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In as far as Brooklyn traveled into the future, did disco ever come back?
Yes. And went away again.
Which episode is timedancer?
I don't understand the question. Check the FAQ. That might help clarify things for you, and if you're still unclear than you can repost the question offering more clarity for me.
Hey Greg, first time asking a question. I'm a big fan of the Timedancer series so I've got a question about Katana, Nashville, and Tachi. What are their personalities like? I don't need the general details so a vague anwser or something like that is fine. Thank you.
I'm not going to reveal this in this forum at this time.
I checked evry were but i can not find the movie timedancer do you know were i can find the movie.
There's no TimeDancer movie.
Um, well wow never thought I'd get a chance to ask you one of the questions that been burning my mind for the longest of times. A question that could very well shake the fabric of reality.
Just exactly where did Brooklyn get that wicked Eye patch from in Issue 12 page 24 of Gargoyles the Slave Labor Comics? I'm not asking how he got the wound, but where the Eye patch itself came from? It's just been bugging me for the wildest of times.
I'm not revealing that at this time.
(Regarding "Phoenix") Greg responds... (to my post a while ago)
<<Showing a second jump would have ruined the shock value of his arrival. Defanged it.
That's not to say I wouldn't eventually like to show ALL his Dance, but that moment of him leaving one era (at the beginning of the Dance) with Finella and Mary and arriving (in another era at the end of his dance) with Katana, Fu-Dog and the kids was ALWAYS my plan since as far back as 1995.>>
You know, I think that _was_ the reason for my thinking about including the start of the second jump. I just don't like huge shocks. Or change. Which is why I'm glad Timedancer was "spoiled" for me. That made the ending significantly less of a Huh? OMG WHAT?!? AAIIEGH!!! moment and more of a "Phew, he only lost an eye. Katana looks cool." moment.
Uh... I don't know how to respond to this. I love it when there's a huge shock as long as ultimately it MAKES SENSE.
Hello there once again Mr. Weisman, and thanks for your time. I haz a question regarding Timedancer that came to mind while I was reading my Volume 2 of Clan Building: are there more places Brooklyn and company have visited, and more things they have done, than are being told? Or will that be yet another no comment?
Yes, there's 40 years worth of places and things to tell.
I'm kinda going on a question spree now that I have some down time and this is something else that poped into my head that I haven't seen yet. Are Brooklyn and Katana biologicly the same age when they meet?
Quick couple of comments on the recent graphic novels...
It was such a pleasure to read new material and emerse again in the world of gargoyles. I hope we get a chance to do so again quite soon.
Loved the Star Wars homage cover
I was a little confused by the events with the stone. The explanation helped, but I still liked it.
There is a thread on the Girl-Wonder forums about female characters who look fantastic and none sexualized. Coco met with approval. I'd have to go back and check, but I believe the word was "awesome" :)
I found it odd that the Rosetta Stone was included among the list of stones. Are there legends about the stone? I thought it was just the one in the British Museum. Absolutely loved the "Hey" "Hey" between the stone and grail.
Also surprised by the "Bugger Off". Isn't that rather obscene in the UK? I know the intent to keep the comics as all age friendly as the cartoon has slipped a bit. (Strangely the hand being cut off flew by me (no pun intended). Dingo's mother's death shocked me.) But a substitution phrase would be easier that replacing events. (Of course I am blanking on such a phrase at the moment...unless Sod Off is a smidge more polite. Drop Dead doen't sound particularly British.)
Loved the Timedancer part. Had you always intended to start Time Dancer so soon? Had the cartoon continued on air, would Brooklyn have gone and returned season 3 or did it come sooner in response to the new medium. In general did any events move up for the comics?
I know I am in a minority, but I didn't love the art at the end. It's probably just a question of personal taste. The line was more detailed, but the distortions less to my taste. I've heard some say it looked a little more anime looking, and that only sometimes appeals to me.
The relationship between Gilcomgain and the king was wonderfully creepy.
I would have thought Bodhe to be older than Gilcomgain.
Odd.. in the Gargoyles universe it seems sparing a child's life comes back to haunt you. Bodhe's father did it, Macbeth did it, death, war and heartbreak follow.
As whenever we go back in time in these stories, there is a bittersweetness to it. Most, and most probably all, of the gargoyles we meet will be murdered in the next few years. Especially when we see child gargoyles. (I think, though not prominant, one of the gargoyles we saw smashed was a child.)
"Call me Gnash" :)
(I don't remember knowing that was coming, but I may just have missed it.)
Already mentioned, the murder of Dingo's mother shocked me. As did Tasha's suicide earlier, (though I could see how that might have been finageled into the cartoon). Similarly, when I read over the begining of the trade I realized that we had briefly met Tasha and the others as humans. Even in that little bit it made it all the more poignant. A little thing I noted aside from all the big things others have already noted was how the aligator thug was instinctively hugging and holding the little girl to comfort her. Not just the guy with a gun we met before.
I'm a little tight for time, so I'll just say I really enjoyed it and I felt it was very successful in setting up a new series. Yes it is connected, but in the back of my mind I was expecting it to just be an extension of Gargoyles- a way to see more of that universe and extend the stories we were seeing. Instead this is its own story, in that universe, but its own.
Rosetta Stone is what it is.
Same with "Bugger Off". Perhaps because my primary audience is in the U.S. it just doesn't feel as dirty as it is.
The start and finish of TimeDancer was always supposed to occur in Season Three of Gargoyles. The forty years in between was always a spin-off idea.
I'm glad that in general you liked the stuff!
One of the big changes you made from canon-in-training to canon, in "Clan-Building", was having the Phoenix rather than the Phoenix Gate be the cause of Brooklyn's timedancing. I thought about it recently, and think that it was a good change.
Aside from it providing a good explanation for why it took so long for Brooklyn to get back (it would probably have seem far-fetched if each time the Phoenix Gate appeared during those forty years, he always failed to grab it before it disappeared again), I think it added something to his journey. While we don't know exactly what the Phoenix is as yet, or what its agenda is, the way it was depicted (and Brooklyn's own comments) made it clear that it deliberately took Brooklyn to Scotland in 997, that this was not just some accidental fluke, that the Phoenix has a purpose and intentions like those of any sentient being. Brooklyn isn't being battened about the time-stream by an out of control magical talisman, but is being sent places to fulfill a mission, like Goliath and his companions on the Avalon World Tour. His adventures up and down history, past and future, are the product of a plan, not just the whims of chance. I think it made for a much better story.
Some questions bubbled up in my mind while reading Gargoyles Clan-Building, first about the Timedancer arc.
1)Is Fu-Dogâs gold collar affected by the humility spell?
2)Does Katana speak English? I note that she had no lines in âPhoenixâ and in the non-canon Radio Playâ¦is the reason she doesnât speak because she canât speak English?
3)Somewhat related to question 2, is Brooklyn able to understand the languages of times/places he goes automatically, or does he need to learn them?
1. It's up to him.
2. She speaks English.
3. I haven't fully decided, but I'm leaning toward the Phoenix compensating magically.
Does Brooklyn meet Katana before or after his adventures in the future with Samson and the resistance?
In the comics are we ever going to find out what happened to Brooklyn in his 40 years of time travel?
If I'm given the opportunity, yes.
1. When was Katana hatched?
2a. How old is Katana biologically when Brooklyn & Co. return to Manhattan 1996?
2b. How old is Katana chronologically when Brooklyn & Co. return to Manhattan 1996?
3. What year did Katana and Brooklyn first meet?
4. I hope this doesn't sound vulgar because it's not meant to be, but when did Brooklyn and Katana find time to mate with Nashville hanging around? I just imagine lots and lots of awkwardness:-Z
1. I'm not revealing that at this time.
2a. Same age as Brooklyn.
2b. I'm not revealing that at this time.
3. I'm not revealing that at this time.
4. Parents manage. (Otherwise, I wouldn't have TWO kids myself.)
==== SPOILERS!!!!!============SPOILERS!!!!!========= SPOILERS!!!!!========
Amusing cover. When I first saw it I wondered what guy had tattooed his face like that. Mother always told you if you make ugly faces, your face could stick that way. Good thing it's only paint, and that hair grows back. Too bad he'll die like that.
The art in the battle scenes is very detailed and good. I love all the different gargoyles. But all the gargs seem to have belly-buttons... I don't think that's right.
That poor gargoyle, Demona's second-in-command, loses his mate. I wish there were enough pages to get to know all these gargoyles. But even without knowing them, it is tragic to see them all die. Tragic, and infuriating to see how genocidal some of the humans are.
And I think Demona blames Brooklyn almost as much as the humans.
That sorcerer, Valmont, got his hand (or both hand?) hacked off, but he got up and just walked away! Yikes!
We get more background about Findlaech and Gillecomgain. It neatly explains why Gillecomgain grew up as a peasant, even though his father is related to Findlaech. This would almost make Gillecomgain's desire to kill Findlaech understandable... almost, if the rain of arrows weren't blindingly obvious to everyone else at the battle. Besides, I can't feel actual sympathy for a guy who so joyfully murders gargoyles. The way he keeps trying to kill little Bodhe doesn't help my impression, either.
I can't help thinking that Demona is rather gullible. She believes Brooklyn when he claims that half of the Gate is enough to control the phoenix... and why should he know she has the Gate, anyway? That was a private moment between her and Goliath. Luckily she falls for it, though.
The ending of this book is a surprise. Not because I didn't know how Timedancer was supposed to finally end. But I expected Brooklyn to freak out and start kissing the ground or hugging people. Plus, I was seriously expecting Coldstone and Coldfire to keep hunting Coldsteel, and for some of the London gargoyles to join the Manhattan Clan. After all, the London Clan is facing severe population pressure, while the Manhattan Clan is way too small.
I am relieved that Brooklyn only lost an eye, instead of an entire limb. An eye I don't mind, but a whole limb would have been disturbing. It is bizarre though, how the Future Tense models keep showing up, first at the Halloween party and now here. How could Puck have predicted these specific outfits? Even if he has the power to see the future, it's quite bizarre that he can see things that specific. Is it just a meta-universe joke?
I like that Katana has a beak, although her face looks kind of squished. I wish more gargoyles had beaks. I like her model.
And they named the egg? That has to be the most pointless... and least gargoylean... thing to do, EVER. Your egg does not need a name! Neither does your sword! Or the sky! Heh. Time to reconnect with your gargoyle roots a little, you three.
I'm actually glad that I read about Timedancer on Ask Greg before reading this comic. I think the whole "40 years, a mate and kid" thing would have been too much of a shock for me otherwise. I tend to be quite averse to change. I also think it might have worked better (if there was room) to show his second jump and one panel of his second destination, to drive home that the Phoenix took him to many times and it was going to be a long trip.
I'm also sad that there wasn't room to show any bits and pieces of Brooklyn's other trips. I would very much like to have seen some of the Ishimura and Xanadu clans, or the Lost Race. Or a glimpse of the future.
I sincerely hope this is not the end. We'll see. Good luck convincing somebody to pick up a graphic novel license some day!
==== SPOILERS!!!!!============SPOILERS!!!!!========= SPOILERS!!!!!========
Showing a second jump would have ruined the shock value of his arrival. Defanged it.
That's not to say I wouldn't eventually like to show ALL his Dance, but that moment of him leaving one era (at the beginning of the Dance) with Finella and Mary and arriving (in another era at the end of his dance) with Katana, Fu-Dog and the kids was ALWAYS my plan since as far back as 1995.
I just finished reading Clan Building Vol. 2 and I wanted to know, will there be more Gargoyle trade paperbacks? I know there is one for Bad Guys coming out, but I wanted to know about stories concerning the main Gargoyles. Also, speaking of Bad Guys, how many issues will be in the trade? Lastly, I thought the trade rushed Brooklyn's time traveling story, will there be a trade paperback to cover what wasn't told? Thanks so much for giving fans the unpublished issues.
Bad Guys Trade is out. Contains six issues worth of content, including covers.
Brooklyn's story wasn't all that rushed to my mind. IF you're asking about his ENTIRE time-travel journey, then please understand there was NEVER any intent to show all of that here. That story takes place over FORTY YEARS of continuity. I hope to tell more of it eventually, but let's be honest -- there's no way I'm ever going to cover all forty years in my lifetime.
And, yes, I hope there will someday be more Gargoyles trades. Dan Vado and SLG are working on that now.
I reading a question someone asked you about if demona and goliath would ever be a couple again and you said no. I was some what unhappy about that development as I was always had hope they would be a couple again at some point. I also find Elisa to be a some what uninteresting character to be honest compared with demona. I know many shows will take into consideration input from the fanbase and bring certain characters back to life,give popular characters with a small amount of screen time more time and so one. I was wondering if you basically have a vision set in stone for your characters or do you ever make any changes in gargoyles or any other show based on fan feed back? I hope this questions does not violate your rules for answering questions,but I was really wondering about what level you take fan input into consideration regarding existing characters and events? Great show and keep up the good work. I'm kind of burnt out on spiderman to be honest,but now that I know you're involved in it I guess I'll have to buy the box sets and check it out.
Hmmm... I really don't change stories based on fan desires. First off, fans don't all agree on what they want (for example a lot of folks think Elisa is great), and sometimes (like Demona getting back together with Goliath) they want things that just don't make any story sense and would be bad for the property.
On the other hand, I do respond to what the fans respond to. Brooklyn's popularity was probably one of the things that lead me to the creation of TimeDancer.
G2009 Radio Play - Act Two
BIG MAN STANDS.
Act Two. The Big Man of Crime enters his offices, but finds heâs not aloneâ¦
248. BIG MAN
You spend so much time here, Iâll need to buy you your own chair. So youâll stay out of mine.
Green Goblin STANDS.
249. GREEN GOBLIN
Surprised to see me?
250. BIG MAN
251. GREEN GOBLIN
Then you wonât be surprised to learn Iâm still running thingsâ¦
252. BIG MAN
If you can run them from a hospital bedâ¦
Catching Gobby off guard, Lincoln punches him right through the windowâ¦
254. GREEN GOBLIN
The goblin-glider swoops in and catches the Goblin, who pulls out a Pumpkin Bomb.
PUMPKIN BOMB STANDS.
256. GREEN GOBLIN
Ever the gracious host. And ever the gracious guest, the Goblin must show his appreciation. Here. I brought a gift.
Gobby throws his âgiftâ, but Goliath swoops in, catches it and throws it back.
Goliath and Spider-Man STAND.
258. PUMPKIN BOMB
259. GREEN GOBLIN
Not far awayâ¦
No, no, no, no, noâ¦ I was hoping Iâd never hear that trademark Pumpkin Bomb shriek againâ¦
Spidey swings in to find Goliath and a recovering Gobby togetherâ¦
So thatâs what these gargoyles areâ¦ more of the Goblinâs Halloween creationsâ¦
Spidey swings into action against Goliath.
265. GOLIATH, SPIDER-MAN
<ad-lib battle sounds>
The Bugle was right about you: you are a threat and a menace!
Wait, you can talk? And read?! And what you read is the Jolly Oneâs editorials?!
268. GREEN GOBLIN
I know I should assassinate Mr. Lincoln. But Iâm so enjoying the show. Really, someone should make more Gargoyles. I know: Iâll call Walt Disney.
Green Goblin, Spider-Man, Goliath, Pumpkin Bomb and Big Man sit. ANGELA, BROOKLYN, BROADWAY and LEXINGTON STAND.
Meanwhile, atop the Eyrie Building, Brooklyn, Lexington and Broadway watch Angela playing with Brooklynâs son Nashvilleâ¦
Thatâs great, Nashville. This time try the axeâ¦
Wow, Angela looks so adorable playing with Gnash. I mean, Gnash is cute tooâ¦
Thanks. I know he hatched in another decade, but Katana and I discussed it, and we want the whole clan to be Gnash and Egwardoâs Rookery parentsâ¦
Weâd be honoredâ¦
I still canât quite take it all in. I go to Britain for a few weeks, and everything changesâ¦
At least you were gone for weeks. Try adjusting in forty seconds.
Hey, I had forty years to get ready for this, and itâs still strangeâ¦
But, dude. Youâre soâ¦ old.
Older than Goliath.
Almost Hudsonâs age.
I get it. Iâm old.
Itâs not that. Everything about you is different.
Oh, come onâ¦
No, heâs right. The way you talk. The way you move. All those weapons you carry now. Itâs like youâve outgrown us.
Thatâs not fair. I canât tell you how much I missed you both.
We get that. And weâre not mad. Butâ¦
Look, this isnât all on me. As I recall, things were already changing. Broadway spent all his time with Angela.
Not all my time.
Uhâ¦ pretty much.
Yeah, well, youâre practically on the internet non-stop.
Itâs addictive! Do you know they have porn on that thing? Thereâs this one website, Blue Mug Prodâ"
I donât wanna know. The point is weâve all gone through some changes. Thatâs just life.
I guess our Three Musketeer days are overâ¦
Zafiro and Obsidiana STAND.
Gargoyles of Manhattan!
We need youâre help!
At just that moment, the sun rises, turning Brooklyn, Lexington, Broadway, Angela and Gnash to stone. Obsidiana and Zafiro are unaffected, thanks to their mystic Mayan pendants.
Nuestro cronometraje apesta hoy.
Obsidiana, Zafiro, Lexington, Broadway, Brooklyn and Angela sit. Spider-Man, Green Goblin and Pumpkin Bomb STAND.
Across town, Goliath also turns to stone.
What the heck?!
303. GREEN GOBLIN
Well, that wasâ¦ unexpected.
All right, thatâs enough. I know youâre not the real Gobby.
305. GREEN GOBLIN
Yes, yes, âItâs not the voice; itâs the words. Not the tech, but the moves.â Iâve heard it all beforeâ¦
Then I know exactly who you really are: Chameleon!
307. GREEN GOBLIN
That would ease your conscience, wouldnât it? To think Iâm Chameleon â" and not the ghost of the man you killed!
I donât believe in ghosts.
309. GREEN GOBLIN
Then maybe youâd prefer I was the Spawn of Goblin.
Oh, youâd just love to shift the blame to Harry. Sorry, Gobby â" I mean, Chammy â" but weâve been there, done that. Besides, no matter who you are, there hasnât been time for the Globulin Green to kick in and truly Goblify you. So Iâm gonna take you down now while youâre still just a cheap imitation.
311. GREEN GOBLIN
You could do thatâ¦ or you could save stoneface over there.
Gobby throws a pumpkin bomb at Goliath. Instinctively, Spidey webs it awayâ¦
313. PUMPKIN BOMB
Pumpkin Bomb and Green Goblin sit.
By which time, the Goblin is gone, leaving a confused Spidey perched on Goliathâs headâ¦
So in hindsight, Iâm thinking maybe you werenât part of the Gob-Squad, right?
Fine. Stonewall me.
That morning in Forest Hills, Spidey sneaks in through his bedroom window, hoping to catch a few Zs.
Peter, are you awake.
Uh, sure Aunt May. Just getting dressed.
Well, hurry up. Iâmâ¦ âconferencingâ with all the other parents.
Robbie, ROSIE THOMPSON and George STAND.
Are you sure you donât mind, Mrs. Parker? Cuz I gotta say, what youâre proposing would be my worst nightmare.
<laughs> Oh, I donât believe that for a minute, Mr. Robertson. Itâs a joy to be around Peter and his friends. And I wonât be alone. Anna Watson and Mrs. Osborn will be with me.
Emily? Sheâs soâ¦ odd. I donât think sheâs ever said one word to meâ¦
Well, I donât know her very well, Rosie, but Harry is Peterâs best friend â" no offense to your Eugene â" so she must be doing something right.
May, you never change. Always seeing the best in people.
Iâll take that as a compliment, dear girl.
In any case, Iâm glad to get Gwen out of Manhattan for a few days. The streets are looking pretty grim right about now.
Oh, Iâm sure your officers will have things under control in no time.
Aunt May, whatâs going on?
Oh, didnât I tell you, Peter. Iâm chaperoning your trip to Miami Beach!
Peter, May, George, Rosie and Robbie sit. Big Man and Dominique STAND.
Meanwhile, back at L. Thompson Lincolnâs officeâ¦
332. BIG MAN
And how can I be of help, Ms. Destine.
I think I can help you, Mr. Lincoln.
334. BIG MAN
What makes you think I need any help?
Oh, little things. The shattered window, that unusual statue on the ledge outsideâ¦
336. BIG MAN
Point taken. How about you cut to the chase?
Fine. Tony Dracon. Tomas Brod. Silvio Manfredi. All in jail. Hammerhead. Sable Manfredi. On the run. This gives you a unique opportunity to reclaim what was lost.
338. BIG MAN
Iâm sure L. Thompson Lincoln has no idea what youâre talking about. But go onâ¦
You have three problems. Green Goblin, Doctor Octopus and the government watching your every move.
340. BIG MAN
And you have the solutionâ¦
I have the manpower. Threeâ¦ âsuper-villainsâ to take down the competition and Dominic Dracon to use as a figurehead.
342. BIG MAN
The old man? I heard he was shy a few brain cells.
Itâs easy enough to spread the word he was faking insanity to avoid prosecution. And easy enough to assign him a keeper. Meanwhile, heâs a Dracon. And that name still carries weight, I believe.
344. BIG MAN
It does. But what would you want in exchange?
Nothing extraordinary. Just the services of the Tinkerer.
346. BIG MAN
I believe that can be arranged.
Lovely. But letâs not allow the moss to gather. Youâll want to move fast. Before the Octopus retrieves his armsâ¦
Dominique and Big Man sit. SILVER SPOON MANAGER, Vulture, DOCTOR OCTOPUS and Electro STAND.
The weather has turned cold. At the Silver Spoon, three men in trench coats and hats wait for their coffee.
349. SILVER SPOON MANAGER
Vulture sits down with Electro and Doctor Octopus.
352. DOCTOR OCTOPUS
Thank you, Adrian. Now. My arms?
In an OsCorp vault.
<shhhhh> Not THE Vault. A vault. Still very high security, and the police are bound to expect our arrival, butâ¦
356. DOCTOR OCTOPUS
Indeed. <sigh> OsCorp. Even in death, Norman Osborn torments me. But it cannot be helped. I must have my arms. We go in under cover of darkness tonight.
Doctor Octopus, Vulture and Electro sit. Silver Spoon Manager remains standing. Peter and Mary Jane STAND.
The three men exit through one door. Two teenagers enter through another.
358. SILVER SPOON MANAGER
359. MARY JANE
Try to understand, Tiger. I just canât do that to Gwen. Sheâs really become my best friend at Midtown.
But itâs not like weâd be making out or anything, right? Uh, right?
361. MARY JANE
Right, right. Weâd be going as friends. Hanging out when the couples were â¦ you know, coupling.
363. MARY JANE
And that would be great. But look at it from her point of view. She took all the risks, and you still wound up with Liz. Thereâs no way, sheâd see me as anything but a threat. Wait, that sounded really conceited.
Have you looked in a mirror? Not conceited. Just fact.
365. MARY JANE
Ooh, nice one. Such a player.
Yeah, right. The worldâs loneliest player.
367. MARY JANE
Stop it. I know you donât want to hurt Gwen either. Not after all the two of you have been through.
Yeahâ¦ I wonder if Ms. Brant likes Miami. Kidding, kiddingâ¦ Wow, pretty good. That was practically the Look.
369. SILVER SPOON MANAGER
SEYMOUR OâREILLY stands.
So youâre just not going?
371. MARY JANE
Oh, Iâm going. Itâs 48 degrees outside and 82 in Miami. I asked Tiny to be my plus one.
Tiny?! Tiny McKeever?! The guyâs got the brain of an amoeba. He makes King Kong look like a genius. Hell, he makes Flash look like Stephen Hawking!
373. MARY JANE
<argggh> I just wish I could skip the whole thing. But Aunt Mayâs going, and after her heart attack, I really think she could use some fun in the sun--
Sorry to interrupt. Couldnât help overhearing.
Oh, hey, Seymour.
Just wanted to let you know Harry invited me too. And Iâm totally going stag. I mean who wants a ball and chain when Miami Beach is full of hotties, right?
Just donât expect to hang out, okay. Youâd fully cramp my style.
Of course I wouldâ¦
381. SILVER SPOON MANAGER
Silver Spoon Manager, Peter, Seymour and Mary Jane sit. Dominique and TINKERER STAND.
Meanwhile, the Tinkerer arrives at the Destine Mansionâ¦
You have the devices?
Five was all I could put together on short notice. Unless you want to bring Mysterio inâ¦?
Our stage is crowded enough. And five should do quite nicely.
Dominique and Tinkerer sit. May, Mary Jane, GREG BISHANSKY, Sally, Gwen, Harry, Kong, Rand, Flash, Liz, Jason, Peter and Seymour STAND.
Later that afternoon, Harryâs rented a party bus, and the gang is en route to the airport, stuck in heavy traffic on the expressway. A very prepared May Parker has a clipboardâ¦
All right, we have three adults and sixteen children â" sorry, sixteen teenagers. Thatâs nineteen sojourners bound for Florida. So why did my headcount come to twenty?
388. MARY JANE
I think you counted the bus driver, Mrs. Parker.
Oh, that I did.
Hey, twist my arm! Iâll go to Miami with you guys!!
Was anyone talking to you?
Then eyes front.
Harry, are you all right?
I dunno. All this stopping and starting. My stomachâs a little queasyâ¦
Dude. Does this bus rock or what?!
Damn right itâs cool. Wouldnât mind taking this baby all the way to Florida.
Excuse me?! Itâs a bus.
Sallyâs right. Weâre not ditching the private jet for a bus. Right, Jason?
It really is a very nice bus though.
Hey, Iâm not offended. I still canât believe the Osborns hired me again. The last time, I got in two-- <impact grunt>
Dude, you totally rear-ended that guy at the tollbooth!
Wonderful. Now, weâll be stuck here forever!
Everybody stay calm.
Ah, man, gotta use the johnâ¦
<laughs> I think Osbornâs gonna hurl!
Oh. My. God! If my hair starts smelling like vomit, Iâll sue you for bus-driver malpractice!!
Bishansky, Sally, Kong, Harry, May, Seymour, Peter, Jason, Liz, Flash, Rand, Gwen and Mary Jane sit. Brooklyn, Lexington, Broadway, Zafiro and Obsidiana STAND.
The sun sets. At the castle, the gargoyles awakenâ¦
415. BROOKLYN, BROADWAY, LEXINGTON
You must be Zafiro.
How did you know?
Strong family resemblance.
Long story. Time travel. The future. A whole other spin-off. Two actuallyâ¦
We donât have time for your âspin-offsâ. Â¿Donde esta Goliath?
He didnât sleep here.
But Iâm sure heâll be back soon.
Heâd better. We have trouble. Demona trouble.
Hi, Obsidiana. Iâm betting you have trouble tooâ¦
Elisa, Obsidiana, Lexington, Broadway, Brooklyn and Zafiro sit. Kraven, Calypso, Curt and Gulyadkin STAND.
And while the clan awaits Goliathâs returnâ¦
It is time, Calypso.
Yes. The forces gather. We can make this one our own.
I demand you let me go!
Hold your tongue, American dog. Or Gulyadkin will hold it for you.
<low lion growl>
Calm yourselfâ¦ This change will not be difficult. The primitive bound within is barely skin-deepâ¦
I-- I donât know what youâre talking about.
I think you do. You see my companion. The details may have been created in a laboratoryâ¦
But the soul of the Hunter â" the beast inside â" was always my own.
What are doing with that doll?
Turning it inside out.
Listen to me, please. Even if you can release the âbeast insideâ, you donât want to! It canât be controlled.
<laughs> Nyet. Not by you perhaps. But my Calypso is not so easily trifled with.
It is timeâ¦
Noooo!!!! <transformation scream>
Curt Connors is transformed by Calypsoâs magic into the Lizard.
Nowâ¦ to the Hunt!
Kraven, LIZARD, Calypso and Gulyadkin sit. Obsidiana, Zafiro, Angela, Elisa, Goliath, Broadway and Brooklyn STAND.
Back at the Castle, Goliath has returned, and the entire clan has gathered. Elisaâs revealed what she knows about Demona. Now, itâs Obsidianaâs turnâ¦
It came from somewhere further south. Two human smugglers carrying an object of great power through the Greenâ¦
My mate is sensitive to these things. We tracked them, but they boarded a jet airplane and were soon out of our reach.
Pero still I could sense great forces gathering. I asked Jade and Turquesa to teach us the way to Avalonâ¦
Gabriel says hello, by the way.
Oh, I miss him. How is he?
Angela, honey, letâs stay on point. I take it Avalon sent you here.
Yes. We nearly achieved the totem, but a ridiculous human dressed in red and blueâ"
454. ELISA, GOLIATH (UNISON)
He did spin webs like a spider. Though from his hands, not hisâ"
Focus, mi amor.
Lo siento. This Man-Spider, he interfered. The smugglers escaped again. Now, power builds on power, rising to a crescendo.
And thatâs bad, right?
Elisaâs cellphone rings.
Itâs Matt. Somethingâs going down at the OsCorp vault off the Expressway. Most of the Taskforce is already here. Stacy and his men too. But Iâm thinking we might needâ¦ âback-upâ. Lots and lots of back-up.
Weâre on our way. Brooklyn, can Bronx and Fu-Dog baby-sit Egwardo?
Good. Because otherwise itâs all hands on deck.
Elisa, Brooklyn, Broadway, Obsidiana, Zafiro, Goliath and Angela sit. George, Morgan and OâNeil STAND.
Okay, Captain. The rest of the Taskforce is on its way.
My men are deployed.
And just in time! Cuz we got Gobby and his Pumpkin-Heads at 12 oâclock!
Green Goblin and Pumpkin Bomb STAND.
468. GREEN GOBLIN
469. PUMPKIN BOMB
And a gargoyle at 3 oâclock!
Thatâs not a gargoyle. Thatâs the Vulture!
You were right, Otto. The police were waiting. And the Goblin is here too. You donât think it could actually be Osborn, still alive, do you?
Doctor Octopus and Electro STAND.
473. DOCTOR OCTOPUS
Do not get distracted by old grudges, Adrian. It hardly matters who wears the Green. His intent is still to prevent me from regaining my arms. You must keep the Goblin and the authorities occupied.
475. DOCTOR OCTOPUS
Now, Electro. Open the vault.
Roger that, Doc!
Electro, already inside, short-circuits the vaultâs electro-magnetic lock.
Tinkerer and Demona STAND.
Electroâs breached the vault.
So predictable. Send in your operatives.
Tinkerer opens a burlap sack, releasing his five âoperativesâ.
HOMUNCULUS #1, HOMUNCULUS #2, HOMUNCULUS #3, HOMUNCULUS #4 and HOMUNCULUS #5 STAND.
481. HOMUNCULUS #1
Homunculi to the rescue!
482. HOMUNCULUS #2
Dirty work to be done!
483. HOMUNCULUS #3
484. HOMUNCULUS #4
Uh oh, somebodyâs language systemâs off-line again.
485. HOMUNCULUS #5
You know it, girlfriend!
Calypso, Kraven and Lizard STAND.
And down in the sewerâ¦
It is right above us, my love. The Power and the Glory. The very keys to the Kingdom.
And Kraven will lay them all at your feet.
Up top, a stretch limo skids to a stop outside the vault. Dominic Dracon and Fancy Dan emerge.
Dracon and FANCY DAN STAND.
All right, boys. Get me those jewels!
492. FANCY DAN
I think what the boss means isâ¦ Destroy the competition!
Carnage, Colonel Jupiter and Venom STAND.
<evil chuckle> Carnage time?
494. FANCY DAN
Yeah. Go. Kill. Whatever.
495. COLONEL JUPITER
Colonel Jupiter will stop the Green Goblin and Vulture in their tracks!
496. FANCY DAN
Knock yourself out. But what are you waiting for?
Someone worthy of our hate. But we have faithâ¦ Heâll comeâ¦
498. GREEN GOBLIN
My, my, the fieldâs getting crowded. Letâs thin the herd. Pumpkin-Heads, release the hounds! <ahem> That was a metaphor. Throw your pumpkin bombs already!
499. PUMPKIN BOMB
Pumpkin Bomb, Green Goblin, Venom, Fancy Dan, Colonel Jupiter, Carnage, Dracon, Lizard, Kraven, Calypso, Homunculus #5, Homunculus #4, Homunculus #3, Homunculus #2, Homunculus #1, Demona, Tinkerer, Electro, Doctor Octopus, Vulture, George, Morgan, OâNeil and Matt SIT. May, Peter, Bishansky, Flash, Kong, Sally, Mary Jane, Gwen and Harry STAND.
Goodness, what was that?
Something The Bugle will want pictures of. Open the door.
Peter Parker, I am not letting you off this bus in the middle of the expressway.
Aunt May weâre at a complete standstill. And you donât have to worry. Iâll use my telephoto lens. I wonât be anywhere near the action.
I suppose it is your jobâ¦ Open the door.
Thanks, Aunt May. You rock!
If Puny Parkerâs going, Iâm going too!
Eugene Thompson, you sit your backside down in that seat right this minute.
Whatâs he going to take pictures with? I saw his camera get blown up two months ago.
513. MARY JANE
Peteâs a professional photographer, Sally. Iâm sure he has more than one camera.
Harryâ¦ Are you all right in there?
<vomit noise> Ugh, donât come in. It really isnât pretty.
Harry, Gwen, Mary Jane, Sally, Kong, Flash, May, Peter and Bishansky sit. Broadway, Goliath, Brooklyn, Angela, Elisa, Zafiro and Obsidiana STAND.
The clan alights on a rise overlooking the battlefield.
Whoa, what a messâ¦
We will split our forces. Brooklyn, Lexington, Broadway, Obsidiana, Zafiro with me.
Shouldnât I lead the other contingent?
I need your experience and your weapons at my side.
Donât worry, Brooklyn, weâve got it covered.
Angela, Hudson, Katana, Gnash, Coldstone and Coldfire glide toward the battle.
523. BROOKLYN, BROADWAY (UNISON)
You know Iâm going with you.
Not this time, Elisa. You must join your fellow officersâ¦
When all is settled, we shall need your help to cover our retreat from this conflagrationâ¦ You know this is true.
Elisa sits. Spider-Man STANDS.
Elisa makes her way down the hill. Goliath and the others glide to the Vaultâs roof. Spider-Man lands there at the same time.
530. SPIDER-MAN, ZAFIRO (UNISON)
Hold, Spider-Man. I have a friend who knows your Captain Stacy.
This policeman believes in you. So I choose to believe in you as well.
Says the eight-foot tall medieval monster. But I get it. Weâre on the same side. So letâs go kick some Pumpkin-Butt!
Â¡Idiota! That battle is a mere distraction.
The true danger lies withinâ¦
All right, all right, you had me at âIdiotaâ.
The gargoyles rip open the rooftop. The seven heroes descend, but someone watchesâ¦
Spider-Man, Obsidiana, Zafiro, Goliath, Broadway and Brooklyn sit. Venom and Fancy Dan STAND.
And there goes our Broâ¦
540. FANCY DAN
You going in? That wasnât the plan!
And how do intend to stop us?
542. FANCY DAN
Fine, go. But if you see my Ricochet suit, bring it out!
Fancy Dan and Venom sit. Foswell, Jonah and Robbie STAND.
See, J.J. The tip from Draconâs old chauffer was right on the money.
Whaddaya want, a fershlugginer medal?! Letâs get in there!
Slow down, Jonah. I promised Joan I wouldnât let you lose your head, figuratively or literally.
Forget my head! Who cares about my head?! My boy needs me!
Ned and Colonel Jupiter STAND.
Looks to me like your boyâs doing pretty well, Chief!
548. COLONEL JUPITER
Take that, miscreants!
Ned, how did youâ"
Tip from one of the pumpkin-heads. Foswellâs not the only one with sources.
You two can naked mud-wrestle over whoâs the biggest brown-noser later. For now, Robbie, if you donât let go of me in zero-point-zero seconds, Iâll dropkick you to next Season! And thereâs no guarantee thereâll be a next Season!
Jonah breaks away from Robbie, but his path is blockedâ¦
Get back! You want to wind up street pizza!
But thatâs my son up there.
Yeah, well, at least heâs fighting on the right side.
556. COLONEL JUPITER
Nothing stands against the might of Colonel Jupiter!
Does he always talk like that?
Bombasticism runs in the family.
Robbie, Elisa, Colonel Jupiter, Jonah, Ned and Foswell sit. Vulture, Carnage, Green Goblin, Angela, Fancy Dan, Matt and Dracon STAND.
Jupiter takes down Pumpkin-Heads right and left. Hudson squares off against Vulture.
Why do I get the old guy?
Youâre old. Heâs old. Itâs parallelism. Get over it.
Coldstone and Coldfire isolate Carnage.
No fair! These two donât spatter at all!
Angela and Katana take on the Goblin.
564. GREEN GOBLIN
Oh, goody. Gobby likes getting down and dirty with the hotties.
Oh, you did not just say that.
And little Gnash goes after Fancy Dan.
567. FANCY DAN
Admit it, you gave me the kid because Iâm short?
Even Detective Bluestone gets into the act.
Youâre confused. Iâm G.F. Benton, a certified public accountant. I think Iâll be going nowâ¦
Yeah. Back to Ravencroft, you old nutter!
But inside, things are a bit more seriousâ¦
Matt, Dracon, Fancy Dan, Angela, Green Goblin, Carnage and Vulture sit. Electro and Doctor Octopus STAND.
Got your arms, Doc!
574. DOCTOR OCTOPUS
And my Megalo-Pack?
Youâre Mega-what now?
576. DOCTOR OCTOPUS
My power-source, Maxwell.
Right, right. No. Thatâs not here.
578. DOCTOR OCTOPUS
Homunculus #1, Homunculus #2 and Homunculus #3 STAND.
579. HOMUNCULUS #1
Gotta get the true treasure!
580. HOMUNCULUS #2
Bring it back to the big Smurfette!
581. HOMUNCULUS #3
Blunk hates getting wet!
Three Homunculi fly deeper into the vault to retrieve Demonaâs prize.
Homunculus #3, Homunculus #2 and Homunculus #1 sit. Zafiro, Spider-Man, Lexington, Homunculus #5, Goliath, Brooklyn, Broadway and Obsidiana STAND.
What are those things?!
584. SPIDER-MAN, LEXINGTON (UNISON)
And I got one!
586. HOMUNCULUS #5
Leggo, you big bully!
<ugh> What an annoying voiceâ¦
588. HOMUNCULUS #5
(aside to audience)
Look whoâs talking.
â¦But I might be able to use it to take control of the others.
I think I can help.
Youâll be a little too busy for that, Bro.
Friend of yours?
Once upon a time. Not so much now.
595. VENOM, SPIDER-MAN
<add-lib battle sounds>
A little help?
Brooklyn blasts Venom, who collapses.
Sonic Cannon. Circa 2198. Guess my weapons do come in handy.
Just cover me until I can get this workingâ¦
Demona and Tinkerer STAND.
Whatâs wrong, Tinkerer? Why havenât they returned?
Someoneâs trying to counter their programming. He wonât succeed.
He had better not.
My hackâs being hacked!
Heâs overriding my override!
Homunculus #4 STANDS.
606. HOMUNCULUS #4
Go right. Go left. Go right. Go left. Blow up!
Homunculus #4 blows up. But so does Homunculus #5 in Lexingtonâs hands!
Homunculus #4 and Homunculus #5 sit.
610. DOCTOR OCTOPUS
This is madness! Grab my arms and get me out of here!
Workinâ on it!
Electro blasts away, until he and Doc Ock are blindsided byâ¦
Kraven, Gulyadkin, Lizard and Calypso STAND.
613. ELECTRO, DOCTOR OCTOPUS
Look, itâs Claw.
Thatâs not Claw.
Well, itâs sure not Maggie.
Is that an actual lion?
Lizard, too? Seriously, this is way over the top.
Homunculus #1 and Homunculus #2 STAND.
622. HOMUNCULUS #1
Got the gizmo!
623. HOMUNCULUS #2
Homunculi never fail!
Two homunculi fly past, carrying a sealed container down a dark corridor.
625. CALYPSO, OBSIDIANA (UNISON)
(pointing at each other)
Donât let her near it!
Go, Calypso! Leave them to us!
Â¡Vaya, mi amor!
We got your back, Goliath! Go!
Think Iâll tag along tooâ¦
Spider-Man, Obsidiana, Calypso, Homunculus #2, Homunculus #1, Goliath, Tinkerer and Demona sit.
Calypso, Obsidiana, Goliath and Spider-Man race down the corridor.
Lizard, take the reptile!
Â¡No soy ningÃºn reptil! Â¡Soy un GÃ¡rgolo!
633. ZAFIRO, LIZARD
<ad-lib battle sounds>
Gulyadkin and Kraven attack Lex and Broadway!
Hey, get him off me!
Kinda busy at the moment!
639. GULYADKIN, LEXINGTON, KRAVEN, BROADWAY
Brooklyn steps in and pulls both cats off his rookery brothers. They turn on him.
642. BROADWAY, LEXINGTON (UNISON)
All for one!
The two gargoyles return the favor, knocking Kraven and Gulyadkin aside. Then Brooklyn blasts them both.
And one for all!
645. KRAVEN, GULYADKIN
Some things never change.
Zafiro throws Lizardâs unconscious body on top of Kravenâ¦
648. KRAVEN, LIZARD
We should follow Obsidianaâ¦
650. ZAFIRO, BROOKLYN, LEXINGTON, BROADWAY
The four gargoyles are dropped by Electroâs blast.
Still want out?
653. DOCTOR OCTOPUS
Indeed not. My curiosity is piqued. Letâs see where this leadsâ¦
Doctor Octopus, Electro, Broadway, Lexington, Brooklyn, Zafiro, Gulyadkin, Kraven and Lizard sit. Demona, Homunculus #1 and Homunculus #2 STAND.
Electro and Octopus head down the corridorâ¦ In a dimly lit room, Demona holds the Spear of Destiny and watches as the two homunculi open the container. Insideâ¦ is a crown of thorns.
The Crown of Thorns!
Demona removes her tiara.
Place it on my headâ¦
658. HOMUNCULUS #1
659. HOMUNCULUS #2
Homunculi aim to please!
The Homunculi gently lower the crown onto Demonaâs head before disappearing back into the darkness. The thorns bite into her brow, drawing blood. Calypso, Obsidiana, Goliath and Spidey come rushing in.
Homunculus #2 and Homunculus #1 sit. Spider-Man, Goliath, Calypso and Obsidiana STAND.
My Kingdom come. My Will be doneâ¦
Friend of yours?
Once upon a time. Not so much now.
On Earth as it is in Heavenâ¦
For MINE is the Kingdom and the Power and the Glory for ever and everâ¦
668. CALYPSO, OBSIDIANA, SPIDER-MAN (UNISON)
Light radiates outward from the Spear. Goliath watches in confusion as Calypso, Obsidiana and Spider-Man drop to their knees before Demona. Octopus and Electro enter and likewise fall to their knees. The light reaches the outer vault. Though still unconscious, Venom, Lizard, Zafiro and Kraven lurch to their feet, then drop to their knees. And still the light advancesâ¦
Obsidiana and Calypso sit.
What sorcery is this?!
The most powerful human sorcery ever created, Goliath. This is humanityâs Armageddon. Their entire raceâs final act.
END ACT TWO
NEXT: ACT THREE...
G2009 Radio Play - Act One
The Spectacular Spider-Man Meets Gargoyles. RELIGIOUS STUDIES 101: A HANDFUL OF THORNS. Act One. Late that night atop the Eyrie Buildingâ¦
Dominique and Kafka sit. GOLIATH and ELISA MAZA STAND and KISS.
5. GOLIATH, ELISA
There are some human customs I will never get used to Elisa. <kisses her again> This is not one of them.
Youâre in a good mood.
I am. Hudson and Lexington are back from Europe, bringing Coldstone and Coldfire with them.
<chuckle> Not to mention Brooklyn returning from forty years of TimeDancing with a mate, a son, a beast and an egg.
The clan has doubled in size. What challenge can the Fates throw at us now that we cannotâ"
The sun rises. Goliath turns to stone.
<groan> You just had to say that out loud, didnât you?
Elisa and Goliath sit. MAY PARKER and PETER PARKER STAND.
Meanwhile, in Forest Hillsâ¦
Peter, what are you doing up?
Studying for todayâs English final. Itâs on Midsummer Nightâs Dream. And I missed seeing the Cliff Notes version.
Which may explain why you and Miss Allan are no longer a couple.
Aunt May, you know we didnât break up because I missed her play.
Youâre right; I shouldnât be glib. I suppose thereâs no chance that you and Gwenâ¦
I donât know. Not now anyway. Not when Harryâs hurting so much from the death of his father.
It hardly seems possible that Norman Osborn is gone. The Bugle says he was the Green Goblin, but Iâm not sure I can believe that.
Sometimes, Aunt Mayâ¦ itâs, okay, to believe everything you readâ¦
May and Peter sit. GREEN GOBLIN and BLACKIE GAXTON STAND.
At a dive bar downtown, the Green Goblin BURSTS in on his gliderâ¦
23. GREEN GOBLIN
<tsk, tsk, tsk> Blackie. This place is scummy even by your pond-scum standards. Quite a comedown from your last gigâ¦
Tell that to the whacko who set a flaming super-villain loose in The Big Sky. Oh, wait. That was you.
25. GREEN GOBLIN
Yes. Yes, it was. <maniacal laugh>
Werenât you supposed to be dead?
27. GREEN GOBLIN
I was also supposed to be Osborn, but you didnât buy that, did you? Just one of the many little tricks I keep up my sleeve. Nothingâs changed, Blackie. The Goblinâs still in charge.
You hear me arguing?
29. GREEN GOBLIN
No. Now, gather my Pumpkin-Headsâ¦
Blackie and Goblin sit. Kafka and Dominique STAND.
At Ravencroft, Dominique Destine and Dr. Kafka supervises six inmates who work to excavate a sub-basement.
I still donât understand what you expect to find down here.
Vertros Ravencroft, the founder of this Institute, was a quirky soul. An intimate friend of Freud and Conan Doyle, he was a true believer in both psychotherapy and spiritualism.
You speak as if you knew him.
Now how would that be possible?
It couldnât, of courseâ¦ But the dig?
Yes. Ravencroft was also a collector. I have reason to believe he buried certain items of his collection here. Now, Doctor, didnât you say you had meetings scheduledâ¦
Youâll be all right down here alone?
Your orderlies are in the hallway. And Iâm quite self-sufficient. So run along.
Kafka sits. OTTO OCTAVIUS STANDS.
Excellent work, Doctor Octavius. Very precise.
Thank you. I appreciate having something to occupy my handsâ¦
Your hands? Notâ¦ your arms?
Arms? Iâ¦ I hope youâre not referring to my unfortunateâ¦ b-b-breakdown.
What would be the point? Believe me, Doctor, no one better understands the advantage of creating a false front.
Iâve blasted away another section of cement.
Thank you, Maxwell.
Donât. Call. Me. That.
Donât. Tell. Me. What to doâ¦ Electro.
(asides to Otto)
Sheâs a little scary.
Otto and Electro sit. DOMINIC DRACON, JOHN JAMESON, EDDIE BROCK and CLETUS KASSADY STAND.
I blame Mace. When that crook cheated me, I lost face. But when I get the jewels back, theyâll respect me again. Did Mace bury the jewels here?
Maybe he did, Dominic. Keep working.
Whatâs the point? How is tearing up a basement supposed to bring me Colonel Jupiterâs power?!
Shut up and dig.
You like doing this?!
I hate it. But I need that hate. I need to keep the hate alive.
Such an interesting crew. And what do you want out of life, Cletusâ¦
Nothing too fancy. <chuckles> Just a little carnage.
Cletus, Dominique, Eddie, John and Dracon sit. GWEN STACY and Peter STAND.
That afternoon, at Midtown Highâ¦
Hey, Pete. Howâd you do?
Ugh, horrible, probably. I mean you know English is like my worst subject. Itâs all so subjective andâ"
Okay, okayâ¦ not the look! I probably aced it. Happy?
That you did well. Always.
Thanks. Look, Gwen, I--
HARRY OSBORN STANDS.
Well, what have we here? My best friend and girlfriend conferring in a corner. Planning a surprise party for me?
Uh, itâs not your birthday, Harr.
I thought maybe it was a thank you bash. For giving you both theseâ¦
âYou are cordially invited to spend Spring Break traveling by private jet to Miami, where youâll stay, all-expenses-paid, at the Osborn Winter Compound on the Beachâ¦"
Youâre inviting the three of us to spend a week together in Florida?
Not just the three of usâ¦
KENNY KONG, FLASH THOMPSON and MARY JANE WATSON stand.
Osborn, dude! You rock!
Seven days in the sun and surf.
All you can eat!
Girls in bikinis!
75. FLASH, KONG (UNISON)
76. MARY JANE
Hi, Sha Shan. Hi, Glory.
Sha Shanâ¦ uhâ¦ Soâ¦ how much of that did you hear?
Look, Glory, you know I meant you, right? I mean who else would I want to see in a bikini. Uh, youâre not gonna break up with me again, are you?
Kong and Flash sit. SALLY AVRIL, RAND ROBERTSON, LIZ ALLAN and JASON IONELLO STAND.
Oh. My. God. Harry, I just found the invitation in my locker. And all I have to say is that you can be my super-dweeb sugar-daddy anytime you want!
You okay with that Rand?
âScool. You can be my super-dweeb sugar-daddy too.
Exactly how many people did you invite to this thing?
A handful. Kenny and Glory. Flash and Sha Shan. Rand and Sally. Hobie and Mindy. M.J. Gwen. Oh, and you and Liz, of course.
Harryâ¦ Liz and Peter broke up.
You did?! Wow. I had no idea. Guess Iâve just been so focused on my own problems. My Dad dying and everything. Thatâs why I need this trip. Gotta clear my head, you know? But maybe you two could reconcileâ¦
I donât think so!
Itâs too late for that Harry. Iâm with Jason now. We totally fell in love doing the play together.
89. SALLY / LIZ (UNISON)
Yes, you did. / Yes, we did.
You donât mind if I bring Jason instead of Petey, do you.
The more the merrier.
Thanks, Harry. Youâre a doll. Kisses!
Liz, Sally, Jason and Rand sit.
Pete, youâre still invited too. Course, itâs more of a coupleâs thing. But M.J.âs guy is in prisonâ¦
94. MARY JANE
Thank you, Harry. Hadnât been reminded of that in the last five minutes.
Sorry, sorry. Itâs just that I canât help remembering the Fall Formal. You two made such a great pair! Donât you think so, Gwen?
Iâ¦ suppose we could goâ¦ as friends. Just as friends.
98. MARY JANE
Weâll talk later, Tiger.
Mary Jane, Peter, Gwen and Harry sit. Kafka and CURT CONNORS STAND.
Late that afternoon in Dr. Kafkaâs officeâ¦
Doctor Connors, itâs good to see you. Iâd heard you moved to Florida.
I did. But I never stopped working on a cure for Max Dillon. I think Iâve made some real progress.
Thatâs wonderful news. Max is downstairsâ¦ doing âwork-therapyâ. Iâll take you to himâ¦
Kafka and Curt sit. Otto, Dominique, Electro, Dracon, John, Eddie and Cletus STAND.
Ms. Destine. I think I found something.
Is it my jewels?
Itâ¦ it appears to be a spearhead. It looks quite old.
Give it to me.
Yes. This is it. I think weâre done, boys.
Indeed. And just as the dig brought us right up against Ravencroftâs outer wall.
You mean this wall?!
Electro blasts a huge hole in the wall. When the smoke clears, the Vulture is waiting. He grabs Octavius.
Youâre coming with me, Otto.
No, no, stop. I donât want this life anymoreâ¦ Iâm trying to get better!! Let me go!!
Shut it, Doc! Itâs for your own good!
Otto, Electro and Vulture sit.
Vulture and Electro leave with Octavius. Dominique watches them go.
Well, that was diverting. And such excellent timing as well: itâs sunset. <transformation scream>
With the setting of the sun, Dominique Destine transforms into a gargoyleâ¦ just as Kafka and Connors enterâ¦
Kafka and Curt STAND.
119. KAFKA / CURT
Oh my godâ¦ / What in the world?!
Demona effortlessly slams them both against a wall and turns to the remaining inmatesâ¦
121. CURT, KAFKA
Listen carefully, humans. For I have listened to you. I can make all your petty little dreams come true. Dominic demands respect.
John craves power.
Eddie needs hate.
And all Cletus desires is a little carnage.
Or a lot. Iâm not picky.
Then stick with me, boys. Respect, power, hatred, carnage. These are things I knowâ¦
DEMONA, Cletus, Eddie, John and Dracon sit. ALAN OâNEIL and GEORGE STACY STAND.
Later, the police arrive to investigateâ¦
And you never met this broad before in your lifeâ¦
She had excellent references, Officer OâNeil. Itâs not like I grant just anyone access to my patientsâ¦
And you wonder why people think they belong at Rykers.
Thereâs nothing else you can tell me, Doctor?
Iâm sorry, Captain Stacy, but no. It was a creature.
Like that Lizard-thing from last fall?
No! No. Nothing like that. More likeâ¦ like those things on the news that blew up the clock tower.
You mean the 23rd Precinct.
Youâre saying a gargoyle kidnapped those men.
Yes. No. I donât know. Can I leave now?
George, OâNeil and Kafka sit. DILBERT TRILBY and NED LEE stand.
Doctor Connors! Dilbert Trilby, Action News. What can you tell our audience about the escape?
Nothing. No comment.
Hey, Doc. Remember me? Ned Lee from The Bugle. Can you just tell me who escaped? Doc Ock? Electro? Colonel Jupiter â" I mean, Colonel Jameson?
Iâm sure the police will issue a statement. Now, I have to go.
Trilby sits. CALYPSO EZILI, KRAVEN THE HUNTER and GULYADKIN STAND.
Connors hurries away down the street, as a limousine with dark-tinted windows pulls up in front of Ravencroft.
We are too late, my love. The Christian Totem is gone.
Gulyadkin and I will track it for you.
<low lion growl>
Iâm afraid that is beyond even your impressive abilities, Sergei, my love. But I have my own ways, as you well knowâ¦
Of course, Calypso.
Who is that? That man trying to hail a cab?
He is a stranger to my eyes. Yet his scent is familiar.
His aura glows with primal energies and may be of use to us.
You need a ride.
What? No. No, thank you. Iâll get a cab.
She wasnât asking.
Kraven drags Connors into the limo, which quickly drives awayâ¦
Curt, Kraven, Calypso and Gulyadkin sit.
Hello, Robbie? Iâve got something.
J. JONAH JAMESON, JOE âROBBIEâ ROBERTSON and FREDERICK FOSWELL STAND.
Is that Lee? Put him on speaker.
Now, Jonah, stay calmâ¦
Donât you tell me to stay calm, Joe Robertson. Itâs not your son at risk. Lee, you there?! Iâll give you exactly three-point-seven seconds to tell me Johnâs all right!
Wish I could, Chief. But he disappeared with the rest. There are six inmaâ" uh, patients missing. Itâs not clear if they busted out or were kidnapped.
Well, of course John was kidnapped. You think my son would--
Ned, give me the whole list.
Who cares about the listâ"
It could provide a lead to John.
Doc Ock. Electro. John. Uhâ¦ letâs see. Edward Brock Jr., Cletus Kasady and Dominic Dracon.
Dominic Dracon? The old mob boss? Thereâs a name I havenât heard in a while.
Foswell, you know that world! Find out where Dracon might have gone!
You got it, J.J.
Lee, you stick to the damn super-villain angle! Ock, Electro. Whatâs their next move?!
Robbie, I want every available man on this. No, damnit, I want every man, woman and child on this, available or not. Call Parker. Put Benny the copyboy on it. But Ms. Brant on it. I want John Jameson safely back in his motherâs arms in six-pointâ¦ six-pointâ¦
Itâs okay, Jonah. Weâre on it.
Good. Good. Iâllâ¦ Iâll hit the streets myself. Iâm still the best damn reporter in New York City! Just have to make a call first. Well, what are you all waiting for, get out! Out!
Robbie, Ned and Foswell sit.
179. JONAH (CONT)
Hello, is this WVRN? Travis Marshall, please. Travis? Itâs Jonah. I got a lead for you on the Ravencroft thing.
Whaddayou care why Iâm helping the competition?! I know I hate television! You donât have to tell me that! Iâm not trying to sandbag you, damnit, Iâ¦ Iâm just trying to find my sonâ¦ any way I can.
Jonah sits. SPIDER-MAN STANDS.
That night finds Spider-Man swinging through the cityâ¦
181. PETER (VO)
If I didnât know better, Iâd think Harry was trying to torture me and Gwen. Then again, M.J. is quite the consolation prize. Ah, man, what am I saying? Iâm in love with Gwen. Gwen. Gwendolyn Stacy. Just have to get through the next few weeks and then Harryâll be in a better place, and she and I--
Peteâs ringtone plays Itsy-Bitsy Spider.
Pete. Joe Robertson. Thereâs been an incident at Ravencroft.
Uh huhâ¦ uh huhâ¦ Wait, whoâs missing? Uh oh. Him too? Oh, crap. Sorry, I mean-- What?! Seriously?! Uh, right. Yeah, Iâll keep my eyes open. Camera lens at the ready. Thanks for the heads up. Bye.
Whoa. At least this day canât get any worse!
SMUGGLER #1 stands.
186. SMUGGLER #1
What the hell are those things?!
When am I gonna learn not to say that out loud?
Spidey swings down to find two men in a van being attacked by two gargoyles, Obsidiana and Zafiroâ¦
ZAFIRO and OBSIDIANA STAND.
Hi there. Hate to interrupt, but this lady-esque-blue-creature-thing matches the description of another lady-esque-blue-creature-thing who just busted some folks out of Ravenâ"
What is he babbling about?
I have no idea. I sense no connection between him and the source of the disturbance. But these twoâ¦
192. SMUGGLER #1
Keep her away from us!!
You see, now Iâm on the horns of a dilemmaâ¦ Uh, no offense. Itâs just an expression; I wasnât referring to your rather strikingâ¦ Never mind. See in this particular Spider-Manâs experience, when genetic misfits attack ordinary human beings, Iâm gonna have to side with the humans.
QuÃ© sorpresa. A human with no knowledge of the situation leaping to defend one of his own.
Zafiro attacks Spidey.
196. ZAFIRO, SPIDER-MAN
<ad lib battle efforts, impacts>
Obsidiana rips open the top of the van.
199. SMUGGLER #1
The two humans open fire on her, forcing her to leap awayâ¦ The van peels out. Obsidiana tries to follow, but Spidey webs her wings together.
Smuggler #1 sits.
Por favor! You donât understand the powers that are gathering!!
And youâre the one doing the Gathering, I take it!
Zafiro slams Spidey into a wall. By the time the web-slinger recovers, the gargoyles are goneâ¦
Zafiro and Obsidiana sit.
<groan> For a guy with no legs, that snake-thing can moveâ¦
Spider-Man sits. George and MARIA CHAVEZ STAND.
Not far awayâ¦
Captain Stacy. What brings you to whatâs left of the 23rd?
Itâs the Ravencroft thing. Iâve got corroborating witnesses telling me a gargoyle was involved.
<sigh> I miss the days when being a cop didnât involve a working knowledge of The Twilight Zone.
Welcome to the Freak Show.
Anyway, as it happens, the Gargoyle Taskforce is meeting right now. First trailer on the right. Ask for Bluestone.
Chavez sits. MATT BLUESTONE, MORGAN MORGAN, MARGOT YALE and Elisa STAND.
And thatâs all I knowâ¦
Well, that is interesting, or, you knowâ¦ really, really scary.
Iâll say, Detective. With or without a gargoyle, Iâve heard Ock and Electro are bad news. And that Cletus Kasady: he killed five people before--
Forget Kasady. Any idiot can bring a serial killer down. Itâs the gargoyle we should be concerned with. Itâs what Iâve been saying all along! Those monsters are dangerous!
I think what A.D.A. Yale is saying, Captain, is that the Taskforce is on it. Weâll let you know if we hear anything. And weâll be checking in with all our sources, wonât we, Detective?
Elisa, Matt, Margot, Morgan and George sit. Smuggler #1 and Demona STAND.
Meanwhile, a van with a torn up roof pulls up to a Gramercy Park Mansionâ¦ The driver speaks into the intercomâ¦
223. SMUGGLER #1
Longinus sent me.
Leave the package. Then take your money and go. While you still can.
225. SMUGGLER #1
Geez, who lives here? Draculaâs daughter?
Smuggler #1 sits. Eddie, John and Cletus STAND.
Demona collects her package.
The old guyâs asleep. Whatâs that?
A simple wooden shaft. The prize of Adolph Hitlerâs personal collection. After hisâ¦ demise, his remaining followers smuggled it to Brazil. I paid handsomely to have it smuggled to me.
Why? I mean sure, itâs the shaft of a spear. Completes the set with that arrowhead you took from Ravencroft. But why do we care?
Demona joins the spear and spearhead together. Instantly, it radiates incredible power.
The Holy Lance. The Spear of Destiny. The weapon that pierced the side of the Christ. Do you still want power, John? This is power.
Give it to me. Give it!
No. This power is mine. But I will use it to give you back your ownâ¦
She points the Spear at John Jameson. The magic surrounds him and transforms him into Colonel Jupiter!
236. COLONEL JUPITER
<transformation scream> Yes! The power is mine! I am Colonel Jupiter!
For what thatâs worthâ¦ Now for Eddie.
Extremely. We are Venom again.
And what about you, Cletus?
(pointing at Venom)
Iâll have what heâs havingâ¦
As you wishâ¦ Carnage.
All right, Demona. Youâre the Mirror Universe Wizard of Oz. But what now?
Mine is the Power. But I still require the Kingdom and the Glory. This is only the first act, humansâ¦ or whatever you are now. The main event is still to comeâ¦
Demona, VENOM, CARNAGE and COLONEL JUPITER sit.
END ACT ONE
TOMORROW: ACT TWO...
Ok, ergh, in the last post a "other" was missing - it should have said "other potential mediums", "potential mediums" makes it as if comics were second grade... talking bout making mistakes...
Anyways, I've got another question: with the comics being limited to a few books per year - are there any "minor" story arcs you've dropped along the way? I don't want to ask if there were "less important" ones, because who's yet to tell what is of importance in the future? I'd just like to know this, for the last Season of Gargoyles (Season 2) was so hughe and massive, that I'd like to know how you're working here (it's obvious that the Timedancing, for example, can't take as long as the Avalon-tour did, for there's not enough room). Are there side-storys you've dropped for now or that are on ice? Or are you just formulating the main storyarcs?
Thank you so much for awnsering, and once more - thank you for your time and work.
I haven't DROPPED anything. I'm just in no hurry (anymore) to catch up to the present. I'm fine with the setting being the late nineties for the time being.
TimeDancer is MUCH longer than the World Tour. The latter lasted a few months. The former, forty years. But again, I'm in no hurry to tell it all at once.
I just did a few quick calculations. Now, correct me if Im wrong, I believe you have said that Brooklyn and his rookery hatched 958 and Goliath and his rookery hatched twenty years earlier, in 938. Then, in the 1997, Brooklyn begins his TimeDancing adventures (Im so excited to read the se upcoming comics!) and he travels and ages for fourty years to then return to 1997 five minutes from when he left. This would now make Brooklyn fourty years, two gargoyle generations, older than his leader Goliath.
Along with these calculations, I believe you have said that leaders generally pick their seconds from younger rookeries. This would make sense because they would want to be able to let their seconds rule if the leaders ever reach an old age when they cant lead (such as Hudson choosing the much younger Goliath). However, upon his return, second-in-command Brooklyn is now older than the leader of the Manhattan Clan, Goliath.
Because of this new age difference after the TimeDancing adventures, will Goliath pick a new second? Angela, Lex, and Broadway are all younger and Angela even has experience of being a second-in-command on Avalon. I dont want Brooklyn to lose his position as second but it does seem a likly step for Goliath to take. What do you think?
1. Turned out to be closer to forty seconds as opposed to five minutes.
2. Brooklyn was about forty (twenty biologically) when he hit the timestream. He travels for forty years, aging twenty years.
3. Since Goliath is about sixty (thirty biologically) and Brooklyn - post timedancing - is about 80 (forty biologically),Brooklyn is now ONE generation "older" than Goliath.
4. As for your question, it's a definite issue -- but not in CLAN-BUILDING.
Hello Greg, long time fan of gargoyles, and most of my questions about the Gargoyles universe have been answered by browsing the archives but these questions.
I see from the archives that Angela and Broadway will raise their children in the traditional gargoyles fashion, and I am assuming that Brooklyn and Katana will try to do the same. But this has led me to some interesting questions about the relationships between generations of gargoyles in the same clan.
I have seen that from the first episode that gargoyles from the same rookery generation call one another rookery brother or rookery sister, or if there are close bonds just brother and sister. So my first question is do gargoyles have the same endearing names for an older or younger generation with in the clan, for example rookery mother, rookery father, rookery son, rookery daughter, or some other term like those? Yes I do know that Goliath's generation calls Hudson My Mentor, I am assuming that is so only because he was the leader and teacher of the clan before Goliath.
Another is I have noticed that Hudson has a stronger relationship with Goliath then any other of Goliath's rookery siblings, or at least just the ones we have met so far. I am assuming this is do to, that Hudson saw Goliath's potential as a successor and paid special attention to him to prepare him for the role. I have also noticed that gargoyles in one generation develop strong ties with a few siblings like Coldstone's and Goliath's relationship. My next question is do stronger relationships develop between certain hatchlings and certain members of the parenting generation or members of another older generation of gargoyles?
But in Mark of the Panther Goliath, who is having trouble dealing and even understanding Angela's unusual need for parents and her attachment to him after she finds that she is his biological daughter, says to Elisa's mother Diane "gargoyle hatchlings belong to the whole clan, I cannot hold one hatchling over the others." So are these kinds of relationships, I have asked about in the previous paragraph, taboo, shunned, frowned upon, or generally accepted as a part of the growing up process of young gargoyles, or are they just Goliath's personal words do to the fact that he is the clan leader?
Thanks for even putting up a general questions website, not many writers do that or post the site on there publications. I apologize for my long winded questions but it just the way I write. Just to let you know Gargoyles has been a huge influence in my own stories and don't worry I have absolutely no fan fictions of Gargoyles and I have never understood why people have to do them, they don't make sense to me any ways.
I can't wait for Brooklyn's little trip, especially the clan's reactions when he gets back five minutes later, they will be priceless. I might have to scan the images in and use them as a desktop. I just can't see Time Dancer done in six issues like I heard the spin offs will be done in, too much happening from what I have found on Ask Greg. Well I guess that is why it is third in line and thanks again.
Some gargoyles will develop stronger relationships with some. With that many parents, siblings, children, etc. running around, it's natural. But neither "shunned, frowned upon, or generally accepted" fits the bill to my mind. Amd citing Hudson/Goliath hardly proves anything. Hudson's pre-massacre relationship with anyone else in Goliath's generation has not been explored. Nor has Goliath's relationship with anyone else from Hudson's generation even been touched on.
In Panther, Goliath is NOT having trouble with Angela's "unusal need for parents". He's concerned about what her specific need to acknowledge their BIOLOGICAL relationship might mean... both in terms of his relationship to the rest of the Avalon Clan and especially HER relationship to her biological mother.
Not all of Brooklyn's TimeDancer adventures are designed to fit into one six episode mini. Just one six-part story. I could tell TimeDancer adventures for forty years. And I hope I get that chance.
why could't you hav brooklyn sweapt away by the Phoenix Gate as soon as Goliath tossed it thru the time stream
Didn't happen that way.
how did you come up with the names for brooklyns wife and kids
The names for Brooklyn's mate and daughter are names of Japanese style swords. The rationale for the name of Brooklyn's son -- is something I'm not revealing yet.
I had a few questions about the comics
1.when will we met lexingtons mate in the near, mid, or far future? can u give the approximent comic book number?
2.when will we met Katana,Tachi,fu-dog,and nashville within the next year, or in a long while?
3.Also if timedancer becomes a comic how do u plan to run with the normal comic? r u going to have broklen already be back with his family and timedancer is just his story?
1. Not saying.
2. Not telling.
3. Not revealing.
Hi greg I'd like to know what made katana fall in love with brooklyn and why did she go with him
You'll have to wait and see.
what made brooklyn wan't to bring fu-dog with him
Wait and see.
This question is in regards to the LXM Robots. How closely will they resemble Lexington? Will they resemble him to the extent that Coldfire resembles Desdemona, or to the extent that the original Coyote resembled Xanatos? If they do resemble him closely, could a timedancing Brooklyn accidentally confuse one with Lex? If they do look a lot like Lex it has occurred to me that something like that might happen. I've noticed in the wiki it says they will be five feet tall, but I have no idea what Lex's height will be when he fully matures or how tall he is if he stands up straight, so I don't know if that means they will be a lot bigger than him or about the same size. Thanks for giving any info you can!
They look like metal Lexington's -- kinda like chrome Lexington's. Brooklyn couldn't confuse one for Lex himself, though he couldn't help noticing the resemblence. They sound like Lex too.
how will brooklyn and fu-dog get allong when the meet how will fu-dog responed to brooklyn what will be brooklyns reaction to fu-dog
You'll have to wait and see, I'm afraid.
how will brooklyn and katana get along when they first meet what will katana be like how will brooklyn feel about her and how will katana feel about brooklyn
Patience is necessary for all concerned.
what will brooklyn be like when he gets back from his timedancer adventures is he more grown up or still the way he was when he left and what will be the clans reaction
Wait and see.
will you ever write about timedancer
See my last response.
when will you write about timedancer in the comics
When the time is right. Specifically, if both the Bad Guys and Pendragon mini-series are a financial success to SLG, then TimeDancer will be the third mini-series.
Are we going to see the events of Time Dancer take place (Ie Brooklyn disappearing then coming back with his wife and kids) in the comic anytime soon, or do you want to wait until a Timedancer spin off is greenlit?
I'm not responding to this at this time.
Hi Greg. Wanna thank you for doing Ask Greg, so few people are willing to take time to discuss their series like this (and I enjoy reading the Gathering write-ups you do). If only Invasion America got that treatment... Books never finished the series. I digress. I have two questions I was hoping you could answer.
1. Since the phoenix gate has a cyclical existence throughout history, it only goes so far back in time and only up to a certain date in the future (which would be whenever Brooklyn was leaving the latest date he traveled to I suppose). Is there a reason that the gate is constricted to a specific time range?
2. While Brooklyn traveled to times in his future did he try to avoid learning about events that affected his clan? After returning home it might be kind of awkward to know exactly how your friends will die and what events will claim them...
1. I don't know how to answer this without confirming parts of your question which are not confirmable and/or not correct and/or I don't want to confirm.
When, in the Gargoyle Universe, do you plan on sending Brooklyn on his TimeDancing adventures? Like what specific date in relation to Halloween 1996, which is when issue # 3 and 4 of your comic series takes place. Is is going to happen really really soon or in a couple or months or a couple of years? Oh, and would it be too much trouble to email me the answer as I don't have much time to check on the website these days?
Even assuming I wanted to reveal this (which I don't at this time), I make it an ASK GREG policy NOT to e-mail posters directly. If I did it for one person, I'd have to do it for everyone. And frankly, I don't give out my e-mail address to strangers. Not to mention that the idea of this forum is sharing info (when I'm so inclined) with everyone, not giving personal responses.
But what's REALLY funny about this is you didn't leave me your e-mail address to e-mail you even had I been so inclined.
So instead, I'll send the answer to you psychically, which seems like a fair compromise.
Don't tell anyone.
Will you ever tell who Tom's father is in the comic books or in a TV show if you made one? If so, would it be in GARGOYLES or in one of the 5 spin-off shows?
Thank you for your time.
Eventually, I'd get to everything. This might happen in Dark Ages, but a Gargoyles flashback or even a TimeDancer episode might get us there first.
For your Gargoyles Future Spinoff, was the idea of Brooklyn travelling into the future to help against the alien invaders from the old Superboy and Supergirl comics where they travel into the future and join the Legion of Super Heroes?
I can't deny that as a possible influence -- since of course I'm familiar with the Legion -- but I wasn't specifically thinking of that. The TimeDancer idea came to me before I thought to include Brooklyn in the cast of what eventually became Gargoyles 2198. It just seemed to make sense that if Brook was bouncing around, that one of the eras he'd bounce to is 2198.
Quick comment on a statement you made.
"After a few years of this, Brook's attitude toward the Gate changes. Pretty much a 180 from the way you see it changing."
So I guess that means he dreads seeing the Gate, since that'd upset whatever life he's managed to make for himself since he returned, eh? "Run away!!!'
Oh, feel free to answer this sarcastically. I know it's just a petty way for me to sound like a know-it-all. I'm probably wrong anyway.
Oh yeah, and great show. Hope it comes back.
I'm not sure of the context of your quotation. (And is that a direct quote or a paraphrase?) Who does the "you" refer to? What preceded it?
I'd love to be able to tell you that I remember every conversation and post and exchange, but the truth is that I don't. Without the context of the quotation, I can't reply with confidence -- let alone sarcasm.
Let that be a lesson to you all. If you're going to reference an old post, give me a complete reference.
1a. What year was Katana hatched? 1b. When did Katana first meet Brooklyn? 1c. When did Katana get her name?
2a. What year was Fu Dog hatched? 2b. When did Fu Dog first meet Brooklyn?
3a. What year was Nashville hatched? 3b. Where was Nashville hatched? 3c. How old is Nashville when the TimeDancers appear back in 1997 on the Eyrie Building?
1a. I have yet to do my research to nail this information down.
1b. I have yet to do my research to nail this information down.
1c. I'm not revealing that at this time.
2a. I have yet to do my research to nail this information down.
2b. I have yet to do my research to nail this information down.
3b. I'm not revealing that at this time.
3c. In 1997, Nash was 19 in chronological years. About 10 in biological years.
I got a Timedancer question, why the name Katana? Isn't that a bit cheating on names with just naming her after a weapon? Same thing goes with Tachi.
How is it cheating?
Hi Greg! I'm posting for the first time and it feels wierd, since I tried to send questions 4 or 5 years ago and they got deleted. Anyway...
First of all, I'd like to thank you for having been (and still being) such an important part of the Gargoyles franchise. You (and others of course) provided me with easily THE single best animated show ever. A well written series great voice acting, continuous plots, characters that are believable, and a complex universe that manages both to include lots of existing legends and myths while still retaining a distinct identity. I truly think that in terms of all-around quality for a dramatic show, Gargoyles was easily Disney's best effort by far. Reboot is the only other animated show that I've seen that seems to exhibit the same qualities, meaning well-written, clever and quite enjoyable for both kids and adults.
Also, I'm happy to learn that Gathering 2004 will take place in Montreal, meaning I might actually be able to attend! I don't know if you're the one who chose the location, but if you are, thanks on behalf of us Canadians!
Finally, I'd just like to thank you for actually answering the flood of questions we fans send your way. And especially your god-like patience towards people who obviously never took the time to read the FAQ OR archive. I can understand asking about a minor detail that could have been missed, but among the questions being submitted, I know there are some LAZY people I wouldn't mind slapping once or twice in the face...
Anyway, I have a number of questions on different subject, so expect a few one-question posts from me.
This one would fit in a "Writing" category if there is such a thing.
1. Regarding your current master plan (i.e. your ideas for the various spin-offs), it's obvious you've given lots of thoughts to the initial setting of each. The main characters and their immediate goals for example, as well as ideas for early stories as well as a few ideas for on-going plots. A lot of course would be dictated by the characters (and your muse I'm sure) as the shows would go along.
a) Now here's my question: Do you have an idea about the possible endings of some of your spin-offs? I don't want you to tell me anything, just if you have some "Ultimate goals" in mind for all your spin-offs.
Gargoyles itself has always been very open-ended. There never was a single overlying theme to the series, it just kept going on on its own, the plots and characters growing in complexity in a very organic and sometimes unpredictable way. It could potentially keep going on for years and years.
But some of your spin-offs have very specific premises. There ARE stories that are better told if planned from beginning to end as a whole. Others however are better if left to evolve on their own. An aimless story could potentially "find its voice" after a while, leading to an ultimate ending of sorts. Or, the initial premise could be transformed over time, leading the story in a quite different direction.
For example, Star Trek: Deep Space Nine. Initially, the show is about our heroes trying to restore a people (Bajorans) to a stable society following years of occupation by an enemy race (Cardassians). Yet, after two years, the show introduced a much bigger menace, a race who sought to conquer and control all others (the Dominion). From then on, the show eventually lead to a huge war with the ending signaling the end of the hostility.
a) How do you feel about long stories? About those that are open-ended and those that have some finality set for them? (I hope I'm not being to vague here. I'm really interested in how you feel about this)
And about some specifics spin-offs:
b) Bad Guys: The basic idea is about our main characters seeking redemption. Do you know if they ever find it? And would that be the goal of the show?
c) TimeDancer: Ultimately, the very final ending is, in a way, already known. Brooklyn makes it home a lot older with a family. But do you already have some sketchy idea about how he finally makes it there, like some final adventure dealing with the Phoenix Gate itself, or were you planing on dealing with it once you were forced to, like a series' finale?
c) Gargoyles 2198: This one seems to be mostly about the war against the Space-Spawn but as you often say, "Things aren't that simple". Would the liberation of Earth signal the end of the series, or would you keep the series going with the existing setting once the war is over? After all, there might still be other threats like Coyote-X, the Illuminati, etc.
d) Dark Ages: Since this one could theoretically run up to the beginning of "Awakening", I won't ask if you have an ending in mind.
e) Pendragon: It's obvious now that Merlin, Mr. Duval and Holy Grail would be important part of the story. Do you have an ending in mind for this one, or where you again planing on seeing where the story ultimately took you?
f) New Olympians: This one feels pretty generic, and feels like it could run forever like Gargoyles. The ultimate goal I suppose would be the acceptance of New Olympus by humanity, but judging by the response toward gargoyles, wouldn't likely fit within an entire series, no matter how long it might be. Still, got an ending in mind, even if it's pretty open-ended, like "Hunter's Moon pt.3"?
Thanks a lot for answering.
Well, time delay means that I believe we met in Montreal (and, no, I didn't choose the location -- I don't make those decisions). You played Lex in the radio play, right?
1a. Some yes, some no. I know where Dark Ages ends -- with "Awakening, Part One". I know where "TimeDancer" ends... right where it began. I have a VERY good idea of how the Space-Spawn thing is resolved, but I don't think that necessarily marks the end of 2198. And likewise, I don't have a firm ending for Pendragon, Bad Guys or the New Olympians... but I have a good idea where I want to go with the first major arcs. As for Gargoyles itself -- that would end in 2198.
1a) [You had two (a)s.] Some stories -- whether long or short -- need closure. They're one-shots... no matter how long they last. Others can be open-ended. I lean toward the latter personally... because life is ongoing -- even after individuals die. But I respect the other form as well.
b) I'm not going to reveal whether or not they find redemption, but yes that's the goal. The thing is... even if I were to redeem all the original cast, the concept can survive them. And new characters may be introduced that give us a reason to continue. I will say, that I wouldn't be shy to bring a series to an end if I had no more stories to tell. That just has never happened to me within the Garg Universe. Not yet anyway.
c) See above for confirmation of your basic thesis. But I have a fairly clear general idea of how the whole dance, including the finale choreographs. But I won't pretend I have all forty years worth of adventures planned out to the last detail. I don't.
c) [You had two (c)s, as well.] See above. The war doesn't end the series.
d) See above.
e) I have endings in mind for some of the arcs that I plan to set in motion. But even the ultimate death of Arthur himself (which I was not planning anytime soon) might not end this series. I have at least one significant idea to go beyond Arthur...
f) Same deal. I have specific arcs in mind, and I have a solid idea of how they end. But I doubt that they wouldn't lead to more stories. If in fact they didn't and I was out of juice there, I'd shut it down.
Some years ago, people kept permanently asking 'bout Brooklyns permanent "injury" or "disfigurement" he got during his Timedancing. You never told...
By now, you revealed other, in my mind bigger secrets 'bout the future masterplan (especially that Lex is gay), so I ask again, hoping you are in a good mood and want to spoil it:
What is Brooklyns permanent injury/disfigurement he receives during Timedancing? Andif you don't want to tell us, what sort is it? Scar? Loss of Limb? Loss of wing???
So, however, have a nice day,
Eh, sorry. It's a fair question, but I'm just not in the mood.
Are the Timedancer, Dark Ages, and other such stories from another site, have anything to do with the orignial show?
Second, I have read several questions that mention future tense stories, are they on TV or where?
Thank you for your time and consideration with putting up with our questions. It is appreciated.
There may be fanfiction sites that have used the tidbits I've revealed, including plans for "TimeDancer", "Gargoyles: The Dark Ages", and "Gargoyles: 2198" (formerly known as "Future Tense"), among other spin-offs. But I've never read any of them.
None of this stuff has appeared on television.
Good day. I just have a quick question concerning the character of Katana, Brooklyn's mate. Would she have actually utilized a katana, or was her name meant to be a metaphor (as in: She struck with the fury of a katana)?
Dose Brooklyn have a girlfriend?
Eventually, yes. I've revealed that he eventually mates with a gargoyle from feudal Japan named Katana.
When Magus gave his magic book to Finila (because he couldn't bring it to Avalon)Hpw the hell did it get to David
Long story. But it involves TimeDancer, Demona, Puck, Owen, Finella, Mary, Brooklyn and Xanatos.
Concerning the Time-Dancer story: Was it meant to be a complete new series, or should it have played within the normal gargoyles episodes?
The first episode -- a sort of back-door pilot was designed to play within the regular series.
After that Time-Dancer would have been a spin-off series of it's own spanning 40 years.
(Yes, I was very ambitious in those days.)
Now, I'd be happy with whatever I could get.
On the topic of Timedancer, I read through the whole archive for it. First off I notice a lot of the questions you answered at the bottom, were asked again at the top and had smart ass responces... that's my favorite.
I notice you said Brooklyn is always 'chasing' the gate... so it appears before him... he runs to it, a portal opens up... does he HAVE to jump in? What if he wants to stay somewhere or can't find his children or something? And the first portal that appeared, did it just grab him, or did he willingly jump in?
Probably, over the course of forty years, all of the above.
In your Timedancerspinoff, does the Gate have a "mind of it's own" like Avalon's boats, taking Brooklyn to time periods that it decides on, or is it completely random?
It depends on your point of view, I suppose. In my mind, it is random and yet it has to do with eddies and currents and whirls in the timestream... The end result is the same: Brooklyn winds up in times & places where we have the best stories to tell.â
Hey Gregg, I'm new to this site, and I was just wondering... is there something I missed about Gargoyles? I mean, I know of Gargoyles, and The Goliath Chronicles, but was there some other Gargoyle show that aired after?
What lies ahead for Gargoyles? Do you plan on bringing them back to the air at some point? I'd really like to see some new Gargoyles cartoons....
There were proposed spin-offs, sequels and prequels, including
Gargoyles: The Dark Ages
The New Olympians
plus plenty ideas just to continue the "Gargoyles" series itself.
I haven't been able to convince Disney to do any of these things.
But who knows?
"Firefly" was dead. It sold a TON of DVDs and now they're making a movie, "Serenity". "Family Guy" was dead. It sold a TON of DVDs and now they're making new episodes.
Up until this year, the best single way you could help relaunch the show in some way, shape or form was by attending the Gathering, our annual convention. That's still true. So if you haven't heard, check out this year's con at their website:
The good folks at Walt Disney Home Entertainment took notice of the fandom, largely thanks to these conventions. They'll be attending this year with a video crew to tape footage of the con to put on the Gargoyles DVD, to be released later THIS year (2004!).
The DVD will contain all 13 episodes of the series' first season, complete and uncut. It will also have a commentary track and other extras (in addition to the con footage) that are still being discussed.
If you want to see the 2nd Season on DVD, and if you want to see Disney make more Garg Universe materials, there's no better way to get them to take notice than by buying the DVD. If the fans demonstrate an audience with disposable income, Disney will respond. It's not far-fetched. It's happened before.
Who the hell is Katana??
Brooklyn's mate, to be introduced in Feudal Japan (as part of the Ishimura Clan) during the course of the proposed TimeDancer spin-off series.
But why are you cursing? It's kinda rude.
Another timedancer related question: If you had the opportunity to do the Timedancer spinoff, how many seasons would you want that series to list to cover those 40 years of Brooklyn's life?
If you got the chance to do a Timedancer spin-off, how would you plan on having a strong continuity?
I mean, unless Brooklyn visits same places/people 4 or 5 times, how could you have strong continuity for that series?
Brooklyn is the continuity. But I also planned on some longer stops. And some other characters that would recur throughout the ages in one form or another.
IN TURF, BROOKLYN MENTIONS TO GOLIATH, ASKING HIM WHEN DO WE GO ON OUR WORLD TOUR ? MY QUESTION IS, WERE THERE ANY PLANS OF MAKING EPISODES WHERE THE TRIO GOES ON A AVALON WORLD TOUR?
There were plans for Brooklyn to go on a Time Tour that would have also taken him around the world. It was called TimeDancer.
Something I've been thinking of regarding the proposed Timedancer spin-off. If Brooklyn spends 40 years bouncing back and forth through time then after the first few years, he probably realises that the phoenix gate keeps appearing in front of him. Now the problem starts when he meets Katana and they have Tachi because they would have to keep in close proximity to Brooklyn at all times just in case. This would mean effectively zero privacy, I mean what happens when Brooklyn and Katana want to "do it", do they just toss Tachi a blindfold and tell her to stick his talons in her ears?
Tachi doesn't hatch until after the ride is over, but there's Nash and Fu Dog to consider.
After a few years of this, Brook's attitude toward the Gate changes. Pretty much a 180 from the way you see it changing.
why does Brooklyn always end up alone? Im starting to feel sorry for him.
Well, he doesn't in my mind. He eventually winds up with a Clan Ishimura Gargoyle named Katana. Someone he meets while TimeDancing.
All the gargoyles episodes have not been shown over here so i dont really know about some of th episodes although i have heard stuff about them....
1. Has "timedancer" ever actually been aired?
2. And what exactly IS "gargoyles 2198" is it going to be another series or what?
1. No. It's a potential spin-off/sequel series.
2. It's a potential spin-off/sequel series.
Check out the archives and you'll be less confused.
There's no memo, outline or script for this one on my computer, so we'll head right into my ramble on...
"AVALON, PART ONE"
DIRECTOR: Dennis Woodyard.
WRITER: Lydia Marano.
STORY EDITOR: Brynne Chandler Reaves.
...is all over the place. So much was coming together in this three-parter. The Weird Sisters, the eggs, the Archmage, Tom, Princess Katharine, the Magus, Macbeth, Demona. This was our most ambitious story yet. Which given episodes like "The Mirror" or "Vows" and multi-parters like "Awakening" and "City of Stone" was saying something.
Of course "Avalon" was never designed to be the cohesive single story movie that "City of Stone" was. It was designed as a tryptych. Part one would bring our heroes up to date. Part two would bring our villains up to date. Part three would pit them against each other.
"Avalon I" also represented the first episode in our fourth tier. The three-parter was what we called a 'tentpole'. We knew we couldn't air it until all the Tier 3 episodes had aired. And we knew we couldn't air any other Tier 4 episodes until this three-parter had aired. Despite the fact that "The Price" aired out of order, generally our Tentpole/Tier system worked very well. Out of 66 episodes that I worked on only two: "The Price" and "Kingdom" aired out of order, hopefully with minimal damage to the continuity.
The title was one of mine. But initially I wasn't sure that we were going to call the island Avalon. Now, it's mind-boggling to me, but I actually had my assistant Monique Beatty (who's now a producer in her own right) research Brigadoon to find out if that name was created only for the musical, or if it was something pulled from legends. I was thinking of Avalon, but looking for something from a Scotish tradition as opposed to British. Fortunately, Brigadoon was created for the musical. So we were 'stuck' with Avalon. Which made including King Arthur a natural.
Many series don't reveal that an episode is going to be a multi-parter until you get to the 'To Be Continued' line at the closer. "Avalon, Part One" could have just been titled "Avalon". The conventional wisdom is that people are reluctant to commit the time to a multi-parter in advance. That it is better to hook them on the story before revealing that they HAVE to come back to see the end. I always felt that was cheating. What is your reaction to seeing "Part One" attached to a title?
Another cool shot of our gargs waking up. Always nice to reiterate that at the start of our bigger stories.
Bronx gets left behind. Of course, this often happens. It was one of the things that the World Tour would set about correcting in a BIG way. But we made his getting left behind a bit more obvious here. Usually, he just doesn't go. This time they won't take him and he's sad. We were laying pipe.
My 5-year-old son Benny asked where Hudson and the Trio were going. I had to think about it. "On Patrol, I guess."
Then the GUARDIAN shows up. I love his cool, Goliath-inspired armor. My 7-year-old daughter Erin immediately demanded to know who he was. I wouldn't tell her. (I'm so mean.) Did any of you guess?
Of course he immediately encounters BRENDAN & MARGOT. (What would one of our multi-parters be without him?)
Then comes the three gang-bangers from "AWAKENING, PART THREE". As usual, Keith David does the voice for one of them -- making it distinctive from both Goliath and MORGAN, who's about to come in and speak. The problem is we got a touch confused. In Awakening, Keith voices the bald white guy. Here he does the same voice, but it's assigned to the black guy. Hard to say which is wrong, except by virtue of which came first. It annoys me though.
Morgan's fun in this. I really like him. No one but Simon DelMonte will get this, and I don't know if he even reads these rambles, but Morgan kind of reminds me of Jeff Goslin, a character that Cary Bates and I created in Captain Atom.
Anyway, I like how Morgan talks Guardian down. And I like how the sword is much heavier than he thought it was going to be. His cop buddies tease him, but he maintains his sense of wonder and goodness when talking about the Guardian to Elisa.
That's kind of a cool scene. First off he describes Guardian's armor: "Real armor. King Arthur stuff." Anyone think this was a clue to what was coming in the next episode? Even with the Avalon title? Then he tells her the guy's looking for Gargoyles. Elisa of course discourages her fellow officers from taking Garg reports seriously. Everyone who's seen one must be a nut-case. These guys should form 'a club'. Then she finds out that this Guardian was asking for Goliath by name. BOOM.
Site of our last encounter with Demona and Macbeth. Another clue.
Once Elisa got a look at the Guardian's armor, she must have thought -- yeah, there's a Goliath connection here all right.
Goliath shows with Bronx, who gets to come along and come along and come along for once. Bronx always seemed underutilized to us. We knew we couldn't bring the whole clan along. (Too many characters and no poignancy.) But Bronx was an easy addition. Of course, Bronx is also useful as a kind of living personality test. If Bronx likes you, it's a damn good sign. Bronx likes Tom. Does he remember him? What scents do you figure the Guardian carried back from Avalon. Anyway, Bronx engenders immediate trust in the Guardian for Goliath.
I love this scene. Guardian gives everyone so little time to catch up. He talks about the Archmage, reveals that he's Tom and talks about 'the eggs' being in danger. *That was a fun idea. Keep you guys thinking in terms of eggs for twenty minutes and reveal that it's just a pet name for the Avalon Clan.*
Benny asked: "What kind of Eggs?"
Erin: "Gargoyle Eggs."
Benny: "I didn't know Gargoyles hatch out of eggs." [Well, keep in mind it's been a year since he saw the first thirty episodes. And he's too young to remember the first time he saw the ones we're watching now.]
Then there's the skiff. Elisa: "Where'd that boat come from? ... To where? The other side of the lake? ... Wait for me!"
This all sounds fishy to her. Nothing makes sense. I wanted to get a clear shot in there of the pond in Central Park so that you could see objectively that it doesn't go anywhere. But I never quite managed that. I wanted you guys to be confused. Or at any rate to have a million questions. But like Elisa, no matter how suspicious, I figured you'd want to go along for the ride.
Mary, Katharine, the Magus and young Tom are all reintroduced. It's very clear that the first three have all learned their lesson from Awakening. They've all really become better people. Tom, of course, didn't need to learn that lesson. But he does learn to be a hero. He officially becomes the Guardian. It begins, I believe, as just a nice gesture on the part of the Princess. Later, of course, it'll become the truth. Then there's the long journey. I like the montage there. Hardship. We never had the time to show enough of the hardship of tenth century life.
Our gang heads into Edinburgh. Constantine's followers are all over the place. They all seem to look like Disney storyboard artists for some reason. ;)
There's some stellar voice work in this ep. Morgan Shepard as King Kenneth II. Sheena Easton making her Garg Premiere as Finella. Ian Buchanan as Constantine. (I've already mentioned Keith's versatility.)
But as usual, real props must be handed out to Jeff Bennnett and Kath Soucie.
Jeff plays Brooklyn, the Magus and Maol Chalvim. (No Bruno or Owen or Vinnie in this ep, I'm afraid.)
Kath plays Katharine, Mary and all three Weird Sisters.
Benny saw Finella and said: "That's one of the witches."
A year ago, Tom was his favorite character. Now Tom barely registered. And he really is fascinated with the Weird Sisters. Anyway, I corrected him, but I was glad that they were appearing later.
Ian Buchanan, once of General Hospital, is playing a cad here. We have to very quickly set up a lot of politics, sexual and otherwise. This story was as historical as we could make it based on the available research, the fact that we had to fit in a few fictional characters and eggs, and screen time compression.
Believe it or not, we also had another character originally that we cut early on because it was just getting too damn complicated. Katharine and Maol Chalvim's cousin: the future King Kenneth III. The father of Bodhe. Yep. That Bodhe. The father of Gruoch.
Kenneth III winds up being made High King of Scotland after Constantine is killed. To get a sense of their relationship, at least as I see it, you might want to check out "Once upon a time there were three brothers..."
(Or to give you a hint, ten years after the events depicted here, King Kenneth III would be murdered by Maol Chalvim's operatives during a civil war. Maol Chalvim was also known as Malcolm Forranach, the Destroyer. We used the Maol Chalvim version of his name so as not to confuse him with Katharine's father Prince Malcolm. Just as in City of Stone we emphasized Malcolm Canmore's Canmore name for the same reason.)
Anyway, Maol Chalvim seems intense but right on the money here. He's even kind of heroic when he and the Magus bring Tom back to Katharine's apartment, and he begs Katharine to go. Kind of heroic. He still leaves her. We were trying very hard to balance out his minor role here with his future roll as the grandfather of and major influence on Duncan. (Of course, he's also Macbeth's grandfather, as well.)
After Katharine tells Maol to go, there's a weird cut of him just standing there smiling. We needed some kind of transition before he took off running, and I guess that was the best we could do. But it's still awkward as hell.
But I'm getting ahead of myself.
We establish early on that Katharine doesn't think much of Constantine. You wouldn't know it from Awakening, but obvioulsy she's learned to be a decent judge of character.
Kenneth isn't quite so sharp. Everyone can see that he's a fool for Finella. And he doesn't recognize Constantine's threat (despite the fact that Constantine's father was a bitter enemy and) despite the fact that his son flat out tells him to beware. My thinking was that the crown had kept bouncing back and forth between different branches of the royal family. Kenneth had hoped that by taking Constantine in, instead of banishing him, he'd be able to be a positive influence on the boy. A nice idea perhaps, but maybe Kenneth was too innattentive to pull it off. And Maol probably was too covetous to really be a brother to young Con.
Anyway, Constantine tricks Finella and kills the king. We hear Finella sobbing, just to prove that she was neither in on it nor that she would approve of it. (Though one wonders what her reaction would have been down the road if Constantine hadn't spurned her in favor of Katharine. Would she have adjusted to the crime? Or did Constantine become an unredeemable villain in her eyes immediately? I hate to say it, but I tend to think it's the former. Actually, I don't hate to say it. She's more interesting to write that way.)
Erin asked: "He killed King Arthur? Why?"
That's a tough question. So first I had to explain that it was King Kenneth, not King Arthur. Then my wife Beth helped out by explaining that Constantine wanted to be king.
We come back from the act and we see that Constantine was ready for the takeover. The Banners are immediately changed in a scene clearly inspired by the Ian McKellan (spelling?) movie version of Shakespeare's Richard III. (A version I heartily recommend, by the way.)
We also continue to set up the Magus' own tragedy. He loves Katharine. Has loved her since before Awakening. That feeling is shown to deepen here when she is once again in danger. And when Constantine tries to coerce her into marrying him. (The astute Mary and Tom have to hold him back.) Here, we sense that maybe Katharine might some day return that love. That's what I wanted you all to think anyway. Did you?
Constantine takes his crown. Originally we wanted to stage this with the Stone of Destiny as we did with Macbeth. But again, I think we just had too many sets.
Michaelmas. I just like that word.
Constantine is fairly astute himself: "You have 36 very good reasons to obey." We kept reiterating the number of eggs for what was coming later.
The Magus disguises broken pots as eggs and vice-versa. But it always seemed to me that the kitchen staff at Edinburgh sure broke a lot of pots. I mean a LOT!
I like the lines: "Taking the wee bairns for a walk?" and "I don't think I like Gargoyle eggs." Very menacing.
Princess K burns her wedding dress. She feels she cannot leave because C will follow her to "the ends of the Earth." So the Magus responds: "Then I will take you beyond them." Again. Very romantic moment between them.
Finella joins the troop. The WOMAN SCORNED. She's really fun now. Dangerous. I always laugh when Constantine drinks the brew and collapses so abruptly.
Erin: "The Weird Sisters". My kids are just fascinated with this trio. I wonder if they still will be by the end of this three-parter or if like many fans, they will be disappointed?
They get turned into owls. But the Magus worries about giving up the source of his power. K doesn't care about that.
And Finella and Mary agree to take the book. I love these two. I think they'd make a totally kick-ass team. I doubt it would be commercial enough, but I'd love to do a spin-off show just with these two women. At any rate, there was the plan to include them as recurring characters in TimeDancer.
Tom has to leave his mother and his childhood behind. Now his role as the Guardian is a way for Katharine to make him accept the loss. It is the start of their relationship, though neither knows it. I watch this now, and I can't help thinking of the Anakin & Padma relationship and where that's destined to go.
Back to the present. We see the impressive shores of Avalon. Very cool painting.
Bronx reacts. Guardian: "He's found the eggs..." And the music swells and two gargs and a garg beast appear on the cliff.
Now is that a cliff-hanger or what? What was your reaction?
Erin and Benny wanted "to see ther rest!" I told them they'd have to wait a week and we got a lot of protesting. Just what I was hoping for.
Anyway, that's my ramble. Where's yours?
1) I was reading FAQ and in the timedancer section you talked about an antagonist called Calaban. Who is Calaban?
2) In the FAQ for bad guys, you mentioned an antagonist named Falstaff. Who is he?
3) Thanks a bunch
For both these guys, I have no intention of revealing my intentions at this time. But if you want a look at the original sources...
Caliban appears in William Shakespeare's THE TEMPEST.
Falstaff is introduced in Shakespeare's HENRY IV, PART ONE. He reappears in HENRY IV, PART TWO and is spun-off in THE MERRY WIVES OF WINDSOR. He dies off-stage in HENRY V.
What year was Katana hatched?
I haven't yet done the research necessary to give an exact date. Sorry.
1) Will Fu-Dog have a mate?
2) Who will she be?
3) What clan will she be from?
2. Don't know at this stage.
3. See the answer to Number 2. Above. Right up there. It's very similar to the answer to this question 3. Right here.
Some little questions about TimeDancer:
1a-When does Brooklin finds Mary and Finela, in old Scotland?
1b-They timedance together to which year in 20th century?
2-When does Xanatos and Demona first met?
3-How old are Katana, Nashville, Tachi and Fu-dog, rigth after the Timedance?
4-A tricky question: If the Phoenix Gate is out of control, why is it always popping in front of Brooklin?
1a. You mean what year? Late 995 or early 996.
1b. I'm not saying.
2. By 1993.
3. Katana is Biologically 40.
Nash is 19 (bilologically 10).
Tachi is an egg.
4. Why indeed?
How old do you think a hatchling would need to be before the Manhattan clan allowed him/her to take part in the patrols around the city? Would 13-year old Nashville (of the older conception) take part in patrols? The 9-year old one of the current conception?
I don't know. Honestly. I think that gargoyles (traditionally) as in most quote-unquote primitive societies expected children to take on adult responsibilites at an earlier age than we generally do these days. But I haven't thought that out.
Of course, the interesting thing about Nashville is the notion of permission. You have a kid who's spent literally his entire life as a virtual temporal fugitive, it's going to be a little difficult to get him to just sit at the castle once he's in the relative safety of a static environment surrounded by an extended family of protectors.
That tension interests me. But I won't pretend to have worked out the details yet.
This is a second post because you might never see it, but why forty years of timedancing?
Why an entire series? I personally think that the timedancing would go over much better as a mini-series where you have him gone for maybe fifteen twenty years. From what I know about the series (and, granted I don't know much) to me it sounds like there would only be a few changes. Thanks for your time.
Matter of opinion, but I feel like it would work.
When Brooklyn gets back from his timedancing he'll be about biologically forty years old, Goliath is only biologically twenty-nine years old as of 1996. I thought the second was supposed to be young because s/he would take over command of the clan. So…
1) Will post-timedancing Brooklyn still be second-in-command?
2) Will Goliath choose a new second after Timedancers?
3) If so who will it be, Angela, Broadway, Lexington and Nashville?
1. For the time being at least.
2. Not saying.
3. See 2).
While answering a question from Lord Sloth you said "Initially, Katana is not with Brooklyn when he first arrives in 2198".
1) Does this mean that Brooklyn will do some timedancing in between his stay on G2198?
2) Will Katana be with Brooklyn during any of his stay in the year 2198?
1. Not clear on what you mean here.
2. Not saying.
Were you ever planning to show on screen the original Magus casting the spell of humility on the gargoyles at the request of Caesar Augustus?
Maybe in TimeDancers?
Exactly. Maybe. That is, I would have liked to. Depends on the S&P situation, probably.
Is any of the trio alive in 2198? How about the trio¡¯s children?
You mean not counting Brooklyn who TimeDanced there? No.
Foreshadowing in Future Tense
Does the Alexander of 2198 own any exo-suits like the one seen in the Future Tense episode?
Does Brooklyn and Demona look like the Demona and Brooklyn in Future Tense?
Generally, I try to avoid making 'decisions' here that will inhibit the artistic freedom of future collaborators, but...
Alex. Potentially, yes. But since, Alex is kidnapped and put in stasis in the first episode it's going to be a non-issue for some time.
Brooklyn. Initially, Brooklyn would look very much like Brooklyn from Hunter's Moon. Later he may wind up with a look similar to Future Tense -- though with one major change.
What does Katana look like?
I have a vague notion, but I'm consciously trying not to design her in my head, so as to give potential artists the freedom to come up with something, someday.
OK, OK, I know, that you've been asked this question before, but we've never get a real awnser out of you for this one. But I'll try it again: Why does Katana and Brooklyn name their son Nashville? Well, we know, that the name was Brooklyns idea ( why should Katana name her son by a city, she (probably) never visited or even never knew? ) but why to hell Nashville???
Oh, by the way, are Nashville and Tachi twins? I allways thought of them as.
Anyway, hope you'll awnser these two. Damn, this time I'm really a pain. LoL
No they are not twins.
There's a very specific TimeDancer reason. But I'm just not in the mood right now cuz you swore at me.
Gargoyles is such a great TV show. It's my favorite TV show. And it shows cartoons are not just for little kids. Anyways, I remember reading about your plans about Brooklyn's mate. I was just wondering, did you, or any or any other creators plan on what she was going to look like? Does she kind of have a "beak" like Brooklyn? It's ok if you don't want to answer, but I just wanted to know. But I am glad that Brooklyn would get a mate. I felt very sorry for him after Maggie rejected him when he was trying to help her and Anglea chose Broadway. I was just wondering if you guys planned what Katana was going to look like. Thanks for reading this. ^_^
Not yet, no. I have a few vague ideas, but that's it.
1. as gargoyles in Japan have been living with humans for centuries, have they been using names throughout most their history, or all of it?
2. was there ever a time that the Ishimuran clan didn't use names? if so, when?
3. did Katana have her name when Brooklyn first meets her?
1. "Most of their history" would be a hell of a long time. But some of it.
2. Yes. Long ago.
3. Not saying.
Referring to that Tootsie Roll quote, did you mean "my sympathies" to those who know of it because it would mean that we're old, or were you apologizing to us for using that quote as your answer? Anyways, like Sapphire said, it's not *that* old--in fact, it played when Gargoyles was still part of The Disney Afternoon (I know because it's on one of my tapes, though it's a version with a robot and a dinosaur monster instead of "Mr Owl" and "Mr Turtle").
I know I had a question to insert in here somewhere.... Ah yes:
You also just said, "Tachi will also get some individual rearing, because B&K will be the only parents in range." Maybe I misheard you, but I thought that at the Gathering you said that from your timeline calculations, it turns out that Tachi will still be an egg when Brooklyn returns from his timedancing. So did I misunderstand, or did you do some re-calculating?
Tachi will be born after they return. But she'll be the only egg to hatch in 1998 and thus the only set of rookery parents will be Brooklyn and Katana. She'll have a lot of rookery aunts and uncles though.
But basically, I was splitting hairs a bit.
Ok, again my question. I heard that many fans wrote their own story about timedancer... But how can I read the official Story about Timedancer... Or excist only fanworks about that? Who is the author from Timedancer? .. And at least... will Timedancer be shown on TV anytime?
I came up with the idea for TimeDancer while I was still at Disney. I'd love to do it someday, but there are no current plans. I have a few TimeDancer stories and significant events in my head and in my timeline, but I haven't written any of them out as prose fiction.
1. Brooklyn and Katana will return from the Timedance with their two children and Fu-Dog, right?
2. are those two children their first two children? will they have another child in Manhatten? that would make Brooklyn's last child be in the same generation as Broadway and Angela's first.
1. With one child, one beast and one egg.
2. There's no reason biologically why they wouldn't have a third kid. But I'm not answering this question by confirming that they do. Lots of things MIGHT happen. As to the generational thing, I believe you are right in theory. But I don't have my timeline with me and I'm nervous about making mistakes. My memory for numbers is NOTORIOUSLY awful.
In 2198, should I take it that Katana Isn't with Brooklen at that point? And, does Brooklen stay with the resistance for the magority of the spin off?
Also, sence eggs take 10 years to hatch, do Brooklen and Katana have to lug each of their eggs around with them always to be sure that the egg time dances as well?
Initially, Katana is not with Brooklyn when he first arrives in 2198. Though Fu Dog is.
And yes, Brooklyn and Katana had to lug Nash's egg around for ten years. Tachi's for almost as long.
Brooklyn TD's to 2198 so he knows some things that are going to occur. But by him being in that time line, and not gone TDing doesn't that change things? I guess with Goliath and Griff the events that had to occur did, they just came about in different ways, because Goliath was there to change things. Is this correct?
By the time Brooklyn returns from TDing would he be resigned to letting things happen as they would?
Just keep his mouth shut, and let things occur?
Or at least warn ppl if he felt it necessary?
(IE: They can't stop a bomb from dropping, but they can at least be prepared to deal with it, in the very least, emotionally?)
I hope this wasn't too messy..
Uh, Lexy, I'm just not following your first paragraph, which may mean that you aren't getting the rules of time travel in the Garg Universe... or am I just dense?
What I will say is that Brooklyn intentionally does NOT learn much about the immediate future of his friends and family. What he knows of the future is of events two centuries removed. He doesn't go back and research the time between.
During TimeDancer, would Brooklyn et al visit future time periods beyond 2198? Or the truly distant past (pre-dinosaurs)?
No plans for him to go beyond 2198 (or 99 or so). No plans for him to go pre-dinosaur either.
What is the year, and month, that Brooklen starts, and finishes, his time dancing? What happens in the 5 minutes he is gone?
My current thinking is that Brooklyn vanishes in 1997. (I haven't pinned down the month.) And he's probably gone less than five minutes actually. Broadway and Angela (and maybe Lex) just have time to say something like, "Oh no, will we ever see our dear friend again?" (only better dialogue) before he reappears.
When Brooklen became leader for a short time, did he choose a 2nd in command from Lex or Broodway?
Does Katana have a beak like Brooklen?
1) Will Angela and Broadway raise their kids like humans, by only two parents, or will they be raise like gargoyles, in a collective rookery?
2) If so, will that trend continue into the future?
3) What about Brooklyn and Katana's children will they raise their children collectively or individually?
1. Like gargs.
3. Nash will be raised individually, initially, or communally if you consider that his TimeDancing parents represent the complete community of adults. Tachi will also get some individual rearing, because B&K will be the only parents in range. But both kids will get a lot of community parenting from the Manhattan Clan.
I was looking over the [finally] completed description of the future series and after happily ooing and aahing, I had a few questions.
-1- I noticed that Broadway and Angela's biological children had similar sounding names, (arthurian in my mind). Since they were not named specifically by the parents but rather as clan children, (I assume), I was wondering if this was intentional. Are rookeries intentionally named with similar names, like the angel theme with the Avalon eggs? Do near rookeries share somewhat similar names and distant ones more different ones? Am I reading way too much into a statistical sample of three?
[Side question- Broadway, raised by Gargoyles would not care who was his biological child, but Angela was raised by humans, even if they did try to follow the gargoyle mode. Does she care a little, or at least think about it?]
-2- Nicolas Natzilani Maza, (please excuse my spelling, I am composing this offline): From which of the current Maza siblings does he descend?
-3- Alexander Fox Xanatos IV: I have a feeling I am being a bit dense here, but is he the same Alex as Alexander Fox Xanatos I but covering for extreme longevity?
-4- I don't remember any mention of the New Olympians. Do they play a notable role? If not, where are they?
-5- Logistically I am confused about something- In a perfect world all the Gargoyle spin offs would be running at the same time for an indefinate amount of time. More specifically Time Dancer and Gargoyles 2198 would be running at once. [Which leads to another side question: What you call the series after the first year?] As I see it the first year or two wouldn't be a problem- Timedancer Brooklyn would be a couple of years younger than future Brooklyn and we just wont see him describing in detail events that haven't happened yet in Time Dancer to people in 2198.
The problems start when it comes time for Time Dancer Brooklyn to go to 2198. The easiest way I can see it is, we see him leave, we see him return ten years older all in one ep, "wow! I just spent ten years fighting aliens in the future! But I wont say anything more as not to let you know too much about what will be." Then we have a Time Dancer Brooklyn ten or so years older than the Future one and a massive, sustained chuck of time that he can't give away to the audience. It seems like it would be a very awkward.
Thanks... And enjoy the con!! I hope you give a passing thought to those of us stuck on the other side of the continent. (This whole being an adult with a job kinda sucks sometimes.)
1. You probably are reading a bit too much into a statistical sample of three. Plus, keep in mind that the Manhattan Clan doesn't exactly have deeply held traditions in naming. The whole concept is fairly new to them.
1a. I think Angela does think about it. But keep in mind, she was group raised. This way, as a parent, she has more children to love. That suits her fine.
2. I'm SO not telling.
4. They will eventually play a roll. Technology-wise, the rest of the world has caught up to them. I wouldn't fully re-intro them right away, although their leader will be kidnapped along with Alex.
5. You worry too much. I should have such worries.
mmm, sorry, i'new here.. i have one question about Timedancer... Were can i read the orginal about that?
The original what?
I have a few questions about Brooklyn and Katana's relationship.
1) How long are they mated before Nashville and Tachi come along?
2) How long did they know each other before they fell in love?
3)Given the traditionalistic upbringing that Bushido would offer would she at first find Brooklyn to be a fool?
1. I don't have that info with me at the moment.
2. Depends on how you define "fell in love".
3. There's conflict. I once described their relationship as Sam & Diane-esque. No one got that, but the intellectual crowd here did understand a Beatrice & Benedick reference. Made me feel old and young, simultaneously.
Well, either I can't find my answered questions(there are a lot)or I just asked them in a way that wasn't appropriate. Oh well. Anyway, if you ever get to do gargoyles again would you use Timedancer or would you maybe use a different idea if a better one surfaced? Timedancer is good, but I wouldn't put Brooklyn with someone so different. Maybe, but then again; you are the one writing the shows not me.
Since I can't find my questions. Could you e-mail me at Alexlyons3@hotmail.com
I'm sorry, I don't respond with personal e-mails. Defeats the purpose of this forum.
I'm always open to using the best possible idea at my disposal at a given time. But I'm pretty sure that would include TimeDancer. I'm not sure what you mean by 'putting Brooklyn with someone so different'. You don't know enough about Katana to know how different or not she is.
Hi Greg, I just started watching gargoyles a few mo. ago so i'm not fully awear of ever thing that has happened so i was just wondering if you could ever see brooklyn getting a girl friend?
Yes. (Check out the TimeDancer Archive here at ASK GREG for more info on KATANA.)
given that Mary (Tom's mother) will do some time-dancing with Brooklyn and Tom has had a long life on Avalon, have they or will they ever be reunited?
That would be telling.
If the Brooklyn is able get his hand on the gate and get home then why doesn't he keep the gate?
I never said he got his hands on it.
Why did you send Brooklyn on a forty-year journey? Why not Broadway or Lexington?
On at least one level, because that's how it happened. That is, the characters seem to tell me what happens to them next. It just seems right.
But basically, I felt Brooklyn needed to get away, break out. This was symbollically the most extreme way. BW and Lex don't need to leave.
In what period would Timedancing Brooklyn arrive in Xanadu, China?
Not telling. Neener, neener, neener.
Why does Brooklyn stay so long in 7th century Ishimura? Was it because of Katana or was it because of something else?
What is Brooklyn's mate Katana like?
When did I say 7th century?
I wonder how Goliath would have reacted to some of the other
tennets of Bushido. We saw how the code teaches redemption of honor through acceptance of personal responsibilty for your actions. However, this is pretty much a universal creed.
There were other aspects of the Bushido code, practiced by the Samaraii, that were very alien to western ideals. For instance, an unredeemable failure is seen as such an affront to the Bushido code, that ritual suicide or Seppaku, was often the only way to restore ones honor. The samarai disembowels himself with a curved knife. Then his "second" decapitates him.
Vengeance is a highly valued right among the practicers of bushido, as evidence by the classic story of the 47 Ronin. When a feudal lord was killed due to treachery of another, his 47 samaraii were shunned and disgraced as warriors without a master. There sense of honor demanded that the offender and his family be hunted down and killed, so the 47 Ronin dedicated the remainder of their lives to this task. Upon completion, the surviving Ronin committed Seppaku.
Surrender was also not tolerated by the bushido code. The samarai would fight to the last man, and enemies who did surrender were executed on the spot.
Were the Japanese gargloyes more selective in their practice of Bushido. I think it would have been interesting to see how Goliath would have reacted to ideals practiced by Japanese gargoyles which would have been so at odds with his own sense of what honor demanded. Dedicating ones life to vengeance? Summarily killing a helpless enemy? Failures so great that ritual suicide is a reasoned expectation, rather than an expression of anguish? There have certainly been instances where his anger or grief might have driven Goliath to these actions. Yet, Bushido enshrines such behavior as honorable and necessary.
All good points. All stuff I had hoped to explore in TimeDancer with Brooklyn and Katana.
Why exactly is does Brooklyn name his son Nashville? Does he name him after the city or does he name him after something else that bears the name of the city?
Not answering this now, but you might do a little research.
Ok now am I too assume correctly that when the 78 ( 39 biologically) year old Brooklyn returns from his dances he is stronger than he was when he left right? I mean he had been fully grown by that time and plus the perils of the dance could cause for a greater need to thicken up.
So the big question,
Can the (39) year old Brooklyn hold his own or maybe even win in a fight against the (29) year old Goliath?
Why would they fight?
Why are Brooklyn's travels in time called dances?
Is something or someone controlling where he goes?
Could you tell us who or what it is?
Again, control is executed or not, depending on the extent (if any) of YOUR PERSONAL BELIEF in a HIGHER POWER.
As to the name TimeDANCER, well, mostly, I just like the way it sounds. And it sort of indicates the way he SKIPS around from era to era. Just seemed right, I guess.
Ok forgive me if this is confusing but this is the only way I could figure out how to word this question. You have mentioned that a Time Dancing Brooklyn would be a character in 2198. Now, since Brooklyn come home eventually, wouldn't a ver old Brooklyn also be present? or at least Nashville and Tachi? What I am asking is during his Time Dancing wouldn't Brooklyn encounter older versions of himself, Katana, Nashville and Tachi? Seeing as how they do come home, thus are a part of the timestream from 1996 on?
They did come home, but do the math as to whether it's feasible that they'd still be alive in 2198.
I'm still a little baffled about Timedancing Brooklyn and the story behind him. You state that when Goliath threw the Phoenix gate into itself without a mind to guide it, it would be forever lost in the time stream. Then you went on to say that it lands in front of Brooklyn.
1. Why did you choose Brooklyn?
2. When does it land in front of him, in what time?
I was reading through the archived responses about this, and you say that he never lays a finger on the gate.
3. But how is it possible for him to travel forty years leaping in and out of random time shifts the gate creates? The gate is just a talisman, without a mind or the incantation it really can't go anywhere, which leads me to my next question.
4. If Brooklyn is susceptable to random time shifts, how long does he or can he stay, in one time?
5. Why couldn't he lay a finger on the gate? I mean surely he would eventually find out how the gate works in some time, grab it, speak the incantation, and boom! he's back home again in his own time exactly when he left. Brooklyn isn't that stupid, he surely would have had some pre-existing knowledge from Goliath about the dangers of the gate.
Please. Maybe you could explain this whole Timedancer mess in better detail or in a nutshell, or at least point me out someplace online I could go to read more about it in further detail.
No, I stated that Goliath threw the Phoenix Gate into the Timestream -- not itself.
1. He chose me largely. He was ready for the next step in his character's evolution. And I felt he could carry a series.
2. In "the present". Originally, that meant 1996. I'm not sure now. I'm leaning toward '97 though. Not 2001.
3. No, it goes everywhere and everywhen. It seems to be random. But the timestream itself may have currents and eddies guiding it.
4. There's no consistent rule.
5. He can never get to it in time.
The only place I can point you for more detailed info is the TimeDancer archive here at ASK GREG. (This doesn't seem that complicated to me, however. I certainly wouldn't call it a 'mess'.)
1. When he returns from Timedancing, is Brooklyn aware of the time and place of his own death?
2. If so, is he also aware that there is nothing he can do to change the circumstances of his demise?