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Gargoyles

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Weisman, Greg

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Anonymous writes...

Why did you give up reading comics? I mean there are still some good ones such as Rising Stars(Rising Stars) and League of Extraordinary Gentlemen(Moore).

Greg responds...

Never heard of 'em.

It's kind of a long story, but in a nutshell here are a few factors as to why I gave up comics in 1996:

1) Many of the comics I was reading at the time ended their run. Love & Rockets. Sandman. Etc.

2) Other comics I was reading became UNREADABLE. Hulk springs to mind. It wasn't really Peter David's fault. But by that time Hulk was the only Marvel Universe Book I was still reading. Then the Marvel Universe split in two or something, and I couldn't make heads or tails out of Hulk anymore. DC's Universe wasn't that much better.

3) Comics I still wanted to collect, like Cerebus, were becoming hard to find. There was no longer a good comic shop near my office. I couldn't go every week like I used to. So I'd try to go once a month. I'd miss an issue and not know it for another month when the NEXT issue came out. By that time, finding that back issue became VERY difficult.

4) Because so many comics I used to love were gone or unreadable, I was down to collecting very few titles. Given that I collected so few and the logistical difficulties of getting to a decent store, I was no longer feeling the old, "Gotta get in there and by the next issue of everything" pressure. Half the time I did go, I no longer found ANYTHING that I wanted.

5) I didn't plan on quitting. I went to a store in November of 1996. Didn't get around to going again in December or January of 97. By February or so, I realized that I had gone a while without... and that I didn't MISS IT AT ALL. This was a shocking revelation to me. SHOCKING. I'd been addicted to comics for DECADES. I had a huge collection -- particularly huge since from 1985-1987, I got every issue of every comic being published (with very few exceptions) for FREE. (I was on staff at DC at the time, and the various publishers had a gentleman's agreement to provide each other with free copies). Once I found I didn't miss it, I decided to quit. Freed up a ton of time and money.

Response recorded on July 01, 2001

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Jim R. writes...

This is something I've been wanting to ask for a while.

A lot of information on the net in relation to Gargoyles is the criticism reports I read. Critics who evaluated Gargoyles say that as for children, it's a good show to teach morals, right-and-wrong differences, and social problems. They especially mention the episode "Deadly Force" in particular as a lesson learning experience about the dangers of weapons.

But, as for those of us adults, we believe Gargoyles was Disney's way of appealing to a more mature audience. Most of us would say its attractive because of the story, characters, episodes, Shakespearian underlyings, or the overall fictional universe idea makes it interesting. These things, I think, are what make adults come to Gatherings or purchuse merchandise, etc.

So, my question is: Who would you agree with more? The people like us fans, who ask you questions, still watch the series on our VCRs, and adore the story. Or, the critics who would say that Gargoyles is a good children's cartoon, suitable for teaching them lessons of behavior, ethics, etc.

Greg responds...

I view my audience like a target. There's a bull's eye in the middle, and concentric circles surrounding it.

Put another way, I try to write on multiple levels. Eye candy and clear lessons for younger kids. Shades of grey and other more sophisticated material for older audiences. Hopefully, I'm reaching the widest possible audience. That's the goal.

Mostly, however, I write to please myself. The more I do that, the less likely it is that I become a hack.

Response recorded on June 30, 2001

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Laura 'ad astra' Ackerman writes...

Another try at sending this out-

I just typed up a particularly long question that didn't post and got lost, and I was foolish not to copy it somewhere before hitting submit. I apologize if it turns up later and this becomes a double post, and also if I can't get rid of the autoformating in Word and it looks a little screwy. After losing that long a question I am not taking a chance working directly into the web page.

It has been a long time since I posted a question... of course it has been a long time since I have been caught up with your answers. After reading all of the new responses, particularly those dealing with Oberon and Titania, a question has come to mind. [Actually two, but how many new ways can you ask, "What did Titania whisper to Fox?"? That question should almost have its own section.] The short form of the question is this: Just how different are Oberon's hildren from humans? I am not referring to physical or magical characteristics, but rather do they think in a quantifiably different way than do humans?

The long version of the questions comes after the long digression:

A while back a friend practically shoved an anthology into my hands and insisted I read a particular article. I believe it was called, "Hamlet in the Bush". The gist of it was that a young anthropologist found herself with an indigenous culture for a long boring stretch. [She had thought the off season would be a wonderful time to get to observe their culture. Had she asked them they would have told her the off season is the off season because the weather is so miserable that they cannot even visit the next village. They spend the time drink the local equivalent to bear waiting for it to pass.]

Before leaving she had had an argument with a friend. She argued that at base all humans are the same and once you do some explaining to take care of cultural differences, a great work of literature would be recognized as such by all people. The example that was bandied about was Hamlet, so he gave her a copy as a going away present.

With nothing else to do she sat in her tent and read it over and over until the locals asked her what on Earth she was doing. They were a non-literate culture and to them reading papers meant reading boring legal documents. Even a white person could not be so daft as to spend weeks doing so. She seized upon it an opportunity to test her theory and they, being a story telling culture, were happy to oblige.

She immediately ran into two problems:
-1-They didn't have a concept of "ghost". Zombie, yes. Evil spirit in false guise, yes. But the idea of a dead person's spirit hanging around this world was simply ludicrous to them.
-2-They thought Claudius was a great guy. He acted as an exemplary uncle and brother-in-law, although he waited a bit long in taking care of his brother's household. [Three whole months! And with only one wife to tend the fields!]

In the end they loved the story (with their corrections) and thought she was on her way being a great storyteller, (being female aside). They also told her to be sure to tell her elders that they had been good hosts and had corrected her misremembering lest she continue in error.

I think her premise held, but she hadn't realized how far cultural difference went. The more complex the story, the more it was tied to its own cultural assumptions and the harder it is to explain to another culture.

Back to Gargoyles-

In Gargoyles the basic emotions seem pretty much universal. Gargoyles, humans, New Olympians, and even Nokar and Matrix as far as we have seen them, display them. Love, hate, curiosity and fear, as well as slightly more complex emotions of protection and loneliness are clearly expressed and are more easily understood than some lost cultures of our own ancestors. Are Oberon's Children fundamentally different, or if we can imagine long enough the effects of great power and incredibly long lives we can empathize without too much brain-sprain?

There are great works of speculative fiction that try to understand the mind of The Other. Zelazny had a whole series of stories of robots worshiping and trying to understand the long last human race. I recently read a great book called "Exogesis" (a post-modern Prometheius) by Astro Teller dealing with how a newly emerged AI might think and how humanity might respond. If I would list every book I could think of on the topic I will never stop typing and will eventually have feel the urge to start listing plays and movies as well, (and probably have to deal with Frankenstein, and I am not fond of the book. It is hard to like a book when you hate the main character. Perhaps the movies were right to make the monster the lead character. :).

It all boils down to this: Are the Children of Oberon "the Other", or something very much like ourselves?

Boy this is long! sorry.

Greg responds...

Don't apologize. It's fascinating.

Boiling it down...

YOU WROTE:

Are Oberon's Children fundamentally different, or if we can imagine long enough the effects of great power and incredibly long lives we can empathize without too much brain-sprain?

I'd have to say the latter. Great power. Little or no responsibility. Long lives. Being able to look however you feel at a given moment. You add these things up and they may seem other for awhile. But fundamentally, it's about extrapolation on our human emotions.

Because fundamentally, as a writer, what else can I do? Maybe someone else has the talent, ability, INTEREST in truly creating the OTHER. But not me. I'm interested in US. Gargoyles, humans, Oberon's Children. Toss in the New Olympians, Nokkar, the Space-Spawn, the Lost Race, etc. I'm fundamentally interested in figuring out what makes us real world humans tick. Or boil it down further, and I'm fundamentally interested in figuring out what the hell makes ME tick. All the characters in the Gargverse are just there as an alternative to me being in therapy, I guess.

Does that make sense?

Response recorded on June 29, 2001

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Phil writes...

I've enjoyed reading your development files for Gargoyles. The fact that you're here and still working on the concept years after it's been cancelled leads me to a question:

At what point did you realize that Gargoyles was not just another cartoon series? It's obvious now how different Gargoyles is from Bonkers or Tale Spin, but at what point in development did that emerge?

Greg responds...

There came a point when Frank Paur was hired to join the project, when I realized I didn't want to let go of it. That it was too personal, too in synch with my own head. Normally at that time, I developed shows (like Bonkers) and handed them off to a producer. This one, I could not let go of.

Which is not to say I knew there'd be conventions, websites, fanfic, fanart, etc., way back then. I had no idea the series would generate that kind of loyalty. I just knew I cared about it.

Response recorded on June 27, 2001

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Greg "Xanatos" Bishansky writes...

Don't have time for a large ramble on "Outfoxed", so I'll just comment on a few key points.

Cyberbiotics> I was wondering what became of Cyberbiotics after "Awakening", so it was nice to see them again. And personalizing them in Renard, so we know who it was that got hurt by Goliath and everyone's actions.

I didn't think much of Vogel's resemblence to Owen. I thought they were cousins or something, or perhaps that one was a clone. He also made an interesting character, and I thought his change of heart was believable at the end.

Halcyon Renard. First of all, that is a great name. I like the sound of it. Yes, I did figure that he was Fox's father. I may have flunked out of French class that year, but I knew what Renard meant. He was a great character to, and Robert Culp did a great job doing his voice. Also he made a nice opposite to Xanatos.

Goliath was well-used in this episode. Also nice to show that he's far from perfect in his waiving off his responsibility in the destrcution of Fortress I.

Fox was great in this episode also. She became one of my favorites here. I was surprised by her pregnancy, but it seemed to be a natural step in where she and David were going. Seeing her beat David in their karate match was fun, but I'd like to see him win one some day, he lost to Owen to. Fox's attitude at the end with Renard was priceless, and nice to learn her birth-name. Janine was very appropriate.

Also, with Demona, Elisa, Angela, Fox etc, "Gargoyles" has a lot of great woman characters. That's one thing I really like about this show.

The theme/moral of integrity was a good one, and well handled. I understand how Renard feels when he says it's a daily struggle. I for one have been guilty of taking the easy way out and waiving off integrity. But I try to practice it as often as I can.

This was a very good episode. Not one of my favorites, but very good.

Also, don't ask me how, but I knew that David and Fox were going to have a son. I also knew that IF Goliath and Demona had an egg it was a daughter. Don't ask me how, I just knew.

Hopefully I'll have a longer Ramble/Review for "Revelations". I enjoy doing those.

Greg responds...

ANd I enjoy reading them.

I do like writing female characters a lot. My Starship stories also made the females more prominent. Women just appeal to me as subjects. I just hope I do them justice.

Response recorded on May 04, 2001

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Seeker of Knowledge writes...

In an earlier post, you said you wanted the God of the gargoyle universe to be bigger than the God of Abraham. How is that possible? The very nature of the Judeo-Christian-Muslim teachings makes this impossible. And He is in no way limited to these three religions. If you examine other faiths, it is easy to see that even religions as distant from these three as American Indians have some similarities.

Greg responds...

I see similarities all over. ALL OVER.

These things aren't mutually exclusive, which I believe was my point.

But I've studied the bible, and I see CLEAR signs in it of a non-monotheistic god. He seems to be a geotheistic god, particularly in chapters of Genesis and Exodus. Not the only. Just "THE BEST" (or at least the toughest).

Personally, I'm a Jew who believes in God. But I can't limit my perception of him to the Torah. It just doesn't work for me. Having said that -- and before I get slammed for saying it -- let me state clearly that the above opinions are first and foremost, merely that -- OPINIONS. They are my highly personal opinions. I have no interest or desire in trying to get anyone (ANYONE) to see things my way -- anymore than I have any interest or desire for someone to attempt to convert me.

So take everything I say with a grain of salt. Or a pillar of it.

Response recorded on May 02, 2001

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Bruno writes...

Hi, Greg,

Do you play - or played - videogame?

Greg responds...

We had a full-size arcade Pong machine when I was a kid.

Response recorded on April 17, 2001

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Pyro X writes...

Greg;
Are you really colorblind?

I am as well! I didn't know this. we have something in common, although not a great thing.

Greg responds...

Technically, I'm red-green color deficient.

Response recorded on April 08, 2001

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Jim R. writes...

Where do you answer our questions? At home? Work? In your car? In your sleep?

Greg responds...

I have three offices. One in Beverly Hills, my freelance office. One in Burbank, my Disney office. And one in my home.

I almost NEVER answer questions at home, because I almost never log on from there. I'd rather spend time with my wife and kids.

I answer at one of the other two offices whenever I have a free hour or so.

Occasionally, on vacation, if I have web access, I'll stay up late and answer after everyone else has gone to bed. Like now.

Response recorded on April 08, 2001

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demona writes...

hi greg could u go to my chat room the addy is http://www.masquerade.com/main.htl my group sog would be very excited to see u there out meetings are every sunday at 8:00 pm eastern or standerd time i am there as demona there is also a macbeth etc and we all would love 2 see u there !

Greg responds...

Generally, I don't have internet access on the week-ends. And at any rate, 8pm Eastern is 5pm Pacific, and that's time I spend with my kids. But thanks for the offer.

Response recorded on April 08, 2001


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