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According to your timeline, Demona and Thailog were back in New York when Oberon put the city to sleep. Did Demona and Thailog fall asleep?
I'd think not.
My question didn't appear for some reason:
In one episode of Gargoyles ("High Noon", I think it was), Lexington is attempting to fix Coldstone. For a split second, the name "OTHELLO" appears on his laptop, is this a name that Xanatos (or possibly Lexington) gave to him for programming reasons (or possibly as a Project name?) or was it an easter egg that was not meant to be taken literally?
Mostly the latter.
In Avalon Part II, why do the Weird Sisters say they are "banished from [Avalon] by a magicians parlor tricks"? Did the magus do more than turn them into owls or was it part of Oberon's law?
Oberon's law kept them off the island. The Magus kept them at bay.
Something that I've always wondered about "Double Jeopardy"- when Xanatos and Owen are discussing who could have "abducted" Thailog, Xanatos explicitly lists a small number of enemies- and he uses that exact word- who could have pulled it off. Specifically, the three he names are Demona, Renard, and Macbeth. Now the first two are easy enough to understand- Demona is the enemy of all humanity and has a history with Xanatos personally, while Renard is his main business competitor- but so far as we've seen Xanatos and Macbeth have only met in person twice (once in "Enter Macbeth", when Mac was actually working for Xanatos, albeit for his own reasons, and once in "City of Stone" when Mac pretty much ignored Xanatos and focused all his efforts on Demona). So my question is- why does Xanatos consider Macbeth an enemy? Have they had an offscreen run-in that we never saw, presumably because it didn't concern the gargoyles, that would lead to this attitude, or is it just a case of Xanatos naturally being wary of someone with the resources and skills to pose a legitimate challenge to him? Or is there some other reason?
I think they've been at odds -- and he feels Macbeth has the resources. "Enemy" probably is too strong a word.
Hi, Mr. Weisman!!
In the episode "Eye of the Beholder", I've seen "Fox"(a.k.a. Jeanine Xanatos" turns back into her human self and she was naked in this episode, how did you guys come up with that story which aired many years ago??
Um... I'm not actually sure what you're asking.
The Eye of Odin was created by the video game folks, but we gladly brought it into the series. The discovery that Fox and Xanatos loved each other was a revelation that came with the "Her Brother's Keeper" episode. The idea of the gargoyles being free to walk around on Halloween seemed natural. Otherwise, the characters just sort of brought it all together, giving us what they would do.
In "Leader of the Pack", there was that ship, Otoshiana-maru, and "otoshiana" means "pitfall" or "trap" in Japanese. While watching Targets, I got a kick when Superboy was giving the history of Rhelasia and he talks about the Bokun Dynasty starting in 1855. I realized, "bokun" means "split" or "cleave" in Korean, the ultimate fate of Rhelasia. Do I get a no-prize? I love how you use serendipitous names.
I'd love to take credit for both, but I can take credit for NEITHER. Michael Reaves, I believe, came up with Otoshiana. Andrew Robinson with Bokun.
Hey Greg, just curious: the folks who did Batman: the Animated Series have often said that if they could go back and change any one thing about any of their episodes, it would be to make Mr. Freeze's tears turn into snowflakes in "Heart of Ice"
My question now is this: if you could go back and change any one thing about one of your Gargoyles episodes, what would it be, and why?
Two things, both of which I've mentioned before.
1. The Pack should have successfully killed Elisa, Goliath, Angela and Bronx in the Sphinx, but they don't die because Anubis has been bound.
2. Cu Chullain's armor and mummified corpse should have been inside the barrow where Elisa, Angela and Goliath were being held by Banshee.
Hey Greg,
This one's about High noon. Did Demona ever pay for that taxi? And if so, were did she keep her money? I mean, she was wearing her Gargoyle outfit after all.
Use your imagination.
I'm trying to find out which episode this part I remember comes from. In 1996 I saw part of an episode where Angela and Goliath were chained to the wall in a dungeon or metal room. The shackles were overhead and bolted into the wall, like the ones Doyle's men used on Lexington in Ransom. They were struggling when Elisa ran in and hit a button or switch that released them. "But we weren't able to leave," Goliath remarked. Do you know which episode this is? I've tried looking up guides, but I still haven't been able to find it.
It's not immediately ringing a bell. It frankly sounds a bit like "Double Jeopardy", but Angela wasn't in that. If it came from Goliath Chronicles (as "Ransom" did), I'm not likely to remember something I wasn't involved in and only saw once back in 1996 or 1997.
My best advice is to ask fellow fans in the Station 8 Comment Room: http://www.s8.org/gargoyles/comment/
In "Golem", when Vogel reads the spell to transfer Renard's consciousness into the Golem, was he reading Hebrew in the original alphabet or a Latin alphabet transliteration?
I don't know. I'd have to look at the episode to see if it's visually obvious.
Dear Greg
Thank you for taking the time to answer all of our questions and for your part in creating so many works of exceptional story telling. May I please ask a few questions about City of Stone?
1. May I ask what the people of Manhattan thought of Demona's appearance when she appeared on their TVs? Did they just assume that she was a human in a really good costume?
2. May I ask whether the Weird Sisters saw the entirety of Demona's broadcast? In part 1, they appeared as super models standing with a crowd of New Yorkers in front of a TV store. If they did see the entire broadcast, were they unaffected simply because they're Children of Oberon?
3. Did Bodhe happen to see Demona when she first confronted the Hunter at Castle Moray? If so, may I ask if he recognized her and if he still thought of her as a potential ally?
Thank you for your time, and I apologize if any of my questions have been asked before.
1. I hate to define things monolithically, but something like that.
2. They took whatever precautions necessary.
3. I'll leave that to your imagination for now.
Thirty minutes left until the reairing of the Young Justice premiere, so I thought I'd pass the time asking a completely unrelated question.
I saw your recent response about zombies, and how you like the old-fashioned "voodoo zombies" but not the modern, post-Romero zombies. I at least partly disagree, as I feel the best zombie movies can be good vehicles for social commentary (for instance, I thought the recent Land of the Dead was a brilliant metaphor for war profiteering- on the other hand, Dawn of the Dead was probably pretty clever at the time, but criticism of shopping malls now seems hopelessly dated). But that's just a difference of opinion. I was more interested in seeing how zombies might show up in your work.
1. Did you think of Goliath in "Temptation" as a zombie? Was that intentional on your part?
2. Do you think zombies may make a more formal appearance in Gargoyles, or have you covered that ground in "Temptation?"
Thanks for reading. I'll probably write up a ramble on YJ sometime this weekend, once I've seen it.
1. Loosely, I guess.
2. At the moment I have no plans, but...
As the conspiracy buff that I am, I found a few references to the Erisian's Law of Fives on Gargoyles (most of which from "Revelations") that I would like you to bear in mind:
a) Mace Malone's key number was 23 (2+3=5).
b) Matt's key number was 13 (23-5-5=13; or 5+5+13=23)
c) Elisa and Matt work on the 23rd precinct;
d) and the most creepy of them all: this episode is the 36th to be produced, which means that by subtracting the 13 episodes of season one, it becomes the 23rd produced episode of season two!
I was wondering if these references were intentional or are just coincidental.
Feels a little like answering could unleash a curse or something.
Dear Greg,
I have always wondered about what happened to the audio tape which Elisa recorded in Season 1 Episode 12, when Fox confessed to her all of Xanatos's schemes concerning Derek/Talon. Did Derek/Talon ever listen to it, either before or after his mutation? If not, what became of the tape?
I'll leave your first question to audience interpretation -- and refrain from answering the second question for now.
In "City of Stone," Demona said that after the clan and Xanatos blew up, she would take her laser cannon to Owen, Elisa, and Bronx.
Why was she going to kill Bronx? What did the poor beast ever do to her? She's another gargoyle, and still clan as far as Bronx knows. Couldn't she just take him home?
Whether or not she ultimately would have killed Bronx is in question, but at that moment, she perceived him as a roadblock.
What inspired the Gargoyles episode A lighthouse in the Sea and the improtant message of reading? Was it tricky to make without sounding like after school special? (It's a really great episode by the way.)
It was a topic we all felt strongly about, but it also made sense coming out of character that Broadway and Hudson wouldn't know how to read (for very different reasons) given their backgrounds and personalities. If that hadn't been the case, we wouldn't have done the story. As for the quality of the execution -- and I wouldn't knock after school specials so monolithically, as some were truly great -- we always just strived to do our best. I'm glad this worked for you.
Is there a taboo against using Nazis in cartoon shows? I know "Gargoyles" featured Nazis in one episode, but most cartoons, even when they have flashbacks set during World War II seem to do everything possible to not address the enemy as Nazis.
Take the new "Avengers" show for instance, they got rid of the Nazis in Captain America's past and replaced them with Hydra. Hydra was now conquering Europe.
Did you have trouble getting Nazis and swastikas onto MIA? And why are so many cartoons scared to say the word Nazi?
We had no particular problem that I can recall. I wasn't aware that other shows WERE having a problem with this. First I've heard of it.
Hello Greg,
Following (far) behind my long-overdue reaction to Bad Guys, here's my first question about it:
Why does Yama ask which specific gargoyle and human Sevarius used for the mutate DNA he was planning to use on Robyn and Yama? Why does Yama care? Is some human DNA more undesirable than others, or is he just curious?
Thank you.
I'll leave that for your interpretation for now.
In High Noon, why could Elisa see Coldstone, Demona, Macbeth, and the gargoyles at the park when no one else could due to the spell that Demona had cast on them?
Thank you for your time and all that you do,
-Charisma82
It was a condition of the spell that bystanders wouldn't notice, but "players" would.
Hi Greg, this is a rather silly question...
I was watching the "Avalon" trilogy the other day, and it came to the part where King Arthur, Elisa, and the Magus arrived at Oberon's Palace after Arthur is awakened. Elisa introduces Arthur to Goliath and the others, and Arthur comments that he needs someone to tell him "what is going on".
So, here's the thing...I find it hard to believe that neither Elisa nor the Magus gave Arthur any background info on the walk back from the Hollow Hill. Were they talking at all? ( I know if I were personally taking a hike with King Arthur, I would be embarassed to say anything dumb and would just cast sidelong glances at him awkwardly lol).
I imagine Arthur was largely still in recovery mode from a LONG sleep.
There may have also been some delaying tactics on the part of Elisa and the Magus as they struggled to figure out exactly how to explain everything.
Mostly, my answer is "Use your imagination!" ;)
You've said in the past that "Awakening" was originally written and recorded as a four-parter. Out of curiosity, in the four-part version, where would the cliffhanger between parts three and four have been?
You know, it's been so long, I'd have to look at the actual scripts to figure that out. And I only have copies of those at my Beverly Hills Office. Since I'm mostly at Warner Bros these days, I only get to B.H. about once a month.
In Outfoxed, did Fox let Vogel keep the money sheâd sent to him for betraying her father and helping her take out Renardâs company or did she take it back? Or did he give it back to her? If he kept it, what did he do with the money that was used to make him betray Renard (I would assume heâd feel guilty having it, but correct me if Iâm wrong)?
Thank you for your time and all that you do,
-Charisma82
I'm sure Renard would have insisted on Vogel returning the money as a condition of continued employment.
In Outfoxed, who was Mr. Vogel going to blame for sabotaging the robots on the ship before Goliath showed up?
Thank you for your time and all that you do,
-Charisma82
He'd have come up with something.
In High Noon, what would Demona and Macbeth have done if Iago hadnât been the personality to take control over Coldstone? What was their plan if Desdemona or Othello had taken over?
Thank you for your time and all that you do,
-Charisma82
I'm afraid I'd have to watch this again too. It's just been too long.
Did Demona really need Thailog to bust her out of that cell? Those bars didn't look like they were that tough, and we saw some great feats of strength from her in other episodes. Like that time she lifted and threw that huge boulder in Temptation and that time in Hunters Moon where she tore that warehouse door out of the building and threw it down the street.
If Thailog never came to rescue her do you think she could have got out by herself?
In some way. But the bars were obviously strong enough or Goliath and Talon wouldn't have put her in that cell.
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