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I just read the good news that BAD GUYS will be a 6 issue limited comic book. I can see that if the comic book doesn't do well that you'd only want 6 done, but what if it does well? Would you make more than just the 6 comic books? I know you want to jump into PENDRAGON after the 6 are done, and if you do, would you continue BAD GUYS from that point, or would you go back and tell stories that happened within the 1st and 6th comic books?
Thank you for your time and for creating the new comic book.
If Bad Guys is a success, we would eventually bring it back, either with another Gargoyles:Bad Guys limited series or if the demand was just HUGE with it's own series. But for the time being the idea of alternating the regular bi-monthly Gargoyles comic with a bi-monthly spin-off mini-series is very appealing to me. It's not an overwhelming amount of work for me to cover, and it allows us to visit all over the Gargoyles Universe.
JUST got back from WONDERCON. Made a few announcements there, that I want to repeat here...
GARGOYLES: BAD GUYS
SLG will be releasing a new spin-off of Gargoyles. GARGOYLES: BAD GUYS. This will be a six issue bi-monthly limited series in black and white. I'm writing the title, with art by Karine Charlebois and tones by Stephanie Lostimolo. Covers (as always) by Greg Guler, colored (yes, colored) by Stephanie.
Gargoyles will remain a bi-monthly book (in color). (More on this in a second.) And Bad Guys will come out bi-monthly on the main title's dark months, so for a year you'll have SOME Garg Universe product coming out every month.
Now, I'm sure you have questions... So I'm going to TRY to preempt some of them here:
1. HOW CAN YOU START A SPIN-OFF WHEN YOU'RE BEHIND SCHEDULE ON THE REGULAR BOOK?
Fair question. But I personally am NOT behind schedule on the regular book. In fact, I'm way ahead of schedule. Here's where things stand.
Issue #3 is done and has been for weeks. We're simply waiting on Disney to "approve" the issue. There's no mystery or conspiracy here. There's just, I'm guessing, a guy in an office who is swamped with things to approve and isn't making the SLG properties (Gargoyles, Tron, Wonderland, Haunted Mansion) a priority.
Issue #4 is being colored and lettered and should be done within a couple of weeks. Since it doesn't need to go out for two months, that should give Disney plenty of time to approve it.
Issue #5 is being inked.
Issues #6 and #7 have both been scripted and pencilling has started on each.
Issue #1 of Bad Guys has also been scripted.
I will start on issue #8 of Gargoyles next, then #2 of Bad Guys, #9 of Gargoyles and etc.
I'll stay ahead, and hopefully so will everyone else and what that means generally is that barring something totally unforseen, we should be on schedule from here on out.
And, yes, David Hedgecock had delivery issues Gargoyles #2. But this was due to him having to split his time between a day job to pay the bills and his gig on the book. David has now taken the EXTRAORDINARY step of quitting his day job to dedicate his time to Gargoyles. Since we also have fill-in artists on issues #4-6, David is getting right to work on issue #7 and he will no longer be the cause of any delays.
On top of this, Dan Vado has stated that he has every intention of picking up the Gargoyles' license when it comes up for renewal.
I don't want to get complacent, but really this is all good news. It looks like we should be around for a while.
And I actually think that Bad Guys will help us out. We will in essence become a monthly title (at least sort of), which will get readers in the habit of picking up something Gargesque every month. That HABIT should help. At least that's the theory.
2. WHY BAD GUYS? I WANTED TIMEDANCER*! (*Feel free to substitute NEW OLYMPIANS, DARK AGES, PENDRAGON, 2198.)
The main answer is chronology. I have this timeline. And the Bad Guys story I'll be telling in this six issue mini-series is happening in late '96, early '97. This is the story that NEEDS to be told now. I hope you like it. AND I hope you'll support it. Because if this limited series does well, then GARGOYLES: PENDRAGON is next in line. And after that GARGOYLES: TIMEDANCER. (That's as far out as I've allowed myself to think up to this point.) If the limited series doesn't do well, then it'll be the last one... and I'll eventually incorporate events from Pendragon, etc. into the main Gargoyles book. But I'm hopeful that that won't be necessary. And I hope that those of you who've seen the Gargoyles reel at a Gathering can tell those who have never attended one of our great (www.gatheringofthegargoyles.com) conventions just how cool Bad Guys really is.
3. WHEN WILL GARGOYLES: BAD GUYS PREMIERE?
Karine is inking Gargoyles #5 now -- which shows what a trooper she is, since she JUST gave birth a few days ago! As soon as she's done with G#5, she'll start on BG#1. Our hope is that Bad Guys #1 can come out in the dark month between either Gargoyles #6 & #7 or -- at the latest -- between #7 and #8. We certainly plan to tease and pimp Bad Guys at the 2007 Gathering in Pigeon Forge!
So, if all goes well...
Gargoyles #3 - March
Gargoyles #4 - May
Gargoyles #5 - July
Gargoyles #6 - September
Bad Guys #1 - October
Gargoyles #7 - November
Bad Guys #2 - December
Gargoyles #8 - January, 2008
Bad Guys #3 - February, 2008
Gargoyles #9 - March, 2008
Bad Guys #4 - April, 2008
Gargoyles #10 - May, 2008
Bad Guys #5 - June, 2008
Gargoyles #11 - July, 2008
Bad Guys #6 - August, 2008
Gargoyles #12 - September, 2008
Pendragon #1 - October, 2008
Is there an element of wishful thinking here? Well... duh. But it's not unrealistic either. This is the plan. I mean to do everything in my power to stick to it, and everyone else involved feels the same way. Can't make ABSOLUTE guarantees of course. But I can promise you that I'm passionate about this project, about making it the best it can be both creatively and financially.
4. WHY BLACK AND WHITE?
This is largely an economic decision. Printing in multi-color costs WAY more than printing in B&W, and that reduces greatly SLG's profit margin and ability to put out the titles without over-extending their resources.
Creatively, however, I was completely behind the decision. Though I feel strongly that the main GARGOYLES title should be in color, I think the subject matter of Bad Guys can work terrifically in b&w. Again, if you've seen the Bad Guys reel at the Gathering, you'll have some idea of what this book can be -- even without full color. Plus we will have color covers, so you will get a sense of what our characters look like in color.
5. UH... I CAN'T THINK OF A #5 AT THE MOMENT.
BUT I'M SURE YOU GUYS WILL. The good news is that I'm getting through the ASK GREG back log at a pretty steady pace. I'm hoping to have the site open for questions shortly. And we'll definitely open it up (at least briefly) when issue #3 hits the stores.
THE AMAZING SPIDER-MAN
The following press release came out late last week...
KIDS' WB! ON THE CW NETS NEW SPIDER-MAN
ANIMATED SERIES FOR EARLY 2008 PREMIERE
Culver Entertainment Widens Renowned Marvel Hero's Web from Blockbuster Films
to No. 1 Rated Saturday Morning Broadcast Kids Network
BURBANK, CA (MARCH 1, 2007) - Spider-Man swings back into television action in early 2008 as an animated series from Culver Entertainment to air on Kids' WB! on The CW, it was announced today by Kids' WB! Senior Vice President and General Manager Betsy McGowen and Sony Pictures Television Co-President Zack Van Amburg.
Tentatively titled "The Amazing Spider-Man," the new series is being produced by Culver Entertainment. Greg Weisman ("Gargoyles", "The Batman") is supervising producer, Victor Cook ("Hellboy: Blood and Iron" and "Buzz Lightyear of Star Command") is producer/supervising director. The series will premiere on Kids' WB! on The CW, the No.1 rated Saturday morning kids broadcast slate.
"The addition of 'Spider-Man' bolsters a lineup that has proved to be the Saturday morning destination for kids seeking action and adventure in the most amped-up ways," McGowen said. "We're ecstatic to welcome 'Spider-Man' to our popular cavalcade of super heroes."
"Spider-Man is such an important brand for Sony Pictures and we're thrilled to keep the momentum going by taking it back to television with an animated series on Kids' WB!," Van Amburg said. "It's also an excellent way to launch Culver Entertainment, our newest television company."
Riding the crest of Sony's anticipated summer blockbuster "Spider-Man 3," the new animated series picks up the original web-slinger's mythology at the beginning of his hero's journey - as a not-so-typical 16-year-old entering his junior year of high school. Having spent the summer engaging common criminals with his new-found powers, Peter Parker must conceal his secret identity while engaging a new level of terror - the multi-leveled pressures of teenage life at home and school while combating bigger, badder super-villains in the real world.
"Our goal is to reinterpret these great characters and concepts for our millennium," Weisman said. "We'll have plenty of resonant material for the Spider-Man fan, while engaging the Spider-Man novice with the same thrills we experienced when we were first exposed to the character. Our stories will appeal on multiple levels with plenty of eye-candy, action, humor and colorful characters for the youngest demographic balanced with extensive character development for 'tweens, teens and adults."
Culver Entertainment is a Sony Pictures Television company. Sony Pictures Television is one of the television industry's leading content providers. It produces and distributes programming in every genre, including series, telefilms, theatrical releases and family entertainment for network and cable television, as well as first-run and off-network series for syndication. With more than 25 programs on the air, SPT boasts a program slate that includes the top-rated daytime dramas and game shows, landmark off-network series, original animated series and critically acclaimed primetime dramas, comedies and telefilms. SPT (www.sonypicturestelevision.com) is a Sony Pictures Entertainment company.
A leader in children's programming, Kids' WB! continues to be a unique destination for kids. Kids' WB!, now airing on The CW Network, has been the broadcast home for such cornerstone hits as the blockbusters "Pokémon" and "Yu-Gi-Oh!," Emmy® Award-winners "Xiaolin Showdown" and "The Batman," culturally diverse series "Jackie Chan Adventures" and "¡Mucha Lucha! Gigante," and breakout hits "Shaggy & Scooby-Doo Get A Clue!" and "Legion of Super Heroes," among other favorites. Kids and their parents can find more information about Kids' WB! programming online at www.KidsWB.com.
We're still in very early days on Spidey, but I'm tremendously excited about the project. I hope you're looking forward to it, as much as I am.
That's it for now,
Questions regarding "Walkabout"
1. Why did Dingo meant by helping Fox and Anastasia? Carry crates? Clearing the test sites?
2. How did the Matrix shrank after being so insanely large? Compression? Did it kill a handfull of nanobots?
3. What was Dingo's job before going to America?
1. Generally, I think he was in charge of security. EXTERNAL security. Although, clearly he was off duty when the episode begins.
2. Deactivated and dissolved most of them, yes.
Hi Greg! I'm posting for the first time and it feels wierd, since I tried to send questions 4 or 5 years ago and they got deleted. Anyway...
First of all, I'd like to thank you for having been (and still being) such an important part of the Gargoyles franchise. You (and others of course) provided me with easily THE single best animated show ever. A well written series great voice acting, continuous plots, characters that are believable, and a complex universe that manages both to include lots of existing legends and myths while still retaining a distinct identity. I truly think that in terms of all-around quality for a dramatic show, Gargoyles was easily Disney's best effort by far. Reboot is the only other animated show that I've seen that seems to exhibit the same qualities, meaning well-written, clever and quite enjoyable for both kids and adults.
Also, I'm happy to learn that Gathering 2004 will take place in Montreal, meaning I might actually be able to attend! I don't know if you're the one who chose the location, but if you are, thanks on behalf of us Canadians!
Finally, I'd just like to thank you for actually answering the flood of questions we fans send your way. And especially your god-like patience towards people who obviously never took the time to read the FAQ OR archive. I can understand asking about a minor detail that could have been missed, but among the questions being submitted, I know there are some LAZY people I wouldn't mind slapping once or twice in the face...
Anyway, I have a number of questions on different subject, so expect a few one-question posts from me.
This one would fit in a "Writing" category if there is such a thing.
1. Regarding your current master plan (i.e. your ideas for the various spin-offs), it's obvious you've given lots of thoughts to the initial setting of each. The main characters and their immediate goals for example, as well as ideas for early stories as well as a few ideas for on-going plots. A lot of course would be dictated by the characters (and your muse I'm sure) as the shows would go along.
a) Now here's my question: Do you have an idea about the possible endings of some of your spin-offs? I don't want you to tell me anything, just if you have some "Ultimate goals" in mind for all your spin-offs.
Gargoyles itself has always been very open-ended. There never was a single overlying theme to the series, it just kept going on on its own, the plots and characters growing in complexity in a very organic and sometimes unpredictable way. It could potentially keep going on for years and years.
But some of your spin-offs have very specific premises. There ARE stories that are better told if planned from beginning to end as a whole. Others however are better if left to evolve on their own. An aimless story could potentially "find its voice" after a while, leading to an ultimate ending of sorts. Or, the initial premise could be transformed over time, leading the story in a quite different direction.
For example, Star Trek: Deep Space Nine. Initially, the show is about our heroes trying to restore a people (Bajorans) to a stable society following years of occupation by an enemy race (Cardassians). Yet, after two years, the show introduced a much bigger menace, a race who sought to conquer and control all others (the Dominion). From then on, the show eventually lead to a huge war with the ending signaling the end of the hostility.
a) How do you feel about long stories? About those that are open-ended and those that have some finality set for them? (I hope I'm not being to vague here. I'm really interested in how you feel about this)
And about some specifics spin-offs:
b) Bad Guys: The basic idea is about our main characters seeking redemption. Do you know if they ever find it? And would that be the goal of the show?
c) TimeDancer: Ultimately, the very final ending is, in a way, already known. Brooklyn makes it home a lot older with a family. But do you already have some sketchy idea about how he finally makes it there, like some final adventure dealing with the Phoenix Gate itself, or were you planing on dealing with it once you were forced to, like a series' finale?
c) Gargoyles 2198: This one seems to be mostly about the war against the Space-Spawn but as you often say, "Things aren't that simple". Would the liberation of Earth signal the end of the series, or would you keep the series going with the existing setting once the war is over? After all, there might still be other threats like Coyote-X, the Illuminati, etc.
d) Dark Ages: Since this one could theoretically run up to the beginning of "Awakening", I won't ask if you have an ending in mind.
e) Pendragon: It's obvious now that Merlin, Mr. Duval and Holy Grail would be important part of the story. Do you have an ending in mind for this one, or where you again planing on seeing where the story ultimately took you?
f) New Olympians: This one feels pretty generic, and feels like it could run forever like Gargoyles. The ultimate goal I suppose would be the acceptance of New Olympus by humanity, but judging by the response toward gargoyles, wouldn't likely fit within an entire series, no matter how long it might be. Still, got an ending in mind, even if it's pretty open-ended, like "Hunter's Moon pt.3"?
Thanks a lot for answering.
Well, time delay means that I believe we met in Montreal (and, no, I didn't choose the location -- I don't make those decisions). You played Lex in the radio play, right?
1a. Some yes, some no. I know where Dark Ages ends -- with "Awakening, Part One". I know where "TimeDancer" ends... right where it began. I have a VERY good idea of how the Space-Spawn thing is resolved, but I don't think that necessarily marks the end of 2198. And likewise, I don't have a firm ending for Pendragon, Bad Guys or the New Olympians... but I have a good idea where I want to go with the first major arcs. As for Gargoyles itself -- that would end in 2198.
1a) [You had two (a)s.] Some stories -- whether long or short -- need closure. They're one-shots... no matter how long they last. Others can be open-ended. I lean toward the latter personally... because life is ongoing -- even after individuals die. But I respect the other form as well.
b) I'm not going to reveal whether or not they find redemption, but yes that's the goal. The thing is... even if I were to redeem all the original cast, the concept can survive them. And new characters may be introduced that give us a reason to continue. I will say, that I wouldn't be shy to bring a series to an end if I had no more stories to tell. That just has never happened to me within the Garg Universe. Not yet anyway.
c) See above for confirmation of your basic thesis. But I have a fairly clear general idea of how the whole dance, including the finale choreographs. But I won't pretend I have all forty years worth of adventures planned out to the last detail. I don't.
c) [You had two (c)s, as well.] See above. The war doesn't end the series.
d) See above.
e) I have endings in mind for some of the arcs that I plan to set in motion. But even the ultimate death of Arthur himself (which I was not planning anytime soon) might not end this series. I have at least one significant idea to go beyond Arthur...
f) Same deal. I have specific arcs in mind, and I have a solid idea of how they end. But I doubt that they wouldn't lead to more stories. If in fact they didn't and I was out of juice there, I'd shut it down.
just wondering... i havent seen all of TGC, so if this comes up in the show & i missed it... well, ops but
1)anyway, after hunters moon, what hapens 2 robyn canmore? does she keep tracking "the Demon" or what.
2) does jon canmore/castaway blame elesa at all for what hapened 2 jason
1. No, she's arrested and forced to join the "Bad Guys".
2. He's not fond of her.
Salutations. I have a question concerning Robyn "Hunter" Canmore. Specifically, concerning her continued use of the Hunter persona and mask. The proposed Bad Guys show has long been my favorite of the six potential spin-offs, primarily because of my affinity for Dingo (I like to see redemption, I guess its just my religious upbringing). But when I read that Robyn would continue to use the identity and mask of the Hunter, I was initially nonplussed. The Hunter was born in a crucible of hate and anger. The red slash marks always seemed, to me, to be symbolic of the fact that the first Hunter refused to allow his wounds to heal. They may have physically healed, but once he put on the mask, they were suddenly red and (in his mind, at least) fresh. I didn't understand why Robyn, after she'd reformed and given up her family's misguided crusade, would nonetheless continue to wear the mask of the Hunter. But the more I thought about it, the more it made a certain amount of sense. Robyn is not the first Hunter, not by a long shot. Both of her brothers used the identity at one point in their lives, although they have both since abandoned it (though for vastly different reasons). Her Father was the Hunter. Numerous ancestors also wore the mask. By doing good while using the identity of the Hunter, she is, in some way, working to redeem not just herself, but her entire family line since Duncan. That was my interpretation, at least. Was I off the mark?
Not entirely, but you're also forgetting that this isn't all up to Robyn.
Redemption is a BIG theme of this spin-off. And deep down Robyn wants it for both herself, her siblings and her ancestors.
But in the short term -- she's being coerced by the Director. Coerced into participating in the squad. Coerced into maintaining the Hunter identity. How she ultimately comes to terms with all of this, I hope, would be one of the fascinating and complex elements of the series.
Does Sora still love Yama? Even after his betrayal and banishment?
Gargoyles mate for life, so yes. But that doesn't mean that they don't have a lot of problems to overcome.
Hey Gregg, I'm new to this site, and I was just wondering... is there something I missed about Gargoyles? I mean, I know of Gargoyles, and The Goliath Chronicles, but was there some other Gargoyle show that aired after?
What lies ahead for Gargoyles? Do you plan on bringing them back to the air at some point? I'd really like to see some new Gargoyles cartoons....
There were proposed spin-offs, sequels and prequels, including
Gargoyles: The Dark Ages
The New Olympians
plus plenty ideas just to continue the "Gargoyles" series itself.
I haven't been able to convince Disney to do any of these things.
But who knows?
"Firefly" was dead. It sold a TON of DVDs and now they're making a movie, "Serenity". "Family Guy" was dead. It sold a TON of DVDs and now they're making new episodes.
Up until this year, the best single way you could help relaunch the show in some way, shape or form was by attending the Gathering, our annual convention. That's still true. So if you haven't heard, check out this year's con at their website:
The good folks at Walt Disney Home Entertainment took notice of the fandom, largely thanks to these conventions. They'll be attending this year with a video crew to tape footage of the con to put on the Gargoyles DVD, to be released later THIS year (2004!).
The DVD will contain all 13 episodes of the series' first season, complete and uncut. It will also have a commentary track and other extras (in addition to the con footage) that are still being discussed.
If you want to see the 2nd Season on DVD, and if you want to see Disney make more Garg Universe materials, there's no better way to get them to take notice than by buying the DVD. If the fans demonstrate an audience with disposable income, Disney will respond. It's not far-fetched. It's happened before.
In "Bad Guys", would the Matrix have been "powered down", so to speak, i.e. portrayed as less powerful than he was in "Walkabout"? In "Walkabout", he was capable of covering the entire world with his nanites, and was unstoppable by force (Goliath and Dingo were only able to prevent him from reformatting the Earth by reasoning with him); obviously, if he was still on that level in "Bad Guys", it would make things too easy for the Redemption Squad.
Matrix's potential would have been one of the major issues of the series...
But it wouldn't have necessarily made the Squad's life any easier. His power to destroy and refashion was unlimited in Walkabout. His ability to save something... not so much.
I have a few questions about the Leica reel for Bad Guy's, as I've never seen it (but really want to).
1. If you can't/don't want to spread the reel all over the net, could/would you write a detailed/some what detailed report on how the story goes. You of course don't have to, but I'm sure it would satisfy a lot of people who have never gathered to a gathering.
2. What IS a Leica reel? Is there anything animated about it, or is it more of a montonage <sp?> of art work with voice-overs from key characters?
3. How much detail is shown in the animation/stills (i.e.: sketches or paintings or stuff the like I see in Gargoyles)?
4. How long dose it run for?
*Note* I could have asked the CR about all this, but I enjoy the way you write, when you do :^B (enough flattery?).
And I hope to see it for myself someday, not in Virginia, but in NY, 2003 if all goes well.
1. No. Sorry. It's a special treat for Gathering attendees, and I don't want the story in it to become common currency. I still have hopes of selling it someday.
2. A leica reel can be many things. The spelling suggests it has something to do with a Leica camera, but I've been assured that it really is code for IT'S LIKE-A REEL. It's also sometimes called an ANIMATIC or SIZZLE TAPE. There is no true animation, though I've seen some recent stuff using flash. It's basically a filmed storyboard, with a few fancy editing tricks, like panning, scanning, pushing in, pulling out and maybe a few dissolves or wipes. That's put with actual recorded vocals and hopefully some music and sound effects. It's an effective way to tell a story, like a glorified comic book for the screen. But it's supposed to be done for a relatively small amount of money. A few thousand dollars as opposed to tens of thousands of dollars.
3. It depends. Some are very detailed some are very sketchy.
4. Again, it depends. I think BAD GUYS runs about 7 minutes, which is probably too long for anyone but garg fans.
Or maybe you can come see it in Montreal in August of '04.