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Anonymous writes...

From where did you get the idea for Electro's origin in The Spectacular Spider-Man? Was it the story team's original idea?

I ask because in The Amazing Spider-Man 2, Max Dillon turns into Electro almost the exact same way (gets electrocuted and falls into a vat of special electric eels). I'm interested if the movie blatantly ripped off from the show or if there is some comic book/other source material that you would have gotten this origin idea from.

Thanks - I'm a big fan of your shows, and Star Wars: Rebels seems like it will be pretty great.

Greg responds...

We came up with it - probably inspired to some degree from the origin of the mutates in Gargoyles - to fit our Biology 101 theme for that particular arc. But I don't consider what they did in the movie to be a rip-off. Marvel and Sony own everything that was done in The Spectacular Spider-Man, so they can't rip-off themselves. Frankly, I'm glad they liked it. Though I do wish that if they liked it that much, they would have hired me to write the movie. ;)

Response recorded on February 17, 2015

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Bethany Baldwin writes...

Hey there. I'm a huge fan of The Spectacular Spiderman and I've spent time trying to find out how I can contact one of the writers about a question I have for the show. For the Daily Bugle newspapers on the show, I've noticed they are are the same message but have parts cut off. I've spent my evening trying to figure out the full article but it seems I have hit a dead end.

This is what I have:
"In the opinion of this unassuming and civic-minded publisher and humanitarian, the question is not whether the so-called Spider-man is a hero or vigilante. The question is whether he is a THREAT or a MENACE! How a civilized society can allow a glory-seeking, masked scofflaw to swing through our city - littering it with his sticky leavings - with no fear of the repercussions is beyond the intellect or your humble servant, J. Jonah Jameson. Is it not a fact that criminals like the Vulture, Electro, the Lizard, Shocker, Sandman, Rhino, Green Goblin, Doctor Octopus and Venom did not exist until the presence of the Web-Head created a void that summoned them forth like a plague into our fair town, striking terror into the hearts of our citizenry? Does Spider-man make our city safer? Balderdash. Humbug. Nonsense. Spider-man creates the danger threatening our lives, liberties, and pursuits of happiness. Banish the Web-Slinger, and with him you banish those who seek to knock him from his web - making us all quantitatively safer. As for heroes, we have plenty to inspire us, if only we are willing to seek beyond the showy primary colored carnival suit of the Spider."

I can't figure out the rest from here and I was wondering if you wrote this or know who did and can give me a lead on the full thing. Anything would be appreciated, thankyou.

Greg responds...

I wrote it, and I think you got most of it:

In the opinion of this unassuming and civic-minded publisher and humanitarian, the question is not whether the so-called Spider-Man is a hero or a vigilante. The question is whether he's a THREAT or a MENACE! How a civilized society can allow a glory-seeking, masked scofflaw to swing through our city - littering it with his sticky leavings - with no fear of repercussions is beyond the intellect of your humble servant, J. Jonah Jameson. Is it not a fact that criminals like the Vulture, Electro, the Lizard, Shocker, Sandman, Rhino, Green Goblin, Doctor Octopus and Venom did not exist until the presence of the Web-Head created a void that summoned them forth like a plague upon our fair town, striking terror into the hearts of our beloved citizenry? Does Spider-Man make our city safer? Balderdash. Humbug. Nonsense. Spider-Man creates the danger threatening our lives, liberties and pursuits of happiness. Banish the Web-Slinger, and with him you banish those who seek to knock him from his web - making us all quantitatively safer. As for heroes, we have plenty to inspire us, if only we are willing to seek beyond the showy primary colored carnival suit of the Spider. One need but cast a glance toward the policeman, the fireman, the soldier overseas. The astronaut and the crusading publisher-journalist provide legitimate role models for our children and ourselves. What need have we of the cursed arachnid? A deadline should be set - sixteen seconds seems appropriate - for the Web-Head to end all activity in New York. After that, he must be apprehended and placed in Ryker's alongside the "villains" he claims to have defeated. On this point, I'm sure we all agree. The Spider-Man must go!

Response recorded on February 17, 2015

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Sebastian Vota writes...

Did you happen to see the reinterpration of famous comic covers on CBR today? There is one that was just amazing which you may appreciate.
http://goodcomics.comicbookresources.com/wp-content/uploads/2014/05/line5-16-9.jpg

Greg responds...

I did, yeah. It's flattering... and a little ominous.

Of course, the reason listed for YJ's demise isn't quite right. If I had to (oversimplify and) pick only one cause, it was the failure of the toy line.

Response recorded on February 03, 2015

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Anonymous writes...

1) Would you be open to work on other new shows that focus on characters you've already worked on? For example, if you were approached by Disney to work on a new Spider-Man show that isn't in the same continuity as The Spectacular Spider-Man, would you accept? Or would you rather move on to different characters?

Greg responds...

Everything is situational. I'd love to do Spider-Man again in almost any form. (I wrote one issue of Amazing Spider-Man that wasn't in continuity with Spectacular, and would be happy to write more.) But the question's almost too hypothetical to answer. Readers familiar with this site know I'm not big on hypotheticals.

Response recorded on January 28, 2015

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Anonymous writes...

Hey Greg, did you guys ever plan to give Kenny Kong a more significant role in The Spectacular Spider-Man, or was he already given one without the audience knowing? I ask this because to me he seemed considerably downplayed compared to his Ultimate counterpart.

Greg responds...

As with all the supporting characters, we had additional plans for him. But Pete/Spidey was always the lead.

Response recorded on January 28, 2015

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Magic City Comic Con

I'm leaving in a few minutes for Magic City Comic Con in MIAMI at the Miami Airport Convention Center!!

Here's my schedule:

FRIDAY, JANUARY 16, 2015
SPOTLIGHT Q&A 02:30pm - 03:20pm
Ballroom 1.

ADAPTING MEDIA FRANCHISES FOR COMIC BOOKS 04:00pm - 05:00pm
Ballroom 2 w/Mike W. Barr, Terry Cronin, Dan Slott.

SIGNING 05:00pm - 06:00pm
Booth #???? - 900 Aisle

AUTOGRAPH SESSION 06:30pm - 08:00pm
Celebrity Autograph Area,
West Hall - Exhibition Room.

SATURDAY, JANUARY 17, 2015
SIGNING 10:30am - 11:30am
Booth #???? - 900 Aisle

GET YOUR ACT TOGETHER AND WRITE YOUR
FIRST NOVEL 11:45am - 12:45pm
Ballroom 2 w/Mike W. Barr, Terry Cronin, Philip Lee McCall II.

AUTOGRAPH SESSION 01:45pm - 03:00pm
Celebrity Autograph Area,
West Hall - Exhibition Room.

WRITING SPIDER-MAN 03:15pm - 04:15pm
Room 210 w/Dan Slott.

WRITING: FROM TV TO COMIC BOOKS
Room 202 05:15pm - 06:15pm
w/Mike W. Barr, Terry Cronin.

SIGNING 07:00pm - 08:00pm
Booth #???? - 900 Aisle

SUNDAY, JANUARY 18, 2015
SIGNING 10:30am - 11:20am
Booth #???? - 900 Aisle

LEGACY OF GARGOYLES 11:30am - 12:30pm
Room 210

WRITING BATMAN 01:45pm - 02:45pm
Room 210 w/Mike W. Barr, Francis Manapul.

AUTOGRAPH SESSION 03:15pm - 04:30pm
Celebrity Autograph Area,
West Hall - Exhibition Room.

THE BUSINESS OF ANIMATION
Room 210 05:30pm - 06:30pm
w/Christy Karacas, Chris Prynowski, Melissa Warrenburg.

I will be selling personalized signed copies of my two novels RAIN OF THE GHOSTS and SPIRITS OF ASH AND FOAM for $10 in cash each. If you buy both books, you get signed copies of the original development artwork by Kuni Tomita from when we attempted to sell RAIN as an animated television series back in the 90s.

I'm also selling signed copies of my animation scripts for $20 in cash each from series including GARGOYLES, THE BATMAN, BEWARE THE BATMAN, ROUGHNECKS, MEN IN BLACK, TEAM ATLANTIS, KIM POSSIBLE, DC SHOWCASE GREEN ARROW, W.I.T.C.H., THE SPECTACULAR SPIDER-MAN, YOUNG JUSTICE and more - including scripts from a couple of convention radio plays.

Autographs from me and photos of or with me are always free.

If you're in the Miami area, I urge you to stop by and check it out!


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Paul writes...

I think you once hinted that you 'didn't get enough episodes' to do a musical episode of The Spectacular Spider-Man. Was a musical episode part of your 5 season plan? And if so, which season did you plan to include it in: 3, 4 or 5?

Greg responds...

I don't think I ever hinted that. Coming up with a legit story excuse to do a musical episode is usually the biggest challenge. Puck would have made a great excuse on Gargoyles, but it's harder to figure out how to do that on SpecSpidey. Nevertheless, we had an index card on my board for the run of the show that said, "Spectacular Spidey - The Musical". It was mostly a joke, but if I could have figured out a solution...

Response recorded on December 19, 2014

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Mike writes...

How was it working with Peter MacNicol? What brought him to mind when it came to playing his characters from Young Justice & The Spectacular Spider-Man? Do you plan to work with him again when possible?

Greg responds...

I love working with Peter. He's a consummate professional, who makes constantly interesting choices. I've been a fan of his since Dragonslayer, and have loved his various T.V. work. Though I had never worked with him before, I suggested him for Doctor Octopus in Spectacular Spider-Man, because I thought he could capture both sides of the Doctor Octavius we were creating, i.e. the shy, nervous man we first meet, and the megalomaniac he becomes. That worked out so well, that I knew he'd give us a great Professor Ivo on Young Justice and a great Tseebo on Star Wars Rebels. I'd work with him again in a heartbeat. Just need a show. ;)

Response recorded on December 17, 2014

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Jack Johnson writes...

Hi Greg,

I noticed that, in one of your previous posts, you answered a fan question by including a schematic of your "pie-in-the-sky" fantasy for the Spectacular Spider-Man (including how you wanted to do movies, certain numbers of seasons, etc. to tell your intended story with a specific road map) and I was wondering if you would do the same for Young Justice (I'm not asking for spoilers or specific details, just information such as how many seasons you would have done, if you would have, like with Spider-Man, done movies or spin-offs, etc.).

Greg responds...

We didn't have the same kind of "Business Plan" for YJ as we had for TSS-M. But we had definite plans for a Season Three and many, many, many story lines for either the show or the comic.

Response recorded on December 11, 2014

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Paul writes...

Hi Greg, I know that one of your goals on The Spectacular Spider-Man was to increase the ethnic diversity in Spidey's cast of characters.

With that in mind, why did you change Rhino from (presumably) eastern-European (since his name in the comics was Aleksei Sytsevich) to American (or Irish-American, since his surname became O'Hirn)?

I felt like it went against what you were trying to accomplish by mixing things up with characters like Liz Allen and Ned Lee(ds).

Greg responds...

We felt we had enough Russian villains without adding Rhino. At some point you gotta wonder why all these Russian natives hate Spidey. It made sense in the Cold War context that Spidey - and much of his rogue's gallery - was created in. Made less sense in a modern context.

The O'Hirn name came from the comics; we didn't create it. I seem to recall it was an alias Rhino used at some point.

For good or ill, it had nothing to do with my desire to add diversity. Again for good or ill, all I did was trade one caucasian male for another. A wash.

Response recorded on November 19, 2014


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