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Spectacular Spider-Man, The

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hmmaster writes...

Hey, Greg, what an amazing show in Young Justice. I have a couple of questions for you.

1) I was hoping you could comment on this, because you've answered variations of this question at different times, but never this specific one. I thought of an idea that would make a lot of sense for where a certain character's situation would go after the events of Summit and Endgame, but I won't share it with you to avoid getting a spoiler. You've talked in interviews/answers before about Roy and Jade having to get married off-screen in order for CN to approve Lian being born. Were there any story-lines of similar controversial topics that you and Brandon had planned that could have created tensions between you and the network?

2) I recently rewatched JLU, specifically JLU's season 1, and I noticed a striking similarity in the way the format works there and the masterfully-crafted interwoven network of plot-lines of YJ. It seemed like you may have been inspired by that format where there were several stories being told all at the same time, as opposed to other shows that have a more episodic nature (like the first JL cartoon, before JLU). Was it a conscious decision to draw heavily from that idea, or was it something that just happened independently?

Thank you for a wonderful show.

Greg responds...

1. None spring to mind at the moment. We didn't have a lot of fights with S&P.

2. I haven't seen all that much of JLU. (Started to when we were in the development phase, but ran out of time once pre-production got started. [I'm really not much of a binge watcher. The most of any show I can stand to watch in any one sitting - no matter how good it is - is two episodes, and for me, even that's pushing it.]) The way we plotted YJ is really more in line with the way I've done other series in the past, such as The Spectacular Spider-Man and Gargoyles. And all of that goes back to lessons learned from reading and writing comic books, and, of course, from Hill Street Blues.

Response recorded on May 13, 2014

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Mysterious Galaxy Signing

Once again, I'm hoping people in the Southern California area - especially those who live in and around San Diego - might come to my signing at Mysterious Galaxy Bookstore.

I'll be reading, answering questions and signing copies of RAIN OF THE GHOSTS at the Mysterious Galaxy Bookstore in San Diego on May 10th, 2014 at 11am.

Mysterious Galaxy Bookstore is at 7051 Clairemont Mesa Blvd., Suite #302, San Diego, CA 92111

If you buy a book, I'm also happy to sign whatever other memorabilia (Gargoyles, SpecSpidey, Young Justice, whatever) that you feel like dragging into the store.

It's a big birthday bash for the bookstore, so there are other events all day long, and I'm told they're serving cake at 3pm.

Info here: http://www.mystgalaxy.com/event/MG-SD-21st-Birhday-Bash-051014

Please stop by - check out RAIN - and say hello!

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B writes...

What's the status of S.H.I.E.L.D. in the Spectacular Spider-Man universe? If it exists, how old and influential is it?

Greg responds...

You know I figured out the basics for SHIELD back when we were working on the series, but unfortunately, I can't remember much... SORRY. Probably didn't stick because we weren't allowed to use SHIELD, and so I never went into any depth with it in my head.

Response recorded on May 09, 2014

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fallenlegend writes...

Hello Greg!

Just a quick question this time. The other time I asked you something about gargoyles and you said that you wouldn't write it for free... wich came as a bit of a shock to me as you have said before that it is your baby proyect.

It's understandable as this is your job and main source of income... But I have to wonder if you would ever have or if you have a personal proyect wich you would do for free.

You deserve every cent you get paid but.. Many (amateur/fanfic) writters write stories for fun and I wonder if this is the case with you. thank you!

Greg responds...

I don't write for fun anymore. To be honest, it's too much like work.

I don't write for free, though I do (occasionally) write "on spec". That is, I'll write something that has the chance of paying off later, even if no one is paying me for it immediately. For example, my first novel, RAIN OF THE GHOSTS, was written on spec. (And took over a decade to pay off - minimally.) The second book in the series, SPIRITS OF ASH AND FOAM, was not written on spec. My publisher, St. Martin's Press, ordered it. The third, MASQUE OF BONES, which I've barely begun researching, will also be written on spec, unless St. Martin's Press decides to pick it up.

But the big difference with those books, over something like GARGOYLES, for example, is that I OWN the RAIN property. I don't own GARGOYLES or YOUNG JUSTICE or WITCH or THE SPECTACULAR SPIDER-MAN. It would, frankly, just be foolish for me to invest my time (which is money to me) in something that isn't mine.

GARGOYLES is without a doubt my baby. I feel that strongly. But it doesn't change the hard, cruel fact that I hold no ownership in it at all.

Response recorded on May 01, 2014

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Vance Michael Justin writes...

Were there ever any plans to release the music tracks for Spectacular Spider-Man? Certain songs, like the Sandman's theme, were really catchy! Would you know where someone could listen to them free of the show's sound effects and dialogue?

Greg responds...

Vance Michael Justin!!! Haven't seen you in years!

Anyway, Dynamic Music Partners was planning to release a soundtrack for The Spectacular Spider-Man before the same corporate politics that derailed the series derailed the album, as well. I'm afraid I don't know where you could go to listen. But I'll tweet DMP and try to find out.

Response recorded on May 01, 2014

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Greg Bishansky writes...

While re-watching "Spectacular Spider-Man" as it has been re-run on the Vortexx, I wanted to talk a moment about what a wonderful job you did with Gwen Stacy on the series.

Obviously, Gwen's time in the comics was before my time, but I had read all those old Lee-Ditko and Lee-Romita and Gerry Conway stories years and years before Spec Spidey was a glimmer in anyone's eye, but for me... Gwen was a standard Silver Age girlfriend, and all that entailed. Mary Jane was more interesting, and I couldn't fault Gerry Conway's decision to have Green Goblin toss her off a bridge... it made for a classic story not just for Spider-Man, but for all of comics.

But I never liked seeing Gwen sidelined as all other adaptations seemed to do. For me, Spider-Man was a story about growing up and Gwen represented First Love to me. Yes, he dated Betty Brant first and flirted with Liz Allan, but Gwen was his first Great Love, and most people don't end up with their first Great Love.

So, for years, Gwen was a Silver Age girlfriend and a Stepping Stone in Peter's journey to manhood from my point of view, and little more than that.

And then your show came along, and while that's how I was looking at Gwen at first, she very quickly grew on me... to the point where I really didn't want to see that classic Gerry Conway story adapted into your universe on an emotional level. Although, to this day, my brain still tells me that sooner or later it needed to happen... and while you have dropped hints that it might happen, you've never confirmed it (and I'm not asking you to)... it's not something that I was looking forward to seeing happen. Something I was dreading, in fact.

So you got this guy who never cared for Gwen outside of intellectually believing in her importance to the mythos to fall in love with Gwen Stacy, and a lot of credit goes to Lacey Chabert, too. While I still love Mary Jane more than Gwen, I think you and your team did your job.

Greg responds...

Hard not to love the double-whammy of Cheeks' design and Lacey's stellar performance as Gwen. Add in some fashion design advice from Jennifer Coyle, particularly with regards to Gwen's make-over, and you can easily see why Peter fell for her.

Of course, I grew up with Gwen and Peter as a couple, and her death in the comics was devastating. So we wanted to do her character justice.

So we just tried, as I've said before, to extrapolate backwards for Gwen. She was always the smart girl in Pete's life. The only one who compete with him for understanding science. And her relationship with her single-parent father was also key. There was plenty for us to work with.

Response recorded on May 01, 2014

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Paul writes...

1) Did Eddie Brock meet Debra Whitman during the events of "Identity Crisis"? She took his job after all, and then when he came back briefly and was offered his old job back by Martha, I wondered where that would leave Debra (though of course his return was obviously not going to be permanent).

2) Why didn't Kraven go after Spider-Man again in the weeks after "Reinforcement", since he presumably could just follow Spidey's scent at any time (like he did when he led Vulture and Electro to the ice rink)?

Greg responds...

1. No.

1a. Since the lab was doing better, rehiring Eddie would not have effected Debra's status.

2. Other plans took precedent.

Response recorded on April 28, 2014

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Anonymous writes...

In The Spectacular Spider-Man season 2, how old is Debra Whitman?

Greg responds...

Grad student age. Early to mid twenties.

Response recorded on April 18, 2014

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Anonymous writes...

In "Shear Strength", when Norman asked Spidey where Peter was, did he (Norman) really have no idea or did he have an inkling?

Greg responds...

I'll leave that to your interpretation.

Response recorded on April 18, 2014

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Anonymous writes...

Hi, Greg. A few questions about The Spectacular Spider-Man:

1) Regarding Gwen without glasses (in the last four episodes), was her character model completely redesigned for those episodes? It just seems that if you compare her character model for the previous episodes to the way she looks in those last few episodes, she looks completely different, it's not just that the glasses that are missing.

2) Were there plans to give Peter a new set of clothes at some point in the series? I ask because by the time he was in college in the comics, he was dressing with more confidence, though I think there was a bit of that in the later high school issues. Not that Peter in seasons 1 and 2 looks 'uncool' or anything, but I'm curious as to whether he would have started wearing a different set of clothes as the series progressed, like Gwen starts to at the end of season 2.

3) Speaking of Gwen and her clothes, when she's on the phone to MJ in "Opening Night", we see her wearing a black outfit that she doesn't wear to the play, or in any other episode. I doubt that this look was designed just for one very quick scene, so I was wondering if we would have seen more of Gwen in this outfit in season 3?

4) At the end of "Final Curtain", does Harry still consider Peter his friend, knowing that he was planning to take Gwen away from him?

5) Regarding the Hobgoblin, did you have a plan to sidestep potential complaints of the Hobgoblin mystery being too similar to the Green Goblin mystery? I'm not fishing for spoilers here, I'm just interested to know whether you had some kind of twist in mind to make the Hobgoblin mystery feel fresh and not just derivative after the Green Goblin mystery.

Greg responds...

1. Well, we made a new model, but her face and body were basically a trace of the old model. The only things that changed - besides her clothes, depending on the setting - were the lack of glasses (contact lenses, dontcha know) and her hair. And we had been gradually lengthening her hair over multiple episodes anyway. So the change in model that you perceive is... mostly in your head. But that's good. It had the same effect on you that it had on Pete and much of the rest of our cast.

2. We had no immediate plans, though of course on an episodic and seasonal basis he would have gotten additional clothes, as you already saw. And I did have one specific plan for the last episode of the series, i.e. his high school graduation.

3. Honestly, I can't remember.

4. I'll leave that to your interpretation.

5. Yes.

Response recorded on April 18, 2014

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My WONDERCON 2014 Schedule

I'll be attending WONDERCON 2014 in Anaheim, California for one day only: Saturday, April 19th, 2014.


I've got no official panels this year - though, STAR WARS fans should definitely check out the STAR WARS REBELS panel on Saturday from 2-3pm in Room 300AB. Executive Producer Dave Filoni and Vanessa Marshall (the voice of Hera Syndulla) will be taking your questions.

But I do have a couple of events scheduled:

1. 11:30am - @1pm: ASK GREG LIVE, a.k.a. YOUNG JUSTICE MEET-UP, a.k.a. GARGOYLES 20TH ANNIVERSARY CELEBRATION, a.k.a. SPEC SPIDEY BLU-RAY CHEERFEST, a.k.a. RAIN OF THE GHOSTS ISLAND TOUR, a.k.a. whatever geeky thing you like...
This is a casual fan get together where I'll be answering questions. Vanessa Marshall (voice of Mary Jane Watson, Black Canary and many more) and Nicole Dubuc (writer/producer of Transformers: RescueBots, writer on W.I.T.C.H., SpecSpidey & YJ, voice of Iris West-Allen) have both said they'll stop by too. And we may have a few other surprise special guests, as well. Note: that although I'm notoriously anti-spoiler, I'm way more likely to drop a few hints in person than on-line. We'll be meeting in Lobby B of the convention hall, behind the escalators, more or less opposite of where DC Comics and Graphitti Designs have their booths if you were going to walk into the hall. (I've posted a map on my twitter account @Greg_Weisman) If the weather permits, we will probably head outside around 11:45am and continue the meet-up there. We'll also be posing for photos, so I encourage cosplayers to attend, etc. I will also be bringing copies of RAIN OF THE GHOSTS to autograph and sell. For a mere $10 in cash, you get a signed copy of the book and signed copies of the original inspirational character designs (drawn by Kuni Tomita) for the animated series version of Rain that we never made back at DreamWorks in 1997-98. (While supplies last.) I'm in no real hurry, so I can pretty much hang out as long as folks want.

2. @1pm - 3pm SIGNING
After the Meet Up, I'll be heading over to Artist's Alley, specifically Table 186, where Thom Zahler of the amazing Love & Capes series has graciously allowed me a place to sit. Once again, I'll be selling and signing RAIN OF THE GHOSTS. Still $10 (CASH ONLY) for a signed copy of the book and signed copies of the Kuni Tomita inspirational designs. (Again, while supplies last.)

So please, stop by and say hello!

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Anonymous writes...

When Doc Ock allowed May Parker and Anna Watson to get away in "Group Therapy" instead of just taking Rhino's suggestion to "plough through 'em", was it because he was just being a gentleman or because he was a little bit smitten with one or both of them? Or was it both him being a gentleman AND him having a crush?

Greg responds...

Mostly, I think he was being a gentleman. Put it this way, Octavius is not enamored of carnage and mayhem for the sake of carnage and mayhem. No point in ruling over a ruin and/or a burg of dead subjects.

Whether he found Ms. Parker or Ms. Watson attractive... well, I'll leave that to your interpretation.

Response recorded on April 09, 2014

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Anonymous writes...

Hi Greg! A question about The Spectacular Spider-Man: when it came to the arc subject titles (like Biology 101, Engineering 101, Drama 101), I noticed that you didn't revisit any of the same subjects i.e. you didn't get as far as Psychology 102 or Criminology 102. But I was wondering if you were planning on doing any 102s in season 3, or later down the line?

Greg responds...

Not if I could avoid it. But given enough seasons, who knows?

Response recorded on April 08, 2014

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Anonymous writes...

Who was the first super-villain to discover that Spider-Man was Peter Parker in The Spectacular Spider-Man?

Greg responds...

The obvious answer is, of course, Venom. Did you have something else in mind? Or is this like a trick question, trying to get me to admit that more than one super-villain knew Spidey's secret i.d.?

Response recorded on April 08, 2014

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Zer0C00l writes...

Greg! What's going on, man? Happy New Year and all that good stuff. Before I say what I say... please let it be known that I'm not trying to offend you or anyone in any kind of way.


So I hear you got a new gig. Congrats! I knew you would. Now here's the thing, bro. I'm a bit worried about Rebels and I need you to set my fears aside. Can you do that? Can you promise the same Weisman QUALITY? Will YOU be leading the ship of Rebels? I know you have partners. You always had team mates from past shows. But YOU were always the head writer. The one with the series bible. The million index cards all over. That was YOU. Everyone else worked under you.

I ask this mainly because of a recent show that totally turned me OFF in a big way. The show was HORRIBLE. What show? That would be "Ultimate Spider-Man". Have you seen this? Greg, I tell ya, I was looking forward to this. I was. Why? Because of the name Paul Dini. Paul Dini! OK?.

Dini is an incredible writer. A huge force that most of his credibility came from working on the DCAU aka the Timmverse. Namely... "Batman Beyond: Return of the Joker". Just incredible stuff all around. So when I heard he was apart of this show, I was like, wow, I need to check this out. I knew he had partners but why would that matter when he's writing tons of scripts and is part of the writers room?

Yeahhhh. Basically, Greg, it's clear as day that he's not in charge of anything there. He's there in name only. His partners (Man of Action) are obviously running things. Every episode that I watched (stopped after episode 7 or so) was so over the top and ridiculous. A true insult to even little kids who watch it. The show is SO dumbed down and tries too hard to be funny. There's nothing worse than forced "humor".

My point? IF the talented writer isn't leading the pack then the show will never be what it could be. I just want to make sure that's not going to be the case for "Star Wars: Rebels". I'm about to invest a whole bunch of money to get into the Star Wars universe. Believe it or not, growing up, I never really got into the Star Wars craze. I didn't. I've seen the movies when I was little but don't really remember much. I went to the movies to see Episode One and that was all right. I just never really gave it a proper chance. I feel I can get a better enjoyment out of it today, though. I'm actually looking forward to it.

Just know, I'm mainly doing this for YOU. To fully get myself well versed in the Star Wars universe and prepared for Rebels. I'm going to buy the complete saga of Star Wars on Blu-ray and then I will pick up the CGI Clone Wars animated series as well. I want to be ready for this.

That's why I need to know, Greg, will Rebels be another "Ultimate Spider-Man"? or will it be the QUALITY of a "Young Justice"? Who's truly in charge? Who's the head booker? I hope it's you and I hope Rebels will be everything it can be and should be.

May the force be with you, man.


Greg responds...

Okay, let's start here: EVERYONE ELSE DID NOT WORK UNDER ME.

I had PARTNERS, not minions.

Frank Paur was a full partner on Gargoyles. I was NOT his boss.

Vic Cook was a full partner on Spectacular Spider-Man. I was NOT his boss.

Brandon Vietti was a full partner on Young Justice. I was NOT his boss.

I have two partners on Star Wars Rebels, Dave Filoni and Simon Kinberg. I am NOT their bosses. I'm flattered that you think so highly of me, truly. But by overstating my contribution/authority, you're being misleading and unintentionally dishonest. It's a collaborative medium. And THANK GOD for that.

I haven't seen "Ultimate Spider-Man". That's not a value judgement. I just haven't watched it. So I have no comment on it at all.

And, yes, I get that you're not trying to insult us here. But then please just think about what you're asking for just a moment. Do you really think we'd set out to make a BAD show? What exactly do you expect me to say to that?

"Why, yes, actually. We were hoping it would suck."

I mean, seriously.

EVERYONE involved in it, myself included, is doing his or her absolute best to bring you a terrific Star Wars series. If that's not enough, I don't know what to tell you. Because I'm NOT the "head booker" (whatever the heck that means). As with every series I've ever produced, I'm simply part of the team.

Response recorded on April 07, 2014

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Anonymous writes...

I think you once hinted that you "didn't get enough episodes" to do a musical episode of The Spectacular Spider-Man. Was a musical episode part of your 5 season plan? And if so, which season did you plan to include it in: 3, 4 or 5?

Greg responds...

The musical episode aired only once before being retooled for Broadway by Bono.


Response recorded on April 01, 2014

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Well, I'm about to head out of town to tour colleges with my wife Beth and my son Benny...

But before I go, here are a couple of podcasts to keep you entertained...

On the first, I discuss everything from Gargoyles to Rain of the Ghosts.


On the second, the focus is on the development and first episode of The Spectacular Spider-Man:


Had fun doing both! Hope you like 'em!

I'll be back at ASK GREG on April Fools Day!

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Anonymous writes...

Hi Greg, a quick question about The Spectacular Spider-Man. I believe you've said in the past that your plan was to do 5 seasons which would culminate in Peter's high school graduation. The thing is though, since Peter was still in his first year at the end of season 2, I'm wondering how you would have managed to reach the graduation by the end of season 5. Would you have skipped over the Summer holidays to accomplish this?

If season 1 was September to November, and season 2 was December to early March, and if each month of the Summer were to still get the usual 3-4 episode coverage, then logically a 65 episode, 5 season run would not quite reach the end of Peter's second year, so I'm wondering whether you were thinking of skipping over things like the Summer holidays to reach your goal?

Greg responds...

The following was our pie-in-the sky hope:

We wanted to do a direct-to-DVD Spring Break movie between Season Two and Season Three, set in Florida. If that was not approved, it would have been incorporated into Season Three.

We also wanted to do another direct-to-DVD movie to cover Pete's summer vacation between Junior and Senior year (and also between Season Three and Season Four).

We then felt we could cover Pete's senior year over Seasons Four and Five, with at least one more movie between those two seasons.

And then we'd follow up the series with a series of movies covering his college years, etc.

If the movies hadn't been approved, then the series would have gone on for more seasons (in this hypothetical scenario) so that we could cover the same ground on television.

Of course, none of this was to be...

Response recorded on March 21, 2014

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Peter P writes...

Spidey's a pretty skinny dude at the beginning of your series which is great since it makes him more relatable as our underdog hero. I was wondering though, was your Idea of his gradual growth going to reflect in the physical aspect as we'll with his muscles growing larger and him getting gradually taller as well?

Greg responds...

We talked about him getting a little bigger and taller, but Vic and Cheeks and I all agreed that Spidey works better chiseled and honed, not buff or ripped.

Response recorded on March 21, 2014

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Johnny Bond writes...

I was wondering what aspects of Peter and Mary Jane's characters would lead them to becoming closer together if Stan Lee as well as you believed that Gwen was always the perfect girl for Peter.

Greg responds...

Keep wondering...

Response recorded on March 20, 2014

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Diversity in pop culture has always been an issue that concerns me greatly. I've tried to do my share to increase diversity on series like Gargoyles, W.I.T.C.H., The Spectacular Spider-Man and Young Justice.

Now, that I've entered the world of publishing, my sister Robyn brought this article to my attention:


The article asks valid questions, and - yes, to toot my own horn - I'm going to provide at least a piece of the answer with my new books, Rain of the Ghosts and Spirits of Ash and Foam. Both feature protagonists of color. Rain Cacique is Native American, as is her grandfather Sebastian Bohique. Her best friends are Charlie Dauphin, who's African American and Miranda Guerrero, who is Hispanic-American. Many - if not most - of the other characters are also of color. This reflects the Caribbean setting of the novels, i.e. the fictional Ghost Keys and the actual mythology of that region.

The books are available here:


and here:


I urge you to check them out, and to suggest them at schools and libraries.

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Carlito writes...

What was your reason to initially have MJ be a "free agent" and then suddenly be into Mark?

Greg responds...

Seemed to fit.

Response recorded on March 13, 2014

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Tahu writes...

How does the Rhino perform basic bodily functions such as excretion if he's sealed in the suit?

Greg responds...

The functionality is built-in, like in an astronaut's suit. Waste is secreted incrementally through the soles of the feet.

Response recorded on March 13, 2014

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Giant Boy writes...

I've been rewatching The Spectacular Spider-Man, mostly the second season so far, and decided to rewatch "Subtext".

I really like Molten Man's character and looked him up. I also by chance happened to come across Blackie Gaxton in Betty Brant's page on the Spider-ManWiki.

It said that her brother was put in a similar situation with Blackie that ended similar to what happened between Spidey, Mark, and Liz in "Subtext".

After thinking about it, I'd have to say it was brilliant that you decided to do that story with Mark and Liz, whether or not Betty's brother would have appeared since Molten Man had his story.

Looking foward to Young Justice Legacy, Rain of Ghosts, and Star Wars Rebels.

Greg responds...

Yeah, we conflated Betty's brother with Liz's half-brother.

And by now, I assume you have YJ Legacy and Rain. What did you think?

Response recorded on March 12, 2014

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Giant Boy writes...

In the non-canonical Spectacular Spider-Man/Gargoyles three act radio play crossover, was Mary Jane Watson starting to fall in love with Peter?

By the way, enjoyed reading the script for the radio play. It was amusing.

PETER: That was almost the Look! :D

Greg responds...

Not particularly.

Response recorded on March 12, 2014

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DanM writes...

Hey Greg... DanM again...
No stories just questions now.
1 - In Rebels is the Producer title of yours a Glorified Title once more or are this the real deal?
2 - In developing characters. Do YOU ever consider how a character name would sound in another lenguage, when you are in the process of naming them? (I ask this because of Count Dooku. Here in Brasil he was renamed Count Dookan, 'cause phonetically speaking it sounds to us as "From a**h*le").
3 - About the toyline. Do the show producers have any say in the development of the toy line? (Like approve or not the design, number of articulations, etc.. That kinda stuff...)
4 - Have you ever considered making a podcast about the show production, while producin it (now, that would be Rebels)?
Thats it for now.. Thanks again for your time

Greg responds...

1. I'm an Executive Producer on Star Wars Rebels. I'm not sure I know what you mean by "once more". I don't think any of my producer titles were "glorified" from my point of view. I did the work; I earned the credit. Sony and Warner Bros may not have needed me to truly produce either SPEC SPIDEY or YJ, but that doesn't mean I didn't produce them.

2. No.

3. No.

4. That's beyond my technical capacity. And I doubt that Lucasfilm would approve anyway.

Response recorded on March 04, 2014

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Stephen Murphy writes...

Hey Greg. First off just want to say I'm a big fan of your work I've loved everything you've done and I thank you for all your hard work. My favourite of your shows is Spectacular Spider-Man because for me anyway this series and Mark Webb's Amazing Spider-Man movies are what truly captured Spider-Man for me which is a teenage boy trying to balance out a duel identity that is Spider-Man to me and like everyone else I was sad it was cancelled but things happen. I'm a big Star Wars fan too so I look forward to your work on Star Wars Rebels next year. I actually watched the interview you did with The Everything Geek podcast and it was very fascinating to listen too. I'm also a good friend of the people who run the podcast so seeing some of my friends interview one of my inspirations as a writer was cool to me. Anyway onto my 3 questions all Spectacular Spider-Man related:

1. What was it like getting the voice cast together and finding the right voices for these characters?

2. Were there any actors you had already considered to voice a new character for Season 3 before the show was cancelled?

3. Were there any actors you wanted for the show but were unable to get so they were replaced by someone else?

Anyway thank you for your time Greg. Can't wait for Rebels and whatever work you do next

~Stephen Murphy

Greg responds...

1. A dream, really. We held a ton of auditions for a huge quantity of characters, but there wasn't any real disagreement. Myself, Vic Cook, Jamie Thomason and executives at Sony, Marvel and Kids WB all loved the cast we chose.

2. We didn't get that far.

3. Well, the obvious was Keith David, who was originally our Big Man but then became unavailable. But we think Kevin Michael Richardson did a great job too.

Response recorded on February 20, 2014

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SBlueMonkey writes...

Hello Mr. Weisman,

You've shared some of the pitches for Gargoyles spin offs such as Dark Ages and 2198 without potentially spoiling anything if they ever get a shot at being made. Would you ever do the same with the bibles for Spectacular Spider-Man and Young Justice? That would make for fun reading, but if they contain anything you wouldn't want judged out of context it's understandable why not.

Greg responds...

I'm not ruling out the possibility.

Response recorded on February 20, 2014

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Aaron writes...

I've noticed you've refused (repeatedly) to confirm or deny whether Cletus Kasady would have eventually become Carnage in The Spectacular Spider-Man, but can you reveal what he was talking about during his cameo in the group therapy in "Reinforcement"?

Greg responds...

Probably his desire to kill.

Response recorded on February 07, 2014

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cyber-xanatos writes...

I was wondering back then some one asked a question about the spectular universe specifically what heroes were active and you answered that this took place a few months or years before donald blake found mjolnir but you were mum on anyone else i was wondering was the Fantastic Four active

Greg responds...

I don't think I was mum. The Fantastic Four were active, but dealing with threats on a much larger scale. Ant-Man was active but was very much under the radar. The Hulk was jumping around the American Southwest, more legend than anything. Professor X had just opened his school, but only had two students so far, Scott and Hank.

Thor didn't have his hammer back yet. Tony Stark had not yet been injured. Namor was still a bum. Captain America was still frozen. (I felt that Uncle Ben had a big collection of World War II Captain America memorabilia in the attic, which in part inspired Peter to put on a costume in the first place.)

Had we been given our druthers, we definitely had planned to have a Human Torch guest appearance. (Always loved the Johnny/Pete dynamic.) And eventually some of the others. Though, as I stated before, we never planned to make it a Marvel Team-Up show. Maybe one big guest star per season.

Response recorded on February 05, 2014

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NoOneSpecial writes...

1.After the events of Identity Crisis, did the general public become aware that it was venom who was behind the crimes as the black suited spider man?
2.How could Gwen remain so obilvous to the growing hostility between peter and eddie? I mean she saw immediataley that something was wrong with harry, so why couldn't she see what was happening to eddie? How does she feel about eddie's mental breakdown?
3.Is anyone aside from peter and eddie aware of what happened to the symbiote since it disappeared from conners lab?

Greg responds...

1. Basically.

2. She's concerned for Eddie. I think it's fairly clear that she knew something was wrong, but I don't think it ever occurred to her that he was Venom, until maybe after Identity Crisis.

3. It's been a while. I'd have to think about it.

Response recorded on January 28, 2014

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Laura 'as astra' Sack writes...

Now that I've posted all my episode thoughts...(in theory I still plan on doing the same on the comics, but...) I want to say thank you for the series in general. (I'd go into details, but it seems redundant after posting all those responses.) I've thoroughly enjoyed it in all its parts. Well, by the time you read this the video game will be out. [Yep!] I probably will have to sit it out. Pathetic as it is, I have to admit to some motion sickness from a lot of video games. I'm assuming I'll be able to get some pretty detailed descriptions from the good folks here. I hope that there will be other continuations as well. (Also good luck on your new Star Wars series.)

I have to admit to more than a little annoyance that another show I enjoy is canceled, but also some confusion. If I understand correctly one of the major factors, if not the major factor in the cancellation is that the merchandise didn't sell as well as they companies had hoped. Good viewership numbers are almost inconsequential. If this is true, (big if, I admit), I don't understand the business model. Why continue making cartoons targeting the older demographic at all? I know the show aimed for a broad audience, but it aimed for each part directly. A lot of cartoons aim themselves at kids directly, and place bonus references and jokes for the older viewers. I've loved many shows like that. But the complexity of characters and plots in shows like Young Justice is not a bonus for older viewers, it is integral. (IMHO) A relationship like, for example, Guardian and Bumblebee is more relateable to a college or adult viewer than a kid. (I would have gone to Babs and Dick, but that was mainly expanded upon in the comics.) A kid would gravitate to the first season romances, or the M'gan/L'gan/Conner triangle. All the relationships were interesting and important to the show, and none were simple, it's just different parts resonant (from experience or at least plot type familiarity) better to different age sets. (Or for out of YJ examples- In Green Lantern- the complexity of Razor and Ia's relationship- given his past lost love, her resemblance, his survivor guilt and rage issues and her ultimate sacrifice is not something that targets the younger viewers of the show. They'll just accept the two are a couple and enjoy the fight scenes. It was perhaps more integral to the show than any Hal based plot. In Tron the entire looks of the show was aimed older, high teens and 20s would be my guess, and not particularly conducive to action figures to my eye.)

Older fans are less likely to buy toys, (or have toys bought for them), but they also have control over their own finances to buy what is actually advertised during broadcast. Between the 24 hour cable tv cycle and dvrs, grown ups will be watching when kids can't, allowing for targeted ads of the none happy meal/stompies/pillow pet variety. (For the record, my 4.5 year old adores her stompies. ~she's 5 now~) I get that a franchise like DC or Marvel or Star Wars can expect some cross product sales, and even a show not squarely aimed at a small kid can have a cool iconic action figure that sells well. But no one expects Smallville or Arrow to survive on toy and apparel sales, they stays on air based on the number and demographics of viewers, just like Birds of Prey did not last for the same reason. Have cartoons, or at least the beautifully animated ones, become loss leaders for merchandise like comics have become loss leaders for movies? And is that a reasonable burden to place on a show that does not squarely target the audience that will buy those toys? Is a high level video game an attempt to tap into an action figure equivalent of older viewers?

I don't want to turn this into a rant about how annoyed I am that YJ was canceled....er, not renewed. I will admit to being mightily confused why DC Nation isn't aiming to expand into more than an hour of programming. I just assumed it was planned to become a 2 or 3 hour block like the old Disney Afternoon, with perhaps a rotating stable of shows. But I am interested on your more insider insight on what the none creative aims are when a new cartoon is unleashed upon the world nowadays and whether they are reasonable. Thanks,

Greg responds...

I think one thing to keep in mind is ratings these days are NOT what they used to be.

Ducktales was a ratings smash. It made it's money by itself. Any merchandising was gravy.

Our numbers on Gargoyles, back in the day, puts the ratings of many of today's quote-unquote top-rated animated series to shame. (And Gargoyles was a hit, but never a home run, ratings-wise. Just a single or double.)

So with lower numbers overall, that means less income is coming in from advertising. Meanwhile, the costs of production have either held steady or gone up. That's pretty simple math, isn't it?

So to pay for the production of these shows, you're counting on other streams of revenue to balance the books - and for an action show that mostly means TOYS.

So if the toys don't sell - for whatever reason - how do you pay for the series?

Whether that's reasonable or not is somewhat immaterial. It's just the cold, hard truth of the situation.

So EVERY show I've ever been asked to produce has a core target that it's trying to reach, and usually that's BOYS 6-11, because the belief is (whether you agree or not) that Boys 6-11 drive toy sales for action figures. Doesn't mean the networks object to other demographics (girls or younger kids or older kids, tweens, teens and adults) ALSO watching. But you still have to hit the target.

Picture it like a bullseye. Concentric circles. You MUST hit the center. But hopefully in hitting that sweet spot, you are also reaching the other demos. Back on Gargoyles, I was farely successful at hitting that target audience AND reaching other demos too. And that has always been my goal on these shows. We didn't quite manage it on W.I.T.C.H. We did on Spectacular Spider-Man. And our success was mixed on Young Justice. Ratings were decent overall (by today's standards though not by any absolute standard at all), but our ratings in our target demo were inconsistent at best. (We could go on forever about why, but it doesn't change the FACT of the numbers.)

Throw in Mattel's decision to abandon their YJ line (again, without going into the reasons behind it), and frankly it's no surprise we weren't renewed.

Because how could Warner Bros afford to make it?

After experimenting for two seasons and 46 episodes of YJ, why wouldn't they take the chance on something new that might bring in more money? Or at least pay its own way?

Frankly, we need a new business model. But the studios haven't landed on one that works yet. So they still chase hits.

Response recorded on January 10, 2014

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Avi writes...

1. You write strong female characters with skill(Demona, Gwen, MJ, Artemis, ETC). Since women can be portrayed weak sometimes, how do you do it?
2. Other than Stan Lee's run with Romita and Ditko, what era of Spider-man comics did you enjoyed reading the most?
3. What is your opinion on Spider-man: Kraven's Last Hunt, by JM Dematteis? Most people generally like it but others think it may have been too dark for Spider-man (Dematteis was actually going to have the story be a Batman and Joker story at first)

Thanks for the amazing shows! Spectacular Spider-man (I was looking forward to Season 3-5 and DTV's) was absolutely amazing along with Young Justice (I was so looking forward to the next season). I am only up to Avalon part 1, but Gargoyles has been tremendously fun to watch so far. I don't love Star Wars, but Rebels seems great so far and I can't wait. You are an inspiration to me. Thank you.

Greg responds...

1. I like to think I've portrayed some female characters as strong and others as weak. Some who stay strong, some who weaken. Some who stay weak, some who gain in strength. As to the 'how'… I don't have a magic formula. I'm sure it helps that I've always known, loved, admired and respected strong women all my life, starting with my mom. But really, I don't know any other way to do it.

2. There was some fun stuff for me in the 80s.

3. I haven't read it.

Response recorded on January 08, 2014

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Endless Strategy writes...

Does Sandman age or contract disease?

Greg responds...

We talkin' Spectacular Spider-Man's Sandman? If so, it's too soon to know.

Response recorded on January 07, 2014

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Anonymous writes...

On TSSM Doc Ock represented the top of the super villain chain, Tombstone the mobsters and Venom was the personal nemesis. Naturally Green Gosborn combined all these elements and worked within them, is that he was the Biggest Bad?

Greg responds...

I'm not exactly sure what you're asking here. But I don't feel the need to rank things arbitrarily. GG is certainly Big Bad enough.

Response recorded on December 13, 2013

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Anonymous writes...

Hello, Can you tell me who is the interpreter of ''Ella Mi Fu Rapita'' in Gangland? I loved much that voice

Greg responds...

I don't know. I'm sorry.

Response recorded on December 06, 2013

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Voice Acting Fan writes...

Dear Greg:

Thank you for answering my previous questions!

You have made reference to SAG before, so presumably Young Justice has to abide by SAG rules or get boycotted. I have a few questions related to this and the voice acting part of the production process:

1. How do the voice talent get paid? A flat rate? Are they paid by the hour? By the line? By the episode? Or some variable rate?

2. When you voiced Lucas Carr, did you have to join the SAG union? Or is production allowed to hire non-SAG personnel as long as they pay them differently?

3. You have stated that getting a second character out of an actor entails no added costs. Since it is free, I am wondering why a few actors (Jesse McCartney comes to mind) doesn't get to voice a character other than Dick Grayson. Was it a matter of actor preference, producer preference, or a mix of the two?

4. How long does a typical recording session last? Do you sit in throughout the whole session, or leave it up to the voice director? How many episode(s) are typically recorded in a sitting?

5. When one of the voice actors sing a song (Reach for a Reach, Hello Megan), they get separately credited. Is this subject to a different rate, or is the singing part simply added as a "character" in determining pay?

Thank you, and I hope by the time you are reading this, you've already got several gigs lined up!

Greg responds...

0. I'm not sure "boycot" is the correct word. The major studios sign contracts with SAG, that prohibits them from contracting non-SAG labor for their acting needs. They can get around this by SUB-contracting, but most don't on major projects.

1. I don't want to speak for EVERY show. In my experience, a voice actor gets paid a flat fee for four hours of work and up to two character voices. For a tiny additional fee, you can get a third voice. But this holds per episode. So for example, even if you could record one guy playing four roles over two episodes in a single four hour session, you'd still owe him two payments. The fee is negotiable, as long as it's above union minimum. But most series pay the union minimum plus 10% and have favored nation clauses in their contracts, which prohibits them from giving any individual actor a raise without simultaneously giving raises to EVERY actor on the series.

2. I first joined SAG to play Donald Menken on Spectacular Spider-Man, and am still a member in good-standing. No union shop can hire non-union actors.

3. Well, Jesse often DID voice additional characters, like Thug #2 or whatever. But generally, there are some actors who have the ability to change their voice enough that they can convincingly play multiple characters without the audience balking. Others really - as talented as they are as performers - only have their own voice.

4. Sessions typically go three to four hours. But often we'll be there all day. We can only keep each individual actor for four hours without incurring overtime, but we could start one actor at 10am and have him until 2pm. And we could start another actor at noon, and have her until 4pm. And a third at 1pm and keep him until 5pm. That way, we have overlap to record their scenes together, but we also have more time to get everything done.

5. Singing is a separate rate. And it's also an additional character, unless they are singing IN CHARACTER. That is, if Nightwing suddenly burst into song, we'd have to pay an additional fee to Jesse for his singing. But we wouldn't have to count that as a second character (or third, since he's also doing Thug #2).

Response recorded on December 06, 2013

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Everything Geek Podcast INTERVIEW

I was interviewed on the Everything Geek Podcast here:


I discuss my "secret origins", The Spectacular Spider-Man, Gargoyles, Star Wars Rebels, Young Justice and more.

Check it out!

(But of course I totally forgot to mention Rain of the Ghosts at all, darnit!)

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FallenLegend writes...

Hello greg

You previously said that you don't like gran finales and you don't intend to really give closure to any of your shows/stories. Not even gargoyles that as you described it is your "baby" even if you don't own it.

Does that mean that we will always get cliffhanger endings from your tv show when they get canceled?

What about your new book series, will it end in a cliffhanger too?

As much as I am a fan of your stories Greg, It feels empty not to have any closure at all.

No offense but basic story telling has beginning-conflict-resolution and as fans we never get to see a resolution of the overall plot.

I mean having an ending that gives the illusion that "the story never truly ends" is great (that's not what I am critical of).

But I think that not having an ending that acknowledges that the story has to end for real life reasons(maybe becuase you simply can't write stories forever, becuase you aren't getting more episodes, becuase you have to move on etc)... is disrespectuful to your fans that expect to have a complete story.

Take JLU unlimited ending. It even ended with wonderwoman saying "...and the adventure continues" and even left two unresolved plot points, But at the same time it ended the main plots and acted as a send off/good bye to it's fans and it didn't feel empty.

Sorry for being so critical, you are a big inspiration and even if I don't agree with you always I think you are a fantastic story teller (an inspiration for me in fct) and I am planing on buying our new book.

Greg responds...

I NEVER leave a season with a cliffhanger.

I ALWAYS leave a season with open-ended closure.

I don't mean to sound disrespectful to you or any of my fans, but that's how my mind works. If you don't like it, I can't really help you, because you'd be asking me to change the way I tell stories.

But perhaps we're not so far apart. You cite the JLU ending, which I haven't seen. But you state that, in essence, it has open-ended closure, even noting it had unresolved plot points. That's EXACTLY what I do at the end of EVERY season. Not everything is going to be tied up into a neat knot, but every major plot point of that season will be, as happened at the end of Gargoyles, WITCH, Spectacular Spider-Man and Young Justice.

So what exactly are you looking for from me that's any different?

And thank you for buying RAIN OF THE GHOSTS. It's much appreciated! Sincerely!!

Response recorded on November 26, 2013

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ANIME VEGAS 2013 - Corrected Schedule

Let's try this again with the correct dates:

As I've mentioned before, I'm a guest at ANIME VEGAS this weekend, November 1-3rd, 2013, at the Renaissance Hotel in Las Vegas, Nevada:


Here's my schedule:

01:00pm - 02:00pm - OPENING CEREMONIES
Cosplay Ballroom.

02:00pm - 03:30pm - GARGOYLES/THE SPECTACULAR SPIDER-MAN Panel and Signing
Cosplay Ballroom.

05:00pm - 06:30pm - YOUNG JUSTICE Panel and Signing
Paramount Room with Yuri Lowenthal, the voice of Lagoon Boy, Tempest, Icicle Jr. and Tommy Terror.

06:30pm - 08:00pm - IKKI TOUSEN Panel and Signing
Paramount Room with New Generation Pictures Voice Director and Producer Jonathan Klein.

10:00am - 11:30am - "WRITER'S ROOM" Panel and Signing
Summit Room.

06:30pm - 07:30pm - SIGNING
Summit Room with Jonathan Klein.

09:00am - 10:30am - 3X3 EYES SCREENING, Panel and Signing
Paramount Room with Jonathan Klein.

10:30am - 11:30am - VOICE DIRECTING Panel
Paramount Room with Jonathan Klein.

12:30pm - 01:00pm - SIGNING
Paramount Room with Jonathan Klein.

As you can see, I'm doing a LOT of signing. I'll sign anything you bring along for free. But I'm also bringing a single copy of EVERY one of my Young Justice teleplays (i.e. the ones that I personally wrote), which I'll be selling for $20 per script (cash only) - autographed and personalized to the buyer's taste - on a first-come, first-serve basis, starting with the Young Justice signing at 6pm Friday evening.
So if you're in the vicinity, plan to be there. As you all know, I'm not big on SPOILERS, but I'm WAY, WAY more likely to tease a few things in person than I am on either Twitter or here. So come and be (slightly) better informed!!!

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Anime Vegas - Schedule!

As I've mentioned before, I'll be a guest at ANIME VEGAS this weekend, November 1-3rd, 2013, at the Renaissance Hotel in Las Vegas, Nevada:


Here's my schedule:

01:00pm - 02:00pm - OPENING CEREMONIES
Cosplay Ballroom

Cosplay Ballroom

05:00pm - 06:30pm - YOUNG JUSTICE PANEL and SIGNING
Paramount Room with Yuri Lowenthal, the voice of Lagoon Boy, Tempest, Icicle Jr. and Tommy Terror.

06:30pm - 08:00pm - IKKI TOUSEN PANEL and SIGNING
Paramount Room with New Generation Pictures Voice Director and Producer Jonathan Klein

10:00am - 11:30am - "WRITER'S ROOM" PANEL and SIGNING
Summit Room

06:30pm - 07:30pm - SIGNING
Summit Room with Jonathan Klein

09:00am - 10:30am - 3X3 EYES SCREENING, PANEL and SIGNING
Paramount Room with Jonathan Klein

10:30am - 11:30am - VOICE DIRECTING
Paramount Room with Jonathan Klein

12:30pm - 01:00pm - SIGNING
Paramount Room with Jonathan Klein

As you can see, I'm doing a LOT of signing. I'll sign anything you bring along for free. But I'm also bringing a single copy of EVERY one of my Young Justice teleplays (i.e. the ones that I personally wrote), which I'll be selling for $20 per script (cash only) - autographed and personalized to the buyer's taste - on a first-come, first-serve basis, starting with the Young Justice signing at 6pm Friday evening.

So if you're in the vicinity, plan to be there. As you all know, I'm not big on SPOILERS, but I'm WAY, WAY more likely to tease a few things in person than I am on either Twitter or here. So come and be (slightly) better informed!!!

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Nicky Wan writes...

With the 5th anniversary of "The Spectacular Spider-Man" series I thought I'd ask another question especially since it's been about 4 years since I last asked one. Even now it's not possible to buy a disc copy of season 2 in the UK.

1. Is there anyone or group that fans could lobby in regard to having the series released properly e.g. a complete boxset or even better an HD release?

2. Similarly is there anyone or group fans could lobby in regard to releasing some of the behind-the-scenes footage that was recorded? I noted while reading some of your responses that they had asked you guys to record things but it was never used and it would be a shame for this to never see the light of day.

I hope you're keeping well. I loved the Young Justice series and was sorry to see that one stop too!

Greg responds...

1. I don't know.

2. Ditto.

Sorry. The folks I worked for at Sony aren't even there anymore. I wouldn't know who to contact.

Response recorded on September 19, 2013

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Anonymous writes...

This isn't a question, but I felt I had to write about this. I just saw your post about the site 'kickstarters' and I just want to assure you that I, at least, would DEFINATELY throw money at any of the three shows you mentioned (Gargoyles, Spectacular and Young Justice). Initiatives like that, where audience and creator 'cuts out the middleman' have always been my vision for the future of entertainment. Your shows in particular would have top priority for me.

Greg responds...


Unfortunately, I think Veronica Mars is proving the exception to the rule. Studios don't seem too anxious to go this route with properties they own and control.

Response recorded on September 18, 2013

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Anayeti writes...

Hello greg,

Two words to say about young justice episode summit:Intense & Incredible!! However, words cannot do justice on how good that episode really is!! Summit was full of surprises!!

Although, i have a few questions as well:

How did the light know about the reach and the scarab?

When did the light became aware of the meta-gene? Cause that's what their goal is about; evolving.

Why did the reach abduct young people?

Plus, i loved how you brought diversity to spectacular spiderman! :).

Also, i hope you, brandon and team can comeback to young justice!! I fully support the 5 year gap, its about growing up, its so realistic. Dc comics should do a comic based on the earth-16 you created!! You successfully reinvented the superheroes by combing old elements from the comics along with new elements and original ideas!! I salute you for that!!

Greg responds...

In the future, please number your questions.

1. They have various alliances.

2. Some time ago.

3. To experiment on them. (This was STATED in the series.)

4. Um, thanks.

5. And thanks again!

Response recorded on September 09, 2013

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blacksuitspider43 writes...

Hi Greg,
What do you think of the Ultimate Spider-Man TV series?Honestly I am not to impressed even though I tried to give it a chance. I hate how the creators say it is for kids but that isn't an excuse for a poor qaulity tv series. I loved what you did with Spectacular Spider-Man bceuase you made the characters seem real and have devlopment. I fell in love with all the characters in way I never thought I would with a cartoon. Your series also didn't shy away with having some mature themes and plotlines but without making it to intense for kids. That is why I don't like USM because there is zero countiation o episodes and the characters are boring and have no development. The series is also doesn't seem like Spider-Man because the humor is forced unlike SSM where the humor comes natural and was funny. His humor in USM is more like deadpool than Spider-Man because he always breaks the fourth wall. So I really don't get why the creators think it is all right to dumb done a tv series because kids are not stupid they are smart and can enjoy good stories and characters. So what are your thougts?

Greg responds...

I haven't seen it. On purpose. If it's great, I'd just be very jealous. If not, it would just make me crazy. So, you see, there's no upside for me in watching.

I do know that there are a LOT of great creators working on it. So I'm guessing that if I did watch it, I'd be jealous not crazy.

Response recorded on August 09, 2013

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webslinger4ever writes...

What your favorite incarnation of Spider-Man besides the comic version? So that would be cartoon or movie.

Greg responds...

Is it horrible if I admit that it's The Spectacular Spider-Man?

Response recorded on July 11, 2013

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GARGOYLES NEWS - DVDS and CONvergence/Gathering

Well, I've been out of the country and OUT OF THE LOOP, but we have some REALLY BIG news on the GARGOYLES front.

Season Two, Volume Two of Gargoyles has been released on DVD as a Disney Movie Club exclusive. I haven't seen it yet, but I'm planning on getting at least a couple copies, as I'm told by reliable fan sources who have already received their disks that these are the uncut and correct versions of the last twenty-six episodes of Season Two, including such fan favorites as "M.I.A.", Future Tense" and all three parts of "Hunter's Moon".

Wish I knew more. I've e-mailed a Disney contact for more info but haven't received a response yet. But you can probably find all the information you need by asking the fans in the comment room:


Anyway, as always, I'm not asking you to spend money you don't have. But if you can afford it, please help us prove to Disney that Gargoyles is a viable property with a strong fanbase. You can do that in two important ways. (1) Buy the DVDs, of course. And (2) SPREAD THE WORD! Use Tumbler, Twitter, Pony Express, whatever. Just help us let people know that these DVDs exist and are out there for sale.


I was waiting until CONvergence was over on Sunday to announce this, but it seems they've already made the announcement here:


Next summer, one of my favorite conventions, CONVERGENCE in Minneapolis, will be dedicating their annual convention to the theme of "A Midsummer Night's Dream". And a major part of that theme will be the celebration of the TWENTIETH ANNIVERSARY OF GARGOYLES!!! I'm going to be a guest of the convention, and we've already begun discussions to create a Gargoyles convention within the convention. That's right, folks, the GATHERING OF THE GARGOYLES is back!! There will be a RADIO PLAY! There will be a BLUE MUG!! There will be the ROCKY HORROR GARGOYLES SHOW-ING OF THE TRADITIONAL VIDEOS!! There will be ASK GREG LIVE!! And there will be other Gargoyles related guests to be announced!!!

If you came to any one of the thirteen Gatherings that we held between 1997 and 2009, you know how much fun this can be. You'll want to be there again! If you missed the Gatherings and always wished you had had the opportunity, now is your chance! If you've never heard of the Gathering, but like Gargoyles (or any of the other shows I've done or am doing - including W.I.T.C.H., Spectacular Spider-Man, Young Justice, Rain of the Ghosts and/or Star Wars Rebels, etc.) then this is an opportunity to talk with me and other like-minded fans about them. (We'll probably have panels on them all!)

And if you're interested in just attending a great comic book and science fiction and fantasy and genre convention, then Gargoyles aside, you just can't beat CONvergence:


The camaraderie of the Gatherings was truly something wonderful, and the closest I've ever come to that outside the Gatherings is CONvergence. I honestly can't think of a better con to merge with, even if it's just for one year. (For starters, the ENTIRE hotel is rented to the convention, and the parties go on all night. No more being told by management that we have to stop talking and/or move to some other location. We can and will continue until we drop!)

Now, let's think. Let's strategize. CONvergence is going on NOW. As I type this. And it will last through the end of this July 4th weekend. Next year's convention is exactly one year away. That's plenty of time to plan, to save up money, make travel and hotel arrangements etc. But mostly, what we've got to do in that year is SPREAD THE WORD!!! I want to see a HUGE GARGOYLE FAN TURNOUT at CONvergence 2014. Let's stun CONvergence, the world and DISNEY by showing them how immensely popular Gargoyles still is. And for sure, I don't want any Gargoyles fan saying, "Gee, I didn't hear about it."

So help me, please. I'm sure there are a lot of old fans out there that long ago stopped reading ASK GREG. Contact them. Contact EVERY Gargoyles fan you know, young and/or old. (Don't assume they must already know.) I want to see all my old friends. And a lot of new ones. So, please. Help me. SPREAD. THE. WORD!!!!!!

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Whedonite writes...

I loved your Spectacular Spider-Man TV series. It was far by the BEST interpretation I've seen of Spdier-Man in any of the movies/Televison

1. have you seen The Amazing Spider-Man? Did you notice the little elements they used from SpecSpidey? Like the satchel and the blue shirt? What are your thoughts on that?

2. Would you work on a Spider-Man or a MARVEL show in general again?

Greg responds...

1. I don't know if it's fair to cite the blue shirt. I mean, it's a blue shirt. You might as well say "shirt". Even the satchel is pushing it. I did notice little things that seemed to come from our series, but the operative word is SEEMED. Everyone is working off the same source material, so the notion that two groups of creators might independently come up with similar approaches makes a lot of sense.

2. I'd love to. I love those characters. All Marvel has to do is ask.

Response recorded on May 16, 2013

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TheSuperiorSpiderMan writes...

Were there other superheroes that existed in the Spectacular Spider-Man universe? Like, Avengers, Fantastic Four, X-Men etc.

Greg responds...

In theory, yes.

Not the Avengers, not yet. (If you mean as a team. Some of the individual members existed.)

The Fantastic Four were in business.

The X-Men had also not yet been formalized as a team. Though Professor X had recently opened his school.

I've answered this in more detail previously. Check the archives.

Response recorded on May 14, 2013

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Beck writes...

Hi Greg,
I was wondering in the final episode of SSM (final curtain) was that really Norman Osborn at the airport? I am so sad that the series never got it's third season it was such a good show, but because it was cancelled that cliffhanger will never be resolved.

Greg responds...

Yes. (Were you REALLY in doubt?)

Response recorded on May 06, 2013

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