A Station Eight Fan Web Site
You said before that there isn't any recorded, on camera footage of the voice actors for Young Justice. Why did you record behind the scenes stuff for The Spectacular Spider-Man but not for Young Justice?
The Sony folks recorded stuff and encouraged us to record stuff on Spidey. Then they didn't use any of it.
No one at Warners ever claimed they were going to use that kind of footage, and none was recorded or requested.
I'll leave it to you to decide which scenario is most frustrating.
Like many fans, I was deeply saddened to see Spectacular Spider-Man get cancelled after only two seasons. The show had so many good stories left to tell and really left a lot of open plot threads (Peter and Gwen's relationship, Norman Osborn's future plans, the Venom symboiote's whereabouts etc.) that were just begging to be explored.
With that in mind, have you given any thought to proposing a Spectacular Spider-Man comic book that would continue the storylines you and your creative team had planned? I know that you've gone this route with Gargoyles, and I think a Spectacular Spider-Man comic would really excite and satisfy fans who wanted to see where the series would have gone without incurring the expense of continuing the show (since I realize a lot of your talent has moved on to other projects -- incidentally love Lacey Chabert as Zatanna in Young Justice!). Marvel is already producing an Ultimate Spider-Man comic based on the new animated show -- would it really be out of the realm of possibility for them to produce a Spectacular Spider-Man comic and/or miniseries? After all, DC produced new issues of the Batman The Animated Series comic book, The Batman comic, and Batman the Brave and the Bold long after the cartoons were cancelled.
I did propose a Spectacular Spider-Man comic book, but Marvel didn't bite.
Hey again, Greg. Hopefully this question will catch you while you're at your office or Beverly Hills office, but I'm just dropping by a follow up inquiry about posting the SpecSpidey bible.
Sorry if I'm being a pest, I know by the time you read this you'll have slogged through a couple hundred questions about Red Tornado's shoe-size or the like since you answered my last question. Keep the faith, you're made of sterner stuff then I.
Sorry, I'm at Warner Bros. today. And I'm still not sure if I WANT to post the SpecSpidey bible.
Hey Greg it's me again and I was wondering
how did you get the role of spectacular spiderman.
You mean the job producing it?
I interviewed for it - like five times - and they chose me, I assume, based on the ideas I pitched them for it, all of which wound up in the show.
Or did you mean how did I get the role of Menken in SpecSpidey?
I cast myself.
1) Clancy Brown as Agent Faraday, and Faraday looks A LOT like George Stacy. Spectacular Spider-Man reference?
2) Parasite was working for Intergang. Does this say anything about the current whereabouts of Bruno Mannheim or Whisper A'Daire?
1. Not particularly. Again, keep in mind that the designs are done by Phil Bourassa under Brandon Vietti's art direction, and neither worked on SpecSpidey.
2. Not particularly.
Hi Mr. Weisman, I just wanted to give you props on developing one of the most interesting and creative superhero series on television. Young Justice is one of the greatest superhero series I've watched. I put it up there with the great Batman The Animated Series and all the Timmverse Shows. So, like I said before, I give you props and you are a extremely well versed writer and it's proof in your work. With the new Spider Man movie coming out soon, I've noticed it's very reminiscent of The Spectacular Spider man. At least in the case of turning Gwen into a potential love interest in High School, who both her and Pete intern somewhere. That's my first question, have you noticed that? My second question is regarding The Spectacular Spider Man. I'm in my Spidey Obsession phase and always turn to your show whenever I'm in that phase. Since there's not gonna be a Season 3 of the show, can you drop any potential storylines or where the show was gonna go after the finale of Season 2? I know this is really long, but I'm a huge fan and hope I can be as great of a writer as you are one day. Thank You Mr. Weisman for your time.
1. I did notice similarities, but we're all working off the same source material, so there are bound to be similarities.
2. ASKED AND ANSWERED.
Obviously I'm a huge fan of your work, since I'm, y'know, posting on your site. I've just been sitting and listening to your Spectacular Spider-Man podcast interviews, which are offering some "spectacular" insight (haha, ha).
You talk about Gwen Stacy being the first (one?) true love of Peter's life, and her incredible importance to him. You've also discussed your desire to adapt the feel and general story of the original comics as faithfully as possible. Given that Gwen is most famous for being killed by the Green Goblin, what does that mean for Gwen's future in the series? I'm not asking what your plans for the show were (I don't want spoilers, as some small part of me still hopes that somehow this show will have a future), but I'm wondering if you and the other writers were even considering including Gwen's death in the series. Would it warp the show's tone irreparably? Would it still be possible to write a fun-loving, wise-cracking Spider-Man after this? Would the CW/Disney allow this on a children's program?
Or did you and the other writers/producers decide upfront to veto the idea?
I understand how this could easily be seen as a spoiler request. I'm less curious about the potential plotline of future SSM episodes, and more wondering about the considerations you and your writing team take when adapting material from the comics, especially grittier, less-child-friendly stuff.
All I can say - or rather all I FEEL like saying - is that we had (pipe-dream) plans to do five 13-episode seasons that would have taken us through Peter's graduation from High School. After that, our hope was to do a series of Direct to DVD movies that would continue the story into Peter's college years and beyond.
Hey Greg. I wanted to let you know that I, and a large portion of the internet community, absolutely loved Spectacular Spider-Man. The show accurately portrayed who Peter Parker was, his troubles, his difficult choices, and his life as Spider-Man. Me, being a teen in high school, thought Peter was someone I could relate to, even though he had these extraordinary powers. Being able to relate to Peter Parker is something that should be constant (and for the most part, has been constant) in every Spider-Man story. I know I'm not the only one who thinks that the series should have went on for much longer. However, I know that the series' ending had to do with Disney/Marvel purchasing the animated series rights from Sony. Since this was pretty much out of your hands, I'm here to propose an idea.
Since the rights to the theme song, character designs, etc. for The Spectacular Spider-Man are locked by Sony, and you couldn't possibly resume the show even if you wanted to at Disney/Marvel, I suggest making, if you'd be fine with doing so, an INDEPENDENT episode (about 45 min. or an hour long)of The Spectacular Spider-Man and release it online. Sean Galloway could come back to do the designs, and you could get the voice actors who would agree to it back if the scheduling works in the favor of both parties. This is more than a scheduling thing than anything, when you're not busy with Young Justice and they're not busy with anything, but it may be able to work. And since it wouldn't be
released under the Sony or Marvel banner, and if you make it perfectly clear that it's a "fan film", no breach-in-contract would occur at all.
I'm sorry if I'm sounding selfish, but the show had a HUGE, HUGE fan base, and most of this HUGE fan base, when tuned in to watch Ultimate Spider-Man on Sunday, all cringed in unison (no offense to Marvel or anyone who likes the show). It just doesn't match the charm that your interpretation of Spider-Man had. So I would definitely like for you to take this into consideration. Would you be able to make an independent "final" episode of Spectacular Spider-Man exclusively for online, one that is a "fan film" of sorts? Thank you for your time.
Justin, it's just not up to me. I can't create a "fan film" with someone else's property.
For starters, who would pay for it? Even if I and everyone else involved were willing to donate services for free - which honestly I'm not - who would pay for the materials? None of us have the hundreds of thousands of dollars that it would take to do even one episode at the quality level you'd expect. And why would we want to produce something at a lower quality level? Why would you want to watch it at a lower quality level?
And that's aside from the fact, that I'd never be allowed to work for Marvel, Disney, Sony or probably any other studio again ever. I'm a pro. They know that. I can't make a fan film, stealing someone else's characters, and just get away with it.
For this to happen, Sony would have to make a deal with Marvel/Disney to do this - and then they'd have to reassemble the key players from the original cast and crew. I'd LOVE for this to happen, but I don't see that as realistic.
I mean, don't get me wrong. I'd love to do more SpecSpideys. But it's less likely than me doing more Gargoyles, even.
Wow! Is it hard to keep up with even the questions to post new ones. Thanks for reopening the queue!
Condolences on the lose of your Grandmother. I remember the months before my grandmother died how she had retreated into herself and was all but unrecognizable, than all of a sudden came back to herself for a week or two at the end. I still treasure it as a great gift that we were reminded who she was before the end. She was a good deal younger than 100 so we were not quite expecting the end, but I can understand what you mean by feeling that the person you love is already on the way somewhere else. I am glad you have so many years and so many wonderful memories to look back on.
1- I see someone already asked if you can explain some of the terms you used when you broke down the stages the of episodes in progress. He mentioned âonlineâ in particular. If you didnât already do so, can you also define âslugâ?
2- I know you prefer to record the voice actors together in conversation, unlike many other cartoons that record the voices in isolation. In live action tv and movies are recorded out of order, thatâs the most efficient way to use the sets and actors. Since there arenât sets for cartoons, and you prefer to have all the actors together anyway, are the scenes more or less recorded in order?
3- You mentioned in the past moments when stories just come together and surprise you- when the next event seems to announce herself, unplanned but seemingly totally organic to the story. Like when âOwen is Puck!â announced itself. Or when you kept hearing âThailogâ when the video was being rewound. Did you have any such moments for Spectacular Spiderman and the other shows you worked on? Have you had any with Young Justice yet? Can you share any if theyâve already happened?
4-One last question for this catch-all batch... what do you think of the new DC Nation shorts? Iâm not crazy about loosing the opening credits, but I love shorts and think it is an easy trade. I love that they are all different and playful and yet often also a series. My favorite so far is the one with Batgirl and Supergirl trying to convince Wonder Girl to âborrowâ Wonder Womanâs invisible jet. (Oddly I have become used to (and approve) on Dianna being portrayed as someone from another country, with a light to strong intonation of something foreign, but it never occurred to me the same would apply to Donna.)
Begin pontification: Iâve never loved the Teen Titan cartoon, (plenty to like, but never loved), but I love the fact it is turning up in the shorts. Back when Disney XD was Toon Disney I wondered why they didnât run shorts. (To be fair I didnât have a TiVO at the time and it was possible they were already running the âHave a Laughâ abridged classic shorts as well as Shaun the Sheep. But they werenât running any new material.) It seemed odd to me they were trying to compete with the Cartoon Networkâs reach into the older demographic and didnât, for instance, declare one night a week the 10 oâclock older folks movie night, (say a Miyazaki flik), and intersperse it with shorts- gorgeous, varied, counter expectation shorts like they gleefully did for Fantasia 2000. (I had the idea a long time ago.) If some of those shorts were back door pilots...great. It worked for the Simpsons They could have led to another late evening night of new programming of new shows. They couldnât compete with cheap nostalgic cartoons or crude adult ones because that just isnât Disney. Disney can never put out a Family Guy type show under the Disney label. Maybe they could do it on ABC, but not something with Disney in the name. (Even Miyazakiâs Princess Monenoke had to be released in the US under the Miramax label because a PG-13 cartoon would be problematic under the Disney label.) It a rather obvious route for a high end cartoon station to go and might have netted a few Oscars away from Pixar. Or perhaps more for Pixar. End pontification.
Of course it would have been an ideal place to run a little Gargoyle related short. :)
1. A "slug" is the section of action BETWEEN lines of dialogue. A "slugged board" is a board that's been timed, i.e. the time for each action has been calculated - and since each line of dialogue has also been timed - you have an exact length, and you know whether or not your episode is going to be long, short or right on the money. If it's long or short, we need to cut or pad to get it to time.
2. Generally, yes. But for example, I poked my head in at a recording on Monday for "Beware the Batman". And there was one actress at the record who was only in one scene, and it happened to be the last scene. So after the rehearsal, they recorded that last scene first, so that the actress wouldn't have to sit through the entire record. It's a courtesy thing. Other times, it may be a scheduling thing. But, again, generally, we record the whole episode from start to finish.
3. It happens all the time. I wish I could remember a specific example from Spidey, but nothing immediately comes to mind. And it's too soon to discuss this stuff on YJ.
4. I love DC NATION. Sincerely. I think some of the shorts have been great, and some have fallen a little flat, but in general, I LOVE the FACT that they're doing the shorts. I just wish they'd expand DC Nation to two hours or something.
5. I'm game for ANYTHING that brings me back to Gargoyles.
Hi Greg, first off I just wanted to say you're awesome. Spectacular Spider-man was THE best Spider-man cartoon/interpretation of all time and IMO the best superhero cartoon of all time (although YJ is now a close second for me). It still pains my heart that it didn't reach past a 2nd season. And despite not being interested when I originally heard about Young Justice, it's quickly become one of my favorites due to the awesome character development/continuity that seems to be your trademark. Having just seen the new Ultimate Spider-man (which I read you won't be watching), I can safely tell you that although it's not the complete crap-fest I thought it would be, it's nowhere near the level of greatness of Spectacular Spider-man.
So anyway, my question is actually about SpecSpider-man (and sorry if it was asked already, I went through as much of the 600+ search results as I could). Could you possibly go into the general idea of what we were going to get out of the next few seasons if it hadn't been cancelled? I know there's probably a thousand details you could give (which would be awesome), but was there any overall story concepts you had that were going to blow our minds? For instance, were we actually going to see Gwen Stacy die?
Thanks for reading even if you can't/don't want to answer.
ASKED AND ANSWERED. But thanks for the kind words.