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Why did you send Brooklyn on a forty-year journey? Why not Broadway or Lexington?
On at least one level, because that's how it happened. That is, the characters seem to tell me what happens to them next. It just seems right.
But basically, I felt Brooklyn needed to get away, break out. This was symbollically the most extreme way. BW and Lex don't need to leave.
In what period would Timedancing Brooklyn arrive in Xanadu, China?
Not telling. Neener, neener, neener.
Why does Brooklyn stay so long in 7th century Ishimura? Was it because of Katana or was it because of something else?
What is Brooklyn's mate Katana like?
When did I say 7th century?
I wonder how Goliath would have reacted to some of the other
tennets of Bushido. We saw how the code teaches redemption of honor through acceptance of personal responsibilty for your actions. However, this is pretty much a universal creed.
There were other aspects of the Bushido code, practiced by the Samaraii, that were very alien to western ideals. For instance, an unredeemable failure is seen as such an affront to the Bushido code, that ritual suicide or Seppaku, was often the only way to restore ones honor. The samarai disembowels himself with a curved knife. Then his "second" decapitates him.
Vengeance is a highly valued right among the practicers of bushido, as evidence by the classic story of the 47 Ronin. When a feudal lord was killed due to treachery of another, his 47 samaraii were shunned and disgraced as warriors without a master. There sense of honor demanded that the offender and his family be hunted down and killed, so the 47 Ronin dedicated the remainder of their lives to this task. Upon completion, the surviving Ronin committed Seppaku.
Surrender was also not tolerated by the bushido code. The samarai would fight to the last man, and enemies who did surrender were executed on the spot.
Were the Japanese gargloyes more selective in their practice of Bushido. I think it would have been interesting to see how Goliath would have reacted to ideals practiced by Japanese gargoyles which would have been so at odds with his own sense of what honor demanded. Dedicating ones life to vengeance? Summarily killing a helpless enemy? Failures so great that ritual suicide is a reasoned expectation, rather than an expression of anguish? There have certainly been instances where his anger or grief might have driven Goliath to these actions. Yet, Bushido enshrines such behavior as honorable and necessary.
All good points. All stuff I had hoped to explore in TimeDancer with Brooklyn and Katana.
Why exactly is does Brooklyn name his son Nashville? Does he name him after the city or does he name him after something else that bears the name of the city?
Not answering this now, but you might do a little research.
Ok now am I too assume correctly that when the 78 ( 39 biologically) year old Brooklyn returns from his dances he is stronger than he was when he left right? I mean he had been fully grown by that time and plus the perils of the dance could cause for a greater need to thicken up.
So the big question,
Can the (39) year old Brooklyn hold his own or maybe even win in a fight against the (29) year old Goliath?
Why would they fight?
Why are Brooklyn's travels in time called dances?
Is something or someone controlling where he goes?
Could you tell us who or what it is?
Again, control is executed or not, depending on the extent (if any) of YOUR PERSONAL BELIEF in a HIGHER POWER.
As to the name TimeDANCER, well, mostly, I just like the way it sounds. And it sort of indicates the way he SKIPS around from era to era. Just seemed right, I guess.
Ok forgive me if this is confusing but this is the only way I could figure out how to word this question. You have mentioned that a Time Dancing Brooklyn would be a character in 2198. Now, since Brooklyn come home eventually, wouldn't a ver old Brooklyn also be present? or at least Nashville and Tachi? What I am asking is during his Time Dancing wouldn't Brooklyn encounter older versions of himself, Katana, Nashville and Tachi? Seeing as how they do come home, thus are a part of the timestream from 1996 on?
They did come home, but do the math as to whether it's feasible that they'd still be alive in 2198.
I'm still a little baffled about Timedancing Brooklyn and the story behind him. You state that when Goliath threw the Phoenix gate into itself without a mind to guide it, it would be forever lost in the time stream. Then you went on to say that it lands in front of Brooklyn.
1. Why did you choose Brooklyn?
2. When does it land in front of him, in what time?
I was reading through the archived responses about this, and you say that he never lays a finger on the gate.
3. But how is it possible for him to travel forty years leaping in and out of random time shifts the gate creates? The gate is just a talisman, without a mind or the incantation it really can't go anywhere, which leads me to my next question.
4. If Brooklyn is susceptable to random time shifts, how long does he or can he stay, in one time?
5. Why couldn't he lay a finger on the gate? I mean surely he would eventually find out how the gate works in some time, grab it, speak the incantation, and boom! he's back home again in his own time exactly when he left. Brooklyn isn't that stupid, he surely would have had some pre-existing knowledge from Goliath about the dangers of the gate.
Please. Maybe you could explain this whole Timedancer mess in better detail or in a nutshell, or at least point me out someplace online I could go to read more about it in further detail.
No, I stated that Goliath threw the Phoenix Gate into the Timestream -- not itself.
1. He chose me largely. He was ready for the next step in his character's evolution. And I felt he could carry a series.
2. In "the present". Originally, that meant 1996. I'm not sure now. I'm leaning toward '97 though. Not 2001.
3. No, it goes everywhere and everywhen. It seems to be random. But the timestream itself may have currents and eddies guiding it.
4. There's no consistent rule.
5. He can never get to it in time.
The only place I can point you for more detailed info is the TimeDancer archive here at ASK GREG. (This doesn't seem that complicated to me, however. I certainly wouldn't call it a 'mess'.)
1. When he returns from Timedancing, is Brooklyn aware of the time and place of his own death?
2. If so, is he also aware that there is nothing he can do to change the circumstances of his demise?
If I understand Timedancing correctly, it occurs at unpredictable intervals. The Phoenix Gate suddenly appears and whisks Brooklyn off to a new time period. So my question is: when Brooklyn does his final Timedance, the one that brings him back to just minutes after he originally left, how does he know that his Timedancing is over? Does he know that the Gate will not appear again, or does he expect to be Timedanced(?) away again at any moment?
If he knows that his journey has come to an end, is it because he has gained control of the Gate? If he does have control of the Gate, why did he choose to come back just a few minutes after he left? Didn't he have anyplacetime better to go after forty years of Timedancing? What does he do with the Gate once he gets back?
I'm not answering any of this. If you think about it, you'll see why.
Here we go again...
1) Will Goliath and Elisa ever have kids?
2) Will Brooklyn and Katana have kids in the 2008 rookery?
3) Will Lexington?
1, 2, and 3. They will be parents to all the children of the clan.
Were you inspired in someway by Quantum Leap while making Timedancer?
Not really. Plenty of time travel stuff pre-dates QL.
And I'm much stricter about time-travel rules than that show.
Thoughts about time travel:
There is a little controversy about time travel vs. free will. If the past is unchangeable -and also the future, for consequence- then there is _no_ free will?
On the contrary; The events in the past can't be changed, but they WERE and ARE done by us. That's easy to guilt the others or the timestream, but, quoting Rorschach, from Watchmen:
"That's not God who kill the children, nor the chance who shred they, nor the destine who feed the dogs with they. They're us. Only us". (I'm translating to english from a translation to the portuguese. :-)
Plus, on the contrary of the common sense, change the past is not use free will, but kill it: Demona betrayed Wyvern. If she came back and change this, she should be obstructing her OWN free will. And her responsability, to boot. And responsability is one of the series' themes.
This is a paradox, but, with time travel, what else did you want? The unchangeable past universe IS the free will universe. :-)
Oh, well, now back to my time travel questions:
1- Roughly, when was the Phoenix Gate "created"? Meaning when it droped in Avalon, starting the time loop.
2- If the Phoenix Gate is a "steam valve" and it exists among two time points (??? or before and 2198 or after), what was the steam valve before the Gate? And after?
Ps. I just wanted to say that I fully understood the time loops in Vows, Avalon II and M.I.A. and I loved then. Vows and Avalon were amazing and smart, and M.I.A. was just too fun: Goliath couldn't change the history, but he was so smart that he could trick it! Great work.
Before we get to your questions, Bruno, let me just say that I agree with you on your time travel/free will thing.
1. I don't want to reveal that yet. It's intrinsic to the whole TimeDancer story.
2. Stories for another day.
Would the Loch Ness Monsters ever be featured in Dark Ages or Timedancer?
Did Brooklyn and Katana lug each of their kids' eggs around with them for the 10 years it took for them to hatch?
Do you have any ideas as to what Katana, Nashville, and Tachi look like, if so will you tell me?
1)Is Tachi a girl? When I looked the name up in the encyclopedia on Jeb's page it said Tachi was a male.
Yes and no.
1. Tachi is female.
Your description of how important it is to control the Phoenix Gate (or else you wind up, to cite your example, at Burger King instead of Fort Knox) got me wondering just now: is this one reason why it takes Brooklyn forty years to get back home during "Timedancer"? That he didn't concentrate in the right manner on his desired destination until the final "dance"?
No. Brooklyn, try as he might, never (or almost never) lands a finger on the Gate. He's basically leaping into portals that the Gate opens "at random".
'VOWS' - what an episode. So many twists, so much drama, and some brilliant comedy from the Xanatos family. The thing that always occurred to me when watching this is: who on earth in Shari Goodharz? She only wrote the one episode that I recall and yet this is one of my favourites, if not my favourite outright. And yet she never did anything else. I guess looking at your outline she had a lot of dialogue to work in but even so, it was pretty damn good.
Actually, it always seemed like quite an intense episode to put before a multi-part story. I didn't watch it in order properly until I knew the whole season ('CITY OF STONE' aired at the beginning of the season here in two back-to-back weekends: accompanied with some stunning preview adverts of Demona blasting the stone humans).
Just one reply:
"But the gate stays open long enough for him to go with. Did it ever occur to her to go somewhen else other than 994? I guess part of it could be chalked up to dim memory. It was over a thousand years ago. And Demona lived through that 1000 years. Even for a very significant event in her life, it must still be very hazy."
Apart from the shock factor of the castle still burning (in this episode) and Goliath in stone, I think this would have meant most to Demona. But another possible explanation is in your outline:
"But choosing requires incredible concentration. Otherwise, the chooser's emotional or mental whim of the moment may cause the gate to drop everyone off at Burger King instead of Fort Knox."
Seeing as how Demona claims to have a clear memory of Goliath's 'inspirational' presumably this is the thought that would have dragged her to 994.
I really like your explanation of the Gate's changing size as being due to its 'time valve' function. Was this something you ever planned to develop or at least mention out loud in the series? I guess we'd get some hints from what you've told us about 'TIMEDANCER' so far.
I LIKE you're explanation for Demona's choice A LOT. THANKS!
As for the timestream steam valve theory, it would get some real play in TimeDancer for sure.
At what age do you feel that gargoyles learn to glide?
Will Tachi (aged six) know how to glide when she timedances into the present, or will it be something she'll learn during the course of the series?
She'll have started learning. I don't know that she'd have mastered it under all conditions. But she'd be doing a bit of it.
On my last question you repost: Define "love". Well, I know that Brooklyn didn´t really love Angela from our point of view. But from his point of view, he is in love, and so, I think, he would tell angela, that he is. So, will he ever?
They might have a conversation some day. But not until after the TimeDance, when it's WAY moot.
You've revealed to us (through chronological info) that the gargoyles' twenty-year cycle is "attuned to the earth" rather than something which is mostly internal (as I had earlier assumed).
How did this affect Katana during her timedances? Her and Brooklyn's two children are twenty years apart in age, as if the cycle had been internal for her, affected only by the time which passed for her, rather than affected by the "earth's cycles" and the different times she would journey to.
Is that simply a coincidence? Did she just happen in her travels to journey to two mating seasons, with a period of twenty years inbetween as subjectively perceived by the timedancers?
As I've stated recently, very little is truly random in the Gargoyles Universe. My mind just doesn't work that way.
Is Brooklyn's timedance injury that severe that it can't be healed by the healing rays of the sun? Or is magic involved which prevents it from healing?
Not saying at this time.
You mentioned that one Timedancer villain would be the Archmage, presumably due to his little side-trip with Goliath during their battle for possession of the Eye. If this actually makes it into a Timedancer episode, then presumably it will also feature Brooklyn. So...
1) Does Goliath meet Brooklyn in that/those episode(s), and therefore have foreknowledge of Brooklyn's Timedancing?
2) Does Goliath have any role in how the Gate ends up with Brooklyn?
1. I'm not saying.
2. I'm not sure what you mean.
Dear Mr Weisman,
Regarding Timedancer and The Dark Ages, given the time, would you plan to turn both of those into animated shows, or do you feel they are best left as part of the written world?
Given the opportunity, I'd gladly do either as animated series.
In "M.I.A.", mention is made about gargoyles in WWII being chalked up to "gremlins and the like." So the question is, were there really gremlins out there? If so, where do they fall in terms of the "three races?"
There's more to this Gremlin question. But you'll have to wait for TimeDancer to learn it.
Would Brooklyn visit any time beyond the scope of 2198? If he goes back at least as far as Feudal Japan then it makes sense he'd go forward a similar distance. But there again, plotting REALLY far ahead must be difficult. If he doesn't, will there be an in-universe reason?
He goes into the future and into the past. I don't need reasons beyond that.
Some days ago, i poste that question:
"Are there other girls, then Katana, in Brooklyns timedance that are REALLY close to him? And if yes, how manny?"
You awnser:"Not sure what you mean."
Well, I mean, that he fall in love with other girls during his timedance. Or, maybe, he was verry close to a merryage with another girl, and then the Gate take Brooklyn away. Things like that.
Hope, You understand now.
Not "marriage" close if that's what you mean by "merryage", but I'm not saying he didn't have other romances.
Quick! We must fill the queue - Greg's caught up! :-)
Anyway, just a nitpick: You said "Odysseus traveled for twenty years."
Well, he was away from home for twenty years. But ten of these years he had been fighting at Troy. His return took him a further ten years, seven of which he spent as a virtual prisoner in Callisto's island.
So, one could say that he spent only *three* years travelling, though it was twenty years that he spent away from home.
If one's nitpicking, anyway. :-)
That's what I meant.
I actually DID know that.
And Brooklyn may stay in one place, fighting or whatever for various lengths of time in various periods of time. But when all is said and done, he'll be twenty years older when he gets back.
1) If they're still alive, where do Mary and Finella live at the end of "The Journey"?
2) Do Mary and Finella ever try to get in contact with the Manhattan clan?
3a) Will Mary ever see Tom again? b) Will she meet "the eggs"?
4a) Will Finella find a new love? b) If so, is it anyone we know?
1. Not saying.
2. Not saying.
3. Not saying. Not saying.
4. Not saying. Not saying.
1a) Are/were there any living phoenixes in the Gargoyles Universe? b) If so, were/are they a separate species, or are they Children of Oberon or a form of gargoyle?
2a) Did the forging of the Phoenix Gate have anything to do with (an) actual phoenix(es)? b) If so, was whatever involvement they/it had, voluntary?
3a) Was Princess Katharine's mother ever aware of the powers of the Gate? b) ...was the Normand ambassador? c) Was Malcolm ever aware that he was going to receive the Gate?
4a) When the Gate was broken in half, did it become *completely* nonfunctional, or did some residual magic remain? b) When it was whole again, was it as good as new?
5) What is the immediate source of the magic/energy that the Gate draws on?
6a) Why is the incantation for an Avalonian magical artifact in Latin? b) Is that particular incantation necessary, or can the Gate be activated some other way?
b. Not saying.
2a. Maybe. If the Gate was forged. Which it wasn't.
c. He was informed after it was stolen.
5. Ambient time stream need. (Generally measured in Farquars.)
6a. Necessary for a human to harness it.
b. When free, the gate travels about on its own, as Brooklyn learns to his chagrin.
Here is some Timedancer stuff:
1.:Are there other girls, then Katana, in Brooklyns timedance that are REALLY close to him? And if yes, how manny?
2.:How old is he when he returned to his clan?
3.:IF there is an child of Elisa and Goliath, did Brooklyn met him/her in his journeys?
4.:Did he met himself in the future(like Demona in "Vows")?
1. Not sure what you mean.
2. Biologically about 40.
3. Not saying.
4. Not saying.
1a) You said that Brooklyn would travel to the "Future Tense/2158/?" era both before and after he met Katana. From the perspective of those living during this future period, did Brooklyn's first visit (when he was alone) happen *after* he had already appeared with his family? b) If so, did the people during that time reveal (perhaps accidentally) to Brooklyn that he was going to have a family?
2) You said that Brooklyn keeps "chasing" after the Gate because he wants to get home. Although I'd understand why this would be important to him when he's alone and memories of home are still fresh on his mind, I would think that after 40 years and having the comfort of his family, getting home wouldn't be as critical to him. Am I wrong, or does Brooklyn find a new reason to be motivated to return home to the present?
1. I'm not answering that now.
2. Odysseus traveled for twenty years. Brooklyn for 40. (But he was only awake for 20.) Sometimes we reason not the need.
Uh... something went strange and I'm posting this question for a second time. I've reloaded the new questions page in a separate window a couple of times and it hasn't appeared, but just in case it does appear twice, sorry. Anyway:
When you say that you'll keep track of time for Brooklyn, do you mean that you'll make it clear to the characters in the universe that he's been gone 40 years? Or will you communicate to the viewer that 40 years has passed for Brooklyn in another way?
Would Katana, Tachi, Nashville and Fu-dog be the only companions that Brooklyn would have on his time-dancing journey (I mean actually crossing between times)?
No. They're just the ones he came home with.
Does Brooklyn meet all the rest of the clans (apart from the six we saw in the original show) during his timedancing?
You just revealed that the Xanadu clan is the other contemporary clan. You also previously mentioned that Brooklyn would find Fu-Dog in China during his travels. Which makes me wonder.....
1a) Does the Gate bring Brooklyn to present-day (or at least what would be the present relative to the "Gargoyles" show time-line) China? b) If not the present, around which period would it be (ancient, medieval, future, etc), on each (if there's more than one) of the occassions Brook would travel to China?
2a) Is Xanadu the only Chinese location the Gate brings Brook to? (assuming it even takes him to Xanadu). 2b) Does Brooklyn find Fu-dog in Xanadu, or in another Chinese clan?
3a) Around what age would Fu-dog be when Brook first finds him? (I think you said he wasn't a puppy) b) Did Fu-dog leave a mate or any progeny behind when he left with Brooklyn?
4) Do the Ishimura, Korea, and Xanadu clans know about each other?
5) In the contest, you didn't give credit for listing Beijing as the home of the Xanadu clan, even though that's where Kublai Khan had his capital--which is the place some believe Coleridge's "Xanadu" referred to. So my question is--where (approximately) in China *is* Xanadu?
6) Dragons play a big role in Chinese (and many other) mythologies. Are these legends simply based on gargoyles and their beasts--who may resemble dragons, on fey who chose to assume dragon form, or on a separate species all-together?
1b. Maybe all of the above. Or not.
2a. Forty years is a long dance. I don't pretend to have all forty years plotted out exactly.
3a. I said I never said he was a puppy.
3b. Can't say. Or won't.
5. Not in Beijing.
6. Greg has left the building.
In a previous post, I had asked, "After Brooklyn is done with the gate in Timedancer, it will return to its point of origin in the past (the paradox). Out of curiosity, how long before the Gate found its way into Elena's dowry did the Gate "first" appear?"
You responded, "How do I define 'how long' with the Gate?" So let me try to rephrase that....
After the Gate returns Brooklyn to his time of origin, five minutes after leaving, what year does the Gate travel to next?
And who is the first to find the Gate after it appears in that year?
I don't know. Haven't worked that out at this time.
Would any of the spinoffs featured the Pack (or at least members of the Pack) as villains?
Thank you for your time.
Sure. Most. Let's see...
Gargoyles 2158 (revised)
And I wouldn't be surprised if we also saw them in
But I would be surprised if they showed up in
Is Brooklyn aware how long he timedances for? I mean, does he have any way to keep track of the years?
But I'll keep track for him.
Just a quick question for ya, 'cause I think the first on this particular subject got lost or cut out.
Anyway, I was wondering why did Brooklyn become the Time Dancer? I don't remember reading the inspiration for it. Brooklyn's a cool character and all, but I guess I just don't see him doing that sort of thing. Yet, at the same time he almost needs it. But it's sad too. It makes me feel bad for him.
But that also makes me wonder about Goliath. I started getting the impression that maybe Goliath would learn to use magic after using the Eye. Don't ask me why though. So, it made me wonder, was there anything more that Goliath would do? Is there a particular destiny he has like Brooklyn? Or is his purpose just to lead the clan?
Also, would his and Brooklyn's paths ever seem to cross during Brooklyn's Time Dancing? And, I don't understand why the clan would be disappointed in him for his Time Dancing. What he have done or not done to make them disappointed in him?
I think that's all for now. Except, in all honesty, Brooklyn's design is the most interesting and unigue among all of the gargoyles. But he still doesn't top Goliath. At least not too me. ^_^
Goliath and sorcery don't mix well.
Goliath will have plenty to do, believe me. He has as much or as little a destiny as any of our characters, including Brooklyn.
I'm not sure what point your trying to make here.
I don't know what you mean when you say the clan would be disappointed in Brooklyn for TimeDancing. If you think you're quoting me, you MUST be mis-quoting me, or misunderstood me or something.
1. Does modern-day Clan Ishimura have any knowledge whatsoever (perhaps in the form of documentation or maybe oral tradition) of Brooklyn's visit centuries earlier?
2. How do Brooklyn's and Katana's children interact with one another? Do they get along, or do their parents have to send them "to the rookery" on occasion? Which one (if any) is the troublemaker? :)
3. I am curious as to how "assimilated" Katana will be by the time her journey with Brooklyn ends. For instance, will she view her offspring as her own, or as children of the entire clan?
4. After his travels, do you think Brooklyn could pass any high school or college history exam? Multiple choice, of course. In other words, will his experiences make him a history expert?
5. How much exposure will Katana and the youngsters have to technology before the journey ends? Would they be able to recognize a computer? Better yet, would they understand the Internet?
6. Have you decided exactly how/when Brooklyn receives his permanent injury?
7. About how often would Brooklyn find other gargoyles on his journey through time? I would suspect it to be a rare occurrence.
8. How do you imagine the TimeDancer theme song? What kind of mood? Any narration? Have you given it any thought yet?
1. Can't answer that now.
2. They generally get along, but not all the time.
3. By necessity she and Brooklyn will regard these children as their own. Once they get back in the bosom of the clan, they will be happy to share parental responsibility. But nothing can change the bond formed over years of travel and adventure. But I wouldn't call this "assimilation". This, for once, has less to do with gargoyles being influenced by human customs and more to do with the rigors of TimeDancing.
4. True (if scattered and sporadic) history, yes. Not necessarily the stuff in history books that would win him straight As.
5. I don't know about the Internet specifically, but they'll be seeing all sorts of computers. They'll be dancing into the future as well as the past. I think.
7. Like the Avalon Skiff, the Phoenix Gate seems to lend some purpose to the Dance. So perhaps more often than you'd think.
8. Nope. You're way ahead of me.
Previously on Ask Greg: I wrote, "Buenos Dias Mr.Weisman,
Here's another question guised in the form of question.
On a scale of 1-10, 10 being the most severe, How bad was Brooklyn's disfigurement(was that the word used?) after returning from his Dance in Time?
Thank you much. Gracias as it were. Xi Xi. Thanx. etc etc. Much appreciation. Gratitude flowing from pores."
You replied (your questions numbered)"
1>What forms are questions usually guised in?
1>In this forum statements. But usually in Confused looks.
2> My question sprouted from this previous Q&A "4) Does Brooklyn (or Katana) suffer permanent injuries from their traveling? By this I mean scars, loss of limb, and whatnot."
"4.Brooklyn does actually."
So, my question would be in that context and restated (but if you answered the original question as well I wouldn't not be pleased),"What was Brooklyn's permanent injury(/ies)?"
Sorry if this is a bit confuddled and befusing. Thanks much and much thanks.
Not saying now. But I do know.
1. Would Brooklyn have once again assumed leadership of the clan, as he did during Goliath's absence?
2. How does he (post-TimeDancing) feel about:
c. Tired of it.
1.What is the earliest period of brooklyn's timedancing
2. how does the illumanti know about the timedancing
3. did brooklyn meet duval in the past?
4.does brooklyn come in contact with any fae in the past
5. if yes to 4, are in human form, during that 1000 year leave of avalon period
6. if yes to 4 then who does he meet
7.does brooklyn meet the archmage
2. Who said they did?
3. Probably at some point.
6. Puck for sure. I'm not saying more now.
the gate was made on avalon...
1. who created it
2. the gate is lost by goliath and then to timedancer and then eventually it goes back to the beginning circle.so how does it fit.someone created it. the only way for this whole loop thing the gate travels in must end up with the gate being destroyed?????
1. Who said it was created?
2. How do you figure?
1. You mentioned that the enhanced Archmage would have appeared in "Timedancer", would that have been before he picked up his younger self?
2. If the answer to #1 is yes, why didn't he go to pick up his younger self directly?
1. Not saying.
2. Not saying.
Did the Ishimura clan right down about anything about Brooklyn and that he took of of there clan members as his mate?
I have Brooklyn questions.
1) Were there going to be conflicts between Goliath and Brooklyn (Second In Command).
2) Before he goes on his timedancing adventure will Brooklyn try a few more times to woo Angela.
3) Will Goliath consider turning over leadership of the clan to Brooklyn?
4) Will Katana join Brooklyn willingly or be dragged into the travel?
1. Occasionally. Nothing major.
4. Willingly sorta.
Buenos Dias Mr.Weisman,
Here's another question guised in the form of question.
On a scale of 1-10, 10 being the most severe, How bad was Brooklyn's disfigurement(was that the word used?) after returning from his Dance in Time?
Thank you much. Gracias as it were. Xi Xi. Thanx. etc etc. Much appreciation. Gratitude flowing from pores.
What forms are questions usually guised in?
HEY GREG. I WAS JUST WONDERING DOES BROOKLYN REALLY HAVE A FUTURE MATE (TIMEDANCER) OR IS THAT JUST FAN FIC. THANKS FOR YOUR TIME.
He does in my mind. Her name is Katana.
1) If and when you get to do tose Gargoyle Episodes and Spinoffs do you plan to do crossovers like the following:
2) Would you still include the Previously On Gargoyles segments when necessary?
1. 2158(revised) and TimeDancer, definitely.
Dark Ages and TimeDancer, probably.
Pendragon/Bad Guys. Probably, eventually.
Bad Guys/Gargoyles. Definitely.
New Olympians/Gargoyles. Definitely.
New Olympians/Pendragon/Bad Guys - Eventually.
A couple of questions about the Phoenix Gate....
1. When you named the Gate, back in "Vows" early in Season Two, did you already know that the Gate would be forever trapped in its paradox, that is, repeating its existence from the beginning over and over? This lended itself to the Phoenix namesake, the perpetual rebirth of the Phoenix, just like the Gate keeps restarting its existence. Whether or not you came up with the name first or the paradox concept, kudos to you guys! It's the perfect name.
1b. If the Gate wasn't named for this reason, then why did you name it the Phoenix Gate?
2. You said that after Brooklyn is done with the gate in Timedancer, it will return to its point of origin in the past (the paradox). Out of curiosity, how long before the Gate found its way into Elena's dowry did the Gate "first" appear?
2b. How did the Gate get into Elena's dowry?
Though this might be better left for a response to an upcoming ramble about "Vows," you might have rambled about it already but the time you read this, so here goes. I just wanted to say I think the Gate is one of the more intriguing concepts in Gargoyles, simply because of how you handled it. First of all, it's use fits the Gargoyles story as a plot device that enhances the character's concept of their predicament and "the way things turned out," as opposed to what might have been.
Second of all, you didn't break any rules. Anything that's gonna "happen" on trips to the past has already happened, anything that "happened" on trips to the future is gonna happen, and there's nothing anyone can do about it. It's the perfect time-travel scenario. I just wanted to say good job.
1. My preference in time travel is the "Working Paradox", so I knew that if I was going to bring Time Travel into the series, I'd want that kind of paradox. The name just seemed to fit. But I don't remember who came up with it.
1b. See above.
2. How do I define "how long" with the Gate?
2b. Ah, now that's a story.
Thanks. It's how I like it too.
In one of your most recent answers, you discussed briefly a few of the villains whom you'd planned to show in "Timedancer" if you'd made it. One of them was a certain "Calaban". Is this the same (more or less) as Caliban from "The Tempest"?
If Percival is Duval... (metaphorically speaking)...
Back again. ^.^ Say hi to Jen for me.
<still Puck, following a different mindset topic>
1) Did Puck or Owen ever meet a timedancing Brooklyn? <thats a question repost, got wiped in one of the screw ups>
2) Do you in your opinion think Puck would try to interfere with a time paradox intentionally? :)
2. I'm not sure what you mean.
I asked this way back in March, but I think the question got lost, so let me try again.
Were you ever going to reveal just how Demona and Xanatos teamed up? Xanatos is not exactly a trustworthy individual, and Demona's track record with humans has not been stellar. It's not like she would just go up to him and say "I'm a thousand-year old gargoyle with a grudge against humanity. Want to help me reawaken my clan?" And was she the one who gave him the Grimorum? Because if he got it from someone else, and Demona found out about it, then she would have obviously wanted to reclaim it, which would explain how they met, but not how they decided to work together. So what's the story?
Thanks for listening, and sorry if you have read this already.
Ever? Yes. In TimeDancer. It's a very complex story involving two different "dances", Brooklyn, Mary, Finella, Xanatos, Demona, Owen and Puck.
1)In Brooklyn's timedance would he have visited other planets, and see other civilations or is he only dancing on Earth's time stream?
2)When Brooklyn visits Fuedal Japan and 2158 will he only go there once or could he visit 2158 in one month and go somewhere else, and then return to 2158 in a different month?
2. Anything's possible.
I'd appreciate your thoughts on the accuracy of my hypothesis. I know you are likely to be cryptic, so I promise to be only somewhat annoyed it you are, although I'd prefer if you weren't.
About time travel, why is the Phoenix Gate the only time travel device out there? Or is it?
It is likely the only magical way, because if not, why would Oberon want it so badly? Unless it is like a washing machine. You can wash it by hand but you'd rather use a machine.
You've established that the past cannot be changed, and that Xanatos's current position in society is solely because of his little trip to the past.
Establishing that the Phoenix Gate is gone, except for its little TimeDancing trip, does that mean that time travel in the gargoyles universe is now totally impossible?
the final question would have to be, since you don't believe in a changable past, does the Gargoyles universe contain parallel time tracks, entire other universes with a different version of events.
Finally, I apologize if I missed previous answers to these questions. I have been reading the archive since it started, but my memory is a little bad at times.
1. I didn't say that the Gate is the only device out there. Depending on your point of view, one could say the Grimorum acted as a one-way time travel device for Goliath et al. And for the Coldtrio as well.
2. Who said Oberon wanted it so badly? Puck thought it would make a good bribe. Who knows if he was even right?
3. I wouldn't say "solely" but sure, what's your point?
4. Not necessarily. But I'd never make it easy. (And calling TimeDancer a "little...trip" is the understatement of the day, at least.
5. Ehhh.... Those things tend to be abused whenever they're introduced. Look at the X-Men. That book became unreadable to me eventually. As I've said before, I'm open to thinking about parallel universe/tracks etc. But I tend to think I'll end up saying no.
Hey, I thought I _asked_ this one already..but well I just looked over a bunch of Q's..and well I guess mabye I didnt. Well, sorry if this is a double post ok?
I was thinking about 101 dalmations a few days ago. You probably havent thought about this in perticular..but for Nash's voice were you just planning on using Jeff?
If so would it have sounded like Lucky's voice?
Thanks!! SORRY again if I spammed you!
I haven't seen much of the tv 101 Dalmations. So the Lucky I know had a slight British accent. But we might very well have used Jeff for Nash. Maybe.
Lil Q. Um..I know you have said you are not that concerned with physical appearences of characters. IE: color, body type..so on. Well, I guess I was just wondering if you were planning on making either Nashville, Tachi, or both of Brooklyn's kids to have the trade mark beak? I suppose it is likly that at least his son would. It is just one of those things that people think is neat. Hey, like father like son right? Something like that I guess. But even though I think that would be cute, I also think that it would be neat if he didnt have it. I mean, mabye look more like his mother, (whatever she will look like) mabye just have his dads type of fly away hair, or similer voice..ect. Just a thought. ER NO wait..not a thought..not an idea..NOPE _nothing_ like one of those *thinks fast* umm..ya just a ramble;) *jk*
My guess (which I won't be held to) is that Nashville would look like Brooklyn but with Katana's coloring. Tachi would look like Katana but with Brooklyn's coloring. Wing shapes might reverse too. I say that, because it's my M.O. But a good artist could change my mind.
Hey, Did Katana decide to leave with Brooklyn willingly or was it an accident?
Weather she left with him willingly or not, was it the first time he had timedanced there? ..probably ya ..but..*shrugs* just wanted to get my facts strait.
Would it have taken Katana, not to mention others, a lot of time to believe Brooklyn's story? I mean..A time travleing gargoyle with a fu-dog? Come on..someone had to be dipping into the sake right?
Again..probably a couple of no duh questions..you did say that besides the future Brook would have spent the most time there so they probably got to know one another..but hey. You can always tell me to check the archives right?:)
She chose to go with him, but it was a tough choice.
Wow..your really blowing through these Q's. I'd like to thank you again for all the effort you put into answering our constant questions:)
Heres one that occured to me at work today.
I guess..this may be a dumb question...but did you ever say that Fu-dog was going to be a male??
If not or so or whatever the case, were you planning on making him a male or a female?
Just wondering! I know I wouldn't mind a puppy;)
I don't know if I said it, but he is a he. He's not a puppy though.
Hi (don't stay up night too long)
In all the spinoffs, you mentioned vilains that will show up, like: in Pendragon Duval is the main ennemy and in 2158: the Space-Spawns will be the main threat. What about Timedancer and New Olympians?
Will there be a main vilain in Timedancer and New Olympians?
New Olympians is easy... There's Proteus of course, plus Jove (and his crew, including Helios and Boreas' son) and Ekidna (and her crew, including Kiron and her reluctant daughter Medusa). Plus the usual suspects. Xanatos, Sevarius. You know.
TimeDancer's trickier. I haven't fully decided if there's one over-riding villain. Calaban's a possiblity. So's the Archmage-Plus, believe it or not. I have one story for him for sure. Then there's Constantine. And the Space-Spawn. Duval. Mab. Like I said, I haven't decided.
Hello I'm a really big fan of Gargoyles, I watch the show all the time.
Well here's my Q.
Is there anywhere on the web that your spin-offs are in print, or are they only at the gatherings?
Pretty much only at the Gathering. But you can get a lot of info on them by checking the following ASK GREG archives...
I hope you don't mind some more TimeDancer questions. I checked the archives, and most of the questions were along the lines of "Who is Brooklyn's mate?" and "Who becomes Brooklyn's mate?" Let's hope these are less redundant for you. :)
1) When Brooklyn is finished with his time-traveling... how does he know he's actually finished? What makes him think the Gate won't whisk him away again?
2) Once the initial shock is over, how will Broadway and Lexington react to the relatively sudden change in Brooklyn due to the whole TimeDancing thing?
3) What happens to the Gate when Brooklyn's done with it, (or perhaps when it's done with Brooklyn)?
4) Does Brooklyn (or Katana) suffer permanent injuries from their traveling? By this I mean scars, loss of limb, and whatnot.
1. For starters, he's back where he started. Also he's been chasing the gate. Once he arrives at his final (i.e. his starting) destination, he has no reason to chase it anymore. And finally, it's a visual thing.
2. They'll have to get to know each other from scratch. But it was meant as a startling reminder that the three were "growing up". They would always be best friends. And always there for each other in a crisis. But the days of the "TRIO" being joined at the hip were sliding away.
3. Gate starts over. A perfect paradox.
4. Brooklyn does actually. Mostly they just get older and more parental.
1) Were there ever plans to use the Archmage paradox? That is, did you intend to have time-traveling Brooklyn meet different versions of himself in the past or future?
2) Also, on average, how many episodes would Brooklyn spend in a single time period? I find it hard to believe that you would want to limit every time period to a single episode, especially for those in which Brooklyn spends a significant amount of time there, (months or years).
3) How did Katana and Brooklyn get along when they first met? Or rather, what were their first impressions of one another?
2. It would depend on the nature of the series. How big an order we had in the first place. 13 or 65. But generally some stops would have included multiple stories and/or required multiple episodes to cove. Also some places/periods he visited more than once.
3. I was planning a Sam-Diane thing. It's a bit cliched at this point, but we hadn't done it in Gargoyles.
You've said many times that you plan to introduce every myth and legend into Gargoyles, or least as many as possible. If and when the show returns (in the same format and present-day time period as the original show), would it take another story arc such as the World Tour to come closer to accomplishing this? I mean, traveling around the world does make it a little more convenient to introduce new characters and situations than hanging around in Manhatten. If the answer to that question is yes, then can you describe what this story arc would be like? Thanks.
Everything in its time. TIMEDANCER would have been a great outlet for exploring more myths. But we'd have covered more in the main series eventually. Starting, probably, with Mab.
At the end of Brooklyn's 'timedance' would he have the phoenix gate or would it still be lost in time forever?
He wouldn't have it, but it's journey would start anew.
Hello Greg, heres my Q's:
You said that Brooklyn would be helping Mary and Finella. Does he by anychance go back to Wyvern and see him and his buds frozen in stone? not a meaningful question I know..but..just wondering.
You said that our hero would find himself in China at some point and it was there that he would aquire Fu dog. I guess I just assumed,...yaya..I know what they say about that, that Fu dog would be Nashville's pet. I guess I just have a boy and his dog complex going *shrugs*
Is Fu Dog Brooklyn's Dog or Nashville's dog?
Who named him?
Yes, Brooklyn would have made a stop at Wyvern at some point in his TDancing.
Fu Dog is a Gargoyle Beast. Not a dog. He's not exactly anyone's pet. But Brooklyn finds him before he meets Katana.
As for who names him. Well, Brooklyn, sort of. That's just what they call 'em in China.
Hi Greg! :)
I love "Gargoyles" (obviously) and I was sad that they cancelled it. Ever since I saw "Awakenings" Part 1 (I was there the first time it aired and fell in love instantly!), everything caught me. The betrayal was stunning, the art fantastic, the storyline just plain magnificent! I keep high hopes that Disney gets off it's butt and start working with your show or else to sell it, or better yet continue it with YOU on the crew. Sorry, I've been a Garg fanatic ever since I was nine so thanks for taking your time, because a lot of people, including me, appreciate it. ^_^
Sorry if these sound dumb...
In the spin-off for GARGOYLES 2158, you said that Timedancing Brooklyn will star along with Demona, Samson, and a few others. Wouldn't Timedancing Brooklyn meet his older self (the Brooklyn that has become 214 years old) in this year?
(Second question) In the year 2158, will the older Brooklyn even be in Manhattan?
By 2158, Brooklyn would be dead, one way or another. (Do the math.)
Dear Greg, This question is about the Angela and Brooklyn relationship. At the end of season 2, why were you hinting at an attraction or possible relationship between them, and then out of nowhere have Broadway come in and mess everything up? Here's my proof that Angela was probably going to go with Brooklyn: in "The Reckoning", Demona hit Brooklyn and he fell onto a roof. Angela immediately rushed to his side, held up his beak, and lovingly looked into his eyes. Also, in "Hunter's Moon: Part 1" Brooklyn got shot in the arm, and Angela rushed to his side again to see if he was OK, and bandaged his arm.
I mean, how could you do that? Poor Brooklyn, the poor guy can't win. Angela and Broadway DO NOT go together. Yuck! And how could you have Angela ignore Brooklyn after all the things they did together before "The Journey." It just doesn't make sense. Why did you just suddenly change your mind with that? Brooklyn and Angela make the cutest couple, then you denied them that. How come? :)
NO. NO. NO. NO. NO.
I never changed my mind. I was never hinting at a possible Brooklyn/Angela romance. Quite the reverse, Gary Sperling and I decided early on that Broadway and Angela were right for each other. And we were hinting at that. Yes, Brooklyn liked her. The way he liked Maggie. That is shallowly and without any real thought as to whether his feelings were reciprocated. He didn't love the real Angela, just the romantic opportunity she represented.
As to your proof, you read that loving look into the Reckoning. Probably Brooklyn did the same. You must have wanted to believe that as he did. It was just sisterly compassion. Same in Hunter's Moon. Any injured gargoyle would have gotten the same treatment. Broadway saw the real Angela, and she saw the real Broadway. They care about each other and love each other beyond surface.
Look, obviously, you are a Brooklyn fan. Me too. Wouldn't you rather see him end up with someone he truly loved for who she was. Someone who loved him the same way. That's Katana. Trust me.
Which of the seven series was Queen Mab supposed to appear in?
Gargoyles. Maybe TimeDancer, though I had no specific plans for that. Possibly Pendragon too.
But mostly Gargoyles.
[More rambles on individual episodes. As usual, I encourage you to post your responses here.]
Part two of our trio tryptich. Brooklyn looks pretty cool in this one. I have to admit, I didn't realize what a break-out star Brooklyn was back then. I mean I liked him, but I didn't yet realize how much he would really capture a huge chunk of fandom's imagination. (Of course, back then the show hadn't aired yet, so there wasn't any fandom.) But seeing this episode in hindsight, you can sure see how cool this guy was. Good-looking with the hair and the muscles and everything. Even the snout adds to the look.
And he's so sympathetic too. Yes, he gets "turned" by Demona. But he immediately realizes that what she's doing is wrong. He admits his mistake and tries to correct it. He's such a good guy. Later, of course, I'd recognize the star power and attempt to give him his own series: TIMEDANCER.
Back then, of course, I had really modeled the ensemble nature of the show on HILL STREET BLUES. Goliath was my Frank Furillo. Everyone would get their own stories, but Goliath carried the weight. So, although the tryptich was designed to deepen the characters of the trio, you can see that each episode also prominently features Goliath. THRILL: Lex & Goliath. TEMPTATION: Brooklyn & Goliath. DEADLY FORCE: Broadway & Goliath. (And later, LONG WAY TO MORNING: Hudson & Goliath.) Don't get me wrong, I don't regret this at all. I think those are all great stories, and without Goliath they would not have worked as written. But I think the design of them betrays a bit of insecurity. We weren't sure if the other characters could carry their own episodes alone. The nice thing about the tryptich (and LONG WAY) was that it proved to us what a strong ensemble of characters we had built.
Lex has some real attitude here: "You rode a horse once, does that mean you could build one from scratch."
The motorcycle is interesting. It was one of three toy driven elements we consciously put into the show. (The others were in "Her Brother's Keeper" and "Eye of the Storm".) It was a rare moment of Kenner and Disney being in semi-synch. And the toy actually looks like the motorcycle. But of course, what the hell were we going to do with a motorcycle? How could we make that an on-going element in the show. Sure Batman has a batmobile, but the garg-cycle just sounds silly. So we put it in, but Michael, Brynne, Frank and I are so subversive that we blow the thing up before the end of Act One. Kenner never said anything. I'm not sure if they ever saw the episode. (But we weren't being very good partners.) But what goes around comes around. I'll tell the flip side of this when I ramble on Keeper and Storm.
S&P required that Brooklyn wear a helmet when riding. That was fine with me, but I wanted to make an effort to make it organic. Brooklyn puts it on because it's "All part of the look." Helmets make it cooler. Thus helmets are cool. Thus kids will wear their helmets. Aren't we sneaky?
Also, Brooklyn loses yet another pair of sunglasses.
Morgan's back. But he litters. That always bugged me. Talk about setting a bad example.
And is that Margot Yale's actress sister on the television sitcom saying, "Who do you think you are... Elvis?" [Add laugh track here.]
"Kindred Spirits" - Brooklyn quotes Lex from Thrill and attempts to make the same kind of connection with the bikers that Lex attempted with the Pack. With similar results. Later, Demona refers to Lex's little adventure with the Pack. This was the moment when Michael Reaves and I decided to attempt to treat the series as episodic but sequential. The order of the episodes would matter. Yes, you should be able to enjoy any individual story... but viewing is enhanced when you see the shows in order. This was not an obvious decision. Most shows REQUIRE that episodes are airable in ANY ORDER. We had that requirement too, up to a point. But we wanted to add something more. To play with continuity. With evolving lives. This wasn't an issue in the pilot five parter. Of course, that had to air in order. And then there was Thrill. Just the first one we made after Awakening. That aired next. But we didn't think about it. But here, we had to decide. So we opted for an episodic but sequential series. (My favorite kind.) We referred to previous conversations. (Elisa's still pestering Goliath about the Xanatos-ticking clock.) And we laid pipe for future episodes, by having Demona rip a few spells out of the Grimorum. (At the time, I didn't even know what those spells were for. But I knew she had them. I knew we'd use them.) We had Demona admit she had lied about how she had survived to the present. Etc. Anyway, all this continuity would later bite us on the ass a bit. (I'll talk more about this when we get to "ENTER MACBETH", which forced us to slightly change our M.O. for season two.) But again, I have no regrets; I think it's one of the things that makes the show special.
Meanwhile, how did Demona know about the Pack & Lex? Although the pact with Xanatos clearly hasn't been broken yet (not till CITY OF STONE, obviously), she also doesn't exactly have free run of the castle. She has Brooklyn steal the book. Of course, she wants Brooklyn complicit. And it's hard to sneak around the castle, when the Gargoyles (at least think that they) are the proprieters. I just always wondered whether Demona might not have been following Lex & Goliath around throughout that entire Pack battle. Or whether, Xanatos just phoned her and told her. Obviously, the former is much more interesting.
Another great looking episode that we didn't fully appreciate at the time. Lots of great little touches. I love when Demona casts her spell, and then closes the Grimorum with one last flash of magic. So cool. And, as I said, Brooklyn really looks great throughout.
But there are a couple things...
The bikers approach Brooklyn. They get very close, and he's not in shadow. But they don't notice he's a "monster" until he takes off his helmet. What?! The snout didn't give it away?! That scene continues to drive me nuts. I just hate how it was staged.
And when Elisa's lecturing Goliath she is wagging her index finger in his face. That's annoying enough. But worse, the finger seems to get longer (like Pinocchio's nose) the more she wags (or nags). It's sorta mesmerizing. In that scene, I can't see anything else.
I love how Marina Sirtis' voice bristles when Brooklyn mentions Elisa to Demona. Demona/Marina forces herself to say that the Detective may be "The exception [to human evil] that proves the rule." It seems sincere, but I really hear the hatred underneath.
Elisa tries to talk Goliath into leaving again. This time, she's got an idea where he can go. (So although that seems to be a repeat of their conversation from THRILL, we actually advanced that plot too. Weren't we smart?)
[And yes, I realize that all these rambles sound incredibly arrogant and immodest. I'm sitting here praising me and my team's own work. But what can I tell you? I do really like it. And I figure you guys might still be interested in my -- totally biased -- observations.]
Anyway, I love how what Elisa's saying to a very close-minded Goliath plays right into what Brooklyn heard from Demona. Brooklyn tries to argue Elisa's point. Putting Elisa and Demona, ironically, on the same side. Kudos to Brynne and Michael. It's a great little scene. Of course it ends with Brooklyn and Goliath turning to stone mid-argument. Just like Lex & Goliath did in the previous episode. Frank came to me and warned me not to do that again. Twice in two episodes was enough. At least for a while.
I also love Goliath's lines about "half-truths that [Demona] has thoroughly embraced."
Goliath just loves saying "Joy-Ride". It seems so pleasant.
Lex's double take reactions to finding out the motorcycle was blown up.
Elisa's "Thanks, I think." reaction to Brooklyn saying that he knew that she at least was a worthwhile member of the human race. Brooklyn still isn't quite free of prejudice. A work in progress.
The DEAD BODY. I held my breath on that one. We've got a chalk outline. And a corpse in a body bag. I was sure S&P would balk. But Adrienne was great. She saw that it was important to the story. And since we didn't dwell on it or explain it, she figured little kids wouldn't get it and/or be traumatized. As you can see we had a great working relationship with S&P. I mean, a DEAD BODY! It still shocks me.
Did Demona pay that family to perform their little scene for Brooklyn? I didn't think so at the time. But now I'm suspicious.
Brooklyn has a perfectly innocent line about the Cloisters being a place like the "world we came from" or something like that. Meaning of course, the medieval time that they came from. Once this aired, I immediately start seeing e-mails claiming this as evidence that Gargoyles are from another planet. This misapprehension may be one of the reasons I so quickly got involved with fandom.
Did we cheat? Elisa solves Goliath's slave-spell problem by using the spell to unhex him. I love that little bit. But Michael Reaves and I had a long back & forth discussion where we debated whether we were cheating the audience. (I seem to recall that at different times he and I both came down on both sides of the argument.) We finally decided to go for it. And again, no regrets. I do think it worked. And we sort of both promised each other that we wouldn't pull that kind of thing again. (Airwalker, I think there's a mention of this in the City of Stone memo I sent you.)
Hi Greg! I know we fans don't thank you enough for doing this, I know it must be time consuming, especially when certain questions come up over and over again. So I'll just say thanks here before saying anything else.
Now, the question. Sorta... Back in July I asked a question along the lines of "Why does Katana name her son Nashville" and at the end of december you replied "Why does Katana AND BROOKLYN name THEIR son Nashville?" Honestly, this is the kind of response I had expected, its why I phrased the question the way I did. If I had asked why Brooklyn names his son that way you would have have responded the same way but filling in Katana's name, and if I had asked why they named their kid that way, you probably would have just said "Don't feel like answering that right now". As is, with that phrasing, you told us something, in that they agreed on the name and it wasn't really one's preferential choice... So now, after all that explanation of my previous question 6 months ago... 2 new questions on the same thing...
1) Is my take on this information correct in that Brooklyn and Katana largely agreed on the naming of Nashville, and that it wasn't just one's preference?
2) Why *DO* Katana and Brooklyn name their son Nashville?
I think thats it for now.. Sorry for being so wordy, and thanks again!
1. Yes. You are correct.
2. You are also correct in your assumption that I don't feel like revealing that right now. But feel free to try again in a few months.
I don't know if maybe you've said this before, but I was just curious...and was wondering if you'd care to tell us:
What time period is/will Katana be from?
Domo Arigato Greg-san!!
Uh. The past.
Is that a revelation?
In a previous question of mine, you revealed the piece of information that Brooklyn never gets a hold on the Phoenix Gate. I have to say that this was different than how everybody had been envisioning the situation so far, and though it answers some questions it raises a whole new bunch of them! If the gate opened infront of Brooklyn and whisked him away, deposited him somewhere and hopped away again... then why does it keep on reappearing before Brooklyn to take him away again? It can't be just coincidence...
No, it can't.
in 2158 would any members of the trio still be alive?
You just want me to give away every little secret don't you.
Well, I'm NOT going to answer this question positively or negatively except to say that a TimeDancing Brooklyn would be there.
In the gargoyles bible for the first season you had made mention of the existence of a 'very wise man' who first made an alliance with gargoyles building his castle of a gargoyle rookery and who ushered in the golden age of gargoyle-human relations...
Is this still how you picture it happening? The existence of a specific 'very wise man' was intriguing to me - is he just a generic figure, or someone whose name we would recognize? (I have my own idea on the subject ofcourse but I refrain from suggesting it in case it's considered a story-idea)
I was being generic in the bible on purpose to simplify things. Honestly, I don't think I ever really thought there was just one person who did that. The world was too big a place and there wasn't any internet back then to facilitate communication. So that "wise man" was a place holder in my mind for a number of intelligent humans and gargoyles who made multiple alliances over multiple centuries in multiple places.
One such alliance of "wise men" was the alliance formed between Hudson and Malcolm, which was brokered by Robbie.
Another alliance was that formed between Xanatos and Demona, brokered by Owen, with a little help from Brooklyn, Mary and Finella behind the scenes.
About garg clothing turning to stone you've given the explanation about the Magus of Rome casting a spell causing that to the whole gargoyle race...
1) Would that mean that he was a wizard of tremendous power (since he was able to cast a spell on a whole species) or did he simply have access to a spell or trinket of tremendous power? (the same way Demona had access to the praying gargoyle for example - the power that protected all the gargoyle race not being hers)
2) I know that the reason for this explanation was so as to explain the real-life standards & practices need of not having the gargoyles fly around naked, but still: did you ever plan to make an ep concerning the casting of this spell? Or would it be rather difficult to even approach the subject of gargoyle nudity? :)
1. I don't pretend to have worked out the details of it.
2. If I had gotten to do TimeDancer, I would have made a sincere attempt to try and do a light-hearted episode that covered this. Don't know whether it would have made it past Standards & Practices, but I would have given it a shot.
Would Brooklyn's kids still be alive for G2158?
If so, is that where Brooklyn gets the ideas for their names (I realize that this is another time loop thing, but it would be pretty neat)?
I can't answer this question.
It seems imperative to me that for G2158 not to render any present day series completely undramtic and moot, I need to be very careful not to reveal too much to Brooklyn or you.
Is Tachi's name supposed to be a throwback to her mother's name since both a katana and a tachi are bladed Japanese weapons?
Yes, more or less.
Do the Illuminati know about Brooklyn's time traveling adventures?
Would there have been major language barriers in the beginning between Brooklyn and Katana?
It depends how we wound up handling the whole language question on TimeDancer in general. We hadn't decided that.
But hopefully, the answer would be yes.
How long did Timedancer spend in 2158 and in Feudal Japan?
I haven't worked out all the math. But those were his two longest stops. Quite some time in each. Years as least.
In TIMEDANCER, would there have been a major recurring antagonist for Brooklyn and family?
Ultimately. Inevitably. And of course, that doesn't necessarily count the huge chunk of time spent in the years 2158 and following....
Do you have voice actors in mind for some of the characters in the unmade spinoffs? Do you have any in mind specifically for Katana, Nashville, Tachi, Duval, The Director, and Merlin?
The Director was cast in our Animatic reel for Bad Guys. He was William Devane. And he was great as anyone who has attended a Gathering could attest to.
As for the others... No. Hadn't thought that far in advance.
Why does Katana name her son Nashville?
Why does Katana AND BROOKLYN name THEIR son Nashville?
Hi again, I think it was 'OnyxStar' who said it originally but I'd like to agree by saying that you're a good man for doing this and that "Ask Greg" is definately keeping the series alive with the fans.
Anyway, the question is:
When Brooklyn returns from his Time Dancing would he still be Second-in-command for Goliath or would that position have been handed to someone else? (I mean since now Brooklyn would be older than Goliath biologically)
~The B of R
Brooklyn would still be Goliath's second. From Goliath's PoV, Brooklyn was never gone.
And Brooklyn wouldn't be THAT old. Not as old as Hudson, for example.
I'm not certain I understand various plot-elements of Timedancer...
1) Why can't Brooklyn control the gate? Doesn't he know the words of the spell?
2) For that matter how will he manage to keep his family together though his travels if the Phoenix Gate is randomly taking him in and out of timelines? Do they always remain within a few meters from each other or something, just in case the Gate decides to hop?
3) Finally after so many years of time-travel and since he has already made himself a new family - why wouldn't Brooklyn simply decide to stay in another time-period? I think I would if I was in his place...
1. He never has the gate in hand.
2. No. It causes problems here and there.
3. You're not Brooklyn though. He wants to get back. And he did get back. So he does get back. As Dave said: "Time travel's funny that way."
1. Would Nashville look upon Hudson as his Grandfather?
2. How would Hudson react to such a description?
1. Yes, though I doubt he'd use that term.
2. I think Hudson would make a great grandfather. But again, I can't picture Nashville calling him that, so I can't picture how Hudson would react to the word. But I doubt it would be negative. Hudson, I believe, has largely come to terms with his mortality. So I think he'd appreciate the perks that come with age. Like grandkids.
Was it Brooklyn's constant talk in FUTURE TENSE about the Phoenix Gate and time travel that inspired you to come up with the idea of TIMEDANCER?
(I wonder because you said somewhere in the archives that you came up with Timedancer too late in the game to actually pitch it to any station.)
No. It was the pure evolution of the characters of the Trio. I saw very clearly that they were going their separate ways. Writing "The Journey" cemented the idea in my head. I believe that Brooklyn, Lex and Broadway would never find better brothers, better friends than each other, but I also saw that the days when they acted as one were gone.
I wanted to visualize this. The initial Phoenix Gate story (the one that somehow melted into "Runaways" in TGC) came first. The idea of him coming back older, mated and with kids and a beast, was a great shocking ending. But I felt it would really demonstrate what I had in my head.
The spin-off idea was of course obvious after that. I mean he was gone for forty years. What was he doing all that time? But, as you noted, by the time I came up with that, it was too late. Disney had already made me feel unwelcome.
Hybris, on my part, played a big role as well.
Hindsight, whatchagonna do?
I've been hearing about this Gargoyles 2158 thing, what is it?
Now, I'm nervous....
I answered this last time I visited ASK GREG. Man, I hope we don't have another technical problem. Hopefully, human error was involved...
Anyway, Phoenix, after we finished the writing on the second season of Gargoyles, Gary Sperling and I began working on some potential spin-off shows for the series.
One of these was set in the future, the year 2158 to be specific. Originally, we called it "GARGOYLES: FUTURE TENSE". But I later changed the name to "GARGOYLES 2158".
The series featured Goliath's grandson SAMSON, a largely-reformed DEMONA and a Time-Dancing BROOKLYN, among others.
CBS was interested in airing it, but before we could put a pitch together, the whole CBS Saturday Morning dept. was fired. And shortly thereafter Disney bought ABC, rendering any deal with CBS all but impossible. At about the same time there was a major regime change at Disney TV Animation as well. The new regime wasn't too interested in Gargoyles at all, at least not in making it a priority. ABC asked for a new version of the show. But no one wanted 2158.
what are all the spells that they mentioned on the show and if you can tell me most important of all the phoenix gate spell
Do your own research, pal.
Sorry, I don't have that information at hand, and I'm not likely to go through all my scripts to check.
From memory, I believe the Phoenix Gate spell was...
"Deslegrate muri tempe et intervalia!"
But I wouldn't swear to it.
Just three teensy little questions......what might your plans have been for Brooklyn's children when they were grown? And can you describe their would-be personalities a bit? And maybe a general idea of their looks...? I'm very curious about that. Thanks a lot >(:D
These are hardly teensy questions.
Upon Brooklyn's arrival in 2158, what would Samson's reaction to him be, considering that since Brooklyn is Goliath's second in command and Goliath is dead, then technically shouldn't that make Brooklyn leader?
How do you figure that? Even "technically"? It's 2158. The leader of the Manhattan Clan is alive and so is his or her second in command. (By the way, when did I say that Samson was the leader of the Manhattan Clan in 2158?)
You're looking for a conflict that doesn't exist.
In the AskGreg Archive, you wrote: "I expect Angela, Sora, Ophelia, Boudicca, Obsidiana, and Turquesa to all lay eggs in 2008." You said that females share a common cycle and you also said that you wondered if Katana would rejoin that cycle or not. You also said that with Angela, she would. But Boudicca and Ophelia live on Avalon, so in 2008, shouldn't they be out of synch with the real world?
Actually, no. It's literally been years, but back in 1995 I did the math. It works out that 2008 would coincide with the cycles of both Avalon and the outside world.
Greetings Mr. Weisman
Just a few more questions
1. In Future Tense, when would Brooklin join up with the new group, (before or after he meets Katana and or had kids).
2. How long does Brooklin stay with in the Future Tense time, and does he come and go.
3. Coming with the next post as it might violate the rules.
2. A while. Yes.
My compliments to Gorebash for hosting the "Ask Greg".
Hello Mr. Weisman. You said that you worked on other Disney projects years ago like Darkwing Duck and Tale Spin. I was wondering...:
I.In a Darkwing Duck episode, Launchpad disappeared in a time machine and returned minutes later, but he says that he spent the last 5 years in Rome trying to fix the time machine. Did that gave you the inspiration for the Timedancer?
II.In Tale Spin, the Air Pirates used an Air Fortress. Did that gave you the idea for Fortress 1 and 2 for Cyberbiotics?
Now for the Gargoyles:
1.In "The Mirror", why did Demona refused the suggestion from Puck. i.e. "Make Goliath fall in love with Demona again"? Or take over the mind of Goliath or the clan like in "Temptation"?
2.Why Xanatos hasn't place Coyote's (the robot) artificial intelligence in the Steel Clan robots? They would have given the Gargoyles a real challenge.
3.What are exactly the Space-Spawns? Humanoids? Insectoids?
4.I learned that the space war involved 3 races: Space-Spawns, Nokkar's people and another race. What is the name of the other race and Nokkar's spicies?
Thank you for your time, bye!
I. Sorry, I did work on Darkwing, but it wasn't my show, and I'm not that intimate with the details. And no, it didn't influence TimeDancer.
II. It didn't directly give me the idea, but it may have been one of many airship influences floating around in my head.
As per our new rules, I invite you to resubmit your remaining questions as multiple separate posts.
If included inside GARGOYLES itself instead of getting it's own spin-off, how many episodes would you have given to Timedancer? (Would it have been 5 parts like AWAKENINGS, 3 parts like AVALON, 2 parts like THE GATHERING, or just a single episode?)
I don't know. It was originally going to be one episode. Just one inside what became THE GOLIATH CHRONICLES. (How it morphed into "Runaways" is beyond me.) Then it would hang out there as a potential spin-off or back-door pilot. If that never got picked up, I'd eventually have told some of Brooklyn's adventures in various scattered flashback episodes within the main series. Some might have wound up as multi-parters. But I don't pretend, I worked that much out. I was hoping it would spin off -- at which point I'd have forty years worth of material to cover.
How would you deal with the time gap that cancellation has given us?
(Let's say that the show came back after 5 years of cancellation, in 2002, would you start off in 2002 or would you pick up right where TGC left off in 1997 or would you just be in favor of skipping all of those problems and just going far enough in the future, 2158, so that a time gap wouldn't matter?)
Honestly, I can't answer that without knowing the circumstances of our proposed ressurection.
Are we coming back on TV or in some form of print media or both?
If TV: Are we coming back as an hour show or a half-hour again? Are we coming back as a daily or weekly? As prime time or in kids?
To take your specific example, lets say we came back in 2002 as a kid's show. I'd probably just set things in 2002, and assume that most of my audience hasn't seen any of the old episodes. I would maintain continuity for my old audience, but I would clearly have to introduce the show and its characters anew. Some things would seem to pick up right where we left off. Others would be different, and we'd occasionally do flashback stories (both from the distant past and from the 1997-2002 gap) to bring both audiences up to speed.
Also keep in mind that although I had planned to do, for example, TimeDancer in 1996, I didn't get to. So there's nothing to stop me from introducing TimeDancer as a brand new concept in 2002.
As to doing 2158. I'd be happy to do that anytime. But it doesn't prevent or preclude me from doing stories in the present. In fact, I'd love to do BOTH.
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