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Okay, either I'm really bad at writing these questions, or you're a genius at smartass responses. (Or both) Anyway, I'll clarify my last questions.
About The Mirror. We know Xanatos has some security cameras set up in and around Castle Wyvern, hence the one we see get wrecked in Enter MacBeth, and the footage shown to the wedding guests in Vows. (Actually, for all we know, Xanatos has a Sliver setup going and knows *everything* that goes on in the whole Eyrie Building. I wouldn't put it past him)
Now, if Puck turned *everyone* in the city into gargoyles, this presumably included Xanatos. I was just wondering if Xanatos had any archived footage where there seemed to be something a little different about the people wandering around the place.
What can I say, I'd like to see what Xanatos and Fox looked like as gargoyles.
Maybe. Sure. Why not? Especially, if it makes the fans happy.
Ah, The Edge…
I just adore that scene where Owen and Xanatos are sparring. The first time I saw that episode though, I thought it was laughable: Owen Burnett in a gi, his glasses and electronic organizer set aside so he can be beat on by his employer. I was quite surprised when he actually won. I looked at Owen a lot differently from that point on. He is, as Demona likes to say, "A force to be reckoned with."
I'm afraid I did guess that the red robot was Xanatos. Still, the part at the end where he removes the helmet is wonderfully dramatic.
It's been a long time, so I don't remember for absolute sure, but I think, since the museum was so dark, I thought it *was* Goliath stealing the Eye. You're right, it seems obvious, but after that scene with him roaring at the news report and the whole clan looking at him in that, "uh oh, he's lost it," kind of way, I thought he was enraged enough to do it.
About Munch's "The Scream" (and this is straight from my art history text): it's in Nasjonalgalleriet, Oslo. Don't ask me where exactly that is… but it's not in Manhattan. Sorry.
Absolutely amazing that the Emir was mentioned this early in the series but wouldn't physically appear for another season or so. Were you planning the Avalon eps in that much detail, that much ahead?
I *love* Travis Marshall. He always seems to tell it the way it is… whether it's against public opinion or not.
I'm with Erin. I was on the edge of my seat in the battle scene, seeing this ep for the first time, not as much because of the danger and action, but because I was sure someone was going to damage Lady Liberty. Why did Xanatos choose her as their battle field anyway? Goliath had said before that he probably didn't want anymore damage done to his city…
Thanks, Greg. We love ya!
RE: "The Scream". I've never been to Oslo. I feel like I saw it in Amsterdam. But it doesn't really matter. It could have been a traveling exhibit. Happens all the time.
RE: The Emir. No, we didn't have Grief planned in THAT much detail that far in advance. The point is that little touches don't get by me. That was, I believe a Reaves/Perry throwaway line. But I remembered it. The second time the Emir is mentioned, in season two, I did have Grief in mind.
RE: Travis. I like him too.
RE: Lady Liberty. Sorry, but didn't the Gargs choose the battle sight?
Finally, the last section of the 7/94 "Leader of the Pack" memo. Act Three of the Beat Sheet. I'll try to type up my new ramble on the episode soon...
ACT THREE
8. Goliath, Hudson and Broadway arrive at the Packmedia Studio. It's quiet. Inside, they see the damage. But no sign of the missing gargoyles. The phone rings. Broadway answers it tentatively. It's Owen. He was wondering if he could schedule an appointment for the Gargoyles to have a big fight with the Pack at the Oil Tanker Whatever-Maru in the harbor. Is Midnight convenient?
9. On the Tanker. In a carvernous empty oil tank, Lex, Brook and Bronx sit inside, effectively imprisoned. Lex swears even more vengence [sic]. Brooklyn can't get through to him. (Maybe Brook makes some sarcastic reference to the three of them always getting captured. First Macbeth nets them, now the Pack.) [Note: This story just structured out that way. So this tidbit was me acknowledging the coincidence, so that the viewer wouldn't think we -- the writers -- were oblivious to it. Greg 2000] Eventually, the other three gargoyles show up for the fight. Broadway is sent to find the others while Goliath and Hudson run interference. At one point, Goliath digs his claws into Coyote's helmet and rips it off, revealing "Xanatos". Goliath isn't too surprised. But eventually after the others are freed, he is surprised. Bronx again beelines for "Xanatos"/Coyote. He smells robot and claws off half of the rubber Xanatos mask to reveal the Coyote robot beneath. [Do you know, I was half afraid that some people would take this to mean that Xanatos had been a robot all along. Greg 2000] Even the Pack is shocked and the tide of battle begins to turn for good, especially after Lex picks up one of Dingo's fallen weapons and blows a hole in Coyote's chest. The robot really malfunctions now. The head "evacuates" and rockets into the sky to escape. The Pack decides to retreat in their Attack Vehicle, but opt to blow up the tanker to cover their escape. Lex in the end has to choose between saving Brooklyn and preventing the Pack's escape. Obviously, he saves Brooklyn and the Pack gets away, though with their doggy tails firmly between their legs. The ship goes down. The Gargoyles tread water. Brooklyn thanks Lex, but Lex is grateful that Brooklyn reminded him what was really important to him. And the gargoyles have a long swim back to shore.
10. Parole board. Fox is released. (Let's not mention Xanatos here.)
11. Fox steps out of prison to be greeted by (surprise, surprise) Xanatos in his Limo. They kiss. She's grateful to be out, but she's sorry his vengeance plan against the gargoyles didn't work. But Xanatos never wanted vengeance. (He's no mook.) He has his priorities straight. He just wanted to stage scene [sic] to get her out. (I love the line about icing and Fox being the cake.) But, she asks, aren't you anry that Coyote was destroyed. Xanatos holds up Coyote's head and admires it like Yorick. Half of it is still recognizable as Xanatos. Half reveals the robot skull underneath. My dear Fox, robots are easily destroyed and rebuilt. But they'll never destroy the true Coyote. Because the true coyote is Xanatos. Or some such. [Interesting. We seemed to save this idea for "Cloud Fathers". Went with the "true love" line instead.] Go out on the robot head, half smiling a typical Xanatos smile.
And that's all folks....
Here we have Act Two from the Beat Sheet I gave Michael Reaves in my 7/94 memo on "Leader of the Pack":
ACT TWO
4. Hyena and Jackal are ready to kill Xanatos/Coyote for revenge. X/C puts them down hard. He reminds them that it was Fox who told them to go after him. She's out of the picture now. Besides, it was the gargoyles who really sent you down. They put him away once too. They've destroyed enough of his plans. He wants them bad. He's [sic] works the Pack up into a revenge-fest frenzy. They want the gargoyles. But how do they find them? As X/C puts on his helmet, he says, we let them find us.
5. Goliath, Broadway and Hudson arrive at the castle. Owen is there, but not Xanatos. Goliath is confrontational but cautious. Woen has the Pack's social calender and says they should be at PackMedia studios shortly. Goliath is immediately concerned about the others. They take off.
6. From a nearby shadowed rooftop, Brooklyn, Bronx and Lex watch the police (Elisa, Matt, maybe Morgan) check out the Studios. It gives Brooklyn time to talk to Lex. He knows how Lex feels. Everytime Demona's name get's [sic] mentioned Brooklyn feels the same way. But you can't let it take you over. You need to remember what's really important, etc. Lex isn't listening. The police leave. Lex insists on going in. Brook & Bronx follow.
7. Inside, the place is deserted -- UNTIL SUDDENLY the floor begins to open up beneath them. The PACK Assault vehicle, rises up from a secret entrance beneath. Brokklyn suggests retreat, at least until they can get reinforcements from Goliath, et al. Lex ignores him and wades right in. The battle is on. Lex (followed by Brooklyn) goes after the four pack members they recognize. Lex is a holy terror and they're doing all right, at first. His shocking ferocity making up for any deficiencies. Bronx for some reason beelines for Coyote. (Basically, he smells robot.) It's a good fight, but soon all three gargoyles are out cold and at the Pack's mercy.
ACT THREE
(To be completed next time... Finally.)
Sorry, everyone, I know this is going very slowly. But transcribing is really boring. So I can't stand to do too much at a time. Anyway, here's another chunk of my 7-2-94 memo to Michael Reaves regarding "Leader of the Pack":
Beat sheet:
ACT ONE
1. Sundown. Open w/prison break. Let's make it much more fast and furious. It can start quier, but almost immediately should go to explosions, alarms, etc. The guards become aware of the break IMMEDIATELY. A big action set-piece. No time for a lot of talk. Also, let's have Dingo bust out the boys, and Coyote bust out the girls. It's a more practical plan. They'll all meet up in the NEW all-terrain PACK ATTACK vehicle. (And no, Kenner isn't asking for this, I am. Xanatos has the resources. After he saw Macbeth's hover-thing, he'd start his people on R&D. This is the result. The Pack should not be hand-to-mouth. This thing should be a flying submarine multi-purpose thing. Real cool.)
2. Just after sundown at the clock tower, Elisa informs the argoyles that there's a prison break and the Pack's involved. Lex goes bananas. WE'VE GOT TO BRING THEM DOWN. Goliath agrees with the sentiment, if not he intensity. Manhattan is their castle to protect. But Broadway wants to know, how do they find the Pack? Lex is sure they'll return to Packmedia Studios. Elisa disagrees, that's the first place the cops are going to look. Lex is positive. They're like animals. They'll eventually return to their cave to hide. He's going there to wait and watch. Goliath figures on being more pro-active. He knows Xanatos is behind the Pack from Elisa's talk with Fox in "Brother's Keeper". He's going to the castle. Broadway & Hudson are going with him. Brooklyn is concerned about Lex. He insists on going with Lex to the studio. He also insists on taking Bronx.
3. Aboard the Pack's vehicle, Coyote and Wolf fight for the right to lead. (Let Wolf make the first challenge, so that we aren't forced to make Hyena politely step aside.) Coyote wins, but Hyena and Jackal insist on seeing his face. Coyote vouluntarily removes his helmet, revealing that he is "Xanatos".
ACT TWO
(to be continued...)
Hi, Greg.
1) In "Kingdom," whose arsenal did Fang raid? Those weapons were pretty high-tech; they obviously hadn't been there long. Was it Xanatos's, the Illuminati's, or someone else's?
2) Why was it there? Just for storage? Or was Fang meant to find it?
3) This is the first time I've watched "Kingdom" since hearing about your plans for "Bad Guys." With that possible spin-off in mind, I was impressed with Fang's potential as more of a primary character. Were you thinking of "Bad Guys" this early or are you just a natural genius?
Thanks for your time.
1. Erin says: I think that was a very good question. But I don't know whose weapons they were. I'm just guessing Xanatos.
Greg says: They were Cyberbiotics weapons. The whole Labyrinth was the old Cyberbiotics base from Awakening, Part V.
2. Erin says: I also think that's a good question. They were left behind when Cyberbiotics abandoned the base.
Greg says: By accident. An oversight.
3. Erin says: I think that is a good question too. Because I think my father is both of those things.
Greg says: Fang (and in particular Jim Belushi's very fun performance in the roll) just begged for more attention. But I can't honestly say for sure whether we had the Bad Guys idea that early. Bad Guys evolved out of the Dingo/Matrix spin-off idea I had. Fang WAS the next join. Then Hunter. Then finally Yama.
Hey hey. I still remember seeing the first episode of Gargoyles. I guess I was about 9 or so. I still get goosebumps when I watch the intro. And I wasnt surprised to read that you work on the ST series. I've watched it too from its first broadcast (in my area anyway). I think I've only missed it 3 times but seeing how they dont play the episodes in any specific order odds are I havent missed anything I havent already seen. But onto my question. Can you sum up the Goliath Chronacles for me? I never saw them since for a while I didnt have cable and dont currently have toon disney. Thanks.
Erin says: I think that was a very good question. I have a friend at school and his name is Nicholas. And he likes the GARGOYLES show too. And Nicholas has a nickname, and his nickname is Nick.
Greg says: I'll sum up "The Journey" which was the first episode of THE GOLIATH CHRONICLES: Goliath is brooding about the loss of the Clock Tower and about how humanity seems to be perpetually at odds with the Gargoyles. He visits Elisa. And they are attacked by Quarrymen, a KKK-esque organization that hates Gargoyles. Elisa & Goliath survive, and Goliath realizes his Journey isn't over. (A lot more happens, but you asked me to sum up.) As for the other 12 episodes of Chronicles, well, I had nothing to do with them. They aren't cannon in my mind. And I'm not qualified to describe them to you. Ask in a comment room.
A couple of questions about the point during "The Mirror" when Puck had temporarily turned all the humans in the city into gargoyles.
1. What happened to those humans entering and leaving Manhattan during the time that the spell was in effect?
2. What effect did the spell have on live broadcasts from New York going out to other parts of the U.S. or the world during that time? As in, did people watching such broadcasts away from New York suddenly see the humans in those broadcasts change into gargoyles, or did the spell somehow prevent this?
1. They automatically changed when entering and leaving the island. Because of the way the change was perceived, no one noticed.
2. Outsiders could have seen changes. But, hell, it's tv.
Two questions inspired by the Avalon World Tour and "The Gathering"
1. What is the nature of Avalon that it sends poele where they need to be? It is alive or sentient or just an agent of kismet? And why is the island endowed with these powers? (OK, that's really three questions, but one answer, I suppose)
2. We don't see Goliath, et al, actually return to New York. What happened to the skiff? Did it sink like Arthur's skiff did? And was there a scene perhaps showing them returning that was left on the cutting room floor?
1. One answer: Yes.
2. No scene on the cutting room floor. We had JUST shown a very similar scene in "Future Tense". Basically, we felt it would have played the same way minus the "Planet of the Apes" shock value of seeing the Statue of Liberty half-destroyed. So we chose NOT to show their arrival, not to show a LESS dramatic version of what we had just depicted one episode previous. Instead, we decided to give the PoV to Hudson, Cagney and the Trio. See their surprise. Get a cliff-hanger out of it. You understand. As for the skiff, yes it sunk, as Arthur's had. Again, something we had shown before.
ASK GREG is back up and running. (Thank you, Gorebash.)
Unfortunately, Murphy's Law in in effect, and I'm now swamped with work. (More on that tomorrow.) I'll try to get to your questions and comments A.S.A.P. In the meantime, I've watched another episode "Leader of the Pack". I've taken notes to write a ramble but I don't have time to compose it tonight. But I also wanted to post my July, '94 memo to Michael Reaves regarding his first draft outline on this episode. (Like the one I posted for "Reawakening".) I have a hard copy of this memo, but unfortunately -- there's that Murphy's Law again -- I don't seem to have a computer file for it. (Which, frankly, is truly bizarre.) Still, retyping this is faster than composing something original. But I don't know if I'll have time to retype the entire five page memo tonight. So bear with me. This could take a while... (I'll try to keep all the typos intact. And I'll add a few new comments in [brackets].)
Greg Weisman 7-2-94
NOTES ON OUTLINE for "Leader of the Pack"
Michael, I think we can focus the story a little more. And I think there's quite a bit of padding that we can trim down, but on the whole, a good start.
General Notes...
--Let's focus this by making it Lexington's story. A real companion piece to "Thrill of the Hunt". In that story, Lex was too trusting. In this he'll be hell-bent on REVENGE. That's today's theme. And today's lesson is about setting priorities -- and how revenge ain't a great one. Lex comes close to letting his lust for revenge take priority over his concern for his life and his friends. Same with the Pack. They break prison; they could head for Rio. But they want revenge on the gargoyles more. It gets them in trouble. Ironically, only Xanatos has his priorities straight. He didn't give a damn about revenge on the gargoyles. He just cared about his "friend" Fox and getting her released from her unfortunate incarceration. [A DESIGNING WOMEN reference -- Greg 2000]
--Given the above. Let's see Lex as the true monster he can be. As frightening as possible, as often as possible.
--The stuff w/Dingo's change of heart was nice. It gave me a great idea for a story about him trying to go straight, set in Australia during the WORLD TOUR. But I think it's out of place here. It's distracting to the main story. I don't want Dingo to start to turn yet. He didn't have to come back from Europe to help the others. Let's keep him gung-ho for now. (When we do the Pack Upgrade Story, in which Wolf will submit to Doc Sevarius' genetic treatment ala Talon, and Hyena and Jackal will undergo cyborgizing ala Coldstone, we'll plant the seed there that Dingo thinks things are getting carried away. He'll choose removable robot-armor, and we'll play some of these beats then.) [When you're working on 65 episodes you try not to waste anything. And the characters begin to define their own destinies. But you need to pace them. -- Greg 2000]
--Coyote's abilities need some clarification. Let's start by thinking this is a stranger wearing some kind of power-armor. Jet black, anubis-headed armor. We'll modify or harmonize Jonathan's voice. Then when he removes the dog-faced armored head, we reveal that it's Xanatos inside the armor. The audience will buy this because of "The Edge" story. When COYOTE has the "helmet" off, we'll use Jonathan's voice un-harmonized. But obviously for battle scenes he'll put the helmet back on. A slight clue that Coyote isn't the real Xanatos will be that Coyote seems more determined to get revenge than we'd normally expect from the rational Xanatos we've come to know and love. Then at the end, we'll reveal the robot beneath the Xanatos face. We also need to make a bigger deal of this reveal. I think it would be cool, if after the body is damaged beyond repair, the semi-damaged head, takes off, shooting into the sky like a comet, abandoning the Pack. At any rate, we can now have Coyote be very powerful throughout the episode, without our audience suspecting the truth. What can the Coyote "armor" (i.e. the Coyote/Xanaots robot) do? Does it have built-in jet-boots and weapons systems? Let's make it real tough and cool.
--In general, we need to be really careful not to let the Pack seem weak or incompetent. I doubt Elisa can outshoot them. They've been defeated twice already. If we don't up the ante, we've lost these characters as effective adversaries.
--The huge emphasis on updrafts can be dumped. We've already shown the gargoyles glide to and from Liberty Island in "The Edge". How far out in the water is this tanker? Better not to go into too much detail.
--Same with the Pack's search for the gargoyles. Why raise the issue about how easy it is to find the gargoyles? Besides, the method used here could take weeks, if not months. Let the gargoyles find the Pack. We can dump the CD-ROM disk.
--The mirrored shields was a good idea. But it pre-supposes a Lexington who is rational enough to use his head and come up with it. Not this story. But remember it for later use. [O.K. I guess some things did get wasted. --Greg 2000]
--We definitely don't need or want Derek in this story. If it comes before "Metamorphosis" than we don't want to mess with his loyalty to Xanatos. If it comes after, then obviously he's not Derek anymore, but Talon. Anyway, we won't need him. The way I figure it, Elisa's role in this story is fairly minimal. I didn't like her as victim/hostage, so I largely dumped her. So we can leave Derek out, as well.
--Fox should protect he guard first, then refuse to go. When she refuses Hyena's inclined to kill her too. Coyote prevents it by indicating there's no time. Also, I've cut the middle Fox scene 14. Better that the audience forget about her until the end.
Specific Notes & Questions....
[to follow tomorrow, hopefully...]
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