Vaevictis Asmadi writes...

#7
I finally found a comic shop semi-near my apartment and figured out how to get there by bus. It's kinda creepy standing alone at a totally unfamiliar intersection after dark, but I got my comic the day it came out. And the store only had 2 left when I got there, that same day.

~~~~~~~~~~SPOILERS~~~~~~~~~~~
So yes, this is pretty hard to follow, it's hard to review the story when we don't have #8 and #9, but all that Withheld stuff will be useful now. Even though... we have the times right there in the comic. Here's my initial thoughts:

*I am happy to see Macbeth, and being friendly with the clan. He's my favorite 'antagonist' in the series. "Don't you have minions for this?" is a great line.

*Goliath has healed very nicely, there's not even a mark.

*Brooklyn wants to stay in NY to get a break from seeing Broadway and Angela holding hands and being all "OMG WE'RE IN LOVE!!" when they wake up in the evening. Then they decide to stay too. Poor Brooklyn. And I wonder what Angela whispered. I wouldn't feel sorry for Brooklyn because he is being jealous, except he still feels like there are no more females of his species left. Does he not realize there is a whole clan in England? I would have expected him to want to meet them, especially after he asked Goliath "When do we get our World Tour?"

*Jetlag and gargoyles, interesting. It is a nice way of demonstrating (like Broadway underground in the animated series) that gargoyles have a biological clock, that they don't just react to sunlight. And there's Macbeth, drinking lots of coffee to keep himself awake, and looking bored. He should have brought a book. I was wrong about thinking Lex was cold when he woke up, thanks for clearing that up. I'm not surprised they feel lousy.

*Hey look, its the little green guy from Demona's clan. I liked that character design. And there's Gruoch and Demona, too. But no Lulach.

*Maggie is pregnant! I guessed it from the way Dr. Sato says "condition" and the way she and Derek are looking at each other. I'm surprised it happened so soon. Are they going to get married then? Or at least have a ceremony, since the legal benefits won't be useful in the Labyrinth. It is nice to see Dr. Sato becoming an ally of both NY clans. I wonder how Maggie will explain all this to her folks in Ohio, though, because we haven't seen her contact them yet. And I'm eager to learn what their offspring will look like. Human, mutant, half-human and half-mutant... it could be anything.

*The conversation between Goliath and Elisa is interesting. The same panels and poses from #3 are deliberately repeated, the contrast is good. And I like her conclusion. "Normalcy is so overrated." She's thinking about Derek and how he seems to be gaining happiness in spite of not having a normal life. And she touches his hair, so he kisses her. :)

*Shari's watching Thailog take a bath!? Also, he has a surprisingly modern-looking computer for 1996, but what with all the cyborgs and super-robots and nanobots running around the Gargverse, I guess Thailog's rich enough to afford something "futuristic."

*I do wonder if the stories told of the Stone are true or not. Probably they are, but how did a handful of Greeks and Egyptians conquer all of Ireland? If that Stone is a Child of Oberon (as you once suggested it might be), it seems to be very patient with sitting around for long boring stretches of time being a rock. Then again, I don't think you intend it to be a Child of Oberon anymore, since it isn't at the Gathering.

*I wonder what are Thailog and Brentwood looking for, and where are they? Maybe we'll find out in #8.

*The new Coyote robot is one of the uglier ones in my opinion, though not as ugly as 4.0. Generally I think the one in Cloud Fathers (5.0?) was the sleekest-looking. That's not a critique of the penciller or the character design, but a critique of whoever (Xanatos?) designed the robot itself.

*I'm not surprised to see King Arthur, but I am surprised to see him do ~that~. Guess he and Macbeth have some more issues to work out yet! I wonder why he's so mad at Macbeth. And his motivations... it would be so bizarre if he was an antagonist in this story arc.

*New gargoyles! Plus Griff is back, I really like Griff. I am happy to see new gargoyles, as I've been very curious about non-Scottish clans, but I admit to being very disappointed with the new character designs. I am sorry to tell you this, but I dislike them. It doesn't make any biological sense that each one's heads just happens to ~exactly match~ his/her feet, when they aren't mammals nor related to those particular animals at all. I'm still very happy to see new gargoyles, though, but I was hoping for gargoyles that looked like they could have evolved, instead of like they were designed to look ~exactly~ like specific mammals. I still think that "chameleon genes" in general are plausible, and I ~love~ the variation in the other clans, but the London clan is no longer plausible for me (except Griff, who has mixed-together body parts). Each other gargoyle has his or her specific feet and tail cherry-picked to match ~perfectly~ his or her specific head, so that he/she looks like a winged, anthropomorphic/mutate version of one single, specific mammal, instead of a gargate that happens to remind humans of some animal. The white male has the face of a deer, and also antlers and a deer's cloven hooves (not horse-like hooves like Una), and they all match. The brown female has boar's hooves and a boar head to match. You have said that evolution and creation are supposed to be equally possible origins for gargoyles, but so far each London gargoyle (except Griff) is designed to look exactly like a single animal. I hope this isn't an indication that the rest of the clan will all be like this. They all live together and mate each other. Wouldn't offspring inherit a mix of their parents' traits?
But other than that, it is interesting to see the combination of wing-claws with the feather-like surface. Also surprising that some London gargoyles have the leathery wings instead. And that female has neat clothing. I agree with others who are happy to see a female who isn't thin or attractive by human standards.

Although the new gargoyle character designs bother me a lot, I'm still happy with lots of information and events, and I like this issue. TONS of teasers, and an intriguing storyline of which I look farward to learning more. Overall, the format is a confusing way to tell the story and I wonder why you are telling it this way, surely not only to mess with our heads (though I'm sure you enjoy that too!). Perhaps the next two issues will reveal the reason for the unusual format. As for the art, David Hedgecock is much better than before and this is the best colorist to be paired with him yet; Thailog's not black anymore, and the Mutates are tailless again. But Broadway is still off model in almost every panel and it bothers me. Everyone else looks really great, though, especially Goliath, Elisa, and Angela. It is true that sometimes Goliath's head is too big, but I didn't notice until other reviews pointed it out. I like this issue's art better than #6. I hope you guys stick with this art team from now on, Hedgecock is looking good and Robby Bevard brings out the best in his inks.
~~~~~~~~~~SPOILERS~~~~~~~~~~~~~~

Hello my frist qustion here writes...

hello Greg ,I was doing some research for my finals
and I had to look son zoidack symbols. so any way I notice that the star sings
have a color that is appealing to those borne under that specific sign.
anyway here is my question do you think the people borne under the sign of Scorqpio (fond of dark colors. dark reds ,blacks .ect )
would be more tempted to favor brooklyn, as a character, and or fiend him Physically attractive.
(hope I did not sound to perverted)

thank you for tacking the time to read this

Greg Bishansky writes...

Just a silly little question. Obviously, Thailog makes his residence in the Nightstone building. So far we've seen a throne room, and we've seen a jacuzzi. Thailog is quite the hedonist, isn't he? Doesn't surprise me, he always came off as one to me. My question is, are these new? New as in, since "Hunters Moon"? Or were they there when Demona was running the place, if so, did she make use of them? The throne doesn't seem her style, she's never come across as all that much of a hedonist to me.

zuher writes...

greg i dont know iff u will read this ortake it seriously ur great and im not just sayin that i have all the episodes where did you get the inspirtion for this samrt idea?

Vicky82 writes...

Greetings from England

Got Gargoyles 7 from Midtowncomics.com (2 copies) on Wednesday and I love it,

*********************SPOILERS******************************

Wow can't beleive it Maggie's pregnant, I'm guessing that Maggie due sometime in July 1997 but i got a feeling this aint going to be a easy pregnancy

Goliath chooses Brooklyn, Broadway, Angela and Lex to go to England with Macbeth but Brooklyn chooses to stay behind I guess to avoid Angela and Broadway but after Angela whisper something to Broadway (I love to know what she said) they stay behind too which Brooklyn doesn't seem happy about it.

I hope Brooklyn gets over Angela Choosing Broadway because I got this feeling he could get himself into trouble by doing something stupid before he goes on his Timedancing Journey.

Anyway Hudson goes with Lexington to Englan to help Macbeth

Elisa and Goliath kiss again (squeals)

As I live not far from London (30 miles north of London)It's great to see the Gargoyles in England

which Airport did you use was it Gatwick or Heathrow as they are the 2 main Airports just outside London, I wonder if Hudson and Lex are going to glide up the M1 next (thats one of our main Motorways)

Funny that I live in England but don't really know that much about the Stone of Destiny or the transporting it from London to Scotland in 1996 (14 years old at the time)

Interesting story about Gathelus and Scota that Shari is telling Thailog.

I like the 2 new Gargoyles.

Can't wait till issue 8 but first Bad Guys 2

Ed Reynolds writes...

GARGOYLES #7

Amazing issue.

I love how jam-packed each of these comics are. Some comics you've got all there is to get first read-through; this gets better and better with each successive reading. The non-linear structure flummoxed me first off, but now I'm completely in love. It's got a rhythm completely of its own. (Piecing together the Ask Greg clues to work out where the missing parts of the story are made it doubly fun so thanks for that 'Easter Egg'!). I'm really curious about the inspiration for this. Obviously in literature there are plenty of books which disassemble time but usually to mirror consciousness. 'Memento' is the only film I can recall which is this fragmented, but again there's a strict order. (Sometime, not while the story's still running necessarily, but eventually, I'd be interested to read about the thought processes behind this structure.)

Here, we're really dotting around but it gives the impression of a patchwork of themes: sibling rivalries (Jacob/Esau, Brooklyn/Broadway, Othello/Iago) particularly stand out. Perhaps also lineage -- never has the interconnectedness of man been so apparent than seeing the links from Egypt to Portugal to Ireland; and in modern times, we have the Maza family expanding into new boundaries, with Elisa & Goliath and Talon & Maggie's child. And of course, we have all these dark mirrors to our leads: Xanatos and Coyote, the ColdTrio and the Angela triangle, Lex/Brentwood, and as has been mentioned, Thailog/Shari who look very Goliath/Elisa in some panels.

I love the scene of Thailog & Shari playing chess though -- more Fox & David. I wonder if the bathtub scene is meant to suggest how Sevarius would like to spend his nights. Shari is by far my favourite new character so far. She's utterly fascinating. And while we have no evidence there's anything between them, they certainly seem pretty intimate. And whatever their relationship is, it fits that while Goliath & Elisa's life is based on protecting and serving, Thailog & Shari's seems to be about knowledge and power.

Although this is another story on a huge scale, I'm really glad the clan is proactive at the centre this time. I love, adore, the big, eclectic 'Gargoyles' cast, but more than that, I love our core guys. And Macbeth. Broadway and Angela seemed kind of mean to Brooklyn -- I hope this is in aid of them intervening to resolve their issues. Lex and Hudson taking centre stage fills me with joy.

(Oddly, I was in central London in November 1996. My brother was in Great Ormond Street getting his cochlear implant and it was around this time that we'd recently discovered 'Gargoyles'. I know he watched 'A Lighthouse in the Sea of Time' on television with his ward; and also I remember looking for 'Gargoyles' figurines in a London toy shop and coming out with a Lexington one for his Christmas. It's one of my most vivid memories, but it gives me a real kick to think that the 'real' Macbeth and Lexington would have been running around about the same time only a few miles away.)

The cover -- bit of a quiet one. I don't mind covers that don't reflect the inside too well (#1 and #3 are probably my favourites to date and have no real relevance to the interior), but this one attempts to find a hook from inside and comes up with something pretty mild. I still love Greg Guler's covers though. Will be very interested to see David Hedgecock on #8 but I hope Greg sticks around.

The art -- Really gorgeous. David Hedgecock has received some flak for his model work, but I have to say... I grew up on lisenced books. Spidey and X-Men were all too convoluted to get into, but Turtles, Sonic, Bucky O'Hare -- this stuff I knew where I was. And I know being 'off-model' is considered a pretty heinous crime by people who read these kinds of books. But my favourite artists, and often the most popular artists, were never the most on-model. Often the artists who tacked closest to the models produced characters who looked just a little plastic, a little too perfect, a little dead behind the eyes. David's model work is decent given the scores of characters he has to master each issue, but more than that, we really get a sense of the characters' intelligence and purpose, of momentum and fluidity. It's good, compelling art and I'm so glad he's having a good run at it. (My only hope is that if it is necessary to switch artists for a future issue that we can have the same person working on a sequence of stories -- this was what felt a little jarring about #3-5, though it was for entirely understandable reasons).

The colours -- Rich, atmospheric, true to the original, but really dramatic and bold as well. I particularly appreciate London on the last page looking like the late 20th century and not the late 19th -- alive with light. Often I'll see American presentations of London -- including in 'M.I.A.' where admittedly there was probably pressure to reuse the same backdrops for the 1940s and 1990s sections -- where it feels somehow dated. And of course, parts of it are historic. But growing up in London, all this seemed normal to me and so presentations which really honed in on the ancient aspects always startled me a bit. The Shari/Thailog colours are especially splendid. (Although -- being ultra-pernickety -- stars can't turn up in front of the shadowy portion on a crescent moon!).

I'm thrilled King Arthur is turning up, the London clan look amazing, and the details about the history of the stone and the naming of Portugal really stand out for me. I'm completely psyched to see where this goes next.

Big thanks to Greg, David, Robby, Greg G and the guys at SLG!