green Goblin BURSTS in on his glider…

23. GREEN GOBLIN
<tsk, tsk, tsk> Blackie. This place is scummy even by your pond-scum standards. Quite a comedown from your last gig…

24. BLACKIE
Tell that to the whacko who set a flaming super-villain loose in The Big Sky. Oh, wait. That was you.

25. GREEN GOBLIN
Yes. Yes, it was. <maniacal laugh>

26. BLACKIE
Weren’t you supposed to be dead?

27. GREEN GOBLIN
I was also supposed to be Osborn, but you didn’t buy that, did you? Just one of the many little tricks I keep up my sleeve. Nothing’s changed, Blackie. The Goblin’s still in charge.

28. BLACKIE
You hear me arguing?

29. GREEN GOBLIN
No. Now, gather my Pumpkin-Heads…

Blackie and Goblin sit. Kafka and Dominique STAND.

30. NARRATOR
At Ravencroft, Dominique Destine and Dr. Kafka supervises six inmates who work to excavate a sub-basement.

31. KAFKA
I still don’t understand what you expect to find down here.

32. DOMINIQUE
Vertros Ravencroft, the founder of this Institute, was a quirky soul. An intimate friend of Freud and Conan Doyle, he was a true believer in both psychotherapy and spiritualism.

33. KAFKA
You speak as if you knew him.

34. DOMINIQUE
Now how would that be possible?

35. KAFKA
It couldn’t, of course… But the dig?

36. DOMINIQUE
Yes. Ravencroft was also a collector. I have reason to believe he buried certain items of his collection here. Now, Doctor, didn’t you say you had meetings scheduled…

37. KAFKA
You’ll be all right down here alone?

38. DOMINIQUE
Your orderlies are in the hallway. And I’m quite self-sufficient. So run along.

Kafka sits. OTTO OCTAVIUS STANDS.

39. DOMINIQUE
Excellent work, Doctor Octavius. Very precise.

40. OTTO
Thank you. I appreciate having something to occupy my hands…

41. DOMINIQUE
Your hands? Not… your arms?

42. OTTO
Arms? I… I hope you’re not referring to my unfortunate… b-b-breakdown.

43. DOMINIQUE
What would be the point? Believe me, Doctor, no one better understands the advantage of creating a false front.

ELECTRO STANDS.

44. ELECTRO
I’ve blasted away another section of cement.

45. DOMINIQUE
Thank you, Maxwell.

46. ELECTRO
Don’t. Call. Me. That.

47. DOMINIQUE
Don’t. Tell. Me. What to do… Electro.

48. ELECTRO
Uh… okay.
(asides to Otto)
She’s a little scary.

49. OTTO
Indeed.

Otto and Electro sit. DOMINIC DRACON, JOHN JAMESON, EDDIE BROCK and CLETUS KASSADY STAND.

50. DRACON
I blame Mace. When that crook cheated me, I lost face. But when I get the jewels back, they’ll respect me again. Did Mace bury the jewels here?

51. DOMINIQUE
Maybe he did, Dominic. Keep working.

52. JOHN
What’s the point? How is tearing up a basement supposed to bring me Colonel Jupiter’s power?!

53. EDDIE
Shut up and dig.

54. JOHN
You like doing this?!

55. EDDIE
I hate it. But I need that hate. I need to keep the hate alive.

56. DOMINIQUE
Such an interesting crew. And what do you want out of life, Cletus…

57. CLETUS
Nothing too fancy. <chuckles> Just a little carnage.

Cletus, Dominique, Eddie, John and Dracon sit. GWEN STACY and Peter STAND.

58. NARRATOR
That afternoon, at Midtown High…

59. GWEN
Hey, Pete. How’d you do?

60. PETER
Ugh, horrible, probably. I mean you know English is like my worst subject. It’s all so subjective andâ€"

61. GWEN
Peter.

62. PETER
Okay, okay… not the look! I probably aced it. Happy?

63. GWEN
That you did well. Always.

64. PETER
Thanks. Look, Gwen, I--

HARRY OSBORN STANDS.

65. HARRY
Well, what have we here? My best friend and girlfriend conferring in a corner. Planning a surprise party for me?

66. PETER
Uh, it’s not your birthday, Harr.

67. HARRY
I thought maybe it was a thank you bash. For giving you both these…

68. GWEN
(reading)
“You are cordially invited to spend Spring Break traveling by private jet to Miami, where you’ll stay, all-expenses-paid, at the Osborn Winter Compound on the Beach…"

69. PETER
You’re inviting the three of us to spend a week together in Florida?

70. HARRY
Not just the three of us…

KENNY KONG, FLASH THOMPSON and MARY JANE WATSON stand.

71. KONG
Osborn, dude! You rock!

72. FLASH
Seven days in the sun and surf.

73. KONG
All you can eat!

74. FLASH
Girls in bikinis!

75. FLASH, KONG (UNISON)
Score! <laughter>

76. MARY JANE
Hi, Sha Shan. Hi, Glory.

77. FLASH
Sha Shan… uh… So… how much of that did you hear?

78. KONG
Look, Glory, you know I meant you, right? I mean who else would I want to see in a bikini. Uh, you’re not gonna break up with me again, are you?

Kong and Flash sit. SALLY AVRIL, RAND ROBERTSON, LIZ ALLAN and JASON IONELLO STAND.

79. SALLY
Oh. My. God. Harry, I just found the invitation in my locker. And all I have to say is that you can be my super-dweeb sugar-daddy anytime you want!

80. HARRY
You okay with that Rand?

81. RAND
‘Scool. You can be my super-dweeb sugar-daddy too.

82. PETER
Exactly how many people did you invite to this thing?

83. HARRY
A handful. Kenny and Glory. Flash and Sha Shan. Rand and Sally. Hobie and Mindy. M.J. Gwen. Oh, and you and Liz, of course.

84. GWEN
Harry… Liz and Peter broke up.

85. HARRY
You did?! Wow. I had no idea. Guess I’ve just been so focused on my own problems. My Dad dying and everything. That’s why I need this trip. Gotta clear my head, you know? But maybe you two could reconcile…

86. SALLY
I don’t think so!

87. LIZ
It’s too late for that Harry. I’m with Jason now. We totally fell in love doing the play together.

88. JASON
We did?

89. SALLY / LIZ (UNISON)
Yes, you did. / Yes, we did.

90. LIZ
You don’t mind if I bring Jason instead of Petey, do you.

91. HARRY
The more the merrier.

92. LIZ
Thanks, Harry. You’re a doll. Kisses!

Liz, Sally, Jason and Rand sit.

93. HARRY
Pete, you’re still invited too. Course, it’s more of a couple’s thing. But M.J.’s guy is in prison…

94. MARY JANE
Thank you, Harry. Hadn’t been reminded of that in the last five minutes.

95. HARRY
Sorry, sorry. It’s just that I can’t help remembering the Fall Formal. You two made such a great pair! Don’t you think so, Gwen?

96. GWEN
Great.

97. PETER
I… suppose we could go… as friends. Just as friends.

98. MARY JANE
We’ll talk later, Tiger.

Mary Jane, Peter, Gwen and Harry sit. Kafka and CURT CONNORS STAND.

99. NARRATOR
Late that afternoon in Dr. Kafka’s office…

100. KAFKA
Doctor Connors, it’s good to see you. I’d heard you moved to Florida.

101. CURT
I did. But I never stopped working on a cure for Max Dillon. I think I’ve made some real progress.

102. KAFKA
That’s wonderful news. Max is downstairs… doing “work-therapy”. I’ll take you to him…

Kafka and Curt sit. Otto, Dominique, Electro, Dracon, John, Eddie and Cletus STAND.

103. ELECTRO
Ms. Destine. I think I found something.

104. DRACON
Is it my jewels?

105. OTTO
It… it appears to be a spearhead. It looks quite old.

106. DOMINIQUE
Give it to me.

107. ELECTRO
Sure, sure.

108. DOMINIQUE
Yes. This is it. I think we’re done, boys.

109. OTTO
Indeed. And just as the dig brought us right up against Ravencroft’s outer wall.

110. ELECTRO
You mean this wall?!

111. NARRATOR
Electro blasts a huge hole in the wall. When the smoke clears, the Vulture is waiting. He grabs Octavius.

VULTURE STANDS.

112. VULTURE
You’re coming with me, Otto.

113. OTTO
No, no, stop. I don’t want this life anymore… I’m trying to get better!! Let me go!!

114. ELECTRO
Shut it, Doc! It’s for your own good!

115. OTTO
Nooooooo!!!!

Otto, Electro and Vulture sit.

116. NARRATOR
Vulture and Electro leave with Octavius. Dominique watches them go.

117. DOMINIQUE
Well, that was diverting. And such excellent timing as well: it’s sunset. <transformation scream>

118. NARRATOR
With the setting of the sun, Dominique Destine transforms into a gargoyle… just as Kafka and Connors enter…

Kafka and Curt STAND.

119. KAFKA / CURT
Oh my god… / What in the world?!

120. NARRATOR
Demona effortlessly slams them both against a wall and turns to the remaining inmates…

121. CURT, KAFKA
<impacts, moans>

122. DEMONA
Listen carefully, humans. For I have listened to you. I can make all your petty little dreams come true. Dominic demands respect.

123. DRACON
Yes.

124. DEMONA
John craves power.

125. JOHN
Yes!

126. DEMONA
Eddie needs hate.

127. EDDIE
YES!

128. DEMONA
And all Cletus desires is a little carnage.

129. CLETUS
Or a lot. I’m not picky.

130. DEMONA
Then stick with me, boys. Respect, power, hatred, carnage. These are things I know…

DEMONA, Cletus, Eddie, John and Dracon sit. ALAN O’NEIL and GEORGE STACY STAND.

131. NARRATOR
Later, the police arrive to investigate…

132. O’NEIL
And you never met this broad before in your life…

133. KAFKA
She had excellent references, Officer O’Neil. It’s not like I grant just anyone access to my patients…

134. O’NEIL
And you wonder why people think they belong at Rykers.

135. GEORGE
There’s nothing else you can tell me, Doctor?

136. CURT
I’m sorry, Captain Stacy, but no. It was a creature.

137. GEORGE
Like that Lizard-thing from last fall?

138. CURT
No! No. Nothing like that. More like… like those things on the news that blew up the clock tower.

139. GEORGE
You mean the 23rd Precinct.

140. CURT
Yes.

141. GEORGE
You’re saying a gargoyle kidnapped those men.

142. CURT
Yes. No. I don’t know. Can I leave now?

George, O’Neil and Kafka sit. DILBERT TRILBY and NED LEE stand.

143. NARRATOR
But outside…

144. TRILBY
Doctor Connors! Dilbert Trilby, Action News. What can you tell our audience about the escape?

145. CURT
Nothing. No comment.

146. NED
Hey, Doc. Remember me? Ned Lee from The Bugle. Can you just tell me who escaped? Doc Ock? Electro? Colonel Jupiter â€" I mean, Colonel Jameson?

147. CURT
I’m sure the police will issue a statement. Now, I have to go.

Trilby sits. CALYPSO EZILI, KRAVEN THE HUNTER and GULYADKIN STAND.

148. NARRATOR
Connors hurries away down the street, as a limousine with dark-tinted windows pulls up in front of Ravencroft.

149. CALYPSO
We are too late, my love. The Christian Totem is gone.

150. KRAVEN
Gulyadkin and I will track it for you.

151. GULYADKIN
<low lion growl>

152. CALYPSO
I’m afraid that is beyond even your impressive abilities, Sergei, my love. But I have my own ways, as you well know…

153. KRAVEN
Of course, Calypso.

154. CALYPSO
Who is that? That man trying to hail a cab?

155. KRAVEN
He is a stranger to my eyes. Yet his scent is familiar.

156. CALYPSO
His aura glows with primal energies and may be of use to us.
(to Curt)
You need a ride.

157. CURT
What? No. No, thank you. I’ll get a cab.

158. KRAVEN
She wasn’t asking.

159. CURT
<scream>

160. NARRATOR
Kraven drags Connors into the limo, which quickly drives away…

Curt, Kraven, Calypso and Gulyadkin sit.

161. NED
Hello, Robbie? I’ve got something.

J. JONAH JAMESON, JOE “ROBBIE” ROBERTSON and FREDERICK FOSWELL STAND.

162. JONAH
Is that Lee? Put him on speaker.

163. ROBBIE
Now, Jonah, stay calm…

164. JONAH
Don’t you tell me to stay calm, Joe Robertson. It’s not your son at risk. Lee, you there?! I’ll give you exactly three-point-seven seconds to tell me John’s all right!

165. NED
Wish I could, Chief. But he disappeared with the rest. There are six inmaâ€" uh, patients missing. It’s not clear if they busted out or were kidnapped.

166. JONAH
Well, of course John was kidnapped. You think my son would--

167. ROBBIE
Ned, give me the whole list.

168. JONAH
Who cares about the listâ€"

169. ROBBIE
It could provide a lead to John.

170. NED
Doc Ock. Electro. John. Uh… let’s see. Edward Brock Jr., Cletus Kasady and Dominic Dracon.

171. FOSWELL
Dominic Dracon? The old mob boss? There’s a name I haven’t heard in a while.

172. JONAH
Foswell, you know that world! Find out where Dracon might have gone!

173. FOSWELL
You got it, J.J.

174. JONAH
Lee, you stick to the damn super-villain angle! Ock, Electro. What’s their next move?!

175. NED
Right, boss!

176. JONAH
Robbie, I want every available man on this. No, damnit, I want every man, woman and child on this, available or not. Call Parker. Put Benny the copyboy on it. But Ms. Brant on it. I want John Jameson safely back in his mother’s arms in six-point… six-point…

177. ROBBIE
It’s okay, Jonah. We’re on it.

178. JONAH
Good. Good. I’ll… I’ll hit the streets myself. I’m still the best damn reporter in New York City! Just have to make a call first. Well, what are you all waiting for, get out! Out!

Robbie, Ned and Foswell sit.

179. JONAH (CONT)
Hello, is this WVRN? Travis Marshall, please. Travis? It’s Jonah. I got a lead for you on the Ravencroft thing.
(pauses, listening)
Whaddayou care why I’m helping the competition?! I know I hate television! You don’t have to tell me that! I’m not trying to sandbag you, damnit, I… I’m just trying to find my son… any way I can.

Jonah sits. SPIDER-MAN STANDS.

180. NARRATOR
That night finds Spider-Man swinging through the city…

181. PETER (VO)
If I didn’t know better, I’d think Harry was trying to torture me and Gwen. Then again, M.J. is quite the consolation prize. Ah, man, what am I saying? I’m in love with Gwen. Gwen. Gwendolyn Stacy. Just have to get through the next few weeks and then Harry’ll be in a better place, and she and I--

182. NARRATOR
Pete’s ringtone plays Itsy-Bitsy Spider.

183. SPIDER-MAN
Hello?

Robbie STANDS.

184. ROBBIE
Pete. Joe Robertson. There’s been an incident at Ravencroft.

Robbie sits.

185. SPIDER-MAN
Uh huh… uh huh… Wait, who’s missing? Uh oh. Him too? Oh, crap. Sorry, I mean-- What?! Seriously?! Uh, right. Yeah, I’ll keep my eyes open. Camera lens at the ready. Thanks for the heads up. Bye.
(to himself)
Whoa. At least this day can’t get any worse!

SMUGGLER #1 stands.

186. SMUGGLER #1
What the hell are those things?!

187. SPIDER-MAN
When am I gonna learn not to say that out loud?

188. NARRATOR
Spidey swings down to find two men in a van being attacked by two gargoyles, Obsidiana and Zafiro…

ZAFIRO and OBSIDIANA STAND.

189. SPIDER-MAN
Hi there. Hate to interrupt, but this lady-esque-blue-creature-thing matches the description of another lady-esque-blue-creature-thing who just busted some folks out of Ravenâ€"

190. ZAFIRO
What is he babbling about?

191. OBSIDIANA
I have no idea. I sense no connection between him and the source of the disturbance. But these two…

192. SMUGGLER #1
Keep her away from us!!

193. SPIDER-MAN
You see, now I’m on the horns of a dilemma… Uh, no offense. It’s just an expression; I wasn’t referring to your rather striking… Never mind. See in this particular Spider-Man’s experience, when genetic misfits attack ordinary human beings, I’m gonna have to side with the humans.

194. ZAFIRO
Qué sorpresa. A human with no knowledge of the situation leaping to defend one of his own.

195. NARRATOR
Zafiro attacks Spidey.

196. ZAFIRO, SPIDER-MAN
<ad lib battle efforts, impacts>

197. NARRATOR
Obsidiana rips open the top of the van.

198. OBSIDIANA
<rip effort>

199. SMUGGLER #1
Stay back!

200. NARRATOR
The two humans open fire on her, forcing her to leap away… The van peels out. Obsidiana tries to follow, but Spidey webs her wings together.

Smuggler #1 sits.

201. OBSIDIANA
Por favor! You don’t understand the powers that are gathering!!

202. SPIDER-MAN
And you’re the one doing the Gathering, I take it!

203. OBSIDIANA
No!

204. ZAFIRO
Enough!

205. SPIDER-MAN
<impact grunt>

206. NARRATOR
Zafiro slams Spidey into a wall. By the time the web-slinger recovers, the gargoyles are gone…

Zafiro and Obsidiana sit.

207. SPIDER-MAN
<groan> For a guy with no legs, that snake-thing can move…

Spider-Man sits. George and MARIA CHAVEZ STAND.

208. NARRATOR
Not far away…

209. GEORGE
Captain Chavez.

210. CHAVEZ
Captain Stacy. What brings you to what’s left of the 23rd?

211. GEORGE
It’s the Ravencroft thing. I’ve got corroborating witnesses telling me a gargoyle was involved.

212. CHAVEZ
<sigh> I miss the days when being a cop didn’t involve a working knowledge of The Twilight Zone.

213. GEORGE
Welcome to the Freak Show.

214. CHAVEZ
Anyway, as it happens, the Gargoyle Taskforce is meeting right now. First trailer on the right. Ask for Bluestone.

Chavez sits. MATT BLUESTONE, MORGAN MORGAN, MARGOT YALE and Elisa STAND.

215. NARRATOR
Minutes later…

216. GEORGE
And that’s all I know…

217. MATT
Well, that is interesting, or, you know… really, really scary.

218. MORGAN
I’ll say, Detective. With or without a gargoyle, I’ve heard Ock and Electro are bad news. And that Cletus Kasady: he killed five people before--

219. MARGOT
Forget Kasady. Any idiot can bring a serial killer down. It’s the gargoyle we should be concerned with. It’s what I’ve been saying all along! Those monsters are dangerous!

220. MATT
I think what A.D.A. Yale is saying, Captain, is that the Taskforce is on it. We’ll let you know if we hear anything. And we’ll be checking in with all our sources, won’t we, Detective?

221. ELISA
And fast.

Elisa, Matt, Margot, Morgan and George sit. Smuggler #1 and Demona STAND.

222. NARRATOR
Meanwhile, a van with a torn up roof pulls up to a Gramercy Park Mansion… The driver speaks into the intercom…

223. SMUGGLER #1
Longinus sent me.

224. DEMONA
Leave the package. Then take your money and go. While you still can.

225. SMUGGLER #1
Geez, who lives here? Dracula’s daughter?

Smuggler #1 sits. Eddie, John and Cletus STAND.

226. NARRATOR
Demona collects her package.

227. EDDIE
The old guy’s asleep. What’s that?

228. DEMONA
A simple wooden shaft. The prize of Adolph Hitler’s personal collection. After his… demise, his remaining followers smuggled it to Brazil. I paid handsomely to have it smuggled to me.

229. EDDIE
Why? I mean sure, it’s the shaft of a spear. Completes the set with that arrowhead you took from Ravencroft. But why do we care?

230. DEMONA
Here’s why.

231. NARRATOR
Demona joins the spear and spearhead together. Instantly, it radiates incredible power.

232. DEMONA
The Holy Lance. The Spear of Destiny. The weapon that pierced the side of the Christ. Do you still want power, John? This is power.

233. JOHN
Give it to me. Give it!

234. DEMONA
No. This power is mine. But I will use it to give you back your own…

235. NARRATOR
She points the Spear at John Jameson. The magic surrounds him and transforms him into Colonel Jupiter!

236. COLONEL JUPITER
<transformation scream> Yes! The power is mine! I am Colonel Jupiter!

237. DEMONA
For what that’s worth… Now for Eddie.

238. VENOM
<transformation scream>

239. DEMONA
Happy now?

240. VENOM
Extremely. We are Venom again.

241. DEMONA
And what about you, Cletus?

242. CLETUS
(pointing at Venom)
I’ll have what he’s having…

243. DEMONA
As you wish… Carnage.

244. CARNAGE
<transformation scream>

245. VENOM
All right, Demona. You’re the Mirror Universe Wizard of Oz. But what now?

246. DEMONA
Mine is the Power. But I still require the Kingdom and the Glory. This is only the first act, humans… or whatever you are now. The main event is still to come…

Demona, VENOM, CARNAGE and COLONEL JUPITER sit.

END ACT ONE

TOMORROW: ACT TWO...


Nobody here but us chickens.


Bookmark Link

Oregon Shakespeare Festival 2009

I've been meaning to post this all week.

Last Friday, my family and I headed up to Ashland, Oregon to attend the Oregon Shakespeare Festival. The Festival runs for nine months a year, producing 11 different plays. During the summer months, there are nine productions going on in repertory at any given time. We saw five plays in three days, and just had a blast.

We started Friday night with Shakespeare's HENRY VIII, and this was the best production of this play I've EVER seen, including the production I saw in London years ago. Vilma Silva as Katherine and Anthony Heald as Wolsey were both fantastic.

On Saturday, we saw EQUIVOCATION, a new play by Bill Cain that was the highlight of the entire trip (which is saying a lot)! Equivocation is set during the reign of King James I of England (a.k.a. James VI of Scotland). William Shagspeare has been commissioned to write a play about the Gunpowder Plot, and his attempts to tell the truth -- and not get hanged in the process -- are played out. The cast of characters includes his daughter Judith (and for those of you who saw my "Doc Shakespeare" radio play at the 2005 Gathering in Las Vegas, you can imagine how fascinated I was by this), the King, SIr Robert Cecil, Guy Fawkes and various members of the Kings Players. It also features bits of King Lear, Macbeth and Henry VIII, giving a sense to the origin of those plays as well as Shakespeare's later "romances" such as Pericles, Winter's Tale, Cymbeline and The Tempest. Anthony Heald, so good the night before as Cardinal Wolsey is fantastic as Shag. An actress, whose name escapes me unfortunately, is wonderful as Judith. (She played Anne Boylen in Henry VIII) and four other actors (all fantastic) cover all the other parts. I liked this play so much, I immediately went to the gift shop and bought the text. And stayed up reading it that night.

Saturday night, we went to see a Nigerian play called "Death and the King's Horseman", based on a true story and set during World War II. This was a fascinating look at African vs. European (Western) values and theater.

Sunday, we saw Shakespeare's MACBETH. I've seen a LOT of productions of Macbeth of course, but there were a lot of cool elements to this version, including a sense that the Weird Sisters weren't done with Fleance at the end, which was something completely fresh to me. It was also great to see it right after seeing Equivocation.

Finally, Sunday night we saw a wonderfully funny production of MUCH ADO ABOUT NOTHING.

In addition to the shows, we had a number of wonderful meals -- and okay, a couple mediocre ones too -- in Ashland. And my daughter, father and I had a great hike through an absolutely gorgeous park.

All and all, I can't recommend the Festival, Ashland and especially EQUIVOCATION enough.


Nobody here but us chickens.


Nobody here but us chickens.


Nobody here but us chickens.


Nobody here but us chickens.


Nobody here but us chickens.


Nobody here but us chickens.


Nobody here but us chickens.


Nobody here but us chickens.


Nobody here but us chickens.


Nobody here but us chickens.


Nobody here but us chickens.


Nobody here but us chickens.


Nobody here but us chickens.


Nobody here but us chickens.


Nobody here but us chickens.



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