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Weisman, Greg
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One writes...
1) What are your personal feelings regarding Demona? Do you see her as a tragic victim of humanity's fear, the weird sister's machinations, etc? Just a mad gargoyle who can't let go of the past and refuses to accept responsibility for her own actions? What's your take on her?
2) In your opinion, which character of the series is most like you? Why?
3) If you had to go through everything Demona went through... how do you think that would have changed you? What would you be like?
Greg responds...
1. She is complex. She contains multitudes. I'm fond of her in a strange way. But that fondness doesn't mitigate her actions as far as I'm concerned. On the other hand, I've always been fascinated with the idea of redemption. So who knows?
2. None really. Or all of them put together. Or Vinnie, because I'm often hapless. Without hap.
3. A puddle.
Jim R. writes...
3 questions directed towards you:
Will you ever write a book? Maybe an autobiography or production series telling about what you've accomplished?
If you should ever be asked to tell about yourself on the A&E show, "Biography", would you?
Greg responds...
1. I'm writing a book now. Don't know if it'll ever get published.
2. That's less likely. I have no interest in writing an autobiography. The latter sounds interesting, but for something like that, I'd want a publisher interested in advance.
3. Sure. I'm holding my breath.
Jim R. writes...
I am curious. You were an "executive producer" for Gargoyles, right? What does an executive producer do for an animated series? Did you work on any of the artwork? Any of the storyline? The voice actors?
What is it that an executive producer does? In a nutshell, of course, I know you're busy...
Greg responds...
Haven't I answered this a hundred times?
No. In those days, Disney TV Animation did not give out "Executive Producer" credits. I started as a "Co-Producer". Then became a "Producer". Then "Supervising Producer". Through all these title changes, my duties never changed. [Which is to say, that a title doesn't necessarily give a consistent read on an individuals responsibilities or efforts. So I can't speak for all Executive or even Supervising Producers. I can just tell you what I did.]
I came up with all 66 story springboards and supervised the writing staff. Though I didn't have the title, since my producer credit rendered it redundant, I was the Supervising Story Editor for the series. I personally wrote and story edited "The Journey". Though I did not produce the Goliath Chronicles episodes, including Journey.
I also supervised all recording sessions with the actors. I voice directed one episode (VENDETTAS).
I don't draw, but I did give notes and approvals on all designs and storyboards. I also supervised post-production. Called retakes, supervised final edits, mixes, on-lines, etc.
I didn't do any of this stuff alone. But along with Frank Paur, I was the final word on everything.
Jim R. writes...
I am curious, why did you leave Disney in 1996? (I hope this question doesn't open up some old wounds that you may have encountered.) And I wasn't sure if anyone had ever asked you that.
Greg responds...
Yeah, it's come up before. The short answer is that my contract was up. Disney didn't offer me a new contract. DreamWorks did.
Jim R. writes...
I guess Elisa won't be taking Goliath to '"catch a Giants game" after all since they lost to the Ravens. Ha, Ha. So, Greg, which team were you gunning to win, or don't you care?
I personally don't care much for football, I just watch it for the commercials... :)
Greg responds...
I'm afraid I didn't really care. I went to school with John Elway, so I'd been a Broncos fan for years, until he retired. But Giants/Ravens? I have no connection to either team.
Baal writes...
At times, have you considered NOT working on new Gargoyles stuff and just leaving the series as is? I would understand if you gave up, tho I'd be a little disappointed (among others). It would be a shame, but thats life. Tho it seems like you've come close already with one of the spin offs.
Greg responds...
Sometimes I think it would be more healthy if I just gave up. Then if it came back it would be a pleasant surprise.
But I can't give up. Just can't.
Pyro X writes...
Hello;
Generally, what does an Executive producer do, as in preparing a show like Gargoyles?
Greg responds...
Well, I wasn't an Executive Producer. Gargoyles didn't have any executive producers.
I was a Supervising Producer. I came up with all the springboards, reviewed all premises, outlines, scripts. Supervised Voice Recordings, edit sessions, sound mixes and on-line sessions. Gave notes on all designs, storyboards and animation. I was a busy boy.
melcelestial@hotmail.com writes...
Seriously, how'd you get noticed by the world of your high-qualitied animations, A-Z starting from college? What inspired you to start the career as a cartoon animator? Do prefer 2D or 3D? What gave you the inspirations to start a cartoon????????
Greg responds...
O.K. First off, I'm NOT an animator. I'm a writer. And largely, at the time, I followed the work and the opportunities. I got a job in animation and followed that course until it eventually led me to create Gargoyles. But it was in that order, not the other way around.
As for 2D and 3D, I have no absolute preference. I like good animation, no matter the format. I like well-told stories. Some subject matter works better in 2D, some in 3D. And I like doing shows where the content and the format are working together as opposed to at odds.
Jim R. writes...
Were you thinking about Gargoyles when you had your Wheaties today, Greg?
Greg responds...
I rarely eat breakfast.
Corrin Blaquen writes...
Who are Erin and Benny's favorite characters? What are their favorite episodes?
Greg responds...
I'm not sure. And they're not here to ask.
Erin dressed up as Fox and Benny dressed up as Xanatos at the last Gathering in Orlando, so I think they might have an affinity for those two. I think they like Elisa. Erin liked young Macbeth.
But I don't know.
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