Anonymous writes...

You said before that there isn't any recorded, on camera footage of the voice actors for Young Justice. Why did you record behind the scenes stuff for The Spectacular Spider-Man but not for Young Justice?

Michael writes...

Hi Greg!

Like many fans, I was deeply saddened to see Spectacular Spider-Man get cancelled after only two seasons. The show had so many good stories left to tell and really left a lot of open plot threads (Peter and Gwen's relationship, Norman Osborn's future plans, the Venom symboiote's whereabouts etc.) that were just begging to be explored.

With that in mind, have you given any thought to proposing a Spectacular Spider-Man comic book that would continue the storylines you and your creative team had planned? I know that you've gone this route with Gargoyles, and I think a Spectacular Spider-Man comic would really excite and satisfy fans who wanted to see where the series would have gone without incurring the expense of continuing the show (since I realize a lot of your talent has moved on to other projects -- incidentally love Lacey Chabert as Zatanna in Young Justice!). Marvel is already producing an Ultimate Spider-Man comic based on the new animated show -- would it really be out of the realm of possibility for them to produce a Spectacular Spider-Man comic and/or miniseries? After all, DC produced new issues of the Batman The Animated Series comic book, The Batman comic, and Batman the Brave and the Bold long after the cartoons were cancelled.

Best wishes

Michael

6f6ea3 writes...

Hey again, Greg. Hopefully this question will catch you while you're at your office or Beverly Hills office, but I'm just dropping by a follow up inquiry about posting the SpecSpidey bible.

Sorry if I'm being a pest, I know by the time you read this you'll have slogged through a couple hundred questions about Red Tornado's shoe-size or the like since you answered my last question. Keep the faith, you're made of sterner stuff then I.

Miten writes...

Hey Greg it's me again and I was wondering
how did you get the role of spectacular spiderman.

Eagle-Owl writes...

YJ questions:

1) Clancy Brown as Agent Faraday, and Faraday looks A LOT like George Stacy. Spectacular Spider-Man reference?

2) Parasite was working for Intergang. Does this say anything about the current whereabouts of Bruno Mannheim or Whisper A'Daire?

Codeman1992 writes...

Hi Mr. Weisman, I just wanted to give you props on developing one of the most interesting and creative superhero series on television. Young Justice is one of the greatest superhero series I've watched. I put it up there with the great Batman The Animated Series and all the Timmverse Shows. So, like I said before, I give you props and you are a extremely well versed writer and it's proof in your work. With the new Spider Man movie coming out soon, I've noticed it's very reminiscent of The Spectacular Spider man. At least in the case of turning Gwen into a potential love interest in High School, who both her and Pete intern somewhere. That's my first question, have you noticed that? My second question is regarding The Spectacular Spider Man. I'm in my Spidey Obsession phase and always turn to your show whenever I'm in that phase. Since there's not gonna be a Season 3 of the show, can you drop any potential storylines or where the show was gonna go after the finale of Season 2? I know this is really long, but I'm a huge fan and hope I can be as great of a writer as you are one day. Thank You Mr. Weisman for your time.

ILikeSpiderMan writes...

Hi Greg!

Obviously I'm a huge fan of your work, since I'm, y'know, posting on your site. I've just been sitting and listening to your Spectacular Spider-Man podcast interviews, which are offering some "spectacular" insight (haha, ha).

You talk about Gwen Stacy being the first (one?) true love of Peter's life, and her incredible importance to him. You've also discussed your desire to adapt the feel and general story of the original comics as faithfully as possible. Given that Gwen is most famous for being killed by the Green Goblin, what does that mean for Gwen's future in the series? I'm not asking what your plans for the show were (I don't want spoilers, as some small part of me still hopes that somehow this show will have a future), but I'm wondering if you and the other writers were even considering including Gwen's death in the series. Would it warp the show's tone irreparably? Would it still be possible to write a fun-loving, wise-cracking Spider-Man after this? Would the CW/Disney allow this on a children's program?

Or did you and the other writers/producers decide upfront to veto the idea?

I understand how this could easily be seen as a spoiler request. I'm less curious about the potential plotline of future SSM episodes, and more wondering about the considerations you and your writing team take when adapting material from the comics, especially grittier, less-child-friendly stuff.

Thanks profusely!

Justin F. writes...

Hey Greg. I wanted to let you know that I, and a large portion of the internet community, absolutely loved Spectacular Spider-Man. The show accurately portrayed who Peter Parker was, his troubles, his difficult choices, and his life as Spider-Man. Me, being a teen in high school, thought Peter was someone I could relate to, even though he had these extraordinary powers. Being able to relate to Peter Parker is something that should be constant (and for the most part, has been constant) in every Spider-Man story. I know I'm not the only one who thinks that the series should have went on for much longer. However, I know that the series' ending had to do with Disney/Marvel purchasing the animated series rights from Sony. Since this was pretty much out of your hands, I'm here to propose an idea.
Since the rights to the theme song, character designs, etc. for The Spectacular Spider-Man are locked by Sony, and you couldn't possibly resume the show even if you wanted to at Disney/Marvel, I suggest making, if you'd be fine with doing so, an INDEPENDENT episode (about 45 min. or an hour long)of The Spectacular Spider-Man and release it online. Sean Galloway could come back to do the designs, and you could get the voice actors who would agree to it back if the scheduling works in the favor of both parties. This is more than a scheduling thing than anything, when you're not busy with Young Justice and they're not busy with anything, but it may be able to work. And since it wouldn't be
released under the Sony or Marvel banner, and if you make it perfectly clear that it's a "fan film", no breach-in-contract would occur at all.
I'm sorry if I'm sounding selfish, but the show had a HUGE, HUGE fan base, and most of this HUGE fan base, when tuned in to watch Ultimate Spider-Man on Sunday, all cringed in unison (no offense to Marvel or anyone who likes the show). It just doesn't match the charm that your interpretation of Spider-Man had. So I would definitely like for you to take this into consideration. Would you be able to make an independent "final" episode of Spectacular Spider-Man exclusively for online, one that is a "fan film" of sorts? Thank you for your time.

-Justin

Laura 'ad astra' Sack writes...

Wow! Is it hard to keep up with even the questions to post new ones. Thanks for reopening the queue!

Condolences on the lose of your Grandmother. I remember the months before my grandmother died how she had retreated into herself and was all but unrecognizable, than all of a sudden came back to herself for a week or two at the end. I still treasure it as a great gift that we were reminded who she was before the end. She was a good deal younger than 100 so we were not quite expecting the end, but I can understand what you mean by feeling that the person you love is already on the way somewhere else. I am glad you have so many years and so many wonderful memories to look back on.

1- I see someone already asked if you can explain some of the terms you used when you broke down the stages the of episodes in progress. He mentioned ‘online’ in particular. If you didn’t already do so, can you also define ‘slug’?

2- I know you prefer to record the voice actors together in conversation, unlike many other cartoons that record the voices in isolation. In live action tv and movies are recorded out of order, that’s the most efficient way to use the sets and actors. Since there aren’t sets for cartoons, and you prefer to have all the actors together anyway, are the scenes more or less recorded in order?

3- You mentioned in the past moments when stories just come together and surprise you- when the next event seems to announce herself, unplanned but seemingly totally organic to the story. Like when “Owen is Puck!” announced itself. Or when you kept hearing “Thailog” when the video was being rewound. Did you have any such moments for Spectacular Spiderman and the other shows you worked on? Have you had any with Young Justice yet? Can you share any if they’ve already happened?

4-One last question for this catch-all batch... what do you think of the new DC Nation shorts? I’m not crazy about loosing the opening credits, but I love shorts and think it is an easy trade. I love that they are all different and playful and yet often also a series. My favorite so far is the one with Batgirl and Supergirl trying to convince Wonder Girl to ‘borrow’ Wonder Woman’s invisible jet. (Oddly I have become used to (and approve) on Dianna being portrayed as someone from another country, with a light to strong intonation of something foreign, but it never occurred to me the same would apply to Donna.)

Begin pontification: I’ve never loved the Teen Titan cartoon, (plenty to like, but never loved), but I love the fact it is turning up in the shorts. Back when Disney XD was Toon Disney I wondered why they didn’t run shorts. (To be fair I didn’t have a TiVO at the time and it was possible they were already running the “Have a Laugh” abridged classic shorts as well as Shaun the Sheep. But they weren’t running any new material.) It seemed odd to me they were trying to compete with the Cartoon Network’s reach into the older demographic and didn’t, for instance, declare one night a week the 10 o’clock older folks movie night, (say a Miyazaki flik), and intersperse it with shorts- gorgeous, varied, counter expectation shorts like they gleefully did for Fantasia 2000. (I had the idea a long time ago.) If some of those shorts were back door pilots...great. It worked for the Simpsons They could have led to another late evening night of new programming of new shows. They couldn’t compete with cheap nostalgic cartoons or crude adult ones because that just isn’t Disney. Disney can never put out a Family Guy type show under the Disney label. Maybe they could do it on ABC, but not something with Disney in the name. (Even Miyazaki’s Princess Monenoke had to be released in the US under the Miramax label because a PG-13 cartoon would be problematic under the Disney label.) It a rather obvious route for a high end cartoon station to go and might have netted a few Oscars away from Pixar. Or perhaps more for Pixar. End pontification.

Of course it would have been an ideal place to run a little Gargoyle related short. :)

JayBe writes...

Hi Greg, first off I just wanted to say you're awesome. Spectacular Spider-man was THE best Spider-man cartoon/interpretation of all time and IMO the best superhero cartoon of all time (although YJ is now a close second for me). It still pains my heart that it didn't reach past a 2nd season. And despite not being interested when I originally heard about Young Justice, it's quickly become one of my favorites due to the awesome character development/continuity that seems to be your trademark. Having just seen the new Ultimate Spider-man (which I read you won't be watching), I can safely tell you that although it's not the complete crap-fest I thought it would be, it's nowhere near the level of greatness of Spectacular Spider-man.

So anyway, my question is actually about SpecSpider-man (and sorry if it was asked already, I went through as much of the 600+ search results as I could). Could you possibly go into the general idea of what we were going to get out of the next few seasons if it hadn't been cancelled? I know there's probably a thousand details you could give (which would be awesome), but was there any overall story concepts you had that were going to blow our minds? For instance, were we actually going to see Gwen Stacy die?

Thanks for reading even if you can't/don't want to answer.

SpideyFan writes...

I've just gotten a chance to sit down and watch Spectacular Spidey, and it was absolutely mind-blowing. Between it and YJ, I am totally sold on your work. I love the way you structure your stories (on an episode-by-episode basis, and the way you build up longer arcs), and how you manage to present only the most pertinent/interesting information, and trim the narrative fat. It makes your shows a total joy to watch; the stories have such a deliberate sense of movement, everything seems to have purpose. Watching your work inspires me!

Here's the "Ask" part:
In the series finale (S2E13 "The Final Curtain"), Spidey's big confrontation sees him fighting pumpkin-headed grunts in little flying goop-shooting ships. Was this something the creative team was gung-ho about putting in the series, or was it more related to pressures from the powers-that-be about opportunities to sell toys?
Also, how often is marketing, or promoting the DC/Marvel/what-have-you brand a consideration for you when you're creating a show?
Finally: how did you start writing? I don't mean on the level of occupation (i.e. what jobs got you started), but how did you establish for yourself the discipline and confidence in your skills necessary to write professionally?

And I'm sorry to hear about your grandmother. It sounds like it was her time. My own great-grandmother just passed on, and I can tell you she was as ready for it as we were resistant to it. It certainly made the mourning process a lot harder to initiate, since there was this enormous sense of relief that she wasn't in any more pain, or so lonely anymore. I think a sort of hollow initial response is natural. Hope this is some condolences.

Thank you and adieu,

SpideyFan

akif writes...

the new spider man show isn't that good i wish that you can continue the show anf young justice at the same time

The Greenman writes...

Hi Mr. Greg Weisman,

I have been a fan of yours since Gargoyles. One of the things that interest me is the basic structure of the themes and world building in the series. One of the styles I see continue to pop up in your series is the relationship between science and sorcery. This is something I have been a fan of in comics like Iron Man and Fantastic Four (specifically Dr. Doom versus Reed Richards). I love the simple explanation that energy is energy.

1. Now I didn't see much of this argument come up in your Spectacular Spider-Man series, because Peter debunked Mysterio, but can you say that you ever planned to and who you would've used to explore that science versus mystic aspect?

2. I am upset that directors such as Jon Favreau and Shane Black have knocked down the very idea of Mandarin showing up as not to approach the so-called mystic aspect. Though, it could be be alien in origin or something, as they claim and prove that even super-science isn't allowed in the MCU. Have you read and understand the Iron Man comics specific to Mandarin and Tony's relationship to science versus sorcery? Was it influential at all in your writing?

Mike writes...

1. How did the Rhino overcome his hydration problem?
2. What are the names of Tombstone's bodyguards?
3. Is Tombstone the Big Man or is it someone else entirely?

FanMan writes...

Being that the Spectacular Spider-Man was cancelled almost two years ago now, are you yet able to reveal details of what you had planned for season 3? Or do you still intend to keep that information back in order to use it on a later show or if Spec-Spidey gets (against all odds) renewed at a later time?

Derek writes...

I'm a big fan of continuity as I gather you are too based on your use of dates, your shows in general and an interview you did years ago critizing the X-Men for not evolving and moving forward. I think DC has some fantastic characters and concepts, which is one of the reasons I like Young Justice. However, I've found that without fail whenever I start reading their books and enjoying them, they erase characters and storylines I've become fond of from existence in a big reset or reboot in an effort to become “new reader friendly” e.g Linda Danvers, Helena Bertinelli, Stephanie Brown, Cassandra Cain, Team Titans, Infinity Inc etc.

In the end, this practice alienated me as a reader and I no longer buy DC books because as a reader I find this extremely irritating. So first of all, I'm glad that your not doing that with Young Justice. The characters in show have already greatly progressed through season 1 and I'm very optimistic about the Season 2 based on the first episode.

I'm curious though as a comic book reader what do you make of DC comics and their practice of the "reset"?

Miten Dama writes...

Hey Greg I'm a huge fan of your work and
I'm a huge fan of the spectacular spiderman
out of curiousity could you tell me what would have happens in season 3
if the show had continued I'd really appriciated
from your biggest fan Miten Dama

Anonymous writes...

If spectacular spider-man continued would you have mention any other Marvel heroes like the fantastic four?

Spen writes...

Hi Greg! First off, I'd like to thank you for posting all those old production memos from "Gargoyles". I love reading 'behind the scenes' stuff, and seeing the way the story develops over time. It kind of reminds me of Christopher Tolkien's "History of Middle-Earth" series, albeit on a smaller scale.

Now, I have a few questions that I hope can be considered to all fall under the general category of "series development". A couple of them might be stretching it a bit, but I think it'll be okay (and if not, you'll tell me).

1. You started posting production memos for your "Re-Awakening" ramble. Are there any surviving memos from "Thrill" to "Her Brother's Keeper"?

2. When you wrote "The Journey", did Scott Thomas send you a prod. memo?

3. Are there any memos from "Spectacular Spider-Man"?

4. One thing that really struck me when reading some of the notes from early '92 was just how early the Pack came along in the development. Which got me to thinking about another early villian. Was Tony Dracon's involvement planned all along, and he just happened to first appear in "Deadly Force", or was he created specifically because "Deadly Force" needed a new villian? (Awkward sentance, I know, but I can't seem to get this phrased quite right. Do you get what I'm saying?)

Thanks for taking the time to answer these. We will now return to our regularly scheduled "Young Justice" questions.

DmarvelC writes...

If you could, would you have put your Spectacular Spider man on the team?

Zach Baker writes...

Hey Greg!

I recently saw this line from an interview with Steven Bochco in the early 80's, talking about Hill Street Blues (which currently has its first two-and-a-half seasons on Hulu Plus, by the way):

"Maybe the biggest problem with Hill Street, in terms of popular success, is that it is a show that demands to be watched. And most people do not watch television. They simply are in its presence."

I love that quote. What an insightful way to encapsulate about what was essential and great about Hill Street Blues, without going into all the details of what made it so outstanding. Just leave at this: unlike nearly anything before it, in many ways it was a show that demanded to be watched. I think that characteristic also applies to Gargoyles as well, no doubt due to the major influence Hill Street Blues had on the show (as you've often mentioned).

Nowadays, that quality, of being a show that "demands to be watched," is characteristic of so many excellent shows that appear on HBO, Showtime or AMC (before hitting DVD boxsets and iTunes), places where popular success isn't the one and only yardstick. And again and again, we've seen how this kind of series can flourish in the atmosphere of creative freedom offered by these outlets.

Can viewers hope that someday soon, that kind of environment will produce an animated serial drama that has the same level of quality, complexity and acclaim as these channels' current headline series? If so, what might it take for that to happen?

Fluttershy writes...

Hey greg what's up I would love to ask you a questions regarding your story telling techniques

You have said in the past that you could go be telling stories forever if you wanted and in fact sometimes not even the tv show is enough for them hence the comics.

But have you ever considered in giving your characters and stories a Grand finale?.

I think something that has made me a bit sad is that in your past shows you have been cut short due to executive decitions out of your control and we have been unable to get anything resembling an ending that actually gives closure (w.i.t.c.h,Spectacular spiderman, gargoyles etc)

However it is always nice when a tv show character directly says goodbye to te audience(like batman the brave and the bold) or when every major plot point is solved at the end.

A big trait of western media in it's majority like tv shows and specially comics is that the characters "are frozen in time".

Spiderman for instance will always be a young man that fights crime and the story won't go beyond that,same for superman and batman. When the story gets after a certain point we as fans tend to get reboots reapeaing the smae story.

I would like to ask you if given the chance will you give us a finale to your works like gargoyles.

Will we ever see the closure of them?
Do you believe in "grand finales"?

Or do you want simply to never give them a real ending o your shows and simply give the idea that the story will be around forever?

Sam writes...

You've said before that you like to partake in mental casting for characters that you never got to animate in Gargoyles. Did you do this as well for Spectacular Spider-Man's unmade third season, and if so, any chance you could tell me what voice actors you had in mind for the new characters?

Lavariel writes...

Dear Mr. Weisman,

Thank you for all the wonderful work you've done from Gargoyles, to Spiderman, to Young Justice. Been a fan for years.

1) From your experience, what was more enjoyable to work with? Working on a show that was completely yours to control - Gargoyles - from character development, plot, and storyline? Or Spiderman and Young Justice where the basics has already laid out?

2) Was there more pressure to succeed working on Gargoyles because it was original and the creativity was your to control? Or was there more pressure to work on an adaption on Spiderman and Young Justice because the bar has already been set?