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Good day. I just have a quick question concerning the character of Katana, Brooklyn's mate. Would she have actually utilized a katana, or was her name meant to be a metaphor (as in: She struck with the fury of a katana)?
Dose Brooklyn have a girlfriend?
Eventually, yes. I've revealed that he eventually mates with a gargoyle from feudal Japan named Katana.
When Magus gave his magic book to Finila (because he couldn't bring it to Avalon)Hpw the hell did it get to David
Long story. But it involves TimeDancer, Demona, Puck, Owen, Finella, Mary, Brooklyn and Xanatos.
Concerning the Time-Dancer story: Was it meant to be a complete new series, or should it have played within the normal gargoyles episodes?
The first episode -- a sort of back-door pilot was designed to play within the regular series.
After that Time-Dancer would have been a spin-off series of it's own spanning 40 years.
(Yes, I was very ambitious in those days.)
Now, I'd be happy with whatever I could get.
On the topic of Timedancer, I read through the whole archive for it. First off I notice a lot of the questions you answered at the bottom, were asked again at the top and had smart ass responces... that's my favorite.
I notice you said Brooklyn is always 'chasing' the gate... so it appears before him... he runs to it, a portal opens up... does he HAVE to jump in? What if he wants to stay somewhere or can't find his children or something? And the first portal that appeared, did it just grab him, or did he willingly jump in?
Probably, over the course of forty years, all of the above.
In your Timedancerspinoff, does the Gate have a "mind of it's own" like Avalon's boats, taking Brooklyn to time periods that it decides on, or is it completely random?
It depends on your point of view, I suppose. In my mind, it is random and yet it has to do with eddies and currents and whirls in the timestream... The end result is the same: Brooklyn winds up in times & places where we have the best stories to tell.â
Hey Gregg, I'm new to this site, and I was just wondering... is there something I missed about Gargoyles? I mean, I know of Gargoyles, and The Goliath Chronicles, but was there some other Gargoyle show that aired after?
What lies ahead for Gargoyles? Do you plan on bringing them back to the air at some point? I'd really like to see some new Gargoyles cartoons....
There were proposed spin-offs, sequels and prequels, including
Gargoyles: The Dark Ages
The New Olympians
plus plenty ideas just to continue the "Gargoyles" series itself.
I haven't been able to convince Disney to do any of these things.
But who knows?
"Firefly" was dead. It sold a TON of DVDs and now they're making a movie, "Serenity". "Family Guy" was dead. It sold a TON of DVDs and now they're making new episodes.
Up until this year, the best single way you could help relaunch the show in some way, shape or form was by attending the Gathering, our annual convention. That's still true. So if you haven't heard, check out this year's con at their website:
The good folks at Walt Disney Home Entertainment took notice of the fandom, largely thanks to these conventions. They'll be attending this year with a video crew to tape footage of the con to put on the Gargoyles DVD, to be released later THIS year (2004!).
The DVD will contain all 13 episodes of the series' first season, complete and uncut. It will also have a commentary track and other extras (in addition to the con footage) that are still being discussed.
If you want to see the 2nd Season on DVD, and if you want to see Disney make more Garg Universe materials, there's no better way to get them to take notice than by buying the DVD. If the fans demonstrate an audience with disposable income, Disney will respond. It's not far-fetched. It's happened before.
Who the hell is Katana??
Brooklyn's mate, to be introduced in Feudal Japan (as part of the Ishimura Clan) during the course of the proposed TimeDancer spin-off series.
But why are you cursing? It's kinda rude.
Another timedancer related question: If you had the opportunity to do the Timedancer spinoff, how many seasons would you want that series to list to cover those 40 years of Brooklyn's life?
If you got the chance to do a Timedancer spin-off, how would you plan on having a strong continuity?
I mean, unless Brooklyn visits same places/people 4 or 5 times, how could you have strong continuity for that series?
Brooklyn is the continuity. But I also planned on some longer stops. And some other characters that would recur throughout the ages in one form or another.
IN TURF, BROOKLYN MENTIONS TO GOLIATH, ASKING HIM WHEN DO WE GO ON OUR WORLD TOUR ? MY QUESTION IS, WERE THERE ANY PLANS OF MAKING EPISODES WHERE THE TRIO GOES ON A AVALON WORLD TOUR?
There were plans for Brooklyn to go on a Time Tour that would have also taken him around the world. It was called TimeDancer.
Something I've been thinking of regarding the proposed Timedancer spin-off. If Brooklyn spends 40 years bouncing back and forth through time then after the first few years, he probably realises that the phoenix gate keeps appearing in front of him. Now the problem starts when he meets Katana and they have Tachi because they would have to keep in close proximity to Brooklyn at all times just in case. This would mean effectively zero privacy, I mean what happens when Brooklyn and Katana want to "do it", do they just toss Tachi a blindfold and tell her to stick his talons in her ears?
Tachi doesn't hatch until after the ride is over, but there's Nash and Fu Dog to consider.
After a few years of this, Brook's attitude toward the Gate changes. Pretty much a 180 from the way you see it changing.
why does Brooklyn always end up alone? Im starting to feel sorry for him.
Well, he doesn't in my mind. He eventually winds up with a Clan Ishimura Gargoyle named Katana. Someone he meets while TimeDancing.
All the gargoyles episodes have not been shown over here so i dont really know about some of th episodes although i have heard stuff about them....
1. Has "timedancer" ever actually been aired?
2. And what exactly IS "gargoyles 2198" is it going to be another series or what?
1. No. It's a potential spin-off/sequel series.
2. It's a potential spin-off/sequel series.
Check out the archives and you'll be less confused.
There's no memo, outline or script for this one on my computer, so we'll head right into my ramble on...
"AVALON, PART ONE"
DIRECTOR: Dennis Woodyard.
WRITER: Lydia Marano.
STORY EDITOR: Brynne Chandler Reaves.
...is all over the place. So much was coming together in this three-parter. The Weird Sisters, the eggs, the Archmage, Tom, Princess Katharine, the Magus, Macbeth, Demona. This was our most ambitious story yet. Which given episodes like "The Mirror" or "Vows" and multi-parters like "Awakening" and "City of Stone" was saying something.
Of course "Avalon" was never designed to be the cohesive single story movie that "City of Stone" was. It was designed as a tryptych. Part one would bring our heroes up to date. Part two would bring our villains up to date. Part three would pit them against each other.
"Avalon I" also represented the first episode in our fourth tier. The three-parter was what we called a 'tentpole'. We knew we couldn't air it until all the Tier 3 episodes had aired. And we knew we couldn't air any other Tier 4 episodes until this three-parter had aired. Despite the fact that "The Price" aired out of order, generally our Tentpole/Tier system worked very well. Out of 66 episodes that I worked on only two: "The Price" and "Kingdom" aired out of order, hopefully with minimal damage to the continuity.
The title was one of mine. But initially I wasn't sure that we were going to call the island Avalon. Now, it's mind-boggling to me, but I actually had my assistant Monique Beatty (who's now a producer in her own right) research Brigadoon to find out if that name was created only for the musical, or if it was something pulled from legends. I was thinking of Avalon, but looking for something from a Scotish tradition as opposed to British. Fortunately, Brigadoon was created for the musical. So we were 'stuck' with Avalon. Which made including King Arthur a natural.
Many series don't reveal that an episode is going to be a multi-parter until you get to the 'To Be Continued' line at the closer. "Avalon, Part One" could have just been titled "Avalon". The conventional wisdom is that people are reluctant to commit the time to a multi-parter in advance. That it is better to hook them on the story before revealing that they HAVE to come back to see the end. I always felt that was cheating. What is your reaction to seeing "Part One" attached to a title?
Another cool shot of our gargs waking up. Always nice to reiterate that at the start of our bigger stories.
Bronx gets left behind. Of course, this often happens. It was one of the things that the World Tour would set about correcting in a BIG way. But we made his getting left behind a bit more obvious here. Usually, he just doesn't go. This time they won't take him and he's sad. We were laying pipe.
My 5-year-old son Benny asked where Hudson and the Trio were going. I had to think about it. "On Patrol, I guess."
Then the GUARDIAN shows up. I love his cool, Goliath-inspired armor. My 7-year-old daughter Erin immediately demanded to know who he was. I wouldn't tell her. (I'm so mean.) Did any of you guess?
Of course he immediately encounters BRENDAN & MARGOT. (What would one of our multi-parters be without him?)
Then comes the three gang-bangers from "AWAKENING, PART THREE". As usual, Keith David does the voice for one of them -- making it distinctive from both Goliath and MORGAN, who's about to come in and speak. The problem is we got a touch confused. In Awakening, Keith voices the bald white guy. Here he does the same voice, but it's assigned to the black guy. Hard to say which is wrong, except by virtue of which came first. It annoys me though.
Morgan's fun in this. I really like him. No one but Simon DelMonte will get this, and I don't know if he even reads these rambles, but Morgan kind of reminds me of Jeff Goslin, a character that Cary Bates and I created in Captain Atom.
Anyway, I like how Morgan talks Guardian down. And I like how the sword is much heavier than he thought it was going to be. His cop buddies tease him, but he maintains his sense of wonder and goodness when talking about the Guardian to Elisa.
That's kind of a cool scene. First off he describes Guardian's armor: "Real armor. King Arthur stuff." Anyone think this was a clue to what was coming in the next episode? Even with the Avalon title? Then he tells her the guy's looking for Gargoyles. Elisa of course discourages her fellow officers from taking Garg reports seriously. Everyone who's seen one must be a nut-case. These guys should form 'a club'. Then she finds out that this Guardian was asking for Goliath by name. BOOM.
Site of our last encounter with Demona and Macbeth. Another clue.
Once Elisa got a look at the Guardian's armor, she must have thought -- yeah, there's a Goliath connection here all right.
Goliath shows with Bronx, who gets to come along and come along and come along for once. Bronx always seemed underutilized to us. We knew we couldn't bring the whole clan along. (Too many characters and no poignancy.) But Bronx was an easy addition. Of course, Bronx is also useful as a kind of living personality test. If Bronx likes you, it's a damn good sign. Bronx likes Tom. Does he remember him? What scents do you figure the Guardian carried back from Avalon. Anyway, Bronx engenders immediate trust in the Guardian for Goliath.
I love this scene. Guardian gives everyone so little time to catch up. He talks about the Archmage, reveals that he's Tom and talks about 'the eggs' being in danger. *That was a fun idea. Keep you guys thinking in terms of eggs for twenty minutes and reveal that it's just a pet name for the Avalon Clan.*
Benny asked: "What kind of Eggs?"
Erin: "Gargoyle Eggs."
Benny: "I didn't know Gargoyles hatch out of eggs." [Well, keep in mind it's been a year since he saw the first thirty episodes. And he's too young to remember the first time he saw the ones we're watching now.]
Then there's the skiff. Elisa: "Where'd that boat come from? ... To where? The other side of the lake? ... Wait for me!"
This all sounds fishy to her. Nothing makes sense. I wanted to get a clear shot in there of the pond in Central Park so that you could see objectively that it doesn't go anywhere. But I never quite managed that. I wanted you guys to be confused. Or at any rate to have a million questions. But like Elisa, no matter how suspicious, I figured you'd want to go along for the ride.
Mary, Katharine, the Magus and young Tom are all reintroduced. It's very clear that the first three have all learned their lesson from Awakening. They've all really become better people. Tom, of course, didn't need to learn that lesson. But he does learn to be a hero. He officially becomes the Guardian. It begins, I believe, as just a nice gesture on the part of the Princess. Later, of course, it'll become the truth. Then there's the long journey. I like the montage there. Hardship. We never had the time to show enough of the hardship of tenth century life.
Our gang heads into Edinburgh. Constantine's followers are all over the place. They all seem to look like Disney storyboard artists for some reason. ;)
There's some stellar voice work in this ep. Morgan Shepard as King Kenneth II. Sheena Easton making her Garg Premiere as Finella. Ian Buchanan as Constantine. (I've already mentioned Keith's versatility.)
But as usual, real props must be handed out to Jeff Bennnett and Kath Soucie.
Jeff plays Brooklyn, the Magus and Maol Chalvim. (No Bruno or Owen or Vinnie in this ep, I'm afraid.)
Kath plays Katharine, Mary and all three Weird Sisters.
Benny saw Finella and said: "That's one of the witches."
A year ago, Tom was his favorite character. Now Tom barely registered. And he really is fascinated with the Weird Sisters. Anyway, I corrected him, but I was glad that they were appearing later.
Ian Buchanan, once of General Hospital, is playing a cad here. We have to very quickly set up a lot of politics, sexual and otherwise. This story was as historical as we could make it based on the available research, the fact that we had to fit in a few fictional characters and eggs, and screen time compression.
Believe it or not, we also had another character originally that we cut early on because it was just getting too damn complicated. Katharine and Maol Chalvim's cousin: the future King Kenneth III. The father of Bodhe. Yep. That Bodhe. The father of Gruoch.
Kenneth III winds up being made High King of Scotland after Constantine is killed. To get a sense of their relationship, at least as I see it, you might want to check out "Once upon a time there were three brothers..."
(Or to give you a hint, ten years after the events depicted here, King Kenneth III would be murdered by Maol Chalvim's operatives during a civil war. Maol Chalvim was also known as Malcolm Forranach, the Destroyer. We used the Maol Chalvim version of his name so as not to confuse him with Katharine's father Prince Malcolm. Just as in City of Stone we emphasized Malcolm Canmore's Canmore name for the same reason.)
Anyway, Maol Chalvim seems intense but right on the money here. He's even kind of heroic when he and the Magus bring Tom back to Katharine's apartment, and he begs Katharine to go. Kind of heroic. He still leaves her. We were trying very hard to balance out his minor role here with his future roll as the grandfather of and major influence on Duncan. (Of course, he's also Macbeth's grandfather, as well.)
After Katharine tells Maol to go, there's a weird cut of him just standing there smiling. We needed some kind of transition before he took off running, and I guess that was the best we could do. But it's still awkward as hell.
But I'm getting ahead of myself.
We establish early on that Katharine doesn't think much of Constantine. You wouldn't know it from Awakening, but obvioulsy she's learned to be a decent judge of character.
Kenneth isn't quite so sharp. Everyone can see that he's a fool for Finella. And he doesn't recognize Constantine's threat (despite the fact that Constantine's father was a bitter enemy and) despite the fact that his son flat out tells him to beware. My thinking was that the crown had kept bouncing back and forth between different branches of the royal family. Kenneth had hoped that by taking Constantine in, instead of banishing him, he'd be able to be a positive influence on the boy. A nice idea perhaps, but maybe Kenneth was too innattentive to pull it off. And Maol probably was too covetous to really be a brother to young Con.
Anyway, Constantine tricks Finella and kills the king. We hear Finella sobbing, just to prove that she was neither in on it nor that she would approve of it. (Though one wonders what her reaction would have been down the road if Constantine hadn't spurned her in favor of Katharine. Would she have adjusted to the crime? Or did Constantine become an unredeemable villain in her eyes immediately? I hate to say it, but I tend to think it's the former. Actually, I don't hate to say it. She's more interesting to write that way.)
Erin asked: "He killed King Arthur? Why?"
That's a tough question. So first I had to explain that it was King Kenneth, not King Arthur. Then my wife Beth helped out by explaining that Constantine wanted to be king.
We come back from the act and we see that Constantine was ready for the takeover. The Banners are immediately changed in a scene clearly inspired by the Ian McKellan (spelling?) movie version of Shakespeare's Richard III. (A version I heartily recommend, by the way.)
We also continue to set up the Magus' own tragedy. He loves Katharine. Has loved her since before Awakening. That feeling is shown to deepen here when she is once again in danger. And when Constantine tries to coerce her into marrying him. (The astute Mary and Tom have to hold him back.) Here, we sense that maybe Katharine might some day return that love. That's what I wanted you all to think anyway. Did you?
Constantine takes his crown. Originally we wanted to stage this with the Stone of Destiny as we did with Macbeth. But again, I think we just had too many sets.
Michaelmas. I just like that word.
Constantine is fairly astute himself: "You have 36 very good reasons to obey." We kept reiterating the number of eggs for what was coming later.
The Magus disguises broken pots as eggs and vice-versa. But it always seemed to me that the kitchen staff at Edinburgh sure broke a lot of pots. I mean a LOT!
I like the lines: "Taking the wee bairns for a walk?" and "I don't think I like Gargoyle eggs." Very menacing.
Princess K burns her wedding dress. She feels she cannot leave because C will follow her to "the ends of the Earth." So the Magus responds: "Then I will take you beyond them." Again. Very romantic moment between them.
Finella joins the troop. The WOMAN SCORNED. She's really fun now. Dangerous. I always laugh when Constantine drinks the brew and collapses so abruptly.
Erin: "The Weird Sisters". My kids are just fascinated with this trio. I wonder if they still will be by the end of this three-parter or if like many fans, they will be disappointed?
They get turned into owls. But the Magus worries about giving up the source of his power. K doesn't care about that.
And Finella and Mary agree to take the book. I love these two. I think they'd make a totally kick-ass team. I doubt it would be commercial enough, but I'd love to do a spin-off show just with these two women. At any rate, there was the plan to include them as recurring characters in TimeDancer.
Tom has to leave his mother and his childhood behind. Now his role as the Guardian is a way for Katharine to make him accept the loss. It is the start of their relationship, though neither knows it. I watch this now, and I can't help thinking of the Anakin & Padma relationship and where that's destined to go.
Back to the present. We see the impressive shores of Avalon. Very cool painting.
Bronx reacts. Guardian: "He's found the eggs..." And the music swells and two gargs and a garg beast appear on the cliff.
Now is that a cliff-hanger or what? What was your reaction?
Erin and Benny wanted "to see ther rest!" I told them they'd have to wait a week and we got a lot of protesting. Just what I was hoping for.
Anyway, that's my ramble. Where's yours?
1) I was reading FAQ and in the timedancer section you talked about an antagonist called Calaban. Who is Calaban?
2) In the FAQ for bad guys, you mentioned an antagonist named Falstaff. Who is he?
3) Thanks a bunch
For both these guys, I have no intention of revealing my intentions at this time. But if you want a look at the original sources...
Caliban appears in William Shakespeare's THE TEMPEST.
Falstaff is introduced in Shakespeare's HENRY IV, PART ONE. He reappears in HENRY IV, PART TWO and is spun-off in THE MERRY WIVES OF WINDSOR. He dies off-stage in HENRY V.
What year was Katana hatched?
I haven't yet done the research necessary to give an exact date. Sorry.
1) Will Fu-Dog have a mate?
2) Who will she be?
3) What clan will she be from?
2. Don't know at this stage.
3. See the answer to Number 2. Above. Right up there. It's very similar to the answer to this question 3. Right here.
Some little questions about TimeDancer:
1a-When does Brooklin finds Mary and Finela, in old Scotland?
1b-They timedance together to which year in 20th century?
2-When does Xanatos and Demona first met?
3-How old are Katana, Nashville, Tachi and Fu-dog, rigth after the Timedance?
4-A tricky question: If the Phoenix Gate is out of control, why is it always popping in front of Brooklin?
1a. You mean what year? Late 995 or early 996.
1b. I'm not saying.
2. By 1993.
3. Katana is Biologically 40.
Nash is 19 (bilologically 10).
Tachi is an egg.
4. Why indeed?
How old do you think a hatchling would need to be before the Manhattan clan allowed him/her to take part in the patrols around the city? Would 13-year old Nashville (of the older conception) take part in patrols? The 9-year old one of the current conception?
I don't know. Honestly. I think that gargoyles (traditionally) as in most quote-unquote primitive societies expected children to take on adult responsibilites at an earlier age than we generally do these days. But I haven't thought that out.
Of course, the interesting thing about Nashville is the notion of permission. You have a kid who's spent literally his entire life as a virtual temporal fugitive, it's going to be a little difficult to get him to just sit at the castle once he's in the relative safety of a static environment surrounded by an extended family of protectors.
That tension interests me. But I won't pretend to have worked out the details yet.
This is a second post because you might never see it, but why forty years of timedancing?
Why an entire series? I personally think that the timedancing would go over much better as a mini-series where you have him gone for maybe fifteen twenty years. From what I know about the series (and, granted I don't know much) to me it sounds like there would only be a few changes. Thanks for your time.
Matter of opinion, but I feel like it would work.
When Brooklyn gets back from his timedancing he'll be about biologically forty years old, Goliath is only biologically twenty-nine years old as of 1996. I thought the second was supposed to be young because s/he would take over command of the clan. So…
1) Will post-timedancing Brooklyn still be second-in-command?
2) Will Goliath choose a new second after Timedancers?
3) If so who will it be, Angela, Broadway, Lexington and Nashville?
1. For the time being at least.
2. Not saying.
3. See 2).
While answering a question from Lord Sloth you said "Initially, Katana is not with Brooklyn when he first arrives in 2198".
1) Does this mean that Brooklyn will do some timedancing in between his stay on G2198?
2) Will Katana be with Brooklyn during any of his stay in the year 2198?
1. Not clear on what you mean here.
2. Not saying.
Were you ever planning to show on screen the original Magus casting the spell of humility on the gargoyles at the request of Caesar Augustus?
Maybe in TimeDancers?
Exactly. Maybe. That is, I would have liked to. Depends on the S&P situation, probably.
Is any of the trio alive in 2198? How about the trio¡¯s children?
You mean not counting Brooklyn who TimeDanced there? No.